11
NAKANOSHIMA MUSEUM OF ART, OSAKA Asazuma-bune | YAMANOUCHI Gusen 1897 | Oil on cloth | 140.2×150.0 Peacocks | AKAMATSU Rinsaku 1894 | Oil on cloth | 116.8×116.8 Practice | SHIRATAKI Ikunosuke 1903 | Oil on canvas | 76.0×101.0 Around Campidoglio | FUJISHIMA Takeji 1919 | Oil on canvas | 188.0×94.4 Apricot Flowers | MITSUTANI Kunishiro 1920 | Oil on canvas | 112.0×136.4 Beauty of the Tempyo Era | SEKINE Shoji 1917 | Oil on cloth | 121.0×122.5 Still Life (Teacup, Bowl and Three Apples) | KISHIDA Ryusei 1917 | Oil on canvas | 38.0×45.5 Withering Weeds, Near a Prison | NAKAGAWA Kazumasa 1919 | Oil on canvas | 40.5×52.5 Chrysanthemums | KOIDE Narashige 1926 | Oil on canvas | 105.5×55.0 Peonies on a Vermilion Table | KURODA Jutaro 1940 | Oil on canvas | 100.0×80.3 Brickkiln | SAEKI Yuzo 1928 | Oil on canvas | 60.2×73.1 Postman | SAEKI Yuzo 1928 | Oil on canvas | 80.8×65.0 Rue Mouffetard | OGUISS Takanori 1932 | Oil on canvas | 60.5×73.5 Vegetables on a Table | SATOMI Katsuzo 1936 | Oil on canvas | 72.5×116.5 Costume | KOISO Ryohei 1939 | Oil on canvas | 90.5×72.5 Ventilator and a Child | MAEDA Toshiro 1931ca. | Linocut on paper | 53.7×34.8 Flowers (Anemones) | AI-MITSU 1942 | Oil on canvas | 41.3×32.2 Remains of the Rai Family's House in Takehara, Aki | SUDA Kunitaro 1946 | Oil on canvas | 45.5×53.2 View of Den'en-Chofu | KOITO Gentaro 1958 | Oil on canvas | 73.2×91.2 Shun'u Yoshinoyama-no-zu (Mount Yoshino in Spring Rain) | KIKUCHI Hobun 1897-1906ca. | Color on silk | 154.0×71.3 Sekishun (Recalling Spring) | TAKEUCHI Seiho 1933 | Color on silk | 144.3×57.8 Fujo (Woman) | KIKUCHI Keigetsu 1930 | Color on paper | 145.0×91.0 Shiro-kujaku (White Peacocks) | ISHIZAKI Koyo 1922 | Color on silk | 178.5×372.0cm ea Sange (Scattering Flowers) | TSUCHIDA Bakusen 1914 | Color on silk | center: 167.0×372.3 cm | sides: 160.0×177.0 cm ea Unjo-sange-no-zu (Scattering Flowers above the Clouds) | MURAKAMI Kagaku 1938 | Color on paper | 28.8×45.5 Rakan (Arhat) | MURAKAMI Kagaku 1938 | Ink and color on paper | 38.4×26.9 Tohcho (Winter Morning) | SAKAKIBARA Shiho 1928 | Color on silk | 173.4×273.6cm ea Tsuno-togu-shika (Deer Sharpening its Antlers) | YAMAGUCHI Kayo 1918 | Color on silk | 169.0×284.0 Sazanami (Ripples) | FUKUDA Heihachiro 1932 | Color on silk | 156.6×185.8 Suzumi (Evening Cool) | KITANO Tsunetomi 1926 | Color on silk | 132.8×85.5 Funayado-no-onna (Women of a Sailor's Inn) | HIGUCHI Tomimaro 1921 | Color on silk | 151.0×56.7 Amakusa Shiro | NODA Kyuho 1913 | Color on silk | 186.0×85.3 Namban-rai (Arrival of the Namban People) | KANAMORI Kan'yo 1918/20 | Color on paper | 172.0×374.0cm ea Matsuri-no-yosooi (Dressing Up for a Festival) | SHIMA Seien 1913 | Color on silk | 142.0×284.0 Ongoku | KITANI (YOSHIOKA) Chigusa 1918 | Color on silk | 166.6×342.0 Nu Couché aux Cheveux Dénoués (Reclining Nude with Loose Hair) | Amedeo MODIGLIANI 1917 | Oil on canvas | 60.0×92.2 Salomé | Jules PASCIN 1930 | Oil on canvas | 81.0×65.0 Hollandaise (Dutch Girl) | KISLING 1922 | Oil on canvas | 100.0×73.0 Les Princesses (The Princesses) | Marie LAURENCIN 1928 | Oil on canvas | 130.0×130.0 Eglise de Groslay (Church in Groslay) | Maurice UTRILLO 1909ca. | Oil on board | 53.6×73.4 Bateaux au Port de Collioure (Boats at the Port of Collioure) | André DERAIN 1905 | Oil on canvas | 54.0×65.0 Le Forze di una Strada (The Forces of a Street) | Umberto BOCCIONI 1911 | Oil on canvas | 99.5×80.5 Natura Morta Evangelica (Evangelical Still Life) | Giorgio DE CHIRICO 1916 | Oil on canvas | 80.5×71.4 L'Idole (The Idol) | Max ERNST 1926 | Oil on canvas | 100.0×80.7 Le Bouquet Tout Fait (The Ready-made Bouquet) | René MAGRITTE 1957 | Oil on canvas | 163.0×130.5 Untitled | Joseph CORNELL 1931 | Collage | 12.7×20.0 Machaon (Yellow Swallowtail) | Francis PICABIA 1926 | Watercolor and ink on paper, butterflies and box | 38.2×45.5×6.7 Dr. Max Ruest | Raoul HAUSMANN 1919 | Collage | 26.5×21.0 Der Meister (The Master) | Hannah HOCH 1925 | Collage | 15.5×11.5 Relief no.13A | Cesar DOMELA 1936 | Metal, plexiglass, plastic and glass on board | 104.2×76.1×4.0 Space CH3 | László MOHOLY-NAGY 1938 | Oil on canvas | 127.5×102.0 La Muse Endormie (The Sleeping Muse) | Constantin BRANCUSI 1910-11 | Plaster | 19.0×28.0×19.5 Le Cheval Majeur (The Big Horse) | Raymond DUCHAMP-VILLON 1914 (1966 casted) | Bronze | 150.0×97.0×153.0 Torse Végétal (Vegetal Torso) | Jean (Hans) ARP 1959 | White marble | 135.0×26.0×18.0 La Femme au Balai (The Woman with a Broom) | Julio GONZALEZ 1929 | Iron | 32.7×18.5×13.0 Le Nez (The Nose) | Alberto GIACOMETTI 1947 | Bronze, wire, rope and iron | 81.3×71.1×36.8 Suspended Figure | David SMITH 1935 | Iron | 55.0×70.0×28.0 Contrappunto no. 3 (Counterpoint no.3) | Fausto MELOTTI 1970 | Stainless steel | 100.0×100.0×28.0 Curtain | YAMAGUCHI Takeo 1966 | Oil on board | 182.0×363.0 Work (Black) | SAITO Yoshishige 1961 | Oil on plywood | 181.6×121.0 Creation (B) | NAMBATA Tatsuoki 1961 | Oil and enamel on canvas | 97.0×130.3 Black and White | TSUTAKA Waichi 1961 | Oil on hemp | 97.2×145.4 Landscape B | YOSHIHARA Jiro 1933-34ca. | Oil on canvas | 91.5×116.6 Le Berger des Landes (Shepherd of the Landes) | Germaine RICHIER 1951 | Bronze with patina | 149.0×89.0×60.0 Work | YOSHIHARA Jiro 1965 | Acrylic on canvas | 181.8×227.5 Mr. Stella | SHIRAGA Kazuo 1958 | Oil and Japanese paper on canvas | 182.5×272.8 Work | MOTONAGA Sadamasa 1960 | Oil and stones on canvas and board | 183.5×135.0 1961-1 | SHIMAMOTO Shozo 1961 | Paint and glass on canvas | 265.0×197.8 Work | MURAKAMI Saburo 1962 | Paint, plaster and adhesive on canvas | 212.5×138.5 Work | TANAKA Atsuko 1961 | Acrylic on canvas | 175.0×388.0 Work | UEMAE Chiyu 1962 | Oil on canvas | 185.0×290.0 Untitled | MUKAI Shuji 1961 | Oil and mixed media on board | 182.7×183.0 Tension d'Esprit (Tension of Mind) | DOMOTO Hisao 1957 | Oil on canvas | 149.0×250.0 Work | MIKAMI Makoto 1956ca. | Pigment on paper | 119.5×121.0 Figures | OHNO Hidetaka 1954 | Pigment on paper | 160.0×142.5 Chimère (Chimera) | IMAI Toshimitsu 1960 | Oil on canvas | 200.0×300.0 La Masse Noire (The Black Mass) | SUGAI Kumi 1964 | Oil on canvas | 200.0×155.0 Accumulation | KUSAMA Yayoi 1960 | Oil on canvas | 162.6×522.0 Fasto (Glamorous) | TAKAHASHI Shu 1988 | Acrylic on canvas | 300.0×440.0 Blank as Space | ARAKAWA Shusaku 1979-81 | Acrylic and oil on canvas | 335.0×1143.0 Olive, Green, Blue, Violet, Purple | KUWAYAMA Tadaaki 1966 | Acrylic on canvas with chrome strips | 165.0×165.0 Rose-decorated Ear | MIKI Tomio 1962 | Wood, clay, cloth, plaster and collage | 90.5×58.0×18.5 Roulette: Ancient Shield | KIKUHATA Mokuma 1964 | Enamel, assemblage and wood | 97.5×79.1×12.1 Nothing to Do | FUKUOKA Michio 1962-64 | Mixed media | height: 200.0 Passage | USAMI Keiji 1964 | Oil on canvas | 185.0×270.0 Venus of Milo | AY-O 1966 | Oil and mixed media | 200.0×541.0×25.0 Purple-Violet XIV | NAKANISHI Natsuyuki 1982 | Oil on canvas | 227.0×181.5 Interference (Story-No.42) | ENOKURA Koji 1992 | Acrylic and wood on cotton | 291.0×218.0

