Modern & Contemporary Works of Art

Modern & ContemporaryArt 11/06/11

Lot 54 (detail)MATHIAS GOERITZ(german/mexican 1915-1990)“MESSAGE”Perforated golden metal over paintedwoodExecuted ca. 1960.27 3/4 x 27 3/4 x 2 7/8 in.(70.5 x 70.5 x 7.3cm)provenance:The artist.The Estate of Jack L. Wolgin,Philadelphia, Pennsylvania, acquiredfrom the above in 1974.note:This lot will be accompanied by acertificate of authenticity by LilyKassner dated 30 August 2011.

Auction:

Sunday, November 6th at 2pm

Sale 1413

Exhibitions:

Thursday, November 3rd and

Friday, November 4th

10am-5pm

Saturday, November 5th

Noon-5pm

Inquiries:

anne henry ext 3049Vice-President

Direct Tel: 267.414.1220

[email protected]

aimee pflieger ext 3015Associate Specialist

Direct Tel: 267.414.1221

[email protected]

Bidding:

bridgette bonner

tel: 267.414.1208

fax: 215.599.2240

[email protected]

Catalogue $35

Inside Front Cover: Lot 54 (detail)

Inside Back Cover: Lot 53 (detail)

Modern & Contemporary Art 11/06/11

Samuel T Freeman & Co.1808 Chestnut Street

Philadelphia, PA 19103

Telephone: 215.563.9275

Fax: 215.563.8236

126 Garrett Street

Charlottesville, VA 22902

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www.freemansauction.com

Printing by Brilliant Studio

Exton, Pennsylvania

Color images of every lot are

available at


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free≤an’smodern & contemporary art

11/06/11

Important Informationfor Buyers

Registration

Buyer’s Premium

Sales Tax

Catalogue Descriptions

Bidding

Payment

Removal of Purchases

Shipping and Packing

All potential buyers must register for the sale prior to placing a bid.Registration information may be submitted in person at our reception desk,by fax or through our website at www.freemansauction.com. We will requireproof of identification and residence and may require a credit card and/or abank reference. By registering for the sale, the buyer acknowledges that heor she has read, understood and accepted Freeman’s Terms and Conditionsof Sale.

A Buyer’s Premium will be added to the successful bid price and is payableby the buyer as part of the total purchase price. The Buyer’s Premium shallbe: 25% on the first $20,000 of the hammer price of each lot, 20% on theportion from $20,001 through $500,000, and 12% on the portion of thehammer price exceeding $500,000.

All items in the catalogue are subject to the 8% Pennsylvania andPhiladelphia sales tax. Dealers purchasing for resale must register their taxnumbers on current PA forms. Forms should be submitted to our ClientServices office on the second floor.

All item descriptions, dimensions and estimates are provided for guidanceonly. It is the buyer’s responsibility to inspect all lots prior to bidding toensure that the condition is to their satisfaction. If potential buyers areunable to inspect lots in person, our specialists will be happy to preparedetailed Condition Reports on individual lots as quickly as possible. Theseare for guidance only, and all lots will be sold “as is” as per our Terms andConditions of Sale.

At the sale Registered bidders will be assigned a bidder number and given apaddle for use at the sale. Once the first bid has been placed, theauctioneer asks for higher bids in increments determined by the auctioneer.To place your bid, simply raise your paddle until the auctioneeracknowledges you. The auctioneer will not mistake a random gesture for abid.By phone A limited number of telephone lines are available for bidding byphone through a Freeman’s representative. Phone lines must be reserved inadvance. Requests must be submitted no later than 24 hours prior to thescheduled start of the sale.In writing Bid forms are available in the sale room and at the back of thecatalogue. These should be submitted in person, by mail or by fax no laterthan one hour prior to the scheduled start of the sale. The auctioneer willbid on your behalf up to the limit indicated, but is not responsible for errorsor failure to execute bids.On the internet A fully-illustrated catalogue is available on-line atwww.freemansauction.com. Registered bidders may leave absentee bidsthrough the web site and will receive email confirmation of their bid.Freeman’s is not responsible for errors or failure to execute bids.

Lots purchased will not be released until we have received full payment.Payment may be made in cash, by check, money order, or debit card.Payments by check must clear the bank before goods will be released.

Deliveries will not be made during the time of the sale unless otherwiseindicated by the auctioneer. All items must be paid for and removed byNovember 11th at 3pm. Purchases not so removed may be turned over to alicensed warehouse at the expense and risk of the purchaser.

Responsibility for packing, shipping and insurance shall be exclusively thatof the purchaser. Upon request, Freeman’s will provide the purchaser withnames of professional packers and shippers known to us.


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1 11-2130/1(AFTER) PABLO PICASSO(spanish 1881-1973)“NATURE MORTE AU CITRON ET AUPICHET ROUGE”Ca. 1955, pencil signed and numbered235/300, with wide margins; AtelierCrommelynck, Paris, publisher, andwith their blindstamp. Color aquatinton BFK Rives.image: 13 x 16 in. (33 x 40.6cm)sheet: 19 13/16 x 25 7/8 in.(50.3 x 65.8cm)provenance:Private Collection, Ocean City, NewJersey.$8,000-12,000

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2 11-8058/3PABLO PICASSO(spanish 1881-1973)“FEMME AU CHAPEAU ET ÀL’OEILLET, AVEC HOMMEENTURBANNE, CLOWN, PUTTOET SPECTATEUR”from “347 series”1968, pencil signed and numbered33/50; with wide margins; GalerieLouise Leiris, Paris, France, publisher.Etching on BFK Rives.image: 6 3/4 x 10 3/8 in.(17 x 26.2cm)sheet: 11 1/8 x 15 in. (28.2 x 38cm)[Bloch 1716; Baer 1735].$5,000-8,000

3 11-2114/2PABLO PICASSO(spanish 1881-1973)“TÊTE D’HOMME BARBU, II”from “sable mouvant”1965, pencil signed and numberedVII/X (from the total edition of 60on this paper plus 20 on Japan anda book edition of 255), with widemargins; Louis Broder, publisher,Paris. Aquatint on Auvergne paperwith ‘PABLO PICASSO’ watermark.image: 14 1/2 x 10 5/8 in.(36.8 x 26.8cm)sheet: 22 3/4 x 18 in.(57.7 x 45.6cm)[Bloch 1189; Baer 1158].$4,000-6,000

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4 11-2117/4PABLO PICASSO(spanish 1881-1973)“TÊTE DE GARCON”1962, pencil signed, dated ‘Le 5.2.65’ and dedicated ‘pour mon ami Janot.’bottom right, proof apart from the signed and numbered edition of 50, withwide margins; Galerie Louise Leiris, Paris, publisher. Linoleum cut onArches.image: 13 3/4 x 10 5/8 in. (35 x 27cm)sheet: 24 7/8 x 17 5/8 in. (63.2 x 44.8cm)[Bloch 1026; Baer 1290]provenance:Private Collection, Los Angeles, California.note:‘Janot’ was the nickname for Jean Bongiovanni, Picasso’s driver in the1960s.$5,000-8,000


