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Joel Harlow Interview with The World�s Make-up School Eyeliner: The Eyes Have It Step by Step: Welcome to MUD ART MUD ART Make-up Designory // 2015-2016 // fall-winter // issue N°7 Make-up Designory // 2015-2016 // fall-winter // issue N°7 MUD Instructional Specialist Vanja Djuran Highlight & Shadow MUD Fall / Winter Look 2015

MUD ART magazine fall winter 2015

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Vanja Djuran - MUD Instructional Specialist Interview with Joel Harlow World s Make-up School ELEVATE MUD Fall / Winter Look 2015 Step by Step: Highlight & Shadow Eyeliner: The Eyes Have It

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Page 1: MUD ART magazine fall winter 2015

Joel HarlowInterview with

The World�s Make-up School Eyeliner:

The Eyes Have It

Step by Step:Welcome to

MUD ART

MU

D A

RT

Make-up Designory // 2015-2016 // fall-winter // issue N°7

Make-up

Desig

nory // 2015-2016 // fall-w

inter // issue N°7

MUD Instructional Specialist

Vanja Djuran

Highlight & Shadow

MUD Fall / Winter Look 2015

Page 2: MUD ART magazine fall winter 2015

LA campus / Make-up: Emily Peck / Photo: Derek Althen

MUD Studio Belgium / Hair & Make-up: Isabeau De Kerpel / Photo: Samantha Hunt / Model: Megue Nsabiyumva LA campus / Make-up: Heather Alexander / Photo: Derek Althen

LA campus / Make-up: Shauntiy Heyliger / Photo: Derek AlthenLA campus / Make-up: Zyanya Almanza / Photo: Derek Althen

MUD Studio Milano / Make-up: Sara Iscaro and Debora Maglione / Photo: Raffaele Passoni Model: Lovise H. – ICE Models Milan

Student work from MUD Schools and MUD Studios

Page 3: MUD ART magazine fall winter 2015

Make-up Designory Los Angeles

129 S. San Fernando Blvd. Burbank, CA 91502 818.729.9420 mudschools [email protected] www.mud.edu

Make-up Designory New York

65 Broadway, 15th floor New York, NY 10006 212.925.9250 MUDNewYork [email protected] www.mud.edu

Make-up Designory Cosmetics

makeupdesignory [email protected] www.mudshop.com

Make-up Designory Europe

Rimska cesta 13, 1000 Ljubljana, Slovenia, Europe 00 386 1 6200 348 mud.eu [email protected] www.mudeurope.com shop.mudeurope.com

MUD ART 2015-2016 // Publisher: Make-up Designory, Inc. // production: Endemit advertising agency // www.endemit.si // creative and art director: Maja Kešelj

MUD image photography: Peter Giodani // graphic design: Maja Kešelj, Polona Kopač // cover photo: Peter Giodani // product photo: Peter Giodani, Polona Kopač

make-up: MUD Europe team // editors: Svenya Nimmons, Nejc Pogačnik, Francine Reich, Polona Kopač, Myrna Martinez, Jake Holland, Karen Stein

issue N°7MUD ART

MUD Studio Berlin / Hair&Make-up: Katja Maaßen / Photo: Benjamin Pohle / Model: Emily @pma models

MUD Studio Berlin / Hair&Make-up: Katja Maaßen / Photo: Benjamin Pohle / Model: Greta @vivamodelsLA campus / Make-up: Megan Parker / Photo: Derek Althen

Page 4: MUD ART magazine fall winter 2015

ContentsThe Fascinating

World of Make-Up

Artistry

Eyeliner - The Eyes Have It

MUD Studio Travel Map

Gemini Beauty Editorial

MUD Studio Certifications,

Individual Courses & Continuing

Education and Beauty Workshops

Vanja Djuran MUD Instructional

Specialist

MUD Studio

06

13

26

38

10

18

34

Page 5: MUD ART magazine fall winter 2015

Joel Harlow Interview

Graduate Spotlight

Danielle Lyn Saunders

Highlight & Shadow

101

FIND Schools, Studios &

Partner Schools

MUD products

The first MUD Studio in South Africa

FIFTY-SEVEN The Graphic Beauty - Editorial

MUD News and Events

Elevate MUD Fall / Winter Look 2015

40

48

62

85

42

70

50

87

76

Page 6: MUD ART magazine fall winter 2015

The Fascinating World of Make-Up Artistry

06

Located in the heart of the entertainment capital, MUD Los Angeles campus offers more than amazing weather. At our most recent Open House in June, graduate Emily Peck took 1st place in the David De Leon MUD Makeup Competition, granting her a 1-on-1 lunch with the Emmy Award winner. Emily was successful in selecting a beauty makeup image from De Leon’s professional website and re-created an awesome inspired look! Mr. De Leon is a popular guest artist and speaker at makeup schools, conventions, and seminars worldwide. Also, say good-bye to traditional classroom whiteboards, the LA campus upgraded and updated all classrooms with digital Sharp AQUOS Boards – which are being received positively by students and faculty. Melissa 'Missy Munster' Stell is featured on Season 9 of the SyFy show Face Off, a competition/elimination series where special effects make-up artists participate in elaborate challenges for a grand prize and the honor of being Hollywood's next great effects artist. In addition, NY graduate Brittany Leslie has been getting some Special Effects refreshers here at the LA campus to compete in Season 10. Graduate Maddie Hill and her team were nominated for Best Hair and Makeup for her work on a short film project, Birdie's Song, at the 168 Film Festival.

Los Angeles

Make-up Designory (MUD) is dedicated to providing education in the craft of make-up artistry, as well as in related fields that are specific to the needs of both the novice and the experienced artist. In addition to MUD Studios, Make-up Designory operates two locations: the main campus in Los Angeles, and the second branch campus in New York City. MUD facilities represent the latest efforts to bring quality education and products to the make-up artist community. All courses and programs in our curriculum are taught by experienced and trained professional artisans and instructors. These intensive programs provide upto six months, and provide students with practical, real-world skills in an academic format designed to maximize the learning process. Each year, our schools train hundreds of students from around the world in a variety of make-up specialties. Whether a students chooses the intricacies of prosthetics or the delicacy of beauty make-up, Make-up Designory can prepare the student to begin a journey as a make-up artist.

Page 7: MUD ART magazine fall winter 2015

The NYC Campus has been in their new location in downtown Manhattan for almost a year now. With extra classrooms the school has been able to make classes more available and hold Saturday workshops through the MUD Studio. Over the past year MUD NY has seen a number of graduates compete at IMATS, as well as, on the Syfy show Face Off. Career Services has brought in some great speakers from different parts of the industry, some notables were Michael Key, Michael Dev-elis, James Vincent and NZINGHA.

/ Experienced Admissions Advisors, prepared to answer questions regarding enrolling, pro-grams, and career fields. Tours are available daily to experience the campus, the classrooms, and the classes.

/ MUD provides a wide-range of training for every make-up career with a team of experienced, certified instructors that are very familiar with the industry's standards and trends. Bringing such information into their classrooms, the instructors prepare their students with the proper tools of success for today's world of make-up artistry.

/ Video & Photo areas provide on-hands, practical exercises, so the student can see the results of their newly-acquired skills.

/ Resource Centers and Computer workstations provide students with a perfect place to research top-ics, review notes, study course materials, and seek out popular products and specialized techniques.

/ Both schools conduct the very popular "Industry Speaks" events, which are open to all MUD stu-dents, graduates, and guests. These weekly lectures, by some of the industry's most prominent lead-ers, cover a wide variety of career-related topics, and provide a forum for artists to exchange ideas.

/ Each campus conducts annual Professional Advisory Committee (PAC) events, where industry professionals are invited to come, tour the campus, review the curriculum and support materials, and make recommendations on how to improve our educational environment.

/ Each campus is accredited by the Accrediting Commission of Career Schools and Colleges (ACCSC), and approved by the U.S. Department of Education.

New York

Features of Make-up Designory LA & NY

Los Angeles Campus

129 S. San Fernando Blvd. Burbank, CA 91502 818.729.9420 mudschools [email protected] www.mud.edu

New York Campus

65 Broadway, 15th floor New York, NY 10006 212.925.9250 MUDNewYork [email protected] www.mud.edu

Page 8: MUD ART magazine fall winter 2015
Page 9: MUD ART magazine fall winter 2015

From its humble beginnings, Make-up Designory has grown to become the largest educational system exclusively focused on make-up artist training. A strict adherence to educational standards, curriculum development and teacher training have helped to create a standard form of make-up education that can be found in classrooms around the world. The same curriculum, high standards and MUD-certified teachers can be found in MUD’s main campuses in New York and Los Angeles, through their network of partner schools operating in the Unites States or internationally in MUD Studios.

MUD Studio provides a perfect mix between classroom and retail. Each MUD Studio is locally based and managed and features a modern showroom where the right MUD product can be found for every occasion and customer type. With every product in MUD Studio comes the knowledge of a MUD Make-up Artist. Dedication to a knowledge based product line is essential to the MUD Studio experience. According to Tate Holland, MUD CEO, “we don’t want to do just makeovers in our stores, we want each make-up application to become an individual make-up class.” Beyond individual tutoring sessions, the store also hosts a number of smaller workshops that are geared to the needs of the everyday woman and make-up enthusiast alike.

The education does not stop in the store. It travels to the classroom where aspiring make-up artists are taught the fundamentals of make-up application and the theory necessary to adapt make-up techniques to differing conditions - from the retail floor to a film set to a brides special day. Courses are derived from the same curriculum that can be found at Make-up Designory’s main campuses, but are divided in such a way as to allow the student to progress through the various subjects at their own pace. The courses are divided into two levels: Level I is comprised of Beauty Essentials and the completion of this course allows the student to move on to the classes that comprise Level II, which include classes in Airbrush Make-up, Studio Make-up, High Fashion Make-up Trends, and Bridal Make-up. One of the unique features of the program is that students are able to not only choose courses that they feel will benefit them, but to take courses at different Studios in varying cities. While the courses remain the same at each MUD Studio, Partner School or Main Campus, traveling to different MUD locations allows the student to add culture and life experiences to their make-up education and artistic expression.

Page 10: MUD ART magazine fall winter 2015

Make-up Designory has courses and groups of courses to meet the needs of licensed professionals. For this reason, al l classes require

Beauty Essent ials as a prerequisi te. Al l classes are also of fered as cont inuing educat ion for beauty professionals. These courses have been developed to build upon one another, so that students wil l ben-efi t from the combined materials and the progressive nature of the

curriculum. MUD has created groups of classes to i l lustrate possible combinat ions. These groups are designed to provide comprehensive

t raining in various aspects of make-up art ist ry.P lease note that some classes may not be available at al l locat ions.

A Cert i f icate and Card are awarded for successful complet ion of any course or group of courses.

Certifications

Beauty Workshops

Individual Courses & Continuing Education

Learn to do make-up, while having fun! Every day, di f ferent workshop. Invi te your friends, book your seat and learn

best techniques to achieve selected looks wi th professional make-up art ists.

[

Page 11: MUD ART magazine fall winter 2015

Professionalproducts

Certificate

Today's beauty professionals need to know more than hair and skincare, they must be competent in al l aspects of their craf t. For this reason, Make-up

Designory has created a group of classes in make-up art ist ry to help students of cosmetology and esthet ics and licensed professionals meet the ful l needs of their clientele. The courses are held convenient ly at MUD's main campuses, Partner Schools, and internat ional ly

at MUD Studios.MUD Studio courses are based on the same great educat ional methodology and teacher t raining that

has helped to make Make-up Designory a bedrock in make-up educat ion. The courses are pul led from the

same curriculum that comprises the longer programs at MUD's main campuses in Los Angeles and

New York, but are broken up into smal ler modules. These modules can be taken separately or combined, al lowing the student to t ransfer their educat ion to one

of MUD's main campuses.