NAKANOSHIMA OF AR T, · 2019. 4. 12. · Nakanoshima 2021 A community alive with art. An Osaka shaped by art. A brand-new art museum will appear in Nakanoshima, the island at Osaka’s

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  • N A K A N O S H I M A

    M U S E U M

    O F

    A R T ,

    O S A K A

    Asazuma-bune | YAMANOUCHI Gusen 1897 | Oil on cloth | 140.2×150.0cmPeacocks | AKAMATSU Rinsaku 1894 | Oil on cloth | 116.8×116.8cm

    Practice | SHIRATAKI Ikunosuke 1903 | Oil on canvas | 76.0×101.0cmAround Campidoglio | FUJISHIMA Takeji 1919 | Oil on canvas | 188.0×94.4cm

    Apricot Flowers | MITSUTANI Kunishiro 1920 | Oil on canvas | 112 .0×136.4cmBeauty of the Tempyo Era | SEKINE Shoji 1917 | Oil on cloth | 121.0×122.5cm

    Still Life (Teacup, Bowl and Three Apples) | KISHIDA Ryusei 1917 | Oil on canvas | 38.0×45.5cmWithering Weeds, Near a Prison | NAKAGAWA Kazumasa 1919 | Oil on canvas | 40.5×52.5cm

    Chrysanthemums | KOIDE Narashige 1926 | Oil on canvas | 105.5×55.0cmPeonies on a Vermilion Table | KURODA Jutaro 1940 | Oil on canvas | 100.0×80.3cm

    Brickkiln | SAEKI Yuzo 1928 | Oil on canvas | 60.2×73.1cmPostman | SAEKI Yuzo 1928 | Oil on canvas | 80.8×65.0cm

    Rue Mouffetard | OGUISS Takanori 1932 | Oil on canvas | 60.5×73.5cmVegetables on a Table | SATOMI Katsuzo 1936 | Oil on canvas | 72.5×116.5cm

    Costume | KOISO Ryohei 1939 | Oil on canvas | 90.5×72.5cmVentilator and a Child | MAEDA Toshiro 1931ca. | Linocut on paper | 53.7×34.8cm

    Flowers (Anemones) | AI-MITSU 1942 | Oil on canvas | 41.3×32.2cmRemains of the Rai Family's House in Takehara, Aki | SUDA Kunitaro 1946 | Oil on canvas | 45.5×53.2cm

    View of Den'en-Chofu | KOITO Gentaro 1958 | Oil on canvas | 73.2×91.2cmShun'u Yoshinoyama-no-zu (Mount Yoshino in Spring Rain) | KIKUCHI Hobun 1897-1906ca. | Color on silk | 154.0×71.3cm

    Sekishun (Recalling Spring) | TAKEUCHI Seiho 1933 | Color on silk | 144.3×57.8cmFujo (Woman) | KIKUCHI Keigetsu 1930 | Color on paper | 145.0×91.0cm

    Shiro-kujaku (White Peacocks) | ISHIZAKI Koyo 1922 | Color on silk | 178.5×372.0cm eachSange (Scattering Flowers) | TSUCHIDA Bakusen 1914 | Color on silk | center: 167.0×372.3 cm | sides: 160.0×177.0 cm each