5 11-2117/1three working proofsPABLO PICASSO(spanish 1881-1973)“DORMEUSE”1962, inscribed with the date "10-4-62" of printing presumably by theprinter, H. Arnéra, Baer's state II of IVB, (Baer calls for one proof in this stateannotated in green crayon verso, the final signed and numbered edition inthe fourth, final state in three colors was 50), with wide margins. Colorlinocut in chocolate over caramel on Archesimage: 10 3/4 x 13 3/4 in. (27.3 x 34.9cm)[see Bloch 1083, see Baer 1319.II].and1962, Baer's state III of IVB, (not in Baer, Baer calls for one or two proofs inthis state in two colors, the final signed and numbered edition in the fourth,final state in three colors was 50), with wide margins. Color linocut inchocolate on Archesimage: 10 3/4 x 13 3/4 in. (27.3 x 34.9cm)[see Bloch 1083, see Baer 1319.III].and1962, Baer's state IVA of IVB, pencil signed and inscribed by the printer,'Linogravure originale de Picasso H. Arnera' verso, (one of two or threeproofs in this state before the final signed and numbered edition of 50 inthese colors), with wide margins. Color linocut in caramel, chocolate andblack on Archesimage: 10 3/4 x 13 3/4 in. (27.3 x 34.9cm)[see Bloch 1083, Baer 1319.IVA].(3).provenance:The Studio/Estate of Hidalgo Arnéra, Paris, France.Galerie Michael, Beverly Hills, California.Private Collection, Los Angeles, California.note:Unsigned working proofs for most of Pablo Picasso’s linoleum cuts are welldocumented in Brigitte Baer’s catalogue raisonné and offer a fascinatingglimpse into the artist’s working process. In the same way that Picasso’spaintings challenged and pushed the traditional definitions of painting, theartist’s printmaking techniques were innovative and experimental withwonderful effect.

Linoleum cuts were first invented in the 1860’s and enabled artists to createa rich, multi-colored image by inking several different linoleum ‘blocks.’Typically, each was cut differently to depict another area of the final image,then inked and layered one over the last to create the final print. Picasso,along with master printer Hidalgo Arnéra however, experimented with usingjust one block to create his layered images. This was achieved by cutting,inking and impressing just one block over and over into the same sheet ofpaper so that the finished print was comprised of the differing cuts (states)one over the other.

The present working proofs which originally came directly out of Arnéra’sstudio offer a unique chance to glimpse the artist testing the effects of thesecuts before inking and applying them to his prints. State III of IV (caramelover white) here shows the artist’s new cuts to the arms, shoulder and facethat ultimately appear in the final state IV of IV.$50,000-80,000

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6 11-2114/1PABLO PICASSO(spanish 1881-1973)“FEMME AU CHAPEAU”1962, pencil signed and numbered36/50, with full margins; GalerieLouise Leiris, Paris, France, publisher.Color linocut on Arches.image: 25 x 18 in. (63.4 x 45.6cm)sheet: 24 3/4 x 17 1/2 in.(62.8 x 44.3cm)[Bloch 1074; Baer 1283].provenance:Private Estate.$25,000-35,000

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7 11-1360/23two drawingsPABLO PICASSO(spanish 1881-1973)“TÊTE DE FEMME” AND “TÊTE DEGARCON”Both signed and dated 4.9.66 upperright, one dedicated “Pour Edouard andJoanne Steichen” and the other “PourSteichen” in green ink upper center, inkon papereach: 11 3/4 x 10 3/4 in.(29.7 x 27.2cm)provenance:The artist.Edward Steichen Estate, New York, NewYork.note:These works are drawn on thefrontispiece and page preceding it in thebook Picasso: Notre Dame de vie, H.Parmelin, Editions Cercle d’art, Paris,1966 which was issued in a limitededition of 125 numbered copies.$8,000-12,000

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8 11-1360/33PABLO PICASSO(spanish 1881-1973)“GREY FACE”1953, inscribed ‘Edition Picasso’ andwith the ‘Madoura Plein Feu’ potterystamp verso, from the edition of500, painted and glazed ceramicplate12 1/4 x 15 in. (31 x 38cm)[Ramié 206].provenance:Estate of Dr. Ruth W. Berenda, NewYork, New York.$4,000-6,000

9 OWNED/430PABLO PICASSO(spanish 1881-1973)“VISAGE AUX PALMES”1956, numbered 6/100 verso, withthe ‘Empreinte Originale de Picasso’and ‘Madoura Plein Feu’ stamps,incised C116, white ceramic platediameter: 16 1/2 in. (42cm)[Ramie 365].provenance:By family descent.Private Collection, New Jersey.$3,000-5,000

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10 11-2022/4GEORGE BRAQUE(french 1882 - 1963)“OISEAU III”1950, pencil signed bottom right,numbered 3/10 bottom left (therewas also an edition of 20 on slightlylarger paper), with wide margins;Maeght, Editeur, Paris, publisher.Lithograph on handmade Japonnacré paper.image: 5 x 6 1/2 in. (12.6 x 16.4cm)sheet: 7 x 9 1/2 in. (17.6 x 24cm)[Vallier 57; Maeght 33].$2,500-3,500

11 11-1662/14(AFTER) GEORGES BRAQUE(french 1882-1963)“LA BARQUE SUR LA GRÈVE”1960, pencil signed, numbered201/300, with wide margins;published by Maeght Editeur, Paris,France and with their embossedstamp bottom left. Color lithographon wove paper.image: 12 x 28.7 in. (30.5 x 72.9cm)sheet: 16 1/4 x 35 1/2 in.(41.3 x 90cm)[Maeght 1040].$1,000-1,500

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12 11-1859/1twenty lithographsJOAN MIRO(spanish 1893-1983)“MARAVILLAS CON VARIACIONES ACROSTICAS EN EL JARDIN DE MIRO”1975, each from the edition of 1500, each with full margins; EdicionesPolígrafa, Barcelona, S.A., publisher. The complete set of twenty colorlithographs on wove paper.13 prints: 19 1/2 x 14 1/8 in. (49.6 x 36cm)7 prints: 19 5/8 x 28 1/4 in. (50 x 72cm)[Mourlot, 1051-1072; Cramer books 211].Unframed$1,500-2,500

13 11-1423/23JOAN MIRO(spanish 1893-1983)“EXPOSITION DES OEUVRES RECENTS”1953, pencil signed bottom right, numbered 121/150, from the edition beforeletters for the Exhibition of Recent Works at Galerie Maeght, Paris, France,with wide upper and lower margins. Color lithograph on Arches.image: 27 1/4 x 20 1/2 in. (69.2 x 52cm)sheet: 29 7/8 x 22 in. (75.7 x 55.7cm)[Mourlot 191; Maeght 123].$1,000-1,500

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14 11-1859/2fourteen lithographsJOAN MIRO(spanish 1893-1983)“LA MELODIE ACIDE”1979-80, each pencil numbered 52/1500, each with full margins, loose (asissued); Galerie Lucie Weill, Paris, publisher. With pencil numberedtitle/justification page and original natural colored, textured paper folderand white cardboard folder/box as issued. The set of 14 color lithographs onArches.each image: 8 x 6 1/4 in. (20.4 x 15.9cm)each sheet: 13 x 9 13/16 in. (33 x 24.9cm)[Maeght 1212-1225; see Cramer 248].Unframed$1,500-2,500


15 11-2145/1SALVADOR DALI(spanish 1904-1989)“LA MONTRE MOLLE”Copy 152/820; Daum Cristal, Paris,France, publisher. Pâte de verre andbronze multiple stamped withartist’s and publisher’s names onbronze hardware, contained withinoriginal fabric lined box with printedcover, accompanied by mountinghardware and chain.height: 20 1/4 in. (51.3cm)provenance:Private Collection, Pennsylvania.note:This work is accompanied by aDaum editions certificate ofauthenticity numbered ‘152’ in ink.$4,000-6,000