Each course ki t requires speci fic tools for your class while helping to build your ki t for professional use. Inside your ki t, you wil l f ind MUD products and course materials. Each ki t contains a unique serial number used to t rack your progress and ensures your appropriate cert i f icat ion.

Page 12: MUD ART magazine fall winter 2015

Open

Page 13: MUD ART magazine fall winter 2015

Open

Page 14: MUD ART magazine fall winter 2015

New York ∙ MUD Studio New York is located in the Financial

District, home of Wall Street and the National 9/11 Memorial.

∙ Influenced by the city’s diverse communities, food tours are popular amongst visitors. There are also 4,000 mobile food vendors that sell everything from Korean BBQ to Middle Eastern falafel. ∙ Saturday Night Fever, Fame, Breakfast at Tiffany’s

and Miracle on 34th Street are just a few films shot in New York City, one of the major film capitals of the world.

∙ The first fashion week was held in New York in 1943, which has now expanded to Paris, London and Milan each year in February and September. “When you visit our Studio, you’ll meet savvy professional artists that have worked in New York’s

many theatres including Broadway, Lincoln Center and the Met.”

Burbank - California ∙ Thrift shopping takes on a whole new meaning when you’re close to Hollywood. The

production studios usually send their extra wardrobe to small boutiques for resell where the price tag tells you what movie set the item was used for.

∙ Summer nights were made for the stars with outside music concerts like the Starlight Bowl. ∙ The ladies run the city of LA. Los Angeles has the largest number of women-owned businesses in the US. ∙ On any given day, you can find a Hollywood celebrity enjoying brunch, shopping on Melrose

or hiking at one of the city’s many trails. ∙ A city of culture, Los Angeles has at least 90 stage theaters and over 300 museums, which is more than any other American city. “You can always catch a crew filming on location here in downtown Burbank and lots of production studios minutes away.”

Mexico City, Mexico ∙ The MUD Studio in Mexico City is located in the Federal District alongside offices of the federal government and respected museums. Students from

all over come to attend schools in this area. ∙ The heart of the city, the Zocalo is one of the largest

public squares in the world, and the location for local

events and festivals. ∙ The historic museum and birthplace of legendary Mexican painter Frida Kahlo, sits in the Colonia del

Carmen neighborhood of Coyoacan. ∙ Also known as the Mexican Venice, the Xochimilco is a

great place for tourists to ride the canals and explore

small villages just outside the city.“Our MUD Studio is surrounded by inspiration from the

unique composition of contemporary city life and historic

preservation.”

Guatemala City, Guatemala

∙ Locally known as “Guatemala” or “Guate”, our

city is the capital and home of the Icaro Film

Festival where independent films produced in

the area are debuted.

∙ Guatemala has recently been awarded as

“Iberoamerican Capital of Culture” for 2015. Our

country is rich in culture, architecture, natural

resources and development.

∙ There is currently a movement of

#PerhapsYouNeedALittleGuatemala showing the

various opportunities for tourists, businesses

and investors.

∙ The MUD Studio in Guatemala is located in one

of the most premium areas of the city. In Avenida

Las Americas, the studio sits off one of the main

highways amongst salons, restaurants and

shopping malls.

∙ “We have the distinct advantage as the only

professional make-up academy with international

certifications in the area.”

America

Guatemala

Mexico City

Los Angeles

New York

Page 15: MUD ART magazine fall winter 2015

Guatemala City, Guatemala

∙ Locally known as “Guatemala” or “Guate”, our

city is the capital and home of the Icaro Film

Festival where independent films produced in

the area are debuted.

∙ Guatemala has recently been awarded as

“Iberoamerican Capital of Culture” for 2015. Our

country is rich in culture, architecture, natural

resources and development.

∙ There is currently a movement of

#PerhapsYouNeedALittleGuatemala showing the

various opportunities for tourists, businesses

and investors.

∙ The MUD Studio in Guatemala is located in one

of the most premium areas of the city. In Avenida

Las Americas, the studio sits off one of the main

highways amongst salons, restaurants and

shopping malls.

∙ “We have the distinct advantage as the only

professional make-up academy with international

certifications in the area.”

Lagos - Nigeria ∙ Often referred to as Nollywood, Lagos is the

center of the Nigerian movie industry, which

is the second largest film industry behind only

Hollywood. ∙ Lagos is also famous for its music scene, giving

birth to a variety of styles such as highlife, juju,

Afrobeat, fuji and Nigerian hip hop. ∙ Nigeria’s Carnival Calabar is a 32 day festival

and the largest cultural event in Africa. ∙ If the stunning coastline of wide golden

beaches, jagged cliffs and crystal clear waters

don’t charm you, the historical monuments and

lively nightlife are perfect for any visiting tourist.

“Nigeria’s own award winning actress and singer,

Genevieve Nnaji was the face of MUD’s 2010

campaign.”

Cairo, Egytp

∙ Egypt is one of the world’s oldest

cultures, descending from an ancient

civilization that emerged in the 10th

millennium BCE.

∙ The more you visit Egypt the more you’ll

sense hospitality and generosity. Don’t

be surprised if everybody you meet or

pass by offer you tea and food for free.

∙ After a long day at work people love to

hang out together in Cafes, and enjoy

their time together.

∙ Shops and supermarkets open

every day till late at night, making it

convenient for people with very busy

schedules, and adding to the non-stop

nature of the city.

∙ Great beaches! They are simply

stunning, with crystal clear waters, warm

sand, and amazing views.

∙ The Great Pyramids of Giza are not

just ancient, but are some of the most

famous manmade objects in the world.

In fact, the Great Pyramid of Khufu

(Cheops) is the only "Wonder of the

Ancient World" that still survives.

∙ MUD Studio is located in Mohandeseen,

the fashion center of this vibrant city

which also serves as the nation's capital.

Sandton Johannesburg,

South Africa

∙ Johannesburg, known as Jozi, and

eGoli, the city of gold, hides many

treasures. One of these jewels is our

MUD Studio situated in the upmarket

northern suburb of Sandton, often

referred to as “Africa’s richest

square mile”.

∙ Johannesburg is South Africa’s

business province, where the hustle

and bustle each day has a soulful

entity that expresses individuality, yet

hums the underlying tune of a culture

that celebrates the country's unity.

South Africa is the rainbow nation!

∙ The city offers many shopping

centres, local parks, restaurants,

markets, and night life. Serving

as a creative, cultural and

commercial gateway to the rest of

Africa. It is a hub for cultural and

creative production, generating

new cultural forms. High fashion

shows and stores in the Sandton

area make international trends

easily available and influences

local style.

∙ Johannesburg is a city of creativity

and expression in a country once

divided and now united. One can

find all types of skin types and

tones coming together under a

warm African sky.

AfricaAmerica

South Africa Coming Soon

MUDStudio

Nigeria

Cairo

New York

Page 16: MUD ART magazine fall winter 2015

Europe

Reykjavik, Iceland

∙ If you can’t afford a visit to the Moon - Iceland is a very reasonable second choice.

∙ It’s a country for Nordic lights, whale watching, outdoor swimming, and exotic

experience in food, landscape and natural phenomena.

∙ If you are into high fashion and design, you can explore a great selection of designer-

boutiques in downtown Reykjavik.

∙ The nature of Iceland is spectacular with hot springs, waterfalls, volcanoes, glaciers

and exceptional contrasts in landscape and environment - all within reasonable

distance from Reykjavik. Weather is unpredictable and changes frequently - if you

don't like it, just wait a few minutes.

∙ “Their resourcefulness, quirkiness, interconnectedness and warmth is unparalleled;

on this research trip, every day presented human stories and interactions that

rivaled Icelandic nature for beauty.” (Carolyn Bain for Lonely Planet about

Icelanders). But you might have to look for them, as the country is so popular at the

moment, that you are more likely to meet another tourist rather than an Icelander.

∙ The soon to be launched MUD Studio Reykjavik is located in a brand new location

with only one short bus distance from central Reykjavik. It is a great opportunity to

visit Iceland and learn make-up at the same time.

Milano, Italy ∙ As a symbol of the Italian dream, Milan has always been a city of career opportunities, where synergies between a long-standing tradition of culture, arts, design and fashion make this vibrant city a fertile ground to experience and develop creativity, especially in makeup. That’s where MUD Studio Milano can play the main role in this challenge, with its five reasons to study in Milan:

∙ Connections - Milan is centrally located in the northern part of Italy, so it’s easily reachable from abroad and a crucial place to get to the main Italian cities. ∙ Arts & Culture - An eclectic mix of both historic and contemporary monuments make this city a truly magical place, with frequent expositions, events and vernissages.

∙ Lifestyle - Milan is saturated with popular bars and clubs that can suit all tastes, mainly concentrated in the Navigli area, right where the MUD Studio was born.

∙ Business – With the Expo 2015, Milan has reinvented itself into a global and modern metropolis. ∙ Milan Fashion Week – twice a year the world’s media and star system flock to the city to attend the fashion shows of the most iconic couture brands – the ideal environment for a fashion makeup full immersion.

∙ Studying in Milan will help shape who you are, by giving you access to a multicultural experience in a cosmopolitan city that is thriving with opportunity for those who seek business growth on an international level. (courtesy of "magazine.eselondon.ac.uk")

Kortrijk, Belgium

· Kortrijk lies in the Belgian Province of West Flanders,

on the river Leie. Kortrijk dates from Roman times, when

it was called Cortoriacum. Destroyed by the Normans,

it was rebuilt in the 10th century. The town is encircled

by remnants of ancient walls. Located in Kortrijk are

a castle, a belfry tower, a 16th-century town hall, the

Gothic Church of Our Lady, completed in 1211, which

contains a famous Anthony van Dyck painting, “The

Erection of the Cross”. Also, the typical beguinage is one

of the most beautiful in Flanders.

· The River Leie comes from France and enters Kortrijk

on the site of the “Broeltorens”, two medieval towers

that are the only remaining witnesses of the former city

fortifications. Nowadays, Kortrijk is a very dynamic city of

about 80.000 inhabitants with a solid entrepreneurial

image and flair.

Gent, Belgium

· Gent breathes history but is also brimming with

culture and modern city life. The city’s highlights

include the Mystic Lamb, the acclaimed lighting plan

which illuminates the buildings in a magical way after

sunset, the Light Festival which takes place every three

years (the next edition is in 2018), the Gent Festivities

and the largest range of veggie offerings in Europe.

· Not yet convinced? Gent’s history, art, wonderful

architecture, water, rock ’n roll top gastronomy and

joie de vivre are sure to win you over. The city also

makes every effort to ensure that visitors enjoy their

stay, including the thousands of students who provide

Gent with a fresh young vibe every academic year.

(courtesy of www.visitgent.be)

Ljubljana, Slovenia ∙ Because it’s Beautiful.

∙ It’s a city for strolling, chilling, eating, drinking,

getting lost down winding lanes and admiring

the grand architecture. Boutique stores, cafes,

bars and restaurants line the narrow streets.

∙ There are loads of events in the city

so there’s always something going on.

∙ The position of Slovenia is perfect: you’ve got

the seaside, Alpine peaks, rolling hills and

sparkling rivers and lakes. The locals joke that

in May you could spend the morning skiing on

the snowy peaks and then spend the afternoon

swimming in the sea.

∙ Slovenes are incredibly friendly and welcoming

with a great sense of humour. And they are

ridiculously good looking. ;-)

Is it really that good? Lonely Planet think so and

they named Ljubljana the second best place in

Europe to visit in 2014. Ljubljana also became the

European Green Capital of the world for 2016.

Antwerp, Belgium

∙ Antwerp is the largest city in

Flanders (Belgium). Besides the

many historical buildings that are

reminiscent of the city’s heyday in the

16th century, Antwerp boasts a lively

shopping and entertainment scene as

well as many cultural attractions.

∙ The city is also known for its

diamonds, fashion, and Flemish artists

such as Rubens and van Dyck, of whom

many works can be admired in the local

museums.

