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nternational Communication L co-production through work a

NICL (New International Communication Labour) engaged in co-production through work and culture

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Page 1: NICL (New International Communication Labour) engaged in co-production through work and culture

NICL (New International Communication Labour) engaged in co-production through work and culture

Page 2: NICL (New International Communication Labour) engaged in co-production through work and culture
Page 3: NICL (New International Communication Labour) engaged in co-production through work and culture
Page 4: NICL (New International Communication Labour) engaged in co-production through work and culture

Production

Distribution

Exhibition

Page 5: NICL (New International Communication Labour) engaged in co-production through work and culture

Production

Distribution

Exhibition

Page 7: NICL (New International Communication Labour) engaged in co-production through work and culture

Distribution

Case study: Arrietty (article on Bb)

Page 8: NICL (New International Communication Labour) engaged in co-production through work and culture

ProductionCO-“Official” co-productionTreaties are signed. Countries are notified.

“Unofficial” co-productionResources (money, location, talents) are pulled together without countries’ involvement.

Page 9: NICL (New International Communication Labour) engaged in co-production through work and culture

WorkWhy Canada, a?

Co-production

Page 10: NICL (New International Communication Labour) engaged in co-production through work and culture

Work

“Coproductions are a key component of Canadian film and television production. They are a favoured method of penetrating new markets and facilitating project financing. Canadians are very active in the coproduction area. They promote quality and demonstrate remarkable energy and understanding of markets, making them valued, sought-after partners.”

International Treaties

Page 11: NICL (New International Communication Labour) engaged in co-production through work and culture

Work

Page 12: NICL (New International Communication Labour) engaged in co-production through work and culture

WorkCo-producing Asia

Hong Kong

Shanghai

TokyoSeoul

Page 13: NICL (New International Communication Labour) engaged in co-production through work and culture

Work

Trailer (mainland China)

Trailer (South Korea)

Page 14: NICL (New International Communication Labour) engaged in co-production through work and culture

WorkActor: Andy Lau

Director: Jacob Cheung(Hong Kong)

Actress: Bing Bing Fan(Mainland China)

Supporting actor: Sung-ki Ahn

(South Korea)

Page 15: NICL (New International Communication Labour) engaged in co-production through work and culture

WorkWhose film? Co-production

http://www.imdb.com/title/tt1504320/companycredits

Page 17: NICL (New International Communication Labour) engaged in co-production through work and culture

Culture

Co-production with Hong Kong

Page 18: NICL (New International Communication Labour) engaged in co-production through work and culture

Culture

Top grossing films, ever: http://en.wikipedia.org/wiki/List_of_highest-grossing_films

Page 19: NICL (New International Communication Labour) engaged in co-production through work and culture

Culture

Transformers in China (article on Bb)

Page 20: NICL (New International Communication Labour) engaged in co-production through work and culture

Culture

News article: Plot change: Foreign forces transform Hollywood films

Page 21: NICL (New International Communication Labour) engaged in co-production through work and culture

National Cinema• How can films unify a nation?• When should films be used to unify a nation?

http://www.youtube.com/watch?v=nA3W36JVnRc

Culture

Page 22: NICL (New International Communication Labour) engaged in co-production through work and culture

Culture

Page 23: NICL (New International Communication Labour) engaged in co-production through work and culture

Culture

Page 24: NICL (New International Communication Labour) engaged in co-production through work and culture

Culture

Page 25: NICL (New International Communication Labour) engaged in co-production through work and culture

Culture

Page 26: NICL (New International Communication Labour) engaged in co-production through work and culture

Facilitation Body

Culture

News article: David Cameron calls for “more commercial” British films

Page 27: NICL (New International Communication Labour) engaged in co-production through work and culture

Work

Why Boston?

chowda, anyone?

Page 28: NICL (New International Communication Labour) engaged in co-production through work and culture

WorkMassachusetts Film Office (http://www.mafilm.org)

“In the old days in the pre tax credit days we would be killing ourselves to get them to shoot movies that were set in Massachusetts in Massachusetts, now we're getting movies that are set elsewhere being shot here because the incentives make it financially compelling.”

Film producers now get twenty-five cents in tax credits for every dollar they spend in Massachusetts.

A long-running series could create long-term job prospects and raise Boston's profile as an established production center. He evokes 'Boston Legal' and 'Spenser for Hire.' The tax credits apply to TV productions as well.

Page 30: NICL (New International Communication Labour) engaged in co-production through work and culture

Top states for film/TV production

Work

Page 31: NICL (New International Communication Labour) engaged in co-production through work and culture

Case Study: As movie production scatters, so do Tinseltown’s hired hands(article on Bb)

Work

Page 32: NICL (New International Communication Labour) engaged in co-production through work and culture

Work

Page 33: NICL (New International Communication Labour) engaged in co-production through work and culture

WorkU.S. runaway film and television production study report

U.S. runaway productions are those which are developed and are intended for initial release/exhibition or television broadcast in the U.S., but are actually filmed in another country.“creative” runaways-which depart because the story takes place in a setting that cannot be duplicated or for other creative considerations.

Page 34: NICL (New International Communication Labour) engaged in co-production through work and culture

Work“economic” runaways, which depart to achieve lower production costs and tax incentives.

Canada captures the vast majority of economic runaways, with 81% of the total. Australia and the U.K. capture another 10%.Wage rates in Canada, Australia and the U.K. have consistently been lower than the U.S. during the past few years.

Page 35: NICL (New International Communication Labour) engaged in co-production through work and culture

Work

Above the line

Below the line

the list of individuals who perform the physical production of a given film, the post-production work and all of the related expenditures (for example, assistant director, costume designer, technician, make-up artist, etc.)

the list of individuals who guide, influence and hopefully add to the creative direction, process and voice of a given narrative in a film and their related expenditures (for example, director, producer, actor, etc.)

Stop runaway production