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Dr. Feng-Ying Ken & Dr. Shin-Chieh Tzeng Graduate Institute of Conservation of Cultural Relics and Museology,
Tainan National University of the Arts, Taiwan
Museums Are Leading the Fashion?! - Investigation into the New Style of Contemporary
Museum Exhibitions
What kind of issues should museums emphasize?
What type of contents should contemporary museums exhibit?
Museum exhibitions vs. Fashion
Introduction: Museums, the cultural symbol of contemporary society
Fashion industry and museum exhibitions – a happy marriage?? Fashion exhibitions: breakthrough and innovation! Conclusions: Leading the fashion or following the
trend?
Research Framework
Museums are
the magnetic of cultural life
the primary purpose for visitors
the attracting power for the public
the symbol of modern society
responsible for educating the public
Introduction: Museums, the cultural symbol of contemporary society
New challenges
decreasing resources increasing pressure of
retaining visitors earning income attracting more visitors
Introduction: Museums, the cultural symbol of contemporary society
Introduction: Museums, the cultural symbol of contemporary society
http://hoohahalili.pixnet.net/blog
Why fashion goes into museums?
museums still as the cultural symbol
the first choice for leisure or learning activities
supply with credibility and public trustst
Fashion exhibitions make museums fashionable.
Introduction: Museums, the cultural symbol of contemporary society
https://www.google.it/search?q=%E4%B8%89%E5%AE%85%E4%B8%80%E7%94%9F%E7%89%B9%E5%B1%95&rlz=1C1LCDH_enTW613TW619&espv=2&biw=1366&bih=623&source=lnms&tbm=isch&sa=X&ved=0ahUKEwi4hIad19rNAhXDuRQKHc1RBNAQ_AUIBigB&dpr=1#imgrc=vUTmD-ZUO0iHVM%3A
Conflicts of interests
use the opportunity to do placement marketing
encourage visitors to purchase their products a strategy of capitalism and commercialism
Introduction: Museums, the cultural symbol of contemporary society
Before the 1990s
museums rarely exhibited fashion, except their own collections
regarded as the sacred & authoritative institutions to convey proper knowledge and aesthetics
Fashion industry and museum exhibitions -a happy marriage?
Since the 1990s
facing increasing competition rapid changing environment visitor-oriented moving from the elitism to populism to provide more visitor-friendly exhibitions
Fashion industry and museum exhibitions -a happy marriage?
Since the 1990s
chance for fashion industry to form collaboration to promote brands and product to attract more visitors
Fashion industry and museum exhibitions -a happy marriage?
The early stage
Frankfurt Museum of Modern Art – a model wearing new Chanel fashions in 1998 Kunstmuseum Wolfsburg – an exhibition of sketches of Wolfgang Joop with free samples of Joop! perfume and cosmetics in 1995
Fashion industry and museum exhibitions -a happy marriage?
The Superstar:
Giorgio Armani Exhibition designed by Robert Wilson organized by the Solomon R. Guggenheim Museum, New York
on an international tour to Bilbao, Berlin, London, Rome, Tokyo and Las Vegas
Fashion industry and museum exhibitions -a happy marriage?
Giorgio Armani Exhibition at the Royal Academy in London 2004 an atmosphere of theater like stage exhibited hundreds of his design outfit for visitors to admire
Fashion industry and museum exhibitions -a happy marriage?
Giorgio Armani Exhibition 2004 lighting and metal strings - image of luxurious ethos with music and projected screen - a more relaxing feeling costumes well presented
Fashion industry and museum exhibitions -a happy marriage?
Giorgio Armani Exhibition 2004 For visitors 1. Visitors tended to feel like walking into a huge film setting with real clothes so close 2. Enhancing visitor’s understanding of how great a designer could be to create his own collections through different time and periods
Fashion industry and museum exhibitions -a happy marriage?
Giorgio Armani Exhibition 2004 For museums 1. The effect is a mix of theatrical and exhibition skills wrapped in a high-end fashion surroundings 2. Curators and designers could benefit it learning new ideas and styles in shaping different exhibition outcomes
Fashion industry and museum exhibitions -a happy marriage?
Giorgio Armani Exhibition 2004 For fashion industry 1. Gaining public attention 2. Promoting the brand 3. Raising awareness
Fashion industry and museum exhibitions -a happy marriage?
Fashion industry and museum exhibitions -a happy marriage?
The growth stage: 2000s
Vivienne Westwood Alexander McQueen Jean-Paul Gaultier Versace Christian Dior Issey Miyake
The Follower:
‘Vivienne Westwood: 36 Years in Fashion’ Exhibition organized by the Victoria and Albert Museum in London on an international tour to Canberra, Taipei, Tokyo, Shanghai, Dusseldorf, Bangkok and San Francisco
Fashion industry and museum exhibitions -a happy marriage?
‘Vivienne Westwood: 36 Years in Fashion’ Exhibition focusing on the relationship between Vivienne Westwood and museums exhibiting 150 costumes reaching 6 venues and across 4 continents not the only fashion exhibitions of hers
Fashion industry and museum exhibitions -a happy marriage?
Question: Is this a real happy marriage?
Are museums the places to see fashion design or the temples for learning? If visitors want to know the latest fashion trend, why don’t they just visit the flagship shops instead? How much can museums control the contents and the presentations of their exhibitions?
