NEWSLETTER · Lute News Mandolin Quarterly Metropolitan Museum of Art Bulletin Min-su ch’ü-i: Journal of Chinese Ritual, ... American Lutherie 80 (Winter 2004): 38-44

Articles about Musical Instruments Published 2003–2004:A Selective Bibliography of Journal Literature in English

ThetenthbiennialFrancesDensmorePrize will be awarded in 2006 to anoutstanding English-language, article-length work about musical instrumentswhich was published during calendaryears 2003 or 2004. In preparation forawardingtheDensmorePrize,ageneralbibliographyofEnglish-languagejournalarticles about musical instruments hasbeencompiledbyChristineWondolowskiGerstein. This bibliography includesarticles published during 2003 or 2004and covers a more extensive selectionthan that which will be explored bythe Publications Prizes Committee inconsidering candidates for the FrancesDensmorePrize. Articles for the bibliography wereselected through a search of some 100journals, as well as from citations identified in the following indexing, abstracting,and/orfull-textresearchdatabases:

AcademicSearchPremierACM Digital LibraryAmerica: History and LifeAnthropological Index OnlineArt IndexATLA Religion DatabaseBibliography of Asian StudiesDirectory of Open Access JournalsElectronic Journal ServiceHistorical AbstractsIngentaInternational Index to Music Periodicals OnlineJSTORMasterFILE SelectMilitary and Government CollectionMLA BibliographyMusic Index OnlineProject Muse

RILM Abstracts of Music LiteratureScienceDirect

Insomecases,notallofthe2003and2004issuesofthejournalswereavailable.Thecopyrightdatemayhavebeenusedasthedateofpublicationforissuespublishedsubstantiallylaterthanthedateindicatedon the journal. In addition to citationsidentified through the use of electronic databases,journalssearchedandviewedin developing this bibliography includethefollowing:

19th Century MusicAmerican Harp JournalAmerican LutherieAmerican MusicAmerican Music Research Center JournalAmerican OrganistAmerican RecorderAmerican QuarterlyArchaeologyAsian MusicAustralasian Music ResearchBass WorldBIOS JournalBlack Music Research JournalBrass BulletinCAS JournalChelysChinese MusicClarinetClarinet and SaxophoneClassical GuitarClavichord InternationalComputer Music JournalConsortContemporary Music ReviewDe ClavicordioDiapason

Double BassistDouble ReedEarly Keyboard JournalEarly MusicEarly Music AmericaEarly Music PerformerEthnomusicologyFlutist QuarterlyFolk Harp JournalFolk Music JournalFontes Artis MusicaeGalpin Society JournalGazette des Beaux-ArtsHistoric Brass Society JournalHorn CallImago MusicaeITA JournalITG JournalJournal of Asian StudiesJournal of Band ResearchJournal of Music in ChinaJournal of Musicological ResearchJournal of MusicologyJournal of New Music ResearchJournal of Seventeenth-Century MusicJournal of the Acoustical Society of AmericaJournal of the American Musical Instrument SocietyJournal of the American Musicological SocietyJournal of the Royal Musical SocietyJournal of the Viola da Gamba Society of AmericaJournal of the Violin Society of AmericaLatin American Music ReviewLeonardo Music JournalLute NewsMandolin QuarterlyMetropolitan Museum of Art BulletinMin-su ch’ü-i: Journal of Chinese Ritual, Theatre and Folklore

NEWSLETTERof the

American Musical Instrument Society

Volume 34, No. 3 Addendum Fall 2005

Music & AnthropologyMusic & LettersMusic in ArtMusical QuarterlyMusical TimesMusicology AustraliaMusicusMusique●Images●InstrumentsNACWPI JournalNewsletter of the American Musical Instrument SocietyOnline Journal of Bass ResearchOrgan YearbookPercussive NotesPopular Music and SocietyRecercareRecorder MagazineSoundpost OnlineStradStudia MusicologicaTrackerWestfield Journal of the Westfield CenterWorld Harp Congress ReviewWorld of MusicYearbook for Traditional Music

Readercommentsmaybeaddressed toChristineWondolowskiGerstein, 902Axinn Library, Hofstra University, Hempstead,NewYork,11550-1230,[email protected].

*****Adams, Daniel. “The Drum Set as a Solo Multiple Percussion

PerformanceMedium.”NACWPI Journal52/3(Spring2004):4-13.

Adams,LilianaOsses.“SumerianHarpsfromUr.”American Harp Journal 19/2 (Winter 2003): 9-13. [first appeared in Internet periodicalZwoje–The Scrolls35(2003).www.zwojwe-scrolls.com/zwoje35/text11.htm].

Adelman,Beth.“Viseltear&Young:CraftsmeninConcert[NewYorkbasedluthiers].”Early Music America10/3(Fall2004):28-32.

Adlam,Derek.“AnEnglishRepertoireforaSixteenth-CenturyClavichord.”De Clavicordio6(2004):148-156.

“TheAdlerCollectionofEarlyKeyboardInstruments.”Newsletter of the American Musical Instrument Society33/3(Fall2004):11-12.

AlberolaiVerdú,JosepAntoni.TranslatedbyNancyJordanFako.“La trompa en Valencia: Introducciόn, uso y desarollo/The HorninValencia:Introduction,Use,andDevelopment.”Horn Call34/1(October2003):53-58.

Albrecht, Theodore. “The Musicians in Balthasar Wigand’sDepictionoftheFirstPerformanceofHaydn’sDie Schöpfung.”Music in Art29/1-2(Spring-Fall2004):123-133.

Alf, GreggT. “Drying Oils inVarnish.” Journal of the Violin Society of America18/3(2003):169-184.

Algar, Chris. “Barbara Bartell and Her Golden Edeophone.”Papers of the International Concertina Association1(2004):38-40.

Allain-Dupré,Philippe.“RenaissanceandEarlyBaroqueFlutes:AnUpdateonSurviving Instruments,Pitches andConsortGrouping.”Galpin Society Journal57(May2004):53-61.

Álvarez Martínez, Maria Rosario.Translated by MiguelAngelAguilar Rancel. “Music Iconography of RomanesqueSculpture in theLightofSculptors’WorkProcedures:TheJacaCathedralLasPlateríasinSantiagodeCompostela,andSanIsidorodeLeón.”Music in Art27/1-2(Spring-Fall2002,©2003):13-36.

Ambrosino.Jonathan.“Reconstructingthe1930sAeolian-SkinnerLandmark.” American Organist 38/12 (December 2004):52-54.

Ambrosino.Jonathan.“WaltDisneyConcertHall,LosAngeles,California:Glatter-GötzOrgelbau/RosalesOrganBuilders.”American Organist38/4(April2004):62-65.

“AncientFlute-MakersWorkedtotheSameTune.” New Scientist184/2478(December18,2004):19.

Anderson, Pamela J. “Technical Notes:TailpieceTests.” CAS Journal4/8(November2003):6-8.

Anderson,R.Dean.“MichelCorretteandtheStringing,Scaling,andPitchofFrenchHarpsichords.”Early Keyboard Journal21(2003):65-84.

Arlettaz,Vincent. “Paul Fritts and Co.,Tacoma,Washington:VassarCollege,Poughkeepsie,NewYork.”Diapason 95/7(July2004):24.

Arskiene, Ruta. “Playing Multi-PipeWhistles of NortheasternEurope:PhenomenonofCollectiveMusicalPerformance.”Studia Musicologica44/1-2(2003):163-174.

Ataeva,Djennet.“TheIconographyofMusicalInstrumentsinSt.Petersburg’sMonumentalandDecorativeSculpture.”Music in Art29/1-2(Spring-Fall2004):227-233.

Atema, Jelle. “Old Bone Flutes.” Pan 23/4 (December 2004):18-23.

Atkins,Robert,etal.“TrinityUnitedMethodistChurch,Wilmette,Illinois:ReuterOrganCompany.”American Organist38/2(February2004):48-50.

Atlas,AllanW.“Mayhew’sConcertinaPlayerontheSteamboatsfromLondonLabourandtheLondonPoor,vol.3(1861).”Papers of the International Concertina Association1(2004):31-37.

American Musical Instrument Society Newsletter Barbara Gable, editor [email protected]

Kathryn Shanks Libin, president

The NewsletterispublishedthreetimesannuallybytheAmericanMusicalInstrumentSociety.Formoreinformation,pleasecontact

AMIS,389MainStreet,suite202,Malden,MA02148,(781)397.8870,fax:(781)397-8887;[email protected],www.amis.org

copyright 2005

2 AMIS - Fall 2005 Newsletter

AyalaRuiz,JuanCarlos.“TheViolerosofOldMalaga.”Lute News71(October2004):27-28.

Bacon,Louise.“ThePaceFamilyofMusicalInstrumentMakers.”Galpin Society Journal57(May2004):117-126.

Badura-Skoda,Eva.“ThePianoMakerAdamBeyer,aGermanbyBirth.”Galpin Society Journal57(May2004):231-235,216.

Baker,Geoffrey.“MusicatCorpusChristi inColonialCuzco.”Early Music32/3(August2004):355-367.

Baker,Tim.“TheHillMethodsofBowMaking.”Journal of the Violin Society of America18/3(2003):63-117.

Baldassarre,JosephA.“PlayingtheLuteofMediaevalEurope:PartI.”Lute News68(April2004):13-16.

Baldassarre,JosephA.“PlayingtheLuteofMediaevalEurope:PartII.”Lute News70(July2004):14-19.

Baldassarre,JosephA.“PlayingtheLuteofMediaevalEurope:PartIII.”Lute News72(December2004):21-28.

Ball,Philip.“MingleBells[anewwayofmakingorchestrabells].”New Scientist 24/25(December13,2003):40-43.

BallesterIGilbert,Jordi.“PastandPresentofMusicIconographyinSpain.”Music in Art27/1-2(Spring-Fall2002,©2003):7-11.

Banks,MargaretDownie.“FromtheMuseum’sTreasureChest[instrumentsmadebyC.G.ConnofElkhart,Indiana,fromthe 1880s through the 1930s].” National Music Museum Newsletter30/1(February2003):3.

Banks,MargaretDownie.“Graphite,Gruyère,andaPigNamedSusie…:CarleenHutchins’InstrumentsandArchivesDonatedto theMuseum.”National Music Museum Newsletter 30/1(February2003):4-5.

Banks,MargaretDownie.“OldestAmericanSaxophoneAcquired.”National Music Museum Newsletter30/2(May2003):3.

Barbieri, Patrizio. “The NewWater Organ of theVilla d’Este,Tivoli.”Organ Yearbook33(2004):33-41.

Barbieri, Patrizio. Translated by Hugh Ward-Perkins. “TheTechnologyofMetalOrganPipes:Italyvs.France,c.1300-1900.”Organ Yearbook32(2003):7-70.

Barjau, Ana, and Vincent Gibiat. “Delayed Models for Simplified Musical Instruments.”Journal of the Acoustical Society of America114/1(July2003):496-504.

Baroncini,Rodolfo.“ZorziTrombettadaModonandtheFoundingof the Band of Piffari andTromboni of the Serenissima.”Historic Brass Society Journal16(2004):1-17.

Batov,Alexander.“VihuelaBuilding:SomeRecentDiscoveriesandPersonalThoughts.”Lute News71(October2004):11-14.

Bavington,Peter.“SomeAspectsofClavichordDesignandSet-Up.”Clavichord International 7/1(May2003):16-20.

Bavington,Peter.“TwoTrasuntinoHarpsichordCopies.”Early Music32/2(May2004):345-346.

Bayley,JonathanG.“Howe’sSchoolfortheClarionett:AMid-Nineteenth-CenturyInstrumentalTutor.”Journal of Historical Research in Music Education 26/1(October2004):28-45.

Beaver, Ed. “Prepare to Meet the Maker: George Morris.”American Lutherie74(Summer2003):32-35.

Beck, Eleonora M. “Justice and Music in Giotto’s ScrovegniChapelFrescoes.”Music in Art29/1-2 (Spring-Fall2004):38-51.

Becktell,Joel,moderator.“WhatMusiciansWant inaStringedInstrument[paneldiscussionwithGeorgAlbeck,GreggAlf,HasseBorup,RaymondMelanson,andAnthonyStogneratthe thirty-first annual convention of the Violin Society of America].” Journal of the Violin Society of America 19/2(2004):15-40.

Bedient,Gene.“BedientPipeOrganCompany,Roca,Nebraska:First Presbyterian Church, Chippewa Falls, Wisconsin.”Diapason95/8(August2004):24.

Bedient,Gene.“BedientPipeOrganCompany,Roca,Nebraska:St.Vincent De Paul Catholic Church, Rogers,Arkansas.”Diapason95/9(September2004):28.

Beheshti,Setareh.“ACatalogueofRarities:EarlyWorksfortheModernViola.”Soundpost Online3/10(Winter2003)www.soundpostonline.com/archive/fall2001.

Bein, Robert. “Nautical Origins [1852 violin byAntonioPedrinelli].”Strad114/1360(August2003):838-839.

Bein,Robert.“ViolinExpertiseandtheInstrumentsoftheClassicalPeriod.”Journal of the Violin Society of America19/2(2004):139-152.

Bemmann,Lothar.“TheDeclineandRevivaloftheClavichord.”De Clavicordio6(2004):29-36.

Bennett,Peter.“GlassMusic[glassharmonica].” Journal (Glass Art Society)(2004):69.

Benoît,Rolland.“”FlawedPerfection[violabowcreatedbyJeanPierre Marie Persoit].” Strad 115/1375 (November 2004):1173.

Bensa,Julien.“TheSimulationofPianoStringVibration:FromPhysicalModels toFiniteDifferenceSchemesandDigitalWaveguides.”Journal of the Acoustical Society of America114/2(August2003):1095-1107.

Benson,Joan.“ClavichordPerspectivesfromGoethetoPound.”De Clavicordio6(2004):139-147.

Berghaus,Leonard.“BerghausOrganCompany,Inc.,Bellwood,Illinois:St.Mary’sRomanCatholicChurch,PortWashington,Wisconsin.”Diapason95/11(November2004):28.

Bethards,JackM.“GraceEpiscopalChurch,Sheboygan,Michigan:ASymphonicChurchOrganinMiniature–Schoenstein&Co.Organ Builders.” American Organist 37/1 (January 2003):44-45.

Bethards,JackM.,andJohnLonghurst.“ConferenceCenter,theChurchofJesusChristofLatter-DaySaints,SaltLakeCity,Utah:ASymphonicOrganfor theWorld’sLargestTheaterAuditorium–Schoenstein&Co.OrganBuilders.”American Organist38/1(January2004):48-53.

