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1 TO WHOM IT MAY CONCERN, PRODUCTIVITY COMMISSION ITELLECTUAL PROPERTY // June 15, 2016 My name is Anne-Maree Sargeant, director of AUTHENTIC DESIGN ALLIANCE TM I represent a members-based education platform – our members include industrial designers, furniture designers, makers, lighting designers, retailers, importers, interior designers, architects, media – journalists – bloggers, businesses and consumers – who unite in the sole aim – that fake designer furniture and lighting will become illegal in Australia. As a second, but equally important aim – we educate Australians on the VALUE of original design. Unlike Europe, for example, where design is a natural language among the broader community – Australia has adopted a ‘disposable decorating culture’ – a thinking that – if something breaks – throw it out and get another one. This ‘land fill mentality’ is unsustainable. What ever happen to ‘built to last’? I have invested my 30-year career in the Australian furniture industry. A sector comprised mostly of independent small businesses, who, like myself, work tirelessly to innovate. We embody DESIGN LED INNOVATION. Australians in the design sector are globally successful for perpetually thinking ‘outside the box’ – as a country without boarding neighbours – we have a rich heritage of innovation, invention and creating new ways of doing things – often without direct influence as perhaps our European colleagues might have. In my 30-year career – I have never witnessed a better time to be an Australian furniture, lighting or object designer. Ironically – never has there been a worse time to be an Australian furniture, lighting or object designer. With the UK criminalizing fake designer furniture (April 28, 2016), imposing penalties of up to 10 years jail / £50,000 – protection for British designers was extended from 25 years – to 70 years after the creator’s death – inline with the EU. The alarming thing about the Daily MAIL news article (below) dated February 14, 2016 – is twofold. 1. The UK deemed the threat of ripped off designs – to be so damaging to their own creative industries – the intended laws originally slated for 2020 (i.e .in 4 years time) were bought forward. And are now in place. 2. The article also sparked a typical Australian response – (refer attached Facebook comment stream). Australians – generally not having a design vocabulary – often do not know when something is a copy of an original. Ignorance is a huge part of the problem. But finally design news hit front page of mainstream media. This global problem needs addressing – and it needs to be acknowledged that internationally Australia is seen as ‘THE WILD WEST OF FAKE DESIGNER FUNRNITURE’ *** David Trubridge / ABC radio, 2015

My name is Anne-Maree Sargeant, director of AUTHENTIC ... · A sector comprised mostly of independent small businesses, who, like myself, work tirelessly to innovate. We embody DESIGN

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Page 1: My name is Anne-Maree Sargeant, director of AUTHENTIC ... · A sector comprised mostly of independent small businesses, who, like myself, work tirelessly to innovate. We embody DESIGN

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TOWHOMITMAYCONCERN,PRODUCTIVITYCOMMISSIONITELLECTUALPROPERTY//June15,2016MynameisAnne-MareeSargeant,directorofAUTHENTICDESIGNALLIANCETMIrepresentamembers-basededucationplatform–ourmembersincludeindustrialdesigners,furnituredesigners,makers,lightingdesigners,retailers,importers,interiordesigners,architects,media–journalists–bloggers,businessesandconsumers–whouniteinthesoleaim–thatfakedesignerfurnitureandlightingwillbecomeillegalinAustralia.Asasecond,butequallyimportantaim–weeducateAustraliansontheVALUEoforiginaldesign.UnlikeEurope,forexample,wheredesignisanaturallanguageamongthebroadercommunity–Australiahasadopteda‘disposabledecoratingculture’–athinkingthat–ifsomethingbreaks–throwitoutandgetanotherone.This‘landfillmentality’isunsustainable.Whateverhappento‘builttolast’?Ihaveinvestedmy30-yearcareerintheAustralianfurnitureindustry.Asectorcomprisedmostlyofindependentsmallbusinesses,who,likemyself,worktirelesslytoinnovate.WeembodyDESIGNLEDINNOVATION.Australiansinthedesignsectoraregloballysuccessfulforperpetuallythinking‘outsidethebox’–asacountrywithoutboardingneighbours–wehavearichheritageofinnovation,inventionandcreatingnewwaysofdoingthings–oftenwithoutdirectinfluenceasperhapsourEuropeancolleaguesmighthave.Inmy30-yearcareer–IhaveneverwitnessedabettertimetobeanAustralianfurniture,lightingorobjectdesigner.Ironically–neverhastherebeenaworsetimetobeanAustralianfurniture,lightingorobjectdesigner.WiththeUKcriminalizingfakedesignerfurniture(April28,2016),imposingpenaltiesofupto10yearsjail/£50,000–protectionforBritishdesignerswasextendedfrom25years–to70yearsafterthecreator’sdeath–inlinewiththeEU.ThealarmingthingabouttheDailyMAILnewsarticle(below)datedFebruary14,2016–istwofold.

