ProPaganda ItalIa to Be ContInued Prod. Mountfluor fIlMSPreSent

“Intimately heartbreaking as is to this day Pier Paolo’s hideous killing”(Gian Luigi Rondi, Il Tempo)

froM the dIreCtor of evIlenko

a fIlM BY davId grIeCo

M A S S I M O R A N I E R I I S P I E R P A O L O P A S O L I N I

MuSIC BY

THE STORY

In the summer of ’75, PIer Paolo PasolInI Is edItIng one of hIs most controversIal movIes, “salò e le 120 gIornate dI sodoma”. at that tIme PasolInI Is PartIcularly restless. ItalIans have just obtaIned the rIght to dIvorce and the ItalIan communIst Party (PcI) seems to be about to wIn the general electIons causIng some worry across the western block. PasolInI, however, Is not convInced that It wIll be so. from hIs PoInt of vIew, Italy Is truly movIng rIght, towards a consumer culture that seems to be able to conform everyone and everythIng to a PoInt of becomIng “a dIctatorshIP worst than fascIsm”.

whIlst workIng on hIs fIlm, PasolInI Is wrItIng a PeculIar book, “PetrolIo”, not quIte a novel nor an essay, but rather the condemnatIon of a PolItIcal Power that In Italy he sees as corruPted down to the bone marrow.thIs book brIngs PasolInI to research the connectIons between PolItIcal and fInancIal Power. hIs research brIngs hIm to a fInance mogul named eugenIo cefIs at the tIme PresIdent of montedIson and of enI: Italy’s natIonal oIl comPany. a greatly InfluentIal man, whIch PasolInI names troya In hIs book, cefIs Is saId to have commIssIoned hIs Predecessor’s murder, (enrIco matteI), and founded the masonIc organIzatIon P2 In order to control the entIre ItalIan state.

In those same days PasolInI, who Is oPenly homosexual, Is seeIng a young man from the workIng-class suburbs of rome, PIno PelosI. PasolInI and PelosI meet regularly becomIng the talk of the roman suburbs whIch have changed greatly from the tImes of “accattone”. In these same suburbs move shady characters whIch have lIttle to do wIth PasolInI’s PoetIc vIew of lIfe and have chosen the route to crIme: kIdnaPPIng, robbery, drug traffIckIng. they belong to a crImInal organIzatIon that Is gradually takIng over the cIty: soon to be known as la banda della maglIana.

one nIght, the negatIve of “salò e le 120 gIornate dI sodoma” Is taken from technIcolor’s laboratory by thIeves. those thIeves are a bunch of teenage frIends of PelosI but the robbery has been Planned by a bIg fIsh of the banda della maglIana. InItIally, for the ransom of the fIlm, the Producer receIves a request of two bIllIon lIra. later, however, the ransom becomes much more reasonable: three mIllIon lIra.

In the nIght between the fIrst and the second of november 1975, PIer Paolo PasolInI drIves to the Idroscalo wIth PIno PelosI to retrIeve hIs fIlm. truly he Is goIng straIght Into a traP. hIs murder has been Planned In every mInImum detaIl by many accomPlIces, some wIllIng and some unaware, all sImIlar and all equally guIlty. It wIll be all too easy to make It look lIke “the rIghtful murder of a Pervert” and brush It under the carPet for 40 years.

davId grIeco

DIRECTOR: DAVID GRIECOSTORY: DAVID GRIECOSCRIPT: GUIDO BULLA E DAVID GRIECO

CAST: MASSIMO RANIERI, LIBERO DE RIENZO, MATTEO TARANTO,FRANÇOIS-XAVIER DEMAISON, TONY LAUDADIO, MILENA VUKOTIC, ROBERTO CITRAN, PAOLO BONACELLI, CATRINEL MARLON AND ALESSANDRO SARDELLI.