16 11-1662/16HENRY MOORE(british 1898-1986)“PANDORA AND THE IMPRISONEDSTATUES”from “prometheus”1950, pencil signed, dated andinscribed ‘Essai’ (trial proof, the editionwas 20); Henri Jonquieres PA Nicaise,publisher; with wide margins. Colorlithograph on Marais pur fil.image: 12 1/2 x 8 1/2 in.(31.8 x 21.2cm)sheet: 15 x 11 1/8 in. (38.1 x 28.2cm)[Cramer 31].$1,500-2,500

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17 11-1747/9MARC CHAGALL(french/russian 1887-1985)“ABDULLAH DISCOVERED BEFOREHIM ...”plate 9 from “tales from thearabian nights”1948, pencil signed and inscribed‘pl. 9’ and numbered 13/90, withmargins; Pantheon, publisher. Colorlithograph on laid paper.image: 14 3/4 x 11 3/8 in.(37.5 x 28.8cm)sheet: 17 x 13 1/4 in.(43.2 x 33.6cm)[Mourlot 44; see Cramer books 18].$6,000-8,000

18 11-8058/2(AFTER) MARC CHAGALL(french/russian 1887-1985)“OISEAU BLEU”1968, pencil signed, inscribed‘epreuve d’artiste L/L’ (the editionwas 200 in Arabic numerals); withwide margins, Charles Sorlier, Paris,France publisher. Color lithograph onArches.image: 22 x 17 in. (55.9 x 43.18cm)sheet: 28 x 20 1/2 in. (71 x 51.9cm)[Sorlier 41].$8,000-12,000

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19 11-1747/8MARC CHAGALL(french/russian 1887-1985)“THEY WERE IN FORTY PAIRS”plate 2 from “four tales from thearabian nights”1948, pencil signed and inscribed‘pl. 2’ and numbered 89/90, withmargins; Pantheon, publisher. Colorlithograph on laid paper.image: 14 3/8 x 11 1/8 in.(36.5 x 28.2cm)sheet: 17 x 13 in. (43.2 x 33cm)[Mourlot 37; see Cramer books 18].$6,000-8,000

20 11-2022/2MARC CHAGALL(french/russian 1887-1985)“L’INSPIRÉfrom “lithographs of marcchagall, vol. ii”1963, pencil signed and numbered29/40 (there was also an unsignededition of 10,000 without margins),André Sauret, Paris, publisher; withwide margins. Color lithograph onArches.image: 13 x 10 in. (33 x 25.3cm)sheet: 18 1/4 x 12 3/4 in.(46.3 x 32.3cm)[Mourlot 398, see Cramer books56].$3,000-5,000

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21 11-1702/70MARIA-MELA MUTER(french/polish 1876-1967)“PITONS CAGIBIT”Oil on canvas20 x 20 in. (50.8 x 50.8cm)provenance:Private Collection, Villanova,Pennsylvania.$18,000-25,000

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22 11-1339/1PIERRE BONNARD(french 1867-1947)“PAYSAGE DU DAUPHINÉ”Oil on panelExecuted circa 1897.5 1/4 x 8 11/16 in. (13.3 x 22.1cm)provenance:The Bonnard Estate.Private Collection, New York, NewYork.literature:Jean and Henry Dauberville,“Catalogue Raissoné de L’Œvre Peint1940,” 1947. Supplement 1887-1939.Vol. 4., no. 01694, illustrated p. 113.$15,000-20,000

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23 11-1067/99JEAN HUGO(french 1894-1984)CONCERT EN PLEIN AIRSigned bottom right, gouache onpaper4 1/2 x 9 7/8 in. (11.3 x 24.9cm)provenance:Private Collection, Delaware.$1,000-1,500

24 11-1696/3ROGER DE LA FRESNAYE(french 1885-1925)MAN IN ROMAN COSTUMEInscribed “Dessin pour un Costume(Bal Poirot a St. Cloud) par R. delaFresnaye” in pencil and with inkstamp of ‘37’ verso, watercolor andpencil on paper12 1/2 x 9 3/8 in. (31.8 x 23.9cm)provenance:Private Collection, Philadelphia,Pennsylvania.$1,000-1,500

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25 11-1702/75WILLY (ROCHAT) JAMES(french/swiss 1920-2004)“MONTMARTE, PLACE DUTERTRE”Signed bottom right and again onstretcher verso, oil on canvas21 1/2 x 28 3/4 in. (54.4 x 73.2cm)provenance:Private Collection, Villanova,Pennsylvania.$4,000-6,000

26 11-1336/3YOLANDE ARDISSONE(french b. 1927)“LA BRETAGNE AU PRINTEMPS”Signed bottom left, titled verso, oilon canvas20 x 24 in. (50.8 x 61cm)provenance:Findlay Galleries, Inc., Chicago,Illinois.Private Collection, Maryland.$1,000-1,500

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27 11-1360/12JACQUES BOUYSSOU(french 1926-1997)“PARIS: L’ESCALIER AMONTMARTE”Signed bottom right, titled verso,inscribed ‘Paris’ verso, oil on canvas32 x 25 1/2 in. (81.3 x 64.8cm)provenance:Lejeune Beaux-Arts, Paris.$1,500-2,500


28 11-2048/8EMILIO GRAU SALA(spanish 1911-1975)“INTERIEUR AUX CARTES”Signed bottom left and signed again, titled, dated 70and inscribed ‘Paris’ verso, oil on canvas23 3/4 x 28 3/4 in. (60.3 x 73.1cm)provenance:The artist.Le Monde Galleries, New York, New York.Alexander Slater, New York, New York.note:This lot will be accompanied by the original invoiceand a photograph of the painting signed by the artist.$15,000-25,000

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29 11-1581/1AGUSTIN UBEDA(spanish 1925-2007)“EL CABALLO DE LUNA”Signed bottom left, and signed againand titled verso, oil on canvasExecuted in 196836 x 28 3/4 in. (91.5 x 73cm)provenance:Private Collection, Alexandria,Virginia.$2,000-3,000

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31 11-1732/5No Lot

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30 11-8060/1GERARDO RUEDA(spanish 1926-1996)UNTITLEDSigned and dated 1966 on upperstretcher verso, painted wood andcanvas construction22 1/2 x 19 1/8 x 1 3/4 in.(57.2 x 48.6 x 4.4cm)provenance:Private Collection, Virginia.$3,000-5,000


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32 11-2050/1EDMONDO BACCI(italian 1913-1978)UNTITLEDSigned bottom right, oil on canvas31 1/2 x 43 in. (80 x 109.2cm)provenance:Private Collection, Media,Pennsylvania.$12,000-18,000


33 11-8042/11LUCIANO VENTRONE(italian b. 1942)“NATURA MORTA”Signed lower left, signed again andtitled verso, oil on canvas40 1/2 x 59 1/2 in. (102.9 x 151.1cm)provenance:Galleria Forni, Bologna, Italy.Private Collection, Miami, Florida.$30,000-50,000

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34 11-8042/12LUCIANO VENTRONE(italian b. 1942)“CESTO DI CEDRI CON ZAGARE”Signed bottom left and signed again,titled and inscribed ‘UNAUTHENTICA LUCIANOVENTRONE’ in ink verso, oil oncanvasExecuted in 200035 1/4 x 39 1/2 in. (89.5 x 100.4cm)provenance:Galleria Forni, Bologna, Italy.Private Collection, Miami, Florida.$20,000-30,000

