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FROM THE LIBRARY OF

REV. LOUIS FITZGERALD BENSON, D. D.

BEQUEATHED BY HIM TO

THE LIBRARY OF

PRINCETON THEOLOGICAL SEMINARY

CtlUH 'Sc

.

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MUSICAL OL o

COMPRISING A SELECTION OF VALUABLE

Songs, Duetts, Waltzes, Glees, Military Mrs, <3jc. 5(c.

ADAPTED TO THE PIANO-FORTE,

WITH AN ACCOMPANIMENT FOR THE FLUTE OR VIOLIN.

SELECTED AND PUBLISHED IN NUMBERS,

BY OLIVER SHAW.

NO. I.

PROVIDENCE -.—PRINTED BY H. MANN & CO.—MARCH—1814.

it

Grand March.

iLAuro.

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Grand March Continued.

HI

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The Land of Sweet Erin.

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Hands four round and back again, Down the middle, up again, Pausette and lead outsidesi

4 Sappho on the Hock of Bucato.e,3

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rt Oh give me of the i - cy i»<-v«, To treat the pain that

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No joy I feel, the si - ltnt grave Soon shall poor Sappho's suff 'rings cure,I en - dure;

Soon shall poor Sappho'j suff 'rings cure.

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Thy arm then Cupid I defy,

No more false Man shall injure me

;

These tears that flow, this heaving sigh,

Shall be the last I give to thee.

o

But ah ! shall I then love no more I

Thy sight would yet my bosom cheer ;

Would to my heart still comfort pour,

And from my eyes dry every tear.

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4

Should his lov'd form before me stand,

Aiid in sweet accents yet entreat,

Could I his fondness then withstand,

Or should I fly my love' to meet ?

5

When by the murmur of the flood,

In pensive mind and drown'd in sorrow?

I view thfr spot where oft he stood,

And fancy he'll return to-morrow.

Fair Ellen.

A FAVOURITE BALLAD. COMPOSED BY J. BRAHAM.

LARGHETTO.

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Fair Ellen like a lilly grew, Was beauty's, beauty's fav'ritc flower, 'Till falshood changed her

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lovely, lovely hue, She wither'd in an t.our. Fair Ellen, Fair Ellen, she wither'd

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wither'd in an hour.

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Antonio in her virgin breast,

First rais'd a tender sigh ;

His wish obtain'd, the lover blest*

Then left the Maid to die.

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Now cheering dreams of future Joy.

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Violini. tutti-

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Now cheering dreams of future joy Again, a - gain

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shall soothe my

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breast ; My heart's sweet peace no cares de stroy, Then

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Continued. 7

rest fond flutterer rest,

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Then rest fond

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flutterer, Then rest fond flutterer, My heart's sweet

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peace no cares destroy, Then rest, fond flutterer rest.

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8 Continued.

When hap'ess passion racks the frame, 'Tis while a frost, 'tis like a flume ;

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freez - - ing chills my scul, By turns the flames

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pas roll

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Contentment, a Canzonet for % voices.

WRITTEN BY I. HURDIS. HARMONIZED BY O. SHAW.2d voice.

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"•- "•" "W—"In my bosom contentment shall reign, And despair shall torment me no more ; I have seen my lov'd fair one a-

lst voice.

Mod erato.

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gain, And she came with a smile to my door. I have seen her tho' transient her stay, Tho' time would not

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loiter and wait

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And the shower has not yet wash'd away The small print cf her foot at my gate.

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:r?_Lr=_Lr!: mm.Kapid day, the strong reason explain, Come again, and to merit my praise, O return, and to win ray good will,

Why thy steeds were so quick to begone, Travel clear through the regions above: When I see her approach from afar;

To remove my sweet Angel 'again, And I'll give you the gratefulest lays, Turn thy steeds with their hearts to a hill,

And to leave me to linger alone ! Which can How from the hosom of love. And lock fast every wheell of thy Car.

.!Sing the last Stanza to the last strain of Mustek.

IO Lowly, humble, was our Lot.

Andante. X Lowly, humble was our lot, Fortune's frowns seem'd endless ; Yet by kind

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heaven are never foigot Orphan's poor and friendless. Hope from the skies descending, Still hei blest

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influence lending; Labour o'er, we dance and play, Hearts lice fypm cuile are ev - er eav.

CHORUS Alambra

*" "* * " *P-UL.