AMIS - Volume 34 No. 3 Addendum 3

Bieber,Alain.“DidG.B.FabricatoreDoItFirst[developadjustableneck device]?” American Lutherie 80 (Winter 2004): 39,44-45.

Bieber,Alain. “Removable andAdjustable Necks for ClassicalGuitars.”American Lutherie80(Winter2004):38-44.

Bigger, Keith. “The J.W. Steere & Son Organ of the City ofSpringfield, Massachusetts.” Tracker 47/4 (October 2003):4-11.

Bijsterveld,Karin,andMartenSchulp.“Breaking intoaWorldof Perfection: Innovation in Today’s Classical MusicalInstruments.” History of Psychiatry15/4(December2004):649-674.

Biran,Avraham.“TheDancerfromDan[discoveryofaclayplaquedepictingamanplayingalute].”Near Eastern Archaeology66/3(September2003):128.

Birley,Margaret.“DisplayingIntangibleCulture:ANewMusicalInstrumentGalleryfortheHornimanMuseum.” Journal of Museum Ethnography16(2004):1-8.

Bissinger,George,andAraGregorian.“RelatingNormalModeProperties ofViolins to Overall Quality, Part I: SignatureModes.”CAS Journal4/8(November2003):37-45.

Bissinger,George.“RelatingNormalModePropertiesofViolinsto Overall Quality, Part II: ModalAverages/Trends.” CAS Journal4/8(November2003):46-52.

Bissinger,George.“ModalAnalysisofaViolinOctet.”Journal of the Acoustical Society of America 113/4 (April 2003):2105-2113.

Bissinger,George.“WallComplianceandViolinCavityModes.”Journal of the Acoustical Society of America113/3(March2003):1718-1723.

Bohadio,Stanislav,andTomasPilar.“SlavicGrace[Czechviolinmaking].”Strad114/1360(August2003):844+.

Böhme,Ullrich.TranslatedbyJoelH.Kuznik.“ANewSilbermannforLeipzig?‘OutofLoveforThisFamousPlace–Proposalfor aNewOrgan forSt.Paul’sChurch.’”Diapason 95/10(October2004):24-25.

Boody, John, and George Taylor. “From Taylor & BoodyOrganbuilders[commentsontheTannenbergorgan].”Tracker48/3(Summer2004):27-31.

Booth, Gregory D. “Changing Symbols:The Indigenization ofSouthAsianWedding Bands.” Min-su ch’ü-i: Journal of Chinese Ritual, Theatre and Folklore 144(June2004):127-162.

Bowman,Joseph.“ChoosingaTrumpetMouthpiecewiththeBestCharacteristics.”Instrumentalist57/10(May2003):36-40.

Braun,Joachim.“TheIconographyoftheOrgan:ChangeinJewishThoughtandMusicalLife.”Music in Art28/1-2(Spring-Fall2003):55-69.

Brewer,RoyC.“TheAppearanceoftheElectricBassGuitar:ARockabillyPerspective.”Popular Music & Society26/3(Fall2003):351-366.

“BridgesAcrossEurope:EuropeanBassMakers…[MarcoNolli,Pöllmann Brothers, Patrick Charton].” Double Bassist 30(Autumn2004):26-32.

Broege,Tim.“RecordersandOrgans:FriendsorFoes?”American Recorder45/5(November2004):21-22.

Bromberg,David.“TheGrapeandtheGrain[wine-colored1871violin by Herbert Macklett].” Strad 114/1363 (November2003):1236-1237.

Brooker, Jeremy. “LikeTwo Instruments atOnce:TheOriginsandPlayingTechniqueof the3-ManualBaryton.”Consort59(Summer2003):16-36.

Brown,JohnRobert.“AVisittoPatricola.”Clarinet and Saxophone29/4(Winter2004):15-16.

Brown, Katherine Butler. “The That System of Seventeenth-Century North Indian Ragas:APreliminary Report on theTreatises of Kamikhani.” Asian Music 35/1 (Fall-Winter2003-2004):1-14.

Bruné,R.E.“EightConcernsofHighlySuccessfulGuitarMakers.”American Lutherie79(Fall2004):6-21.

Buck,Mick.“OurMother’sGuitar[MaybelleCarter’s1928Gibsonguitar].”Journal of Country Music24/1(2004):3-5.

Buckland,Rosina.“Soundsof thePsalter:OralityandMusicalSymbolism in the Luttrell Psalter.” Music in Art 28/1-2(Spring-Fall2003):71-97.

Buen,Anders. “Differences of Sound Spectra in Violins byStradivari and Guarneri del Gesú.” CAS Journal 4/8(November2003):14-18.

Burton, Cyndy. “Meet the Dealer:Armin Kelly.” American Lutherie80(Winter2004):28-29,31-33,35-37.

Burton, Cyndy. “Prepare to Meet the Maker: Lester DeVoe.”American Lutherie78(Summer2004):20-27.

Burton,Cyndy.“PreparetoMeettheMaker:KathyMatsushita.”American Lutherie73(Spring2003):8-13.

Butir,Leonid.“NicholaiRimsky-Korsakov’sUnknownTextaboutClarinet.”Clarinet31/3(June2004):88-93.

Butler,LynnEdwards.“ACentralGermanOrganforaVillageChurch.”American Organist38/7(July2004):69-71.

Butler,LynnEdwards.“JohannChristophBach’sNewOrganforEisenach’sGeorgenkirche.”Bach35/1(2004):42-60.

Buzard, John-Paul. “St. Bartholomew Episcopal Church, EstesPark, Colorado: John-Paul Buzard Pipe Organ Builders.”American Organist38/11(November2004):91.

Calkin, Jeffrey. “Prepare to Meet the Maker: JeffreyYong.”American Lutherie78(Summer2004):46-53.

Calkin,John.“LacquerDetails.”American Lutherie76(Winter2003):46-51.

Calkin, John. “Shifting Gears on a Gretsch:A MoralityTale.”American Lutherie77(Spring2004):22-25,27.

Capleton,Brian.“CarlFriederichAbel,aGainsboroughPainting,and Viol Temperament: Some Evidence and Enigmas.”Consort59(Summer2003):51-74.


Capleton,Brian.“FalseBeatsinCoupledPianoStringUnisons.”Journal of the Acoustical Society of America115/2(February2004):885-892.

Carlin, Richard. “Frank Butler:An Interview.” Papers of the International Concertina Association1(2004):24-30.

Carlone,Mariagrazia.“PortraitsofLutenists.”Music in Art29/1-2(Spring-Fall2004):64-76.

Carlson, Bruce. “True Original [steps taken in conservingPaganini’s ‘del Gesu’ violin].” Strad 115/1374 (October2004):1054-1055+.

Casey, Fred. “From Russia, with StringsAttached [7-stringguitar].”American Lutherie75(Fall2003):32-38.

Cavanaugh, John V., Jim Cavanaugh, and Caryn Patterson.“Strings:TheThirdElement.”Journal of the Violin Society of America18/2(2003):61-69.

Cave,Penelope.“MichaelHeale:MemoirsoftheFirstIndenturedApprenticeatArnoldDolmetschLtd.”Consort59(Summer2003):89-95.

CazurraBasté,Anna.“TheSymbolismoftheMusesofthePalaude la Música Catalana.” Music in Art 27/1-2 (Spring-Fall2002,©2003):116-126.

Cera,Francesco.“RomanOrgansandFrescobaldi’sOrganMusic.”BIOS Journal28(2004):148-164.

Ceribai,Naila.“SocialCanonsInheritedfromthePast:WomenPlayers of Folk Music Instruments in Croatia.” Studia Musicologica44/1-2(2003):141-151.

Chambers, Stephen. “Some Notes on Lachenal ConcertinaProductionandSerialNumbers.”Papers of the International Concertina Association1(2004):3-23.

Chapman, David. “Historical and Practical Considerations fortheTuningofDoubleBassInstrumentsinFourths.”Galpin Society Journal56(June2003):224-233.

Chapman, Eric. “Rivinus and the Pellegrina.” Journal of the American Viola Society Online(Summer2004)

http://www.americanviolasociety.org/JAVS%20Online/Summer2004/Summer2004/pellagrina.htm[sic].

Chen,SimyMeng-Yu,andRobertW.Howard.“MusicalInstrumentChoiceandPlayingHistoryinPost-SecondaryLevelMusicStudents:SomeDescriptiveData,SomeCausesandSomeBackgroundFactors.”Music Education Research6/2(July2004):217-230.

Childs,Paul.“PerspectivesontheAuthenticationofBows.”Journal of the Violin Society of America19/2(2004):87-137.

Chin,Yung,andCharlesEspey.“ThePernambucoInitiative[effortsto preserve the Pau-brasil trees that produce pernambucowood,usedinmakingbows].”Journal of the Violin Society of America18/3(2003):185-214.

Cho,GeneJ.“QuestandDiscoveryoftheEqualTemperament.”Theoria10(2003):1-17.

Choi,Tae-won.“GohHeung-gon:BreathingLifeIntoTraditionalInstruments.”Koreana17/4(Winter2003):42-45.

Chung, David. “Lully, D’Anglebert and theTransmission of17th-CenturyFrenchHarpsichordMusic.”Early Music31/4(November2003):582-604.

Clark,Eugene,andJonathonPeterson.“ConstructingtheSpanishRosette:PartII.”American Lutherie73(Spring2003):14-23.

Clark, Robert. “Opening New Windows [organ building firm Richards, Fowkes and Co., founded in 1988 in Ooltewah,Tennessee].”Organ Yearbook32(2003):163-170.

Clark,Sylvia.“UsingtheHarpintheConcertBand.”American Harp Journal19/2(Winter2003):19-22.

Clyde,Kevin.“KeyboardPercussionandItsRoleinUndergraduateApplied Lessons.” NACWPI Journal 51/2 (Winter 2003-2004):9-13.

Coggins,Alan, and Michael Lea. “Making It Down Under[AustralianviolinmakersJohnDevereuxandAlfredWalterHeaps].”Strad115/1371(July2004):712-714+.

Coignet, Jean-Louis, et al. “Piedmont College, Demorest,California: Casavant Frères Organ Builders.” American Organist37/3(March2003):44-46.

Coleberd,R.E.“TheMortuaryPipeOrgan:ANeglectedChapterintheHistoryofOrganbuildinginAmerica.”Diapason95/7(July2004):16-19.

Cook,JamesH.“A‘DutchTreat’intheDeepSouth[antiquehouseorgan].”Tracker48/4(Fall2004):32-35.

Cook,PerryR.“RemutualizingtheMusicalInstrument:Co-Designof SynthesisAlgorithms and Controllers.” Journal of New Music Research33/3(September2004):315-320.

Cooper,B.Lee,PattyFalk,andWilliamL.Schurk.“Accordions,Banjos,Cornets…andZithers:SoundRecordingsArchivesand Musical Instruments.” Popular Music & Society 26/3(Fall2003):387-398.

Cooper,SuzanneFagence.“PlayingtheOrganinPre-RaphaelitePaintings.” Music in Art 29/1-2 (Spring-Fall 2004): 151-170.

Copeland,RobertM.“AnEastPrussianOrganof1648[organbyJoachimThiele].”Tracker47/2(April2003):23.

Cox,ThomasM.“TechnicalNote:WoodTestingbyTapTone.”CAS Journal4/7(May2003):17-19.

Craig,RobertB. “TheGlassArmonica: ItsDevelopment,Use,and Misuse as a Musical Instrument of Social Change intheEighteenthCentury.”1650-1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era 10(2004):145-151.

Craighill, Lloyd. “Reflections on Making a 21st Century Rebec.” CAS Journal4/7(May2003):5-6.

Cronshaw,Andrew. “TarhuTales [development of the tarhu,an instrumentbasedonthe tar, theerhuandvariousspikefiddles].” Folk Roots26/2-3(August-September2004):59-61.

Crowell, Gregory. “Every Player’s First Grammatica: Reflections on ClavichordTechnique in Context.” De Clavicordio 6(2004):53-60.


Cudworth, Charles. “Gainsborough and Music.” Consort 59(Summer2003):37-50.

Cutts, Chloe. “Basses to Go [compact travel basses].” Double Bassist 29(Summer2004):32-33,35.

Dahl,David.“HistoricCentralPennsylvaniaBachmanOrganinTacoma,Washington.”Tracker47/3(July2003):29-30.

Dai,Zhonghui.“TheYouthfulHistoryofBrassinChina/Lajeunehistoiredes cuivres enChine /Blechbläser inChina:EinejungeGeschichte.”Brass Bulletin123/3(2003):50-58.

Dalmont,Jean-Pierre.“NonlinearCharacteristicsofSingle-ReedInstruments: QuasistaticVolume Flow and Reed OpeningMeasures.”Journal of the Acoustical Society of America114/4(October2003):2252-2262.

Damm,RobertJ.“DoYouUdu?”Percussive Notes41/6(December2003):29-33.

Darnton, Michael. “Classical Cremonese Violin SoundholePlacement.”American Lutherie76(Winter2003):38-40.

Darnton,Michael.“PhotographingViolins:TheSwitchtoDigital.”Soundpost Online3/11(Spring2003)www.soundpostonline.com/archive/fall2001.

Darnton, Michael. “Tales ofTopographicArches.” American Lutherie78(Summer2004):45.

Dawe, Kevin. “Lyres and the Body Politic: Studying MusicalInstrumentsintheCretanMusicalLandscape.”Popular Music & Society26/3(Fall2003):263-283.

DeJong,Nanette.“AnAnatomyofCreolization:CuraçaoandtheAntilleanWaltz[kai’iorgel].”Latin American Music Review24/2(Fall-Winter2003):233-251.

DeKeyser,Ignace.“TheParadigmofIndustrialThinkinginBrassInstrumentMakingduringtheNineteenthCentury.”Historic Brass Society Journal15(2003):233-258.

DePaule,Andy. “Prepare to Meet the Maker: DoViet Dung.”American Lutherie74(Summer2003):40-42.

DePaule,Andy. “SomeTraditionalVietnamese Instruments.”American Lutherie74(Summer2003):43.

Dequand, S. “Simplified Models of Flue Instruments: Influence ofMouthGeometryon theSoundSource.”Journal of the Acoustical Society of America 113/3 (March 2003): 1724-1735.

Derrett,Nigel.“Heckel’sLaw:ConclusionsfromtheUserInterfaceDesignofaMusicAppliance–theBassoon.” Personal and Ubiquitous Computing8/3-4(July2004):208-212.

Derveaux,Grégoire,AntoineChaigne,andPatrickJoly.“Time-DomainSimulationofaGuitar:ModelandMethod.”Journal of the Acoustical Society of America114/6(December2003):3368-3383.

