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Resource eBook By Jamie Harrison Music Theory Mastery

Music Theory Mastery - Jamie Harrison Guitar

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Page 1: Music Theory Mastery - Jamie Harrison Guitar

Resource eBook

By Jamie Harrison

Music Theory Mastery

Page 2: Music Theory Mastery - Jamie Harrison Guitar

How to Use This BookThis book is a collection of all the most practical parts of the Music Theory Mastery course. While everything is already featured throughout the course, the resource ebook takes all the most useful information including the full Chord Dictionary featured throughout the course, Scales, Tables, Graphics and Charts.

Use this book as a reference when trying to find a specific piece of information quickly. It is divided into three sections; The Chord Dictionary, Scales, and finally Tables, Graphics and Charts.

Best of luck on getting your head around theory!

All my best

Jamie

Page 3: Music Theory Mastery - Jamie Harrison Guitar

Chord Dictionary

NOTE: All root notes are lowest note in the chord unless stated otherwise

Part 1 - The Basics

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Open Major Chords

A Major

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C Major

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D Major

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E Major

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G Major

B and F covered later…

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Open Minor Chords

A Minor

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D Minor

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E Minor

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Open Sus2 Chords

A Sus2

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C Sus2

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D Sus2

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E Sus2

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G Sus2

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A Sus4

Open Sus4 Chords

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C Sus4

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D Sus4

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E Sus4

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G Sus4

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Open add9 Chords

A add9

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C add9

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D add9

**Root note on: String 2, Fret 3

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E add9

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G add9

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Barre Chords1st form Major Barre Chord

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1st Form Minor Barre Chord

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2nd form Major Barre Chord

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2nd Form Minor Barre Chord

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1st Form sus2 Barre Chord

• This chord can’t really be played as a standard Barre Chord, so we will cover it later in ‘Strat Style

Chords’

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1st Form sus4 Barre Chord

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2nd form sus2 Barre Chord*

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2nd Form sus4 Barre Chord

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1st form Major add9 Barre Chord

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1st Form Minor add9 Barre Chord

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F and BF Major

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B Major

**Root note on: String 3, Fret 4

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‘Strat Style’ ChordsMajor Triad

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Minor Triad

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Sus2 Triad

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Sus4 Triad

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Diminished ChordsA# Diminished

Note: Move a diminished Chord around by 3 frets and you’ll have the same diminished chord

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F# Diminished

Tip: Move a diminished Chord around by 3 frets and you’ll have the same diminished chord. So you now know 5 positions for this chord.

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Augmented ChordsG# Augmented

Note: Move an Augmented Chord around by 4 frets and you’ll have the same diminished chord

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C# Augmented

Note: Move an Augmented Chord around by 4 frets and you’ll have the same diminished chord

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Chord Dictionary

NOTE: All root notes are lowest note in the chord unless stated otherwise

Part 2 - The CAGED Shapes

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The CAGED Shapes

C-Shape

**Root note on: String 3

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A-Shape

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G-Shape

**Root note on: String 3

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E-Shape

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D-Shape

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Chord Dictionary

NOTE: All root notes are lowest note in the chord unless stated otherwise

Part 3 - Inversions

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A/E

Inversion Examples

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A/C#

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Am/E

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Am/C

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C/G

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C/E

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Dm/F

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D/F#

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D/A

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Dm/A

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E/G#

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E/B

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Em/B

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Em/G

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F/A

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F/C

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G/B

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G/D

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Chord Dictionary

NOTE: All root notes are lowest note in the chord unless stated otherwise

Part 4 - 7th Chords

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Open Maj7 Chords

A Major 7

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B Major 7

**Root note not present

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C Major 7

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D Major 7

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E Major 7

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F Major 7

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G Major 7

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Open Min7 Chords

A Minor 7

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B Minor 7

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C Minor 7

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D Minor 7

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E Minor 7

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F Minor 7

**Root note on: String 1, Fret 1

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G Minor 7

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Open 7 ChordsA7

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B7

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C7

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D7

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E7

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F7

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G7

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1st Form Barre 7 Chords

Major 7 “Barre”