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35 11-8058/6MARINO MARINI(italian 1901-1980)“BUNTER REITER I”1975, pencil signed and numbered17/75, with full margins; Albra, Turin,publisher. Color lithograph on wovepaper.image: 31 1/2 x 22 1/2 in.(80 x 57.2cm)sheet: 37 x 26 5/8 in.(94 x 67.6cm)[Guastalla 332].Unframed (shrink-wrapped)$1,200-1,800

36 11-2129/1MARINO MARINI(italian 1901-1980)“CHEVAUX ET CAVALIERS II”1972, pencil signed and numberedXXII/XXX (proof apart from theedition of 60), with margins; SociétéInternationale d’Art XXe Siécle &Léon Amiel, Paris, co-publishers.Color lithograph on wove paper.image: 14 3/4 x 19 3/8 in.(37.4 x 49cm)[Guastalla 266].$1,500-2,500

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37 11-2021/1BRAM VAN VELDE(dutch 1895-1981)UNTITLEDcirca 1950, pencil signed, numbered6/100, the full sheet. Colorlithograph on wove paper.image/sheet: 26 1/4 x 20 in.(66.7 x 50.7cm)$800-1,200


38 11-1321/1JAN SLUIJTERS SR.(dutch 1881-1957)UNTITLED (PORTRAIT OF VEILEDWOMAN)Inscribed ‘Eigendom Jan Sluijters’ inred crayon on stretcher verso, oil oncanvas32 x 24 in. (81.3 x 60.9cm)provenance:J. van der Elst, Amsterdam.Private Collection.exhibited:“Jan Sluijters,” Gemeente Museum,The Hague, Netherlands.$40,000-60,000

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39 11-1662/13JOHANNES ITTEN(swiss 1888-1967)“HAUS DES WEISSEN MANNES”plate 4 from “bauhaus mappe”1922, pencil signed bottom rightfrom the dition of 110, with widemargins; Staatliches Bauhaus,publisher.Lithograph on wove paper.image: 10 1/2 x 9 1/2 in.(26.7 x 24.1cm)sheet: 13 13/16 in. x 11 1/8 in.(35.1 x 28.2cm)[Itten 222].$1,000-1,500

40No lot

44 11-2002/6FRITS LUCIEN OHL(dutch 1904-1976)TEMPLESigned bottom right, oil on masonite27 1/2 x 23 1/2 in. (69.7 x 59.5cm)provenance:The Art Gallery, Newark, NewJersey.Private Collection, Princeton, NewJersey.$3,000-5,000

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41 11-8023/4PANG TSENG YING(chinese 1916-1997)UNTITLEDBears red stamp center right, inkand watercolor on parchment laiddown to Japanese paper16 7/8 x 12 1/8 in. (42.8 x 31.1cm).provenance:The artist.Private Collection, Virginia, acquiredfrom the above in 1972.$3,000-5,000

43 09-2208/1JAMINI ROY(indian 1887-1972)CAT AND KITTENSigned in Bengali bottom right,tempera on cardimage: 15 15/16 x 15 1/2 in.(40.5 x 39.4cm)card: 16 1/2 x 16 1/8 in.(41.9 x 41cm)Unframedprovenance:Private Collection, Philadelphia,Pennsylvania.$2,500-4,000


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42 11-2009/1LAXMAN PAI(indian b. 1926)“BRIDE”Signed, inscribed and dated ‘Paris56’ and signed again in Devangaribottom right and signed, titled andinscribed on stretcher verso, oil oncanvas18 x 25 1/2 in. (40.8 x 64.8cm)provenance:Private Collection, New York, NewYork.$3,000-5,000


45 10-2189/5FRANCIS NEWTON SOUZA(indian 1924-2002)UNTITLED (HEAD)Signed and dated 98 upper left,inscribed with estate number MGP-98-002 in ink and again in pencilverso, gouache and ink on a foldedsheet of newsprintimage: 13 3/4 x 12 1/2 in.(34.9 x 31.8cm)sheet: 13 3/4 x 22 1/2 in.(34.9 x 57.2cm)Unframedprovenance:The Estate of F.N. Souza.By family descent.$6,000-10,000

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46 10-2189/4FRANCIS NEWTON SOUZA(indian 1924-2002)“ANN-MARGARET”Titled and dated 1966 in pencilbottom center, inscribed with estatenumber CR-MMP-66-002 in pencilverso, gouache, graphite andnewsprint collage on papersheet: 17 x 7 3/8 in. (43.2 x 18.8cm)Unframedprovenance:The Estate of F.N. Souza.By family descent.$4,000-6,000

47 11-1848/1FRANCIS NEWTON SOUZA(indian 1924-2002)UNTITLED (TWO NUDES)Signed and dated in pencil bottomright and again in ink upper left,crayon on magazine papersheet size: 12 1/4 x 9 1/4 in.(31.1 x 23.5cm)Unframedprovenance:Private Collection, Connecticut.$2,500-4,000


48 10-2189/12FRANCIS NEWTON SOUZA(indian 1924-2002)UNTITLED (HEAD)Signed and dated 83 in ink upperleft and inscribed with estatenumber CR-MWP-83-241 in pencilverso, watercolor and felt tip pen onpapersheet: 11 x 8 1/2 in. (28 x 21.6cm)Unframedprovenance:The Estate of F.N. Souza.By family descent.$1,500-2,500

49 10-2189/16FRANCIS NEWTON SOUZA(indian 1924-2002)NUDE HALF LENGTHSigned and dated 66 upper left andinscribed with estate number CR-IP-66-062 in pencil verso, fountain penand ink on paper17 x 11 in. (43.2 x 27.9cm)Unframedprovenance:The Estate of F.N. Souza.By family descent.$2,000-3,000

50 10-2189/11FRANCIS NEWTON SOUZA(indian 1924-2002)UNTITLED (HEAD)Signed and dated 66 center left,inscribed with estate number CR-PnP-66-005 in pencil verso,ballpoint pen on paper10 x 8 in. (25.4 x 20.3cm)Unframedprovenance:The Estate of F.N. Souza.By family descent.$1,500-2,500


In a 2009 Wall Street Journal article about theprevious year's financial meltdown and theimpact it was having on the art market, Jack L.Wolgin, who died a year later at the age of 93,expressed his concern about the artists whowould have to face the difficult days ahead andcommented, "I would rather have art thanmoney." Fortunately for our native Philadelphia,he gave both with a remarkable thoughtfulness,generosity and foresight. Undeniably, a large partof his legacy is tied to his city. Freeman's ispleased to offer here thirteen exceptional worksfrom his estate.

Some Philadelphians may not know the Wolginname but they most certainly know of ClaesOldenburg's 1976 monumental and iconicClothespin. Towering near City Hall in the CentreSquare Plaza office complex Wolgin helped todevelop, it was one of three works he hadcommissioned at that time to fulfill the city'srequirement that a percentage of newconstruction costs be allocated for art. His goalwas "to provide art that would enhancePhiladelphia by integrating into the daily life ofthose who live or work in the city, the joy andinspiration derived from great art."