    Unjo-sange-no-zu (Scattering Flowers above the Clouds) | MURAKAMI Kagaku 1938 | Color on paper | 28.8×45.5cmRakan (Arhat) | MURAKAMI Kagaku 1938 | Ink and color on paper | 38.4×26.9cm

    Tohcho (Winter Morning) | SAKAKIBARA Shiho 1928 | Color on silk | 173.4×273.6cm eachTsuno-togu-shika (Deer Sharpening its Antlers) | YAMAGUCHI Kayo 1918 | Color on silk | 169.0×284.0cm

    Sazanami (Ripples) | FUKUDA Heihachiro 1932 | Color on silk | 156.6×185.8cmSuzumi (Evening Cool) | KITANO Tsunetomi 1926 | Color on silk | 132.8×85.5cm

    Funayado-no-onna (Women of a Sailor's Inn) | HIGUCHI Tomimaro 1921 | Color on silk | 151.0×56.7cmAmakusa Shiro | NODA Kyuho 1913 | Color on silk | 186.0×85.3cm

    Namban-rai (Arrival of the Namban People) | KANAMORI Kan'yo 1918/20 | Color on paper | 172.0×374.0cm eachMatsuri-no-yosooi (Dressing Up for a Festival) | SHIMA Seien 1913 | Color on silk | 142.0×284.0cm

    Ongoku | KITANI (YOSHIOKA) Chigusa 1918 | Color on silk | 166.6×342.0cmNu Couché aux Cheveux Dénoués (Reclining Nude with Loose Hair) | Amedeo MODIGLIANI 1917 | Oil on canvas | 60.0×92.2cm

    Salomé | Jules PASCIN 1930 | Oil on canvas | 81.0×65.0cmHollandaise (Dutch Girl) | KISLING 1922 | Oil on canvas | 100.0×73.0cm

    Les Princesses (The Princesses) | Marie LAURENCIN 1928 | Oil on canvas | 130.0×130.0cmEglise de Groslay (Church in Groslay) | Maurice UTRILLO 1909ca. | Oil on board | 53.6×73.4cm

    Bateaux au Port de Collioure (Boats at the Port of Collioure) | André DERAIN 1905 | Oil on canvas | 54.0×65.0cmLe Forze di una Strada (The Forces of a Street) | Umberto BOCCIONI 1911 | Oil on canvas | 99.5×80.5cm

    Natura Morta Evangelica (Evangelical Still Life) | Giorgio DE CHIRICO 1916 | Oil on canvas | 80.5×71.4cmL'Idole (The Idol) | Max ERNST 1926 | Oil on canvas | 100.0×80.7cm

    Le Bouquet Tout Fait (The Ready-made Bouquet) | René MAGRITTE 1957 | Oil on canvas | 163.0×130.5cmUntitled | Joseph CORNELL 1931 | Collage | 12 .7×20.0cm

    Machaon (Yellow Swallowtail) | Francis PICABIA 1926 | Watercolor and ink on paper, butterflies and box | 38.2×45.5×6.7cmDr. Max Ruest | Raoul HAUSMANN 1919 | Collage | 26.5×21.0cm

    Der Meister (The Master) | Hannah HOCH 1925 | Collage | 15.5×11.5cmRelief no.13A | Cesar DOMELA 1936 | Metal, plexiglass, plastic and glass on board | 104.2×76.1×4.0cm

    Space CH3 | László MOHOLY-NAGY 1938 | Oil on canvas | 127.5×102.0cmLa Muse Endormie (The Sleeping Muse) | Constantin BRANCUSI 1910-11 | Plaster | 19.0×28.0×19.5cm

    Le Cheval Majeur (The Big Horse) | Raymond DUCHAMP-VILLON 1914 (1966 casted) | Bronze | 150.0×97.0×153.0cmTorse Végétal (Vegetal Torso) | Jean (Hans) ARP 1959 | White marble | 135.0×26.0×18.0cm

    La Femme au Balai (The Woman with a Broom) | Julio GONZALEZ 1929 | Iron | 32.7×18.5×13.0cmLe Nez (The Nose) | Alberto GIACOMETTI 1947 | Bronze, wire, rope and iron | 81.3×71.1×36.8cm

    Suspended Figure | David SMITH 1935 | Iron | 55.0×70.0×28.0cmContrappunto no. 3 (Counterpoint no.3) | Fausto MELOTTI 1970 | Stainless steel | 100.0×100.0×28.0cm

    Curtain | YAMAGUCHI Takeo 1966 | Oil on board | 182.0×363.0cmWork (Black) | SAITO Yoshishige 1961 | Oil on plywood | 181.6×121.0cm

    Creation (B) | NAMBATA Tatsuoki 1961 | Oil and enamel on canvas | 97.0×130.3cmBlack and White | TSUTAKA Waichi 1961 | Oil on hemp | 97.2×145.4cm

    Landscape B | YOSHIHARA Jiro 1933-34ca. | Oil on canvas | 91.5×116.6cmLe Berger des Landes (Shepherd of the Landes) | Germaine RICHIER 1951 | Bronze with patina | 149.0×89.0×60.0cm

    Work | YOSHIHARA Jiro 1965 | Acrylic on canvas | 181.8×227.5cmMr. Stella | SHIRAGA Kazuo 1958 | Oil and Japanese paper on canvas | 182.5×272.8cm

    Work | MOTONAGA Sadamasa 1960 | Oil and stones on canvas and board | 183.5×135.0cm1961-1 | SHIMAMOTO Shozo 1961 | Paint and glass on canvas | 265.0×197.8cm

    Work | MURAKAMI Saburo 1962 | Paint, plaster and adhesive on canvas | 212 .5×138.5cmWork | TANAKA Atsuko 1961 | Acrylic on canvas | 175.0×388.0cm

    Work | UEMAE Chiyu 1962 | Oil on canvas | 185.0×290.0cmUntitled | MUKAI Shuji 1961 | Oil and mixed media on board | 182.7×183.0cm

    Tension d'Esprit (Tension of Mind) | DOMOTO Hisao 1957 | Oil on canvas | 149.0×250.0cmWork | MIKAMI Makoto 1956ca. | Pigment on paper | 119.5×121.0cm

    Figures | OHNO Hidetaka 1954 | Pigment on paper | 160.0×142.5cmChimère (Chimera) | IMAI Toshimitsu 1960 | Oil on canvas | 200.0×300.0cm

    La Masse Noire (The Black Mass) | SUGAI Kumi 1964 | Oil on canvas | 200.0×155.0cmAccumulation | KUSAMA Yayoi 1960 | Oil on canvas | 162.6×522.0cm

