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Discovery of India BuildingDr. Annie Besant Road,Worli, Mumbai - 400 018.Phone : 2496 4676Fax : 2497 3827
E-Mail: [email protected]: www.nehru-centre.org
NewsletterPrice Rs. 10/- Per Copy Annual Subscription Rs. 100
Vol. 15 Issue 8 AUGUST 2014
“Pandit Jawaharlal Nehru on Democracy”Events At a Glance...
1
Nehru Centre Newsletter - August 2014 1
As a homage to Pandit
Jawaharlal Nehru in his 125th
birth anniversary year, we are
publishing some excerpts from
his speeches on Parliamentary
Democracy. Some excerpts
were published in the monthly
Newsletter of June and July
2014. Some more excerpts are
included in the present issue.
ECONOMIC DEMOCRACY
I have a feeling that another
stage in our journey has been
reached and a duty done - well
done, if I may say so. At the
same time, I feel even more
strongly that a still more
difficult duty is ahead of us.
A n o t h e r j o u r n e y h a s
immediately to be undertaken
in which there are no resting
places.
As far as the present Plan is
concerned, it may be said to
have had its beginning long
b e f o r e t h e P l a n n i n g
C o m m i s s i o n c a m e i n t o
existence. Much thought and
many discussions had been
devoted to the question of
planning in India before the
Planning Commission was actually
created. I suppose I can speak about
the Planning Commission without
being unduly modest, because my
connection with it has been
intimate. Nevertheless, the burden
of work fell lightly upon me. Others
carried the burden and if I praise
the work of the Commission, I do
not praise myself. As I said, I can
speak a little more freely about it
than if I had been one of the
recipients of my own praise.
The Planning Commission has
w o r k e d v e r y h a r d , v e r y
conscientiously very earnestly and
with a true crusading spirit in
preparing this Plan…
It is easy to talk about planning in
limited spheres of activity.
Naturally, planning for a whole
nation involves infinitely greater
effort than planning in bits.
Planning, in the larger sense, is thus
an integrated way of looking at a
nation's manifold activities. I do not
mean to go in for comparisons but
the old Soviet approach to planning
Library
Cultural Wing
Fun with Wildlife: Puppetry and Story Telling
by Ms Katie Bagli
on Saturday, 9th August 2014Timings: 10.00 am to 12 noonVenue: Nehru Centre Library, 1st floorDiscovery of India Building, Dr. A. B. Road, Worli, Mumbai - 400 018.Age Group: Stds IV to VI
marazI saMgaIt naaTk mahao%savaNehru Centre is organising its 22nd Annual Programme with four Marathi Sangeet Nataks.
4th to 7th August 2014, 6.00 pm Nehru Centre Auditorium
contd. on page 2
Nehru Centre’s 18th Theatre Festival
16th September to 23rd September 2014
Nehru Centre Auditorium
ANNOUNCEMENT
2
What Nehru said...
ENGLISH AND THE INDIAN LANGUAGES
My approach to the language is not the approach of those worthy colleauges of ours whom I would call the Hindi enthusiasts; nor is it the approach of the other colleagues who are the English enthusiasts. I am an enthusiast of both, Hindi and English. When I say Hindi, I mean the Indian languages. I do not see any real conflict between the languages.
From speech in Lok Sabha debae on Mr. Frank Anthony’s resolution for including English in the English Schedule of the Constitution, August 7, 1959.
To mark the Independence Day of India, the Discovery of India Exposition of Nehru Centre is organizing a ‘Discovery of India Essay Competition’ for school students.
For Students of of Stds VIII & IXon Friday, 15th August 2014Between 11.00 am to 1.00 pm
For details contact Mrs. Gauri Jadhav on 2496 4676-80 (Extn: 140).
was different from ours, both from
the point of view of objectives and
that of the methods adopted,
though the difference between the
two countries was greater in the
latter case. In view of the fact that
we function under a democratic
set-up, which we have deliberately
adopted and enshrined in our
C o n s t i t u t i o n a n d i n t h i s
Parliament, any planning that we
do must naturally be within that
set-up. The Planning Commission
does not have the right to draw up a
programme that has no relation to
our Constitution or to the set-up
under which we work.