We can view the Clothespin, especially inPhiladelphia and its association with Jack Wolgin,as something of a link between the impact ofextraordinary 20th-century public art and theinfluence artists will have in the coming decades.In 2008, he created the Jack Wolgin InternationalCompetition in the Fine Arts administered byTemple University's Tyler School of Art - a trulyoutstanding annual prize of $150,000 to beawarded to one artist to promote "excellence bytranscending traditional boundaries." It is theworld's largest juried visual arts prize. JackWolgin gave Philadelphia monumental art andsignificant resources to guarantee thatcontemporary art in all dimensions will flourishin the future.

Freeman's takes particular pleasure in being ableto offer a selection of Jack Wolgin's manytreasures. Like the enduring artistic andphilanthropic legacies he left to Philadelphia, itseems appropriate that Freeman's, with a uniqueand historic link to the fine arts of the city, willassist in yet another chapter in the life of one ofthe city's great champions of the arts.

Photo credit:John Condax Photography

Property from the Estate of Jack L.Wolgin, Philadelphia


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51 10-4013/30RAOUL DUFY(french 1877-1953)“AMPHITRITE ET CHEVAUXMARINS”Signed bottom center, gouache onpaper laid down to canvasExecuted in 1925.26 1/2 x 27 3/4 in. (67.2 x 70.3cm)

provenance:Parke-Bernet Galleries, Inc., Sale2431, April 27 1966 lot 680.The Estate of Jack L. Wolgin,Philadelphia. (Purchased at theabove sale).exhibited:“Private Collections: Mr. & Mrs.Henry Clifford, Mr. & Mrs. Louis C.Madeira, Mrs. John Wintersteen,

Mr. and Mrs. Jack L. Wolgin,”Philadelphia Museum of Art July 7-August 30, 1970.literature:Fanny Guillon-Laffaille, “Catalogueraisonné des aquarelles, gouacheset pastels, Vol II” Paris, 1982, p. 298, cat. no. 1877.$40,000-60,000


52 10-4013/20HANS (JEAN) ARP(french 1886-1966)“BUSTE SILVESTRE”Inscribed with the artist’s name andstamp-numbered 6/10 on theunderside, polished bronzeConceived in 1963.height: 5 3/8 in. (13.6cm)provenance:Brooks Gallery, London.Pace Gallery, Columbus, Ohio.The Estate of Jack L. Wolgin,Philadelphia, Pennsylvania.literature:Eduard Trier, “Jean Arp Sculpture:His Last Ten Years,” 1968, no. 305,illustration of another cast, pl. 89.$10,000-15,000

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53 10-4013/13ARMAN(french/american 1928-2005)UNTITLEDSigned and dated ‘71’ on lower edge, unique broken violin cast in polyesterresin9 7/8 x 9 7/8 x 9 7/8 in. (25 x 25 x 25cm)provenance:The Estate of Jack L. Wolgin, Philadelphia, Pennsylvania.note:This work is recorded in the Arman Studio Archives under number: APA#8208.71.084$30,000-50,000

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54 10-4013/4MATHIAS GOERITZ(german/mexican 1915-1990)“MESSAGE”Perforated golden metal over painted woodExecuted ca. 1960.27 3/4 x 27 3/4 x 2 7/8 in. (70.5 x 70.5 x 7.3cm)provenance:The artist.The Estate of Jack L. Wolgin, Philadelphia, Pennsylvania,acquired from the above in 1974.note:This lot will be accompanied by a certificate of authenticity byLily Kassner dated 30 August 2011.$30,000-50,000

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55 10-4013/29WOJCIECH FANGOR(polish/american b. 1922)“M-62”Signed, titled and dated 1966 verso, oil on canvas66 x 66 in. (167.6 x 167.6cm)Unframedprovenance:Galerie Chalette, New York, New York.The Estate of Jack L. Wolgin, Philadelphia, Pennsylvania,acquired from the above in April 1970.$60,000-100,000


56 10-4013/15CLAES OLDENBURG(american b. 1929)“MODEL FOR CLOTHESPIN”Stamped with the artist’s signature, numbered 7/9 and with the Lippincott,Inc., North Haven, Connecticut stamp, bronze and stainless steel withgolden patinaExecuted in 1974.48 x 16 1/4 x 7 in. (122 x 41.3 x 17.8cm)provenance:The artist.The Estate of Jack L. Wolgin, Philadelphia, Pennsylvania.exhibited:Walker Art Center, Minneapolis, Minnesota, “Oldenburg: Six Themes,” April6 - 25 May, 1975 (traveled to The Denver Art Museum, the Seattle ArtMuseum, New Orleans Museum of Art, the Art Gallery of Ontario, Toronto),June 28, 1975 - May 1976 (another example exhibited, pp. 63, 67).Philadelphia Museum of Art, Philadelphia, Pennsylvania, “PhiladelphiaCollects: Art Since 1940,” September 28 - November 30, 1986.Leo Castelli Gallery, New York, New York, “Claes Oldenburg,” April 27 - May18, 1974 (another example exhibited).literature:"Claes Oldenburg Coosje van Bruggen Large-Scale Projects," The MonacelliPress, Inc. New York, New York, 1994, p. 234.$250,000-350,000

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“I’m not an abstract artist. I’m a realist. The way I look at it,abstraction is not sufficiently complicated; abstraction doesn’trelate enough to everyday life. You see, that’s my realist bias. I’musing these objects because I want to employ the world aroundme, which I feel a relationship with. I’m a purist on my own termsbut not a purist in the sense that I want to eliminate the world ofappearances or the tactile world.” Claes Oldenburg

When the 40-foot Clothespin sculpture was unveiled indowntown Philadelphia in July of 1976, it was the manifestationof nearly ten years of the artist’s working to translate one of themost functional and familiar tools in the artist’s studio into agrand public monument. Clothespins “are the instruments ofconnection which are so important in the fabrication of my work... My studio is full of clothespins. I handle these objects. After awhile I begin to see them as much larger structures than theyactually are and think of enlarging them. They have anarchitectural character.”

In 1967, Oldenburg held a real clothespin to the plane windowas he flew over Chicago and first envisioned the everyday objectas a variation on the Hancock building, innovative for itsrejection of the usual vertical building format . He then workedthe idea into the cover for Artforum magazine that same year.

In 1972, the theme continued to evolve as the artist used adrawing of a clothespin with a collaged element of Brancusi’s‘The Kiss’ as a poster and limited edition print [see lot 57] forhis solo exhibition at the Philadelphia Museum of Art. The artistreferenced the iconic sculpture, in the holdings of thePhiladelphia Museum “because it contained two structurespressing close together and held in an embrace: In the case ofthe clothespin, the parts were held by a spring.”

No doubt, Philadelphia businessman and art collector JackWolgin would have attended this local 1972 exhibition aroundthe time he was seeking to commission a large sculpture for hisCentre Square Project in downtown Philadelphia . That sameyear, Oldenburg had begun work with Don Lippincott on theproduction of a few studies and models for a large scaleclothespin. After many fits and starts, revisions of line and ofmedium, the artist and Lippincott put into production three ten-foot steel clothespins and nine four-foot sculptures [one ofwhich is offered here].

Distilled down to its most elegant curves and finished in awarm, golden patina, “Model for Clothespin” is an alluringcelebration of the beauty in the universal, common and familiar.