    Fasto (Glamorous) | TAKAHASHI Shu 1988 | Acrylic on canvas | 300.0×440.0cmBlank as Space | ARAKAWA Shusaku 1979-81 | Acrylic and oil on canvas | 335.0×1143.0cm

    Olive, Green, Blue, Violet, Purple | KUWAYAMA Tadaaki 1966 | Acrylic on canvas with chrome strips | 165.0×165.0cmRose-decorated Ear | MIKI Tomio 1962 | Wood, clay, cloth, plaster and collage | 90.5×58.0×18.5cm

    Roulette: Ancient Shield | KIKUHATA Mokuma 1964 | Enamel, assemblage and wood | 97.5×79.1×12 .1cmNothing to Do | FUKUOKA Michio 1962-64 | Mixed media | height: 200.0cm

    Passage | USAMI Keiji 1964 | Oil on canvas | 185.0×270.0cmVenus of Milo | AY-O 1966 | Oil and mixed media | 200.0×541.0×25.0cm

    Purple-Violet XIV | NAKANISHI Natsuyuki 1982 | Oil on canvas | 227.0×181.5cmInterference (Story-No.42) | ENOKURA Koji 1992 | Acrylic and wood on cotton | 291.0×218.0cm

    Portrait (Van Gogh) | MORIMURA Yasumasa 1985 | Color photograph | 120.0×100.0cmDon't meddle with us... | OKAZAKI Kenjiro 1990-91 | Iron and wood | 190.0×180.0×280.0cm

    As Happy As Ever | Jean FAUTRIER 1958 | Oil on paper mounted on canvas | 89.4×146.0cmPorta Curva (Curved Door) | Antoni TAPIES 1960 | Mixed media on canvas | 195.0×310.0cm

    Bottle Green and Deep Reds | Mark ROTHKO 1958 | Oil on canvas | 205.7×127.0cmCross Section of a Bridge | Joan MITCHELL 1951 | Oil on canvas | 202.5×304.0cm

    Omicron | Morris LOUIS 1960 | Acrylic on canvas | 262.3×412.1cmMesh | Kenneth NOLAND 1959 | Acrylic on canvas | 167.4×161.9cm

    Homage to 6,000,000 | Louise NEVELSON 1964 | Painted wood | 232.0×573.0×30.0cmStreet | George SEGAL 1987 | Plaster, wood and mixed media | 260.0×790.0×180.0cm

    Getty Tomb (First Version) | Frank STELLA 1959 | Enamel on canvas | 215.0×245.0cmSlow Roll for Philip Glass | Richard SERRA 1968 | Lead | 28.0×28.0×183.0cm

    Untitled (Progression) | Donald JUDD 1969/1970 | Brass and blue anodized aluminum | 15.6×281.3×15.2cmUntitled | Robert MORRIS 1968 | Felt | 243.8×203.2×121.9cm

    Portrait Dwinger | Gerhard RICHTER 1965 | Oil on canvas | 119.3×94.0cmJoe | Chuck CLOSE 1969 | Acrylic on gessoed canvas | 275.0×214.5cm

    Il Mare (The Sea) | Pino PASCALI 1966 | Painted canvas stretched on wooden frameworks; painted wood | 25.0×400.0×600.0cmBaum mit Palette (Tree with a Palette) | Anselm KIEFER 1977 | Oil, acrylic and emulsion on canvas; applique lead object | 290.0×195.0cm

    Pomeriggion degli Esserini (Creatures in the Afternoon) | Enzo CUCCHI 1984 | Oil on canvas | 260.0×340.0cmUntitled | Jean-Michel BASQUIAT 1984 | Acrylic, oil , oilstick and silkscreen on canvas | 223.5×195.5cm

    DEATH AFTER LIFE | GILBERT & GEORGE 1984 | Photographs | 482.0×1105.0cm

  • Nakanoshima 2021

    A community alive with art.

    An Osaka shaped by art.A brand-new art museum will appear in Nakanoshima, the island at Osaka’s center that serves as the symbol of Aqua Metropolis Osaka. Since old times, Nakanoshima has been the linchpin of Osaka’s economy and culture, and it is our aim to carry on that tradition, serving as a platform for all kinds of artistic expression and creation that befits such a home.

    The Nakanoshima Museum of Art, Osaka should become a powerful cultural engine for Osaka, and a museum oriented toward the people of the city. This means supplementing the usual functions of an art museum—accumulating artworks and materials, conducting research, displaying art to the public and preserving artworks—with all kinds of collaborative, community activities. This conviction forms a crucial part of the art museum’s groundwork for opening in 2021. The Museum lists four objectives for the new museum based on the ideas of the “Osaka City Museum of Modern Art* Development Policy” announced in 2014. (*previous name)

    01

    N A K A N O S H I M A M U S E U M

    O F A R T , O S A K A

    1

    2

    3

    4

    Become one of Japan's top art museums with a first-rate collection based on the works of Osaka artists such as Saeki Yuzo and Yoshihara Jiro.

    Be an alluring museum displaying modern and contemporary art from Osaka and elsewhere, distinct from the attractions of the Osaka City Museum of Fine Arts and the Museum of Oriental Ceramics, Osaka.

    Contribute to enhancing Osaka’s cultural atractions and charm as a city, from a base surrounded by the historical and cultural wealth of Nakanoshima.

    Take full advantage of private sector expertise and wisdom, providing services to museum users as a museum that values its visitors.

  • V I S I O N

    0302

    Value for tomorrow

    Challenge for the new

    We are finally getting underway with preparations for the Nakanoshima Museum of Art, Osaka scheduled to open in 2021. A quarter of a century has passed since the establishment of the Planning Office in 1990, and ideas about what kind of museum we should attempt to achieve have shifted along with the changes in the times. Over that period, we have explored all kinds of possibilities, constantly inquiring into what kind of role a brand-new art museum should serve now and in the future—in the context of Osaka, Japan, and the whole world.

    FROM THE 20TH TO THE 21ST CENTURY—

    CREATING A MUSEUM FIT FOR 2021

    As an art museum specializing in art and design trends from the second half of the nineteenth century to the twenty-first century, we do not confine ourselves to collecting and preserving works of art nor to studying and presenting their history and significance. Rather, we also look to find new forms of value in them that can be carried forward into the future. It is our hope that the value inherent in each and every piece of art can be transmitted through time, thus becoming a source of creativity for the future. We would like to become an art museum where people find personal meaning through the art they see, and through the experiences they have in the museum.

    Osaka has long been known for being unique—a city that does not let itself be constrained by preconceived rules and ideas. In the Museum, we hope to bring an open mind and flexible way of thinking to bear on the challenge of establishing a set of values that suits the needs of Osaka's people in the twenty-first century. The museum should be a place where people feel free to view and respond to art in their own ways. Rather than remaining inside the “art museum” box, we hope to connect with, and work together with, all kinds of people. Drawing on the Osakan approach to business, we would like to create an art museum that produces things never seen before.