MUSIC “ATOM HEART MOTHER SUITE” BY PINK FLOYD

EXECUTIVE PRODUCER: MARINA MARZOTTO, MARCO DREYSSEPRODUCTION: PROPAGANDA ITALIA CO-PRODUCTION (FRANCE): TO BE CONTINUED PROD.ASSOCIATE PRODUCTION: MOUNTFLUOR FILMSPRODUCER: MARINA MARZOTTO, ALICE BUTTAFAVA, DOMINIQUE MARZOTTO,VINCENT BRANÇON, LIONEL GUEDJ

GENRE: BIO - CRIME – DRAMACIRCA: 1975LANGUAGE: ITALIAN AND FRENCHLOCATION: ROME AND LAZIO REGION, ITALYDURATION: 113’COLOR 4K RATIO 1:2,39

ITALIAN DISTRIBUTOR: MICROCINEMA SPAINTERNATIONAL SALES: RAICOM SPA

THIS FILM HAS BEEN DECREED OF CULTURAL INTERESTAND SUSTAINED BY THE ITALIAN MINISTRY OF CULTURE AND TURISM

THIS FILM IS SUPPORTED BY THE LAZIO REGIONAL FUNDFOR CINEMA AND AUDIOVISUAL ACTIVITIES

© PROPAGANDA ITALIA SRL, MOUTFLUOR FILMS SRL, TO BE CONTINUED 2015AN OFFICIAL ITALIAN AND FRENCH CO PRODUCTION IN COMPLIANCE WITH THE TREATY SIGNED ON NOVEMBER 6TH 2000

PRODUCTION DETAILS

PIER PAOLO PASOLINI(1974)

MASSIMO RANIERI(2014)

THIS FILM IS SUPPORTED BY THE LAZIO REGIONAL FUNDFOR CINEMA AND AUDIOVISUAL ACTIVITIES

DAVID GRIECO WAS BORN IN ROME IN 1951. JUST SIXTEEN, HE WAS CHOSEN BY FRANCO ZEFFIRELLI FOR A PART IN “ROMEO AND JULIET”, BY PIER PAOLO PASOLINI FOR “TEOREMA”, BY BERNARDO BERTOLUCCI FOR “PARTNER”. AT SEVENTEEN, HE BECAME AN ASSISTANT DIRECTOR FOR PASOLINI, BERTOLUCCI AND OTHERS. AT NINETEEN, HE BECAME A JOURNALIST FOR THE ITALIAN NEWSPAPER L’UNITÀ AS FILM AND MUSIC CRITIC AND FOREIGN CORRESPONDENT. IN HIS EARLY THIRTIES, HE WENT BACK TO FILM INDUSTRY AS A SCRIPTWRITER WRITING “SOGNI E BISOGNI”, THE BLOCKBUSTER “CARUSO PASCOSKI” FOR ACTOR/DIRECTOR FRANCESCO NUTI, ”MORTACCI” AND “I MAGI RANDAGI” FOR ACCLAIMED DIRECTOR SERGIO CITTI, AND OTHER SCRIPTS. AT THE SAME TIME HE BECAME EXECUTIVE PRODUCER FOR “ANGELA COME TE”, “MORTACCI” AND “CLOWN IN KABUL”.

IN HIS EARLY FORTIES, HE WROTE A FEW BOOKS: “IL COMUNISTA CHE MANGIAVA I BAMBINI”, “FUORI IL REGISTA”, “PARLA GREGANTI”, “FUNARI È FUNARI”, WHILST DIRECTING COMMERCIALS. HE ALSO BEGAN HIS RADIO AND TV WORK AS AUTHOR AND HOST IN MANY RADIO AND TELEVISION PROGRAMS HE INVENTED: “HOLLYWOOD PARTY” AND “RADIO CITY CAFE” FOR RAI AND “IL GIORNALE DEL CINEMA” FOR TELE+. FOR TELE+ AND CANAL+, HE HAS MADE MORE THAN 100 DOCUMENTARIES ON FILM DIRECTORS AND MOVIE STARS (AMONG THESE: CLINT EASTWOOD, JOHN WOO, ROBIN WILLIAMS, ROD STEIGER, LIV ULLMANN, SPIKE LEE, PHILIPPE NOIRET, ELLIOTT GOULD, DANIEL AUTEUIL, DAVID LYNCH, JEAN JACQUES ANNAUD, ETTORE SCOLA, MARIO MONICELLI, ETC.).