∙ Antwerp also has a myriad of

beauty spots, quiet courtyards, squares

and secret gardens where you can

relax. The quietest, quaintest street in

the city is the Vlaeykensgang, nothing

more than a cobbled alleyway at

Oude Koornmarkt 16. The Beguinage, a

sanctum, has an inner courtyard garden,

orchard and a pond and is surrounded

by narrow cobblestone streets and the

tiny St Catherine’s Church. The Botanical

Garden on Leopoldstraat is a haven of

peace and quiet, but also home to 2,000

rare and remarkable plants. Cactuses and

sub-tropical plants can be found in the

greenhouse. Go and discover a new world!

AntwerpGent Kortrijk

Iceland

Lisbon

Milano

Page 17: MUD ART magazine fall winter 2015

Our studio is located in the heart of one

of the coolest, bohemian, artsy and hip

city centers, called Prenzlauer Berg.

Our students come from all over the

world such as India, USA, Italy, Saudi

Arabia, Israel, Australia and even Mexico

…. so interesting, horizon expanding

experiences are waiting for you.

Just come ans visit us!

Kortrijk, Belgium

· Kortrijk lies in the Belgian Province of West Flanders,

on the river Leie. Kortrijk dates from Roman times, when

it was called Cortoriacum. Destroyed by the Normans,

it was rebuilt in the 10th century. The town is encircled

by remnants of ancient walls. Located in Kortrijk are

a castle, a belfry tower, a 16th-century town hall, the

Gothic Church of Our Lady, completed in 1211, which

contains a famous Anthony van Dyck painting, “The

Erection of the Cross”. Also, the typical beguinage is one

of the most beautiful in Flanders.

· The River Leie comes from France and enters Kortrijk

on the site of the “Broeltorens”, two medieval towers

that are the only remaining witnesses of the former city

fortifications. Nowadays, Kortrijk is a very dynamic city of

about 80.000 inhabitants with a solid entrepreneurial

image and flair.

Antwerp, Belgium

∙ Antwerp is the largest city in

Flanders (Belgium). Besides the

many historical buildings that are

reminiscent of the city’s heyday in the

16th century, Antwerp boasts a lively

shopping and entertainment scene as

well as many cultural attractions.

∙ The city is also known for its

diamonds, fashion, and Flemish artists

such as Rubens and van Dyck, of whom

many works can be admired in the local

museums.

∙ Antwerp also has a myriad of

beauty spots, quiet courtyards, squares

and secret gardens where you can

relax. The quietest, quaintest street in

the city is the Vlaeykensgang, nothing

more than a cobbled alleyway at

Oude Koornmarkt 16. The Beguinage, a

sanctum, has an inner courtyard garden,

orchard and a pond and is surrounded

by narrow cobblestone streets and the

tiny St Catherine’s Church. The Botanical

Garden on Leopoldstraat is a haven of

peace and quiet, but also home to 2,000

rare and remarkable plants. Cactuses and

sub-tropical plants can be found in the

greenhouse. Go and discover a new world!

Cluj-napoca, Romania ∙ The First MUD Studio in the real heart of Transylvania, Cluj-Napoca!

∙ Considered a Genuine Valley of Europe, Cluj-Napoca is a Romanian city with baroque architecture, and the center of academic excellence where the higher education has a long tradition within the community. Cluj has become a source of creativity, innovation and research, the current European Youth Capital. Each week there is a film festival, an opera, a concert or a theater production taking place. Amazing opportunities await you in the middle of a dynamic and vibrant cultural life! ∙ The combination of old and new, calm and crazy, helps

MUD students to reach unforgettable experiences. MUD Studio Cluj is situated only 10 minutes from the historical center. In Romania the courses are accredited by the ANC (National Authority for Qualifications). Therefore, a graduation certificate is issued by the Ministry of Education, recognized in all European Union countries, plus MUD certification, which opens an absolutely unique perspective and the possibility to continue the study program in any MUD Studio location. ∙ The courses are taught both in Romanian and English

languages to motivate students to integrate better and to be able to work worldwide.

Berlin, Germany ∙ Berlin is the city that never sleeps. From tiny basement clubs to big party venues,

chilled beer gardens and all kinds of restaurants, you will find everything that you

could possibly ask for.

∙ Berlin is a very large city, but within this large city there are a lot of small, compact

city centers that you can enjoy during a wonderful walk or a nice bike ride.

∙ Parks and lakes all over Berlin for a relaxing break from this never sleeping city.

Just bring a blanket, some drinks and enjoy!

∙ And for those of you who like shopping as much as we do,

with its small boutiques and huge malls you will find Berlin

to be a shopping paradise.

∙ Berlin is like a living textbook through the past history, with

different things waiting for you around every corner. The

Berlin Cathedral Church with its impressive architecture, the

Brandenburg Gate, and the Berlin Wall are just to name a few

sights that you need to see.

We’re located in old city centre, our

classroom is bursting with creativity

we rock in fashion make-up and we

teach in English!

Ljubljana

Soca river Bled

Vienna, Austria ∙ Vienna is known as The City of Music,

and is the birthplace of Johann

Strauss and Franz Schubert, while the

spiritual muse to such luminaries as

Wolfgang Amadeus Mozart, Joseph

Haydn, Ludwig van Beethoven,

Johannes Brahms, and many, many

others.

∙ Vienna home to some of the most

wonderful opera houses and museums

in Europe. A city with 1500 years of

history, beauty, and style.

∙ Traditional Viennese restaurants are

called Heurigen, and they are renown

for their atmosphere, where guests

share local wines, delicious food, and

traditional music.

∙ There are many beautiful and inspiring

parks and gardens, including the

historical Wiener Prater, with its giant

ferris wheel, originally built in 1897.

∙ St. Stephan's Cathedral is the symbol

of Vienna, the construction of which

commences in the 12th century. Today,

it is one of the most important Gothic

structures in Austria.

Kortrijk

Milano

Berlin

St. Petersburg

Cluj-Napoca

Vienna

Ljubljana

Page 18: MUD ART magazine fall winter 2015

After completing Level I, the student may progress into more advanced areas of make-up. At this level, students will be exposed to areas of fashion, print, film, television, and bridal make-up applications. The completion of the Level II Make-up Artist Certification allows students to transfer to a main campus program, and may act as a substitute for Beauty 101: Fundamentals of

Beauty make-up.

This certification level consists of the following courses:

/ Beauty Essentials

/ Airbrush

/ Bridal Make-up

/ Studio Make-up

/ High Fashion Make-up Trends

All students completing this course will receive

a Level I Make-up Artist Certification. Beauty

Essentials was written as an introduction to

beauty make-up. In this intensive 84-hour

course, students learn how to apply beauty

make-up and the theory behind it. These

first 84-hours should be viewed as the bare

minimum to learn beauty make-up.

This certification level consists of the following courses:

/ Beauty Essentials

Certifications

level Imake-up

artist

level IImake-up

artist

Page 19: MUD ART magazine fall winter 2015

coming in January

2016

The Bridal Industry is not only constantly changing

and growing, but the nature of the work is uniquely

demanding. The beauty professional who seeks to

work in Bridal Make-up must be prepared to work

on different skin tones, in differing environments,

with a wide range of products - all the while

communicating in a clear manner. This course

grouping offers the essential make-up techniques

needed to give any bride the look she desires on

her most important of days.

This certification level consists of the following courses:

/ Beauty Essentials

/ Airbrush

/ Bridal Make-up

level IIImake-up

artist

bridalmake-up

artist

Page 20: MUD ART magazine fall winter 2015

Individual Courses & Continuing Education

This course is designed as an introduction to beauty make-

up with an emphasis on the techniques required today in this

multi-faceted industry. Regardless of which of these areas you

intend to work in, mastery of beauty make-up is a must. In this

course you will start by learning facial analysis, base matching

and application, correction, contours, highlights, as well as a

focus on eyes and lips. The course finishes with complete make-

up applications ranging from one hundred percent corrective to

natural make-up.

This course consists of 24 sessions for a total of 84 clock hours.

beautyessentials

Page 21: MUD ART magazine fall winter 2015

Airbrushing has become one of the premiere

ways of applying make-up. In this course the

airbrush, as a tool, is de-mystified, and you

are shown how to properly care and maintain

it. In addition, you will study the techniques

necessary to do beautiful, flawless beauty

make-up. Learn the techniques that are being

required by the major studios as well as

demanding clients.

This course consists of 10 sessions for a total of 35 clock hours.

With a focus on the lucrative world of weddings,

the Bridal Make-up Artistry Course takes the

student from consultation to the creation of a

bride's perfect look. Every successful wedding

make-up application starts with a clear plan

for both the bride and family, and this is where

the bridal course starts. From there, students

learn both business and additional make-up

techniques required in order to be successful

in the bridal business.

This course consists of 6 sessions for a total of 21 clock hours.

bridalmake-up

airbrush

Page 22: MUD ART magazine fall winter 2015

Learn the techniques employed by professional

make-up artists working on advertising and

editorial. In this course, students will learn how

to work on set and create make-ups that can be

used in fashion or editorial and how to work with

a professional photographer to create imagery

that stands out from the rest. Students will also

develop his or her eye for make-up and learn

what to look out for in his or her own pictures.

This course consists of 10 sessions for a total of 35 clock hours.

High Fashion Make-up Trends

With the dramatic increase of new technology

in video production for internet and cable

broadcast, production can be found in all

markets worldwide. Applying make-up

for camera and broadcast require unique

considerations. In the Studio Make-up Course

students learn to apply camera-ready make-

ups, whether the look is a natural or full

glamour look.

This course consists of 10 sessions for a total of 35 clock hours.

studiomake-up

Individual Courses & Continuing Education

Page 23: MUD ART magazine fall winter 2015

Special Make-up Effects

drawinglike apro

Portfolio Development

Essentials of Hair- styling

January 2016

New Courses Coming in January 2016

Page 24: MUD ART magazine fall winter 2015

Beauty WorkshopsMUD personal education

Learn how to look your best by mastering your personal make-up skills. It doesn’t matter how much experience you have. Step by step you will learn how to apply make-up as a true professional.

Choose from a list of personal looks or tell us your wishes and we will teach you!

All attendants are rewarded with free MUD products in worth of workshop price.

Make-up Designory believes that every make-up mo-ment is a teaching moment. MUD is a company born from education. Whether teaching a class of aspiring make-up artists or an individual about her own make-up, educa-tion is central to the experience that is MUD. For nearly 20 years Make-up Designory has trained make-up artists from around the world. First at their school in Los Angeles then at the New York Campus. Adding to the company’s educa-tional reach, MUD Studios was developed and a network of MUD Partner Schools. Today Make-up Designory is the largest educational provider of its kind. The difference can be found in the quality of the educational systems, the curriculum and ultimately the teachers that are certified by trained and certified by MUD to teach the courses.

It is with this same focus on education and informa-tion that Make-up Designory is using to teach wom-an about their own make-up, their uniqueness and ultimately how to apply make-up to themselves.

MUD has created and has successfully offered a series of classes and one on one tutoring sessions to meet the educational and make-up needs of the everyday woman. The central idea is to not just do a make-over but provide the person with a learned skill that will help them to better apply their own make-up.

The classes range in duration from one to three and half hours.

The classes follow the same methodology and phi-losophy that have made Make-up Designory the global leader in make-up education and cover trends, techniques and events.

The classes can be offered to as few as one person or to a group. In order to take a class the participant pays a nominal fee that can then be used as a credit to buy MUD cosmetics.

Page 25: MUD ART magazine fall winter 2015

Evening LooksDescription: Learn the techniques employed by professional make-up artists to create a beautiful and youthful look for any evening engagement. The instructor will give you the tools to create a make-up for any evening occasion.

Make-up partyDescription: Invite your friends to a party where you learn to do make-up while having a little fun. This workshop is the perfect introduction to the weekend. Channel your inner-rock star with a new look and be the center of attention.