Deutsch,BradleyM.“TheDynamicsandTuningofOrchestralCrotales.”Journal of the Acoustical Society of America116/4(October2004):2427-2433.

DeWitt, Mark F. “The Diatonic ButtonAccordion in EthnicContext:IdiomandStyleinCajunDanceMusic.”Popular Music & Society26/3(Fall2003):305-330.

Dexter, Jeffrey D. “St. Peter’s Episcopal Church, Savannah,Georgia:SchantzOrganCompany.”American Organist38/10(October2004):58-60.

Dickeson, Brenda. “The One-Handed Recorder.” Recorder Magazine 24/3(Fall2004):82-86.

Dilworth,John.“AmazonBeauty[BrescianviolinsbyviolamakerGiovanni Paolo Maggini].” Strad 114/1358 (June 2003):632-633+.

Dilworth,John.“BologneseForce[riseof theTononifamily].”Strad114/1357(May2003):514-515+.

Dilworth, John. “Youthful Bloom [instruments by cello makerMatteo Gofriller].” Strad 114/1364 (December 2003):1336+.

Dlamini,Sazi.“TheRoleoftheUmrhubheBowasaTransmitterofCulturalKnowledgeamongtheAmaXhosa:AnInterviewwithLatozi‘Mondosini’Mpahleni.” Journal of the Musical Arts in Africa1(2004):138-160.

Dobney, Jayson. “Found in South Dakota…: 18th-CenturyNorwegianDrumbyChristenFjerestadDiscovered.”National Music Museum Newsletter31/4(November2004):1-3.

Dobney,Jayson.“TheCreationoftheTrapSetandItsDevelopmentbefore1920.”Journal of the American Musical Instrument Society30(2004):24-56.

Doderer, Gerhard. “Portugese Organ Cases of the EighteenthCentury:SplendorandEffectiveness.”Music in Art27/1-2(Spring-Fall2002,©2003):101-115.

Dodington&DodingtonPipeOrganServices,Inc.“Lundy’sLaneUnitedChurch,NiagaraFalls,Ontario.”Diapason94/4(April2003):16-20.

Doolin, Mike, and John Greven. “”Waterborne Solutions.”American Lutherie73(Spring2003):24,25,27-33.

Doolin, Mike. “Calculating Guitar Side Height.” American Lutherie75(Fall2003):39-41.

Doolin, Mike. “Cutting a Fanned-FretFingerboard.”American Lutherie76(Winter2003):41.

Doolin, Mike. “Prepare to Meet the Maker: John Greven.”American Lutherie76(Winter2003):16-25,27.

Doris,Clíona.“TheIrishHarpTradition.”World Harp Congress Review8(Fall2004):12-14.

Downey,Peter.“APossibleMid-SeventeenthCenturySourceofMusic for the SopranoTrombone.” Historic Brass Society Journal16(2004):19-42.

Druesedow,JohnE.“Tannenberg1800Restored.”Organ Yearbook32(2003):108-117.

Dub,Tim.“WarrenNolan-Fordham[instrumentconstruction].”Craft Arts International57(2003):65-69.

Ducasse, Eric. “A Physical Model of a Single-Reed WindInstrument,IncludingActionsofthePlayer.”Computer Music Journal27/1(Spring2003):59-70.

Duhaime, Ricky. “Solo Ornamentation in the Classical Period;Melodic Elaboration, Eingänge, and Cadenzas.” NACWPI Journal52/4(Summer2004):4-13.


Ebert, Harry J. “H.J. Ebert Organ Company, Pittsburgh,Pennsylvania:St.JohntheBaptistRomanCatholicChurch,PlumBorough,Pennsylvania.”Diapason94/4(April2003):21.

Ebert,RobertR.“ThePipeOrganIndustryintheUnitedStatesandCanada.”American Organist37/2(February2003):98.

Edelstein,Ben,andRobEdelstein.“FiberOpticInspectionScope.”American Lutherie78(Summer2004):54-55.

Eldredge,Niles.“Mme.F.BessonandtheEarlyHistoryof thePérinetValve.”Galpin Society Journal56(June2003):147-151.

Elferink,Frans.“ForcesonArchtopGuitars.”American Lutherie74(Summer2003):30-31.

Eliason,RobertE.“RhodolphHall:Nineteenth-CenturyKeyedBugle,Cornet,andClarinetSoloist.”Journal of the American Musical Instrument Society29(2003):5-71.

Eliason, Robert. “More on Echo-Cornets [communication].”Journal of the American Musical Instrument Society 30(2004):193-196.

Erdman, Maria. “TheTablature of Music or Musical PracticebyJanAlexanderGorczyn:ASourceforPolishClavichordPractice in the Seventeenth Century.” De Clavicordio 6(2004):61-74.

Erlwine, Dan, and Frank Ford. “The Dan and Frank Show:Through-the-Soundhole Repair Techniques.” American Lutherie78(Summer2004):4-19.

EscalasiLlimona,Romá.“ClaviorgansAttributedtoLaurentiusHauslibinNewYork,MoscowandBarcelona.”Music in Art27/1-2(Spring-Fall2002,©2003):87-100.

Eschbach,Jesse.“TheCaseoftheMissingGrandRécit:The1855InternationalExposition,aCarmeliteFriar,andRegistrationinCésarFranck’sFantaisieenUt.”Westfield Journal of the Westfield Center16/1(May2003):1,6-15.

Essl,Georg,etal.“MusicalApplicationsofBandedWaveguides[mathematicalmodels ofmusical instruments].”Computer Music Journal28/1(Spring2004):51-63.

Essl,Georg,etal.“TheoryofBandedWaveguides.”Computer Music Journal28/1(Spring2004):37-50.

Euba,Akin.“AfricanDrumsinSymphonyHall:VillageSignalsandIntercontinentalEncounters.”TriQuarterly116(Summer2003):323-333.

Everett,Holly.“’TheAssociationThatIHavewithThisGuitarIsMyLife’:TheGuitarasArtifactandSymbol.”Popular Music & Society26/3(Fall2003):331-350.

Eyler, David P. “Early Development of Xylophone inWesternMusic.”Percussive Notes41/6(December2003):42-44.

Facchinetti,MatteoL.,XavierBoutillon,andAndreiConstantinescu.“NumericalandExperimentalModalAnalysisof theReedandPipeofaClarinet.”Journal of the Acoustical Society of America113/5(May2003):2874-2883.

Falcon-Møller,Dorthe.“MagnusChristensen,aDanishBuilderof Clavichords from the Mid-Eighteenth Century.” De Clavicordio6(2004):83-91.

Falk,Catherine.“’IfYouHaveGoodKnowledge,CloseItWellTight:’ConcealedandFramedMeaningintheFuneralMusicoftheHmongQeej[free-reedinstruments].”British Journal of Ethnomusicology12/2(2003):1-33.

Falk,Catherine.“InstructionstotheDead:WhattheMouthOrganQeejSays(PartOne).”Asian Folklore Studies63/1(2004):1-29.

Falk,Catherine.“InstructionstotheDead:WhattheMouthOrganQeejSays(PartTwo).”Asian Folklore Studies63/2(2004):167-220.

Falk,Catherine.“TheDragonTaughtUs:HmongStoriesabouttheOriginoftheFreeReedPipesQueej.”Asian Music35/1(Fall-Winter2003-2004):17-56.

Feintuch,Burt.“TheConditionsforCapeBretonFiddleMusic:TheSocialandEconomicSettingofaRegionalSoundscape.”Ethnomusicology48/1(Winter2004):73-104.

Fiedler, JohnF., et al. “FirstUnitedMethodistChurch,Dallas,Texas: Casavant Frères.” American Organist 38/3 (March2004):32-34.

Finkelman, Michael. “The Heckelphone:A Centenary Salute.”Double Reed27/4(2004):33-54.

Fischetti,Mark.“BigAir[pipeorgan].”Scientific American291/1(July2004):110-111.

Fleischman,Harry.“GuitarTattoos:InlayHarry’sWay.”American Lutherie74(Summer2003):8-18.

Fleming,Michael.“HowLongIsaPieceofString?UnderstandingSeventeenthCenturyDescriptionsofViols.”Chelys31(2004):18-35.

Fleming,Michael.“Instrument-MakinginOxford.”Galpin Society Journal57(May2004):246-251.

Footer, Kevin Carrel. “Bellows of Love’s Lament [bandoneόn].” Américas55/5(September-October2003):17-23.

Forrester,PeterS.“VihuelaandVioladaMano:AnOutlineofSomeoftheEvidence.”Lute News71(October2004):8-11.

Forsyth,Hazel.“APewterPendantintheFormofaLute.”Lute News67(October2003):11-13.

Fowler, Brian. “Fowler Organ Company: St. John’s LutheranChurch,MarionSprings,Michigan.”Diapason94/4(April2003):22.

Francis, John Charles. “The KeyboardTemperament of J. S.Bach.”Eunomius(June25,2004)www.eunomius.org/contrib/francis1francis1.html.

Fredriksson,Niclas.“TheHistoryofFreeReedsinOrganbuilding…FreeReeds inOrganochordia towards theEndof the18thCentury.”ISO Journal16(March2003):62-74+.

Frew, Catherine, andArnold Myers. “Sir Samuel Hellier’s‘Musicall Instruments.’” Galpin Society Journal 56 (June2003):6-26,186-189.

Freymuth, Malva. “Rest Easy [creating a custom fit chin and shoulderrest].”Strad114/1360(August2003):850+.


Frith,Stephen.“TheyEatLinseedOil,Don’tThey:AnAdventureinAustrianLutherieandGastronomie.”American Lutherie77(Spring2004):28-29.

Frood,Roger.“TheOriginsoftheDulcimer.”Consort60(Summer2004):5-20.

Gadient, Lorenz. “TheTwofold Use of theTerm ‘Second’ inMusicalTempo Measurement from the Seventeenth to theEighteenthCentury.”De Clavicordio6(2004):37-52.

Gartrell,CarolA.“TowardsanInventoryofAntiqueBarytons.”Galpin Society Journal56(June2003):116-131,215.

Gassackys,FerreolConstantPatrick.“ThePan-AfricanMuseumofMusic:TheNeedforPartnership.”Museum International 56/4(December2004):70-75.

Geck,Martin.TranslatedbyAlfredMann.“Bach’sArtofChurchMusicandHisLeipzigPerformanceForces:ContradictionsintheSystem.”Early Music31/4(November2003):558-571.

Gerstein,ChristineWondolowski,comp.“ArticlesaboutMusicalInstrumentsPublished2001-2002:ASelectiveBibliographyofJournalLiteratureinEnglish.” Newsletter of the American Musical Instrument Society 32/3 Addendum (November2003):1-20.

Ghazala,QubaisReed.“TheFolkMusicofChanceElectronics:Circuit-Bending the Modern Coconut.” Leonardo Music Journal14/1(December2004):97-104.

GimenoBlay,FranciscoM.TranslatedbyNancyJordanFako.“Latrompa és la preycaciό/The Preacher as a Metaphor for the Horn.”Horn Call34/2(February2004):63-64.

Giraud,Alain.“AThwartedRevolution[violindesignofFrançoisChanot]?”Strad115/1373(September2004):898-899+.

Gleason, Bruce P. “Horse-Mounted Military Musicians:AnOverview.”Journal of Band Research39/1(Fall2003):1-34.

Globus,Paul.“TheBackunTouchisaThingofBeauty[Backunbarrelsandbells].”Clarinet31/3(June2004):34-36,39-41.

Glück,SebastianM.“UnderstandingthePipeOrgan:CombinationActions.” American Organist 38/9 (September 2004): 86-87.

Glück,SebastianM.“UnderstandingthePipeOrgan:Componentsof Mechanical KeyAction.” American Organist 27/11(November2003):48.

Glück, Sebastian M. “Understanding the Pipe Organ: ElectricActions.”American Organist38/4(April2004):66-67.

Glück,SebastianM.“UnderstandingthePipeOrgan:PipeMetalAlloys.”American Organist38/6(June2004):69.

Glück,SebastianM.“UnderstandingthePipeOrgan:Ranks,Stops,Voices,andRegisters.”American Organist37/9(September2003):63-64.

Glück, Sebastian M. “Understanding the Pipe Organ: ShallotTypes.”American Organist38/10(October2004):77.

Glück,SebastianM.“UnderstandingthePipeOrgan:StopActionsandVentils.”American Organist38/3(March2004):72-73.

Glück,SebastianM.“UnderstandingthePipeOrgan:TheBasicsofReedPipes.”American Organist37/6(June2003):78-79.

Glück,SebastianM.“UnderstandingthePipeOrgan:TheBasicsofMetalFluePipes.”American Organist37/3(March2003):60-61.

Glück,SebastianM.“UnderstandingthePipeOrgan:TheSliderandPalletSoundboard.”American Organist 38/1 (January2004):77-78.

Glück,Thomas. “Rack Division:The Fingerprint of HistoricalFrettedClavichords–Settingup aDatabank forClavichordRackDivisions.”De Clavicordio6(2004):109-114.

Goebl, Werner, and Roberto Bresin. “Measurement andReproductionAccuracy of Computer-Controlled GrandPianos.”Journal of the Acoustical Society of America114/4(October2003):2273-2283.

Golden,Joseph,FernandLétourneau,andW.DudleyOakes.“TheJordanConcertOrgan,LegacyHall,TheRiverCenterforthePerformingArts: Orgues Létourneau Limitée.” American Organist38/5(May2004):50-52.

GonzálezCastejón,Sara.“TheRoyalTemperament inMusicalEmblemsofSeventeenth-CenturySpain.”Music in Art27/1-2(Spring-Fall2002,©2003):79-86.

Goodacre,Julian.“WelcomeBack!TheContinuingRenaissanceoftheEnglishBagpipe.”Anuário da Gaita18(2003):11-13.

Graber,Cynthia.“VivaBrasil[effortstoconservethePau-brasiltreesthatproducepernambucowood,usedinmakingbows]!”Strings18/9(May2004):64-69.

Greenberg,MichaelD. “Perfecting theStorm:TheRiseof theDoubleBassinFrance,1701-1815.”Online Journal of Bass Research 1(2002)http://www.ojbr.com/vol1no1.html.

Greven, John. “Decorative Guitar Heel Carving.” American Lutherie75(Fall2003):56-59.

Grissino-Mayer,H.D.,P.R.Sheppard,andM.K.Cleaveland.“ADendroarchaeologicalRe-examinationofthe‘Messiah’Violinand Other InstrumentsAttributed toAntonio Stradivari.”Journal of Archaeological Science 31/2 (February 2004):167-174.