IN HIS EARLY FIFTIES, HE WROTE, DIRECTED AND PRODUCED HIS FIRST FEATURE FILM “EVILENKO” BASED ON HIS NOVEL “IL COMUNISTA CHE MANGIAVA I BAMBINI” AND STARRING MALCOLM MCDOWELL, MARTON CSOKAS, FRANCES BARBER AND RONALD PICKUP. EVILENKO HAS BEEN RELEASED WORLDWIDE (US AND CHINA INCLUDED). “EVILENKO” HAS WON 18 PRIZES IN MANY FESTIVALS ALL OVER THE WORLD, INCLUDED THE INTERNATIONAL SILVER REEL IN ITALY, THE GOLDEN PLACIDO FOR BEST FILM IN MANRESA (BARCELONA) AND THE GOLDEN REEL AWARD FOR BEST DIRECTOR IN TIBURON (SAN FRANCISCO).

RECENTLY, HE HAS MADE A LONG LENGTH DOCUMENTARY IN RUSSIA CALLED THE FAKE FAIRY TALE FOR RAI AND HE DIRECTED THE CAMPAIGN TRUE TO LIFE FOR DISCOVERY CHANNEL AS WELL AS WRITING AND DIRECTING THE DOCUMENTARY VALDAGNO, ARIZONA, PRESENTED AT THE 68TH VENICE FILM FESTIVAL IN THE SECTION VENICE DAYS.

HE IS AUTHOR OF THE FAMILY’S DEPOSITIONOF THE FIRST TRIAL FOR PIER PAOLO PASOLINI’S MURDER.

THE DIRECTOR

I MET PIER PAOLO PASOLINI AS A FAMILY FRIEND WHEN I WAS JUST A BOY. YEARS LATER HE REQUESTED ME FOR A SMALL PART IN HIS FILM TEOREMA, HE THEN ASKED ME TO ASSIST MARIA CALLAS AS HE WAS SHOOTING MEDEAS AND FINALLY INTRODUCED ME AS A SCRIPTWRITER TO HIS MASTER AND DISCIPLE SERGIO CITTI, WITH WHOM I WROTE MANY FILMS.FROM 1970 ON, AS I BECAME A JOURNALIST AT L’UNITÀ, PASOLINI CHOSE ME AS PREFERRED INTERVIEWER AND OFTEN CHARGED ME DISCRETELY OF PASSING ON SPECIFIC MESSAGES AND QUESTIONS ADDRESSED TO BERLINGUER’S ITALIAN COMMUNIST PARTY (PCI).

THE 2ND OF NOVEMBER 1975, WHEN THE LIFELESS BODY OF PASOLINI WAS FOUND AT THE IDROSCALO, I WAS ONE OF THE FIRST PEOPLE ON THE CRIME SCENE TOGETHER WITH THE FORENSIC EXPERT FAUSTINO DURANTE, (WHO HAPPENED TO BE THE FATHER OF MY GIRLFRIEND AT THE TIME), AND A YOUNG LAWYER NAMED GUIDO CALVI.

IN 1975 THE FIRST TRIAL FOR PASOLINI’S MURDER WAS CARRIED OUT AT THE JUVENILE COURT AS PINO PELOSI WAS THE CONFESSED CRIMINAL. IT WAS TO BE JUDGE MORO’S LAST TRIAL, AS HE RETIRED AFTER HIS BROTHER, ALDO MORO, WAS KIDNAPPED AND KILLED BY THE TERRORIST GROUP RED BRIGADES TWO YEARS LATER. I WAS ASKED BY GUIDO CALVI TO WRITE THE MEMORY WHICH WAS DEPOSITED ON BEHALF OF THE FAMILY. AT THE END OF THAT TRIAL, THE 26TH OF APRIL 1976, PELOSI WAS CONDEMNED FOR THE MURDER OF PASOLINI TOGETHER WITH OTHER UNKNOWN PERSONS AND THE VERDICT FOCUSED ON THE FACT THAT PELOSI WAS RETICENT ABOUT REVEALING WHO THE OTHER PEOPLE WERE. EXACTLY ON THE SAME DAY, THE 26TH OF APRIL 1979, THE SUPERIOR COURT MADE PELOSI’S SENTENCE FOR MURDER DEFINITE WITHOUT EVER EVEN MENTIONING OTHERS INVOLVED.

