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MTO 12.4 Examples: Butterfield, The Power of Anacrusis (Note: audio, video, and other interactive examples are only available online) http://www.mtosmt.org/issues/mto.06.12.4/mto.06.12.4.butterfield.php Example 1. Metric Projection Figure 1. Basic analytical symbols

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MTO 12.4 Examples: Butterfield, The Power of Anacrusis

(Note: audio, video, and other interactive examples are only available online)

http://www.mtosmt.org/issues/mto.06.12.4/mto.06.12.4.butterfield.php

Example 1. Metric Projection

Figure 1. Basic analytical symbols

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Example 2. Projection in a simple melody

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Example 3. Means of producing anacrusis

Example 4. Swing eighth notes

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Example 5. Anacrusis in swing eighth notes

Example 6. Anacrusis in the ride rhythm

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Example 7. Anacrusis in the bass line

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Example 8. PDs and category perception

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Example 9. Effects of PDs on projection

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Example 10. “Late” responses in Repp (1998)

Figure 2. Additional symbols

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Example 11. PDs in the ride rhythm

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Audio Example 1 / Transcription 1. PDs in the Ride Rhythm

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Example 12. Basic rock groove

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Audio Example 2 / Transcription 2. PDs in a Basic Rock Rhythm

Example 13. Bass & drum groove in Herbie Hancock’s “Chameleon”

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Example 14. “Chameleon,” bass line

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Example 15. “Chameleon,” drum part

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Audio Example 3 / Transcription 3. PDs in “Chameleon”

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Table 1. Bass line timings, mm. 1–4

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Table 2. Bass and Snare timings, mm. 5–12, and Reprise, mm. 1–6 [PDF version]

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