14
Music Videos Why do you like the Music Video? Favorite Music Video?

Music Video

Embed Size (px)

DESCRIPTION

 

Citation preview

Page 1: Music  Video

Music Videos

Why do you like the Music Video?

Favorite Music Video?

Page 2: Music  Video

Music Videos

C1900 Edison invents gramophone – Live music is

recorded on discs.

1927 First sound film “The Jazz Singer”1930s Creation of Musicals1939 Introduction of Panarom1940s Golden Age of Hollywood Musicals

1950s & 1960sSeveral artists and performers did live

gigs on TV programs – Top of The Pops, The Monkees’ TV show, The Beatles released movie.

History

Page 3: Music  Video

Music Videos

1975 Queen: Bohemian Rhapsody1977 Saturday Night Fever1980 David Bowie: Ashes to Ashes1981 Pop Clips on Nickelodeon

MTV begins broadcast via Warner satelite

1983 Michael Jackson: Thriller1984 Music Box begins in Europe

MTV Video Music Awards launched1985 VH1 begins

MTV taken over by Viacom1987 MTV-Europe begins

History

Page 4: Music  Video

Music Videos

The close relationship of music tracks & visual material can be traced back to 1920s (Germany) & 1930s (USA) in Oscar Fischinger’s abstract symchronizations & visual interpretations.

At the end of his works, “Get it at your local record store” was displayed suggesting advertising for the music track just heard by audience

History

Page 5: Music  Video

Music Videos

Short films (8-10min) were made to shocase themusical talents of artists such as Billie Holiday &Bing Crosby at cinema screenings as part ofnewsreels and main features

The invention of Panarom – a video jukebox placed at bars and juke joints. Weighed about 2 tons, contains 20-inch screen with back projection, each machine played a reel of 8 16mm shorts. Popular from 1939 – 1946.

History

Page 6: Music  Video

Music Videos

1960s Scopitone was created in France. Each machine showed 36 “play & rewind” short films in color and allowed consumer choice by selection. These films comprised of song & dance performances with high level of female display. Machine was very successful and by 1965, 1000 machines were installed in USA.

Lots of close ups of covered female parts dominated these films. Frequently bordering into pornography, these films prefigured the overt sexual display of contemporary music videos currently on TV.

History

Page 7: Music  Video

Music Videos

As times changed, Scopitone was unable to copewith the changing tastes of youth. By late 1960s, Scopitone produced short films mainly of pop artists, and reached a different audience. Competition of TV also proved too great and the Scopitone died out.

Music Television came about as an idea to create promo-based program for Nickelodeon (Pop Clips). British groups had frequent airplay due to the lack of material from the American acts.

History

Page 8: Music  Video

Music Videos

Growth of MTV was rapid when American artistsrealised the marketing potential of music videos.

Run DMC & Aerosmith’s Walk This Way & humour of works by MC Hammer & Coolio marked significance to the acceptance of rap and became eligible for bigger budgets. Hype Williams made high budget videos for successful acts such as TLC, R Kelly & Missy Elliot, generating record sales and led hip hop to replace rock as the dominant music form.

Madonna set the route for future female acts with her high profile & innovative music videos that emphasized on image, performance, choreography and use of close ups.

History

Page 9: Music  Video

VH1 began in 1985, targeting older audience. MTV-Europe began in 1987, bringing in bigger demography and eventually opening up the rock video market to include other music genres.

MTV diversified and included lifestyle programming such as Unplugged & The Real World. Increased sales generated via Unplugged and popular culture and diversified entertainment also made way for non-white music videos.

The success of MTV as the leading innovative TV programming for youths made image as the key factor in artist promotion and by late 1980s, music promo video was a prerequisite in the promotion of music singles.

Page 10: Music  Video

Music Videos

Key aesthetic features of music video

• Relationship between lyrics & visuals• Relationship between music & visuals• Particular music video style & iconography for specific

music genres – live performance for rock videos• Close ups of main artist or vocalists• Artist’s star iconography becomes the star image• Reference to voyeurism usually for women and in

terms of system of looking (binoculars, cameras, screens with screens)

• Intertextual references of other music videos, films or TV text.

Relationship between narrative & performance can also be considered as an aesthetic feature.

Forms & Conventions

Page 11: Music  Video

Music Videos

Key elements of music video

Lyrics – suggests general mood or feeling or sense of subject matter. Key lines play a part in the visuals but music video, rarely, illustrates the lyrics as a whole.

Music – gives the tempo that drives the editing or editing may emphasize particular sounds from track, i.e., guitar, keyboard or drums.

Genre – following the mise-en-scene, themes, performance, camera and editing styles of present music videos, i.e., live performance on rock videos

Forms & Conventions

Page 12: Music  Video

Music VideosKey elements of music video

Camerawork – mise-en-shot is crucial to establish the sense of space and feeling. Camera works to follow artists or talents. CU and lighting are crucial for music video (due to its advertising quality)

Editing – most common editing is fast-cut montage. Others use slow-paced editing to establish mood, usually for solo artists with a broad audience appeal (e.g. Dido & Celine Dion). Digital effects are also common, i.e., split screens, colorisation and CGI.

Intertextuality – drawing references from other texts sparks audiences’ recognition to encourage greater pleasure and flatter. Cinema, fashion & art are key reference points. Video games are fast becoming references.

Forms & Conventions

Page 13: Music  Video

Music VideosKey elements of music video

Narrative & performanceNarrative in songs are often fragmented, thus storylines or linear

complex fragments are usually found in music promos, giving audiences the desire to watch the videos again.

Representations are often found in music videos such asa) Voyeurism – enjoying looking at subjects b) Exhibitionism – subject wants to be looked atc) Star Construction

– Image, vehicle (promo) & power (economical/artistic)

Forms & Conventions

Page 14: Music  Video

Music Videos

When producing music videos, must consider

- Visual Styles- Camera work- Mise-en-scene- Editing

Making the video