1. TheUKdeemedthethreatofrippedoffdesigns–tobesodamagingtotheirowncreativeindustries–theintendedlawsoriginallyslatedfor2020(i.e.in4yearstime)wereboughtforward.Andarenowinplace.

2. ThearticlealsosparkedatypicalAustralianresponse–(referattachedFacebookcommentstream).Australians–generallynothavingadesignvocabulary–oftendonotknowwhensomethingisacopyofanoriginal.Ignoranceisahugepartoftheproblem.

Butfinallydesignnewshitfrontpageofmainstreammedia.Thisglobalproblemneedsaddressing–anditneedstobeacknowledgedthatinternationallyAustraliaisseenas‘THEWILDWESTOFFAKEDESIGNERFUNRNITURE’***DavidTrubridge/ABCradio,2015

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Tocreatealevelplayingfield–andtoenableourcreativeanddesignstarsoftomorrow–tocompeteintheglobalmarketplace–AustraliaMUSTalignwithourEuropeancounterparts.Theabsenceofa‘GRACEPERIOD’–isafurtherinhibitor.Timeover–Australiandesignerscreateaproduct–oftenneverintendingtobeaproductionitem–thentheproductbecomeshugelysuccessfulorispublished(oftenwithoutthecreator’sknowledgeonInstagramorblogs)–prohibitinganyregistrationwithinthecurrentstructureperIPAustraliaguidelines.Productdevelopment–takes2years.Maybe3or4.ButthetypicalcycleI’veexperiencedover30yearsinthefurnitureandlightingindustry(globally)–is2years.A2-yeargraceperiodisessential–allowingdesignerstomarkettesttheirdesigns.Toresearchandrefine.Andtoinvestininnovation–notcostlyshortsightedregistrationsthatsupplynegligiblereturnoninvestment–duringthecourseofwhatonehopesisalonganfruitfulcareer.Adesigncareercanlast50years.Surelythecreatorshouldbeprotectedfortheirownlifetime–ataminimum?Howwouldyoufeelifsomeonerippedoffyouroriginalidea?

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SUBSITUTABILITYRecentlyitwassuggestedwe–asanorganization–shouldconsidertheDEGREEOFSUBSTITUTABILITY.Asaprofessional(design)writer-Iwasconfusedbythis–bothinmeaning,andinpractice.Thesuggestionleadstosomethingweheartimeover–theperceptionthatdesignerfurnitureisEXPENSIVE.ToquotearguablyourgreatestlivingfurnituredesigneroutsideMarcNewson(whonowdesignsforApple,FordmotorcompanyandQantas)–ADAMGOODRUM–whocites

’It’snotexpensive.Itiswhatitcoststoproduce.Soeveryoneispaidproperly’ThisnotionofexpensiveiscoretoAustralia’slackofunderstandingoftheglobaldesignindustry.Gooddesigndoesn’tnecessarilyhavetobeexpensive.Ifyoucan’taffordaMercedesyoucanbuyaToyota.Ifyouhave$200forachair–finda$200chair.Nota$200copyofanoriginaldesign–onedestinedforlandfillin2orsoyears.Overtime–theoriginalchairwilllast–often–generations.Itischerished.Valued.Thisdisposabledecoratingculturemustend!Ifwedon’teatFastFood–andnowfeedourkidsorganicmeals-andweseeFastFashionaddressingthefalloutfromsub-standardmanufacturingpractice,inhumaneworkingconditions,thegenerationoflandfill,wasteandenvironmentalharm–surelythedesignindustrymustendFASTDESIGN?Theonlywaytodothis–istoextendourowncreativesthesameprotectiontheirEuropeancounterpartsnowenjoy.Andtocriminalizecopydesigns/ripoffsandfakesisessential.ThepracticeofAustralianbrandsrippingoffAustraliancreatorsisnowendemic.Legislationistheonlysolution.Finally–thispastweekendalone-5separateIndependentdesignstudios–haveusedthesameword.SCARED.PleasereferdesignerCOCOREYNOLDS/MARZDESIGNS–theonlydesignerabletogoonrecord.Thesebusinessesarehelmedbyanindustrialdesigngraduate&/orafurnituredesigngraduate.Allhaveemployees.Afabricationfacility.Anddesignforbignamebrands.Allarepresentlyinvolvedinexpensivelitigation.Onedesigngroup(allagedunder25yearsold)–arepaying$560andhourinIPlegalfees–andhavebeencautionedagainstcommenting–forfearofDEFAMATION.Theirlegalteamadvisedthatafellowstudentoftheirs–aftermakingacommentonsocialmedia–thatstudentwassued.Andlost.Andhadtopaythemulti-nationalcompanyinlitigation–legalfees.Thisisinsane!Isthiscultureofbigbusinessrippingofsmallcreators–thewaytoencourageDESIGNLEDINNOVATION?WelookforwardtospeakingfurtheratthePublicHearings.KindregardsAnne-MareeSargeant