Now, that inputs certain self-
imposed limitations on a plan but I
would like to say that those
limitations are not final. I do not
think it would be right to say that
democratic functioning necessarily
means limitations. It may make the
way a little more difficult; the
procedure adopted may have to be
a little more complicated. But it
should be possible for a democratic
set-up, if it is properly worked, to
make provision for everything we
want done. I suppose that is the
only real justification for a
democratic set-up - apart from
other justifications. In a democracy,
things are built on a f irm
foundation - even though it may
take a longer time - and built with
d u e c o n s i d e r a t i o n f o r t h e
individual. However, that is not a
point I wish to labour. What I want
to say is that since we have accepted
a democratic set-up and the way in
which our Parliament functions, we
must consider this Plan on a similar
b a s i s . W e h a v e f r a m e d a
Constitution and we should abide
by that Constitution. Nevertheless,
let it not be said that every part,
every chapter and every word of
Nehru Centre Newsletter - August 2014
that Constitution is so sacrosanct
that it cannot be changed even if
the needs of the country or the
nation so demand. If it is thought
that some part of the Constitution
comes in the way of the nation's
progress, it can undoubtedly be
changed - not lightly but after full
deliberation. But, generally
speaking, we have to plan in
a c c o r d a n c e w i t h t h a t
Constitution.
We are dealing with India and not
any other country. We should not
try to reproduce conditions which
obtain elsewhere. Of course, there
are certain principles, certain
ideals and objectives which hold
not only for various countries but
for various ages, too; they do not
change. India herse l f has
represented various principles of
that type and I hope she will hold to
them. At the same time, I earnestly
hope and believe that she will give
u p t h e l a r g e n u m b e r o f
superstitions and evil ways of old
which have impeded her growth
and which are even today used to
divert people from a consideration
of the essential things. Our plan for
future progress must cope with the
amalgam and variety we have in
India. When I see these two heavy
volumes of the Report of the
Planning Commission, my mind
conjures up the vision of something
vast - the mighty theme of a nation
building and re-making itself. We
are, all of us, working together to
make a new India - not abstractly
for a nation but for the 360 million
people who are wanting to
progress as individuals and as
groups.
Discovery of India Essay Competition
to be contd....
NEHRU PLANETARIUM
SKY SHOWS : ‘Violent Universe’
Timings
12 noon (Hindi) 1:30 pm (Marathi) 3:00 pm (English) 4:30 pm (Hindi)
MONDAY CLOSED
3
A Special Astrophysics Lecture
A Special Astrophysics Lecture “Twists and Turns in
the Waves of the Big-Bang” by Prof. C .S.
Unnikrishnan, Department of High Energy Physics,
Tata Institute of Fundamental Research, Mumbai was
organized on Saturday, 26 April 2014 .We bring you
the summary of his talk.
In the standard theory of cosmology, the universe
started off with a 'big-bang' of almost infinite density
and temperature and expanded for about 14 billion
years to reach what we see around today. A number of
aspects of this 'theory of evolution' have been tested
and found consistent. However, some aspects are still
on shaky foundations and remain untested even
today, including the postulated accelerated expansion
called inflation right after the event of big-bang. Associated with the big-bang and the inflationary expansion are violent
random motion of matter that generate gravitational waves that are expected to wander about in the universe for much
longer, imprinting their characteristic patterns of twists and turns on the matter and radiation in the universe. Therefore,
it was reasoned that the familiar cosmic microwave background radiation (CMBR) should hold these visible signatures as
it reaches us today, in the form of specific patterns in its polarization. Recently, the experiment 'BICEP' (Background
Imaging of Cosmic Extragalactic Polarization) that was specifically designed to look for such patterns in the CMBR and
set up near the south pole, detected strongly patterned CMBR matching what is expected from the distortions resulting
from the primordial gravitational waves. Though a bit early to conclude that this confirms beyond doubt the inflationary
history of the expansion of the universe that happened almost 14 billion years ago and right after the big-bang, it is
considered as strong evidence for inflation, which is yet to find its supporting elements in particle physics. When
confirmed, it will also be the second indirect evidence for gravitational waves, the first being the orbital decay of the
binary pulsar. No gravitational waves have been directly detected yet and physicists and astronomers expect to detect
gravitational waves this decade with the giant interferometer detectors on earth, including the planned LIGO-India
detector. (see www.gw-indigo.org for details).