    Passage in your lifeIt is our aim that the new art museum can serve as a passage, an enjoyable place that both those with interest in art and those without find a pleasure to pass through. We would like the art museum to be a place that makes people feel a little special, where people can take time out from work, school, home and so on, to gain a new perspective on things. A place where people dropping by are just as welcome as those there for a specific reason, whether adults or children, and whether Japanese visitors or foreign visitors. Moreover, we hope that one day, such people will become involved with our activities at the museum. We envisage our future museum as a kind of riverside courtyard, where visitors can catch a breath of fresh air as they gaze out over the Dojima River.

    Art & culture in NakanoshimaNakanoshima, with its diverse mix of office buildings, public facilities and cultural sites, lies at the very heart of Osaka. It is a highly historic location too, and during the Edo period was lined with the warehouses built by the feudal clans. The National Museum of Art and the Osaka Science Museum are located to the south of the site of the new museum, and the Nakanoshima Kosetsu Museum of Art has opened within walking distance. The Museum of Oriental Ceramics, Osaka lies 1.2km to the east. In conjunction with this plethora of facilities, the museum will contribute to making Nakanoshima a top-class cultural zone that people love to visit.

    [above] KUNIEDA Kinzo, View of Nakanoshima (detail), 1927 [below] IKEDA Yoson, Yuki no Osaka (Osaka in the Snow) (detail), 1928

  • C O L L E C T I O N

    The Museum houses the most substantial collection of works by Saeki Yuzo (1898–1928). Born in Kita Ward of Osaka City, Saeki studied at Kitano Secondary School (now Osaka Prefectural Kitano High School). He entered Tokyo Fine Arts School (now Tokyo University of the Arts), and after graduation, moved to France. He dedicated his life to painting Parisian cityscapes, and tragically passed away at the young age of 30. It was Yamamoto Hatsujiro, entrepreneur and art collector based in Osaka, who first saw the genius in Saeki’s works. In 1983, Yamamoto’s family donated 31 Saeki works from Yamamoto’s collection that survived the war to Osaka City. Today the Museum houses around 60 Saeki works, including those that have been deposited.

    0504

    1 3

    42

    COLLECTION SUMMARY

    C O L L E C T I O N

    The collection of Nakanoshima Museum of Art, Osaka is made up of around 5,700 works (as of March 2019; excluding deposited works), 4,600 donated and 1,100 purchased. These are representative works of domestic and overseas art from the mid-nineteenth century up until the present, collected with reference to the richness of art generated here in Osaka. The collection spans Western-style painting by Japanese artists, nihonga (Japanese-sytle painting), European modern art, contemporary art, prints, photographs, sculpture, design, and more. With highlights including notable works by Saeki Yuzo, a nude by Modigliani, works by the Gutai group’s leading figure, Yoshihara Jiro, and overseas masterpieces, the collection is highly esteemed at the international level. Works from the collection have been exhibited over 60 times, mostly as part of exhibitions showcasing the museum’s collection, both in and beyond Osaka. Loans are made to other facilities, and to this day, a total of more than 3,000 of our works have been borrowed by over 800 museums, including many outside Japan. Many precious works have been deposited in the collection. The deposit of the Suntory Poster Collection (comprising 18,000 works) in 2012, to add to our preexisting collection of furniture and tableware, has enabled us to assemble one of the largest design-based collections in the world. We plan to continue enriching our collection after the museum’s opening.

    Saeki Yuzo and his contemporaries’ artworks and related materials

    Modern and contemporary artworks and materials related to Osaka

    Significant works that represent major art movements from the modern era tothe present day and related materials

    Modern and contemporary design works and materials related to Osaka

    Significant works that represent modern and contemporary lifestyles andsociety and related materials

    Collection Policy

    SAEKI YUZO

    1 SAEKI Yuzo, Restaurant (Hôtel du M

    arché), 1927 2 SAEKI Yuzo, Brickkiln, 1928 3 SAEKI Yuzo, Postman, 1928 4 SAEKI Yuzo, Standing Self-portrait, 1924

  • C O L L E C T I O N

    Our collection also includes works by artists who were active from the late nineteenth to the early twentieth century, including Kishida Ryusei and Fukuda Heihachiro. Osaka-related artists such as Koide Narashige, Akamatsu Rinsaku, Murakami Kagaku and Kitano Tsunetomi also contribute spectacular work. As a public museum, we will continue researching into modern pioneers of Osaka-related art, conveying our findings to future generations.

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    1 KISHIDA Ryusei, Still Life (Teacup, Bow

    l and Three Apples), 1917 2 MU

    RAK

    AMI Kagaku, Sange (Scattering Flow

    ers above the Clouds), 1938 3 KO

    IDE N

    arashige, Chrysanthem

    ums, 1926

    4 FUKU

    DA Heihachiro, Sazanam

    i (Ripples), 1932 5 KOISO

    Ryohei, Costum

    e, 1939 6 KITANO

    Tsunetomi, Yodogim

    i (Lady Yodo), 1920ca.

    JAPANESE MODERN ART

    Yamamoto Hatsujiro (1887–1951), the first to discover the true value of Saeki Yuzo’s works, ran a business manufacturing knitwear in Osaka, and was also a fervent art collector known for his unique aesthetic sense. When Yamamoto’s Ashiya residence was destroyed in the Second World War, he lost most of his collection. In 1983, his family donated 574 of the surviving works to Osaka City. This was the starting point for the idea of creating a new art museum in Osaka with a theme of modern art. As well as notable works by Saeki Yuzo, the Yamamoto collection also contained Western-style painting by Japanese artists, 232 works of calligraphy, and 288 Asian textiles. Even before the new museum’s opening, the collection has already become an object of study by scholars, and the works have been displayed as part of exhibitions in Japan and overseas.

    The Yamamoto Collectionand the Museum

    [left] Printed cloth, India, 17-18th century [right] HAKUIN, Mice and Daikoku, 18th century

  • EUROPEAN MODERN ART

    Represented by a renowned nude painting by Amedeo Modigliani, our School of Paris collection, comprising works by artists such as Jules Pascin, Kisling, and Constantin Brâncuși, garners international attention. The collection also features notable works of artists who made their names in avant-garde early twentieth century European art movements such as Fauvism, Cubism, Dadaism, Surrealism, Futurism, and Constructivism.