DirectorAUTHENTICDESIGNALLIANCEDirectorAMSAssociatedMarketingServicesptyltd//FounderTHESNAPASSEMBLYblogJournalist,Curator,DesignCommentator,PublicSpeaker

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SOMERECENTMEDIAREPORTSONAUTHENTICDESIGNALLIANCE–re-launchhttp://www.australiandesignreview.com/news/66032-get-real-fighting-against-design-fakeshttp://www.designdaily.com.au/blog/?offset=1465253870410https://greenmagazine.com.au/authentic-design-alliance/http://theinteriorsaddict.com/fake-designer-furniture-really-hurt---------------------------------------------------------------------------------------------------------------------------------------AUSTRALIANDESIGNBRANDDESSIEN–illustratinginvestmenthttp://www.designdaily.com.au/blog/---------------------------------------------------------------------------------------------------------------------------------------NEWAUSTRALIANDESIGN–exhibitedlastweekinMelbourneatDENFAIRhttp://www.designdaily.com.au/blog/?offset=1465824526546---------------------------------------------------------------------------------------------------------------------------------------SUNDAY_DAILYTELEGRAPH–editor/author/TVpresenterhttp://www.dailytelegraph.com.au/realestate/news/neale-whitaker-on-all-the-trends-from-melbournes-2016-denfair-exhibition/news-story/e94d792f75a9d4f172707750d879baa2---------------------------------------------------------------------------------------------------------------------------------------2001–reportbyAnne-MareeSargeantoncopydesignshttp://theinteriorsaddict.com/anne-maree-sargeant-replica-furniture2011-reportbyDavidHarrisononcopydesignshttp://theinteriorsaddict.com/david-harrison---------------------------------------------------------------------------------------------------------------------------------------ABOUT//ANNE-MAREESARGEANT– Istudieddesign(RMIT),workedasadesigner(Melbourne&London),conceivedandstartedSPACEFurniture(fortheoriginalowner)andmanagedSPACEFURNITURENSWfor10years–duringwhichIwasbrandmanagerforglobalbrandslikeB&BItalia,Cassina,Kartell,PoltronaFrauandZanotta-tonamebutafewofanextensivebrandcache.Asadesignjournalist–IhavebeencontributingtrendseditortoINSIDEOUT(10years),editoratlargeofBELLEMagazine(morethan5years),andhavebeenpublishedbyMONOCLE,SURFACEASIA,SURFACEUSAandtheSydneyMorningHerald,andmanyleadingdesigntitlesoverthecourseof25years.Asacuratoranddesignactivist–Ihaveinitiated,foundedandcuratedplatformsthatenableAustraliandesignerstoshowcasetheirwork.Amongmanyplatforms–SydneyMorningHerald(YoungDesignerofTheYear),LAUNCHPAD(forINDESIGNGroup)–whichIprojectmanagedfor5years,NESTfordesignEX(4years),andrecentlyID.xTHESNAP–myownindependentdesignershowcase–exhibiting20AustralianbrandsatMelbourneTradeFairDENFAIR.LastOctoberIcuratedandproducedMELBOURNELIGHTSUP!xTHESNAPfortheDUBAIDESIGNWEEK–showcasing3Melbournelightingbrands–theinstallationpraisedbyinternationalmediaincludingWallpaper*Magazine,anddesignblogsDEZEENandYATZER(bothhavemorethan1millionreadersmonthly.Aregularattendeeofglobaldesignfestivals,IfirstattendedMilanDesignWeekinthelate1980’s.//END---------------------------------------------------------------------------------------------------------------------------------------