Labour o'er we dance and plav. Hearts free Irom guile are ever gay.<£. / *l~ I \ °) n i \' I 9 i

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AlambraALAMBBA, ,» ^* ^<

Lowly, humble, though your lot, Goodness in you was endless, Ne'er shall that goodness be for-

< got, I too was poor and friendless. Oh, may from heaven descend - ing Hope her blest

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Continued. 1

1

influence lending, Crown wuh joy each happv day, Hearts free from guile are ever gay

1CHORUS Alambra.

I AUL A

Crown with joy each happy day, Hearts free from guile are ever gay.

Virginia ^ _£.#.^#._«. _•.

Virginia. Paul. DUETT. Virginia.

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Blissful though our future lot, Fortune's smiles tho' endless, Amidst our joys shall ne'er be forgot, We once was poor and friend-

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J—•j-hK * i#—t-P i#*-t*— Ps-~»-j—^_:g_i_p:_p:— -^_^zi_p; —less. Humble, conttnt, most prizing, Our joys tho' tht. poud are dtspising; Still this truth may ve display,

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CHOiTUS. Alambra.

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Hearts free from guile are ever gay. Still this truth may we display, Hearts ifirce front guile are ever gay.Virginia ,

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12 A Favourite March by Hoffmeister.* i

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MUSICAL OLIO.FOR JUNE, 1814.

[NO. 2,

Flute or Violin.

Lord Wellington's Grand March.

COMPOSED BY M. HOLST.

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English Version of Bomnm.SET TO MUSIC BY G. W. CHARD.

CON AN IMATO. J°*a.

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7T-*- EtaSsaSing a sweet melodious

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1measure, Waft en - chanting lays around ; 'Home ! a theme repjete with pleasure ! Home S a

CHORUS./ V

J> rvro, u r..i tUtn.. >«m.n>i i Hnm*. • cwoot Um» i ork 9tnnip trpjisii i'f- ! Home ! with tv'rv blessine crowrd'igraceful theme, resound ! Home ! sweet home ! an ample treasure ! Home ! with ev'ry blessing crowr

UDUETT. Pia.

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•^ Home

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perpetual source of pleasure ! perpetual source of pleasure 1 Home ! a no - ble strain

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sound

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Continued. 1&

Lo ! the joyful hour advances,

Happy season of delight

;

Festal songs and festal dances

All our tedious toils requite.

Home, sweet home, Sec.

3Cease my wearied muse thy'learning,

Cease thy task so hard to bear,

Cease thy labour, ease returning,

Leave ray bosom, O ! my care.

Home, sweet home, Sec.

See the year, the meadow smiling,Let us then a smile display ;

Rural sport our pains beguiling,Rural pastimes call away.

Home, sweet home, Sec.

Now the Swallow seeks her dwelling,

And no longer loves to roam;

Her example thus impellings,

Let us seek our native home.Home, sweet home, Sec.

Oh ! what raptures, Oh I what blisses,

When we gain the lovely gate,

Mother's arms and mother's kisses,

There our blest arrival wait.

Home, sweet home, Sec.

Let our men and steeds assemble,Panting for the wide campaign

;

Let the ground beneath us tremble,While we scour along the plain.

Home, sweet home, Sec.

8

Greet our houshold gods with 'singing,

Lend, O Lucifer, thy ray ;

Why should light so slowly springing;

All our promis'd joys delay.

Home, sweet home, Sec'.

>«€€€^I<fl^^»»<

The Belles of Providence,«

Flute or Violin.

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16 The Bay of Biscay O

!

As Sung by MjvIncledon, "In Spanish Dollars, or Priest of the Parish."

COMPOSED BY JOHN DAVY.

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liiilliiiiiSfpiiff|Sf|ip:-a:^i(^ If y J \/ Loud roai'd the dreadful thunder, The rain a del - uere

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showers ; The clouds were rent a - aun - der By lightnings vivid powers. The night both drear ^nd dai k, Our

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At length the wish'd-for morrowBroke through the hazy sky,

Absorb'd in silent sorrow,

Each heav'd the bitter sigh.

The dismal wreck to view,

Struck horrour to the crew ;

As she lay,

On that day,

In the Bay of Biscay O 1

Now dashed upon the billow,

Our opening timbers creak;

Each fears a watery pillow,

None stop the dreadful leak.

To cling to slippery shrouds,

Each breathless seamen crouds,

As she lay,

'Till the day,

In the Bay of Biscay O 1

Her yielding timbers sever,

Her pitchy -seams are rent,

When heaven all bounteous ever,

Its boundless mercy sent.