Smoky EyeDescription: Learn how to create a smoky eye with our talented team of make-up artists. We will walk you through the process of layering eye shadow and creating the most amazing effects with the smallest amount of product.

Natural Day Looks Description: Creating a natural, no make-up look can be one of the more challenging aspects of make-up artistry. We will guide you through the process of applying make-up so it not only looks natural and minimal, but also looks clean and helps each person to look their very best.

5 Minute Looks for Women on the Go Description: Don’t have much time to put on make-up? In this seminar we show you fast ways to get flawless results. Apply make-up in this seminar as our professional make-up artist assists you in achieving the look you want in less time and with less effort.

Teen Make-Up Description: Learn to properly apply make-up for you and your teen/tween from professional make-up artists. These age appropriate lessons show how much make-up to use and the proper way to apply it. We will explain and demonstrate the techniques to cover blemishes and make it look natural.

Page 26: MUD ART magazine fall winter 2015

Geminiphotography: Peter Giodanimake-up: Vanja Djuran

Geminiphotography: Peter Giodani

make-up: Vanja Djuran

Page 27: MUD ART magazine fall winter 2015
Page 28: MUD ART magazine fall winter 2015

Gemini

Our names were captured in ancient dictionary

We lived through centuries

Our world is without colors

There is no white without black

Reflection is blinding me

We live in a room without mirrors

When I want to say something

I use the word WE

Flying on the moonlight

We search for our star in a day night

Existence is a relative concept

There is no you without me

Vanja Djuran

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make-up & hair: Vanja Djuran @ MUD Europe

photography: Peter Giodani

model: Maruša & Sebastian @ Immortal Model Management

Page 34: MUD ART magazine fall winter 2015

MUD Instructional Specialist

Vanja Djuran1. You just got back from a photo shoot in Vienna, how has the rest of this year been for you?There have been so many things happening at once for

MUD, like opening new MUD Studios, developing new

products, MUD Art Magazine photo shoots and teaching…

like I always say, “this year has been great!” If I keep

repeating that sentence every year, then the sky is the limit.

2. What is a greater challenge, teaching future make-up artists or training make-up artists to become teachers?Teaching IS a big challenge, and god knows I love it! When

it comes to students, I teach them how to do make-up. With

teachers it is a little bit different, I teach them how to teach

make-up. The most important thing is to care about your

students' success and to make sure that your students are

learning. Actually for me, to answer your question, there is no

difference between the two.

3. What type of feedback do you usually receive for your work as an instructor and as a make-up artist?I am really trying hard to remember some negative feedback

or comments in order to not sound pretentious, but I cannot

remember one. I think once you realize that you are learning

every day, you simply enjoy and love what you do, only good

things get back to you.

4. What are your thoughts on creativity in a commercial world?Thinking as an artist doesn’t have anything to do with

commercial theoretically, because being an artist is ex-

pressing your inner emotion, your inner-self and person-

al point of view. Technically artistic presentations have a

great visual impact on people which is exactly what an

artist wants to achieve. Basically, the question answers

itself - finding the balance between creativity and living in

a commercial world is the key to success.

34

Page 35: MUD ART magazine fall winter 2015

35

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5. What is the creative process you follow when developing a new make-up collection or look?Whenever I am inspired I immediately start drawing on a face

chart because I don’t want to let the idea disappear. Then I

always have a stock of looks to choose from.

Research is a never ending process for a make-up artist, you

always need to be on track with new collections and trends.

I am always questioning who is designing the trends and if

it’s necessary to fully follow them. I prefer to add a lot of

my personal touches and transform the trend into my own

unique creation.

6. If you had to pick one, which would it be: doing make-up for fashion week, photo shoots, movies or theater?Hmm…I think I feel the same as if someone would ask a

parent to pick a favorite child. (Laughing)

Fashion weeks are so dynamic, there is so much preparation

and creative teamwork. Photo shoots in studios are com-

pletely different, they can be very intimate and quiet, but

sometimes you travel to a certain location just to get one

great photo, freezing a moment in time. Movies are probably

the most complex, sometimes taking over a year to com-

plete production. Theater has a certain romantic feel to it and

was one of the first fields where make-up artistry became a

profession.

It is impossible for me to choose one, but I can admit that my

strongest one is creating new looks and working on photo

shoots.

7. What music do you play while you are working?Besides being a make-up artist, music is probably one of the

most important elements of my life. It really depends on a sit-

uation, sometimes there is already music playing and there is

not much to choose from. If I am the one choosing the music

I always adapt it to the mood of the make-up, similar to how

a soundtrack is chosen for a movie. I never get enough of

Shirley Bassey, Chet Baker, David Bowie, Kate Bush, Mas-

sive Attack and Air. 36

Page 37: MUD ART magazine fall winter 2015

8. Do you have any friends or family that helped lead you to become an artist?My grandfather was a painter, but unfortunately, I never got

the chance to meet him so I must have inherited (or stolen)

some of his genes. I also always enjoyed watching my moth-

er do her make-up, so I need to thank her because I was

never really interested in make-up or any other girly thing

at the time. She did my make-up for my prom and nobody

recognized me; I instantly felt the magic of make-up, which

was probably my breakthrough moment.

9. Who inspires you the most in life?It will probably sound cliché, but my life is my inspiration,

along with my friends and the people I work with. You don’t

search for creativity, you simply live it!

10. What makes you really happy?There are a lot of things that bring joy and happiness to

my life, but it comes down to, simply waking up in the

morning knowing that there is a whole new day full of

surprises waiting for me!

11. Where do you see yourself in 5 years?My life, as a make-up artist, is full of constant changes.

Meeting new people on a daily basis, changing work loca-

tions, traveling and diving into new cultures is what I love

and why I chose to do this in the first place. I’m always cre-

ating, teaching and learning, so I hope in 5 years it will be the

same…same, but different. 37

Page 38: MUD ART magazine fall winter 2015

Used for centuries to create definition and to draw attention to the eyes, eyeliner comes in different types and styles. While some applications are used for correction, others are purely for fun and fashion. The possibilities are endless: Precise sharp lines are great for dramatic looks and soft smudges offer a more subtle approach. You can also control the thickness of the line with the amount of pressure you ap-ply and with your choice of brush. (A light touch will allow for a thinner line than you get with a heavy hand.)

For well defined, sharp lines you may choose

to use a cake liner, gel, liquid or even a wet

application of eye shadow. For a softer look,

choose a pencil or a dry eye shadow and

blend. You can also layer more than one prod-

uct to add depth. Once you master our four

basic Eye Liner applications, it’s extremely

easy to customize your own.

The Eyes Have ItEyeliner

Written By: MUD Staff

Winged

Double

Glam Roock

Graphic

Seventies

1.

2.

3.

Page 39: MUD ART magazine fall winter 2015

1. For a well-defined straight liner, use the Cake Liner in Black or Brown with Brush #100.

2. Wet the brush and twirl it into the cake liner until it comes to a point and you have a

perfect slurry of color. (Too wet and it may look like a wash, too dry and it may skip.)

Test on the back of your hand to ensure you have the right consistency.

3. Do not stretch the eye from the outer edge - it will distort the eyeliner and may cause

added wrinkles later on. If necessary, tug upward from the eyebrow to really get into the

lash line. To gain better control, lightly lay the brush flat against the lashes on the top

lash line with the tip pointing toward the tear duct.

4. Drag the brush to the center of the eye.

5. Flip the brush and lay the brush flat against the lashes with the tip facing the outer

corner and drag the brush toward the center so the lines meet in the middle.

Use the same method of application for liquids, gels, and/or wet powder applications.

For a softer look, use this method with a sharpened Eye Pencil and/or an Eye Color

and Brush #210.

1. Use the same method for a well-defined straight liner for the base of the natural

liner application.

2. Next, lightly place the tip of the brush toward the highest point of the wedge (To

create the lift at the outer edge, use the edge of your lower water line to gauge

where your wedge should be placed.) It is very important not to exceed the

outer edge especially when you are trying to lift the eye.

3. Lay the brush flat with the tip touching the highest point of the wedge and

follow the curve of the eye toward the center. You may have to repeat this step

to build the thickness.

Use the same method for liquids, gels, and wet powder applications. For a softer

edge, dampen Brush #210 and lightly blend out. Or use the same point to point meth-

od with a sharpened Eye Pencil and/or Eye Color and Brush #210.

1. Begin with a straight or natural liner with any of the products mentioned above

and envision a horizontal line that runs through the eye. Place a dot at the outer

corner of the eye just above the horizontal line.

2. Place your choice of tool and product on the dot and follow the lower lash line.

Taper the lower liner as you move toward the tear duct.

3. Next, connect the lower liner with the top liner. Place the tool and product on

the dot and follow the upper lash line. This line should also taper as it nears the

tear duct.

A well-blended and soft application makes for a perfect smoky eye.

1. Create your slurry of color with the Black or Brown Cake Liner and Brush #100.

2. Look straight into the mirror and notice if/where the fold of the crease falls on the

lid. If it does, be sure to keep the wing below the fold.

3. Point the tip of the brush toward the highest point of the wing at a 45 degree

angle and drag the brush down to the outer corner of the lash line to create an

extended incline line. Repeat on the other eye for balance.

4. Next, lay the brush down with the point at the tear duct and drag the brush to

the center of the eye. Then turn the brush in the opposite direction. From the tip

of the wing lightly apply pressure to the brush to create a slight dip as the brush

glides toward the center of the eye.

5. Repeat steps to fill in if necessary. Follow steps on the other eye.

For a softer edge, dampen Brush #210 and lightly blend out or use the same point to

point method with a sharpened Eye Pencil and/or Eye Color and Brush #210. You can

also add powder Eye Color on top to soften the look.

A straight liner is used to define the top lash line and

follows the natural curve of the eye. The straight line

does not have any corrective elements, it’s primarily

used for definition. It is also a great base for most eye

liner positions.

The Fashion Liner creates the illusion of close-set

eyes appearing farther apart. In this corrective posi-

tion, the lower liner meets the upper liner at the outer

corner of the eye to create a lift at the outer edge.

This liner position is used to add an optical lift to-

ward the outer edge and to define the eye. The

natural liner is thinner in the inner corner and as it

follows the curve of the eye, it thickens and ends

with a wedge at the outer corner.

This corrective eyeliner position is ideal for wide-set

eyes. It creates the illusion of the eyes closer togeth-

er, with a lift at the outer edge. Although this eyeliner

position is very popular, it is not recommended for a

person with hooded lids as the fold will most likely dis-

tort the shape of the wing.

Straight Liner

Fashion Liner

Natural Liner

Glamour Liner

#900 #100 #210Tools

Page 40: MUD ART magazine fall winter 2015

After graduating from MUD in 2002, make-up artist Danielle

Lyn Saunders worked on an array of low-budget horror films

and “any job she could get her hands on” where she created

numerous character make-ups. After 18 months of paying her

dues, Danielle joined Local 706 where she did make-up on

game shows before getting her first episodic television show,

Touch, a major accomplishment in her life and career. After

marriage and family beckoned, Danielle returned to TV, de-

partment heading sitcoms including Dads in 2013 and Cristela

in 2014 after which she joined Disney in 2015.

With regards to her first job after graduating from MUD, Only

in Hollywood, Danielle realized that she had to stand out from

the pack. Though a throng of make-up artists were vying for

the position of doing make-up on the show, even though its

total salary was $50, Danielle offered to work on the show for

free. However, the director wasn’t buying that, as other po-

tential artists had already volunteered their labor for free. Con-

cocting a unique strategy, Danielle asked the director “if he

had 30 minutes, so that she could make him look homeless.”

She nailed the make-up and got the job.