The sudden inflationary expansion provoked by an as yet unknown form of matter soon after the big-bang is necessary
for a believable model of the big-bang universe because, otherwise, it is very difficult to explain why different parts of
the universe are more or less identical in their looks and properties. Inflation and the generation of gravitational waves
from turbulent matter belong to the untested and unobservable era of the early universe. The earliest history of our
universe we can 'directly see' is limited to the period after neutral atoms formed and light became free of scattering from
charged particles. Radiation from this spatial slice of 'last scattering' is what we see today as the cosmic microwave
background radiation and it seems that we need to seek evidence for physical phenomena pertaining to the earlier
universe in their finger prints in the CMBR. If we could detect these gravitational waves themselves, we could 'see' the
earlier universe, closer to the big-bang, but this task would need interferometer detectors much larger in size than the
lunar orbit, deployed in space.
Nehru Centre Newsletter - August 2014
Prof. C. S. Unnikrishnan
to be contd....
NEPTUNE
4
Discovering Neptune We devoted a page last month on the discovery of Neptune. This was a profound discovery on many accounts and importantly it boldly underlined the “.. confirmation of Newton’s theory of Gravitation.” In fact prior to its discovery the planet had been observed on number of occasions. But the observers failed to recognize the true significance of their observations. Neptune is the 8th and the farthest planet of the solar system. In 1930 when Pluto was discovered, it became the 9th and the farthest planet. But Pluto lost its status of Planethood in 2006 when astronomers created a new category of solar system objects called ‘dwarf planets’. Even then in between 1979 and 1999 for about 20 years Neptune again became the farthest planet and Pluto traveling in its orbit was closer to the Sun than Neptune. Diameter of Neptune is about 49.5 thousand kilometre that is about four times larger than Earth. It orbits the Sun from a distance of about 4.5 billion kilometres. This is about 30 times Earth – Sun distance. At this distance light takes about 4 hours to travel. It completes one orbit round the sun in 164.79 years. Neptune makes one rotation on its every 16 hours 6 minutes but the planet is not exactly a solid body. It’s equatorial region makes one rotation in 18 hours, which is about two hours slower. On the other hand the polar region make one rotation in 12 hours, which is about four hours faster. These different speeds of rotations at different latitudes is attributed to the magnetic field of the planet. Composition of Neptune is quite similar to that of Uranus and sometimes these planets are termed and ‘ice giants’. The atmosphere of Neptune consist of hydrogen, helium and methane gas. The mantle has water, ammonia and methane ices. Their total amount is 10 to 15 times the mass of Earth. The core of Neptune has rocky material like silicates and nickel-iron. Neptune has 14 known natural satellites or moons. The largest one, Triton was discovered just after 17days of discovery of Neptune itself. It is the largest moon of the planet that holds nearly 99.5% mass of all other moons put together. This moon also rotates in the opposite direction to the rotation of the planet. It is therefore believed that Triton is actually a captured dwarf planet. This planet is slowly spiralling inwards and in about 3.6 billion years it will reach a point where the tidal forces gravity of the planet will completely break the satellite in to tiny pieces. These would then circle the planet as its rings. The discovery of the second moon of Neptune, Nereid, came nearly after 100 years. It was discovered by Gerard P Kuiper on May 1, 1949. Neptune also has a ring system. There rings are named after those who were associated with the discovery of the planet - Galle, Le Verrier, Arago and Adams. These rings are at a distance of 42, 53, 57 and 63 thousand kilometres from the planet. There is a faint extension to Le Verrier named Lassell. Adams, the outer most ring has very interesting features of arcs in it. The existence of these arcs have not been explained completely but believe to be due to gravitational effects of Galatea the moon of Neptune just outside the ring.
Nehru Centre Newsletter - August 2014
5
Cultural Cultural Cultural WingWingWingmarazI saMgaIt naaTk mahao%savaNehru Centre is organizing its 22nd Annual Programme during the month of August 2014.
The following Marathi Sangeet Nataks will be staged.
