Upload
others
View
4
Download
0
Embed Size (px)
Citation preview
1
Name: ________________________________________________________________________________________ Period: ________
The Tragedy of Romeo and Juliet By William Shakespeare
Are Romeo and Juliet driven by love or lust?
Monday Tuesday Wednesday Thursday Friday
STANDARDS
• READING SKILLS FOR LITERATURE: Inferences (R1); Theme (R2); Word Choices (R4)
• WRITING SKILLS: Text Evidence (W1)
• LANGUAGE SKILLS: Grammar (L1); Conventions (L2); Word Meaning (R4)
• SPEAKING AND LISTENING SKILLS: Collaboration (SL1); Presentation (SL4)
ASSESSMENTS:
2
S
ET
TIN
G
PL
OT
CH
AR
AC
TE
RS
3
TH
E F
OR
M
TH
E L
AN
GU
AG
E
4
The Prologue
Two households, both alike in dignity,
In fair Verona, where we lay our scene,
From ancient grudge break to new mutiny,
Where civil blood makes civil hands unclean.
From forth the fatal loins of these two foes
A pair of star-crossed lovers take their life;
Whose misadventured piteous overthrows
Doth with their death bury their parents’ strife.
The fearful passage of their death-marked love,
And the continuance of their parents’ rage,
Which, but their children’s end, naught could remove,
Is now the two hours traffic of our stage;
The which if you with patient ears attend,
What here shall miss, our toil shall strive to mend.
5
STAGES OF TRAGEDY BASIC SITUATION RISING ACTION CLIMAX FALLING ACTION CATASTROPHE
ACT I ACT II ACT III ACT IV ACT V
Tragedy vs. Sad Story:
Sunday
_____________________________________________________________________________________
Monday
_____________________________________________________________________________________
Tuesday
_____________________________________________________________________________________
Wednesday
_____________________________________________________________________________________
Thursday
____________________________________________________________________________________
6
Act I
COMIC SCENE INSTRUCTIONS:
Each comic scene must summarize the most important event(s) of the scene by including
an image or images, dialogue and/or thought bubbles, and a text box. Let’s do a comic
scene for the prologue together.
Act I, scene i
7
Act I, scene ii
Act I, scene iii
8
Act I, scene iv
Act I, scene v
9
Act I
For each of the passages you must be able to identify who is speaking to whom, what is happening leading
up to this moment, what is being said in plain English and why it is being said.
Three civil brawls, bred of an airy word / By thee, old Capulet, and Montague, Have thrice disturbed the quiet of our
streets (I, i, 91-93)
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
Is she a Capulet? O dear account! My life is my foe’s debt. (I, v, 131-132)
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
Go ask his name. –If he be married, / My grave is like to be my wedding bed. (I, v, 148-149)
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
My only love, sprung from my only hate! / Too early seen unknown, and known too late! (I, v, 152-153)
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
10
Act I IDENTIFYING FACTS
1. What lines in the Prologue tell you in advance what is going to happen to Romeo and
Juliet by the play’s end?
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
2. What does the Prologue say is the only thing that will end their parents’ rage?
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
3. What warning does the Prince give the street brawlers in Scene 1?
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
INTERPRETING MEANING
4. Mercutio is used as a foil to Romeo. The word foil in drama means that a character or
scene is set up as a contrast to another character or scene. This contrast makes the particular qualities of each
character (or scene) stand out vividly. In what specific ways is Mercutio a foil to Romeo?
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
5. Scene 4 sets up a sense of foreboding—a feeling that something bad is about to
happen. This feeling will hang over the rest of the story of these “star-crossed lovers.” Identify Romeo’s specific
expressions of foreboding, as he sets off for the party in Scene 4.
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
11
Act II
Act II, scene i
Act II, scene ii
12
Act II, scene iii
Act II, scene iv
13
Act II, scene v
Act II, scene vi
14
Act II
For each of the passages you must be able to identify who is speaking to whom, what is happening leading
up to this moment, what is being said in plain English and why it is being said.
