New JuilliardEnsemble

Visit juilliard.edu/support or call Tori Brandat (212) 799-5000, ext. 692, to learn more.

The Juilliard Scholarship Fund provides vital support to any student with need and helps make a Juilliard education possible for many deserving young actors, dancers, and musicians. With 90 percent of our students eligible for financial assistance, every scholarship gift represents important progress toward Juilliard’s goal of securing the resources required to meet the needs of our dedicated artists. Gifts in any amount are gratefully welcomed!

Support ScholarshipsP

hoto

by

Cla

udio

Pap

apie

tro

1

Please make certain that all electronic devices are turned off during the performance. The taking of photographs and the use of recording equipment are not permitted in this auditorium.

The Juilliard Schoolpresents

New Juilliard EnsembleJoel Sachs, Founding Director and ConductorLila Duffy, SopranoMichael Braugher, Rapper

Tuesday, October 1, 2019, 7:30pmPeter Jay Sharp Theater

SHULAMIT RAN Fault Line (2005-6)(Israel/U.S., b. 1949) Lila Duffy, Soprano

MAGNUS LINDBERG Souvenir (2010)(Finland, b. 1958) I. II. III.

Intermission

ALEXANDER GOEHR … between the lines (2013)(Germany/U.K., b. 1932) Western hemisphere premiere

BALÁZS HORVÁTH die ReAlisierung einer komPosition(Hungary, b. 1976) (2013, new version 2018) World premiere of new version Michael Braugher, Rapper

Performance time: approximately 1 hour and 25 minutes, including an intermission

This performance is supported in part by the Muriel Gluck Production Fund.

2

Notes on the Program by Joel Sachs

Fault LineSHULAMIT RAN

Shulamit Ran began setting Hebrew poetry to music at age 7. Only two years later she was studying composition and piano with some of Israel’s most noted musicians, and she soon heard her works performed by professional musicians and orchestras. With scholarships from the Mannes College of Music and the America-Israel Cultural Foundation, Ran studied in New York with Norman Dello Joio and in Chicago with Ralph Shapey. In 1973 she joined the faculty of University of Chicago, where she became the Andrew MacLeish Distinguished Service Professor in the department of music as well as artistic director of Contempo, the university’s contemporary chamber players. She considers her teacher, later colleague, and friend Ralph Shapey an important mentor. Ran has been awarded five honorary doctorates, was elected to the American Academy of Arts and Letters and the American Academy of Arts and Sciences, and has received major composers’ honors, including the Pulitzer Prize. Her music has been played by major orchestras including the Chicago Symphony, Cleveland Orchestra, Philadelphia Orchestra, Israel Philharmonic, New York Philharmonic, and American Composers Orchestra, with conductors Daniel Barenboim, Pierre Boulez, Christoph von Dohnanyi, Zubin Mehta, Yehudi Menuhin, Gustavo Dudamel, and others. She was composer-in-residence with the Chicago Symphony Orchestra and Lyric Opera of Chicago and a resident at the American Academy in Rome. Her music, much of which has been recorded, is published by Theodore Presser Company and the Israeli Music Institute. Ran, now the Andrew MacLeish Distinguished Service Professor Emerita at the University of Chicago, is composing Anne Frank, a full-scale opera with a libretto by Charles Kondek, to premiere in November 2020.

Fault Line, commissioned by the Chicago Symphony’s Music Now program, was begun in May 2005 and completed early the following year. The composer writes:

The title Fault Line is a metaphor for the volatility of human existence. Underneath even the most seemingly orderly of lives, fault lines lie, at times totally invisible on the surface, yet capable of erupting with the power to shutter and change all. Fault Line may be heard as a journey of a life, with all of its exuberance, energy, despair, triumphs and losses, wonder, brashness, and the grace of great tenderness.

In three interlocking sections, the work opens resonantly and deliberately, with the distance bounded by the adjacent notes F and G gradually expanding into larger cycles of growing activity. This first large section of the work is bright and rich in sound, highlighting various ensemble combinations as they move in and out of fuller textures. It is the much sparser, more lyrical and transparent middle portion of the work, replete with solo lines, that transforms Fault Line’s course, with

Shulamit Ran Born: Tel Aviv, Israel, in 1949

3

darker undercurrents assuming a progressively more prominent role. The third and last large section begins with strident brass and timpani chords, gradually building into the work’s most intense stretch, with tutti and solo lines merging together. Fault Line’s opening line briefly comes back much transformed, in no way a recapitulation but rather alluding to the continuous thread of this journey, leading to the final climax which soon disintegrates into hushed silence.

Much of the optional vocal part, appearing late and only fleetingly, is sung in vocalise style (wordless singing). Not wishing to entirely forgo the voice’s capacity to emit the more varied sound of sung speech led me to integrate a text line from Shakespeare’s Othello (final act) that seemed especially appropriate: “Speak of me as I am. Nothing extenuate …”

SouvenirMAGNUS LINDBERG

Originally a pianist, Magnus Lindberg studied composition at the Sibelius Academy, where his teachers included Einojuhani Rautavaara (‘56, composition) and Paavo Heininen. A leading Finnish modernist in a musically conservative country, Heininen encouraged the study of the European avant-garde, which led to the founding of the Ears Open Society, an informal group—including Lindberg, Eero Hämeeniemi, Jouni Kaipainen, Kaija Saariaho, and Esa-Pekka Salonen—that aimed for greater awareness of contemporary modernism. In 1981 Lindberg moved to Paris for studies with Vinko Globokar and Gérard Grisey, also attending Franco Donatoni’s summer classes in Siena. Other associates from those days included Brian Ferneyhough, Helmut Lachenmann, and York Höller, all leaders of that generation. Over the next few decades, Lindberg explored many of the important trends, becoming one of today’s most prominent orchestral composers, commissioned by many of the world’s leading orchestras and conductors. From 2009 to 2012, he was composer-in-residence of the New York Philharmonic, writing pieces including EXPO, the premiere of which celebrated the opening of the tenure of Alan Gilbert (Pre-College ’85; MM ’94, orchestral conducting) as the orchestra’s music director. Lindberg was appointed composer in residence with the London Philharmonic Orchestra for the 2014-15 through 2016-17 seasons, again writing a host of new compositions. Lindberg’s music, published by Boosey and Hawkes, has been recorded on the Deutsche Grammophon, Sony, Ondine, Da Capo, and Finlandia labels. In 2003, Lindberg was awarded the prestigious Wihuri Sibelius Prize.

