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Music video plan
Introduction Explanation
Lighting Normal hallway lighting
Darker light downstairs in background, bright light
upstairs
Fade in from darkness suggests that the character is ‘escaping’ or walking away from
darkness of the normal world.
Camera style Facing actor – hand-held camera close-up shot In facing the actor, the close-up shot denotes that the piece is personal and also
displays the emotion of the actor.
Close up shot of the door-handle This is an indication that the character in the video has reached his ‘sanctuary’, and
allows for the next scene to ensue.
Shot length 13 seconds continuous shot This is the amount of time the musical introduction lasts for. The split timing includes
the time involved in the close-up and the time taken for the camera to travel and hit
the floor.
Mise en scene Closed doors Closed doors are a metaphor to being ‘shut out’ (to the world, and inside the
character’s mind, he is shutting out everything except the thought of the girl he is
writing this song for), and indicate a pathway to his ‘sanctuary’.
Key lyrics N/A Lyrics are not appropriate, as there are none in the musical introduction.
Editing Fade in from darkness The fade-in from darkness is to promote/enhance the sense that the character
portrayed has left darkness and has transitioned to the light.
Zoom in and out (to next transition) The zoom-in-and-out represents the crossing from outside of the door to inside of the
room.
Props N/A No props are used within the shot.
Movement Actor walks through hallway
Actor reaches the door (close-up on actor’s hand?)
The walking upstairs to the bedroom symbolises a ‘sanctuary’, where the character in
the video can express him: the close up on the hand upon the door-handle represents
the intro to next scene.
Actor Male, average-looking. Using a male character means that the target audience can see an ‘emotional’ side to
the male character (which opposes the male stereotype), and appeals to the Indie
audience.
Location Stairway leading to bedroom, top landing The stairway is appropriate for reaching the bedroom but also denotes ‘climbing’,
going to a higher place for safety or to get away from something.
Costume Flat-peak hat
Tight dark t-shirt
White belt
Skinny Jeans
Boots
The fashion is generated to link to the indie audience: It has similar characteristics to
the target audience (such as skinny jeans, tight t-shirt), but has quirky ‘individual’
touches (such as the flat-peak cap, the sophisticated belt, formal jacket and the
boots).
Make-up Facial hair Facial hair appeals to the ‘indie’ target audience
Main scene (bedroom scene) Explanation
Lighting Natural Natural light from the window helps to generate a ‘natural’ light effect which is loosely linked to
being artistic; an indie stereotype.
Camera
style
Camera 1: Stationary: Camera 1 is a stationary camera which does not change throughout the video.
The use of a stationary camera dictates that the video is voyeuristic; an insight into the life of the
character portrayed in the video. The camera will be situated partially behind a cupboard, with
the door in-shot to insinuate a ‘peeking’ effect, further generating the sense of voyeurism.
Camera head level The camera is head-level to insinuate another human is watching.
Shots of character looking out the
window
The character is shown to be looking out the window, displaying that he is thinking, symbolic of
curiosity and creativity; an intertextual link to the indie genre.
Medium shots of character playing
guitar
The character playing guitar relates to the target audience through the sense that the character
plays music for what we assume is his ‘love’. The playing of the guitar also has an intertextual link
to the indie genre.
Medium shots of character looking at
picture(s)
looking at pictures (which relates to the narrative of the video)
Medium shot of character writing lyrics The imagery of the character writing the lyrics suggests that he is writing for the person described
within the song.
Camera 2: other shots: Camera 2 is the name for the camera which is used to display focal shots.
Extreme close-ups of actor looking
through magazine
Shots of the magazine display the character looking for inspiration: instead he sees wording such
as... “Stay together” (page 22), “The insecurity council” (Page 47), “the choices I’ve made being in
the band have taken a severe toll on the relationships in my life” (page 50), “gusts of cosmic wind
in my head” (page 56). The lyrics mentioned suggest how the actor is feeling.
close-ups of the character playing
guitar
Actor’s guitar is focused upon to display that the actor is playing it.
Extreme close-up of actor messing up
writing lyrics
Stationary close-up of the lyrics being scrumpled up and thrown down, ties in with “Filled with
good intentions that never go as planned”, this shows how the actor is not perfect, which the
target audience may be able to relate to (being indifferent and aiming NOT to be perfect – an
indie intertextual reference).
Close-up shot of actor looking at picture
frame
Actor looking at picture frame links with “I’ll only let you down again”, to show his sadness:
showing a sensitive side to the actor which aims to appeal to the target audiences.
Over-shoulder shot of character
drawing something
As the audience, we cannot see what he is drawing: the camera tracks and pans to see what he is
drawing but cuts to the next shot before the audience gets to see what the drawing is. This is to
draw the audience in and makes them want to watch the video closely to see if they can find out
what the image is.
Key lyrics “You are the closest thing to perfect these
eyes have ever seen”
“Filled with good intentions that never go as
planned”
“I’ll only let you down again”
Character looks at different pictures (we assume of the person he’s singing about).
Links with the shot of the actor messing up writing lyrics
Character throwing down the picture, and looking glum
Editing Cross-fade to the magazine title (Q)
Cross-fade to 5 other pages
Pan across significant visuals/wording
Fade to black.