    0908©SIAE, Roma & JASPAR, Tokyo, 2019 C2664 ©Salvador Dalí, Fundació Gala-Salvador Dalí, JASPAR Tokyo, 2019 C2664

    1 Amedeo M

    OD

    IGLIAN

    I, Nu C

    ouché aux Cheveux D

    énoués (Reclining Nude w

    ith Loose Hair), 1917 2 G

    iorgio DE C

    HIRIC

    O, N

    atura Morta Evangelica (Evangelical Still Life), 1916 3 U

    mberto BO

    CC

    ION

    I, Le Forze di una Strada (The Forces of a Street), 1911 4 Marie LAU

    RENC

    IN, Les Princesses (The Princesses), 1928

    5 René MAG

    RITTE, Le Bouquet Tout Fait (The Ready-made Bouquet), 1957 6 Salvador DALÍ, Le Spectre et le Fantôm

    e (The Specter and the Phantom), 1934ca. 7 Jean (H

    ans) ARP, Torse Végétal (Vegetal Torso), 1959 8 KISLING

    , Hollandaise (D

    utch Girl), 1922

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    C O L L E C T I O N

  • 1312

    1 Frank STELLA, Getty Tom

    b (First Version), 1959 2 MO

    RIMU

    RA Yasum

    asa, Daughter of Art H

    istory (Theater A), 1989 3 Alberto GIAC

    OM

    ETTI, Le Nez (The N

    ose), 1947 4 MIKI Tom

    io, Rose-decorated Ear, 1962 5 Jean-Michel BASQ

    UIAT, U

    ntitled, 1984

    1 YOSH

    IHAR

    A Jiro, Work, 1965 2 M

    UR

    AKAM

    I Saburo, Work, 1962 3 YO

    SHIH

    ARA Jiro, W

    ork A, 1939-40ca. 4 MO

    TON

    AGA Sadam

    asa, Work, 1960 5 SH

    IMAM

    OTO

    Shozo, 1962-1, 1962 6 TANAK

    A Atsuko, Work (one side), 1961 7 SH

    IRAG

    A Kazuo, Mr. Stella, 1956

    C O L L E C T I O N

    CONTEMPORARY ART

    To add to the great range of works by key figures in the post-war Japanese art world, the collection of Nakanoshima Museum of Art, Osaka also includes many works by their overseas counterparts—those who built an age of unique creation through movements such as American Abstract Expressionism and Minimalism, and movements that originated in Europe such as Art Informel and Arte Povera. There is also a significant collection of works by renowned artists with local talents from Osaka and Kansai, and other Japanese figures who spread their wings internationally.

    C O L L E C T I O N

    The Museum collection houses some 800 artworks by Yoshihara Jiro, leader of the the Gutai Art Association, one of the key art movements in postwar Japan, not to mention a further 100 pieces by other Gutai members (as of March 2019). Indeed, Nakanoshima, where the Museum will open, was where the Gutai group established its Gutai Pinacotheca gallery. As the recipient of various donated materials relating to Gutai, we plan to create Gutai archives to provide an international focus for Gutai scholarship and become a source of information about Gutai with a worldwide reach.

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    ©Frank Stella / ARS, New York / JASPAR, Tokyo, 2019 C2664

    ©Kanayama Akira and Tanaka Atsuko Association

    ©The Estate of Jean-Michel Basquiat/ADAGP,Paris & JASPAR, Tokyo, 2019 C2664

    YOSHIHARA JIRO & GUTAI ART ASSOCIATION

  • The City of Osaka has been promoting the project of a new art museum, namely Nakanoshima Museum of Art, Osaka, specialized in modern and contemporary art of Japan and the world. Prior to its opening, the museum planning office, established in 1990, has been engaged in museum activities such as organizing exhibitions and outreach programs, acquisition and loan of art works. In February 2017, the winning design was selected through an international competition for the new museum building, and our project has taken a large step forward for the museum’s prospective opening in FY2021.

    16

    Osaka is the second largest city of Japan in terms of daytime population, a city of fascination with an increasing number of visitors from overseas. The Museum will be located in Nakanoshima, a district near the northern city center with a number of public offices, business premises and cultural facilities. The new museum will enhance cultural appeal of the area, along with the National Museum of Art, Osaka, Osaka Science Museum, Museum of Oriental Ceramics, Osaka, and the Kosetsu Museum of Art, Nakanoshima.

    The Museum houses over 5,700 pieces in its collection, including valuable art and design works of Japan and the world from mid-19th century up to today (as of March 2019). The collection includes a number of masterpieces celebrated in the art history, such as Amedeo Modigliani’s Reclining Nude with Loose Hair, 1917, Umberto Boccioni’s The Forces of a Street, 1911, Alberto Giacometti’s The Nose, 1947. The collection is noted for the substantial number of paintings by Yoshihara Jiro, leader of Gutai Art Association and the works created by its members.

    The Museum will hold special exhibitions with various themes related to modern and contemporary art and design of Japan and the world, in the exhibition space of 1700 square meters, along with its permanent collection display. The Museum will collaborate with other public institutions, private companies and individuals to develop its programs and strengthen academic grounds related to its collection and activities. The Museum has launched on the archive project, including the Gutai papers and records, and the Industrial Design Archives Project.

    The winner of our architectural design competition is Mr. Endo Katsuhiko of Endo Architect and Associates, based in Tokyo. The new museum will go through basic design, detailed design and construction, for its expected completion in 2021 and a prospective opening to the public in early 2022. The building will adopt quake-absorbing structure, and the safety of art works is assured against water by locating the exhibition and storage spaces on the third floor or above.

    We would like to express our sincere gratitude once again for all the support, donations, gifts and deposits of artworks that we have received. As the project for the new museum proceeds, we will plan funding programs and donation schemes that individual art lovers and corporate sponsors may join to support us. For the details, please contact us through our website.

    Your support is vital in enabling the construction of the new museum for its opening in 2021.

    Project

    Location

    Collection

    Activity

    Museum Construction

    Call for Support

    8F, 1-1-86, Noda, Fukushima-ku, Osaka 553-0005 JapanTel. 81-6-6469-5186 Fax. 81-6-6469-3897

    Nakanoshima Museum of Art, OsakaDevelopment Plan Pamphlet: Collection

    Nakanoshima Museum of Art, Osaka Planning Office

    Issued 2019Design: Daisuke Sato, sato design.