LA MACCHINAZIONE NARRATES THE LAST THREE MONTH OF PIER PAOLO PASOLINI’S LIFE AND SHEDS NEW LIGHT ON HIS RELATIONSHIP WITH PINO PELOSI. BECAUSE THAT IS WHAT IT WAS: A RELATIONSHIP. THE YOUNG CALL BOY AND THE POET HAD NOT MET BY CHANCE THAT NIGHT AT THE TERMINI TRAIN STATION. PASOLINI AND PELOSI KNEW EACH OTHER AND HAD BEEN SEEING ONE ANOTHER FOR THE PAST FOUR MONTH AND ALL OF THIS MAKES PIER PAOLO PASOLINI’S ASSASSINATION EVEN MORE GROTESQUE.

DIRECTOR’S STATEMENT

DIFFERENT THEORIES ABOUT THE MURDER OF PASOLINI HAVE BEEN CIRCULATING FOR YEARS. PASOLINI WAS CERTAINLY KILLED BY PINO PELOSI WHO WAS AT FIRST THE INSIDE MAN FOR THE ROBBERY OF SALÒ’S REELS AND THEN BATE FOR THE AMBUSH AT THE IDROSCALO. PASOLINI WAS KILLED BY THE INFAMOUS BANDA DELLA MAGLIANA, JUST LIKE JOURNALIST CARMINE PECORELLI AND BANKER ROBERTO CALVI, (WHO FIRST ESCAPED BEING SHOT DOWN BY DANILO ABBRUCIATI IN MILAN TO THEN END UP HANGING FROM BLACKFRIARS’S BRIDGE IN LONDON), OR LIKE EMANUELA ORLANDI, ALL THIS WAS DONE TO RENDER SERVICE TO POWERFUL AND UNSCRUPULOUS MEN AND EARN THEIR GRATITUDE.

PASOLINI WAS STAMPED OUT AS HE BOTHERED EUGENIO CEFIS AS HE HAD BEEN RESEARCHING FOR OVER A YEAR ON THE SEEDY DEALINGS OF THE MAN WHO HAD FOUNDED THE MASONIC LODGE P2 IN 1974 AND IN 1962 HAD ARRANGED THE FATAL ACCIDENT THAT INVOLVED ENRICO MATTEI’S PRIVATE JET, AS TESTIFIED BY ONE OF COSA NOSTRA’S MOST IMPORTANT INFORMANTS, TOMMASO BUSCETTA. PASOLINI ALLOWED HIMSELF TO BE KILLED AND AS A CHRIST-LIKE FIGURE HE PLANNED HIS MARTYRDOM IN DETAIL, AS STATED BY ARTIST GIUSEPPE ZIGAINA, PIER PAOLO PASOLINI’S BEST FRIEND SINCE CHILDHOOD.

LA MACCHINAZIONE EMBRACES ALL THESE DIFFERENT THESIS WEAVING THEM INTO ONE SIMPLE, CREDIBLE PLOT. WHY? BECAUSE THERE IS SOME TRUTH IN EACH AND EVERYONE OF THESE VERSIONS, TO THE POINT THAT THEY ARE ALL TRUE.THE SAME CAN BE SAID FOR PIAZZA FONTANA IN MILAN AND PIAZZA DELLA LOGGIA IN BRESCIA, FOR THE KIDNAPPING AND KILLING OF ALDO MORO, FOR THE BOMB AT THE BOLOGNA TRAIN STATION. THE TRUTH ABOUT THE MOST IMPORTANT AND DESTABILIZING EVENTS WHICH HAVE HIT ITALY IN THE PAST 45 YEARS IS STILL UNKNOWN. BUT THIS SAME TRUTH IS HIDDEN AMONGST MANY TRUTHS WE ALL KNOW, ALL EQUALLY REASONABLE AND PLAUSIBLE. THIS PARTICULARLY MACHIAVELLIAN RELATIONSHIP WITH THE TRUTH IS A PECULIARITY OF ITALIANS, JUST LIKE THEIR CODE OF SILENCE AND THEIR CHAMELEONIC TRAITS.