Cuts from when the character is looking at
the pictures (from when he picks up a
picture, to his reaction before putting the
picture down).
This fading is used when the actor is looking at multiple pictures in a magazine – the cross-fading shows
progression of time and gives the shot sequence fluidity. The panning across the words/visuals represents
the character reading. The fade to black is to symbolize the end of the shot sequence.
In using a cut, an ‘unknown’ amount of filming is not shown to the audience, which means that they do not
know how long the character has been looking at the picture. In addition to this, the cut makes for quick
progression which represents how the character may want to ‘cut’ past thinking about whomever the
audience assumes is in the picture.
Mise en
scene
Wooden cupboard
Window
Bed
Mirror
Wooden unit
Flowers in a pot upon the window-sill
The wooden cupboard is to allow for the voyeuristic ‘peeping’ effect.
The window allows for the display of the character being creative, almost philosophical.
The bed allows for the character to perch on the end and play the guitar. It is also visual of the fact that the
character is in a bedroom.
The mirror is not important until the ‘bridge’ of the video. It is symbolic of a typical bedroom.
The wooden unit is symbolic of a typical bedroom. It also allows for idle placement of insignificant objects,
and also for the actor to write lyrics upon.
The flowers are symbolic of ‘creativity’, which is sought after by the target market.
Props (in
use)
Magazine (NME)
Lyrics on paper
Guitar
Picture frame
The magazine is to appeal to the target market: displaying the character in the video is knowledgeable on
indie magazines.
The lyrics on the paper are a tie-in with the ‘creative’ aspect of the video, and also allow for the association
with the key lyrics, as the character is supposedly writing lyrics to the song for somebody else.
The guitar symbolises the character’s creativity: he is shown to be writing the entire song. It also appeals to
the target audience.
The character in the video is seen to be drawing, but with his back to the camera – this denotes secrecy and
hides the image he is drawing (which is to be of the kissing characters at the beginning of the video).
Costume Flat-peak hat
Tight dark purple t-shirt
White belt
Skinny Jeans
Boots
White wooly jumper
Red wooly jumper
The fashion is generated to link to the indie audience: It has similar characteristics to the target audience
(such as skinny jeans, tight t-shirt), but has quirky ‘individual’ touches (such as the flat-peak cap, the
sophisticated belt, and the boots).
The character changes costume mid-way through the video; this is to suggest insecurity in the way the
character is dressed up.
Intertextual
reference
Staind – it’s been a while The guitar scene; where the actor is looking at the pictures of the girl is loosely portrayed in the film, as the
actor is looking at pictures and playing the guitar.
Main scene (bridge) Explanation
Lighting Natural Natural light from the window helps to generate a ‘natural’ light effect which is loosely linked to
being artistic; an indie stereotype.
Camera Medium shots of actor looking in mirror,
changing clothes – a lot.
Medium shots (camera 1)
The many changes of clothing suggest that the character has insecurities, which has links with
modern teenage culture, which also has a link to the majority of the Indie stereotype.
Key lyrics N/A There are no lyrics in the bridge; only instruments.
Editing transition(s) Lots of quick-cuts This is to demonstrate progression of time without using up too much video time thus not boring
the audience.
Props Changing clothes
Picture frame
The actor in the video changes clothes frequently in order to ‘change’ for the person he is singing
about in the video.
The picture frame is used to establish equilibrium to the scene; it aids in bringing the video back
to its original pace.
Costume Combination of clothes
(original clothes):
Skinny Jeans
White belt
Boots
Flat-cap
Purple T-shirt
(extra clothes):
Formal jacket
Dark t-shirt
The combination of clothes is to represent how the character in the video is trying to ‘change’ in
order to become a better person (perhaps after what he has seen in the magazine). Toward the
end of this scene, the actor changes back to the original costume which shows he would rather
wear his own clothes and be happy.
Intertextual
reference
Reference to weight and appearance. This scene tackles the issue of weight and appearance; trying to improve how the character looks
within the video. This is aimed at a young target audience due to the relevance to today’s
stereotypical issues (weight and how we look) and links to the theme of the video (“not being
good enough”).
Outro Explanation
Lighting Natural Natural light from the window helps to generate a ‘natural’ light effect which is loosely linked to being
artistic; an indie stereotype.
Camera Stationary (camera 1)
Mid-shot of character playing
guitar (camera 2)
The camera is brought back to camera 1 to show the equilibrium has been reached.
The Mid-shot demonstrates the character is back to his ‘normal’ self playing guitar as he did before.
Editing transition(s) Fade out to black As the character leaves the shot, the image fades to black, symbolizing the end of the video.
Props Guitar The guitar is to show that the equilibrium has been reached and that the character is back to his normal
self.
Alongside the lyrics “You are the closest thing to perfect”, the character puts down the guitar and walks
past the stationary camera and out the door.
Costume Original clothes to be put
back on (flat cap, purple t-
shirt, skinny jeans, boots,
white belt).
Original clothes are to represent the equilibrium and to show the actor is back to his normal way.