    Nishiumeda

    Kitashinchi

    umeda

    umeda

    Oebashi

    Watanabebashi

    Nakanoshima

    Naniwabashi

    KitahamaYodoyabashi

    Keihan Main Line

    Keihan

    Nakan

    oshima

    Line

    HigobashiSubw

    ayYotsubashi Line

    Subway

    Midosuji Line

    Subway

    Sakaisuji Line

    FukushimaFukushimaFuku

    shima

    Osaka

    JR Tozai Line

    Hanshin

    Main Lin

    e

    JR Osa

    ka Loo

    p LineJR

    Tokaid

    o Line

    Museum ofOriental Ceramics,Osaka

    Osaka City Hall

    Osaka PrefecturalNakanoshima Library

    Osaka CityCentral Public Hall

    The National Museum ofArt, Osaka

    Osaka ScienceMuseum

    Osaka InternationalConvention Center

    Osaka UniversityNakanoshima Center

    Site of new art museumdevelopment

    NAKANOSHIMA MUSEUMOF ART, OSAKA

    NakanoshimaKosetsu Museum of Art

    Shin-Fuk

    ushima

    N A K A N O S H I M A M U S E U M

    O F A R T , O S A K A

  • 大阪中之島美術館準備室

    Tension d'Esprit (Tension of Mind) | DOMOTO Hisao 1957 | Oil on canvas | 149.0×250.0cmWork | MIKAMI Makoto 1956ca. | Pigment on paper | 119.5×121.0cmFigures | OHNO Hidetaka 1954 | Pigment on paper | 160.0×142.5cmChimère (Chimera) | IMAI Toshimitsu 1960 | Oil on canvas | 200.0×300.0cmLa Masse Noire (The Black Mass) | SUGAI Kumi 1964 | Oil on canvas | 200.0×155.0cmAccumulation | KUSAMA Yayoi 1960 | Oil on canvas | 162.6×522.0cmFasto (Glamorous) | TAKAHASHI Shu 1988 | Acrylic on canvas | 300.0×440.0cmBlank as Space | ARAKAWA Shusaku 1979-81 | Acrylic and oil on canvas | 335.0×1143.0cmOlive, Green, Blue, Violet, Purple | KUWAYAMA Tadaaki 1966 | Acrylic on canvas with chrome strips | 165.0×165.0cmRose-decorated Ear | MIKI Tomio 1962 | Wood, clay, cloth, plaster and collage | 90.5×58.0×18.5cmRoulette: Ancient Shield | KIKUHATA Mokuma 1964 | Enamel, assemblage and wood | 97.5×79.1×12 .1cmNothing to Do | FUKUOKA Michio 1962-64 | Mixed media | height: 200.0cmPassage | USAMI Keiji 1964 | Oil on canvas | 185.0×270.0cmVenus of Milo | AY-O 1966 | Oil and mixed media | 200.0×541.0×25.0cmPurple-Violet XIV | NAKANISHI Natsuyuki 1982 | Oil on canvas | 227.0×181.5cmInterference (Story-No.42) | ENOKURA Koji 1992 | Acrylic and wood on cotton | 291.0×218.0cmPortrait (Van Gogh) | MORIMURA Yasumasa 1985 | Color photograph | 120.0×100.0cmDon't meddle with us... | OKAZAKI Kenjiro 1990-91 | Iron and wood | 190.0×180.0×280.0cmAs Happy As Ever | Jean FAUTRIER 1958 | Oil on paper mounted on canvas | 89.4×146.0cmPorta Curva (Curved Door) | Antoni TAPIES 1960 | Mixed media on canvas | 195.0×310.0cmBottle Green and Deep Reds | Mark ROTHKO 1958 | Oil on canvas | 205.7×127.0cmCross Section of a Bridge | Joan MITCHELL 1951 | Oil on canvas | 202.5×304.0cmOmicron | Morris LOUIS 1960 | Acrylic on canvas | 262.3×412.1cmMesh | Kenneth NOLAND 1959 | Acrylic on canvas | 167.4×161.9cmHomage to 6,000,000 | Louise NEVELSON 1964 | Painted wood | 232.0×573.0×30.0cmStreet | George SEGAL 1987 | Plaster, wood and mixed media | 260.0×790.0×180.0cmGetty Tomb (First Version) | Frank STELLA 1959 | Enamel on canvas | 215.0×245.0cmSlow Roll for Philip Glass | Richard SERRA 1968 | Lead | 28.0×28.0×183.0cmUntitled (Progression) | Donald JUDD 1969/1970 | Brass and blue anodized aluminum | 15.6×281.3×15.2cmUntitled | Robert MORRIS 1968 | Felt | 243.8×203.2×121.9cmPortrait Dwinger | Gerhard RICHTER 1965 | Oil on canvas | 119.3×94.0cmJoe | Chuck CLOSE 1969 | Acrylic on gessoed canvas | 275.0×214.5cmIl Mare (The Sea) | Pino PASCALI 1966 | Painted canvas stretched on wooden frameworks; painted wood | 25.0×400.0×600.0cmBaum mit Palette (Tree with a Palette) | Anselm KIEFER 1977 | Oil, acrylic and emulsion on canvas; applique lead object | 290.0×195.0cmPomeriggion degli Esserini (Creatures in the Afternoon) | Enzo CUCCHI 1984 | Oil on canvas | 260.0×340.0cmUntitled | Jean-Michel BASQUIAT 1984 | Acrylic, oil , oilstick and silkscreen on canvas | 223.5×195.5cmDEATH AFTER LIFE | GILBERT & GEORGE 1984 | Photographs | 482.0×1105.0cmAsazuma-bune | YAMANOUCHI Gusen 1897 | Oil on cloth | 140.2×150.0cmPeacocks | AKAMATSU Rinsaku 1894 | Oil on cloth | 116.8×116.8cmPractice | SHIRATAKI Ikunosuke 1903 | Oil on canvas | 76.0×101.0cmAround Campidoglio | FUJISHIMA Takeji 1919 | Oil on canvas | 188.0×94.4cmApricot Flowers | MITSUTANI Kunishiro 1920 | Oil on canvas | 112 .0×136.4cmBeauty of the Tempyo Era | SEKINE Shoji 1917 | Oil on cloth | 121.0×122.5cmStill Life (Teacup, Bowl and Three Apples) | KISHIDA Ryusei 1917 | Oil on canvas | 38.0×45.5cmWithering Weeds, Near a Prison | NAKAGAWA Kazumasa 1919 | Oil on canvas | 40.5×52.5cmChrysanthemums | KOIDE Narashige 1926 | Oil on canvas | 105.5×55.0cmPeonies on a Vermilion Table | KURODA Jutaro 1940 | Oil on canvas | 100.0×80.3cmBrickkiln | SAEKI Yuzo 1928 | Oil on canvas | 60.2×73.1cmPostman | SAEKI Yuzo 1928 | Oil on canvas | 80.8×65.0cmRue Mouffetard | OGUISS Takanori 1932 | Oil on