Adapted from a biography provided by Boosey & Hawkes

Magnus Lindberg Born: Helsinki, Finland, in 1958

4

Souvenir was commissioned by the New York Philharmonic and Gilbert and premiered at Symphony Space in Manhattan by members of the orchestra. It commemorates the French composer Gérard Grisey (1946-98). The piece is unusual for Lindberg in that it is divided into separate movements; he normally writes large pieces in inseparable sections. He says:

I didn’t start out planning this work to reflect my thoughts about Gérard Grisey, yet it ended up having that connection. It’s also connected to the fact that another important feature of my life was the summer I spent with Franco Donatoni in Italy, and my appreciation for his chamber symphony, titled Souvenir, from 1967. The connection of two of my teachers within this project made sense; it became a kind of “souvenir” world that led me back to the concept of the sinfonietta, the works for small orchestra. When you think about the sinfonietta, Schoenberg’s Chamber Symphonies stand as a reference point, but I would also say that sinfoniettas became a big thing in the 1960s and ‘70s, when groups like the London Sinfonietta and [Boulez’s] Domaines Musicales provided small-scale symphonic opportunities for composers who didn’t have the opportunity to work with full orchestras.

I felt nostalgic to get back to this world of the sinfonietta, and so I have scored this work for just one instrument per part—strings and winds (with two horns, because I think of the horns as a pair)—and two percussionists. Having spent many years working with big orchestral textures, I was suddenly faced with the challenge of writing for what, in comparison, seems like an almost ‘naked’ ensemble.

Adapted from a program note © Magnus Lindberg and James M. Keller, program annotator of the New York Philharmonic and the San Francisco Symphony; reproduced by permission of Mr. Keller

… between the linesALEXANDER GOEHR

Alexander Goehr is the son of the distinguished conductor and Schoenberg student Walter Goehr, who shortly emigrated to the U.K. Well known by age 20, the younger Goehr became a leader of the 1960s Manchester avant-garde, which included his friends Harrison Birtwistle and Peter Maxwell Davies. In 1955-56, having attended Messiaen’s Paris master class, he became a BBC producer and broadcaster and the director of the Music Theatre Ensemble. In 1971 he was appointed professor of music at Leeds University; five years later, he became chair of music at the University of Cambridge, where he is now emeritus professor. Goehr has received commissions from the Boston Symphony, BBC, Deutsche Oper am Rhein, Leeds Festival, Hamburg State Opera, Edinburgh Festival Ballet, Netherlands Wind Ensemble, and other ensembles and institutions. A prolific composer, he has produced numerous stage compositions with orchestra or small ensembles, five operas, choral and vocal music, and

Notes on the Program by Joel Sachs (continued)

Alexander Goehr Born: Berlin, Germany, in 1932

5

many orchestral, chamber, and solo pieces. His four symphonies, concertos for piano, violin, viola, and cello, and other orchestral compositions have been conducted by Dorati, Boulez, Barenboim, Pritchard, Haitink, Ozawa, Dohnanyi, Rattle, and Knussen, with soloists including violinists Manoug Parikian and Ruggiero Ricci; cellist Jaqueline du Pré; and pianists John Ogdon, Daniel Barenboim, and Peter Serkin. Goehr is an honorary member of the American Academy of Arts and Letters, a former Churchill Fellow, and the 1997 BBC Reith Lecturer. This year he was made an honorary member of the Royal Philharmonic Society in recognition of his lifelong contribution to musical culture. His music is published by Schott and widely recorded, especially on the NMC label. Recent works include the quintet after “The Waking” (2016-17), commissioned by Wigmore Hall and the Santa Fe Chamber Music Festival and premiered by the Nash Ensemble. Goehr’s fifth quartet, Vision of the Soldier Er (2018), was premiered earlier this year.

Having avoided any dogmatic approach to materials, Goehr has chosen to fuse his heritages of the Schoenberg school and his former teacher Messiaen. He also has enjoyed developing a new polyphony emanating from the masters of the mid-18th century. Moving freely among modality, tonality, and nontonality, he gravitates to short phrases filled with nervous energy, which, he says, “impart a cryptic meaning to material that sometimes has a familiar origin.” … between the lines was commissioned by the Berlin Philharmonic for its Scharoun Ensemble, “for A [a player] who unknowingly provided the title.” It receives its Western Hemisphere premiere tonight. The composer writes:

The composition … has a single subject, as in fugue, played at the outset. It reappears in one form or another, throughout the composition, contrasted only, again as in fugue, by episodes of related but different materials. Each “movement,” each with its own underlying speed and meter relates to the first as an augmentation or diminution of it; that is to say, the subject appears in each section faster or slower than it is at first.

I do not think that any piece described as a Chamber Symphony can hide its genealogy deriving from Schoenberg’s Op. 9. That composition is famous for its unified one-movement structure in four parts and for the difficulty in balancing solo strings and a full and rich wind section. I hope my composition will not incur the same difficulties.

What else to say? The common expression “reading between the lines” suggests that the reader understands from what he reads something that the writer of poem or prose or even letter has not wanted or has wanted but not been able to spell out. But listening between the lines? Hearing the notes, the melodies and rhythms, even the harmonies and making something of these? Is this not enough? Does my title claim that there is something more to be obtained? I do not like the explicit and obvious in the music of the past, I look for the twist in the rope; or rather I do not look for but sometimes find where unexpectedly it leads.