Danielle left no stone unturned in building her career, so she

tried every avenue: pouring through the industry trade mag-

azines, checking Craigslist for jobs, answering all ads she

could find. In addition to doing a dose of freebees, Danielle

reached back to MUD to find paid work, no matter the size

of the project initially. Danielle noted that she flew by the seat

of her pants, often devising on-the-spot make-ups for shows

such as Touch. Adding a bruise make-up or bloody gash

would regularly arise, so Danielle kept her make-up kit fully

stocked in anticipation of these spontaneous challenges. Her

most valuable lesson learned was to be ready for anything and

always be adequately prepared when working on set.

Her greatest strength, Danielle notes, is her ability to create

anything asked of her, regardless of her given prep period.

For Untold Stories of The ER, she fabricated such unorth-

odox make-ups as “hooks through a neck, or tree stumps

in head”, which to her delight, always stood up on camera.

She surmounted such challenges through a combination

of her MUD training, her developing skills, and her stead-

fast belief in herself. Moreover, Danielle has proactively

been surrounded by friends who have supported her and

likeminded craftspeople from whom she has continued to

learn. In the future, Danielle looks forward to balancing her

professional life and her family life, which is also precious

to her. Given her ongoing position as the make-up depart-

ment head on many top television projects, Danielle looks

to have a very bright career ahead.

Danielle Lyn SaundersGraduate Spotlight

Written By: Scott Essman

40

Page 41: MUD ART magazine fall winter 2015

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Page 42: MUD ART magazine fall winter 2015

MUD Fall / Winter Look 2015

Page 43: MUD ART magazine fall winter 2015

From high above the Danube bright

lights shimmer as cool metal and glass

reach for the sky. Modern lines rise into

tomorrow while keeping watch over the

Baroque legends of yesterday. Clarity is

found here, in the simplicity of now.

Page 44: MUD ART magazine fall winter 2015

make-up: Sean Conklin @ MUD USA

hair: Vanja Djuran

make-up supervisor: Francine Reich @ MUD USA

creative director: Maja Kešelj

photography: Peter Giodani

styling: Matic Veler

model: Anja @ Immortal Models Management

A special thanks to MUD Studio Vienna

shooting location:

Melia Hotel, Vienna, Austria

Rise above the ordinary by pairing tones of cool metallic with rich wine.

Page 45: MUD ART magazine fall winter 2015
Page 46: MUD ART magazine fall winter 2015

2. Place with Onyx Eye color on the outer corners of the top lid and follow the crease

toward the center of the eye with the #300 Shadow Blender Brush. Connect the

outer corner with the lower lash and follow the lower lash line to the tear duct.

4. Intensify Tinsel Eye Color with a small

amount of Face Primer. Stipple on the on

the lid with #320 Oval Shadow Brush.

6. Line and fill in the lips with Mauve Lip Pencil. For

a lighter application, use #810 Smudger Brush to

transfer the color onto the lips.

3. Use #800 Crease Brush and layer

Vineyard Eye Color on the crease to

soften the edges and to add warmth.

1. For a highlight, lightly sweep Canvas

Eye Color on the brow bone with

the #320 Oval Shadow Brush.

5. Apply Vineyard on the outer corner of

the eye to transition Tinsel into Onyx

with #800 Crease Brush.

7. Finish the look with Rose Clay

Lipstick. Use #310 Lip Brush

for a precise application.

To compliment this collection

apply the Cool Mauve Cheek

Color to the cheek bones with

the #710 Powder Blush Brush.

Final Look

Page 47: MUD ART magazine fall winter 2015

MUD Fall / Winter Look 2015

Page 48: MUD ART magazine fall winter 2015

Growing upI was always interested in creating art. More specifically Mon-

ster or Creature art, and what started two dimensionally in

sketchbooks and textbooks ultimately developed into three

dimensional sculptures. As a youth, I knew I wanted to make

monsters. As I grew, however, I realized what that really meant

was that I wanted to create characters. My parents, Steve and

Irene, were always very supportive and aided me in obtaining

the various materials and tools I needed to advance in this

arena. Without their support and encouragement, I am posi-

tive I would have followed a very different path.

Entertainment industryKing Kong (1933 version). I remember being awestruck by

Willis O’Brien’s stop motion of Kong. That experience stayed

with me so deeply that when I moved to New York in 1986 to

study film, I enrolled in the animation department.

CareerA high school friend of mine, Mark Pederson, had moved

to Florida and hooked up with an independent filmmaker

named Tim Ritter. Tim was about to start shooting a film en-

titled, “Killing Spree” and I went down to handle the make-up

effects. The entire budget was $1000 and I was tasked with

building seven elaborate death scenes and bringing all the

victims back from the dead.

Big BreakI think moving to L.A. was perhaps the biggest step forward

for my career. I don’t think that this would have happened

when it did if I hadn’t met Gabe Bartalos while still in New

York. Gabe had just finished shooting “Frankenhooker” and

was gearing up to start “Basket Case 2.” I interviewed with

Gabe and started the next day. After the film wrapped, Gabe

offered me a position at his L.A. studio, Atlantic West Effects,

on a film called “Happy Hell Night.” I gladly accepted and

moved to Los Angeles, which I have called home ever since.

Heros and mentorsI am always learning from other artists, but I’m not sure I

would call them “heroes.” “Inspiration” is more appropriate,

I’d say. If there were any make-up artists I would refer to as a

mentor however, I would have to name two. The first would

be Steve Johnson. I worked at Steve’s company XFX for

about eight years when I first moved to L.A. and the things I

learned there would fill a book. Not only did Steve surround

himself with some of the best minds in the make-up effects

business at the time, but he also approached make-up de-

sign from a very original angle. His approach was always

“outside the box”, which led to some amazing visual imag-

Joel HarlowInterview

Written By: Deverill Weekes and Juliet Landau

They say it’s not what you know, but who you know when it comes to “making it” in

the industry. Not only have MUD graduates made a name for themselves, but the

friends of MUD are always artists that believe in setting their own path to success.

Events like Industry Speaks at the New York and Los Angeles campuses give students the

opportunity to speak with lead artists every week. Some of the hottest names in the entertain-

ment and beauty industry have graced the doors of MUD to show them what’s at the end of

the tunnel of opportunity after graduating.

Academy Award and Oscar winning artist, Joel Harlow sat down with MUD to share his hum-

ble beginnings from Grand Forks, North Dakota to on location with Johnny Depp.

48

Page 49: MUD ART magazine fall winter 2015

Joel Harlow

ery. I maintain that what we did at XFX was to create “digital

transformations and effects” in the physical world. The sec-

ond mentor would have to be Ve Neill. I was Ve’s key make-

up artist on a number of very high profile films. She taught

me how to run a department and how to be a department

head. I absolutely would not be where I am today without

Ve’s guidance.

InspirationMy inspiration can come from anywhere. I surround myself

with the work of other artists, both two and three dimension-

al, both classic artists and make-up artists. I will also derive

inspiration from music or audio stories. There are inspirations

everywhere, one just needs to be open to them, from the

very obvious imagery in painting or sculpture to the images

in the grain of a piece of wood or the shapes in a coffee stain

on a desk...

Johnny DeppWorking with Johnny is truly a dream come true. In devel-

oping a character, he brings no ego to the process. By that I

mean that he is not concerned at all about seeing “himself”

through the make-up. It’s all about designing the right look

for the character, and he is very involved in the conceptual-

ization process. We have developed a shorthand over the

years which allows us to play around with looks (prosthet-

ic or otherwise) with fantastic results. He understands the

make-up world completely. He is very conscious of the time

it takes to create and apply make-ups, as well as the poten-

tial fragility of a make-up once applied. There is a mutual

respect we share for each other when it comes to creating a

character...that is VERY rare!

Winning the OscarThe most important part of that evening was being able to

share it with my parents. I was able to have them both at the

awards presentation and after that evening, I gave them the

award. It is a tremendous honor to be acknowledged by your

peers for work that you love doing, but ultimately, doing work

that you love is its own reward.

If your house was on fire and you could only save one scene from all your movies what would it be?I think one of my favorite make-ups that I’ve created has

been “Bootstrap Bill” from Pirates 2 and 3, however, the

“Hell on Wheels” sequence from “The Lone Ranger” is load-

ed with special character make-ups and regardless of any

critics opinion (armchair or otherwise) it is at the top of my

favorite films list...I think that’d have to be it.

Best advice“Nothing lasts forever. Neither the ups, nor the downs. Enjoy

the high points and treat everyone with respect, for one day

you will be the one taking direction instead of giving it.”

Code you live byAlways create! Whether it is for a film or for yourself, always

do what you love to do. Your personal projects are just as

important to your growth as an artist as your professional

projects. Perhaps more so, because this is where you get

to express your vision without input from others. If you find

yourself losing the passion to create for art’s sake, then it's

time to rethink what you are bringing to this industry.

“NOTHING LASTS FOR-EVER. NEITHER THE UPS, NOR THE DOWNS. ENJOY THE HIGH POINTS AND TREAT EVERYONE WITH RESPECT, FOR ONE DAY YOU WILL BE THE ONE

TAKING DIRECTION IN-STEAD OF GIVING IT.”

49

Page 50: MUD ART magazine fall winter 2015
Page 51: MUD ART magazine fall winter 2015

CREAM FOUNDATIONThe Basics: From a sheer natural look to a flawless full-coverage finish, these versatile Cream Foundations are easy to apply and hold up beautifully under the most extreme conditions. Formulated for ultra-smooth blending and application. Find your perfect match and use it alone, or blend colors like the pros to achieve a specific skin tone.

DUAL FINISH PRESSED MINERAL POWDERThe Basics: A lightweight pressed powder foundation that can be applied wet or dry to create a silky, smooth finish. Use dry for a soft matte look or damp for more coverage. The lightweight, talc-free formula works beautifully with all skin tones.

CORRECTORThe Basics: Creamy, pigment rich correctors designed to conceal and camouflage skin imperfections. The ultimate coverup for scars, blemishes, birthmarks or dark under-eye circles. Blend with Make-up Designory’s Cream Founda-tions for a flawless, full coverage make-up.

BRONZERThe Basics: Sheer pressed powder Bronzers add a warm glow to any skin tone. Dust lightly over the entire face for just a hint of color or intensify application to create more dramatic effects. The perfect finishing touch for any look.

LOOSE POWDERThe Basics: A finely-milled Loose Powder that creates a beautifully soft, smooth finish. So ultra-light, it stays on the skin’s surface without settling into fine lines. The silky-smooth formula applies evenly and comes in a spectrum of delicate tones from no color at all to a deep, rich brown. Perfect for setting foundation. A must-have to conquer shine.

WB 2 WB 3 WB 4

WB 5 CB 2 CB 3

CB 4 CB 5

DW 5

DC 5GY 3GY 2

GY 1YG 3YG 2

YG 1

SUNSHINE(SHIMMER)

ENDLESSSUMMER(MATTE)

DFL 1 DFL 2 DFM 1

DFM 2 DFD 1 DFD 2

BLUE CORRECTOR

#2

DEEP BROWN

CORRECTOR

BLUE CORRECTOR

#1

BLUE CORRECTOR

#3

BLUE CORRECTOR

#4

REDCORRECTOR

#1

REDCORRECTOR

#2

REDCORRECTOR

#3

ZERO(COLORLESS)

SHELL BUTTERCREAM

DESERTSUEDE

Page 52: MUD ART magazine fall winter 2015

EGGPLANT(EXTRA SHEER)

JUST PEACHY

MAI TAI

MUDSLIDE PINK TWINKLE

ROSE CLAY

SANDY BEACH

STARGAZER

BLACKBERRY HAVANA LADY BUG

RUSTIC

SHEER LIPSTICKThe Basics: Luscious Sheer Lipsticks in an array of translucent colors to complement any skin tone, from extra-light to rich and dark. Ultra-emollient formula leaves lips feel-ing soft and supple.

SATIN LIPSTICKThe Basics: Luxurious Satin Lipsticks with emollient-rich, non-drying formula that leaves lips feeling soft, smooth and supple. Provides long-lasting color with a smooth, opaque matte finish. Available in an elegant selection of lush, deep colors.