A sail in sight appears,

We hail her with three cheers !

Now we sail,

With the gale,

From the Bay of Biscay O I

The Queen of Prussia's Favourite Waltz. 17

COMPOSED BY IMMEL.

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18 Adieu. A Favourite Canzonet. By Mozart.

1st VOICE.

2d VOICE.

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PIANO

TORTE.

ANDANTINO.

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ANDAN'I INO.

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dieu,,

thou soft ]y flow ing

flow . ingA - dieu, thou soft iy

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stream, On whose green mar - g :n we com - plain

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stream, On whose green mar - gin we com - plain;

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Continued. 19

:—**-

Where youth en joy'd the morn - ing dream, And fan - cy rais'd the

Where youth en joy'd the morn - ing dream, And fan - cy rais'd the

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ear ly strain. But who shall teach the bursting he.ut,

ear iy strain. But A\ho shall teach the bursting heart,

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The burst - ing heart, Its grief, its an - guish

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20 Continued.

to sub clue,

to sub due,

Its grief, its

Its grief, its

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pilan - guish

to sub - due

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to sub due;

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condemn'd to part, To take unmov'd,

condemn'd to part, To take unmov'd,

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Continued. 31

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A last adieu, last

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S3 tell me Pilgrims. A favourite Glee.

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Oh tell me, pilgrims, faiut and weary ; Whither o'er the moor, you stray ? The winds r>£ night blow cold and dreary,

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2d voice.

gliiiii^plllililipililii^lillii^iDark and lonely is the way. Though dark the way, though lone the moor, At Juan's shrine* our

3d voice

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3- 3- '3-

night, when, from the Abbey tower, Slowly tolls the midnight bell.

\ *

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TRIO.

Continued. 23

the tapers faintly gleaming, Light the chapel aisle along, Now, the sacred rites proclaiming, Slowly tolls the

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bell ding dong, The bell ding dong, The bell ding dong; ding dong, ding dong, ding dong, ding dong.

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Oh say what sounds so sweet, ascending,

Steal along the dusky sky ?

rom whence, tiiose songs, that softly blending,

O'er the dreary moorlands die ?

Those songs, that, in the distance, swell

Proclaim the weary Pilgrim's hour;ranger, then -we iMist farewell,

Juan guard thy peaceful bower.-j the ta/icrt, ts'c.

-

24 To me, my Love. A Favourite Song.

> a ADAPTED TO THE MARCH IN THE GOD OF LOVE.

LENTO.

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Thou hast play'd, . thou hast play'd.

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<J false a faithless part,

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part, Remorse will follow thee, my love, will follow thee, my love Ambition has se-

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Ambition has seduc'd that heart, Which honour ow'd to me, my love, To

" Sym. <*i I u <b.

me, to me, my love.-^ me, to me, my

C- w- • 5" it- - *~

Ths truest, tend'rest flame was thine,

What did I feel for thee, my love ?

Tin* softest, fondest \o\vs were thine,

What did'st thou swear to me, my love ?

Tho' splendour deck thy nuptial bower,

Tho' pleasures round thee wait, my love

Each joy that marks'the playful hour,

Shall labour with a sigh ; my love !

And when the pensive moments come,For who is free from these, my love ?

Oli, then perhaps thou'lt mourn my doom,\i.d lend a tear to me, my love ?

MUSICAL OLI< m[NO. .3.

FOB SEPTEMBEB, 1814.

Madison's March.

COMPOSED BY MR. BRAY.

lIiiii;SSiiiililillifiigllilliilFLUTE OR VIOLIN.

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25 The Minute Gun at Sea.

A FAVOURITE DUETT. COMPOSED EY I. P. KING.

^

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ft /i Lu i.irn who sighs in

^Jj-fci^y^^^^^^^^h^S^^^^isadness here ; Rejoice, and know a friend is near.

JOUN'G HeARTVELI. ' ^ — ^- J i 4fES3iiEiEi-^5HEE|^3^3

ELL. ' * « -^ % I *>

£— fc,~l. , --£

What heav'nly sounds are those I hear ? What being comes the gloom to cheer ?

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When in the storm on Albion's coast, The niglu-svatch guards his wea - 17 post, From thoughts of danger

//» J ftrut/

Continued. %7

._ _!._. *(L. -~J/ __- «r

m- 4 ; 1__

I^e marks some vessels dusky form, And hears amid the howling storm- The minute gun at

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TtrtiAsSftv.j __ &,»&. jlS-'ULL-JL d.