6

Notes on the Program by Joel Sachs (continued)

die ReAlisierung einer komPositionBALÁZS HORVÁTH

Balázs Horváth studied composition at the Ferenc Liszt Academy of Music with Zoltán Jeney, among others. In 2005, already a member of the academy’s faculty, he completed his doctorate, and he now teaches music theory and 20th-century techniques. As composer—mostly of orchestral and ensemble music—he has won several prizes and has had performances in Hungary and abroad. Most of his compositions are written for orchestra or ensemble. Horváth also regularly appears as conductor. He is president of Budapest’s UMZE Association, which runs the new-music Ensemble UMZE. Horváth also founded and has co-curated the Transparent Sound New Music Festival in Budapest with Samu Gryllus since 2014. Their concerts concentrate on the connection of classical contemporary music and the music of the present. Recently Horváth has been particularly interested in the possibilities of combining the popular and the “serious” and integrating theatrical elements into music, composing for orchestra with human beatboxer (Werkmusik), rapper (die ReAlisierung einer komPosition), and DJ scratch sounds with plunderphonic elements (Plunderphonic intermezzi). He is also interested in integrating theatrical elements and text into his music.

die ReAlisierung einer komPosition was composed for rapper and orchestra in 2013 and reworked for chamber orchestra specially for the New Juilliard Ensemble, which gives the world premiere of the new version tonight. Horváth writes:

In 2013, reading György Ligeti’s The Self-Questioning—a “self interview”—it really grabbed me how Ligeti preceived and explained the notion of creation. I enjoyed the plastic formulation of the intuitive and speculative operation of the process of composing. I immediately decided to push this text into music in a way. After a long time planning the piece I realized that the most important section of this text must be placed into a dramatically distanced. The rhythmic sound of the original German text was fed into the music by a machine sound (Google Translator) on the one hand and by a live performer (rapper) on the other. Then I created a connection between the text and the instrumental “background” material that is a rap-like constellation.

Balázs Horváth Born: Budapest, Hungary, in 1976

7

die ReAlisierung einer komPosition

German Text

Der kompositorische Prozeß läßt sich deutlich in Initialzündung—das wäre der Rohzustand—und die darauf folgende Ausarbeitung gliedern. Auch sind oft Vorstellung und Ausarbeitung durch eine zeitliche Zäsur insofern getrennt, als die Ausarbeitung mehrere Jahre nach der ersten Konzeption eines Stückes erfolgen kann. Das Rückkopplungsverhältnis bezieht sich eher darauf, daß während der Ausarbeitung stets neue Vorstellungen von Musik entstehen, überlegte Konstruktion und naive Vorstellung durchdringen sich gegenseitig. Und auch der Arbeitsvorgang selbst ist nicht nur bewußt und überlegt, die Konstruktion enthält ebenso intuitive Züge wie die Initialvorstellung spekulative. Die Unterscheidung läßt sich eher durch die Dosierung begründen: Die primäre Vorstellung einer Musik ist überwiegend intuitiv, die Ausarbeitung überwiegend spekulativ. Und ebenso wie die sinnliche Vorstellung von Musik durch den historischen Kontext Präformiert wird, weisen Konstruktionen und Arbeitsvorgänge solch eine Präformierung auf: Das Reagiren auf die Arbeitsmethoden der anderen wie auch auf die eigenen vorangegangenen Arbeitsmethoden bedingt eine stete Modifizierung der konstruktiven Prinzipien.

English Translation

The compositional process can be clearly decided into initial inspiration (i.e., the raw state) and subsequent working out ... The feedback relationship has more to do with the fact that during the working-out process new musical ideas arise: structural deliberations and naïve idea mutually affect each other. And the working method is itself not just a matter of cold calculation: there are intuitive features in the construction just as there are speculative features in the initial idea. The distinction can be better explained in terms of dosage: the primary musical idea is predominantly intuitive, the working out predominantly speculative. And, just as the musical idea conceived by the senses is preshaped by historical associations, so too structural processes and working methods are subject to similar pre-shapings: individual reactions to the working methods of other composers as well as to one’s own working methods in relation to earlier works, lead to a constant modification of constructive principles.

German original: György Ligeti’s “Selbstbefragung,” in Gesammelte Schriften II., ed. Monika Lichtenfeld. (Mainz: Schott; Basel: Paul Sacher Stiftung, 2007, pp. 95-107); English translation by Geoffrey Skelton, Ligeti in Conversation (London: Eulenburg Books, 1983, pp. 124-137)

8

Meet the Artists

Joel Sachs

Joel Sachs, founder and director of the New Juilliard Ensemble, performs a vast range of traditional and contemporary music as conductor and pianist. As codirector of the internationally acclaimed new-music ensemble Continuum, he has appeared in hundreds of performances in New York, nationally, and throughout Europe, Asia, and Latin America. He has also conducted orchestras and ensembles in Austria, Brazil, Canada, China, El Salvador, Germany, Iceland, Mexico, Switzerland, and Ukraine, and has held new music residencies in Berlin, Shanghai, London, Salzburg, Curitiba (Brazil), Newcastle-Upon-Tyne (U.K.), Helsinki, and the Banff Centre (Canadian Rockies). Last fall, he gave recitals featuring Charles Ives’ rarely heard Piano Sonata No. 1 at St. John’s Smith Square, London, as part of a yearlong American music festival; at the University of Newcastle-upon-Tyne; and in Juilliard’s Morse Hall. This past May, he conducted the Beijing Contemporary Soloists ensemble at the Central Conservatory’s Beijing Modern festival and lectured on American music at the China Conservatory. One of the most active presenters of new music in New York, Sachs founded the New Juilliard Ensemble in 1993. He produces and directs Juilliard’s annual Focus festival and since 1993 has been artistic director of Juilliard’s concerts at the Museum of Modern Art. A member of Juilliard’s music history faculty, he wrote the first full biography of the American composer Henry Cowell, published by Oxford University Press in 2012. Sachs often appears on radio as a commentator on recent music and has been a regular delegate to international music conferences. A graduate of Harvard, Sachs received his PhD from Columbia. In 2011, he was made an honorary member of Phi Beta Kappa at Harvard for his work in support of new music and received the National Gloria Artis Medal of the Polish Government for his service to Polish music. In 2002, he was given Columbia’s Alice M. Ditson Award for his service to American music.