Fashion industry and museum exhibitions -a happy marriage?
Trendy Services in the museum
Fashion exhibitions are getting popular today Plenty of choices with unique themes ‘The Work of Issey Miyake’ at the National Art Centre in Tokyo ‘Undressed: A Brief History of Underwear’ at the V&A in London
Fashion exhibitions: breakthrough and innovation!
What can be extracted from these highly popular exhibitions?
Fashion exhibitions: breakthrough and innovation!
A Case Study
‘Story of… Memories of Cartier Creations’ Exhibition curated by Tokujin Yoshioka (outside the museum) organized by the Tokyo National Museum
a collaboration with the Cartier
Fashion exhibitions: breakthrough and innovation!
‘Story of… Memories of Cartier Creations’ Exhibition April, 2009 - to mark the 150th anniversary of amity and commerce of the two countries.
Fashion exhibitions: breakthrough and innovation!
‘Story of… Memories of Cartier Creations’ Exhibition
A breakthrough for having the fashion exhibition at a tradition museum
- to adapt new skills and concepts - to incorporate new technology
Fashion exhibitions: breakthrough and innovation!
‘Story of… Memories of Cartier Creations’ Exhibition
walls and panels were painted black to emphasize the material of jewelry
long glass cases were proposed to create the transparent effects
Visitors would be surprised to see projected images on both sides
Fashion exhibitions: breakthrough and innovation!
‘Story of… Memories of Cartier Creations’ Exhibition
the curator arranged lighting and projected images to make visitors feel the sense of history and its
craftsmanship to feel the beauty of each exhibited object The atmosphere of old and modern help to shape a
intertwinning of time and space
Fashion exhibitions: breakthrough and innovation!
‘Story of… Memories of Cartier Creations’ Exhibition
Another room was painted white with a huge projected image on the ceiling
installed tall glass cabinets to highlight some jewelry to create a pure and precious value
Visitors walked into this room would be attracted to the image on the ceiling and associate it to the objects in the glass cases
Fashion exhibitions: breakthrough and innovation!
‘Story of… Memories of Cartier Creations’ Exhibition The effect 1. encouraged curators to reflect on the visual effect in the exhibition space 2. It can be related to the popularity of installation in museums 3. It should be considered carefully, particularly in museums where the public come to see and learn
Fashion exhibitions: breakthrough and innovation!
Museum curators should try to incorporate new ideas, subjects and technics into their exhibitions, in order to satisfy consumer’s needs.
Fashion exhibitions: breakthrough and innovation!
Conclusions: Leading the fashion or following the trend?
Conclusion 1 Contemporary museums are following the trend of fashion at present - Reason 1: curators have fewer resources in-house - Reason 2: fashion industry has better supports
Conclusion 2 A collaboration could make a huge difference to create visitor-friendly exhibitions - Reason 1: curators are good at research and shaping the contents - Reason 2: fashion industry has the access to latest technology, ideas and financial supports; with better knowledge of what visitors want and need
Conclusions: Leading the fashion or following the trend?
With the assistance of fashion industry, museums are able to make exhibitions more relaxing, energetic, creative and engaging.
Conclusions: Leading the fashion or following the trend?
The 21st century is a century for experience, in which fashion exhibitions fit perfectly.
Museums should develop a new route to fight with the competitions from outside.
Conclusions: Leading the fashion or following the trend?
https://www.google.it/search?q=%E4%B8%89%E5%AE%85%E4%B8%80%E7%94%9F%E7%89%B9%E5%B1%95&rlz=1C1LCDH_enTW613TW619&espv=2&biw=1366&bih=623&source=lnms&tbm=isch&sa=X&ved=0ahUKEwi4hIad19rNAhXDuRQKHc1RBNAQ_AUIBigB&dpr=1#imgrc=vUTmD-ZUO0iHVM%3A
For museums - One solution is to bring in new issues and draw closer with the public - Another is to make exhibitions more popular and entertained.
Conclusions: Leading the fashion or following the trend?
https://www.google.it/search?q=%E4%B8%89%E5%AE%85%E4%B8%80%E7%94%9F%E7%89%B9%E5%B1%95&rlz=1C1LCDH_enTW613TW619&espv=2&biw=1366&bih=623&source=lnms&tbm=isch&sa=X&ved=0ahUKEwi4hIad19rNAhXDuRQKHc1RBNAQ_AUIBigB&dpr=1#imgrc=vUTmD-ZUO0iHVM%3A
Fashion exhibitions represent both a breakthrough and an innovation.
They will continue to be prosperous for the next decade and project new styles for future museums.
Conclusions: Leading the fashion or following the trend?
https://www.google.it/search?q=%E4%B8%89%E5%AE%85%E4%B8%80%E7%94%9F%E7%89%B9%E5%B1%95&rlz=1C1LCDH_enTW613TW619&espv=2&biw=1366&bih=623&source=lnms&tbm=isch&sa=X&ved=0ahUKEwi4hIad19rNAhXDuRQKHc1RBNAQ_AUIBigB&dpr=1#imgrc=vUTmD-ZUO0iHVM%3A
The authors are grateful for the funding and sponsorship of
the Ministry of Science and Technology, Taiwan.