What’s in a name? That which we call a rose / By any other word would smell as sweet. / So Romeo would, were he not
Romeo called, / Retain that dear perfection which he owes / Without that title (II, ii, 46-50)
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
With Rosaline, my ghostly father? No. / I have forgot that name and that name’s woe. (II, iii, 48-49)
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
Is Rosaline, whom thou didst love so dear, / So soon forsaken? Young men’s love then lies / Not truly in their hearts, but
in their eyes. (II, iii, 70-72)
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
For this alliance may so happy prove / To turn your household’s rancor to pure love. (II, iii, 98-99)
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
15
Act II
IDENTIFYING FACTS
1. What plans do Romeo and Juliet make is Scene 2?
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
2. What fault does Friar Laurence find in Romeo in Scene 3?
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
3. Why is Tybalt looking for Romeo in Scene 4?
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
4. What part does the nurse play in Romeo and Juliet’s schemes?
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
INTERPRETING MEANING
5. What different feelings and emotions do Romeo and Juliet express in Scene 2? Which
character speaks more cautiously about love, and why?
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
6. Mercution teases Romeo’s romantic love in Scene 4. How does Mercutio’s sarcastic
teasing emphasize Romeo’s excessive love? Do you think Mercutio is merely teasing Romeo, or is he genuinely
worried about his friend?
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
7. Do you think the Nurse is a principled person, one who has a strong sense of right and
wrong? Or does she seem to be a person who may be easily corrupted—who will do what people want her to
do?
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
16
___________________________________________________________________________________________
___________________________________________________________________________________________
Act III
Act III, scene i
17
Act III, scene ii
Act III, scene iii
18
Act III, scene iv
Act III, scene v
19
Act III
For each of the passages you must be able to identify who is speaking to whom, what is happening leading
up to this moment, what is being said in plain English and why it is being said.
A plague a’ both your houses! / They have made worms’ meat of me. I have it, / And soundly too. Your houses! (III, i,
111-112)
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
My very friend, hath got his mortal hurt / In my behalf. my reputation stained / With Tybalt’s slander. Tybalt, that an
hour / Hath been my cousin. O sweet Juliet, / Thy beauty hath made me effeminate / And temper soft’ned valor’s steel
(III, i, 115-120)
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
Come, cords; come, nurse. I’ll to my wedding bed; / And death, not Romeo, take my maidenhead! (III, ii, 149-150)
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
20
Ha, banishment? Be merciful, say “death”; / For exile hath more terror in his look, / Much more than death. Do not say
“banishment.” (III, iii, 13-15)
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
In what vile part of this anatomy / Doth my name lodge? Tell me, that I may sack / the hateful mansion. (III, iii, 115-117)
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
Act III
IDENTIFYING FACTS
1. What causes the sword fight between Mercutio and Tybalt?
___________________________________________________________________________________________
___________________________________________________________________________________________
2. How is Mercutio killed?
___________________________________________________________________________________________
___________________________________________________________________________________________
3. Why does Romeo kill Tybalt?
___________________________________________________________________________________________
___________________________________________________________________________________________
4. What is Romeo’s punishment?
___________________________________________________________________________________________
___________________________________________________________________________________________
5. What does Juliet threaten in Scene 2, after she learns of Romeo’s banishment?
___________________________________________________________________________________________
___________________________________________________________________________________________
6. What is the Friar’s plan in Scene 3?
___________________________________________________________________________________________
___________________________________________________________________________________________
21
7. What plans have her parents made for Juliet in Scene 4?
___________________________________________________________________________________________
___________________________________________________________________________________________
INTERPRETING MEANING
8. The turning point of a play takes place when something happens that turns the action of
the play either upward a happy ending or downward toward a tragic ending. Why does Romeo’s killing of Tybalt
become the turning point of this play?
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
9. How does the Nurses behavior toward Juliet contrast with the Friar’s behavior toward
Romeo?
