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MUSIC MUSIC and and WORSHIP WORSHIP

MUSIC and WORSHIP. Music I. References II. Technical Development A. Musicology B. Beauty C. Physiology of Music III. Biblical Development A. Directive/Descriptive/Principle

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Page 1: MUSIC and WORSHIP. Music I. References II. Technical Development A. Musicology B. Beauty C. Physiology of Music III. Biblical Development A. Directive/Descriptive/Principle

MUSICMUSICandand

WORSHIPWORSHIP

Page 2: MUSIC and WORSHIP. Music I. References II. Technical Development A. Musicology B. Beauty C. Physiology of Music III. Biblical Development A. Directive/Descriptive/Principle

MusicMusicI.I. ReferencesReferences

II.II. Technical DevelopmentTechnical DevelopmentA.A. MusicologyMusicology

B.B. BeautyBeauty

C.C. Physiology of MusicPhysiology of Music

III.III. Biblical DevelopmentBiblical DevelopmentA.A. Directive/Descriptive/PrincipleDirective/Descriptive/PrincipleB.B. Textual ExpositionTextual Exposition

IV.IV. Sacred Music—HymnologySacred Music—HymnologyA.A. StandardsStandardsB.B. HistoryHistory

V.V. FAQsFAQs

VI.VI. Summary/ConclusionSummary/Conclusion

Page 3: MUSIC and WORSHIP. Music I. References II. Technical Development A. Musicology B. Beauty C. Physiology of Music III. Biblical Development A. Directive/Descriptive/Principle

MusicMusicI.I. ReferencesReferences

II.II. Technical DevelopmentTechnical DevelopmentA.A. MusicologyMusicology

B.B. BeautyBeauty

C.C. Physiology of MusicPhysiology of Music

III.III. Biblical DevelopmentBiblical DevelopmentA.A. Directive/Descriptive/PrincipleDirective/Descriptive/PrincipleB.B. Textual ExpositionTextual Exposition

IV.IV. Sacred Music—HymnologySacred Music—HymnologyA.A. StandardsStandardsB.B. HistoryHistory

V.V. FAQsFAQs

VI.VI. Summary/ConclusionSummary/Conclusion

Page 4: MUSIC and WORSHIP. Music I. References II. Technical Development A. Musicology B. Beauty C. Physiology of Music III. Biblical Development A. Directive/Descriptive/Principle

Meaning of MusicMeaning of Music

Textual ContentTextual ContentPoetic FormPoetic FormAssociative Associative MeaningMeaningIntrinsic MeaningIntrinsic Meaning

Worship in SongWorship in Song, , Scott Aniol, Ch 6.Scott Aniol, Ch 6.

Page 5: MUSIC and WORSHIP. Music I. References II. Technical Development A. Musicology B. Beauty C. Physiology of Music III. Biblical Development A. Directive/Descriptive/Principle

MusicMusicI.I. ReferencesReferences

II.II. Technical DevelopmentTechnical DevelopmentA.A. MusicologyMusicology

B.B. BeautyBeauty

C.C. Physiology of MusicPhysiology of Music

III.III. Biblical DevelopmentBiblical DevelopmentA.A. Directive/Descriptive/PrincipleDirective/Descriptive/PrincipleB.B. Textual ExpositionTextual Exposition

IV.IV. Sacred Music—HymnologySacred Music—HymnologyA.A. StandardsStandardsB.B. HistoryHistory

V.V. FAQsFAQs

VI.VI. Summary/ConclusionSummary/Conclusion

Page 6: MUSIC and WORSHIP. Music I. References II. Technical Development A. Musicology B. Beauty C. Physiology of Music III. Biblical Development A. Directive/Descriptive/Principle
Page 7: MUSIC and WORSHIP. Music I. References II. Technical Development A. Musicology B. Beauty C. Physiology of Music III. Biblical Development A. Directive/Descriptive/Principle
Page 8: MUSIC and WORSHIP. Music I. References II. Technical Development A. Musicology B. Beauty C. Physiology of Music III. Biblical Development A. Directive/Descriptive/Principle
Page 9: MUSIC and WORSHIP. Music I. References II. Technical Development A. Musicology B. Beauty C. Physiology of Music III. Biblical Development A. Directive/Descriptive/Principle
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The Power of LimitsThe Power of LimitsGyGyöörgy Doczirgy Doczi ““The art as well as the wisdom and knowledge of East and West alike The art as well as the wisdom and knowledge of East and West alike testify that testify that there exists a deep-rooted unity below the many surface diversities of this worldthere exists a deep-rooted unity below the many surface diversities of this world. . This unity manifests itself in simple proportional relationships that create patterns This unity manifests itself in simple proportional relationships that create patterns of harmonious wholeness out of the vast and often dinergically opposed of harmonious wholeness out of the vast and often dinergically opposed diversities in nature, in the arts, and, at times, in the arts of living.diversities in nature, in the arts, and, at times, in the arts of living.