LIP PENCILThe Basics: Pigment-rich Lip Pencils soft enough to shade the entire lip, yet firm enough to line and define with precision. The long-lasting color glides on easily to complement Make-up Designory’s luscious lipsticks and glosses. Creamy enough to mix colors and create your own shade.

LIP GLOSSThe Basics: Rich, luminous Lip Glosses that leave lips feeling smooth and hydrated with radiant shine. They glide on easily, never leaving lips feeling sticky or heavy. Use these slick glosses alone for a sheer wash of color or layer over lipstick to enhance the shade.

LIP GLAZEThe Basics: Light, emollient Lip Glazes deliver a burst of sheer, glossy color that’s smooth and never sticky. Stash the squeezable tube in a handbag for a quick sweep of color on the go, or use a brush for more precise application.

NATURAL

BURLESQUECHARM

MAUVE

IDOL

BRICK

MAHOGANY

LUCKYSOLEIL

RED

FLIRT

SHINE(CLEAR)

ICED LATTE

PINK FREEZE

HENNA

MAPLE

BARE MAGNOLIA

CANTALOUPE CUPID SPICY

JAVA

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Page 54: MUD ART magazine fall winter 2015
Page 55: MUD ART magazine fall winter 2015

EYE PENCILThe Basics: Versatile Eye Pencils soft enough to line the eyes, yet firm enough to define brows. Color glides on effortlessly, whether lining eyes precisely or shaping and filling in brows. Available in natural, pigment-rich colors to complement every skin tone.

CAKE EYELINERThe Basics: A long-lasting, water-activated liner known for its precision and versatility. The make-up experts’ choice that’s perfect for everyday use. Create subtle or dramatic looks effortlessly with this professional-quality eyeliner. Go from a super fine line for everyday wear to a thicker line for more intensity.

BROW FIXThe Basics: Keep brows groomed and gorgeous with Brow Fix. This non-flaking gel formula sweeps on with a brush applicator for maximum precision and convenience. Squeezable tube is ideal for use in a professional make-up kit, or to create sleek brows on the go.

VOLUMIZING MASCARAThe Basics: Award-winning Volumizing Mas-cara, rich in pigment for even coverage and lush with fibers to maximize and lengthen for super-volumizing results. Brush applicator allows ultra-smooth application and control for individual users, whether creating a subtle daytime look or glamorous evening eyes. Squeezable tube is ideal for professionals and everyday use.

The Basics: Vibrant and silky Eye Colors, lushly rich with pigments for long-lasting color. The unique velvet consistency allows these versatile shadows to glide on smoothly and evenly – wet or dry. Go wet for more intense, long-lasting color or to use as eyeliner.

MAT

TE

SH

IMM

ER

ICE HONEYSUCKLE DULCE DE LECHE

DAISY SUNSET SUNFLOWER FIREBRICK

CAJUN SPICE

BRONZED SPANISH GOLD

GALAXY BROWN-STONE

OPALSKY

SUGAREDVIOLET

VOODOO

MIDNIGHT TINSEL GRAPHITE

CASHMERE PIXIE

PINKGRAPEFRUIT

POME-GRANATE

PINKILLUSION

VINEYARD

SHAMROCK PACIFIC TEATREE

MOSS

TAUPE AUBURN RICH BROWN

BLACK BLACK FOREST

VINTAGE

BROWN BLACK

CLEAR

BLACK

BONE APRICOT WHEAT CHAMOIS

TAUPE

CANYON

ESPRESSO

SIENNA(DEMI-MATTE)

ORCHID CONCORD BERRYWOOD

FLIGHT

SMOKED SAPPHIRE

PAVEMENTCANVAS

SEMISWEET

ONYX SEDONADECO

STATUE VELVETINE

EYE COLOR

Page 56: MUD ART magazine fall winter 2015

4 HOLE EMPTY EYE COLOR PALETTEThe Basics: This empty palette holds four of the MUD Eye Colors. This 4-Hole Palette is perfect for traveling or carrying in a make-up bag for touch-ups.

8 HOLE EMPTY CHEEK / EYE COLOR PALETTEThe Basics: Make-up Designory’s empty 8-Hole Palette allows the user to combine six refill Eye Colors and two refill Cheek Colors. This versatile palette is great for traveling or on-set use.

10 HOLE EMPTY CHEEK COLOR PALETTEThe Basics: Make-up Designory’s empty 10-Hole palette is slim and profes-sional. This palette holds ten MUD Cheek Colors.

12 HOLE EMPTY EYE COLOR PALETTEThe Basics: Make-up Designory’s empty 12-Hole palette is slim and profes-sional. This palette holds twelve MUD Eye Colors.

* Note: Palettes are sold empty. Please see Eyes and Cheeks section for available refill colors.

TRAVEL BRUSH KITThe Basics: Now you can take your favorite make-up brushes wherever you go. This sleek, envelope-style travel brush pouch has been custom designed to hold MUD travel size brushes, including the #210S, #300S, #310S, #330S, #710S, #800S and #810 series.* The lightweight yet durable black microfiber material wipes clean, and the convenient magnetic closure keeps brushes in place during transit.

* Note: Empty case also available

PENCIL SHARPENERThe Basics: Creates the perfect point for lip and eye pencils. Metal blade works smoothly and easily with precision. Convenient cleaning stick helps to remove product from blade and inside sharpener.

PROFESSIONAL MAKE-UP SPONGE (12 PRE-CUT SPONGES)

The Basics: Create a flawless look effortlessly with these specially designed, disposable Professional Make-up Sponges. Unique shape offers extra surfaces and density keeps cream products from absorbing into sponge. Use wet or dry for smooth, even application. Made from natural and synthetic latex.

Page 57: MUD ART magazine fall winter 2015

COLOR CREMEThe Basics: Sheer, non-greasy cheek and lip colors that add a fresh glow to the skin. Use alone to create natural warmth or over foundation for a colorful finish. Creates glowing color that appears to radiate naturally through the skin.

CHEEK COLORThe Basics: Versatile powder Cheek Colors formulated with pigment-rich ingredients for a smooth, even finish. Available in a spectrum of beautiful colors – from soft and natural to bright and bold – that will add warmth and intensity to all skin tones.

FACE PRIMERThe Basics: Lightweight gel Face Primer works beautifully with Cream Foundations to create a flawless, long-lasting finish. Apply directly to the skin prior to foundation using a sponge or fingertips to create an extra smooth surface or mix into foundation for a creamier consistency.

MAKE-UP REMOVER TOWELETTES (40 towelettes)

The Basics: These refreshing towelettes leave skin feeling clean while removing all traces of make-up. No water necessary. Convenient resealable packet keeps towelettes moist and ready for use. Perfect for life on the go.

PALETTE REFILL

TULIP SWEET CHEEKS

SUNROSE

LEMON CREAM

(HIGHLIGHT)

WARM BISQUE

ROSE PETAL

BUBBLEGUM COOLMAUVE

BERRY

POPPY GARNET GLOW

SOFT PEACH PUMPKIN ROSEBEIGE

RUSSET BRICK GINGERBREAD

Page 58: MUD ART magazine fall winter 2015

CLEAR POUCHThe Basics: A clear, durable pouch that conveniently stores a variety of make-up, tools, bottles and jars.

MAKE-UP CASE SETThe Basics: This durable, uniquely designed case is ideal for easy access to all your make-up related essentials. A must-have for every make-up artist, the sturdy set case is perfect for travel. Two clear pouches conveniently store a variety of make-up, tools, bottles and jars.

SET BAGThe Basics: This durable, uniquely-designed Set Bag is perfect for organizing all of your make-up related essentials in one place for easy access. The large center compartment is surrounded by handy pockets for storing bottles and cans. A must-have for every make-up artist.

3-N-1 BRUSH HOLDERThe Basics: This custom designed, 3-N-1 Brush Holder boasts three convenient functions, each ideal for keeping brushes organized and protected. Wear it as a waist belt for work on the go, use it as a stand-up holder for easy access to tools or simply roll it up and store your brushes safely. Durable black belt has a protective flap and several pouches to hold brushes and other essentials.

CONTINUITY FACE CHART (50 SHEETS)

The Basics: Note every detail while creating unique make-ups using MUD’s custom designed Continuity Face Charts. The porous paper allows for realistic blending when using make-up or colored pencils.

35-WELL PALETTEThe Basics: Conveniently store up to 35 of your favorite lipsticks and cream products in this sleek plastic palette. Great for organizing customized colors for easy access on set.

EMPTY 4 WELL WHEELThe Basics: This empty palette has 4 compartments for cream products and is perfect for custom blending colors. The compact palette is a convenient size with a screw top to secure product.

8-HOLE EMPTY PALETTEThe Basics: Convenient 8-Hole Palette comes empty to make it easy to customize any combination of Make-up Designory’s refillable cream products. Reusable eco-conscious palette eliminates the need for disposable, one-use make-up holders. The experts’ choice for its versatility and smart design.

STAINLESS STEEL PALETTEThe Basics: Reusable, stainless steel work palette is a must-have for blending colors and other make-up products.

PALETTE KNIFEThe Basics: Stainless steel palette knife is a must-have for removing cream make-up products from pots and palettes, quickly and easily. Protects make-up from cross-contamination.

brushes

comments

name

date

skin carecleanser

moisturizer

make-up primer

facefoundation

concealer

powder

cheek color

eyeslid

crease

brow

liner

mascara

lashes

lipslip color

gloss/glaze

lip pencil

make up artist

© 2011 / Make-Up Designory Printed on Green Seal Certified Recycled phone // 818.557.7619 / 212.925.9250 www.mudshop.com

Page 59: MUD ART magazine fall winter 2015

TWEEZERSThe Basics: These precision-crafted, stainless steel slant tweezers allow for a perfect grip for cleaning up around the brow area.

EYELASH CURLERThe Basics: Create perfectly curled lashes with Make-up Designory’s professional stainless steel eyelash curler. The specially designed arch creates an even curl without creasing. One replacement silicone pad included.

TRIMMING SCISSORSThe Basics: Trim facial hair, brows and false eyelashes with these professional stainless steel manicure scissors.

HAIR SCISSORSThe Basics: These professional quality stainless steel shears are perfect for trimming natural or synthetic hair for a variety character looks.

DISPOSABLE MASCARA WANDSThe Basics: Create flawless lashes using Make-up Designory’s individual Disposable Mascara Wands. Universal to any lash type with a flexible tip for easy application.

DISPOSABLE PAPER PALETTEThe Basics: This wax coated Disposable Paper Palette is ideal for easy clean up in between make-up applications. Use to mix foundation, lipstick, lip glosses, glazes together and create quick custom colors.

2 OZ SPRAY BOTTLEThe Basics: Keep liquids organized and separated with Make-up Designory’s plastic 2oz spray bottles. Conveniently sized for travel and fits perfectly into any professional kit or cosmetic bag.

DOUBLE POINT COTTON TIP APPLICATORSThe Basics: Professional quality, double sided point tip applicators are a must have for any make-up kit. The firm, pointed tips allow for precise application and blending, giving ultimate control.

POWDER PUFFSThe Basics: Create a flawless, matte finish using these soft velour puffs. Specifically designed to pick up and hold powder for an even application. Available in packs of 2 or 10.

ORANGEWOOD STICKSThe Basics: These finely grained wooden sticks are ideal for applying MUD’s false eyelashes.