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59 10-4013/33ROBERT ENGMAN(american b. 1927)“JACK”Inscribed ‘3/15/69’ and stamped withfoundry mark, polished bronze20 x 20 in. (50.8 x 50.8cm)provenance:The artist.The Estate of Jack L. Wolgin,Philadelphia, Pennsylvania, acquiredfrom the above in March 1969.$1,500-2,500

57 10-4013/28CLAES OLDENBURG(american b. 1929)“PROPOSAL FOR A COLOSSAL STRUCTURE INTHE FORM OF A CLOTHESPIN-COMPARED TOBRANCUSI’S KISS”1972, pencil signed and numbered 62/200; withwide margins, The Friends of the PhiladelphiaMuseum of Art, Philadelphia, publisher. Colorscreenprint and collage on Arches.image: 21 1/2 x 13 7/8 in.34.6 x 35.2cm)sheet: 29 1/4 x 21 5/8 in. (74.2 x 54.8cm)[Axsom & Platzker 103].provenance:Estate of Jack L. Wolgin, Philadelphia, Pennsylvania.$1,000-1,500

58 10-4013/66RED GROOMS(american b. 1937)“FRANKLIN’S RECEPTION AT THECOURT OF FRANCE”1982, pencil signed, dated, andnumbered 29/125 (there were also 5printer’s proofs), the full sheet; Institueof Contemporary Art, Philadelphia,Pennsylvania, publisher. Colorscreenprint on Rives BFK.image: 41 3/4 x 29 1/2 in.(106 x 74.9cm)sheet: 44 3/4 x 31 1/2 in.(113.6 x 79.3cm)[Knestrick 93].provenance:Institute of Contemporary Art,Philadelphia, Pennsylvania.Estate of Jack L. Wolgin, Philadelphia,Pennsylvania.note:Edition donated by the artist for thebenefit of the Institute ofContemporary Art in support ofPhiladelphia Cornucopia, Institute ofContemporary Art, University ofPennsylvania, Philadelphia. This printwas executed for “Rally Round theFlag,” a fund-raising benefit.$1,000-1,500

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60 10-4013/17ALEXANDER CALDER(american 1898-1976)UNTITLED (BANNER DESIGN FOR THE REDEVELOPMENTAUTHORITY OF PHILADELPHIA)Signed and dated ‘CA 75’ bottom left, gouache on paper40 1/4 x 14 3/4 in. (102.2 x 37.5cm)provenance:The artist.The Estate of Jack L. Wolgin, Philadelphia, Pennsylvania.note:This work is registered in the archives of the Calder Foundationunder identification number A19110.$40,000-60,000

In 1975, Jack Wolgin commissioned Alexander Calder todesign eight banners to hang in the atrium of his CentreSquare, downtown Philadelphia complex as part of theRedevelopment Authority’s percent-for-art programrequirement. The artist submitted proposed designs to Mr.Wolgin in the form of gouache works on paper, one of which isoffered here. The magnificent final products, brilliantly huedbanners of dyed cotton and silk ranged from 18 to 28 feet inlength and were unveiled at a gala event on July 1st, 1976,timed to coincide with the city’s bicentennial celebration.

The banners are the only ones ever designed by the artist.

Suspended from the sky-lit atrium around a large sculpture byJean Dubuffet with the newly installed 40-foot “Clothespin” byClaes Oldenburg just outside, the three works together made astunning impact and instantly marked Philadelphia as a greatsupporter and nurturer of public art. Mary Kilroy, former headof the Redevelopment Authority art program, said the 1976installation of those artworks marked a cultural “breakout” forthe city.

After Centre Square was sold in the 1980s, the atrium was re-designed and the banners temporarily removed and placed instorage. Ownership of Centre Square subsequently changedhands at least twice more, and the banners were lost for manyyears. Thanks to the efforts of many people including SusanDavis, former director of public art at the PhiladelphiaRedevelopment Authority, however, the banners were found in2009 and hung at the Philadelphia Free Library for publicviewing for the first time in over twenty years.

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61 10-4013/48EDNA ANDRADE(american 1917-2008)“NIGHT FLIGHT”Signed with initials and dated 60 bottom right and signed again andtitled on back of frame, oil on canvas in artist’s painted wood framecanvas: 10 x 24 in. (25.4 x 60.9cm)with artist’s frame: 16 3/4 x 30 5/8 in. (42.5 x 77.8cm)provenance:The artist.Philadelphia Arts Council.The Estate of Jack L. Wolgin, Philadelphia, Pennsylvania, acquiredfrom the above in April 1961.$3,000-5,000

62 10-4013/67CHAOUKI CHAMOUN(lebanese b. 1942)UNTITLEDSigned bottom right and signed again twice anddedicated ‘to Muriel & Jack in remembrance of yourvisit/Spain 1979’ verso, acrylic on cardboard19 x 22 3/4 in. (48.5 x 57.8cm)provenance:The artist.The Estate of Jack L. Wolgin, Philadelphia,Pennsylvania.$1,500-2,500

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63 10-4013/22PEDRO FRIEDEBERG(mexico b. 1937)“ESTUDIOS SUPERIORES”Signed bottom right, acrylic on wood with painted andsculpted handsExecuted in 1995.30 x 30 in. (76.2 x 76.2cm)provenance:The artist.The Estate of Jack L. Wolgin, Philadelphia, Pennsylvania,acquired from the above in August 1995.note:This work is accompanied by a stamped and hand-writtencertificate of authenticity signed by the artist and dated1995.$7,000-10,000


64 11-8042/3FERNANDO BOTERO(columbian b. 1932)“GIRL ON A HORSE”Signed lower right, signed again,titled and dated ‘61’ verso, oil oncanvas14 1/4 x 11 1/8 in. (36.2 x 28.3cm)provenance:Elkon Gallery, New York, New York.Private Collection, Switzerland.James Goodman Gallery, Inc., NewYork, New York.Private Collection, Miami, Florida.exhibited:The Elkon Gallery, New York, NewYork, “Modern and ContemproraryMasters- Spring 1990,” April 30 -June 8, 1990.$30,000-50,000

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65 11-8058/5RUFINO TAMAYO(mexican 1899-1991)“VENUS NOIRE”from las mujeres 1969, pencil signed and numbered98/150 (there were also 25 onJapon in Roman numerals), with fullmargins; Touchstone Publishers,New York, New York, publisher.Color lithograph on BFK Rives.image: 27 1/2 x 21 in.(69.9 x 53.3cm)sheet: 30 x 22. 5/8 in.(76.3 x 57.5cm)[Pereda 110].$1,000-1,500

66 11-8058/4RUFINO TAMAYO(mexican 1899-1991)"FIGURA DE MUJER"from “15 lithographs”1973, white crayon signed andnumbered 68/75 (there were 10artist's proofs in Roman numerals),the full sheet; Ediciones Polígrafa,Barcelona, publisher. Color lithographon Guarro.sheet: 29 3/4 x 21 3/4 in. (75.6 x 55.2cm)[Pereda 148].sheet: 29 3/4 x 21 3/4 in.(75.6 x 55.2cm)$2,000-3,000

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67 10-1508/17OMAR RAYO(colombian b. 1928)“WET ZONE NO. 2”Signed, titled, inscribed and dated‘New York 1966’ in pencil verso,acrylic on canvas40 x 40 in. (101.6 x 101.6cm)Unframedprovenance:Estate of Rolf E. Muenter,Greensboro, Vermont.$10,000-15,000