Grissino-Mayer,Henri,PaulSheppard,andMalcolmCleaveland.“Dendrochronological Dating of Stringed Instruments:AReevaluation.”Journal of the Violin Society of America18/2(2003):127-174.

Groesbeck, Rolf. “’Dhim,’ ‘Kam,’ ‘Cappu,’ ‘Pottu:’ TimbralDiscoursesandPerformancesAmongTempleDrummersinKerala, India.”Yearbook for Traditional Music 35 (2003):39-68.

Grosser, Sabine. “ChangingWorlds: Music,Women, and FineArtsinPostcolonialSriLanka–ACriticalReadingofFourSriLankanArtworksofFemaleAuthorshipRelatingtotheWorldofMusic.”World of Music46/3(2004):101-119.

Guion, David. “What HändelTaught theViennese about theTrombone.”Historic Brass Society Journal15(2003):291-321.


Gwynn,Dominic.“AStudyintheTransmissionofOrgan-BuildingKnowledge in Early Modern England.” BIOS Journal 28(2004):165-173.

Hall, Jonathan B. “’A Reservoir of Inspiration:’The BrooklynBaptistTempleandItsOrgans.”Tracker47/4(October2003):12-18.

Hall,Macer.“CheapGinandaSturgeon’sBladder:SomeSecretsofPeriodInstrumentMaking[instrumentmakersSandiHarrisandStephenBarber].”Classical Guitar22/2(October2003):24,26,28-30.

Hampton, Calvin. “A Proposal for the Springfield [Massachusetts] MunicipalOrgan.”Tracker47/4(October2003):10-11.

Hannikainen,Päivi-Liisa.TranslatedbyAnniOskala.“TheUseofClavichordsbyOrganistsinFinlandunderSwedishRule.”Clavichord International7/2(November2003):38-48.

Hansen,Ellen.“Mittenwald,Germany:A300-Year-OldTraditionofViolin-Making.” Fiddler Magazine 10/4 (Winter 2003-2004):34-37.

Harker, Brian. “LouisArmstrong and the Clarinet.” American Music21/2(Summer2003):137-158.

Harper, Tom. “Charles Fox’s Superglue Binding Method.”American Lutherie76(Winter2003):42-45.

Hastings,RalphB.“ExtantOrgans:E.&G.G.Hook&Hastings–NorthernNewYorkState.”American Organist38/2(February2003):82-85.

Hay,FredJ.“BlackMusiciansinAppalachia:AnIntroductiontoAffrilachianMusic.” Black Music Research Journal 23/1-2(Spring-Fall2003):1-20.

Hay,FredJ.“MusicBoxMeetstheToccoaBand:TheGodfatherofSoulinAppalachia.”Black Music Research Journal23/1-2(Spring-Fall2003):103-133.

Hayes,Helen,andJosephRegh.“VSA-SponsoredTriptoStudytheMessiah.”Journal of the Violin Society of America18/2(2003):91-126.

Haynes, Bruce. “The King’s Chamber Pitch.” Early Music Performer12(August2003):13-25.

Healy,Tim.“TheStoryoftheOxfordWaits.”Consort59(Summer2003):75-88.

Hebbert,Benjamin.“NathanielCross,WilliamBorracleffe,andaClutchofTudorViols.”Galpin Society Journal56(June2003):69-76,197-198.

Hebbert,Benjamin.“TheRichardMearesViolintheMetropolitanMuseumofArtRe-evaluated.” Journal of the Viola da Gamba Society of America40(2003):36-48.

Hegeman,Doug.“AChronologyofPedagogicalMaterialforHornPriorto1900.”Horn Call35/1(October2004):41-45.

Helenius-Öberg, Eva. “’A Sweet, Delightful Sound’ [cembald’amourintheNationalMuseumofFinland].”Finnish Music Quarterly3(2003):13-17.

Helenius-Öberg,Eva.“TheClavichordinSwedenbefore1700.”De Clavicordio6(2004):93-108.

Helenius-Öberg,Eva.“TheHammerClavichord:AMeetingofAesthetics.” Clavichord International8/2(November2004):52-55.

Hemsley, J.D.C. “Some Preliminary Research on the Role ofPatents in theDevelopmentofElectricActionTechnologyinFranceduring1852-70.”Organ Yearbook32(2003):139-151.

Henderson,StevenL.,RayLarson,andMurrayForman.“FirstPresbyterian Church, Lincoln, Nebraska: Reuter OrganCompany.” American Organist 37/2 (February 2003): 58-60.

Henning,Uta.“TheCareoftheRare:AboutFirstAidinMusicalIconography.”De Clavicordio6(2004):131-137.

Herbert,Trevor. “Selling Brass Instruments:The CommercialImagingofBrassInstruments(1830-1930)andItsCulturalMessages.” Music in Art 29/1-2 (Spring-Fall 2004): 213-226.

Hermert,Andreas. “A Seventeenth-Century Clavichord fromPoland.”De Clavicordio6(2004):121-129.

Herrera-Boyer,Perfecto,GeoffroyPeeters,andShlomoDubnov.“Automatic Classification of Musical Instrument Sounds.” Journal of New Music Research32/1(March2003):3-21.

Hersh,Stefan.“ABriefHistoryoftheBowasaPlayingTool.”Soundpost Online3/11(Spring2003)www.soundpostonline.com/archive/fall2001.

Hersh,Stefan.“AuctionReport:TheTarisioSale[onlineauctionofinstruments,bows,andmemorabiliafromtheestateofthelateIsaacStern].”Soundpost Online3/13(Fall2003)www.soundpostonline.com/archive/fall2001.

Hersh,Stefan.“HowtoBuyaViolinSeries:There’sGoldinThemHills!My eBay Experience.” Soundpost Online 3/13 (Fall2003)www.soundpostonline.com/archive/fall2001.

Hersh,Stefan.“HowtoBuyaViolinSeries:DrawingtheSound–WhattoLookforinaBow.”Soundpost Online3/11(Spring2003)www.soundpostonline.com/archive/fall2001.

Hersh,Stefan.“HowtoBuyaViolinSeries:HowtoTryaViolinII.”Soundpost Online3/10(Winter2003)www.soundpostonline.com/archive/fall2001.

Hersh,Stefan.“Interview:AndrewCarruthers,Luthier.”Soundpost Online 3/13(Fall2003)www.soundpostonline.com/archive/fall2001.

Hersh, Stefan. “The GreatAxelrod Debacle [valuation ofinstruments donated to the New Jersey Symphony].”Soundpost Online3/16(Summer2004)www.soundpostonline.com/archive/fall2001.

Herzog,Myrna.“IstheQuintonaViol?”Journal of the Viola da Gamba Society of America40(2003):5-35.

Herzog,Myrna.“Stradivari’sViols.”Galpin Society Journal57(May2004):183-194,216.

Hettrick,William.“HarryEdwardFreund’sGreatSquare-PianoBonfire: A Tale Told in the Press.” Journal of the American Musical Instrument Society30(2004):57-97.


Heyde, Herbert. “Astor and Company (manufacturer)–ClarinetinD,1821/1822.”Metropolitan Museum of Art Bulletin62(Fall2004):23.

Hikichi,Takafumi,NaotoshiOsaka,andFumitadaItakura.“Time-DomainSimulationofSoundProductionoftheSho.”Journal of the Acoustical Society of America113/2(February2003):1092-1101.

Ho, Shun-Yee. “The Significance of Musical Instruments and Food Utensils in Sacrifices of Ancient China.” Monumenta Serica 51(2003):1-18.

Hogwood, Christopher. “The Clavichord and Its Repertoire inFrance and England before 1700:A Summary and NewManuscriptSource.”De Clavicordio6(2004):157-176.

Hogwood,Christopher.“TheClavichordinBritainandFrance:ASelectionofDocumentaryReferencesbefore1700.”De Clavicordio6(2004):177-184.

Holberton,Paul.“ThePipesinTitian’sThreeAgesofMan.”Apollo157(February2003):26-30.

Holcombe,ThomasW., and Roy Redman. “Kent School, St.Joseph’sChapel,Kent,Connecticut:RedmanOrganCompany,FortWorth,Texas.”American Organist37/8(August2003):34-35.

Holman, Peter. “An Early Edinburgh Concert.” Early Music Performer13(January2004):9-17.

Holtkamp,ChristianF.,CrosbyW.Kern, andAlfredLemmon.“Cathedral of St. Louis, King of France, New Orleans,Louisiana:HoltkampOrganCompany.”American Organist38/9(September2004):58-60.

Hook,SarahAnne.“PreservingtheHistoryofMusicalInstrumentsthrough Deltiology.” Newsletter of the American Musical Instrument Society33/1(Spring2004):9-10.

Horner,Andrew. “Auto-Programmable FM and WavetableSynthesizers.” Contemporary Music Review 22/3 (2003):21-29.

Howe,RobertS.“TheInventionandEarlyDevelopmentoftheSaxophone, 1840–55.” Journal of the American Musical Instrument Society29(2003):97-180.

Howe,Robert,andPeterHurd.“TheHeckelphoneat100.”Journal of the American Musical Instrument Society30(2004):98-165.

Howe, Robert. “Historical Oboes 9: Invention of the BoehmSystemOboe.”Double Reed26/1(2003):83-91.

Howe,Robert.“HistoricalOboes10:TheFurtherDevelopmentandDemiseoftheBoehmSystemOboe.”Double Reed26/2(2003):37-42.

Howe,Robert.“HistoricalOboes11:TheBoehmOboe’sRoleinModernOboeDesign.”Double Reed26/4(2003):79-82.

Howe,Robert.“HistoricalOboes12:Half-BoehmOboes.”Double Reed27/2(2004):89-93.

Howe, Robert. “The Boehm System Oboe and Its Role in theDevelopmentoftheModernOboe.”Galpin Society Journal56(June2003):27-60,190-192.

Howell,Mark.“ConcerningtheOriginandDisseminationoftheMesoamericanSlit-Drum.”Music in Art28/1-2(Spring-Fall2003):45-54.

Huber,Alfons. “Iron Scale or Brass Scale:WhenWereTheseConceptsFirstUsed?”De Clavicordio6(2004):11-28.

Huehns,Colin.“ExperimentalandTraditionalHuqin:TheSanhuandErxianzi.”Galpin Society Journal56(June2003):61-68,193-196.

Huehns,Colin.“LovelyLadiesStrokingStrings.”Music in Art28/1-2(Spring-Fall2003):5-44.

Hunt,Andy,MarceloM.Wanderley,andMatthewParadis.“TheImportanceofParameterMappinginElectronicInstrumentDesign.”Journal of New Music Research 32/4 (December2003):429-440.

Hurrell,Nancy.“AHarpfrom19thCenturyIreland:TheRoyalPortableHarpbyJohnEgan.”Folk Harp Journal119(Spring2003):52-54.

Imada, Tadahiko. “Music Education in the Asia Pacific Regions: TraditionalJapaneseViewsofMusic[useofJapanesefolkinstruments].”Journal of the Indian Musicological Society 34(2003):64-74.

Jakeways, Robin. “Hoots, Hertz, and Harmonics.” Pan 23/3(September2004):17-21.

Jardine,EdwardD.“NewIdeasinOrgans[paperreadattheCleffClubdinnerApril21,1896,andpublishedintheOrganist’s Journal,1896].”Tracker47/1(January2003):13.

Jing,M.“ATheoreticalStudyoftheVibrationandAcousticsofAncientChineseBells.”Journal of the Acoustical Society of America114/3(September2003):1622-1628.

Joelson,Harry.“TheThirteenClavichordsofHenrySchumacher.”Clavichord International 7/1(May2003):4-12.

Johnson,HenryM.“TheKotoandaCultureofDifference:MusicalInstrumentsandPerformanceIdentityinJapan.” Min-su

ch’ü-i: Journal of Chinese Ritual, Theatre and Folklore 144(June2004):225-262.

Johnson,HenryM.“TraditionsOldandNew:Continuity,Change,andInnovationinJapaneseKoto-RelatedZithers.”Journal of the American Musical Instrument Society29(2003):181-229.

Johnson, Henry. “Introduction [to Special Issue: MusicalInstruments, Material Culture, and Meaning: Toward anEthno-Organology].” Min-su ch’ü-i: Journal of Chinese Ritual, Theatre and Folklore 144(June2004):7-38.

Johnstone,Andrew. “’As ItWas in the Beginning:’ Organ andChoirPitchinEarlyAnglicanChurchMusic.”Early Music 31/4(November2003):484-504.

Jones,JosephR.“TheClavichordintheBluegrass:Dolmetsch,Fudge, and Hammer.” Kentucky Review 15/2 (2003): 96-110.

Jordà,Sergi.“InstrumentsandPlayers:SomeThoughtsonDigitalLutherie.”Journal of New Music Research33/3(September2004):321-341.


Kaden, Patricia. “The Luthier and the Prince [Japanese luthierTakashiIshii,whoworksinCremonaandwhomadeaviolaforCrownPrinceNaruhitoofJapan].”Strings18/3(October2003):90-91.

Kaminski,Joseph.“AsanteIvoryTrumpetsinTime,Place,andContext:AnAnalysisofaFieldStudy.”Historic Brass Society Journal15(2003):259-289.

Kartomi,Margaret.“’IfaManCanKillaBuffalowithOneBlowHeCanPlayaRapa’iPasè:’HowtheFrameDrumExpressesFacets ofAcehnese Identity.” Min-su ch’ü-i: Journal of Chinese Ritual, Theatre and Folklore144(June2004):39-88.

Kass,PhilipJ.“QuietExpert[violinmakerandrestorerWilliamMoennigIII].”Strad115/1374(October2004):1065.

Kawabata,Maiko.“VirtuosoCodesofViolinPerformance:Power,MilitaryHeroism,andGender(1789-1830).” 19th Century Music 28/2(November2004):89-107.

Kegg,Charles.“KeggPipeOrganBuilders,Hartville,Ohio:FirstUnited Methodist Church, Winnsboro, North Carolina.”Diapason95/10(October2004):27.

Keister, JayD. “TheShakuhachi asSpiritualTool:A JapaneseBuddhistInstrumentintheWest.”Asian Music35/2(Spring-Summer2004):99-131.

Kelvin,Norbert. “NewSocietyFormed in Ireland [PipeOrganSocietyofIreland].”Tracker47/3(July2003):42.

Keough,James.“Stern’sStars[reportontheTarisioauctionoftheIsaacSternCollectioninMay2003].”Strings18/2(August-September2003):132-134.

Keough,James.“StringTheory[developmentsingutandmetalstrings].”Strings19/5(December2004):69-74.

Kerr,Dorotea.“ArpSchnitgerOrganattheSédeMariana,Brazil.”American Organist37/2(February2003):77-78.