- -

sea. And hears amid the howling storm, The minute gun at sea.

it.OV.NG HkARTWELI.

The minute gun at sea. And hears amid the howling stotm The minute gun at sea.

_ m _

> i— m - - - - - — ^^ m^^ pi— - ^^ i i ii i i — r » ff ^T*P~- " ./ — jm ft« *3jjf

zzqtz;

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1

/ rinf p fi

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1j- "3~ —

H

ilrum_^i_ ilruiul

Young Hf.aiu vfli.

Swift on the shore a hare!)' few, The life boat man with a gallant, gallant crew, And

illli^iiigiiil^lSlPiOiiigigigiii// ffi /j* /fi / rinf K

Continued.

;g5ElEE~E?ES5E^EEiEEgEE~EEl~|EE^EEiE5iElEEEE§EEdare the dang'rous wave

;

Through the wild surf they cleave their way,

I

I

I

L1

If

- **~~~D_7}™^_

m,z

;*^»»-i?T^fl---**»-?--^T-5^rH-^Hn--H^

JULIANNA.

For they go the crew to

Lost in the foam nor know dismay, For they go the crew to save.

^ w— _mm |

ff>_ f^_

^^IP^^^I^^iEEiEE^EE^E^n

-e-

•*

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save. Lost in the fcam nor know dismay, For they go the crew to save.

_ _ /s^_&mmm _ , ,

Lost in the foam nor kiio.v dismay, For they go the crew to save.

# _..g.____ tm—~f*-~r—W^ 0«>9-- J- j 1 j 1 77T

ae

/

clruci ,.-tl

/< fi

n

drum

Continued. 29

But oh, what rapture fills each breast # 4? *5 / A 2 J™™ ""^ Safe Mhat

Of the hapless crew, of the ship distress'd. Then landed safe what

H

U—*-

_ ^_/ V_ _f_ / XmJU&SL -^-L -L

joys to tell Of all the dangers that befel. Then is heard no more, Oj / <h

4k 1 ^ - -A. m *\ ^ *fl > ^ ___

joys to tell Of all the dangers that befel. By the watch on the

fP P P*~n-

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f

1-

tLmPO. A_« ^ Y £— a.a_«.«J* ^ ,_

watch on the shore, The minute gun atV^ Then is heard no more, By the

'ffi ^ „fl_« V r»_ .

shore, Then is heard no more, By the

nwatch on the shore, The

4-PP f

-iziH—£~Li4—S«=_L_|

PS

minute gun at

PP

J.3

sea.

PIiiil

\

30 Hush every Breeze.

COMPOSED ]JY J. HOOK.

HONDO.

l^=e^E^^sscN^lEfera=i=f|iii^lE^

nothing move, My DthaHush ev'rv breeze let

-PmP 'PmP -P-mP -PmP 'P~P -P~P -P- +m

-hiW.W i*««r—J

ri3E=f5=

love, Around

R-*- =E3£E=£

the winning

P+Pgraces wait. And calm contentment

LM^M-MhMMfrM^&hrM^M*k» l k»kat-

'

3E«Er??EEi^E—brt*l*-f- -Gees

1

—

*

s-

guanls the seat. Hush ev'ry breeze let nothing move, My Delia sings and

L

singi of love.

Fin. In the sweet shade my Delia stay, You'll

I

— Kr

,

Continued. 31

EEEfc 1—I—tr—

.

£=Escorch those charms more swttt tlian May ; The sun now ragts in his

no.^n, US p'ly sire lo'Tis pity, 'tis pity sure to part so soon, 'Tis pity,

si

MINOR

D.Mia, hear me now, In

; So may thyfline propitious to my vow ; So may thy charms no

-£ ftI

p. r „ ft__ffc PL PL—

^

chancres

u-i^glli^ilSSIglg^Jgl

«.,•„„._.

P- s

prove, But bloom for - - ev like n>y love, So

A ' "^a M^^^ -

Eg

may

r—*•tJ i y

-ft

charms no changes prcve, But bloom for - ev - er like my love.

DA CAPO.

ZIJTZ^ZZrzIZLZZrZIZ^T^rT-T^^N—

lE^PgTZIZ""—Tl^T

X 1

M! Thee will I Follow.

