My Secret Wars of 1984 by Dennis Etzel, Jr. Book Preview

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To read My Secret Wars of 1984 is to ride an old wooden rollercoaster through a spacious gallery of stained-glass windows, all their colorful shards having been stolen, shattered, then chewed into shape: what we have here are gorgeous and wise assemblages of sharp, scavenged graffiti. Ricocheting from Pac-Man to Topeka to institutional structures to AIDS awareness to Reagan, Dennis Etzel, Jr. masters the skills of fragmentation and disharmony without losing one bit of torque. Sharpen your political acumen on this poetry-memoir of the highest order—and discover much pleasure in the process.—Amy King, author of The Missing MuseumThe sentence inscribes a trauma, bumps over a secret, and accretes toward continuance, which is life. In My Secret Wars of 1984, Dennis Etzel, Jr. constructs little sentence survival packets, brimming with Reaganite Cold War fear and the inescapable “I am” of a teenage boy in a threatening world. Our Superhero of Fragility threads these lines with tenderness, wit, and humor, and comes out the other side more whole than before. —Allison Cobb, author of Green-WoodThe world of 1984 has a deft tenacity in the hands of Dennis Etzel, Jr. This book blends the personal to the greater political as only the best possible memoir can do. We are all in this world together and the strangest things occur, sometimes when other strange things occur, and I thank Mr. Etzel for his brilliant, sharp reminder.—CAConrad, author of ECODEVIANCESome years brand our history: 1861, 1968, 2001; others are best known as fictions, like 1984, made famous by George Orwell in the real year of 1949. The actual 1984 featured Ronald Reagan's race against Walter Mondale, the discovery of the AIDS virus, dead U.S. Marines in Lebanon, and Prince's Purple Rain album. It was an era in which popular culture and foreign policy came together in Star Wars. Dennis Etzel, Jr., then a teen-ager, played a part in that history. His mother came out as a lesbian in the conservative city of Topeka, Kansas. In prose poem boxes, with sentences arranged alphabetically, the confinement of these years is enacted and challenged. Using sources that include Orwell's novel and Lyn Hejinian's "Rejection of Closure" (another artifact of the 1980s), Etzel re-constructs the era and proposes some ways out, foremost among them feminism. Using the language of that era, Etzel pries opens its boxes of secrets.—Susan M. Schultz, author of Dementia Blog, vols. 1 & 2 and Memory Cards: 2011-2012 Series (Singing Horse Press)“My fellow Americans,” Ronald Reagan joked during a microphone sound check in 1984, “I'm pleased to tell you today that I've signed legislation that will outlaw Russia forever. We begin bombing in five minutes.” This was the same year that the infamous “Doomsday Clock” of the Bulletin of Atomic Scientists was set to three minutes to midnight, the closest the clock had come to the zero hour of annihilation in 31 years. How did we get out of the 1980s alive? Dennis Etzel, Jr.’s My Secret Wars of 1984 attempts to answer this question, documenting a year in which the young poet was surrounded by the apocalyptic millennialism of the Reagan administration at the same time that his mother was coming out in conservative Topeka, Kansas. Deploying language appropriated from comics, gaming, and political speeches of the era, Etzel frames these texts with urgent appropriations from work in poetics and gender studies that he would read later in life—when he, indeed, had survived the ’80s. Even when the young poet of 1984 revels in pop culture escapist pleasures, he discovers that it is impossible to transcend political reality. Amid the kinetic “flash of red and yellow” of his comic books, he admits, “I still hear my father’s warplanes.” Etzel’s masterful merging of the personal and political is matched by an equally vital attention to the politics of poetic form. Unfolding in wildly appropriative, politically astute prose poems to

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  • MY SECRET WARS OF 1984

    DENNIS ETZEL, JR.

    ARTWORK BY ELAINE M. RODRIGUEZ

    B L A Z E V O X [ B O O K S ] Buffalo, New York

  • My Secret Wars of 1984 by Dennis Etzel, Jr. Copyright 2015 Published by BlazeVOX [books] All rights reserved. No part of this book may be reproduced without the publishers written permission, except for brief quotations in reviews. Printed in the United States of America Interior Design and Typesetting by Geoffrey Gatza Cover and Interior Art by Elaine M. Rodriguez First Edition ISBN: 978-1-60964-223-5 Library of Congress Control Number: 2015944621 BlazeVOX [books] 131 Euclid Ave Kenmore, NY 14217 [email protected]

    publisher of weird little books

    BlazeVOX [ books ] blazevox.org

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    [envoi] 366 sentences as 1984a leap-year progression as "the progress of a line or sentence, or a series of lines or sentences, has spatial properties as well as temporal properties." 1984's secret wars raged inside comic books, movies, dungeons, and dragons "pressing back against the pressure of reality" of our neighborhood against my mother coming out.

  • 18

    [A couple of amazing things] A couple of amazing things just happened. A large TV transmission tower collapses under the weight of the ice, along with many trees and large tree branches. A mark of their life without protest, without rage. A nightmare on Elm Street.

  • 19

    [A phrase of absolutism] A phrase like "I advocate" does not imply the kind of absolutism that is suggested by "I am". A tool / made out of thought. A totalitarian dictatorship over my childhood is over, so now what? A transition from middle to high school, from thirteen to fourteen. A transition that crosses through the unknown X.