Monday, 04.08.2014
jagaNao vhavao gaaNaoProduced by Natyasampada, MumbaiWritten by Monika GajendragadkarDramatization: Mandar JoshiDirected: Shriram KulkarniLyrics : Sudhir Moghe, Anuradha KhotMusic: Pt. Raghunandan PanshikarCast: Chandrakant Limaye, Rajani Velankar, Vishal Moghe and Vinay Ramdasan
Tuesday, 05.08.2014
maRcCkTIkProduced by Bharat Natya Samshodhan Mandir, PuneWritten by Govind Ballal DevalDirected: Ravindra KhareMusic Guidance: Rajeev ParanjapeCast: Charudutta Aphale, Gauri Patil, Dr. Ram Sathaye, Anand Panase, Sanjiv Mehandale and Ravindra Khare
Wednesday, 06.08.2014
maaJao AakaSa vaogaLoProduced by Rangsharada Pratishthan, MumbaiWritten & Directed by Vijay GokhaleLyrics : Gauri PatilMusic: Laxman PatilCast: Vijay Gokhale, Rohan Gujjar/Pranjal Damle, Ratnakar Deshpande, Prabhakar Karle, Savita Gokhale, Ajita Kulkarni, Gauri Patil and Dr. Girish Oak
Thursday, 07.08.2014
saMSaya - kllaaoLProduced by Khalwayan, RatnagiriWritten by Govind Ballal DevalDirected: Manohar JoshiMusic Guidance: Anand PrabhudesaiCast: Anand Prabhudesai, Manohar Joshi, Ajinkya Ponkshe, Ganesh Joshi, Vijay Joshi, Niranjan Godbole, Shamika Joshi, Manjiri Joshi, Shweta Joglekar, Prajatka Joshi and Devashree
A two day thematic festival of classical music on Monsoon Ragas was organized on 10th and 11th July 2014.
On the first day, a Dance Choregraphy on Malhar, designed and conceptualized by L. A. Kazi, Director, Culture, Nehru Centre with Music by Pt. Sunilkant Gupta and was presented.
The second day had varieties of Malhar Ragas through instrumental by
and vocal by Ustad Maqbool Husain Khan & Zeeshan Khan.
The programme was well attended by the music lovers.
Dance Choregraphy by Mayur Vaidya
the duo Aboli Sulakhe (Sarod) and Aparna Deodhar (Sitar)
Nehru Centre Newsletter - August 2014
Entry: Entrance Cards will be available on 1st August 2014 from 10.30 am until availability of entrance cards from Booking Counter of Nehru Centre Auditorium.
Online booking for free entrance cards will be available on bookmyshow.com
4th to 7th August 2014, 6.00 pm each day, Nehru Centre Auditorium
(A Thematic Festival of Classical Music on Monsoon Ragas)
Megh
Malhar 2014Review
Scenes from the Dance Choreography based on Monsoon Ragas
Vocal Recital by Ustad Maqbool Husain Khan and Zeeshan Khan
Aparna Deodhar (Sitar) and Aboli Sulkahe (Sarod)
Art GalleryThe
Nehru Centre Newsletter - April 2011 6Nehru Centre Newsletter - August 2014
Programmes for August 2014
SANDHYA KELKAR
Sandhya secured B.Sc. from Nagpur University; G.D.A. and M.A. in Fine Arts from Mumbai. Her landscapes are in oil on canvas.
Tuesday 29th July to Monday 4th August 2014
( AC Gallery )
MANISHA ASHRA . BHAKTI ASHRA . NIMISHA SHAH . HARSHITA CHASIA
Manisha graduated from Sir J. J. School of Art, Mumbai. Her paintings are abstract in oil on canvas.
Bhakti is a self-taught artist. She works in stained glass and ceramics.
Nimisha has done course in Commercial Art. Her paintings are in oil and acrylic on canvas.
Harshita is a self-taught artist. Her paintings are on nature in acrylic and oils.
Tuesday 29th July to Monday 4th August 2014
( Circular Gallery )
AMIT KUMAR . ANAND KUMAR KESHRI . SUJIT PODARR . DEEPAK RASAILY
Amit has B.F.A. and M.F.A. degree in Painting from Patna University. His paintings are in acrylic on canvas. He has had many group shows.
Anand Kumar secured B.F.A. in Painting from Patna University and
M.F.A. from Chandigarh. He has had many group shows and won awards. His paintings are on 'Faces' and other compositions are in acrylic on canvas.
Sujit also received B.F.A. degree from Patna University. He has participated in many exhibitions and w o n a w a r d s . H i s r e a l i s t i c compositions are in water colour on the Fabriano and old papers.