9

Lila Duffy

Born in Coulommiers, a famous cheese town in the Seine-et-Marne region of France, soprano Lila Duffy began musical studies at 16 with voice and cello lessons. After earning her bachelor’s in musicology at the University of Paris VIII and a vocal art diploma at the Conservatoire de Boulogne-Billancourt, she completed her master’s in voice performance at the Université de Montréal in Rosemarie Landry’s studio. She is studying at Juilliard with Edith Wiens in the Artist Diploma Opera Studies program. Last summer, she participated in the Internationale Meistersinger Akademie in Neumarkt, Germany. While opera is her main artistic activity, she regularly gives recitals in Montreal and France, performing German lieder and French mélodies. Passionate about contemporary music, Duffy loves to collaborate with today’s composers, singing works by José Evangelista and Ana Sokolovic, among others.

Michael Braugher

Michael Braugher is an actor and musician from South Orange, New Jersey. He graduated with a BA from Oberlin College and is in his last year of MFA training in the Juilliard Drama program as part of Group 49. As an actor, he most recently played Jaques in As You Like It, directed by Ian Belknap. As a rapper, he has been the opening act for such notable artists as Kendrick Lamar and Mos Def. He has also composed music for ABC’s Live! With Kelly and Michael as well as for several albums and documentaries.

´

• Georges Lurcy Graduate Music Scholarship

• Florence Page Kimball Scholarship

• Risë Stevens Scholarship

• Hardesty and Beverley Peck Johnson Scholarship

• Steinberg Fellowship

10

New Juilliard Ensemble

Joel Sachs, Founding Director and ConductorCurtis Stewart, Manager

The New Juilliard Ensemble, led by founding director Joel Sachs and in its 27th season, presents music by a variety of international composers who write in the most diverse styles, premiering some 100 compositions. The ensemble was featured four times at Lincoln Center Festival and appears annually at MoMA’s Summergarden. The ensemble’s collaborations with Carnegie Hall include the Ancient Paths, Modern Voices festival (2009); Japan/NYC festival (2011); Voices from Latin America festival (2012); and UBUNTU: Music and Arts of South Africa festival (2014). A highlight of the 2013-14 season was a collaboration with the Royal Philharmonic Society’s bicentennial celebration for the U.S. premieres of works by Magnus Lindberg and Judith Weir. It has also participated in collaborations with London’s Royal Academy of Music and the Franz Liszt Music University in Budapest. The ensemble’s 2018-19 season included music by Ukrainian-America composer-pianist-conductor Virko Baley, Betsy Jolas (Paris), Juilliard composition alumnus Sunbin Kevin Kim, Zygmunt Krauze (Poland), Ursula Mamlok (Germany/U.S.), Colin Matthews (U.K.), Akira Nishimura (Japan), Younghi Pagh-Paan (Korea/Germany), Sansar Sangidorj (Mongolia), Salvatore Sciarrino (Italy), Roberto Sierra (Puerto Rico/U.S.), Jukka Tiensuu (Finland), Josefino Chino Toledo (Philippines), Zhu Jian-er (China), and Juilliard DMA graduates Sato Matsui (Japan/U.S.) and Ross Griffey (U.S.). The ensemble’s 2019-20 season continues November 12 in Bruno Walter Studio 309 with music by Julian Anderson (U.K.), Oleg Felzer (Azerbaijan/U.S.), Deirdre Gribbin (Northern Ireland), Narong Prangcharoen (Thailand), Alfredo Rugeles (Venezuela), and Eric Tanguy (France).

TUESDAY, NOVEMBER 127:30pm • Bruno Walter Studio 309Joel Sachs, ConductorJULIAN ANDERSON (U.K.) Van Gogh Blue (2015, New York premiere)OLEG FELZER (Azerbaijan/U.S.) Vestige (1993)DEIRDRE GRIBBIN (Northern Ireland) How to Make the Water Sound (1997, New York premiere)NARONG PRANGCHAROEN (Thailand) Far From Home (2004)ALFREDO RUGELES (Venezuela) Resistencia y resiliencia (2018, U.S. premiere)ERIC TANGUY (France) Afterwards (2012, New York premiere)

FRIDAY, JANUARY 247:30pm • Peter Jay Sharp TheaterOpening Night of Juilliard’s 2020 Focus FestivalTrailblazers: Pioneering Women Composers of the 20th CenturyCo-curated by Odaline de la Martinez and Joel SachsJoel Sachs, ConductorJACQUELINE FONTYN (Belgium) Méandres (2009-10, U.S. premiere)ELISABETH LUTYENS (U.K.) 6 Tempi (1957)URSULA MAMLOK (Germany/U.S.) Girasol (Sunflowers, 1990)RUTH CRAWFORD SEEGER (U.S.) Three Songs, low female voice (1930-32)GALINA USTVOLSKAYA (U.S.S.R.) Octet (1950)

MONDAY, APRIL 137:30pm • Alice Tully HallJoel Sachs, ConductorFeaturing five world premieres:EVAN ANDERSON new work (2020)MARC MIGÓ CORTÉS new work (2020)DIANA SYRSE new work (2020)YE XIAOGANG Strophe (2020)YAO CHEN new work (2020)

More FREE New Juilliard Ensemble Performances

For tickets or more information, visit

juilliard.edu/calendar

12

Over $1 millionBruce and Suzie KovnerStephanie and Carter McClelland/

The Stephanie and Carter McClelland Foundation

Katheryn C. Patterson and Thomas L. Kempner Jr.