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68 11-2144/1set of 10 etchingsGUNTHER GERZSO AND OCTAVIO PAZ(mexican 1915-2000 and 1914-1998)“PALABRAS GRABADAS (GRAVENWORDS)”1990, the complete set of ten signed andnumbered color etchings on Rives, copy 37/50(there were 7 artist’s proofs), with title andsigned and numbered justification pages,loose in individual folders with printedpoems/text (as issued), all with full margins.Contained within original fabric coveredportfolio box as issued (one framed).Nine unframed, one framedeach sheet: 16 x 18 in. (40.6 x 45.7cm)provenance:Private Collection, Pennsylvania.$5,000-8,000

69 11-8042/2JOSE BEDIA(cuban b. 1959)“LEMBO”Signed and dated 01 bottom right, ink andmixed media on amate paper16 x 46 1/2 in. (40.6 x 118.1cm)provenance:Private Collection, Miami, Florida.$2,000-3,000

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70 11-8042/1JOSE BEDIA(cuban b. 1959)“FIONGO”Signed and dated 01 bottom right, ink andmixed media on amate paper16 x 38 in. (40.6 x 96.6cm)provenance:Private Collection, Miami, Florida.$2,000-3,000


71 11-8042/8AGUSTIN CÁRDENAS(cuban 1927-2001)“COMPOSITION AUX TROISFORMES”Signed and numbered E.A. 2/4(artist’s proof), bronze with greenpatinaConceived in 1956 (cast later).59 7/8 x 26 7/8 x 20 1/8 in.(152 x 69.3 x 51cm)provenance:Galerie Patrice Trigano, Paris.Private Collection, Miami, Florida.exhibited:Galerie Patrice Trigano, Paris,“Cardenas,” March 10-April 10, 1999(exhibition catalogue coverillustration).$40,000-60,000

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72 11-8042/4HERMANN CAMARGO(columbian b. 1950)“TAPAROS”Signed and dated 2000 bottomright and signed again, titled anddated verso, oil on canvas27 1/4 x 37 in. (69.2 x 94cm)provenance:The artist.Private Collection, Miami, Florida,aquired from the above in 2000.$3,000-5,000

73 11-2054/1ROBERTO BURLE MARX(brazilian 1909-1982)“THE FOREST”Signed and dated 1965 bottom right,gouache on paper21 3/4 x 30 1/4 in. (55.2 x 76.8cm)provenance:The artist.Gifted to Ian McHarg, Philadelphia,Pennsylvania ca. 1960-70.By descent in family to presentowner.Private Collection, Unionville,Pennsylvania.$3,000-5,000

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74 11-2144/3ten aquatintsROBERTO MATTA(chilean 1911-2002)“CENTRE NOEUDS”1974, ten etchings with aquatint in colorson Japon nacre, each pencil signed andnumbered 44 of 125, title, each with fullmargins; Editions Alexander Kahan andGeorges Visat, Paris, co-publishers. Title,text by Antonin Artaud and stamp-numbered justification folded sheet onArches, in embossed title folder, withinoriginal buckram covered portfolio box withprinted text (as issued).each image: 14 x 10 1/2 in. (35.6 x 26.7cm)each sheet: 23 7/8 x 17 1/4 in.(60.6 x 43.8cm)[Sabatier 393-402; Ferrari 88-97].note:Lacking the additional set of ten signed andnumbered aquatints on Arches as originallyissued.$5,000-8,000

75 11-8042/9WIFREDO LAM(cuban 1902-1982)UNTITLEDSigned, dated and inscribed ‘1946Haiti’ bottom left, bears inscription‘Ancienne collection Piere Loebdocteur Chast’ in pencil verso,Chinese ink on paper.12 3/4 x 10 in. (32.2 x 25.4cm)provenance:Galerie Marwan Hoss, Paris, France.Private Collection, Miami, Florida.$4,000-6,000

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76 11-2143/1MILTON AVERY(american 1885-1965)“LAMB (RED)”1954, pencil signed, dated and inscribed‘trial proof’ (the edition was 20), with widemargins. Color woodcut on thin, creamJapan paper. image: 9 3/4 x 14 in. (24.6 x 35.5cm)sheet: 12 1/4 x 17 1/2 in. (31 x 44.4cm)[Lunn 58].$2,000-3,000

77 11-1360/30MILTON AVERY(american 1885-1965)“FLIGHT”1953, pencil signed, dated, and inscribed‘artist’s proof’ (proof apart from the editionof 100), with wide margins. Woodcut onwove paper.image: 7 x 9 in. (17.8 x 22.8cm)[Lunn 51].provenance:The artist.Estate of Dr. Ruth W. Berenda, New York,New York.$800-1,200

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78 11-1360/31MILTON AVERY(american 1885-1965)“NUDE”1953, pencil signed, dated and numbered2/20, with wide margins. Color woodcuton wove paper.image: 3 5/8 x 10 3/4 in. (9.2 x 27.3cm)[Lunn 49].provenance:The artist.Estate of Dr. Ruth W. Berenda, New York,New York.$1,800-2,200


79 11-2143/2MILTON AVERY(american 1885-1965)“BABY AVERY”1933, pencil signed, dated andnumbered 15/60, with widemargins. Drypoint on wove paper.image: 8 15/16 x 5 15/16 in. (22.7 x 15.1cm)sheet: 15 x 13 1/8 in. (38 x 33.2cm)[Lunn 3].$800-1,200

80 11-2143/3MILTON AVERY(american 1885-1965)“FANTAIL PIGEON”1953, pencil signed, dated and inscribed ‘artist’s proof’(the edition was 25 or 30 in colors), with wide margins.Woodcut on creamy thin Japan.image: 10 1/8 x 9 3/4 in. (25.6 x 24.6cm)sheet: 14 5/8 x 12 in. (37 x 30.3cm)[Lunn 47].note:This lot will be accompanied by a letter of authenticitysigned by Sally Avery and dated September 15, 1989.$1,500-2,000

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81 11-1360/29SALLY MICHEL AVERY(american 1902-2003)MILTON SEATEDSigned and dated twice bottom left,oil on board41 1/2 x 23 1/2 in. (105.3 x 60cm)provenance:The artist.Estate of Dr. Ruth W. Berenda, NewYork, New York.$2,500-3,500


82 11-1360/36SALLY MICHEL AVERY(american 1902-2003)UNTITLED (WOMEN AND CATS)Signed and dated 1975 bottom right,oil on canvas39 1/2 x 47 1/2 in. (103 x 120.6cm)provenance:The artist.Estate of Dr. Ruth W. Berenda, NewYork, New York.$6,000-10,000

83 11-2014/1MARCH AVERY(american b. 1932)UNTITLEDSigned and dated 63 along left edge,oil on canvas46 x 50 in. (116.7 x 126.9cm)provenance:Fontana Gallery, Narberth,Pennsylvania.A Main Line Estate, Pennsylvania.note:This lot is accompanied by a hand-written letter from the artist dated1968 sent to the original purchaserof the painting in which she detailsher work on the painting.$4,000-6,000

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84 11-1360/27SALLY MICHEL AVERY(american 1902-2003)TWO RIDERSSigned and dated 1967 bottom right, oil onartist’s board12 x 16 in. (30.4 x 40.6cm)provenance:The artist.Estate of Dr. Ruth W. Berenda, New York,New York.$2,000-3,000

85 11-2131/1MARCH AVERY(american b. 1932)“RELAXING COUPLE”Signed, dated 74 upper center and signed, titledand dated again on stretcher verso, oil on canvas40 x 50 in. (101.6 x 127cm)provenance:Private Collection, Pennsylvania.$3,000-5,000