COMPOSED BY MR. BRAHAM.

mM^WmmmmmmimBF='=S

rfr"±pz3ipfE^EpzttzCzraisEtiisr:»UJL1

. Ah ! th^e wilLI follow, my souls darling treasure, Whilst constant thi3 bosom, this bosom shall glow ; My pulse fondly

\

beating with courage and pleasure, Tho' circled by dangers, by dangers I go, And think of thee my love, And think of thee my

j. -J %ijl _ _ _=_ £>_«> h_ ., _ i .,?

ilA i j^ p_ . . g —rftfr:h^- •- k*^a» Ma« "ll'^""^

I'

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I*-•«>• p-""""+^^"-C-j^"»-|-— "| — "~r~~

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™ "™

ffi

^ ^.^ _ _

_

__^ _

love, Tho' circledfl

by danaerj. And think on thee my love.

Through battle loud shouting, through desarts all dreary,

Still constant my bosom shall glow

;

Nor lightning nor tempests shall make my love weary,Though o'er raging billows I go,

And think on thee my love.

/

X/ t. "

Tie Welch Harper. 33

:~fc"^2^^i--I-t-^t— ~~ -- --T-^---^^^^v :f—'^ffppr7^^f-g~~ll~^~^

~*~T~^:fl^^_"~#~"_'"F

JZ _ Over the sunuy hills I

I f#FfrP *feP^ if-feE pf£ ^

i—j—_-£_£-^rtr^-^-- -*r?i^;ir*— jrj_j.i-.j-. rj___ jrjr— *• -lJ—£-i-——ri—^jx

stray, Tuning many a rustic lay ; And sometimes in the shady vales, I sing of love and battle

*L ' *\ ^ *. -* «. X; -^~^JrEr£-iEz;M_^_drrj_zjr.0ir

tales. Merrily thus I pass my life, Tho' poor ray breast is free from strife, The blithe old harper call'd am I, In the Welch

-%. -m. -B- -9- -% _ -% - -p- -&

P £<•- ±-

—

JZ. _ T-ft-?r _e-^T—r-_#-«_^—"X ——p^a^^T—-F -F

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-^ vales 'mid mountains high, In the Welch vales 'mid mountains high.

Sometimes before a castle gate,

In song a battle, I relate;

Or how a Lord, in shepherd's guise,

Sought fiivor in a virgin's eyes.

With rich and poor an equal guest,

A'o cares intrude upon my breast;

The bliLhe old harper call'd am I,

In the Welch vales 'mid mountains high-

C

When sol illumes the western sky,

And evening zephyrs softly righ,

Oft times on village green 1 play,

While round ine dance the rustic's gay.

And oft when veil'd by sable night,

The wand'ring shepherds I delight;

The blithe old harper call'd am I,

In the Welch vales 'm''d mountains

Zh

L

34 When Tell-Tale Echoes.

Virginia.

A FAVOURITE TRIO IN PAUL AND VIRGINIA,

* 4 * 5 2 Jfr 4 *

Allegretto. l <9 m When tell-tale

1L _L- _x _ _ -* *_ _ _ JK_ *

whisper around, The lover with prudence arming. Then timid love re-

i^_^ > '•

^L*±l =ig= 1" _^ J =.=-= * = -

tires from the sound, Each accent his caution a larm in<r.*k

But when a

r^r*~^rz^rzi -^—^1—^13 Virginia.

»ahy

^J Iff.——<5—t—^1—^1-—^1—-r— ^>——-——-—1-1—--— T—m—n— r?— 7-Pi —m— ^-"r~-w, i-»

H lover sigh,

Siiii;* Thai's not amiss if no stranger is ni<j;h

!

edioes your-

h

Continued. 35Paul. Tempo. ^ J Vircii^. Paul, "^y ^

l The sweet response I love, I love, Oh, that is an echo most charming.

Mary. £ Y

^RGINIA. f <gl ~-<*

*- / f

^——^—x. ^r x

—

h—^—*—u— •*— i—^

—

•*"— v—i^_^-x— i^— ^—^-_x

—

Ll«i_-»F—The sweet response I love, I

Paul.love, Oh, that is an echo most charm-

x x /

ing, The sweet response I love, I love. Oh, that is an echo most charming,

SOLO.

Mary.

r,I "} *J {/*t V * -t

Oji, that is an echo most charming.Dh, ths

Paul. /^p^z^^^^^^^^^^^^x^^^x^^x

mFi.tte or -Violin*.

£zz:fz:-f VJ J :

A Favourite Rondeau.

COMPOSED BY MR. HOOK.

_ ^„a'V."i J T 5 "7 "" *7 ^

/ ' > L i i 'I I|-— P— T*r P~n m"r— 55" -A-^~— 1-.