Anonymous

$500,000–$999,999Jody and John ArnholdInternational Foundation

for Arts and CultureEllen MarcusMichael E. Marks

Family Foundation

$250,000–$499,999Susan and Elihu Rose FoundationFord FoundationMax H. Gluck FoundationLincoln Center Corporate FundDeborah J. SimonThe Virginia B. Toulmin Foundation

$100,000–$249,999Julie Choi and Claudio CornaliMary L. GrahamJerome L. Greene FoundationJoan W. Harris/The Irving Harris

FoundationMatt Jacobson and

Kristopher L. DukesBeth and Christopher KojimaMarjorie and Michael LoebVincent and Anne MaiYoshiko and Greg MargoliesChristina McInerneyStephen NovickJeffrey Seller and Joshua LehrerSarah Billinghurst Solomon and

Howard SolomonYael Taqqu and Jeremy LevineAnonymous

$50,000–$99,999Herbert A. AllenThe Augustine FoundationNorman S. BenzaquenDan J. Epstein

and the Dan J. Epstein Family Foundation

The Fan Fox and Leslie R. Samuels Foundation

Edythe GladsteinKeith and Barbara GollustConstance Goulandris FoundationJudith McDonough KaminskiKaren and Paul LevyMr. and Mrs. Robert D. LindsayPrincess Grace Foundation–USA

Nancy A. MarksJoyce F. MenschelPhyllis RosenthalAnna E. Schoen-René Fund at

The New York Community TrustThe Shubert Foundation, Inc.Bruce B. Solnick, Ph.D.Steinway & SonsHelen V. Vera and Kent A. ClarkAnonymous (2)

$25,000–$49,999Akin, Gump, Strauss,

Hauer & Feld; LLPArnhold Foundation, Inc.Irving Berlin Charitable FundMary L. BiancoHeidi Castleman KleinCrankstart FoundationSusanne D. EllisJoan and Peter FaberBarbara G. FleischmanThe Horace W. Goldsmith

FoundationLCU Fund for Women’s EducationEdward F. Limato FoundationLaura Linney and Marc SchauerThe Moca FoundationThe Ambrose Monell FoundationEnid and Lester MorseRaymond-Cryder Designated Fund

of the Lehigh Valley Community Foundation

Eun Jung Roh and Keun-Chang Yoon

Thomas Schumacher and Matthew White

Mark ShumanBarbara J. SlifkaThe George L. Shields FoundationSydney WeinbergAnonymous (5)

$15,000–$24,999Edwin L. ArtztLaurel and Clifford AsnessBarbara and Gary BrandtAllen R. and Judy Brick FreedmanNancy and Bruce HallBrian and Darlene HeidtkeDr. Elliot Gross and

Dr. Alice HelpernGordon D. HendersonThe Katzenberger Foundation, Inc.Dominique Lahaussois and

David LowMr. and Mrs. Jean-Hugues

J. MonierEvelyn and John PoppDr. Gary PortadinMrs. Susan L. Robinson

Schuld Family FundJeremy SmithBradley WhitfordCecil M. Yarbrough and

Ronald S. CsuhaAnonymous (4)

$10,000–$14,999American Turkish SocietyMichelle and Jonathan AuerbachElaine S. BernsteinMs. Diana BersohnFlorence and Paul DeRosa

Memorial FundDr. Lee MacCormick Edwards

Charitable FoundationMr. and Mrs. Jonathan FileSidney E. Frank FoundationCandice and John FrawleyJennifer and Bud GruenbergYounghee Michelle Kim-WaitMitzi KooDominique and Frédéric LaffontYaru LiuAlan and Laura MantellHarold W. McGraw Jr.

Family FoundationTerry Morgenthaler and

Patrick KerinsLeslie and Mitchell NelsonOmomuki FoundationAndres Mata OsorioHoward S. Paley ‡Michael A. PetersonJohn R. PhilpitJoseph S. Piropato and

Paul MichaudPre-College Parents’ Association

of The Juilliard SchoolThe Presser FoundationGrace RichardsonHartley Rogers and Amy FallsYukari SaegusaRoger SantAlexander I. TachmesMarjorie Tallman Educational

FoundationRobert and Jane TollLoRaine Kent Vichey

Memorial TrustAnita and Thomas VolpeSedgwick A. WardJohn J. YarmickLucille and Jack Yellen FoundationJudy Francis ZankelAnonymous (5)

$7,500–$9,999Arlene ‡ and Edmund GrossmanBernard HoltzmanMcKinsey & Company, Inc.

The Juilliard School is deeply grateful to the following individuals, foundations, and corporations for their

annual gifts in support of Juilliard’s multifaceted performances, educational activities, and scholarships.

Juilliard Annual Supporters

13

Elizabeth J. MisekGillian SorensenBarbara and Donald ToberKara UnterbergAnonymous

$5,000–$7,499Lorraine A. AbrahamWalter and Marsha ArnheimJanet E. BaumgartnerCasey Bayles and William JeffreyMarshall S. Berland and

John E. JohnsonAnne Louise and Matthew BostockLichung ChenSuzanne CoganBetsy L. CohnDana FoundationDudley and Michael Del BalsoBarbaralee Diamonstein-SpielvogelJ. Christopher and Violet EaganEdythe FishbachJocelyn and W. E. GallinekThe Harkness Foundation

for DanceDr. Daniel E. HaspertKatherine L. HufnagelJapanese Chamber of Commerce

and Industry of New YorkFrances KazanMrs. William M. LeseHelen LittleThe Frederick Loewe FoundationNancy Long, Ph.D. and

Marc WaldorMr. Jerome N. LowenthalMr. and Mrs. Peter L. MalkinMr. Edward J. MaloneyLane MerrifieldJohn MichalskiMichael R. OsverThe Laura Pels International

Foundation for TheaterJudy and Jim PohlmanEdith Polvay-KallasSabine RenardMary G. Roebling Musical

Scholarship Fund, Inc.Ida & William Rosenthal

FoundationPamela and Richard Rubinstein

Susan Seo and Dennis FriedmanAnnaliese SorosMichael and Claudia SpiesAlec P. Stais and Elissa BurkeKristine Jarvi TylerGeorgeann Delli VenneriNathaniel Wertheimer and

Taya SchmidAndrew P. WilloughbyStanley P. WilsonAnonymous (4)

$2,500–$4,999Nadine Asin and

Thomas van StraatenEmanuel and Yoko AxPhilip A. BiondoLucienne and Claude Bloch, M.D.BMW of North America, LLCMr. Robert BrennerTrudy and Julius BrownElaine J. BudinSteven C. Calicchio FoundationCaptiva FoundationKathryn G. CharlesBeverly and Herbert ChaseMr. Kenneth H. ChaseNancy CohnTheodore CohnAnne and Stephen CunninghamIsabel CunninghamJohn R. DossRobert & Mercedes Eichholz