““The etymology of the word The etymology of the word wholewhole comes from the Indo-European root comes from the Indo-European root kailokailo, from , from which also come which also come halehale, , healthhealth, , hallowedhallowed, and , and holyholy. The word . The word hellhell, though of , though of similar sound,, is of quite different origin, coming from the root similar sound,, is of quite different origin, coming from the root kelkel. From this . From this root come root come calamitycalamity, , clamorclamor, , concealmentconcealment, and , and calumnycalumny..

““Whole, hale, and holy on one side and hell on the other express the ultimate Whole, hale, and holy on one side and hell on the other express the ultimate potentialities in human life: good and evil. These ultimate powers, the divine and potentialities in human life: good and evil. These ultimate powers, the divine and the demonic, are usually thought of as supernatural and are looked upon with the demonic, are usually thought of as supernatural and are looked upon with awe. The word awe. The word numinousnuminous has been used to describe such feelings, a word that has been used to describe such feelings, a word that comes from the Latin comes from the Latin numennumen, meaning divinity or spirit, from a root verb , meaning divinity or spirit, from a root verb meaning a divine nod or command of compelling power.meaning a divine nod or command of compelling power.

““But numinous feelings are not the exclusive domain of the supernatural. Quite to But numinous feelings are not the exclusive domain of the supernatural. Quite to the contrary, the marvels of nature awaken in us similarly numinous feelings...”the contrary, the marvels of nature awaken in us similarly numinous feelings...” pg. 133pg. 133

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Page 13: MUSIC and WORSHIP. Music I. References II. Technical Development A. Musicology B. Beauty C. Physiology of Music III. Biblical Development A. Directive/Descriptive/Principle

MusicMusicI.I. ReferencesReferences

II.II. Technical DevelopmentTechnical DevelopmentA.A. MusicologyMusicology

B.B. BeautyBeauty

C.C. Physiology of MusicPhysiology of Music

III.III. Biblical DevelopmentBiblical DevelopmentA.A. Directive/Descriptive/PrincipleDirective/Descriptive/PrincipleB.B. Textual ExpositionTextual Exposition

IV.IV. Sacred Music—HymnologySacred Music—HymnologyA.A. StandardsStandardsB.B. HistoryHistory

V.V. FAQsFAQs

VI.VI. Summary/ConclusionSummary/Conclusion

Page 14: MUSIC and WORSHIP. Music I. References II. Technical Development A. Musicology B. Beauty C. Physiology of Music III. Biblical Development A. Directive/Descriptive/Principle

MusicMusicI.I. ReferencesReferences

II.II. Technical DevelopmentTechnical DevelopmentA.A. MusicologyMusicology

B.B. BeautyBeauty

C.C. Physiology of MusicPhysiology of Music

III.III. Biblical DevelopmentBiblical DevelopmentA.A. Directive/Descriptive/PrincipleDirective/Descriptive/PrincipleB.B. Textual ExpositionTextual Exposition

IV.IV. Sacred Music—HymnologySacred Music—HymnologyA.A. StandardsStandardsB.B. HistoryHistory

V.V. FAQsFAQs

VI.VI. Summary/ConclusionSummary/Conclusion

Page 15: MUSIC and WORSHIP. Music I. References II. Technical Development A. Musicology B. Beauty C. Physiology of Music III. Biblical Development A. Directive/Descriptive/Principle

Snake Handler Pastor Jamie Coots Of ‘Snake Salvation’ Dead From Snake

Bite

“A snake handler named Jamie Coots died from a snake bite while shooting a take on the reality TV show called Snake Salvation.”

“Snake handling is loosely based on a New Testament story about the apostle Paul when he had just survived a shipwreck while being taken to Rome as a prisoner. Paul was bitten by a venomous snake known by the locals as being extremely deadly. But when Paul didn’t drop dead after simply shaking off the snake everyone was amazed.

“But a snake handler like Coots uses the Bible passage Mark 16:15-18 as justification for their dangerous craft...”