King, A. Thomas, et al. “CT Scan Cross-Profiles through Cremonese StringedInstruments.”CAS Journal4/8(November2003):25-31.

King,A.Thomas.“MeasurementsofPrincipalResonanceModesofHistoricInstruments.”CAS Journal4/7(May2003):23-26.

Klaus,SabineK.“’LifeisaHardStruggle:’TheViennesePianoMakerJosephFranzRies(1792-c.1862)–Life,Patents,andInstruments.”Early Keyboard Journal21(2003):7-44.

Klaus, Sabine K. “The ClavichordVersus the Square Piano:Influence, Battle for Equal Rights, and the Survival of the Fittest.” Clavichord International8/1(May2004):9-20.

Klaus,SabineK.“TheUtleyCollection:NewJewelsIncludeaRareKeyedTrumpetbyE.J.Bauer,Prague[late1830skeyedtrumpetbyEduardJohannBauerandaca.1845cornopeanbyThomasKey].”National Music Museum Newsletter31/1(February2004):1-2.

Klaus,SabineK.“WilliamLander(1763-1843),Mere,Wiltshire.AForgottenMusicalInstrumentMakerRediscovered.”Galpin Society Journal57(May2004):3-18,195-203.

Klein, Steve. “Is ‘Guitar Design’ an Oxymoron?” American Lutherie76(Winter2003):8-13,15.

Knouse,NolaReed.“MoravianMusicandtheOrgan.”Tracker48/3(Summer2004):22-26.

Koeppe, Douglas. “An Eleven-Key Oboe by C.G. Christman[communication].” Journal of the American Musical Instrument Society30(2004):184-189.

Kolstein,Barrie.“StickingPoint[bowrepairs].” Double Bassist 28(Spring2004):66-67,69.

Koo,Bonu.“Beyond‘CheapImitations.’”World of Music45/2(2003):133-135.

Kopac, J., and S. Sali. “Wood:An Important Material inManufacturing Technology [production of thin boardsintendedforresonantpartsofmusicalinstruments].”Journal of Materials Processing Technology133/1(February2003):134-142.

Kopp, JamesB. “RiskManagement inBassoonReedMaking:ThreeExamples.”Double Reed27/4(2004):59-63.

Kopp,James.“TheMusettedePoitouin17th-CenturyFrance.”Galpin Society Journal57(May2004):127-145.

Kopp,LeslieHansen.“MusicForgottenandRemembered:TheLifeandTimesofEmanuelWinternitz.”Music in Art29/1-2(Spring-Fall2004):6-13.

Koster,John.“ADownstrikingGrandPianobyNannetteStreicherandSon.” Westfield Journal of the Westfield Center 16/1(May2003):3-5.

Koster, John. “Michael Praetorius’s Pfeifflin zur Chormaβ.”Journal of the American Musical Instrument Society 30(2004):5-23.

Koster, John. “The Compass as a MusicalTool and Symbol.”Musique•Images•Instruments5(2003):10-31.

Koster,John.“TheDiaryofSamuelPepysandtheNMM’sRecentlyAcquiredSpinetbyCharlesHaward,London,1689.”National Music Museum Newsletter31/4(November2004):4-5.

Koster,John.“ThreeEarlyTransposingTwo-ManualHarpsichordsof theAntwerp School.” Galpin Society Journal 57 (May2004):81-116,215.

Koter,Darja.“TurqueriesandChinoiserieswithMusicalSymbols:ExamplesfromSlovenia.”Music in Art29/1-2(Spring-Fall2004):113-122.

Koter,Darja.TranslatedbyIrenaBezak.“ThreePaintingsfromtheNarodnaGalerijaSlovenije,Ljubljana.”Music in Art28/1-2(Spring-Fall2003):191-198.

Kottick, E. L. “Meantone is Beautiful! Studies onTunings ofMusicalInstrumentsbyReinhardtFrosch.”Music Perception 21/2(2003):277-281.

Kowar,Helmut.“MusicalAutomataofthe19thCentury,aHithertoUnexplored Source of Romanian Folklore.” European Meetings in Ethnomusicology10(2003):77-84.

Krattenmacher, Stefan. “Florentine Finesse [late eighteenth-century bass of the Carcassi School].” Double Bassist 24(Spring2003):36-37.


Krattenmacher, Stefan. “London Pride [bass by London-basedmakerBernhardSimonFendt].”Double Bassist26(Autumn2003):50-51.

Kreitner, Kenneth. “TheCathedral Band of León in 1548, andWhenItPlayed.”Early Music31/1(February2003):41-62.

Kruse,Steven,andPennyThompsonKruse.“StringFamily[musicalinstrumentmakingbytheBeckerfamilyofWisconsin].”Strad115/1375(November2004):1158-1159+.

Kuronen, Darcy. “A Fine-Tuned Design:A Baroque Guitar byJacopoChecchucci.”Apollo157(May2003):22-23.

Kuronen,Darcy.“ChineseInstrumentsfromtheGalpinCollectionattheBostonMuseumofFineArts[communication].”Journal of the American Musical Instrument Society29(2003):271.

Kuronen,Darcy.“RecentAcquisitionsattheMFA.”Newsletter of the American Musical Instrument Society33/3(Fall2004):6-7.

Lambrechts-Douillez, Jeannine, and JohnKoster. “Master JoosKarest and the Rise of Clavicimbel Making inAntwerp.”Musique•Images•Instruments6(2004):117-131.

Lardot,Andre.Translated by Geoffrey Burgess. “Henri Brod,Oboist,Maker,Inventor,Composer(13thJune1799–6thApril1839):PartIofII.”Double Reed27/3(2004):103-112.

Lardot,Andre.Translated by Geoffrey Burgess. “Henri Brod,Oboist,Maker,Inventor,Composer(13thJune1799–6thApril1839):PartIIofII.”Double Reed27/4(2004):65-86.

Larson, Dan. “Reproducing Historical Gut Strings:A ModernApproach.” Journal of the Violin Society of America 18/2(2003):175-202.

Larson,DanielC.“InstrumentSet-UpforHistoricalPerformance:A Study of Early Bridges.” CAS Journal 4/8 (November2003):53-63.

Lasocki,David.“BibliographyofWritingsaboutHistoricBrassInstruments,2002-2003.”Historic Brass Society Journal15(2003):347-354.

Lasocki,David.“BibliographyofWritingsaboutHistoricBrassInstruments,2003-2004.”Historic Brass Society Journal16(2004):125-131.

Lasocki, David. “Renaissance Recorder Players.” American Recorder45/2(March2004):8-23.

Lasocki,David.“TheRecorderinPrint:2001.”American Recorder 44/3(May2003):14-21.

Lasocki,David.“TheRecorderinPrint:2002.”American Recorder 45/3(May2004):8-15.

Lasocki,David.“TracingtheRenaissanceFluteinContemporaneousDocuments.”Traverso16/1(January2004):1-4.

Latcham, Michael. “Claviermacher Hählen Gebrüder. II:TheMusicalInstrumentsenFormedeClavecinby,andAttributedtotheWorkshopsofJohanLudwigHellen.”Musique•Images• Instruments6(2004):68-95.

Latcham, Michael. “Franz Jakob Spath and the ‘Tangentenflügel,’ anEighteenth-CenturyTradition.”Galpin Society Journal57(May2004):150-170.

Latcham,Michael.“TheCembaloaMartelliofPaoloMorellatiin Its Eighteenth-Century Context.” Recercare 15 (2003):149-167.

Lauck,James.“LauckPipeOrganCompany,Otsego,Michigan:TrinityChristianCollege,PalosHeights,Illinois.”Diapason95/7(July2004):23.

Lawergren,Bo.“OxusTrumpets,ca.2200-1800BCE:MaterialOverview, Usage, Societal Role, and Catalog.” Iranica Antiqua 38(2003):41-118.

Lawergren,Bo.“TheMetamorphosisoftheQin,500BCE–CE500.”Orientations34/5(May2003):31-38.

Lazzari, Gianni.Translated byAnnette Ezikiel. “The Flute inEarly Nineteenth-Century Italy.” Traverso 15/1 (January2003):1-3.

Lein,JanetD.“TheMollenhauerBassoon:AnAchievementbyTwoFamilies.”Double Reed26/3(2003):79-82.

Leist,Stephen.“AmericanClassicOrganinLetters:ACaseStudyinControversy.”Tracker47/3(July2005):8-21.

Lemmens, Michel. “Historic Organs in the Maas-Rhine. I. /HistorischeOrgelninderEuregioMaas-Rhein.I.”ISO Journal18(November2003):6-48.

Lemmens, Michel. “Historic Organs in the Maas-Rhine. II:The 19th Century–Political and Economical Contexts /HistorischeOrgelninderEuregioderMaas-Rhein.II:Das19.Jahrhundert–PolitischökonomischesUmfeld.”ISO Journal19(March2004):6-55.

Leonhard, Florian. “Confident Character [1909 violin by Giuseppe Pedrazzini].Strad114/1356(April2003):396-397.

Leonhard, Florian. “Holding the Fort [violin maker SantinoLavazza].”Strad115/1373(September2004):934-935.

Létourneau,Fernand,etal.“TheDavisConcertOrgan,theFrancisWinspear Centre for Music, Edmonton,Alberta: OrguesLétourneauLimitée.”American Organist37/5(May2003):38-40.

Lewis,DavidW.,Jr.“AYankeein‘LittleDixie:’TheOdysseyofJohnHenryHopkins.”Tracker47/1(January2003):32-43.

Libin, Kathryn L. Shanks. “AMIS New Member Profile: Jean-François Beaudin [flute maker and technical draftsman].” Newsletter of the American Musical Instrument Society33/1(Spring2004):6-7.

Libin, Laurence. “BennyAndrews, Juke Joint.” BBC Music Magazine(February2003):22-23.

Libin, Laurence. “BuriedTreasure–TheTielke Cittern at theMetropolitanMuseumofArt.”Newsletter of the American Musical Instrument Society33/2(Summer2004):13.

Libin,Laurence.“ClaudeVignon’sPortraitofFrançoisLanglois[providesinformationaboutthesourdeline].”Musique•Images• Instruments5(2003):158-164.

Libin, Laurence. “Ferdinand Weber–Square Piano, 1772.”Metropolitan Museum of Art Bulletin62(Fall2004):23.


Libin,Laurence.“HallPianoUndergoingRestorationinMexicoCity.”Newsletter of the American Musical Instrument Society 33/1(Spring2004):8.

Libin,Laurence.“NewArchivalFindings:NewYork–Pennsylvania–GermanyandRussia.”Tracker447/3(July2003):22-25.

Libin, Laurence. “Tannenberg’sToolbox; or,The Case of theMissingMandrels.”Tracker48/3(Summer2004):14-19.

Libin,Laurence.“Titian,VenusandtheLutePlayer.”BBC Music Magazine(March2003):22-23.

Lindorff,Joyce.“Missionaries,KeyboardsandMusicalExchangein the Ming and Qing Courts.” Early Music 32/3 (August2004):403-414.

Lloyd, Barry. “A Designer’s Guide to Bowed KeyboardInstruments.”Galpin Society Journal56(June2003):152-174.

Lobell,JarrettA.“ChineseChimesandChariots.”Archaeology56/2(March/April2003):8-9.

Loen,JeffreyS.“ReverseGraduationinFineCremoneseViolins.”CAS Journal4/7(May2003):27-39.

Loen,JeffreyS.“TapTonesofOldItalianTopPlates.”CAS Journal4/7(May2003):20-21.

Loen,JeffreyS.,andA.ThomasKing.“Documentationofa1604ViolinbyHieronymusAmati,Cremona,Italy.”CAS Journal4/7(May2003):40-41.

Loen,JeffreyS.,andJohnR.Waddle.“WeightsofViolin,Viola,andCello.”CAS Journal4/8(November2003):32-36.

Loen,Jeffrey.“ThicknessGraduationMapping.”Journal of the Violin Society of America19/2(2004):41-66.

LoPresto,M.C.“ExperimentingwithBrassMusicalInstruments.”Physics Education38/4(2003):300-308.

Loquenz,Harald.“TheArtoftheKora.”World Harp Congress Review8(Spring2003):10-11.

Loretto,AlecV. “Double Chamfers.” Recorder Magazine 23/2(Summer2003):50.

Lotz,Bert,andJudicaLookman.“BagpipesintheNetherlands.”Anuário da Gaita18(2003):30-32.

Ludwig,Ann. “Versatile Luthiers Cater for Guitarist Needs.”Musicus31/2(2003):115-118.

MackenzieofOrd,Alexander,andKennethMobbs.“TheMusicalEnigmaofLongmanandBroderip’sMonochord,c.1790.”Galpin Society Journal57(May2004):46-52,206-207.

Mackenzie of Ord,Alexander. “TheAdoption of Equal-TemperamentTuning.”BIOS Journal27(2003):91-111.

Maillort,Bernard.“HowtoAnticipateFutureChangesinStrings.”Journal of the Violin Society of America18/2(2003):71-90.

Maple,Amanda, comp. “Recent Publications [bibliography ofbooksaboutmusicalinstruments].”Journal of the American Musical Instrument Society29(2003):272-282.

Maple,Amanda, comp. “Recent Publications [bibliography ofbooksaboutmusicalinstruments].”Journal of the American Musical Instrument Society30(2004):197-204.

Markham,Sarah.“RevealedatLast!TheMysteryoftheBisKey.”Clarinet and Saxophone29/3(September2004):16-17.

Marsden,Lloyd.“MakingPatternsforanAccessPanel.”American Lutherie80(Winter2004):56-57.

Marshall,Chas.“TheStrebE-MelodeonorElectronicMelodeon.”English Dance & Song65(Winter2003):10-11.

Marten,Peter.“DavidLloydRivinus:ThinkingOutsidetheBouts[interviewwith theviolinmaker].”Fiddler Magazine11/1(Spring2004):49-51.

Martin,Darryl.“TheClavichordsofMichaelPraetorius:PartI.”Clavichord International7/1(May2003):21-23.

Martin,Darryl.“TheClavichordsofMichaelPraetorius:PartII.”Clavichord International7/2(November2003):51-55.

Martz,RichardJ.“ReversedChiralityinHorns,OrIsLeftRight?TheHorn,ontheOtherHand.”Historic Brass Society Journal15(2003):173-232.

Mathez, Jean-Pierre. “La saga des Langhammer-Meinl: DeChristianLandhammeráGerhardA.MeinletJAMusikGmbH/TheLanghammer-MeinlSaga:FromChristianLanghammertoGerhardA.Meinl and JAMusikGmbH /DieSagaderLanghammer-Meinl:VonChristianLanghammerbisGerhardA.MeinlundJAMusikGmbH.”Brass Bulletin121/1(2003):102-113.