/ 1 / y i 1

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fc -f-*

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.

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D. C.

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/

USICAL OLIu ?

. FOR DECEMBER, 1814.

[NO. 4.

Here's the Bower.

MUSICK AND WORDS BY THOMAS MOORE, ESQ.Voice. With expression.

Here's the bow'r she lov'd so much, And the tree she

Piano Forte.

•

"U-t" "."'• "

..

'~&&~ .t? L* Z3 %?

~

«a <?-.

planted, Here's the harp she us'd to touch, Oh! how that touch enchanted. Roses now un-

.r J £--* tL~>

•4

-S- -o-

<;

heeded sigh, Where's the hand to wreathe them ? Songs around neglected lie, Where's '. he lip to

K-©- -s-

Continued.

breathe them ? Here's the bow r she lov'd so much, And the tree she planted

;

Here's the harp she

r

!

i

1

|

.1

p -g p # L»* '!_

\mmJP hraeP

-H-—I-

•d-

us'd to touch, Oh, how that touch enchanted.*

Btm.

u¥ *-e- «- * i:

Spring may bloom but she we lov'd, Ne'er shall feel its sweetness

!

-"^tMBMai»I*—— •*•———t—"———r " f - : f = f =

!

U

—

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* -j ——— -r—i —— —

—^i-—-xzKizz_M-._jJ-3 —i-£-- p—-t-5 J X--j — _.

Time, that once so fleetly mov'd, Now hath lost its fleetness.

::Mz3z*zzi

Years were days when

r l t-?-* L_> C—ir C-J "£—i "C—f

..

Continued.

here she stray'd, Days were moments

u\j_~I~E» m a *^__Z_i——5-

* * t t

near her; Heav'n ne'er form'd a brighter maid, Nor

._x_^.

pity wept a dearer. Here's the bow'r she lov'd so much, And the tree she

-r>-

planted

;

Here's the harp she us'd to touch, Oh, how that touch enchanted.

C_7 LjF LjF L-F ^5=>| L_> Lj £__> C_»

--i""*

-(

Sym.

Blfg: 3ap*^

—

"^ ——

'

2=2*5=5:r=-~

A

40 Adeila—Jt Favourite Pastoral.

WRITTEN BY SHENSTONE.—MUSICK BY MR. JACKSON.

ALLEGRO.

p

^d=EiEzpE=i=fip~frp^zfrz^T;fr±r"rz3zzfz=frtzr-fezzbzzfzttzrErz^z:

5:5:pzf±i3-BEEz3zsf

.

-t-»frF-h-r-+--^— i±E5EEH!L

±=zzzzrier-EUi^Fortisa

* With Delia ever could I stay, Admire*, adore her

:£:

<

jmaglsgggLlCJiJK^^bzzILzEzfeizEziE:zz'EHz?^3:£z£Sym.

Admire, adore her all the day;

^In the same field our flock* we'll feed, To the7 —™ __,_ — ^ 7 _ _ _. _. - ~ - - » /

F F #

same spring our heifers lead. Whatjoy, where peace and love combine, What joy, where peace and

»__ -ft - - - - p=t m~

SXM.

qombraet To moke our days-unclouded shine, To- make our days unclouded shiuo.

# —

-

- -*S£ft

S^ttEEjeiBS ««-

zznqq:iz*^zzz|ziwtt:izdzjilz|zzzr

:«r*r

Continued. 41

-3- Cres il For. _ ,

*i Teach me ye muses every art, More deeply to engage her heart, Teach me ye muses

•very art, More deeply

» Sym.

to engage her heart.

J_•£* ^ fyL _-

i »

nre=[failil

I strive not to resist my flame, I glory in a captive's name; Nor

-^-Ltt—^Lfct-J-q^TO—^fftll. p

—

f.— m.

»i **..

would I if I could be free, Nor would I if I could be free, But

^~fzzj=J~zzfzr|zfz:*^~=E^|Er?zzE3:[

Fboast ray loss of liberty, But boast my loss of liberty.

_L

42 A Favourite Duett in the Fortress.

COMPOSED BY MR. HOOK.Thomas.

It, lJ)(J)( 'X. What k. life, what is lifift of love bereft, ^hen iU heavenly joys are

is life of love bereft, "When its heavenly jov3 are

!