Chord

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Minor 7 Barre Chord

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7 Barre Chord

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2nd Form Barre 7 ChordsMajor 7 “Barre”

Chord

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Minor 7 Barre Chord

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7 Barre Chord

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m7b5 ChordC Minor 7 Flat 5

Note: Move a m7b5 Chord around by 3 frets and you’ll have the same diminished chord

Page 101: Music Theory Mastery - Jamie Harrison Guitar

Chord Dictionary

NOTE: All root notes are lowest note in the chord unless stated otherwise

Part 5 - 7th CAGED Shapes

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Maj7 CAGED Shapes

C-Shape

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A-Shape

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G-Shape

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E-Shape

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D-Shape

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Min7 CAGED Shapes

C-Shape

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A-Shape

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G-Shape

**Root Note on: 3rd string

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E-Shape

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D-Shape

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‘7’ CAGED ShapesC-Shape

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A-Shape

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G-Shape

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E-Shape

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D-Shape

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ScalesPart 1 - Pentatonic

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Shape 1

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Shape 2

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Shape 3

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Shape 4

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Shape 5

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Shape 1

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Shape 2

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Shape 3

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Shape 4

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Shape 5

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ScalesPart 2 - Blues

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Shape 1• The extra ‘Blue Note’ in each scale is marked in

Blue in each scale shape

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Shape 2

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Shape 3

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Shape 4

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Shape 5

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ScalesPart 3 - Major

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Shape 1

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Shape 2

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Shape 3

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Shape 4

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Shape 5

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ScalesPart 4 - 3 Notes Per String (3NPS)

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Shape 1

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Shape 2

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Shape 3

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Shape 4

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Shape 5

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Shape 6

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Shape 7

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Tables, Graphs and Charts

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Key Signatures

Key Signatures

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The Circle Of FifthsThe Circle Of Fifths

Charlie

Gets

Drunk

After

Eight

Beers

Freddie

Buys

Ecstasy

After

Drinking

GinMiner had to go 3km

Below ground

Conservative Charlie

(No Sharp or Flats Keys)

Fashionable Freddy

(All Flat Keys)

Page 151: Music Theory Mastery - Jamie Harrison Guitar

Notes in Each KeyKey 1st Scale Degree 2nd Scale Degree 3rd Scale Degree 4th Scale Degree 5th Scale Degree 6th Scale Degree 7th Scale Degree

A A B C# D E F# G#Bb Bb C D Eb F G AB B C# D# E F# G# A#C C D E F G A B

Db Db Eb F Gb Ab Bb CD D E F# G A B C#

Eb Eb F G Ab Bb C DE E F# G# A B C# D#F F G A Bb C D E

Gb Gb Ab Bb Cb Db Eb FG G A B C D E F#

Ab Ab Bb C Db Eb F G

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The Number System

I. ii. iii. IV. V. vi. vii°

Note: Large letters are Major, whereas small letters are Minor

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IntervalsNumber of Semi-Tones Name of Interval

0 Perfect Unison

1 Minor Second

2 Major Second

3 Minor Third

4 Major Third

5 Perfect Fourth

6 Diminished Fifth OR Augmented Fourth

7 Perfect Fifth

8 Minor Sixth

9 Major Sixth

10 Minor Seventh

11 Major Seventh

12 Perfect Octave

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Fifths on The Neck 2 • Number the fifths from the C-note from 0 - 5 • That’s how many sharps is in that key

013

245

Page 155: Music Theory Mastery - Jamie Harrison Guitar

The Circle of Fourths

132

465

• Number the fourths from the F-note down the first fret from 1 - 6. On strings 1 and 2, use the 2nd fret

• That’s how many flats is in that key

Page 156: Music Theory Mastery - Jamie Harrison Guitar

Basic Chord FormulasName 1st Note 2nd Note 3rd Note 4th Note

Maj 1 3 5

Min 1 b3 5

Sus2 1 2 5

Sus4 1 4 5

Add9 1 3 5 9

5th 1 5

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7 Chord FormulasName 1st Note 2nd Note 3rd Note 4th Note