FoundationMarilyn and Steven EmanuelMichael J. Fabrikant ‡ and

C. DallosEric J. FriedmanJeffrey and Helen FriedmanKenneth GreensteinLynda and Paul GuntherBarbara HendricksHighBrook InvestorsDavid B. Hunt and

Patricia Heaton-HuntJudy and Lindley HoffmanJuilliard Alumni Association

of JapanElma and Howard ‡ KanefieldRobert O. KenetBarbara and Paul Krieger

Peter LaneJay H. Lefkowitch, M.D.Mrs. John M. LewisChristopher and Beth LyonRobert and Bridget LyonsWynton MarsalisRodney McDanielStephen A. Meyers and Marsha

Hymowitz-MeyersPaula Paster MichtomTim B. Nelson and

Lisa M. Benavides-NelsonStanley Newman and

Dr. Brian RosenthalStuart OwensDr. Steve and Rochelle PrystowskyLinda RayCatherine G. RobertsJanet and Howard RoseDiane Kelly RyanNancy SchlossMiriam K. SchneiderGeraldine L. Sedlar and

Richard MinersSandra SemelThe Maurice Sendak FoundationBrandon SherrDouglas SillsDr. Steven P. Singer and

Dr. Alan SalzmanJudith and F. Randall SmithDr. Karen P. SmithJeffrey R. SolomonMark SnowMarjorie and Michael SternMr. and Mrs. John StravinskyElise C. TepperDr. Daniel M. Thys and

Dr. Susan Thys-JacobsAnthony and Elaine ViolaRui WangMs. Johanna WeberMichael WeinsteinSusan M. WhelanRebecca Wui and Raymond KoAnonymous (4)

‡ = In MemoriamAs of August 19, 2019

Please consider making an investment in the future of dance, drama, and music today and help

The Juilliard School remain at the forefront of performing arts education. For more information

or to make a gift, please contact the Development Office at (212) 799-5000, ext. 278,

or development@juilliard.edu.

Juilliard Annual Supporters (Continued)

The Augustus Juilliard Society recognizes those who have included The Juilliard School in their

long-range financial plans with a bequest, gift annuity or trust arrangement. These future gifts will

help ensure that Juilliard may continue to provide the finest education possible for tomorrow’s young

artists. The School expresses its deep appreciation to the following members, as well as to those

anonymous members who are not listed:

Barbara Rogers AgosinDonald J. Aibel*Veronica Maria AlcareseDouglas S. AndersonMitchell Andrews*Dee AshingtonRichard BealesYvette and Maurice‡ BendahanDonald A. Benedetti*Helen Benham*Elizabeth Weil Bergmann*Marshall S. Berland and

John E. JohnsonAnne L. BernsteinBenton and Fredda Ecker BernsteinLeslie Goldman Berro*Susan Ollila BoydMrs. George E. BoyerPeter A. BoysenNina R. BrilliGene T. BrionSteven and Colleen BrooksCarol Diane Brown and

Daniel J. RuffoBeryl E. BrownmanEliane BukantzAlan‡ and Mary CarmelNancy and Neil CelentanoWendy Fang Chen*Julie A. Choi* and Claudio CornaliDr. Barbara L. Comins* and

Mr. Michael J. CominsCharlotte Zimmerman Crystal*Rosemarie CufaloChristopher Czaja Sager*Harrison R.T. DavisRobert Lee DeanStephen and Connie DelehantyRonald J. Dovel and Thomas F. LahrJohn C. Drake-JenningsRyan* and Leila EdwardsLou EllenportLloyd B. EriksonEric Ewazen*Holly L. FalikBarbara and Jonathan FileStuart M. FischmanDr.*‡ and Mrs. Richard B. FiskJudi Sorensen FlomAnn Marie Smith FordeLorraine FoxJohn and Candice FrawleyDr. Mio FredlandChaim Freiberg*Naomi FreistadtConstance Gleason FurcoloMichael Stephen Gallo*William Gati* and Paul Gati*‡Anita L. Gatti*Thelma and Seymour Geller,

on behalf of Jane Geller

Rabbi Mordecai Genn Ph.D.Mark V. Getlein*John R. GillespieValerie Girard*Professor Robert Jay GlickmanDr. Ruth J.E. GlickmanSheryl GoldJennifer L. GranucciThe Venerable John A. GrecoDrs. Norman*‡ and Gilda GreenbergArlene‡ and Edmund GrossmanMiles Groth, Ph.D.Emma GruberRosalind GuaraldoLeo Guimond*Ruth HaaseRobert S. Haggart Jr.* and

Stephanie Haggart*Louise Tesson HallRalph HamakerStephen and Andrea HandlemanRev. Tozan Thomas Hardison*Ralph*‡ and Doris Harrel*Judith Harris and Tony WoolfsonRobert G. HartmannIra Haupt II and Joyce K. HauptRobert Havery*S. Jay Hazan M.D.Betty Barsha HedenbergBrian J. HeidtkeGordon D. HendersonMayme Wilkins HoltJulie Holtzman*Gerri Houlihan*Katherine L. HufnagelJoseph N. and Susan IsolanoPaul Johnston and Umberto FermaJanice Wheeler Jubin* and

Herbert JubinPeter H. JuddMichael KahnGeorge* and Julia KatzYounghee Kim-WaitRobert King*Linda Kobler* and

Dr. Albert Glinsky*Bruce KovnerEdith Kraft*Mr. and Mrs. Paul A. KrellDr. Yvonne LamyFrancine Landes*Sung Sook Lee*Paul Richards Lemma and

Wilhelmina Marchese Lemma‡Loretta Varon Lewis‡ and

Norman J. LewisNing Liang*Joseph M. Liebling*In honor of Peter LimonJerry K. LoebRichard Lopinto