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
Act IV
22
Act IV, scene i
Act IV, scene ii
23
Act IV, scene iii
Act IV, scene iv
24
Act IV, scene v
25
Act IV
For each of the passages you must be able to identify who is speaking to whom, what is happening leading
up to this moment, what is being said in plain English and why it is being said.
Be not so long to speak. I long to die / If what thou speak’st speak not of remedy. (IV, i, 67-68)
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
Take thou this vial, being then in bed, / And this distilling liquor drink thou off. / When presently through all thy veins
shall run / A cold and drowsy humor, for no pulse / Shall keep his native progress, but surcease. (IV, i, 95 – 99)
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
Send for the county. Go tell him of this. / I’ll have this knot knit tomorrow morning. (IV, ii, 24-25)
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
Ready to go, but never to return. (IV, v, 40)
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
26
Act IV
IDENTIFYING FACTS
1. What does Juliet threaten to do if the Friar cannot help her?
___________________________________________________________________________________________
___________________________________________________________________________________________
2. What is the Friar’s plan to get Romeo and Juliet together?
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
3. What change does Capulet make in the wedding plans, in Scene 2?
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
4. What is the situation in the Capulet household at the end of Act 4? What religious
comfort does the Friar offer the Capulets?
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
INTERPRETING MEANING
5. The use of dramatic irony gives us the pleasure of suspense. We wait anxiously to find
out what will happen when the characters discover what we already know. Where is dramatic irony used in
Scenes 2, 3, and 4?
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
27
Act V
Act V, scene i
Act V, scene ii
28
Act V, scene iii
29
Act V
For each of the passages you must be able to identify who is speaking to whom, what is happening leading
up to this moment, what is being said in plain English and why it is being said.
This is that banish’d haughty Montague / That murdered my love’s cousin, with which grief / It is supposed the fair
creature died! (V, iii, 49, 51)
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
By heav’n, I love thee better than thyself, / For I come hither armed against myself (V, iii, 64-65)
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
O churl! Drunk all, and left no friendly drop / To help me after? I will kiss thy lips. / Haply some poison yet doth hang on
them, / To make me die with a restorative. (V, iii, 68-71)
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
Where be these enemies? Capulet! Montague! / See, what a scourge is laid upon your hate, / That heav’n finds means to
kill your joys with love! (V, iii, 301-303)
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
__________________________________________________________________________________________________
30
Act V
IDENTIFYING FACTS
1. What news does Romeo’s servant bring him in Scene 1?
___________________________________________________________________________________________
___________________________________________________________________________________________
2. Why does Romeo buy the poison?
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
Why didn’t Romeo receive the Friar’s letter explaining the change in plans?
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
3. What does Romeo find when he enters the tomb?
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
INTERPRETING MEANING
4. There have been many references to workings of Fate in the play. In your opinion, what
caused the tragedy of Romeo and Juliet? Do you believe it was due to fate or human errors? Explain.
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
___________________________________________________________________________________________
31
____________________________________________________________________________________
____________________________________________________________________________________
____________________________________________________________________________________
____________________________________________________________________________________
____________________________________________________________________________________
____________________________________________________________________________________
____________________________________________________________________________________
____________________________________________________________________________________
____________________________________________________________________________________
____________________________________________________________________________________
____________________________________________________________________________________
____________________________________________________________________________________
____________________________________________________________________________________
____________________________________________________________________________________
____________________________________________________________________________________
____________________________________________________________________________________
____________________________________________________________________________________
____________________________________________________________________________________
____________________________________________________________________________________
____________________________________________________________________________________
____________________________________________________________________________________
____________________________________________________________________________________
____________________________________________________________________________________
____________________________________________________________________________________
____________________________________________________________________________________
____________________________________________________________________________________
____________________________________________________________________________________
____________________________________________________________________________________
____________________________________________________________________________________
____________________________________________________________________________________
____________________________________________________________________________________
____________________________________________________________________________________
____________________________________________________________________________________
____________________________________________________________________________________
____________________________________________________________________________________
____________________________________________________________________________________
____________________________________________________________________________________
____________________________________________________________________________________
____________________________________________________________________________________
____________________________________________________________________________________
32