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 Muzdalifah turns into a gallery of Ottoman-era artifacts The Abbasid-Ottoman era portico of the Grand Mosque will be restored after completion of the ongoing Mataf expansion and the largest ever expansion of Islam’s holiest mosque b the end of !"#$% &aturda' #( April !"#) The hol site of Mu*dalifah now houses a portion of  the Abbas id-Ot toman era portico of the Grand Mo sq ue' waiting to be resto red after completion of the ongoing expansion of  the Mataf  +ci rcumambul ati on ar ea, and the largest ever expansion of Islams holiest mosque b the end of !"#$% ocated .%/ 0m west of  Ara fat’s 1aba l Al-2 ahma h +t he Mount of Merc , ' there is a mammoth iron fenced compound in Mu*dal if ah where these inva luable ar chitectur al artifacts have been 0ept since demolition of the portico started in 3ovember !"#!% 4urrentl' according to a report in Makkah dail' hundreds of architects and craftsmen are engaged in refurbishing these precious pieces of histor% The mammoth Mu*dalifah compound houses several huge warehouses' wooden offices and several tons of materials in different shapes' colors and weights% 3obod is allowed to enter the venue without obtaining prior permission and an entr card% 5or the past several months' onl a few truc0s carring these artifacts and licensed private cars have been granted entr into the compound% The domes and the hallwa on the eastern secti on of the Grand Mos que' which have alr ead been removed' found a place in the compound% The &audi 6inladin Group' which is carring out the massive Grand Mosque expansion pro7ect' have entrusted the tas0 of restoring and refurbishing the Ottoman-era portico to Gurso Group' one of the leading Tur0ish companies speciali*ed in restoration wor0% The late Ottoman rulers &ultan &uleiman the Magnificent' &ultan &elim II and his son &ultan Murad I8 supervised the construction of these porticos% This renovation resulted in the replacement of the flat roof with domes decorated with internal calligraph and supported b new columns% These domes and columns are ac0nowledged as the earliest architectural features of the mosque% Gurso Group speciali*es in renovation of buildings' especiall historical mosques in Tur0e% Their last pro7ect was the &9lemanie Mosque in Istanbul%

Muzdalifah Turns Into a Gallery of Ottoman-era Artifacts

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Muzdalifah turns into a gallery of Ottoman-era artifacts

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Muzdalifah turns intoa gallery of Ottoman-era artifacts

The Abbasid-Ottoman era portico of the Grand Mosque will be restoredafter completion of the ongoing Mataf expansion and the largest ever expansion of Islams holiest mosque by the end of 2015.

Saturday, 19 April 2014

The holy site of Muzdalifah now houses a portion of the Abbasid-Ottoman era portico of the Grand Mosque, waiting to be restored after completion of the ongoing expansion of the Mataf (circumambulation area) and the largest ever expansion of Islams holiest mosque by the end of 2015.

Located 3.6 km west of Arafats Jabal Al-Rahmah (the Mount of Mercy), there is a mammoth iron fenced compound in Muzdalifah where these invaluable architectural artifacts have been kept since demolition of the portico started in November 2012.

Currently, according to a report inMakkahdaily, hundreds of architects and craftsmen are engaged in refurbishing these precious pieces of history.

The mammoth Muzdalifah compound houses several huge warehouses, wooden offices and several tons of materials in different shapes, colors and weights. Nobody is allowed to enter the venue without obtaining prior permission and an entry card.

For the past several months, only a few trucks carrying these artifacts and licensed private cars have been granted entry into the compound.

The domes and the hallway on the eastern section of the Grand Mosque, which have already been removed, found a place in the compound.

The Saudi Binladin Group, which is carrying out the massive Grand Mosque expansion project, have entrusted the task of restoring and refurbishing the Ottoman-era portico to Gursoy Group, one of the leading Turkish companies specialized in restoration work.

The late Ottoman rulers Sultan Suleiman the Magnificent, Sultan Selim II and his son Sultan Murad IV supervised the construction of these porticos. This renovation resulted in the replacement of the flat roof with domes decorated with internal calligraphy and supported by new columns.

These domes and columns are acknowledged as the earliest architectural features of the mosque.Gursoy Group specializes in renovation of buildings, especially historical mosques in Turkey. Their last project was the Sleymaniye Mosque in Istanbul.In the Kingdom, the company has undertaken the monumental task of performing maintenance and refurbishing of all pieces and parts of the portico.

After a team inspected the mosque and determined which of the porticos sections in the mosque are from the Ottoman era, they were detached and packed up so they can be restored.

The companys workers carefully collected each piece, numbered them and packed them in hundreds of wooden boxes. The pieces were then shipped to Muzdalifah, where they will be pieced together.

The secret of the domesWhen exploring the mechanism used by the Ottomans to build the domes, Saudi and Turkish companies discovered the secrets of Islamic architecture.Experts from Gursoy said they investigated the way in which the domes were built and concluded that they have never seen such a method used in the past.They are keen to preserve these artifacts in their full magnitude and restore the portico with the same skillfulness it was built in the 10th century Hijri. Some of the columns of the portico date back to the Abbasid period.A portion of the Abbasid-Ottoman era portico of the Grand Mosque in Muzdalifah

Experts also found an immense variety of columns and pillars used in the portico. Some of them bore the characteristics of pre-Islamic Greek architecture and others date back to the Umayyad and Abbasid periods. Most were from the Ottoman period. Diligent craftsmen and technicians are doing a painstaking job to remove dyeing materials used in previous renovation works from the Islamic inscriptions and ornamental and decorative works in the interior parts of the domes in order to restore them to their original state.There are a lot of pillars, columns and boards bearing inscriptions and writings chronicling their donations by caliphs, sultans and kings during different phases of the expansion of the Grand Mosque. Some of them date back more than 1,200 years. Their restoration also highlights the evolution of various kinds of Islamic calligraphy, artistic creativity and Islamic architecture. 2,754 Ottoman artifactsThe Grand Mosques Ottoman-era structure consisted of about 2,754 historical pieces, including 496 marble columns, 881 arches, 152 domes and 993 portions of balconies.Turkish experts working on the restoration of the domes described the architect who followed a unique method in their construction as a genius. The architect was Sinan Pasha (1499-1588), the father of Turkish architecture.Sultan Suleiman (1520-1566) commissioned Sinan, his chief architect, to renovate the mosque. This renovation resulted in the replacement of the flat roof with domes decorated with calligraphy internally and the placement of new support columns.Sinan, who was the architect of more than 440 structures across the Ottoman Empire, used the engineering technique of keeping empty space inside the structure and the corner arch method while constructing domes for the Grand Mosque.

Rocks from Shumaysi

Turkish experts found that rocks from Mount Shumaysi in the neighborhood ofMakkahwere used to carve most of the columns used in the portico.

According to the Mataf expansion plans, the portico will be rebuilt a few meters away from their original position after the restoration work is completed.

The level of portico will be parallel to the Mataf and will be linked with the basement floor having a depth of 27 meters.

The current expansion will increase the capacity of the Mataf three-fold to accommodate 150,000 worshipers an hour instead of the present capacity of 50,000.

http://www.saudigazette.com.sa/index...20140419202386

Photo: Orhan Durgut