Eileen Lubars*Chuck MantonCyril‡ and Cecelia MarcusSerena B. MarloweDolores Grau Marsden*Sondra MateskyStephanie and Carter McClelland

and The Stephanie and Carter McClelland Foundation

Joseph P. McGintyDr. and Mrs. N. Scott McNuttPauline and Donald B.‡ MeyerStephen A. Meyers and Marsha

Hymowitz-MeyersPaula P. MichtomLeo*‡ and Anne Perillo Michuda*Warren R. MikulkaStephen MittmanRobert A. MorganValerie Wilson Morris*Diane MorrisonMark S. MorrisonL. Michael and Dorothy MoskovisGail MyersMyron Howard Nadel*Steven W. Naifeh and

Gregory White Smith‡Anthony J. NewmanOscar and Gertrude Nimetz FundStephen NovickJane OwensMr.‡ and Mrs. Donald PartonCelia Paul and Stephen RosenAndrea Pell Living TrustJeanne M.* and

Raymond Gerard*‡ PellerinJane V. Perr M.D.Ken Perry*Jean PierkowskiElissa V. Plotnoff Pinson*Fred PlotkinJudy and Jim PohlmanGeraldine PollackSidney J.‡ and Barbara S. PollackJohn G. PoppThomas and Charlene PreiselArthur Press*Bernice PriceGena F. Raps*Karen J. RavenNancy L. ReimSusan M. Reim*Susan D. ReinhartMadeline Rhew*Michael RiggLeslie Swan Weirman RileyDouglas Riva*Lloyd*‡ and Laura RobbDaniel P. RobinsonYvonne Robinson*

The Augustus Juilliard Society

For information about becoming a member of the Augustus Juilliard Society, please visit juilliard.edu/plannedgiving, call (212) 799-5000, ext. 7152, or write to lpadua@juilliard.edu. Have you included Juilliard in your planning? Please let us know so that we may thank you and recognize you as a member of the Augustus Juilliard Society.

Carlos Romero and Joanne Gober Romero

Linda N. Rose*Susan W. RoseSam* and Deborah RotmanLynne RutkinJoan St. James*Riccardo SalmonaHarvey SalzmanMichael and Diane SandersNancy SchlossCasiana R. SchmidtShelby Evans Schrader‡ and

John Paul SchraderIrene SchultzWilliam C. SchwartzDavid ShapiroDr. Robert B. Sharon*Edmund Shay* and

Raymond Harris‡Robert D. SholitonArthur T. Shorin

Steven P. Singer M.D. and Alan Salzman M.D.

Barbara Thompson SlaterBruce B. SolnickCarl Solomon Sr. Evelyn Sun Solomon*Gary SorenBarbara H. StarkLynn SteuerSally T. StevensJames Streem*Henry and Jo StroussCheryl V. TalibPhyllis K. TeichThomas W. ThompsonTom Todoroff* and Emily MoultonAnli Lin Tong*Marie Catherine TorrisiDr. Marta Vago*Walter* and Elsa VerdehrPaul WagenhoferDietrich and Alice Wagner

Alberto and Paulina A. WaksmanStanley Waldoff*Jessica WeberCatherine White*Miriam S. WienerRobert Wilder‡ and Roger F. KippAlice Speas Wilkinson*Yvonne Viani WilliamsMargaret S. WilliamsonClark* and Sally Ann* WilsonDr. Theo George WilsonElizabeth R. WoodmanEdward YanishefskyLila York78 anonymous members,

including 27 alumni

As of August 8, 2019* = alumnus/alumna‡ = deceased

Estates and Trusts

The Juilliard School is profoundly grateful for the generous gifts received from the following Estates

and Trusts between July 1, 2018 and September 5, 2019. We remember the individuals who made

these gifts for their vision in supporting future generations of young performing artists at Juilliard.

The Jere E. Admire Charitable TrustHarold Alderman TrustEstate of Celia AscherTrust of Jack BakalEstate of Henrie Jo BarthThe Claire Lois Bechter TrustTrust of Sonia BlockBetty and Daniel Bloomfield FundEstate of Joseph P. BrintonEstate of Alan BroderEstate of Ruth F. BroderEstate of George BryantEstate of John Nicholson BulicaEstate of Michael Kevin BurkeTrust of John Dexter BushEstate of Margaret ButterlyHarvey M. Cohen Revocable Living TrustEstate of Lito De ManalangJohn L. Drew Living TrustEstate of Alice Shaw FarberFima Fidelman TrustDora L. Foster TrustMarilyn H. Garey Charitable Remainder TrustEstate of Anna GoldEstate of Rachel Mintz GoldingGordon A. Hardy Charitable Remainder TrustWilliam J. Henderson Memorial FundFrances B. Hoyland Trust

Jeff Hunter Charitable TrustTrust of Edward JabesHerman Joseph Revocable TrustHamilton H. Kellogg and Mildred H. Kellogg

Charitable TrustEstate of Dorothy B. KurzenEstate of Eve LyndlemarchMildred Reading Irrevocable TrustEstate of Lillian RogersHoward and Ethel Ross TrustDinah F. Rosoff Revocable Living TrustEstate of Edith SagulEstate of Emanuel SarfatyEstate of Harold C. SchonbergEstate of Natalie SelingerEstate of Abraham SheingoldArline J. Smith TrustJanice Dana Spear TrustEstate of Winifred SperryEstate of Bruce SteegIrene Stetson TrustEstate of Robin TabachnikTomoko TrustThe Agnes Varis TrustEsta and Victor Wolfram TrustTrust of Helen Marshall WoodwardIrene Worth Fund for Young ArtistsDarrell Zwerling Living Trust

The Augustus Juilliard Society (Continued)

16

Juilliard Board of Trustees and Administration

EXECUTIVE OFFICERS AND SENIOR ADMINISTRATION

Damian Woetzel, President

Office of the PresidentJacqueline Schmidt, Vice President and Chief of StaffKathryn Kozlark, Special Projects Producer

Office of the Provost and DeanAra Guzelimian, Provost and DeanJosé García-León, Dean of Academic Affairs and Assessment