  • 21

    [A wave of sheer force] A wave of sheer force. Accustomed to Topeka's customs. After a radioactive spider bites me, I develop superpowers of fragility. All molecules obey my every whim. All through the night. All week, I've been seeing my bear in my dreams. Almost paradise.

  • 22

    [Alphabetized to represent] Alphabetized to represent the mind's organization of what is found. Although dungeon or wilderness adventures are fun, consider the characters' reasons for being. America has a way of blanketing out things. An aftershock of the aftermath. An alphabetized collection of comics, role-playing adventures, and music on tapes, as representation. An inker inks over the debris adding details.

  • 23

    [An unspent lunch money] An unspent lunch money becomes a sustenance of comic books. And a number of pages were excised by that agency head there, the man in charge, and he sent it on up here to CIA, where more pages were excised before it was printed, says Ronald Reagan. And as soon as we have an investigation and find out where any blame lies for the few that did not get excised or changed, we certainly are going to do something about that, says Ronald Reagan. And as the heroes watch, they are watched in turn. And each evening the pace back home matches the sun's setting. And I start high school at my lowest. And now we are putting up a defense of our own, says Ronald Reagan.

  • 24

    [And suddenly somebody] And suddenly somebody says, "Oh, it's got to be up there, and it's Star Wars," and so forth, says Ronald Reagan. And the experience of using it, which includes the experience of understanding it, either as speech or as writing, is inevitably active. And I fail to protect from the night.

  • 25

    [Anywhere I walk] Anywhere I walk I wear my Walkman. Apparently, any manipulation of these controls activates this apparatus, which senses the intent of its user and accomplishes what is desired. Are we ourselves? As a matter of fact, there are some pretty scientific and solid figures about how much space there still is in the world and how many more people we can have, says Ronald Reagan.

  • 26

    [As a scholar] As a scholar of origin stories, I research each superhero I know. Assembly is my favorite, moving around the room of others. Beat Street. Because we have language we find ourselves in a peculiar relationship to the objects, events, and situations which constitute what we imagine of the world. Because we're off in a strange land, up to our ears in a little secret war that may decide the fate of the universe. Better to say nothing and hope he slowly discovers the truth for himself or hides from it forever.

  • 27

    [Between women] Between women and men, sexism is most often expressed in the form of male domination, which leads to discrimination, exploitation, or oppression. Between women, male supremacist values are expressed through suspicious, defensive, competitive behavior. Bordered labyrinth, with dragons to guard the boundary, as my fighter centers. Breakin'.

  • 28

    [But if guilt] But if guilt is established, whoever is guilty we will treat with that situation then, and they will be removed, says Ronald Reagan. But no one knows whether Armageddon, those prophecies mean that Armageddon is a thousand years away or day after tomorrow, says Ronald Reagan. But these things do not affect the adventure or the game. But when you keep star-warring itI never suggested where the weapons should be or what kind, says Ronald Reagan.

  • 29

    [By drawing a panel] By drawing a panel for my story, a box surrounds me. By level 25, the "home base" has become either a strongly fortified castle complex or secret stronghold. By using unarmed combat rules, characters are free to perform acts of heroic fantasywrestling huge opponents to the ground, or escaping from imprisonment when no weapons are available. Challenging sexist oppression is a crucial step in the struggle to eliminate all forms of oppression.

  • 30

    [Closes] Closes. Cold wars everywhere. Comic books continued my dialogue with language as I sought my story within costumes. Coming out of a bad marriage, my mother comes out. Crackling up / like a wall of prairie fire / in a somersault silver / to climb blank air. Cruel summer. Curled over for the walk back home, my pages touch the landscape until, hooked by the wind, they detach from my staples.

  • 31

    [Dancing in the dark] Dancing in the dark. Daydreams of fighting supervillains surround while unsure of those around me. Delay: The victim automatically loses initiative for the next round. Destruction is widespread throughout the city, with Gage Park in Central Topeka especially hard hit. Do they know it's Christmas? Doctor, doctor. Dune. Dungeon adventures are common, and a few short wilderness journeys usually occur.

  • 32

    [Each illustration] Each illustration holds potential for intensity, for intensities that require several word balloons. Each moment stands under an enormous vertical and horizontal pressure of information, potent with ambiguity, meaning-full, unfixed, and certainly incomplete. Each superhero has an origin story for misunderstanding what makes a power. Each time, the image is more distinct. Each written text may act as a distinction, may be a distinction. Elections with margins.

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    [Electric dreams] Electric dreams. Electricity is not restored in some areas for over a week. Entangle: The victim cannot attack, cast spells, or move until a Saving Throw is successful. Even words in storage, in the dictionary, seem frenetic with activity, as each individual entry attracts to itself other words as definition, example, and amplification. Eyes without a face. Fans, especially young fans often suggested to me "one big story with all the heroes and all the villains in it," so I proposed that.

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    [Feminism defined] Feminism defined as a movement to end sexist oppression enables women and men, girls and boys, to participate equally in revolutionary struggle. Fits and starts, half stars. For cover, he holds up his indestructible shield. For me, a central activity of poetic language is formal. For monster summers / slammed wind / on weighted bough.