ALLEGRO. , A/M, What is life, what is

_» *~ '^S -»# r* — P P- P P P- — *_•._•._ __ m. pi. -V

fled; Lives the heart that love has left, Is there life when love is. dead? ) Lives the

. JL^XLg I ^ 7-+.-X- '- JL &*dl-

fled ; Lives the heart that love has left, Is there life when love is dead, Is there life, - -

—

^

heart that love ' has lefi, Is there life when love is dead, ls» there life when love is dead. dead.

£—k*— C £S—I-P_^i—5-I-k*i—^~-|^—Z-I-«—^—i^-I- ^ 5u- «,^-X— if -^JJ—

«

Is there life when love is dead, Is there life when love is dead- dead.

fe~cEE|Ec=E|E^E|E»re^=:^|EilE|EE=:»;|EtpJi::t}E?ri

sweet'ning drop didv A, /fWU«n our ills vvfre fust fill'd ijp, were first fill'd m>, Lave the .sv

^i TT~ * _ _• __ »-£_ — - —. _ <5 ___

.

When our iU*, were first fill'd up, When our ills were first fill'd up, Love the sweet'ning drop did

££=

/

Continued. 43

_.«—„,__a-T_^.

^ fc2~" ~" F ~ ~*

-•£> ±zz£ zztezztfzizilzzzfc*—

H

Uve, Love the swect'ning drop did give;g 4^ And by mingling in the

grfrTTTf:_T .. r * ___*..

zzzzzifczzk*--l5 -±zr£_ t? 1—r—p-gc-i a ^_i_p_ez_£__j:_£_,:b._^-_^_

°ive. Love the sweet'ning drop did give; And by mingling in the cup, And by mingling in the

Jd^^„T^C^^-,.m » g—-a ^ :_a. .

:^^EH§EcE^ zizi^zzzzzzzzirt^zz^fefe&zz^^tzE Iz^iEzz^~Ezi£-

can, Made it worth man's while to live, Made it worth man's while to live, Made it

^ P _!„, ym _1—

^

,^_ u Q i— 1»« * *»—*— P 15 £ 1 -Loi,

cup, Made it worth, man's ^bile to. live, Made it worth man's wfcworth man's whije Mo

ft

1 — tiUrbee

live.

worth - ^ - j -, ^ - j. Made it worth man's while to live; And i)}- mingling in the cud

And by mingling in the

rEEiE-t--|rTE|EEft--i-

cim« Made it worth man's while to

* X..jw...^ f.Z|».T_-p pLZfL^jf

BSEE

And by imngling. in

~i*— v-I—yf — &—And by rainglin

Andante. Sim:

I

%,

44 Continued.

ii geu'rous flame, Patent of the

c-e- -r—Pr r~*r*:

—

t —-i—5——•—h£™ztir£r£rz£—iip-iririrzjr::

gen'rous flame, Parent of tlie

i:ii£ii=iiiiii:iEi^ipi^tender / sigh, Let us praise thy Jionour'd name. By loving trulyX,

'I\'% ' "I ,T ^ > |U -X 2. -. T _ > _g

tender sigh, Let us praise thy honour'd name, By loving truly

Ad. Lib

By loving trulj-, By loving Jruly 'till vfp die.'till we die. By loving trulv,

T'B|

<;By loving truly, By loving truly 'till we die.

If—

'till ivc die. By loving truly,

Ad Lib.

^^S^^^®®^^?®©®®*

X ^ U1 IsfeiEEi

Lord Mc'DonaWs Reel.

ft ft "£ ft T i-TI - ' - _"~

,„

i

* 11«W^*

/J, >

111111

mi£Mm$vjiic; corners.

Sandy and Jenny. 45

A MUCH ADMIRED SCOTCH SONG—COMPOSED BY MR. SANDERSON.J,

L_ A * 4

pr-ft^5—±z5;rz:rjir^:i^-:|~^-ir^—^zz^zizzgzztzjzczz^zz^zxdczzz^zzlzjz^zzzzzLzx.

«£ Affehioso. Come, come, bonny Lassie, cry'd Sandy a - wa, While Milher is spinning and Father's a-

? / 4 1 / 2 X 4

—*#•-•

$ *t? -4 % /. ?x j_:

far; The folk are at work And the baims are at play, And we will be married dear Jenny ter-

_^.W. ± . ._ ._ f -» -» _a-pb. _g

?_ > $ > «_ _L y ,-

, , £ „_<* j^tlf— -I-—. -_. 21 -g 4 & L~i. .... -

*£ day, And we will be married

. | P?JL__,

p:

dear Jenny to day.