Dance DivisionAlicia Graf Mack, DirectorKatie Friis, Administrative Director

Drama DivisionEvan Yionoulis, Richard Rodgers DirectorRichard Feldman, Associate DirectorKatherine Hood, Managing Director

Music DivisionAdam Meyer, Director, Music Division, and

Deputy Dean of the CollegeBärli Nugent, Assistant Dean, Director of Chamber MusicJoseph Soucy, Assistant Dean for Orchestral StudiesMario Igrec, Chief Piano TechnicianJoanna K. Trebelhorn, Director of Orchestral and Ensemble Operations

Historical PerformanceRobert Mealy, DirectorBenjamin D. Sosland, Administrative Director; Assistant Dean

for the Kovner Fellowships

JazzWynton Marsalis, Director of Juilliard JazzAaron Flagg, Chair and Associate Director

Ellen and James S. Marcus Institute for Vocal ArtsBrian Zeger, Artistic DirectorKirstin Ek, Director of Curriculum and SchedulesMonica Thakkar, Director of Performance Activities

Lila Acheson Wallace Library and Doctoral Fellows ProgramJane Gottlieb, Vice President for Library and Information Resources;

Director of the C.V. Starr Doctoral Fellows ProgramJeni Dahmus Farah, Director, ArchivesAlan Klein, Director of Library Technical Services

Preparatory DivisionWeston Sprott, DeanYoheved Kaplinsky, Artistic Director, Pre-CollegeAnthony McGill, Artistic Director, Music Advancement ProgramRebecca Reuter, Administrative Director, Music Advancement ProgramEkaterina Lawson, Director of Admissions and Academic Affairs,

Pre-CollegeAnna Royzman, Director of Performance Activities, Pre-College

Enrollment Management and Student DevelopmentJoan D. Warren, Vice PresidentKathleen Tesar, Associate Dean for Enrollment ManagementBarrett Hipes, Dean for Student DevelopmentSabrina Tanbara, Assistant Dean of Student AffairsCory Owen, Associate Dean of Student Development William Buse, Director of Counseling ServicesRachel Christensen, Administrative Director, Alan D. Marks Center for

Career Services and EntrepreneurshipKatherine Gertson, RegistrarTina Gonzalez, Director of Financial AidTeresa McKinney, Director of Community EngagementCamille Pajor, Title IX CoordinatorTodd Porter, Director of Residence LifeHoward Rosenberg MD, Medical DirectorDan Stokes, Director of Academic Support and Disability ServicesBeth Techow, Administrative Director of Health and

Counseling Services

DevelopmentAlexandra Wheeler, Vice President and Chief Advancement OfficerKatie Murtha, Director of Major GiftsLori Padua, Director of Planned GivingRebecca Vaccarelli, Director of Alumni RelationsKim Furano, Director of Foundation and Corporate RelationsRobyn Calmann, Director of Special Events

Public AffairsRosalie Contreras, Vice President of Public AffairsMaggie Berndt, Communications DirectorBenedict Campbell, Website DirectorJessica Epps, Marketing DirectorSusan Jackson, Editorial Director

Office of the Chief Operating Officer and Corporate SecretaryLesley Rosenthal, Chief Operating Officer and Corporate SecretaryChristine Todd, Vice President and CFOCameron Christensen, Associate Vice President, Facilities

ManagementKent McKay, Associate Vice President for ProductionBetsie Becker, Managing Director of K-12 ProgramsMichael Kerstan, ControllerIrina Shteyn, Director of Financial Planning and AnalysisNicholas Mazzurco, Director of Student Accounts/BursarNicholas Saunders, Director of Concert OperationsTina Matin, Director of MerchandisingKevin Boutote, Director of Recording

Administration and LawMaurice F. Edelson, Vice President for Administration and

General CounselMyung Kang-Huneke, Deputy General CounselCarl Young, Chief Information OfficerSteve Doty, Chief Technology OfficerDmitriy Aminov, Director of IT EngineeringClara Perdiz, Director of Client Services, ITJeremy Pinquist, Director of Enterprise ApplicationsCaryn G. Doktor, Director of Human ResourcesAdam Gagan, Director of SecurityHelen Taynton, Director of Apprentice Program

BOARD OF TRUSTEES

Bruce Kovner, ChairJ. Christopher Kojima, Vice ChairKatheryn C. Patterson, Vice Chair

Julie Anne ChoiKent A. ClarkBarbara G. FleischmanMary GrahamJoan W. HarrisMatt JacobsonEdward E. Johnson Jr.Karen M. LevyTeresa E. LindsayLaura LinneyMichael LoebVincent A. MaiEllen MarcusGreg Margolies

Nancy A. MarksStephanie Palmer McClellandChristina McInerneyLester S. Morse Jr.Stephen A. NovickSusan W. RoseJeffrey SellerDeborah SimonSarah Billinghurst SolomonWilliam E. "Wes" Stricker, MDYael TaqquDamian WoetzelCamille Zamora

JUILLIARD COUNCIL

Mitchell Nelson, Chair

Michelle Demus AuerbachBarbara BrandtBrian J. HeidtkeGordon D. HendersonPeter L. KendYounghee Kim-WaitSophie Laffont

Jean-Hughes MonierTerry MorgenthalerJohn G. PoppGrace E. RichardsonJeremy T. SmithAlexander I. TachmesAnita Volpe

TRUSTEES EMERITI

June Noble Larkin, Chair Emerita

Mary Ellin BarrettKenneth S. DavidsonKeith R. Gollust

Sidney R. KnafelElizabeth McCormack

Joseph W. Polisi, President Emeritus

Pho

to b

y C

laud

io P

apap

ietr

o

Join today!juilliard.edu/membership (212) 769-7409 Or visit the Juilliard box office

Benefits include:

• Ticket discounts• Priority seating• Behind-the-scenes events• Exclusive offers• Special access

Are you a young patron under 40? Ask us about Juilliard Club, starting at just $25!

Enhance your Juilliard experience and enjoy exclusive benefits for 12 months while supporting our remarkable artists.

Members Get More

ijuilliard.edu

Attend a performanceEnroll in an adult classShop at our storeHire our performersSupport Juilliard