Deepak has B.F.A. degree in Sculpture from Patna University and M.F.A. from M.S. University, Baroda. He received National Scholarship from H.R.D., Govt. of India. His sculptures are in marble.
Tuesday 5th August to Monday 11th August 2014
( AC Gallery )
BALKRUSHNA CHHADIDAR . SHARADA UTTARWAR
Balkrushna has received B.F.A.; M . F . A . a n d A . T . D . f r o m Aurangabad. He has participated in many shows. Sharada secured A.T.D.; M.F.A. from Aurangabad. She has won many awards and had shows.
Tuesday 5th August to Monday 11th August 2014
( Circular Gallery )
ACHYUT PALAV & HIS STUDENTS
Achyut obtained G.D.A. from Sir J. J. Institute of Applied Art, Mumbai. He was faculty member of Sir J. J. Institute. He will exhibit calligraphic paintings with his pupils.
Tuesday12th August to Monday 18th August 2014
( AC Gallery )
N E E TA S H I R G A O N K A R . SARIKA BAFNA . VIJAYA D . SEJAL SHAH
Neeta has secured B.F.A. from C h i p l u n . H e r p a i n t i n g s a r e compositions in acrylic on canvas.
Sarika's art education has been from Dr. B. Nanavati Women's College. Her paintings are in acrylic.
Vijaya has diploma in Commercial Art from Chennai. Her compositions are in acrylic.
Sejal is a self-taught artist. Her compositions are in acrylic.
Tuesday12th August to Monday 18th August 2014
( Circular Gallery )
RAJENDRA DAGADE
Rajendra obtained G.D.A. in Painting from L. S. Raheja School of Art, Mumbai. His realistic paintings
Calligraphy by Gargi Sankpal
Painting by Rajendra Dagade
7Nehru Centre Newsletter - August 2014
Art Fusion Show 2014Review
Eighth ‘Art Fusion Show’ - 2014 of artists from Maharashtra was inaugurated by Dr. Saryu Doshi, eminent Art Historian on 20th June 2014. Also present on the occasion were Shri R. D. Pradhan, Vice-Chairman; Shri I. M. Kadri, General Secretary and Dr. J. N. Banerjee, Execuive Committee member of Nehru Centre.
Shri Sharad Pawar, Chairman, Nehru Centre also graced the occasion in the evening.
The exhibition was visited by many art lovers who appreciated the art works.
and portraits are in oils and oil pastels.
Tuesday19th August to Monday 25th August 2014
( AC Gallery )
MALVIKA KAMATH
Malvika is a self-taught artist. Her paintings are on nature in oil, acrylic and oil pastels.
Tuesday19th August to Monday 25th August 2014
( Circular Gallery )
DADASAHEB YADAV . VIJAYMUMAR DHUMAL .RAMKRISHNA KAMBLE
Dadasaheb received G.D.A.; A.T.D. and A.M. from Abhinav Kala Mahavidyalaya, Pune. His paintings are on nature in water colour and acrylic.
Vijaykumar secured G.D.A.; A.T.D. and A.M. from Satara. Presently is the Principal at Kala Mahavidyalaya, Satara. He has had many shows and awards to his credit. His paintings are on Bulls in various postures in acrylic on canvas.
Ramkrishna has obtained G.D.A., A.T.D. and Dip A.Ed. from Sir J . J. School of Art, Mumbai. He has participated in many exhibitions and won awards. His figurative compositions are in oil pastels.
Tuesday 26th August to Monday 1st September 2014
( AC Gallery )
SACHIN SAWANT
Sachin has done A.T.D. from Khopoli. His realistic paintings are on rural life in acrylic on canvas.
