Movie Review #3 (Inherent Vice)

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  • 8/18/2019 Movie Review #3 (Inherent Vice)

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    Horve 1

    Patrick Horve

    McWhorter

    MUS 380

    19 April 2016

    An Interesting Combination: A Review of the Music of Inherent Vice 

    Jonny Greenwood created a very interesting score and soundtrack for Inherent Vice. The

    reason that I believe these two should be differentiated is that there are really two parts to the

    music in this film. There are the large orchestral pieces that were composed by Greenwood, and

    then there are the pieces that are brought in, not only from Greenwood’s own band, but from

    other performers as well. This combination of music creates an interesting effect throughout the

    movie and ultimately creates a successful film.

    First off, the orchestrated pieces in this movie are very well put together. These pieces of

    music, for example “Shasta,” are orchestrated in a way which is very oriented on strings. This

     provides a couple different effects on listeners. These largely orchestrated sections seem to have

    a more emotional effect on listeners. However, this is not necessarily taken advantage of

    throughout the movie. For example, as Ben Hogwood writes, these scenes “do not always match

    the atmospheric pictures Greenwood has taken time and care to paint, and when we move

    straight from Greenwood’s Shasta Fay into Les Fleur it is as if a giant windscreen wiper has

    changed the view in a single stroke.” (MusicOMH) Even though this may seem like a strange

    thing to do, this does create an interesting effect throughout the movie. This disorientation in

    music could be traced back to the drug influenced actions of Doc. It is often tough to give the

    audience a feeling for what an individual is going through, and music can very successfully do

    this. Through the music, we feel disoriented and confused just as Doc is moving throughout the

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    movie disoriented and confused. As best said by Jayson Greene, “if this soundtrack were a room

    full of furniture, in other words, you would shield your eyes from the clash. But it might actually

    make for a sleeker and more condensed vehicle for the film's stoned, clammy energy than the

    film itself.” (Pitchfork)

    For the other part of the soundtrack, there is an interesting mix of songs, both from

    Greenwood’s Radiohead and a multitude of other artists. Once again, “Each of these songs are

    supposed to mirror the inner ear of the film’s chief protagonist, private eye Larry “Doc”

    Sportello.” (Glide Magazine) I thought these instances of outside music, combined with

    Greenwood’s own orchestral compositions, did a fantastic job of portraying the mood and

    emotions that were going inside the head of Doc. Another interesting effect that I thought really

     brought the movie and music together, especially in these non-orchestrated segments, was the

    use of very long fade outs of the music. As this was done, it slowly made you focus more and

    more on the dialogue that was occurring in the movie. This is a genius way to bring the audience

    into the action, and a very interesting technique, especially when paired with some of the pther

    sections of the movie where it seemed the music went on for quite awhile.

    Lastly, the silence in this movie was very important. I thought that the silent parts of the

    movie really helped to portray the tense and awkward feel of a majority of the movie. Even

    though the music played a big part in the movie, the segments of silence really worked well, and,

    like I have already said, really provided a good way for the audience to be brought into the story.

    Even though this soundtrack was not as “traditional” as many other soundtracks, I thought it did

    a nice job of pairing up music and cinematography in a way that really engaged the audience and

    created a good movie.

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    Works Cited

    Greene, Jayson. "Inherent Vice OST." Various Artists: Album Review. Pitchfork, 11 Jan. 2015.

    Web. 18 Apr. 2016.

    Hart, Ron. "Inherent Vice Soundtrack (ALBUM REVIEW) - Glide Magazine." Glide Magazine.

    Glide Magazine, 23 Dec. 2014. Web. 18 Apr. 2016

    Hogwood, Ben. "Jonny Greenwood - Inherent Vice OST | Albums | MusicOMH." MusicOMH .

    MusicOMH, 19 Jan. 2015. Web. 18 Apr. 2016

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    Works Cited

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    Publisher, Year. Type of Medium (e.g. Print).

    LastName, First, Middle. "Article Title." Journal Title (Year): Pages From - To. Print.