Posted: February 16, 2014

Page 16: MUSIC and WORSHIP. Music I. References II. Technical Development A. Musicology B. Beauty C. Physiology of Music III. Biblical Development A. Directive/Descriptive/Principle

MusicMusicI.I. ReferencesReferences

II.II. Technical DevelopmentTechnical DevelopmentA.A. MusicologyMusicology

B.B. BeautyBeauty

C.C. Physiology of MusicPhysiology of Music

III.III. Biblical DevelopmentBiblical DevelopmentA.A. Directive/Descriptive/PrincipleDirective/Descriptive/PrincipleB.B. Textual ExpositionTextual Exposition

IV.IV. Sacred Music—HymnologySacred Music—HymnologyA.A. StandardsStandardsB.B. HistoryHistory

V.V. FAQsFAQs

VI.VI. Summary/ConclusionSummary/Conclusion

Page 17: MUSIC and WORSHIP. Music I. References II. Technical Development A. Musicology B. Beauty C. Physiology of Music III. Biblical Development A. Directive/Descriptive/Principle

Relevant Relevant Truths/DoctrinesTruths/DoctrinesWorshipWorshipSpiritualitySpiritualityTruthTruthSpiritual BattleSpiritual BattleUnityUnitySpiritual Spiritual MaturityMaturitySubmissionSubmissionEmotionEmotion

Page 18: MUSIC and WORSHIP. Music I. References II. Technical Development A. Musicology B. Beauty C. Physiology of Music III. Biblical Development A. Directive/Descriptive/Principle

Biblical Biblical ApplicationApplication

1.1. Encyclopedic Encyclopedic ViewView

2.2. Encompassing Encompassing ViewView

Page 19: MUSIC and WORSHIP. Music I. References II. Technical Development A. Musicology B. Beauty C. Physiology of Music III. Biblical Development A. Directive/Descriptive/Principle

Worship in SongWorship in Song Scott AniolScott Aniol ““Some argue that if the Bible does not address a particular moral issue, Some argue that if the Bible does not address a particular moral issue, believers have complete liberty to do as they please. In other words, believers have complete liberty to do as they please. In other words, absence of biblical directive implies moral neutrality. If God had an absence of biblical directive implies moral neutrality. If God had an opinion on a particular issue, they argue, He would have given His opinion on a particular issue, they argue, He would have given His people instructions. Rather, morally neutral actions matter only with people instructions. Rather, morally neutral actions matter only with regard to the subjective motive or conscience of the individual.regard to the subjective motive or conscience of the individual.

““Proponents of this view often appeal to Romans 14 and 1 Corinthians Proponents of this view often appeal to Romans 14 and 1 Corinthians 8-10 and insist that anything not explicitly addressed in Scripture falls 8-10 and insist that anything not explicitly addressed in Scripture falls under the principles of Christian liberty set forth in these passages... under the principles of Christian liberty set forth in these passages...

““Such individuals argue that this position is a correct and consistent Such individuals argue that this position is a correct and consistent application of application of Sola ScripturaSola Scriptura. Belief that the Bible is sufficient for . Belief that the Bible is sufficient for faith and practice implies that God has given His people instructions in faith and practice implies that God has given His people instructions in every area He considers morally important... Since believers are not every area He considers morally important... Since believers are not given explicit instruction in certain areas, and since they are not given explicit instruction in certain areas, and since they are not supplied with an explicit process for applying the Bible to supplied with an explicit process for applying the Bible to contemporary situations, such issues must be morally neutral.”contemporary situations, such issues must be morally neutral.” pp. 4- pp. 4-55

Page 20: MUSIC and WORSHIP. Music I. References II. Technical Development A. Musicology B. Beauty C. Physiology of Music III. Biblical Development A. Directive/Descriptive/Principle

Worship in SongWorship in Song Scott AniolScott Aniol ““Others argue that the Bible applies to all contemporary ethical situations, Others argue that the Bible applies to all contemporary ethical situations, and authoritative standards may be formulated with issues not found in and authoritative standards may be formulated with issues not found in the Bible. Such standards may be derived from proper application to the Bible. Such standards may be derived from proper application to equivalent situations...equivalent situations...

““Indeed, some would go so far as to say that proper Bible study is not Indeed, some would go so far as to say that proper Bible study is not finished until there is a 'transferring [of] what has been learned from the finished until there is a 'transferring [of] what has been learned from the text over to the waiting Church,' resulting in 'dynamic application of the text over to the waiting Church,' resulting in 'dynamic application of the text to one's current needs.'text to one's current needs.'