Tuesday 26th August to Monday 1st September 2014
( Circular Gallery )
Dr. Saryu Doshi inaugurating the Art Fusion Show 2014 and also releasing the catalogue. Also seen in the pictures are Shri R. D. Pradhan, Vice Chairman; Shri I. M. Kadri, General Secretary and Dr. J. N. Banerjee, Executive Committee member of Nehru Centre
Dr. Saryu Doshi addressing the artists and art lovers
Shri Sharad Pawar, Chairman, Nehru Centre going around the show and interacting with the artists
R. N. I. No. MAHENG/1999/121 MCW/114/2012-2014
FOR PRIVATE CIRCULATION ONLY
NEHRU CENTRE PUBLICATIONS
MUMBAI PAST & PRESENT * WITNESS TO HISTORY
* REMEMBERING EINSTEIN *
INDIAN ASTRONOMY A Source Book
EXPLORING THE UNIVERSE: The Planetarium Way
SCIENCE IN INDIA: PAST & PRESENT
DISCOVERY OF INDIA Abridged and illustrated
NEHRU REVISITED
RULE OF LAW IN A FREE SOCIETY
CHALLENGES TO DEMOCRACY IN INDIA
Colourful Catalogues for Sale
1. R. K. LAXMAN / 2. MARIO DE MIRANDA
3. G. N. JADHAV / 4. ART HERITAGE OF
MAHARASHTRA
5. HAREN DAS / 6. PROF. P. A. DHOND
7. COLLECTOR'S PRIDE / 8. K. B. KULKARNI
9. VINAYAK S. MASOJI
10. SAMAKALEEN (Contemporary Five Artists)
VINAYAKRAO WAGH * RAJARAM PANVALKAR
KRISHNAJI KETKAR * DATTAJIRAO DALVI
* GOVIND MALADKAR
11. NAGESH B. SABANNAVAR
12. NARAYAN L. SONAVADEKAR
13. "GURU-SHISHYA"
BABA GAJBAR & GANPATRAO WADANGEKAR
14. D. G. KULKARNI (DIZI)
15. MILLENNIUM SHOW
(A Century of Art from Maharashtra)
16. BALAJI TALIM & HARISH TALIM
17. S. L. HALDANKAR & G. S. HALDANKAR
18. VINAYAKRAO P. KARMARKAR
19. GOPALRAO DEUSKAR
ART FUSION
2007 / 2008 / 2009 / 2010 / 2011 / 2012 / 2013
SANSKRUTICD ROM : An Aesthetics of Indian Culture
DISCOVERY OF INDIA VCD Version
Set of ten greeting cards Based on Discovery of India Exposition
Set of five assorted gift cards Designed by Handicapped children
Available at:Discovery of India Exposition, Ground Floor, NEHRU CENTRE, Worli, Mumbai - 400 018.
Design & Layout : Imtiaz Kalu
Published for Nehru Centre by Srinivas Krishna Kulkarniat Discovery of India Building, Dr. Annie Besant Road, Worli, Mumbai - 400 018. Tel : 2496 4676 Fax : 2497 3827
Printed at M/s Trimurti Enterprises, 229, A/2, Shah & Nahar Industrial Estate, Lower Parel, Mumbai - 400 013. Phone : 8652666981 / 9820280366
Editor : Srinivas Krishna Kulkarni
Photographs : C. M. Karambelkar
8
LIBRARYNew Arrivals - Books
Sr. No. Title Author
1 Expressions & evocations: Gayatri Sinha ed.Contemporary women artists of India
2. Court painting in Rajasthan Andrew Topsfield ed.
3. Lahore: Paintings, murals and Barbara Schmitz ed. calligraphy
4. The Victoria Memorial Hall, Calcutta: Philippa Vaughan ed. Conception, collections, conservation
5. Bengal: Sites and sights Pratapaditya Pal &Enamul Haque eds.
6. India and Portugal: Cultural Jose Pereira & interactions Pratapaditya Pal eds.
7. Allahabad: Where the rivers meet Neelum Saran Gour ed.
8. Contemporary architecture and Farooq Ameen ed.city form: The South Asian paradigm
9. The great deserts Folco Quilici
10. The rise of life: The first 3 – 5 billion John Reader years challenges
NEHRU CENTRE LIBRARY
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Timings: 10 am to 6 pm
2nd & 4th Saturday
Monday to Friday,1st & 3rd Saturday
Timings: 10 am to 2 pm
Nehru Centre Newsletter - August 2014
Fun with Wildlife: Puppetry and Story Telling
by Ms Katie Bagli
on Saturday, 9th August 2014Timings: 10.00 am to 12 noonVenue: Nehru Centre Library, 1st floorDiscovery of India Building, Dr. A. B. Road,Worli, Mumbai - 400 018.Age Group: Stds IV to VI
Last date for registration: 5th August 2014Limited seats, register early.Email: [email protected] or call: 24983921