Page 60: MUD ART magazine fall winter 2015

#920 angle liner

#900 round liner

#100 round liner

#350 shadow blender

#210 angle liner

#500 mini fan mascara

#330 shadow fluff

#300 shadow blender

#340 large oval

#320 oval shadow

#810 smudger

#800 crease

#310 lip

#310s lip - portable

#510 duster

#720 powder

#700 cheek contour

#400 narrow flat

#940 foundation

#710 powder/blush

#930 concealer

#910 stipple

#410 wide flat

Fine, tapered point is ideal for creating extremely thin lines when using cream or cake products

Tapered point allows for a precise, even application

Fine, sharp angle is perfect for creating precise, even lines

Small oval shape works great for Eye Color detail

Flexible oval shape allows for easy color application

Soft, full oval shape is ideal for blending Eye Color

Wide, tapered bristles allow for quick and even coverage

Firm oval shape helps to blend and apply Eye Color with control

Long, tapered bristles are porous yet soft to the touch and are ideal for blending Eye Colors

Dense, soft, short bristles are ideal for creating a smoky eye

Small, fan-shaped bristles allow for coverage from the inner corner to the outer edge of the eye

Fine angle is ideal for applying cream products to hard-to-reach areas

Tapered bristles are ideal for creating a precise lip line

A travel-sized brush for lip line application on the go

Straight, narrow edge is ideal for under the lash line, for maximum coverage

Straight, tight edge helps to create and blend lines with precision

Soft fan-shaped bristles are ideal for removing powder from under the eyes and other hard-to-reach areas

Dense bristles are soft to the touch and angled for precise, controlled contouring

Dense, dome-shaped bristles are soft to the touch and ideal for gently gliding color onto the skin

Ultra-soft bristles remove and deposit powder products with ease

Squared, flexible bristles are versatile and easy to manipulate to achieve a variety of character looks

Tapered bristles are ideal for applying cream products to hard-to-reach areas or for creating a precise lip line

Ultra-fine bristles blend cream products smoothly and even-ly around the face

FACE/EYES

FACE/EYES

FACE /EYES

SFX/EYES EYES

LIPS

FACE

BROWS/FACE/EYES

CHARACTER MAKE-UP/EYES

Page 61: MUD ART magazine fall winter 2015
Page 62: MUD ART magazine fall winter 2015

#930#510#340 #350#330#300

Highlight

& Shadow 101

The art of highlighting and shading are techniques used

in a make-up application to accentuate features and add

depth. Used alone or together, they can help a face appear

thinner, add lift to the eye area, create high cheekbones,

and a defined the jawline, which will help the face look well

balanced and youthful.

Choosing a highlight or shadow product will create the most

dramatic effect, however lighter and darker shades of foun-

dation can be used for a much more subtle effect. By sim-

ply applying one shade darker foundation just beneath the

cheekbones and blending it down to the jawline, you will cre-

ate a slimming of the face. Using a highlight under the eyes

or at the very corners of the mouth can brighten those areas

and create a youthful appearance.

If you use a cream foundation, use a cream highlight or shad-

ow for maximum blend-ability. Set the cream products with

a loose or pressed powder, then add a powder highlight and

shadow to further enhance the cream.

The most common mistake we see is when someone copies

what someone else does. What works on your face will not

work on your friend’s face. Every application is different de-

pending on the correction needed and how the make-up is

viewed. You have a lot of product options when it comes to

highlighting and shading your face, you can choose cream

products, liquid products and a variety of powder products

from bronzers and cheek colors to eye shadows. The appli-

cation is determined by the effect you’re trying to achieve

and which product will work best. As an example, if you have

dry skin stay clear of powder products because they will en-

hance the texture of the skin.

Quick Tips: When highlighting with a Cream or a HD Liquid Make-up,

use Brush #330 or a sponge. A smaller brush (#300 or #930)

can be used for a more precise application. When using a

powder such as the Lemon Cream, DFL1 or DFL2, use Brush

#340 or a sponge.

When shading with a Cream or a HD Liquid Make-up, use

Brush #350 in smaller areas and Brush #340 or sponge for

larger surface areas. When using a pressed powder, such as

DFD1 or DFD2, use Brush #350 on smaller areas and Brush

#510 or a sponge on larger areas.

Have you ever wondered why your make-up looks different than the images you see in magazines, on TV or in movies, and wondered why models and celebrities look so amaz-ing? The secret is that make-up artists use highlights and shadows to completely trans-form a face and now you can incorporate highlights and shadows into your own make-up regimen. The beauty of using highlights and shadows is that you can utilize a little or a lot depending on if you are using these tips for everyday use or for a special occasion.

REMEMBER THAT HIGHLIGHTS BRING AREAS OF THE FACE

FORWARD, WHILE SHADOWS PUSH

THEM BACK

#940

Sponge

Highlight & Shadow

Palette

62

Page 63: MUD ART magazine fall winter 2015
Page 64: MUD ART magazine fall winter 2015

1. For this model we wanted to diminish the size of her forehead and help balance her face. Using a shading color at

least a shade or two darker than the foundation. We applied shading near the hairline and just above her temple to give the forehead dimension.

4. To create a defined jawline, apply the shading just below the edge of the jawbone and blend down towards the neck.

2. To add dimension to the bridge of her nose and to correct the slight bend at the end of her nose we shaded

from the eye socket down the sides of the nose. We also shaded the slight fold above her eyelid to create a beautiful crease. Do not go below the outer corners of the eyes.

5. Adding highlight brings an area forward and is at least a shade or two lighter than the foundation. We applied

highlight to the center of the forehead to help add dimension and we applied it to the center of her nose to help strengthen her bridge and to help correct the bend at the end of her nose.

3. To strengthen the cheekbone apply shading right below the cheekbone at a declined angle that follows the

highlight. This shadow should be deepest in the hollow of the cheek. There should be a “blending” space in between your highlight and shadow on the cheekbone.

6. To bring out the brow bone and help define the eyebrow, we added a highlight just below the brow and you will

also notice that this highlight helps to lift the outer corner of the eye. To correct the natural appearing shadow under her eye we added highlight just to the shaded area to pull it forward. 64

Page 65: MUD ART magazine fall winter 2015

7. To finish creating a strong cheekbone we applied highlight to the top part of the cheekbone in a decline from

the hairline to the apples of the cheeks. We also applied highlight to the outer corners of the mouth, below the lower lip, the top edge of the upper lip and the center of the chin for a bit of correction.

8. Finally, apply the highlight in the darkest part of any wrinkle to counteract the negative shadow, in this

case we wanted to diminish her nasal labial folds.

9. Finish the look by blending the highlights and shadows with a sponge or a foundation brush to soften the edges and to create

a gradient of color from light to dark. The highlights and shadows should be soft and subtle to the naked eye for day wear and more exaggerated for evening looks.

foundation + corrections

foundation + corrections + highlights and shadows

Finished look

Page 66: MUD ART magazine fall winter 2015
Page 67: MUD ART magazine fall winter 2015

YELLOW LIGHTLIGHT ORANGE LIGHT

SHADING 1 SHADING 2 SHADING 3

SHADING 4 SHADING 5

WB 2 WB 3 WB 4

WB 5 CB 2 CB 3

CB 4 CB 5

DW 5DC 5

GY 3GY 2GY 1

YG 3YG 2YG 1

HIGHLIGHT/ SHADOW PALETTEThe Basics: Creamy Highlights & Shadows are perfect for contouring cheekbones or sculpting dimension into the face. Slim the face, minimize strong features and highlight cheeks or jaw with these versatile shades.

FOUNDATION PALETTE #1The Basics: From a sheer, light tint to a flawless full-coverage finish, Make-up Designory’s series of cool-to-warm, light-to-medium shades of cream foundations are versatile and easy to apply. Formulated for ultra-smooth blending and application, coverage holds up beautifully under the most extreme conditions.

FOUNDATION PALETTE #2The Basics: From a sheer, light tint to a flawless full-coverage finish, Make-up Designory’s series of yellow-green, light-to-dark shades of cream foundations are versatile and easy to apply. Formulated for ultra-smooth blending and application, coverage holds up beautifully under the most extreme conditions.

CORRECTOR PALETTEThe Basics: Creamy, pigment-rich correctors designed to conceal and camouflage skin imperfections. The ultimate coverup for scars, blemishes, birthmarks or dark under-eye circles. Use alone or blend with Make-up Designory’s Cream Foundations for a flawless, full-coverage make-up. Available in eight refillable colors.

BLUE CORRECTOR

#2

DEEP BROWN

CORRECTOR

BLUE CORRECTOR

#1

BLUE CORRECTOR

#3

BLUE CORRECTOR

#4

REDCORRECTOR

#1

REDCORRECTOR

#2

REDCORRECTOR

#3

Page 68: MUD ART magazine fall winter 2015

HD AIRThe Basics: Developed for use with the airbrush or as a liquid make-up, this silicone-based formula creates a sheer, beautiful coverage with a dewy appearance. Works seamlessly with any MUD cosmetic product. Choose from 22 shades, many of which have been formulated to match certain MUD Cream Foundations, Cheek Colors, Highlights and Shadows.

Also includes six colors for extra versatility when mixing and color-matching. Also available, the HD AIR Kit with all 22 shades included.

CHARACTER/FX WHEELSThe Basics: The CFX/FX wheels are designed for creating a variety of injuries including cuts and bruises with a formula designed to hold up under today’s extreme production environments, these inovative color wheels will help you achieve a wide range of unique character looks.

CFX WHEEL #1Black, White, Olive Green and Red. This combination of colors can be used for cuts, burns and aged injuries such as bruising.

CFX WHEEL #2Fresh Bruise, Mustard, Blue and Maroon. Perfect for making fresh bruises and injuries.

AIRBRUSH KITThe Basics: The HD Air System components include the MAX-3 airbrush, AC-66H Air Com-pressor and the airbrush cleaning station. Kits are available with or without the compressor. Can also be combined with 22 HD Air shades, many of which have been formulated to exactly match certain MUD Cream Foundations, Cheek Colors, Highlights and Shadows. Also includes six colors for extra versatility when mixing and color-matching.

WB 2 WB 3

WB 4

CB 3CB 2 CB 4

CB 5

YG 1 YG 3

GY 3

GY 2DW 5

TULIP

SWEET CHEEKS

LIGHT SHADING 4

BLACK BLUE

MUSTARD OLIVE GREEN

RED

WHITE

BLACK

BLUE

FRESH BRUISE

MAROON

MUSTARD

OLIVE GREEN RED

WHITE

Page 69: MUD ART magazine fall winter 2015

The Basics: Professional quality eyelashes, in a variety styles from natural to high-fashion.

Quick Study:· Before applying lash strips, measure and trim any excess using MUD’s Manicure Scissors. · Apply a small amount of lash glue to base of strips or individual lashes. Allow 30-60 seconds

of drying time for glue to become tacky. · Use MUD’s Orangewood Sticks to gently guide false eyelashes to base of lash line.· For a dramatic look, use MUD’s Cake Eyeliner over the lash line.

Page 70: MUD ART magazine fall winter 2015

The first MUD Studio in

South Africa

The team were honoured to have a whole week of insights

and teachings from Paul Thompson leading up to the launch

evening. Troy Watson provided us with visions and practices

from around the world. We will most certainly keep the values

of the MUD brand in high esteem in our market place and

have already seen an exceptionally positive response in the

last few months of trading.

Brenda Botha, owner of MUD South Africa and MUD Studio

Sandton, offers endless support to all of the showrooms and

national distributors. Brenda is a dedicated leader who gives

all of her time and efforts to growing and upholding the val-

ues of MUD international.

Make-up Designory (MUD) is on a winning streak in South Africa (SA) with six MUD Distributors and showrooms in major prov-inces in just 3 years. This attractive distribu-tion model has made a positive impact in our beauty industry and MUD has partnered with top make-up artists, brands, national beauty pageants and professional outlets. The privilege to launch a MUD Studio was well celebrated on the 4th of June, where we saw celebrities and local press being intro-duced to the MUD Studio offering and inter-national training curriculum.