““In this view, the Bible applies to everything, even those issues not In this view, the Bible applies to everything, even those issues not explicitly addressed in the Bible. Furthermore, those who apply the explicitly addressed in the Bible. Furthermore, those who apply the Bible correctly may authoritatively assert the moral will of God in Bible correctly may authoritatively assert the moral will of God in contemporary situations.”contemporary situations.” pp. 5-6 pp. 5-6

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Encompassing View Encompassing View MethodologyMethodology

1.1. PrinciplizePrinciplize

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Worship in SongWorship in Song Scott AniolScott Aniol ““The goal of principlizing is the discovery of universal moral absolutes The goal of principlizing is the discovery of universal moral absolutes rooted in the nature of God and not connected to any particular cultural rooted in the nature of God and not connected to any particular cultural context.”context.” pg. 13 pg. 13

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Encompassing View Encompassing View MethodologyMethodology

1.1. PrinciplizePrinciplize2.2. Extrabiblical Extrabiblical

ConsiderationsConsiderations

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Worship in SongWorship in Song Scott AniolScott Aniol pp. 16-17 pp. 16-17 ““It is important both to distinguish and to recognize the important It is important both to distinguish and to recognize the important relations between Scripture itself and the extrascriptural date to which relations between Scripture itself and the extrascriptural date to which we seek to apply biblical principles. Scripture is something different we seek to apply biblical principles. Scripture is something different from extrabiblical data. But what we know of the extrabiblical data, we from extrabiblical data. But what we know of the extrabiblical data, we know by scriptural principles, scriptural norms, and the permission of know by scriptural principles, scriptural norms, and the permission of Scripture. In one sense, then, all our knowledge is scriptural knowledge. Scripture. In one sense, then, all our knowledge is scriptural knowledge. In everything we know, we know scripture. To confess anything as true In everything we know, we know scripture. To confess anything as true is to acknowledge a biblical requirement upon us. In that sense, is to acknowledge a biblical requirement upon us. In that sense, although there is extrabiblical data, there is no extrabiblical knowledge. although there is extrabiblical data, there is no extrabiblical knowledge. All knowledge is knowledge of what Scripture requires of us.”All knowledge is knowledge of what Scripture requires of us.”

John M. Frame, “In Defense of Something Close to Biblicism: ReflectionsJohn M. Frame, “In Defense of Something Close to Biblicism: Reflections On Sola On Sola Scriptura and History in Theological Method, “ Scriptura and History in Theological Method, “ Westminster Theological Journal 59Westminster Theological Journal 59, 2 , 2

(Fall 1997), 273.(Fall 1997), 273.

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Encompassing View Encompassing View MethodologyMethodology

1.1. PrinciplizePrinciplize2.2. Extrabiblical Extrabiblical

ConsiderationsConsiderations3.3. ApplicationApplication

Page 27: MUSIC and WORSHIP. Music I. References II. Technical Development A. Musicology B. Beauty C. Physiology of Music III. Biblical Development A. Directive/Descriptive/Principle

Worship in SongWorship in Song Scott AniolScott Aniol ““Since the Bible is sufficient as an authority for all of life, the believer Since the Bible is sufficient as an authority for all of life, the believer must strive to apply its principles even to situations not directly must strive to apply its principles even to situations not directly addressed within the pages of Scripture. When studying any passage of addressed within the pages of Scripture. When studying any passage of Scripture, the believer must ask, 'What would the original author say to Scripture, the believer must ask, 'What would the original author say to contemporary situations?' He must correlate extrabiblical information contemporary situations?' He must correlate extrabiblical information about the contemporary issue and let the Bible's universal moral about the contemporary issue and let the Bible's universal moral principles determine his stance toward that issue...principles determine his stance toward that issue...

““Indeed, anyone who claims to hold to the sufficiency of Scripture for Indeed, anyone who claims to hold to the sufficiency of Scripture for faith and practice must be willing to apply the Bible's principles to every faith and practice must be willing to apply the Bible's principles to every situation whether or not that situation is explicitly addressed in the pages situation whether or not that situation is explicitly addressed in the pages of the Bible. To fail to do so is to deny the profitability of the Word of of the Bible. To fail to do so is to deny the profitability of the Word of God.”God.” pp. 17, 21 pp. 17, 21

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Worship in SongWorship in Song Scott AniolScott Aniol ““I desire to gather pertinent information about music by which it can be I desire to gather pertinent information about music by which it can be judged worthy of such biblical principles and strive to come to God-judged worthy of such biblical principles and strive to come to God-pleasing conclusions. The Bible does not explicitly lay out instructions pleasing conclusions. The Bible does not explicitly lay out instructions for Christians regarding their music. But since Scripture is indeed for Christians regarding their music. But since Scripture is indeed sufficient for sufficient for allall faith and practice, so it is sufficient to help Christians faith and practice, so it is sufficient to help Christians determine how they should view music in their lives.”determine how they should view music in their lives.” pp. 21-22 pp. 21-22