Mathez, Jeremy. “Andreas Jungwirth: Facteur de cors á lamesure du temps / Maker of Horns theTraditionalWay /DerHornbauerimrichtigenZeitmass.”Brass Bulletin123/3(2003):80-88.

Matin,Thomas,andMartinLawrence.“EndofanEra[VincenzoRuggierobass].”Double Bassist25(Summer2003):30-31.

McCarty,David,andDavidPound.“RigelMandolins:TraditionalValues, Nontraditional Design.” Bluegrass Unlimited 37/9(March2003):28-32.

McIntosh,RobertG.“AnAmericanBassbyJosiahBennettAllen,1841.”Bass World27/3(February-May2004):6-9.

McKean,James.“AnArtist’sEye[violinmakerJacquesFrancais].”Strad115/1373(September2004):948-949+.

McKeough,Kevin.“MadeinChina.”Strings18/3(October2003):78-84.

McLachlan,Neil,andAntonHasell.“TheDesignofBellswithHarmonicOvertones.”Journal of the Acoustical Society of America114/1(July2003):505-511.

Melton,William.“GreetingsfromHeavenorDemonicNoise?AHistoryoftheWagnerTuba:PartV:TheDisciple.”Horn Call33/2(February2003):45-51.

Melton,William.“GreetingsfromHeavenorDemonicNoise?AHistoryoftheWagnerTuba:PartVI:Wagner’sHeirs.”Horn Call33/3(May2003):49-62.

Melton,William.“GreetingsfromHeavenorDemonicNoise?AHistoryoftheWagnerTuba:PartVII:ModernVoices.”Horn Call 34/2(February2004):43-50.


Melton,William.“GreetingsfromHeavenorDemonicNoise?AHistoryoftheWagnerTuba:PartVIII:Revival.”Horn Call 34/3(May2004):43-52.

Meyer,Eric.“EarlyTuningPegsandTailpieces.”CAS Journal4/7(May2003):42-47.

Meyer,Eric.“RememberingHillFittingsandtheMenWhoMadeThem.”Journal of the Violin Society of America19/1(2004):47-68.

Meyer,Eric.“ToppedandTailed[evolutionofthepegandtailpiecedesign].”Strad114/1360(August2003):826+.

Miehling, Klaus, and Beverly Jerold. “Tempos on the ButeMechanicalOrgan[correspondence].”Early Music31/2(May2003):316-317.

Miklós,András, andThomas D. Rossing. “ReedVibration inLingual Organ Pipes without the Resonators.” Journal of the Acoustical Society of America 113/2 (February 2003):1081-1091.

Mills,Jim.“TheLifeofanOriginalFive-StringFlatheadPrewarGibson Banjo.” Bluegrass Unlimited 38/2 (August 2003):38-40.

Minamino,Hiroyuki.“TheEarlyPluckedViola inRenaissanceItaly,1480-1530.”Early Music32/2(May2004):177-192.

Montagu, Jeremy P.S. “OrganologyAgain:ThisTime, Ethno-Organology.” Historic Brass Society Journal 15 (2003):1-5.

Montagu,Jeremy.“HowOldIsMusic?”Galpin Society Journal57(May2004):171-182.

Montagu,Jeremy.“WhyEthno-Organology?”European Meetings in Ethnomusicology10(2003):33-44.

Moore,JohnC.“ExperimentsinAudioSpectroscopyonAcousticGuitarsandMaterials.”American Lutherie80(Winter2004):48-51.

Moore,Kenneth J. “TwoNewConcertinas at theMetropolitanMuseum ofArt, NewYork.” Papers of the International Concertina Association1(2004):41-43.

Morales,JuanCarlos.TranslatedbyJohnL.Walker.“AContrabassforthePugoBrothers.”American Lutherie73(Spring2003):34-35.

Morales,Luisa.“ClavichordsandHarpsichordsinCloisters.”De Clavicordio6(2004):75-82.

Möslang,Norbert.“HowDoesaBicycleLightSound?CrackedEveryday Electronics.” Leonardo Music Journal 14/1(December2004):83.

Mottola,R.M.“ALightweightElectricBass.”American Lutherie78(Summer2004):51-53.

Mottola, R.M. “A Savart-Style Upright Bass: Constructing aSimple34”ScaleUprightBassSuitableforBassGuitarists.”American Lutherie80(Winter2004):22-27.

Mottola,R.M.“Plywood:SomeObservationsandaReportontheUseofLaminatedWoodinLutherie.”American Lutherie73(Spring2003):57-59.

Mu,Qian.“XiaoJianshengandChineseMusic:TheSanxianinthe21stCentury.I.”Chinese Music27/2(2004):38-40.

Mu,Qian.“XiaoJianshengandChineseMusic:TheSanxianinthe21stCentury.II.”Chinese Music27/3(2004):57-60.

Muller,John.“MullerPipeOrganCompany,Croton,Ohio:FirstEnglish Lutheran Church, Mansfield, Ohio.” Diapason95/10(October2004):26.

Musafia, Dominik. “Violins and the Law.” Journal of the Violin Society of America19/1(2004):181-200.

Myers,Arnold.“BrasswindManufacturingatBoosey&Hawkes,1930-59.”Historic Brass Society Journal15(2003):55-72.

Narusawa, Ryoichi.Edited byMarcFink. “AHistory ofOboePlayinginJapan.”Double Reed27/4(2004):117-123.

Neece,Brenda.“Decline&Fall:HowDidAmerica’sMostPopularStringInstrument,theYankeeBassViol,EndUpontheScrapHeap?”Strad115/1375(November2004):1182-1183+.

Neece, Brenda. “The Cello in Britain:ATechnical and SocialHistory.” Galpin Society Journal 56 (June 2003): 77-115,199-214.

Newbery, Sheila. “Such Stuff as DreamsAre Made on:AnInterviewwithAdrianaBreukink[recordermaker].”American Recorder 44/4(September2003):12-17.

Nex, Jenny. “Culliford and Company: Keyboard InstrumentMakers inGeorgianLondon.”Early Keyboard Journal 22(2004):7-48.

Notosudirdjo,FrankiS.“KyaiKanjeng:IslamandtheSearchforNationalMusicinIndonesia.”World of Music45/2(2003):39-52.

November,Nancy.“TheaterPieceandCabinetstück:Nineteenth-CenturyVisualIdeologiesoftheStringQuartet.”Music in Art29/1-2(Spring-Fall2004):134-150.

Nussbaum, Jeffrey, Niles Eldredge, and Robb Stewart. “LouisArmstrong’sFirstCornet?”Historic Brass Society Journal15(2003):355-358.

O’Brien,Grant.“AnAnalysisoftheOriginsofaLargeFranco-FlemishDouble-ManualHarpsichord–WouldaRuckersbyAnyOtherNameSoundasSweet?”Early Keyboard Journal22(2004):49-80.

Ochse,Orpha.“TheOrganinVanNuysHighSchool,VanNuys,California.”Tracker48/4(Fall2004):7-13.

Olson,DonaldH.,andMarkDiGiampaolo.“St.Joseph’sCathedral,Buffalo, NewYork:Andover Organ Company.” American Organist38/8(August2004):36-38.

Olson,GretaJ.“AngelMusicians,Instruments,andLate-Sixteenth-CenturyValencia.”Music in Art 27/1-2 (Spring-Fall2002,©2003):46-67.

Onyeji,Christian.“AbigboMusicandMusiciansofMbaise,Igbo:An Introduction.” Ethnomusicology 48/1 (Winter 2004):52-72.

Oppitz,Michael.“ADrumintheMinShanMountains.”Shaman11/1-2(Spring-Autumn2003):113-148.

14 AMIS -Fall 2005 Newsletter

Orlowski-Fancey,Marya.“MartinOttPipeOrganCompany,St.Louis,Missouri,Opus100:TheBehrendCollege,PennStateUniversity-Erie.”Diapason95/9(September2004):26.

Öser,Yetkin. “The Significance of a Musical Instrument inUnderstanding Urbanization:The Case of the Baglama inTurkey.”Min-su ch’ü-i: Journal of Chinese Ritual, Theatre and Folklore144(June2004):195-223.

Ott,Martin. “MartinOttPipeOrganCompany, Inc.,St.Louis,Missouri:FirstUnitedMethodistChurch,Jackson,Michigan.”Diapason95/12(December2004):26-27.

Ourensma, John, and Jamie Council Garvey. “St. John UnitedMethodist Church,Augusta, Georgia: Dobson Pipe OrganBuilders.”American Organist37/11(November2003):50-52.

Owen,Laurinel.“ATailofManyParts[roleofthetailpieceinthetonal set-upof theviolinandother stringed instruments].”Strad115/1372(August2004):830-831+.

Owen, Laurinel. “Leading Light [musician and violin makerNormanPickeringandhisroleinviolinacousticalresearch].”Strad115/1375(November2004):1194-1196+.

Özakça, Mustafa, and M.T. Gögüs. “StructuralAnalysis andOptimizationofBellsUsingFiniteElements.”Journal of New Music Research33/1(March2004):61-69.

Page,MichaelF.“PerfectHarmony:AMathematicalAnalysisofFourHistoricalTunings.”Journal of the Acoustical Society of America116/4(October2004):2416-2426.

Pandya, Brian H. “Schlieren Imaging of ShockWaves from aTrumpet.”Journal of the Acoustical Society of America114/6(December2003):3363-3367.

Panning, JohnA. “LynnA. Dobson and Dobson Pipe OrganBuilders,Ltd.:ThreeDecadesofBuildingOrgans inLakeCity,Iowa.”Diapason95/11(November2004):24-25.

Pantalony, David. “Rudolph Koenig’s Workshop of Sound:Instruments,Theories, and the Debate over CombinationTones.”Annals of Science62/1(January2005):57-82.

Pape,G.“VarèsetheVisionary[Varèse’svisionsofanewmusicthrough new musical instruments].” Contemporary Music Review23/2(June2004):19-25.

Pasler,Jann.“TheUtilityofMusicalInstrumentsintheRacialandColonialAgendasofNineteenth-CenturyFrance.”Journal of the Royal Musical Association129/1(Spring2004):24-76.

Payne, Ian. “TheWill and Probate Inventory of John Holmes(died1629):InstrumentalMusicatSalisburyandWinchesterCathedralsRevisited.”Antiquaries Journal83(2003):369-396.

Peekstock,Anna.“TheHurdy-GurdyinAmerica.”Early Music America10/2(Summer2004):32-33,44,51-52.

Penny,HowardL.“RobertNoehreninBuffaloatFirstPresbyterianChurch,1969.”Tracker48/2(Spring2004):24-27.

Pepe, Edward C. “Another Look at Oaxaca’s Organs.” Organ Yearbook33(2004):91-120.

Perl, Benjamin. “The DoubtfulAuthenticity of Mozart’s HornConcertoK.412.”Historic Brass Society Journal16(2004):67-88.

PetersonJonathon.“PreparetoMeettheMaker:DakeTraphagen.”American Lutherie75(Fall2003):42-55.

Peterson, Jonathon. “Prepare toMeet theMaker: Frank Ford.”American Lutherie80(Winter2004):10-15,18-21.

Peterson,Jonathon.“PreparetoMeettheMaker:SteveGrimes.”American Lutherie74(Summer2003):20-27,29.

Petty,Bynum.“MatthiasPeterMöller,DeanofOrganbuilding:Reflections on the Sesquicentennial of His Birth.” American Organist38/9(September2004):68-69.

Piana,Dominique.“DolcequasiArpa:FranzLisztandtheHarp.”American Harp Journal19/1(Summer2003):7-23.

Pickering, Norman C. “TransverseVibration Modes inViolinBows.”Journal of the Violin Society of America19/1(2004):29-45.

Pinard,Fabrice.“MusicalQualityAssessmentofClarinetReedsUsingOpticalHolography.”Journal of the Acoustical Society of America113/3(March2003):1736-1742.

Pinch,TrevorJ.,andKarinBijsterveld.“’ShouldOneApplaud?’BreachesandBoundariesintheReceptionofNewTechnologyinMusic[acceptanceofnewinstruments].”Technology and Culture44/3(2003):536-559.

Pinel,StephenL.“The1837HenryErbenOrganatHighgateFalls,Vermont.”Tracker48/2(Spring2004):13-14.

Playfair, Quentin. “Curtate CycloidArching in GoldenAgeCremoneseViolin Family Instruments.” CAS Journal 4/7(May2003):48-58.

Poe, James M. “Cane Hardness and Flexibility: RelatedMeasurements Leading to Better Bassoon Reeds.” Double Reed26/2(2003):60-64.

Poletti,Charlotte. “ThePipesAreCalling:ForSome,BambooPipeMakingandPlayingIsaCalling.”American Recorder44/3(May2003):8-12.

Polhill,Carrie.“OrientalAct[thenohkan,shinobue,andryutekiflutes].” Pan23/2(June2004):19-22.

Pollens,Stuart.“Wunderbar[effectof thebass-barontoneandpitch].”Strad115/1369(May2004):498-500+.

Powell,Ardal. “John Gunn’sArt of Playing the German Flute(1793).”Traverso16/2(April2004):5-7.

Powell,Ardal.“TracesoftheLateMedievalFluteinBrittany.”Traverso16/3(July2004):9-10.

Powers,Katherine.“Music-MakingAngelsinItalianRenaissancePainting: Symbolism and Reality.” Music in Art 29/1-2(Spring-Fall2004):52-63.

Purba, Mauly. “Adat ni Gondang: Rules and Structure of theGondang Performance in Pre-ChristianToba BatakAdatPractice.” Asian Music 34/1 (Fall/Winter 2002-2003): 67-109.


Raas, Jan. “’As If IWere a Clavier:’The Close RelationshipbetweenHaydnandtheClavichord.”Clavichord International 8/1(May2004):20-23.

Rabut, Guy, and David Burgess. “SoundAdjustment Forum.”Journal of the Violin Society of America19/1(2004):69-84.

Rachor,DavidJ.“TheImportanceofCaneSelectioninHistoricalBassoon Reed-Making.” Galpin Society Journal 57 (May2004):146-149.

Raley,Dave.“StalkingtheWildPineRosin.”American Lutherie78(Summer2004):56-59,61.

Rauline,Jean-Yves.“19thCenturyAmateurMusicSocieties inFranceand theChangesof InstrumentConstruction:TheirEvolutionCaughtBetweenPassivityandProgress.”Galpin Society Journal57(May2004):236-245,218.

Reed,Brett.“BuildingaSetofSixxen.”Percussive Notes41/3(June2003):48-50.