Maj7 1 3 5 7

Min7 1 b3 5 b7

Dom7 1 3 5 b7

m7b5 1 b3 b5 b7

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How 7th Chords are writtenName

Maj7 CMaj7 CMa7 C C

Min7 Cmin7 Cm7 Cmi7 C

Dom7 C7 C

m7b5 Cm7b5 Cm7 C C

7

-7

7

(b5) 7

M7b5 can also be written as it’s Relative Major, with a minor and an inversion with that chord in the bass

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Symbol

/ Slide up

\ Slide down

h Hammer-on

p Pull-off

˜ Vibrato

+ Harmonic

x Dead Note

b Bend

pb Pre-Bend

br Bend Release

pbr Pre-bend Release

brb Bend Release Bend

t Right hand tap

s Legato slide

S Shift Slide

* Natural Harmonic

[n] Artificial Harmonic

n(n) Tapped Harmonic

tr Trill

TP Tremolo-Picking

PM or _ or . Palm muting

N.C No chord: tacet or rest

\n/ Tremolo arm dip (n = amount)

\n Tremolo arm down

/n Tremolo arm up

/n\ Tremolo arm inverted dip

(equal sign) Hold bend

<> Volume Swell

./. Pick Slide

Page 160: Music Theory Mastery - Jamie Harrison Guitar

Interval Name Interval Alternate NameUnison 0 Aug Diminished Second

Minor Second Dim m2 Major

Augmented Unison

Major Second Minor M2 Aug Diminished Third

Minor Third Dim m3 Major

Augmented Second

Major Third Minor M3 Aug Diminished Fourth

Perfect Fourth Dim 4 Aug Augmented Third

Diminished Fifth/Augmented Fourth Dim Tritone Aug Diminished Fifth/Augmented Fourth

Perfect Fifth Dim 5 Aug Diminished Sixth

Minor Sixth Minor m6 Major

Augmented Fifth

Major Sixth Dim M6 Major

Diminished Seventh

Minor Seventh Minor m7 Aug Augmented Sixth

Major Seventh Minor M7 Aug Diminished Octave

Perfect Octave Dim Octave Augmented Seventh

Up One Semi-toneDown One Semi-Tone

Page 161: Music Theory Mastery - Jamie Harrison Guitar

Mode Example• Let’s take the note C, and find each of the modes of C

Mode Major Scale

Reason?C Ionian C The Ionian mode is based on the first scale degree. The first

scale degree in C, is, of course C

C Dorian A# The Dorian mode is based on the second (minor) scale degree. The second scale degree in A# is C minor

C Phrygian G# The Phrygian mode is based on the third (minor) scale degree. The third scale degree in A# is C minor

C Lydian G The Lydian mode is based on the fourth scale degree. The fourth scale degree in G is C

C Mixolydian F The Mixolydian mode is based on the fifth scale degree. The fifth scale degree in F is C

C Aeolian D# The Aeolian mode is based on the sixth (minor) scale degree. The sixth scale degree in D# is C minor

C Locrian C# The Locrian mode is based on the seventh (diminished) scale degree. The sixth scale degree in C# is C (diminished)

Page 162: Music Theory Mastery - Jamie Harrison Guitar

Note Frequency Note Frequency

A1 28 A4 220

B1 31 B4 247

C1 33 C4 262

D1 37 D4 294

E1 41 E4 330

F1 44 F4 349

G1 49 G4 392

A2 55 A5 440

B2 62 B5 494

C2 65 C5 523

D2 73 D5 587

E2 82 E5 659

F2 87 F5 698

G2 98 G5 784

A3 110 A6 880

B3 123 B6 988

C3 131 C6 1047

D3 147 D6 1175

E3 165 E6 1319

F3 175 F6 1397

G3 196 G6 1568

CG

3349

23

ROUGHWORK