We thank you for your support and the privilege to conduct

training under the international accredited courses, our first

student is already reaping the rewards and will be prepared

for her journey as a make-up artist. Watch this space for

more exciting news from the rich diversity of South Africa! 70

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Page 73: MUD ART magazine fall winter 2015

Our team travelled to visit the MUD showroom in Nelspruit/Mpumalanga which

is located just outside of the Kruger National Park. Home to the BIG Five - Lion,

Elephant, Buffalo, Leopard, and White/Black Rhinoceros. We decided to show-

case our beautiful surroundings and diverse faces for the rest of our international

partners to view. A little walk on the wild side of "Die Bosveld" There are not many

places in the world where you can so closely observe a pride of Lions, Giraffe or

Rhinoceros. The simplicity of the photos are intended to emphasize this special

place we are trying to preserve.

LION TREE TOP LODGE IS A WILDLIFE AWARENESS CENTRE CONCENTRAT-

ING ON THE PLIGHT OF OUR WILDLIFE IN AFRICA AND OUR FAST DECLINING

LION POPULATION. AT OUR FACILITY WE HAVE TWO WHITE LIONS WHICH WE

USE TO ENLIGHTEN OUR GUESTS ABOUT THESE BEAUTIFUL ANIMALS AND

THE BLEAK FUTURE THEY FACE. Visit our website www.liontreetoplodge.com

The 11 Official South African Languages and cultures we celebrate still have tra-

ditional rituals and beliefs that influence communication, style and essentially the

roles of women and men in society. We are moving towards a united melting pot

of culture - Local is “Lekker”!

Page 74: MUD ART magazine fall winter 2015

sponsored story

Meliá ViennaHotel

Meliá Vienna offers a stylish, design-led hotel. Behind the

spectacular façade, the interior features make visual refer-

ence to the waterfall motif, with geometric shapes present in

the bedheads, bathroom walls, and stone tiles. The stunning

floating spiral staircase in the lobby connects three floors and

is an absolute eye catcher.

The Austrian premiere of the Spanish hotel

group Meliá Hotels International couldn’t

be more impressive: On the 26th of Febru-

ary 2014 they opened an astonishing design

hotel in Vienna. On 18 of a total of 58 floors

the hotel offers 253 exclusive and with the

most modern technologies equipped rooms,

among them 25 suites and the 200m2 Pres-

idential Suite with a 180-degree panoramic

view. “We are happy to set new standards of

international lifestyle with the Meliá Vienna

and to offer our guests a breathtaking stay

at our hotel”, says Dorothea Schuster, Gen-

eral Manager of the Meliá Vienna.

74

Page 75: MUD ART magazine fall winter 2015

The hotel also boasts approximately 1,079 m2 of flexible

meeting space, offering natural daylight as well as state-of-

the-art technology. A ballroom and eight partially combinable

meeting rooms create an ideal setting for all kinds of events.

A spectacular 360-degree view on the top of the building

and culinary specialties are offered in the “57 Restaurant &

Lounge”. The executive chef focuses on Mediterranean kitch-

en and traditional Austrian food with regional ingredients.

The roof-top bar “57 Lounge” features a luxurious ter-

race overlooking the city of Vienna and the Danube river.

Alternating DJ Events on the weekends attract locals as well

as hotel guests and the bar menu offers a great variety of

drinks and modern tapas. 75

sponsored story

Page 76: MUD ART magazine fall winter 2015

The Graphic BeautyEyes are bold this season. Geometric shapes

in Onyx can be structured or abstract with an

occasional pop of color. Finish with generous

mascara and a nude lip.

The smoky eye gets an update to become

understated and chic. A mauve lip

compliments the look for day or night.

Page 77: MUD ART magazine fall winter 2015

57FIFTY-SEVEN

Page 78: MUD ART magazine fall winter 2015

Eyes: Ice, Pavement & Taupe Eye Colors,

Black Cake Eyeliner

Shading: Cream Shading 2

Higlight: Cream Higlight Light,

Ice & Cashmere Eye Colors

Lips: Iced Latte Lip Gloss

Page 79: MUD ART magazine fall winter 2015

Cheeks: Poppy Cheek Color, Cajun Spice & Pixie Eye Colors

Lips: Mauve Lip Pencil, Sandy Beach, Flirt & Idol Lipsticks

Page 80: MUD ART magazine fall winter 2015

Eyes: Moss, Taupe & Onyx Eye Colors, Black Cake Eyeliner

Cheeks: Taupe Eye Color for shading cheeks, Rose Beige Cheek Color

Lips: Maple Lip Pencil, Rose Clay Lipstick, Shine Lip Gloss

Page 81: MUD ART magazine fall winter 2015
Page 82: MUD ART magazine fall winter 2015

Eyes: Honeysuckle, Daisy, Statue, Onyx Eye Color and Black Cake Eyeliner

Higlight: Cream Yellow Light, Honeysuckle Eye Color Lips: Just Peachy Lipstick, Bare Lip Glaze

Page 83: MUD ART magazine fall winter 2015

Make-up: Vanja Djuran @ MUD Europe

and Sean Conklin @ MUD USA

Hair: Vanja Djuran @ MUD Europe

Creative Director: Maja Kešelj

Photography: Peter Giodani

Styling: Matic Veler

Models: Helen Jin and

Anja P. @ Immortal Model Management

A special thanks to MUD Studio Vienna and to DC Tower 1

shooting location:

DC Tower 1, Donau City Straße 7, Wien

Page 84: MUD ART magazine fall winter 2015

Eyes: Pavement, Onyx, Tinsel, Firebrick Eye Colors

Cheeks: Taupe Eye Color for contouring

Lips: Maple Lip Pencil, Cantaloupe Lip Glaze

Page 85: MUD ART magazine fall winter 2015

Cairo, Egypt

Mexico City, Mexico

Antwerp, Belgium

Ljubljana, Slovenia

Guatemala City, Guatemala Lagos, Nigeria

Cluj-Napoca, Romania Berlin, Germany

Kortrijk, Belgium

New York, USA

Johannesburg, Sandton, South Africa

Milan, Italy

St. Petersburg, Russia Reykjavík, Iceland

Vienna, Austria

Manila, Philippines

Kharkiv, Ukraine

Gent, Belgium

Los Angeles, USA

MUD Studio Cairo6A Lebanon street, Mohandsen, Giza, [email protected]

MUD Studio SandtonShop 53, Morning Glen Mall Corner of Kelvin & BowlingGallo Manor, SandtonJohannesburg, SA+2711 656 [email protected]

MUD Studio GuatemalaAvenida Las Americas 13-37, Zona 14Guatemala City 01014 Guatemala+502 2484 [email protected]

MUD Studio Mexico CityCorregidores #1515, 4° PisoCol. Lomas Virreyes, Delegación Miguel HidalgoMéxico Distrito Federal, CP 11000+ 52 55 55 40 07 48 [email protected]

MUD Studio AntwerpKammenstraat 622000 Antwerpen+32 (0)3 226 32 [email protected]

MUD Studio SloveniaRimska cesta 13, 1000 LjubljanaSlovenia, Europe+386 1 6200 [email protected]

MUD Studio BerlinSredzkistr. 5210405 Berlin, Germany+49 (0)30 [email protected]

MUD Studio KortrijkCasinoplein 58500 Kortrijk+32 (0)56 31 31 [email protected]

Make-up Designory New York65 Broadway, 15th FloorNew York, NY 10006212 925 [email protected]

MUD Studio Lagos12B Fatai Idowu ArobiekeOff Admiralty RoadLekki Phase 1 Lagos+234 70829 [email protected]

MUD Studio Cluj-NapocaPiata 1 Mai, nr.1-2400058 Cluj-Napoca+4 0264 442 [email protected]

MUD Studio MilanoVia Casale 3/a20144 Milano, Italy+ 39 02 45 48 51 [email protected]

MUD Studio ViennaOpernring 91010 WienAustria

MUD Studio UkraineArt Arena Ltd.Ivanova str. 7/9Kharkiv, 61003, Ukraine+38 (057) 755 1 [email protected]

Coming soon Coming soon Coming soon

MUD Studio GentNederkouter 1249000 Gent+32 (0)9 279 53 [email protected]

Make-up Designory Los Angeles 129 S. San Fernando Blvd.Burbank, CA 91502818 729 [email protected]

MUD StudiosFIND

Page 86: MUD ART magazine fall winter 2015

COMING SOON PARTNER SCHOOLS:

MUD partner schools

MUD contact

USA Europe

Make-up Designory USA129 S. San Fernando Blvd.Burbank, CA 91502818-729-9420www.facebook.com/makeupdesignorywww.facebook.com/mudschoolswww.mudshop.comwww.mud.edu

Make-up Designory EuropeRimska cesta 131000 LjubljanaSlovenia, Europe+386 1 6200 [email protected]/mud.euwww.mudeurope.comshop.mudeurope.com

Avenue Five

Bellus Academy - El Cajon, California

Bella Torre Academy

Bellus Academy - Poway, California

Bellus Academy - National City, California

Bellus Academy - Manhattan, Kansas

Blake Austin College

Blossom Kochhar

Callas Beauty Institute

Gould's Academy

Career Academy of Beauty

Metro Beauty Academy

Eric Fisher Academy

Montana Academy of Salons

New York Institute of Beauty

Penrose Academy

The Salon Professional Academy - Onalaska, WI

The Salon Professional Academy - Buffalo, NY

Tennessee School of Beauty

The Salon Professional Academy - Colorado Spring, CO

Toni & Guy Hairdressing Academy

Aesthetics Science Institute

The Salon Professional Academy - Winnepeg, Canada

Hair Arts Academy

Hair & Beauty Academy - Dubai, UAE

Simi Valley Adult School of Cosmetology

Page 87: MUD ART magazine fall winter 2015

Opening Vienna

After months of construction and hard work, the

city of Vienna finally gets its long awaited MUD

Studio! With a new and improved design, the

shop and classrooms are perfectly situated op-

posite the famous Opera House. Doors will open

in September, accompanied by a grand opening

party, which will include neighbors, family and

friends, as well as local VIP's and Bloggers

from the beauty scene. The upcoming Vienna

Fashion Week, Viennese Opernball, and the Life

Ball 2016 will showcase the work of MUD Studio

Vienna's first students.

Film Fest GentFilm Fest Gent was established as a student’s

film festival and is nowadays one of Europe’s

most prominent film events. Even The Wall

Street Journal called the festival one of the five

European Film Festivals with character!

This year Film Fest Gent is celebrating it’s 42nd

edition from October 13 until 24. During these

12 days you can experience the festival on the

red carpet and enjoy the unique atmosphere.

Make-up Designory (MUD) is cosmetics partner

of the festival and will be responsible for the

make-up of all VIP guests. They will also add

a touch of glam to the hostesses during the

opening night.

In addition to the more than 100 feature films on

the festival program, also two concerts are sched-

uled: on October 22nd the ‘Great Bristish Film

Music Concert’ and on October 24st the ‘World

Soundtrack Awards Ceremony & Concert’. The

central guest at this prestigious event this year is

Alan Silvestri, known for his scores from ‘Back to

the Future’ and ‘Forrest Gump’.

See you at the red carpet of Film Fest Gent!

Info & tickets: www.filmfestival.be/en

#FFGent #WSAwards

Partner School CompetitionStudents and graduates of MUD Partner

Schools competed to join Kelly Budd at the New

York campus for a high fashion photo shoot.

The four winners were selected based upon

the submission of an essay and their presenta-

tion of an inspiring fashion look. Each contes-

tant successfully demonstrated competencies

taught within the MUD Beauty Essentials course

including base matching, highlight and shadow

blending techniques, balanced and well defined

eyebrows, lash application and a defined lip

application. Congratulations to the winners: An-

gelica De La Vega (Penrose Academy), Ashley

McLaurin (Metro Beauty Academy), Fivi Berindei

(Career Academy of Beauty) and Laura Sahiluo-

to (New York Institute of Beauty) as well as the

Runner Ups: Amanda Ashley (Career Academy

of Beauty), Alexandra van Bebber (Penrose

Academy), Anna Taylor (Bellus Academy) and

Scarlette McLain (Eric Fisher Academy).

MUDNews & Events

Page 88: MUD ART magazine fall winter 2015

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