Reel, James. “Modern Sound [use of contemporary stringinstruments inorchestras].”Strings 17/7 (April 2003): 71-75.

Reeves, Deborah. “Historically Speaking [Baermann systemclarinet].”Clarinet30/2(March2003):30.

Reeves,Deborah.“HistoricallySpeaking[G.H.Hüllercontrabassclarinet].”Clarinet32/1(December2004):30-31.

Reeves, Deborah. “Historically Speaking [Philip J. Devaultclarinet].”Clarinet30/4(September2003):32-33.

Reeves, Deborah. “Historically Speaking [Romero systemclarinets].”Clarinet30/3(June2003):30-31.

Reeves,Deborah.“HistoricallySpeaking[tunablemouthpieces].”Clarinet31/4(September2004):36-37.

Reeves, Deborah. “Historically Speaking [William S. Haynesdouble-wall silver clarinet].” Clarinet 31/3 (June 2004):28-29.

Regh,Joseph.“GradingMethodsforPernambuco.”Journal of the Violin Society of America19/1(2004):3-28.

Reiley,Steven.“CarloGiuseppeTestoreDoubleBass,c.1750.”Bass World28/1(April-June2004):35-37.

Reiley,Steven.“EnricoCerutiDoubleBass,Cremona,1852.” Bass World27/3(February-May2004):29-31.

Reiley,Steven.“TheBassesofRobertMarshGladstone.”Bass World27/1(June-September2003):39-41.

Reiley,Steven.“WilliamGilkes,London,1843[doublebass].”Bass World 26/3(February-May2003):37-39.

Remmey,Wes.“FenrisPipeOrgan,Kilkenny,Minnesota:GoodShepherdLutheranChurch,Rochester,Minnesota.”Diapason95/9(September2004):27.

Remondino, Dominique. “TschokweWhistles: Instruments ofCommunicationandMarksofPrestige.”Art Tribal2(2003):100-111.

Rensch,RoslynM.“TheVictorSalviFoundationHarpCollection:Part2–Single-ActionandDouble-ActionPedalHarps.”WorldHarp Congress Review8(Spring2003):12-16.

Reuning, Christopher. “An Unusual PoggiViolin:A Questionof Style.” Soundpost Online 3/10 (Winter 2003) www.soundpostonline.com/archive/fall2001.

Reuning, Christopher. “TheViolins of Lorenzo Guadagnini?”Journal of the Violin Society of America19/2(2004):153-188.

Rhodes, David J. “The Viola da Gamba, Its Repertory andPractitioners in the Late Eighteenth Century.” Chelys 31(2003):36-63.

Ricci, Ruggiero. “Secret History [techniques used by NicoloPaganini].”Strad115/1374(October2004):1040-1041+.

Rice,Albert R. “A Guitar by JamesAshborn, Wolcottville,Connecticut, 1858-60, at the Fiske Museum.” Newsletter of the American Musical Instrument Society 33/1 (Spring2004):7.

Rice,Albert R. “BuriedTreasure–An H.N.White Saxello atthe Fiske Museum.” Newsletter of the American Musical Instrument Society33/3(Fall2004):1,5.

Rice,Albert R. “Müller’s Gamme De La Clarinette (c. 1812)andtheDevelopmentoftheThirteen-KeyClarinet.”Galpin Society Journal56(June2003):181-184.

Rice,AlbertR.“NewAcquisitionsattheKennethJ.FiskeMuseumof the Claremont Colleges, Claremont, California–2001-2002.” Newsletter of the American Musical Instrument Society 32/3(November2003):17-19.

Rice, Albert R. “T. Ryan Identified, and an Echo Mute at the Fiske Museum[communication].”Journal of the American Musical Instrument Society30(2004):191-192.

Richter, Karin. “A Clavichord, Pantalon and Square Piano.”Clavichord International8/1(May2004):24-28.

Robinson,Andrew.“FamiliesofRecordersintheLate17thand18thCenturies:TheDennerOrdersandOtherEvidence:I.”Recorder Magazine 23/4(Winter2003):113-117.

Robinson,Andrew.“FamiliesofRecordersintheLate17thand18thCenturies:TheDennerOrdersandOtherEvidence:II.”Recorder Magazine24/1(Spring2004):5-9.

Robinson,Andrew. “Flexibility, Multi-Instrumentation andTranspositioninBaroqueMusic.”Recorder Magazine23/2(Summer2003):46-49.

Rodtook, S., and S. Makhanov. “On theAccuracy of RotationInvariantWavelet-Based MomentsApplied to RecognizeTraditionalThai Musical Instruments.” Lecture Notes in Computer Science2773(2003):408-414.

Rolland,Benoît.“BowHeirs[traditionalapprenticeshipsofbowmakersatMirecourt].”Strad114/1356(April2003):368+.

Rolland,Benoît.“ThePlayingPartsoftheBow:FocusingontheStick.”Journal of the Violin Society of America19/1(2004):201-217.

Rosado,Francisco.“TheRecorderinPortugalToday.”Recorder Magazine23/2(Summer2003):44-45.

Rose, Malcolm. “The History and Significance of the Lodewijk TheewesClaviorgan.”Early Music32/4(November2004):577-593.


Rose,Todd.“ACropofTuningMachines:ForSlotted-HeadSteelStringGuitars.”American Lutherie79(Fall2004):48-57.

Rosen, Michael. “Origins of the Dhol.” Percussive Notes 41/1(February2003):62.

Rowland-Jones,Anthony. “RecorderTechnique (3rd edition):Some Missing Bits: I:The Recorder Orchestra.” Recorder Magazine24/1(Spring2004):11-12.

Rowland-Jones,Anthony. “RecorderTechnique (3rd edition):Some Missing Bits: II: Solos.” Recorder Magazine 24/2(Summer2004):44-45.

Rowland-Jones, Anthony. “The Age of Consorts…? AnIconographicConundrum.”American Recorder 44/1(January2003):6-9.

Rowntree,John.“TheBureauOrganinSt.Benet’sHall,Oxford.”BIOS Journal27(2003):147-151.

Ruggles,CharlesM.“LakewoodPresbyterianChurch,Lakewood,Ohio:CharlesM.RugglesPipeOrgans.”American Organist37/9(September2003):52-53.

Runyan,William E. “Keyed andValved Bugles, Cornets andTrumpets in French Grand Opera / Bugles, cornets ettrompettesáclésouápistonsdanslesgrandsopérasfrançais/ Flügelhörner, Kornette undTrompeten mitKlappen oderVentilenindengrossenfranzösischenOpern.”Brass Bulletin122/2(2003):46-59.

Ryan,Robin.“Jammingon theGumleaves in theBush ‘DownUnder’:BlackTradition,WhiteNovelty[leafblowingandleafinstrumentsincontiguousmusiccultures]?”Popular Music & Society26/3(Fall2003):285-304.

Saba,ThérèseWassily.“AlhambraGuitars:AVisittotheFactory.”Classical Guitar21/10(June2003):30-32.

Saeki,Emi.“JesuitMissionariesandtheClavichordintheOrient.”De Clavicordio6(2004):115-120.

Saeki,Shigeki.“TheArrivalinJapanoftheFirstBrassInstrumentsfromtheWest/L’arrivéedespremiersinstrumentsdecuivreauJapon/AlsdieerstenwestlichenBlechblasinstrumentenachJapankamen.”Brass Bulletin124/4(2003):54-61.

Salmen,Walter.“MusicalScenesinandonTownHousesoftheFourteenth to Sixteenth Centuries.” Music in Art 29/1-2(Spring-Fall2004):77-89.

Saoud,Erick.“TheEffectofStrokeTypeontheToneProductionoftheMarimba.”Percussive Notes41/3(June2003):40-46.

Saunders,WilfredG.“TheRichardsonTertisViola.”Journal of the Violin Society of America19/1(2004):85-100.

Sayce, Linda. “A Forgotten Lute:A Painless Introduction toEighteenthCenturyLuteMusic[themandora].”Lute News67(October2003):7-10.

Schilke, Renold. “The Dimensional Characteristics of BrassMouthpieces.”Instrumentalist57/10(May2003):40-42.

Schoenbaum,David.“MarkTwo[violinmakinginMarkneukirchen].”Strad115/1368(April2004):388-89+.

Schott, Howard. “The Clavichord Revival, 1800-1960.” Early Music32/4(November2004):595-603.

Scott-Maxwell,Aline. “Locating Klezmer inAustralia.”Australasian Music Research7(2003):121-133.

Seletsky,RobertE.“NewLightontheOldBow–I.”Early Music32/2(May2004):286-301.

Seletsky,RobertE.“NewLightontheOldBow–II.”Early Music32/3(August2004):415-426.

Sevy,Jon.“WhatHappensIfIMakeItBigger?RulesofThumbforApproximatingChangesintheSizeofBraces,Tops,andStrings.”American Lutherie73(Spring2003):36-39.

Shaw,Robert,andPeterSzeco.“TheEarlyBanjo.”The Magazine Antiques164/6(December2003):82-89.

Sheets,Arian.“ABeautifullyPreservedViolinfromDasVogtlandJoins theMuseum’sCollections.”National Music Museum Newsletter31/3(August2004):4-5.

Sheets,Arian.“APerfect10!C.F.Martin’s1941D-28Dreadnought[guitar].”National Music Museum Newsletter31/4(November2004):3.

Sheets,Arian.“AnAmericanCompany’sExplorationofFlexibleSteelTubing, fromFishingPoles toViolinBows [HeddonCompany’s flexible steel violin bows].” National Music Museum Newsletter31/2(May2004):4-5.

Sheets,Arian. “Guns, Sporting Goods…and My CelebratedImproved PatentViolins:TheWork of a Dakota PioneerPreserved[workofHiramWallaceWhite].”National Music Museum Newsletter31/1(February2004):4-5.

Shifrin, Ken. “The Moravian BrotherhoodTrombone Choirs:Neither Moravian nor Choirs / La confrérie des ‘choeurs’de trombones moraves: Ni moraves, ni ‘choeurs’ / DieBrüderschaftdermährischenPosaunenchöre:Wedermährisch,noch‘Chöre.’”Brass Bulletin121/1(2003):56-64.

Shreeves,Andrew.“APlainandEasyIntroductiontoPlayingtheHeckelphoneRedux.”Double Reed27/4(2004):55-58.

Siefried,Paul.“CopyinganHistoricalFrog.”Journal of the Violin Society of America19/1(2004):101-179.

Sirén,Arto.TranslatedbySusanSinisalo.“AnAncientInstrumentEnterstheModernEra[thekantele].”Finnish Music Quarterly 3(2003):2-9.

“ASixteenth-CenturyWaterOrganattheVillad’Este[recreationbuiltattheNorfolkworkshopsofRodneyBriscoe].”Early Music Performer11(March2003):30-31.

Smith, Daryl. “25Tubas…1 Cimbasso: 20Years DevelopingTubasWhilePlayingThem/20ansd’essaisetd’aventuresádeveloperdes tubas /20 JahresVersucheundAbenteuerzurEntwicklungvonTuben.”Brass Bulletin122/2(2003):112-118.

Smith, Fiona Ellis. “Observations on the FluteWriting in theOperasofChristophWillibaldvonGluck(1714-1878).” Early Music Performer14(October2004):16-25.

Smith,JackH.“DavidJamesWho?SomeNotesonDavidJamesBlaikley[early20th-centuryorganologist].”Galpin Society Journal56(June2003):216-223.


Smith, Julius O., III. “VirtualAcoustic Musical Instruments:ReviewandUpdate.”Journal of New Music Research33/3(September2004):283-304.

Smith,Ken.“SeoulTraders[musicalinstrumenttradingpracticesinKorea].”Strad115/1365(January2004):58-60+.

Smith,MonicaM.“TheElectricGuitar:HowWeGotfromAndresSegoviatoKurtCobain.”American Heritage of Invention & Technology20/1(2004):12-21.

Smith,StephenD.“TheWorld’sLargestOrganandItsConnectionwiththeBaroqueOrgan[Midmer-LoshorganinAtlanticCityConventionHall].”Tracker48/4(Fall2004):4-6.

Smithers,DonL.“TheEulogiesofFametotheTrumpetbyAngeloTarachia and Giovanni Battista Pirazzoli.” Historic Brass Society Journal15(2003):323-346.

Soinne,Paavo.TranslatedbyAnniOskala.“OnthePositionoftheClavichordintheHistoryofMusicalInstrumentsandonItsRelationtotheFortepiano.”Clavichord International8/2(November2004):42-51.

Somogyi,Ervin.“CarvingtheLuteRose.”American Lutherie80(Winter2004):4-9.

Spear, Robert J. “Influence of Form on ’Signature Modes’ of a Second-GenerationNewViolinFamilyQuintet.”CAS Journal4/8(November2003):19-24.

Speerstra, Joel. “WereJ.S.Bach’sTrioSonatasWritten for thePedalClavichord?”BIOS Journal28(2004):26-46.

Spohr,Arne. “Wind Instruments in theAnglo-GermanConsortRepertoire,ca.1630-40:ASurveyofMusicbyJohannSchopand Nikolaus Bleyer.” Historic Brass Society Journal 16(2004):43-54.

Staral,Susanne.“AUniqueSourceforMusicalInstruments:TheLibraryandtheMuseumofMusicalInstrumentsattheSIM,Berlin[StaatlichesInstitutfürMusikforschung].”Fontes Artis Musicae50/2-4(April-December2003):140-156.

Stark,JamesM.“ThePhilippWirschingatFirstUnitarianChurch,Pittsburgh.”Tracker47/1(January2003):25-29.

Starke,Christian.“Zaqq:TheMalteseBagpipe.”Anuário da Gaita 18(2003):26-29.

Stedall, Rodney. “SouthAfrican Luthiers and HandcraftedGuitars.”Musicus31/22003):106-108.

Steinway&Sons.“150YearsofSteinway&Sons:TheStandardofExcellence.”Musicus32/1(2004):85-89.

Stinner,Ben.“BiologyandEcologyofViolinWood.”Journal of the Violin Society of America18/3(2003):143-167.

Stinner,Ben.“WoodBorersandBowBugs.”Journal of the Violin Society of America18/3(2003):125-142.

Stinnette,Nathan.“PreparetoMeettheMaker:GeorgeWunderlich.American Lutherie73(Spring2003):50-53.

Stoppani,George.“GutInstincts[evolutionofall-guttwiststringsusedforviolins].”Strad114/1360(August2003):856+.

Stover,Harold.“AHope-JonesResidenceOrgan.”Tracker48/2(Spring2004):15-18.

Stowell,Robin.“Beethoven’sViolinConcertoOp.61andJosephJoachim:ACaseStudyinPerformancePractice.”Early Music Performer14(October2004):4-15.