THIS IS NOT A GANGSTER MOVIE IN THE CLASSICAL AMERICAN SENSE. THE SUBURBAN BULLIES AND CALL BOYS IN LA MACCHINAZIONE ARE NOT THE ARCHETYPICAL VILLAIN. THEY ARE MORE LIKE LOSERS AND WHEELER-DEALERS, OFTEN IGNORANT AND INNOCENT LIKE THE COMMUNITIES AND CHARACTERS SHOWN BY PASOLINI IN ACCATTONE AND OTHER FILMS. I HAVE USED MANY “REAL FACES” AND HAVE HAD THE CHANCE TO CHOSE THEM ONE BY ONE AS I WAS TAUGHT BY PASOLINI HIMSELF AND AS CAN BE SEEN IN DE SICA’S WORK. MY INTEREST LIES IN NARRATING THE PROGRESSIVE LOSS OF CANDOR AND INNOCENCE WHICH OCCURS IN THESE CHARACTERS CAUGHT IN EVENTS THEY CANNOT CONTROL NOR COMPREHEND. THIS TO ME IS THE ESSENCE OF WHAT PASOLINI WAS TRYING TO WARN US ABOUT. THE EVENTS SURROUNDING HIS DEATH AND WHAT HAS HAPPENED SINCE ARE THE EVIDENCE HE WAS RIGHT.

DAVID GRIECO

DIRECTOR’S STATEMENT

ALESSANDRO SARDELLIIS GIUSEPPE (PINO) PELOSI

JUST SIXTEEN ALESSANDRO SARDELLI IS AT HIS FIRST PERFORMANCE ON-SCREEN. HE WAS SELECTED OUT OF A STREET CASTING THAT INVOLVED THE AUDITION OF OVER 400 YOUTHS BETWEEN 16 AND 20 YEARS OF AGE. AS PASOLINI USED TO DO, DAVID GRIECO, CHOSE A YOUNG MAN WHO COULD BE PELOSI RATHER THAN ACT THE PART.

MASSIMO RANIERIIS PIER PAOLO PASOLINI

MASSIMO RANIERI HAD HIS FIRST ROLE IN METELLO, (FILM NOMINATED FOR THE PALME D’OR IN CANNES), HE IMMEDIATELY WON THE DAVID DI DONATELLO AND SINCE THEN HIS CAREER HAS BLOOMED INTO 40 YEARS OF UNINTERRUPTED SUCCESS. HE HAS ACTED SIDE BY SIDE WITH GREAT TALENTS SUCH AS ANNA MAGNANI, KIRK DOUGLAS, YUL BRINNER AND AVA GARDNER.

CAST

luca bonfIglIoIs gIusePPe borsellIno

luca bonfIglIo was at fIrst selected to PotentIally Play PIno PelosI’s role. however hIs natural leadershIP and caPtIvatIng good looks made hIm Perfect for the eldest of the borsellIno brothers who was PIno’s mentor.

lIbero de rIenzoIs antonIo PInna

lIbero de rIenzo was raIsed on set by hIs father fIore de rIenzo, fIrst ad of cItto masellI. wIth hIs role In marco PontI’s santa maradona (2001), he was ImmedIately at the forefront of the attentIon of both PublIc and crItIcs and won the davId dI donatello as best suPPortIng actor. he has contInued hIs career wInnIng many awards also as dIrector and screenwrIter.

matteo tarantoIs sergIo matteo taranto, known for hIs memorable InterPretatIon of dragos In the fIlmrazzabastarda by alessandro gassmann. matteo was born In la sPezIa In 1976, he contInues hIs actIng career dIvIded between theatre and cInema.

marco d’andreaIs franco brosellIno

at the age of 21, marco Is a veteran of the set and has taken Part In many fIlms as an extra. thIs Is hIs fIrst true role.

CAST

FRANÇOIS XAVIERDEMAISON IS MOREAU

FRANÇOIS XAVIER DEMAISON IS A FRENCH ACTOR MOSTLY KNOWN FOR HIS COMIC ROLES. HE IS FAMOUS FOR HIS WORK IN LE PETIT NICOLAS BY LAURENT TIRARD.

MILENA VUKOTICIS SUSANNA PASOLINI

MILENA VUKOTIC IS ONE OF THE MOST PROLIFIC ITALIAN ACTRESSES, SHE HAS WORKED ON MORE THAN 100 MOVIES TOGETHER WITH GREAT DIRECTORS SUCH AS LUIS BUÑUEL, FEDERICO FELLINI, BERNANDO BERTOLUCCI AND ETTORE SCOLA.