canvas | 60.5×73.5cmVegetables on a Table | SATOMI Katsuzo 1936 | Oil on canvas | 72.5×116.5cmCostume | KOISO Ryohei 1939 | Oil on canvas | 90.5×72.5cmVentilator and a Child | MAEDA Toshiro 1931ca. | Linocut on paper | 53.7×34.8cmFlowers (Anemones) | AI-MITSU 1942 | Oil on canvas | 41.3×32.2cmRemains of the Rai Family's House in Takehara, Aki | SUDA Kunitaro 1946 | Oil on canvas | 45.5×53.2cmView of Den'en-Chofu | KOITO Gentaro 1958 | Oil on canvas | 73.2×91.2cmShun'u Yoshinoyama-no-zu (Mount Yoshino in Spring Rain) | KIKUCHI Hobun 1897-1906ca. | Color on silk | 154.0×71.3cmSekishun (Recalling Spring) | TAKEUCHI Seiho 1933 | Color on silk | 144.3×57.8cmFujo (Woman) | KIKUCHI Keigetsu 1930 | Color on paper | 145.0×91.0cmShiro-kujaku (White Peacocks) | ISHIZAKI Koyo 1922 | Color on silk | 178.5×372.0cm eachSange (Scattering Flowers) | TSUCHIDA Bakusen 1914 | Color on silk | center: 167.0×372.3 cm | sides: 160.0×177.0 cm eachUnjo-sange-no-zu (Scattering Flowers above the Clouds) | MURAKAMI Kagaku 1938 | Color on paper | 28.8×45.5cmRakan (Arhat) | MURAKAMI Kagaku 1938 | Ink and color on paper | 38.4×26.9cmTohcho (Winter Morning) | SAKAKIBARA Shiho 1928 | Color on silk | 173.4×273.6cm eachTsuno-togu-shika (Deer Sharpening its Antlers) | YAMAGUCHI Kayo 1918 | Color on silk | 169.0×284.0cmSazanami (Ripples) | FUKUDA Heihachiro 1932 | Color on silk | 156.6×185.8cmSuzumi (Evening Cool) | KITANO Tsunetomi 1926 | Color on silk | 132.8×85.5cmFunayado-no-onna (Women of a Sailor's Inn) | HIGUCHI Tomimaro 1921 | Color on silk | 151.0×56.7cmAmakusa Shiro | NODA Kyuho 1913 | Color on silk | 186.0×85.3cmNamban-rai (Arrival of the Namban People) | KANAMORI Kan'yo 1918/20 | Color on paper | 172.0×374.0cm eachMatsuri-no-yosooi (Dressing Up for a Festival) | SHIMA Seien 1913 | Color on silk | 142.0×284.0cmOngoku | KITANI (YOSHIOKA) Chigusa 1918 | Color on silk | 166.6×342.0cmNu Couché aux Cheveux Dénoués (Reclining Nude with Loose Hair) | Amedeo MODIGLIANI 1917 | Oil on canvas | 60.0×92.2cmSalomé | Jules PASCIN 1930 | Oil on canvas | 81.0×65.0cmHollandaise (Dutch Girl) | KISLING 1922 | Oil on canvas | 100.0×73.0cmLes Princesses (The Princesses) | Marie LAURENCIN 1928 | Oil on canvas | 130.0×130.0cmEglise de Groslay (Church in Groslay) | Maurice UTRILLO 1909ca. | Oil on board | 53.6×73.4cmBateaux au Port de Collioure (Boats at the Port of Collioure) | André DERAIN 1905 | Oil on canvas | 54.0×65.0cmLe Forze di una Strada (The Forces of a Street) | Umberto BOCCIONI 1911 | Oil on canvas | 99.5×80.5cmNatura Morta Evangelica (Evangelical Still Life) | Giorgio DE CHIRICO 1916 | Oil on canvas | 80.5×71.4cmL'Idole (The Idol) | Max ERNST 1926 | Oil on canvas | 100.0×80.7cmLe Bouquet Tout Fait (The Ready-made Bouquet) | René MAGRITTE 1957 | Oil on canvas | 163.0×130.5cmUntitled | Joseph CORNELL 1931 | Collage | 12 .7×20.0cmMachaon (Yellow Swallowtail) | Francis PICABIA 1926 | Watercolor and ink on paper, butterflies and box | 38.2×45.5×6.7cmDr. Max Ruest | Raoul HAUSMANN 1919 | Collage | 26.5×21.0cmDer Meister (The Master) | Hannah HOCH 1925 | Collage | 15.5×11.5cmRelief no.13A | Cesar DOMELA 1936 | Metal, plexiglass, plastic and glass on board | 104.2×76.1×4.0cmSpace CH3 | László MOHOLY-NAGY 1938 | Oil on canvas | 127.5×102.0cmLa Muse Endormie (The Sleeping Muse) | Constantin BRANCUSI 1910-11 | Plaster | 19.0×28.0×19.5cmLe Cheval Majeur (The Big Horse) | Raymond DUCHAMP-VILLON 1914 (1966 casted) | Bronze | 150.0×97.0×153.0cmTorse Végétal (Vegetal Torso) | Jean (Hans) ARP 1959 | White marble | 135.0×26.0×18.0cmLa Femme au Balai (The Woman with a Broom) | Julio GONZALEZ 1929 | Iron | 32.7×18.5×13.0cmLe Nez (The Nose) | Alberto GIACOMETTI 1947 | Bronze, wire, rope and iron | 81.3×71.1×36.8cmSuspended Figure | David SMITH 1935 | Iron | 55.0×70.0×28.0cmContrappunto no. 3 (Counterpoint no.3) | Fausto MELOTTI 1970 | Stainless steel | 100.0×100.0×28.0cmLe Berger des Landes (Shepherd of the Landes) | Germaine RICHIER 1951 | Bronze with patina | 149.0×89.0×60.0cmCurtain | YAMAGUCHI Takeo 1966 | Oil on board | 182.0×363.0cmWork (Black) | SAITO Yoshishige 1961 | Oil on plywood | 181.6×121.0cmCreation (B) | NAMBATA Tatsuoki 1961 | Oil and enamel on canvas | 97.0×130.3cmBlack and White | TSUTAKA Waichi 1961 | Oil on hemp | 97.2×145.4cmLandscape B | YOSHIHARA Jiro 1933-34ca. | Oil on canvas | 91.5×116.6cmWork | YOSHIHARA Jiro 1965 | Acrylic on canvas | 181.8×227.5cmMr. Stella | SHIRAGA Kazuo 1958 | Oil and Japanese paper on canvas | 182.5×272.8cmWork | MOTONAGA Sadamasa 1960 | Oil and stones on canvas and board | 183.5×135.0cm1961-1 | SHIMAMOTO Shozo 1961 | Paint and glass on canvas | 265.0×197.8cmWork | MURAKAMI Saburo 1962 | Paint, plaster and adhesive on canvas | 212 .5×138.5cmWork | TANAKA Atsuko 1961 | Acrylic on canvas | 175.0×388.0cmWork | UEMAE Chiyu 1962 | Oil on canvas | 185.0×290.0cmUntitled | MUKAI Shuji 1961 | Oil and mixed media on board | 182.7×183.0cm