Stuart,Peggy.“Hands-OnArchtopMandolinMaking,PartOnewithDonMacRostieat theAmericanSchoolofLutherie.”American Lutherie75(Fall2003):12-31.

Stuart,Peggy.“Hands-OnArchtopMandolinMaking,PartTwowithDonMacRostieat theAmericanSchoolofLutherie.”American Lutherie76(Winter2003):28-37.

Stuart,Peggy.“Hands-OnArchtopMandolinMaking,PartThreewith Don Macrostie at theAmerican School of Lutherie.”American Lutherie77(Spring2004):38-53.

Stuart,Peggy.“Hands-OnArchtopMandolinMaking,PartFourwithDonMacRostieat theAmericanSchoolofLutherie.”American Lutherie78(Summer2004):28-43.

Stuart, Peggy.Hands-OnArchtopMandolinMaking,PartFivewithDonMacRostieat theAmericanSchoolofLutherie.”American Lutherie79(Fall2004):34-45.

Su,Xiao.“ErhuMasterZhangShaoandErhuStrings.”Chinese Music27/4(2004):78-79.

Su,Xiao.“TheHorizontalKonghou.”Chinese Music26/3(2003):48.

Su,Xiao.“Konghou:TheHarp.II.”Chinese Music26/1(2003):17-19.

Su,Xiao.“YangJingming:TheMusicalAcoustician.I[percussioninstrumentdesigner].”Chinese Music 27/1(2004):18.

Su,Xiao.“YangJingming:TheMusicalAcoustician.II[percussioninstrumentdesigner].”Chinese Music27/2(2004):36-37.

Sullivan, Patrick. “Open Studio [interview with ChristopherGermain,founderanddirectoroftheOberlinViolinMakingWorkshop].”Strings17/7(April2003):77-81.

Sullivan,Patrick.“SunkenTreasure[useofrecoveredtonewoodinbuildingnewstringinstruments].”Strings17/8(May-June2003):85-86.

Supanggah, Rahayu. “Campur Sari: A Reflection [ensembles of CentralJava,Yogyakarta,andEastJava].”Asian Music34/2(Spring-Summer2003):1-20.

Sutherland, DavidA. “Silbermann, Bach, and the FlorentinePiano.”Early Keyboard Journal21(2003):45-63.

Taft, Mimi Shanley. “Birth of the Banjo Exhibition: KatonahMuseum,Katonah,NewYork.”Newsletter of the American Musical Instrument Society32/3(November2003):14.

Takahashi, Yûji. “Two Statements on Music [significance of the use oftheshamisenandofhistoricalinstrumentsincontemporarycomposition].”World of Music45/2(2003):147-152.

Tao,Fan.“TheBowedStringandthePlayer.”Journal of the Violin Society of America18/2(2003):13-30.

Tao,Fan.“ViolinAcoustics:APerspective.”Journal of the Violin Society of America18/3(2003):49-62.

Tarr,EdwardH.“HistoricalInstrumentWindow[keyedtrumpetinFbyJosephGreenhill,London,ca.1835].”ITG Journal 27/2(January2003):55.


Tarr,EdwardH.“HistoricalInstrumentWindow[naturaltrumpetinDbyJohannLeonhardEheIIofNuremberg,1664-1724].”ITG Journal 27/4(June2003):68.

Tarr,EdwardH.“RussianSilverTrumpets:MusicalInstrumentsandBattleDecorations.”Historic Brass Society Journal15(2003):7-54.

Tel, Martin. “Gebruyck of Ongebruyck:A Brief Overview ofHistoricTrends in the Use of the Organ in the CalvinistChurchesoftheNetherlands.”Princeton Seminary Bulletin 24/3(2003):313-327.

Tëmkin,Ilya.“TheEvolutionoftheBalticPsaltery:ACaseforPhyloorganology.”Galpin Society Journal57(May2004):219-230,217.

Thomas,Denis.“ANovelCompactContra.”Recorder Magazine 24/2(Winter2004):120-122.

Thompson, Shirley. “Marc-Antoine Charpentier and theViol.”Early Music32/4(November2004):497-510.

Thompson,SusanE.“TraversiinColonialandPost-RevolutionaryPhiladelphiaasNotedinthePhiladelphiaGazette,1744-83.”Traverso15/4(October2003):13-15.

Thompson,SusanE.“WoodenFluitjen inBeverwijck,aDutchColony in the New World.” American Recorder 45/5(November2004):16-18.

Thormahlen, Dave. “Boxing a Harp for Shipping.” Folk Harp Journal119(Spring2003):30-32.

Thormahlen,Dave.“Resawing.”Folk Harp Journal120(Summer2003):31-32.

Tidwell, Burton K. “Westwood United Methodist Church, LosAngeles,California:TheShafferMemorialOrgan.”American Organist37/12(December2003):46-51.

Tillman,Hunter,andSebastianM.Glück.“CongregationEmanu-El, NewYork, NewYork: Glück NewYork.” American Organist37/7(July2003):34-36.

Tompkins, Charles Boyd, Charles L. Nazarian, and David C.Pike.“DanielChapel,FurmanUniversity,Greenville,SouthCarolina: C.B. Fiske Inc.” American Organist 38/7 (July2004):34-37.

Topham,John.“ADendrochronologicalStudyofViolinsmadebyAntonio Stradivari.” Journal of the American Musical Instrument Society29(2003):72-96.

Topham, John C. “A Dendrochronological Survey of StringedMusical Instruments fromThreeCollections inEdinburgh,LondonandParis.”Galpin Society Journal56(June2003):132-146.

Topham, John. “Working Methods of Early Classical ViolinMakers: Implications of Recent DendrochronologicalStudies.”CAS Journal4/7(May2003):59-67.

“TracingHistory:AViolinbyGeorgeGemunderwithItsOriginalBill of Sale.” Soundpost Online 3/13 (Fall 2003) www.soundpostonline.com/archive/fall2001.

Troskie,Albert.“TheOrganasaCornerstoneofMusic-Makingin19thandEarly20thC.PortElizabeth.”BIOS Journal28(2004):100-116.

Tröster,Patrick.“MoreaboutRenaissanceSlideTrumpets:FactorFiction?”Early Music32/2(May2004):252-268.

Tsai,Tsan-huang. “The Entangled Relationship between LifeStoriesandMusicalInstruments:ACaseStudyoftheQin.”Min-su ch’ü-i: Journal of Chinese Ritual, Theatre and Folklore 144(June2004):163-193.

Tyler,James.“TheRoleoftheGuitarintheRiseofMonody:TheEarliestManuscripts.” Journal of Seventeenth Century Music 9/1 (2003) http://www.sscm-jscm.org/jscm/v9/no1/Tyler.html.

Ulrich,Wilfried.“AnAuthenticHurdy-Gurdy.”American Lutherie77(Spring2004):30-37,59.

Ustenci,Maureen.“SanFrancisco’s‘HistoryoftheHarp’Exhibit.”Folk Harp Journal119(Spring2003):23-25.

Utegalieva, Saule. “Chordophones of CentralAsia:A NewApproach to Its [sic] Classification.” Asian Musicology 5(2004):55-84.

Utley,JoeR.,andSabineK.Klaus.“The‘Catholic’Fingering–FirstValve Semitone: ReversedValve in Brass Instruments andRelatedValveConstructions.”Historic Brass Society Journal15(2003):73-161.

Välimäki,Vesa,MikaelLaurson,andCumhurErkut.“CommutedWaveguide Synthesis of theClavichord.” Computer Music Journal27/1(Spring2003):71-82.

VandenBerg,Hans.“GeneralAspectsoftheClassicalGuitarundertheSpotlight.”Musicus31/2(2003):109-112.

VanEdwards,David.“ArnaultofZwolle’sLuteDesign:APuzzleSolved?”Lute News69(April2004):7-10.

VanKeer,Ellen. “TheMythofMarsyas inAncientGreekArt:MusicalandMythologicalIconography.”Music in Art29/1-2(Spring-Fall2004):20-37.

VanOyen,Marcia.“AllSaintsEpiscopalChurch,Atlanta,Georgia:TheJamesG.KenanMemorialOrgan,John-PaulBuzardopus29.”American Organist38/6(June2004):50-53.

vanWalstijn, Martin. “Discrete-Time Modeling ofWoodwindInstrument Bores UsingWaveVariables.” Journal of the Acoustical Society of America 113/1 (January 2003): 575-585.

Vandewater,Craig.“AdditionstotheBassoonMechanism.”Double Reed26/2(2003):97-102.

VeraAguilera,Alejandro.TranslatedbyTessKnighton.“MusicintheMonasteryofLaMerced,SantiagodeChile,intheColonialPeriod.”Early Music32/3(August2004):369-382.

Vermeij, Koen. “KeyleverTailWidth as aTool forAssigningKeyboard Instruments?” Galpin Society Journal 56 (June2003):175-180.

Vetter,Roger.“ResonatingMeaningfulRelationships:TheGamelanK.K.KancilbelikoftheSultan’sPalaceofYogyakarta,Java.”Min-su ch’ü-i: Journal of Chinese Ritual, Theatre and Folklore 144(June2004):89-126.

Viola, Stefano. “Stellio Calvetti: Ingénieux inventeur / CleverInventer / Geschickter Erfinder.” Brass Bulletin121/1(2003):114-116.


Vogel,Benjamin.“Orphicas–Genuine,LessGenuineandFakes.”Galpin Society Journal57(May2004):19-45,204-205.

Vogl,Wolfgang.“StringMotionRevisited.”Journal of the Violin Society of America18/2(2003):31-59.

Waksman, Steve. “Reading the Instrument:An Introduction[historical background of the guitar and other stringedinstruments].” Popular Music & Society 26/3 (Fall 2003):251-261.

Walker,John.“TheFutureoftheOrganinAmerica.”Diapason49/1(January2003):14-15.

Wallmann, James L. “Splendid Symposium: Celebrating theTannenberg Restoration.” Tracker 48/3 (Summer 2004):5-13.

Wallman, James L. “Three Days at the Hildebrandt Organ inNaumberg.”Westfield Journal of the Westfield Center 15/3-4(January2003):5-10.

Wang,Xiaodun,andXiaohuiSun.“YuebuoftheTangDynasty:Musical Transmission from the Han to the Early TangDynasty.”Yearbook for Traditional Music36(2004):50-64.

Ward,ArleneDeYoung.“’OrganRenewal’intheSouthwest:TheHoltkampOrganattheUniversityofNewMexico.”Diapason95/9(September2004):18-21.

Weaver,Jim.“HaroldGolden:TheViolinists’Craftsman.”Crafts Report 30(June2004):30-33.

Wells,PaulF.“FiddlingasanAvenueofBlack-WhiteMusicalInterchange.”Black Music Research Journal 23/1-2(Spring-Fall2003):135-147.

West,RichardV.“TheKnopfHornDynasty:AnInterviewwithChristianKnopf.” Horn Call34/2(February2004):96-99.

Westbrook,JamesR.“ClassicClassics:1930FranciscoSimplicio.”Classical Guitar22/12(August2004):56-57.

Westbrook,JamesR.“ClassicClassics:1967DanielFriederich:TheFamousPrizeGuitarMadefortheLiègeCompetition.”Classical Guitar23/4(December2004):37-39.

Westbrook,JamesR.“ClassicClassics:C.F.Martin0-28c.1880:JulianBream’sFirstConcertGuitar[fromthecollectionofBrianCohen].”Classical Guitar 22/10(June2004):57-58.

Westbrook,JamesR.“ClassicClassics:Gounod’s1834VinacciaGuitar[housedintheOperaMuseum,Paris].” Classical Guitar 23/1(September2004):58-59.

Westbrook, James R. “Classic Classics: Ignacio Fleta–JohnWilliams’s Concert Guitar [from the collection of JimForderer].”Classical Guitar22/11(July2004):52-54.

Westbrook,JamesR.“ClassicClassics:MarioMaccaferri’s1935Julian Gomez Ramirez Guitar [from the collection of JimForderer].”Classical Guitar23/2(October2004):38-39.

Westbrook,Peter.“TheBansuriandPulangoil,BambooFlutesofIndia.”Flutist Quarterly28/3(Spring2003):30-34.

Weston,Pamela.“Adolphe,HenryandTheirBores.”Clarinet and Saxophone 28/1(Spring2003):26-27.

White,KellyJ.,andArnoldMyers.“WoodwindInstrumentsofBoosey&Company.”Galpin Society Journal57(May2004):62-80,208-214

Whitehead, Lance, andArnold Myers. “The Köhler Family ofBrasswind Instrument Makers.” Historic Brass Society Journal16(2004):89-123.

Wilkins, RobertA. “Cello Modes through Three Stages ofConstruction.”CAS Journal4/8(November2003):64-71.

Williams,Peter.“SomeRemarksonOrgans,Organ-PlayingandtheStudyofMusic.”BIOS Journal28(2004):6-25.

Williams, R. “Musical Instruments at the National Trust forScotland Properties in the North East of Scotland:APreliminaryReport.”Brio40/2(2003):42-47.

Winkler, Heinz-Jürgen. “Fascinated by Early Music: PaulHindemith and EmanuelWinternitz.” Music in Art 29/1-2(Spring-Fall2004):14-19.

Wolfe,Joe.“CutoffFrequenciesandCrossFingeringsinBaroque,Classical, and Modern Flutes.” Journal of the Acoustical Society of America114/4(October2003):2263-2272.

Wolin,Ralph.“Yesterday,Today,andTomorrow2:TheCaseforConservationofFineStringInstruments.”Soundpost Online 3/15 (Spring 2004) www.soundpostonline.com/archive/spring2004.

Wright,Michael.“JueHarpes,JueTrumpes,1481.” English Dance and Song66/4(Winter2004):22-23.

Wyly, James. “TheRestorationofOrgans inMexico.”Tracker47/2(April2003):24-26.

Yeung,Ann, and CharlesW. Lynch, III. “The Roslyn RenschPapers andHarpCollectionat theUniversityof Illinois atUrbana-Champaign.”American Harp Journal19/1(Summer2003):31-35.

Zarro, Domenico. “A Comparison of the Traditionalist andConstructivistAppliedStudio.”NACWPI Journal51/3(Spring2003):4-11.

Zhang,Juzhang,XinghuaXiao,andYunKuenLee.“TheEarlyDevelopmentofMusic.AnalysisoftheJiahuBoneFlutes.”Antiquity78(December2004):769-778.

Zygmuntowicz,Sam.“TeamPlayer [1796Montegazzaviola].”Strad114/1364(December2003):1384-1385.

~Christine Wondolowski Gerstein