__.-£!> -

Stay, stay, bonny Laddie, I answered with speed,

I winna, I nmnna go with yon indeed

;

Besides should I do so what would the folk say,

O, we canna marry dear Sandy to day.

3List, list, cty'd the Laddie and mind what you do,

Raith Peggy and Patty I gave up for you

;

Besides a full twelve-month we've trifled away,

And one or the other I'll marry to day.

4Fie, fie, bonny Laddie, replied I again,

When Peggy you kiss'd t'other day on the plain

;

Besides new ribbon does Patty display,

Se we canna marry dear Sandy to day.

5

bye bonny Lessie, says he,

waiting for me

;

the bells call away,

to day.

46 The Young Son of Chivalry.

r»-*-ri- P-*t»^ ^-fit.

-#• -# -+

J A Knight was beloevd by a Bar - o - ness fair, And vast the estate

I. __ :* Jk Jt £ f:_JP-.

» which she. of - fer'd to share, And vast the estate which she offer'd to share-0- -9- -9-

With the youth who her choice might be, Witli the youth who her choice might be. Bui

fi\

-r*-T=a~a_ir

proud was her heart and her spirit was high, When she offarM her hand with disdain in

. n~"~— ~1 ZZI— *j '

.

-n~—-"—;

j- ~~\T"—-——

-

V

[i

young son of chiv - al - ry, The

Continued. 47

_ _),—,^»--«„ _#.i . _#..! a__ rri_ m«_. ». -it— -Jl * ^*^

proud was her heart when she of - fer'd her hand To the young son of chiv - al "•y-

fti»-T-^i_____. FE ii^E~pp=riE~3,

^ESE«-:EE

~ "3;3: =j:

The Knight loved a Maid in the Hamlet below,

Though no wealth had the Maid but her heart to bestow

On the youth who her choice might be

;

He rejected me hand that was offer'd in pride,

_ind chose the fond maid who was blest as the bride

Of the young son of chivalry.

3May ever) -fond maiden that offers in pride

Her hand to a knight, be forever denied

By the youth who her choice may be;

While the maid who has nought but her virtue's and charms,

Shall share in the wealth, and be blest in the arms

Of the young son of chivalry.

The Cottage Vance.

£ U . & +- '*£* 5 5 ,.'/ 5

i i_j i y / _^_ _2. / jl__

i,

1 ..—.xJr rJL- _ -^_-L _t- - -i -£— — ^

f\ Change sides and back again, lead down the middle, up as;ain, and Allcmande.

4$ Favourite Trumpet March.

Trumpet.

ffa~~f~ T-f—

"F*~Lld~' * '!~"~ ~i

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**" • »- 9-~-?jj-r^jjj~•dd~'J J J J—r~ !—i~~r~i—r~* n

lami ITruojpct.

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Trumpet.

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5Favourite Horpjiipe.

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1 pb^rnT—f~"'rfi ~i'~'r~c" !

—H—£• —t"~r~t™r~r—rir—•-r

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—

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—

1LmU«U» 1 •-LL«V.»J L»L,»i.J~ J

JLLEGRO. pia. > • •>"- •

t X-4 2 /^ S ' * ^ 4

is^esaiaiSiiiiisiS

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Jm. JL J'°r

-

ft ft. « ft ft • ft

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.

\ - JT|— /

/

CONTEXTS,

><S€^^< >^^»3><

NTMBER I.

Grand March

The Land of Sweet Erin

Sappho on the Rock of Dirato .

Fail* Ellen / -

Now cheering dreams of |ttre joy .

Contentment, a Canzonet » 2 voices' -

Lowly, humhle was our V .

A Favourite March, by IttFineister

NUMER ii.

Lord Wellington's GranMarch

English Version of Doui

The Belles of Prov^3 ..

The Bay of BMJ ° -

The Quee»-of Prussia'avourite TValtzAdieu, A Favourite zonet

tell lie Pilgrims. Avourite Glee% mc, my Love. A j^ite g01]o. .

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2

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NUMBER III.

Madison's MarchThe Minute Gun at Sea.Hush every BreezeVh! Thee will I followThe Welcn^-oerWhen tell-tale EchoesA Somite Rondeau

Her

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+**L A Favourite Pastoral

LofdTr^DuettiutjieF°^Loid McDonald's Reel

Sandy and JennyThe Young Son of Chivalry .

The Cottage DanceFavourite Trumpet 'Mav^ -

Favourite Hornpipe

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25

26

30

32

33.

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37

40

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