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\A4fd[[x;:ii;i:been filled with art for much, much
longer than that.Taking up the entire third storY of
her Trenton, New ..lersey home,
Featherstone's studio was original ly
built in 1907 bY famous landscaPe
painter Frank Forrest Frederlck, wholived in the area when he served as the
director of theTrenton School of Art."We have one of his works that we
managed to find at an auction in Maine
several years agoi' says Featherstone."The studio has three separate rooms;
one with a north light studlo, one with
controlled light for stlll life painting, and
one with a fireplace. And the whole
thing is built along the roof line of the
home, so there are great windows with
lots of light and a great viewl'
In the studio, Featherstone goes
back ln forth from her highly realistic
images of desserts and sweets to a
trompe lbeil series she is currentlyhaving fun with that is done in a style
to imitate a child's drawing on a wall.
Each style, however, is a contemporarytwist on traditional still life painting.
"What inspires me most is the
creative voice that still lif-^ 9ives. Unlike
portralts or landscapes, still llfe doesn'tsimply exlst around us. You have toactually build the stage for the painting
and select the subjects, colors, and
textu res,' says Featherstone.Featherstone believes that, by
doing this, people wlll be able to
connect with her work despite the fact
that it comes fully from her ownimagination.
"The end result must arrive at
somethlng that draws the vlewer into
an lnvented realm that connects wlth
their experlences in a meaningful way.
I have always found still life painting to
Key Lime Pie, oil on panel
be quite a challenge for these veryreasons, and although it may qualifyme for the'bne-trlck-pony" category,I can't imagine painting anything elsel'
Another aspect of the work that is
important to Featherstone is humor.For her, this is an additlonal elementthat ls often not found in art.
"lf it is very well-painted, it is fun rohave on the wall and illustrates a senseoftrickeryi says Featherstone. "lt can bevery affirming, fun and sweet andinnocent as well. There is a happinessto them, and a lot of art doesn't havethat." a
Desserts, oil on panel
"One of the countrv's mostinnovativ€ and accomplished vouneaftists, Natali e F eath'erston works' -
exclusivelv in the centuries old realmof still life to cre ate dazzfins nairaifie
and trompe lbeil paintiffes thatcorub_ine the virnroisiW of i'DutCh
Master with the vision of athoroughly modern mind."
- KentWhipple, Director of Meyer-Munson Gallery