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a purple hippo laughing at two silly birds get me out of here { }

Mr. Eaves

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type specimen book for the font Mr. Eaves.

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Page 1: Mr. Eaves

a purple hippolaughing at two silly birds

get me out of here{ }

Page 2: Mr. Eaves

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Page 3: Mr. Eaves

mr. eaves

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5| |5

Page 5: Mr. Eaves

look through a windowsee a one-legged puppygo make some popcorn

heavy italic27/32

Page 6: Mr. Eaves

lion with soft manelooking so cute and fluffy

then it eats your face< >

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ABCDEFGHIJKLMNOPQRSTUVMXYZa b c d e f g h i j k l mn o p q r s t u v w x y z1 2 3 4 5 6 7 8 9 0

ABCDEFGHIJKLMNOP QRSTUVMXYZa b c d e f g h i j k l mn o p q r s t u v w x y z1 2 3 4 5 6 7 8 9 0

ABCDEFGHIJKLMNOPQRSTUVMXYZa b c d e f g h i j k l mn o p q r s t u v w x y z1 2 3 4 5 6 7 8 9 0

ABCDEFGHIJKLMNOPQRSTUVMXYZa b c d e f g h i j k l mn o p q r s t u v w x y z1 2 3 4 5 6 7 8 9 0

ABCDEFGHIJKLMNOPQRSTUVMXYZa b c d e f g h i j k l mn o p q r s t u v w x y z1 2 3 4 5 6 7 8 9 0

ABCDEFGHIJKLMNOPQRSTUVMXYZa b c d e f g h i j k l mn o p q r s t u v w x y z1 2 3 4 5 6 7 8 9 0

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Page 8: Mr. Eaves

*WORST BEST FRIENDS EVERPUTTING A SQUID IN MY POOLI MADE HIM MY PET

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bold italic32 pt

Aasans serif

apex

uppercase

lower case

tail

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4567

123456789

567890123456

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{{

12345i made an amazing rhymepigeons arenot cute

123456

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Page 12: Mr. Eaves

Haiku, plural haiku, is a form of Japanese poetry, consisting of 17 moras (or on), in threephrases of 5, 7, and 5 moras respectively. Although haiku are often stated to have 17 syllables, this is inaccu-rate as syllables and moras are not the same. Haiku typically contain a kigo (seasonal reference), and a kire-ji (cutting word). In Japanese, haiku are traditionally printed in a single vertical line and tend to take aspects of the natural world as their subject matter, while haiku in English often appear in three lines to parallel the three phrases of Japanese haiku and may deal with any subject matter. Previously called hokku, haiku was given its current name by the Japanese writer Masaoka Shiki at the end of the 19th century. In contrast to English verse typically characterized by meter, Japanese verse counts sound units (moras), known as “on”. Traditional hai-ku consist of 17 on, in three phrases of five, seven, and five on, respectively. Although the word “on” is often translated as “syllable”, in fact one on is counted for a short syllable, an additional one for an elongated vow-el, diphthong, or doubled consonant, and one more for an “n” at the end of a syllable. Thus, the word “haibun”, though counted as two syllables in English, is counted as four on in Japanese (ha-i-bu-n). This is illustrated by the Issa haiku below, which contains 17 on but only 15 syllables. In addition, some sounds, such as “kyo” can be perceived as two syllables in English but as a single on in Japanese. A word that illustrates both these is-sues is “Tokyo”, which is perceived as having three syllables in English (To-ky-o) but four moras in Japa-nese (To-o-kyo-o). The word onji is sometimes used in referring to Japanese sound units in English although this word is no longer current in Japanese. In Japanese, each on corresponds to a kana char-acter (or sometimes digraph) and hence ji (or “character”) is also sometimes used as the count unit. In 1973, the Haiku Society of America noted that the then norm for writers of haiku in English was to use 17 syllables, but they also noted a trend toward shorter haiku. This trend is borne out by the win-ter 2010 edition of Frogpond, which contains haiku with an average of 10.5 syllables, varying from six at the shortest to 15 at the longest. Some translators of Japanese poetry have noted that about 12 syllables in English ap-proximates the duration of 17 Japanese on. A haiku traditionally contains a kigo, a defined word or phrase that symbolizes or implies the season of the poem. Kigo are often in the form of metonyms and hence can be dif-ficult for those who lack Japanese cultural references to spot. The Bash examples below include “kawazu”, lit-erally “frog” but implying spring time (when frogs emerge into the paddy fields) and “shigure”, a rain shower in late autumn or early winter. Among traditionalist Japanese haiku writers, kigo are considered requirements of the form. Kigo are not always inclued in non-Japanese haiku or by modern writers of Japanese “free-form” haiku. In Japanese haku a kirji, or cutting word, typically appears at the end of one of the verse’s three phrases.

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cats make things bettersometimes I put sheets on themaren’t I so much fun

colo

r

+re

gula

r 10

pt

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&

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staring at the dirtimagine being an ant

that would really suck!&

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baby koala / eats bamboo and sleeps all day / i wish i was him

Page 17: Mr. Eaves

baby koala / eats bamboo and sleeps all day / i wish i was him

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_________________________________________________________________________________________________________________________

!!!!!!!!!!!!!!!!!!!@ @ @ @ @ @~~~~~~~~~~^^^^^^^^^$$$$$$$$$----------------##########

““““““””””””% % % % % %

??????????

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Page 19: Mr. Eaves

buy asouvenier

going to the

zoowatch the

penguinsfloparound

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Page 20: Mr. Eaves

polar bears on iceglobal warming is torture

soon there will be none

Page 21: Mr. Eaves

Qq RrGgDd

Page 22: Mr. Eaves

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mr. eaves sans • 2009 • zuzana licko • emigre type library • united states

type specimen book • alena jaffe • type 1 • tony rutka • maryland institute college of art • december • 2010

regular • regular italic • bold • bold italic • heavy • heavy italic

binding • french fold • perfect bound • 7”x6” • 24 pages

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mr. eaves sans • 2009 • zuzana licko • emigre type library • united states

type specimen book • alena jaffe • type 1 • tony rutka • maryland institute college of art • december • 2010

regular • regular italic • bold • bold italic • heavy • heavy italic

binding • french fold • perfect bound • 7”x6” • 24 pages

Page 24: Mr. Eaves