ROBERTO CITRAN IS GIORGIO STEIMETZ

ROBERTO CITRAN IS A VERY EXPERIENCED ACTOR, HE HAS WORKED ON MORE THAN 60 ITALIAN PRODUCTIONS BUT HE IS INTERNATIONALLY KNOWN FOR HIS ROLE IN HOTEL RWANDA BY TERRY GEORGE.

PRODUCTION CREW

FABIO ZAMARION - DIRECTOR OF PHOTOGRAPHYWINNER OF THE DAVID DI DONATELLO AWARD FOR BEST PHOTOGRAPHY FOR LA SCONOSCIUTA, FABIO IS ONE OF ITALY’S TOP D.O.P.’S . AMONGST HIS WORK WE LIKE TO REMEMBER: RESPIRO BY EMANUELE CRIALESE, LA SCONOSCIUTA AND THE BEST OFFER BY GIUSEPPE TORNATORE. FABIO HAS PREVIOUSLY WORKED WITH DAVID GRIECO ON THE FEATURE EVILENKO.

PINK FLOYD - COMPOSERNO NEED TO INTRODUCE ONE OF THE GREATEST MUSIC GROUPS OF ALL TIME AND THE AUTHORS OF ATOM HEART MOTHER A SUITE THAT RADICALLY REVOLUTIONED THE WORLD OF ROCK IN 1970 AND THAT HAS BEEN MADE AVAILABLE TO FORM THE ENTIRE SOUNDTRACK OF THE FILM. WRITTEN AND COMPOSED BY: RICHARD WRIGHT, RON GEESIN, NICK MASON, DAVID GILMOUR, ROGER WATERS.

CARMELO AGATE - HEAD OF ART DEPARTMENTCARMELO AGATE IS A HIGHLY SKILLED AND LONG-LIVED PROFESSIONAL IN HIS REALM WITH A PROVEN TRACK RECORD FOR PERIOD FILMS. AMONGST HIS WORK WE LIKE TO REMEMBER: L’HOMME AU MASQUE D’OR BY ERIC DURET WITH JEAN RENO, THE LAST LEGION BY DOUG LEFLER WITH COLIN FIRTH AND BEN KINGSLEY, AND THE TV SERIES FOR RAI SANT’AGOSTINO BY CHRISTIAN DUGUAY WITH ALESSANDRO PREZIOSI AND MONICA GUERRITORE.

NICOLETTA TARANTA - COSTUME DESIGNERNICOLETTA IS CONSIDERED THE MAXIMUM EXPERT IN 1970’S COSTUME SINCE WITH MICHELE PLACIDO’S ROMANZO CRIMINALE SHE WON HANDS-DOWN THE DAVID DI DONATELLO AWARDS, THE CIACK D’ORO AWARD AND THE 35 MILLIMETRI PRIZE. SHE THEN WENT ON TO WORK ALSO ON THE TV SERIES FROM THE SAME NOVEL PRODUCED BY SKY ITALIA. SHE HAS BEEN NOMINATED FOR THE NASTRI D’ARGENTO AWARDS MANY TIMES FOR OTHER WORK AND CONTINUES SINCE TO COLLABORATE WITH ITALY’S TOP PRODUCTIONS.

NICOLETTA TARANTA - COSTUME DESIGNERNICOLETTA IS CONSIDERED THE MAXIMUM EXPERT IN 1970’S COSTUME SINCE WITH MICHELE PLACIDO’S ROMANZO CRIMINALE SHE WON HANDS-DOWN THE DAVID DI DONATELLO AWARDS, THE CIACK D’ORO AWARD AND THE 35 MILLIMETRI PRIZE. SHE THEN WENT ON TO WORK ALSO ON THE TV SERIES FROM THE SAME NOVEL PRODUCED BY SKY ITALIA. SHE HAS BEEN NOMINATED FOR THE NASTRI D’ARGENTO AWARDS MANY TIMES FOR OTHER WORK AND CONTINUES SINCE TO COLLABORATE WITH ITALY’S TOP PRODUCTIONS.

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FEATURE FILM112’ (2016) DCP - 2.39 SCOPE – AUDIO 5.1

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