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86 11-2014/2MARCH AVERY(american b. 1932)“EAST END”Signed and dated 65 bottom left,signed, titled and dated again onstretcher verso, oil on canvas40 x 44 in. (101.5 x 111.7cm)provenance:Gallery Reese Palley, Atlantic City, NewJersey.A Main Line Estate, Pennsylvania.$2,500-3,500


87 11-2016/1MAN RAY(american 1890-1976)DANCING GIRLSigned and dated 1917 bottom right,ink on paper19 x 14 5/8 in. (48.2 x 37cm)provenance:The artist.By family descent.Private Collection, Philadelphia,Pennsylvania, gifted from the abovecirca 1959.By family descent.Private Collection, Philadelphia,Pennsylvania.exhibited:New York, Daniel Gallery, “Man Ray:An exhibition of selected drawingsand paintings accomplished duringthe period 1913-19,” November 17-December 1, 1919.Paris, Galerie Rive Droite, “ManRay,” 1959.note:Although erroneously dated 1917 byMan Ray, the artist’s card file held atthe Centre Pompidou archivesconfirms the date of execution as1918. The present owner’s mother, aclose friend of Man Ray’s niece,Naomi Savage, received this drawingas a gift from the artist after visitinghim in his studio in Paris.$15,000-20,000

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88 11-8058/1ALEXANDER CALDER(american 1898-1976)UNTITLEDSigned and dated 69 bottom right, gouache on paper22 x 30 in. (55.9 x 76.2cm)provenance:The Upstairs Gallery, Long Beach, California.Private Collection, Alabama, purchased from the above in 1978.Private Collection, Florida.note:This work is registered in the archives of the Calder Foundationunder identification number A25406.$30,000-40,000

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89 11-1958/6PAUL JENKINS(american b. 1923)“PHENOMENA: SHAMAN”Signed bottom left, signed again,titled, dated 1989 and inscribedverso, acrylic on canvas57 1/2 x 45 in. (145.9 x 114.2cm)Unframedprovenance:The artist.George Hudock.By descent in family.Private Collection.$20,000-30,000

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Beginning in the 1940s, the artist Paul Jenkins’ mother developed a long term friendship with her neighbor, George Hudock.Over time, Hudock also met Paul Jenkins. Throughout the following decades, the two corresponded and visited each otherfrom time to time. During these years, Hudock received several gifts of artwork from Jenkins, several of which are included inthis exceptional group of paintings and sculptures.

Five Works by Paul Jenkins from a Private Collection


90 11-1958/7PAUL JENKINS(american b. 1923)“PHENOMENA- CRISS CROSSKIND”Signed, titled dated 1979 andinscribed and dedicated verso,acrylic on artist’s board18 x 14 in. (45.7 x 35.5cm)Unframedprovenance:The artist.George Hudock.By descent in family.Private Collection.$6,000-10,000

91 11-1958/5PAUL JENKINS(american b. 1923)“PHENOMENA MERCURY LIFE”Signed bottom right, signed again,titled, inscribed ‘Paris’ and dated1963 verso, watercolor on papersight: 29 x 21 in. (73.6 x 53.3cm)provenance:The artist.George Hudock.By descent in family.Private Collection.$4,000-6,000

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92 11-1958/1PAUL JENKINS(american b. 1923)“ECHO CHAMBER”Signed, titled, dated “January 14, 1980,”dedicated “For George Hudock from PaulJenkins” and inscribed “J/6” on theunderside, polished bronze with green patinalarger element: 3 7/8 x 4 in. (9.8 x 10.2cm)smaller element: 1 1/2 x 1 5/8 in.(3.8 x 4.1cm)(2).provenance:The artist.George Hudock.By descent in family.Private Collection.$1,000-1,500

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93 11-1958/3PAUL JENKINS(american b. 1923)HEAD (SELF PORTRAIT)Painted and glazed plaster castExecuted ca. 1948height: 9 1/4 in. (23.3cm)width: 7 1/4 in. (18.3cm)provenance:The artist.Nadyne Jenkins Herrick (mother ofthe artist).George Hudock.By descent in family.Private Collection.$1,000-1,500


94 11-2144/9WOLF KAHN(american b. 1927)“FLORIDA HORIZON 13”Signed bottom center, titled and dated ‘1998/13’ onstretcher verso, dated again on canvas verso, oil oncanvas19 x 22 in. (48.2 x 55.8cm)provenance:Private Collection, Pennsylvania.$6,000-8,000

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95 11-1369/3WILLEM DE KOONING(american/dutch 1904-1997)“FIGURES IN LANDSCAPE VI”1980, signed, dated and numbered 86/100 in pencil, with full margins; TheInstitute of Contemporary Art, Philadelphia, Pennsylvania, publisher. Coloroffset lithograph on wove paper.image: 31 1/4 x 28 1/8 in. (79.2 x 71.3)sheet: 36 1/2 x 32 in. (92.6 x 81.2cm)$6,000-8,000

96 11-2022/1ROBERT MOTHERWELL(american 1915-1991)“DANCE I”1978, pencil signed with initials upper right, numbered 23/30 (there were also 10artist’s proofs), with wide margins; the artist, publisher, and with his blindstamp,released by Brooke Alexander Editions, Inc., New York, New York. Etching andaquatint on TH Saunders.image: 9 3/4 x 23 7/8 in. (24.6 x 60.8cm)sheet: 19 1/2 x 30 in. (49.5 x 76.2cm)[Belknap 199; Engberg & Banach 230].$3,000-5,000

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97 11-1882/4ADOLPH GOTTLIEB(american 1903-1974)“JETSAM”1967, pencil signed, dated and numbered 2/75; MarlboroughGallery, New York, New York, publisher. Color screenprint onwove paper.image: 23 1/2 x 17 5/8 in. (59.7 x 44.8cm)sheet: 24 x 18 in. (60.9 x 45.8cm)$1,000-1,500


98 11-2118/2ELLSWORTH KELLY(american b. 1923)“BLACK CURVE”1970-72, pencil signed bottom rightand numbered 4/75 bottom left(there were also 9 artist’s proofs),with full margins; Gemini G.E.L., LosAngeles, publisher, and with theirblindstamps. Linocut on SpecialArjomari.sheet: 29 1/4 x 29 in.(74.2 x 73.7cm)[Axsom 80].Unframed$2,000-3,000

99 11-2118/1HELEN FRANKENTHALER(american b. 1928)“AERIE”2009, pencil signed with initials andnumbered 70/128 bottom left(there were 9 artist’s proofs), the fullsheet; Lincoln Center, List Project,New York, publisher. Colorscreenprint on wove paper.sheet: 29 3/4 x 38 5/8 in.(75.6 x 98.8cm)Unframed$4,000-6,000

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100 11-1949/1SAM FRANCIS(american 1923-1994)UNTITLEDSigned, dated 1961 and inscribed‘Bern’ verso, ink on paper13 7/8 x 17 in. (35.7 x 43.2cm)provenance:Estate of Bob Garland, Florida.$3,000-5,000


101 11-1661/5JASPER JOHNS(american b. 1930)“TWO FLAGS (WHITNEYANNIVERSARY)”1979-80, pencil signed and dated,numbered ‘AP V/XI’ (one of 11artist’s proofs, the edition was 51),with full margins; Gemini G.E.L., LosAngeles, California, publisher, andwith their blindstamps (andinkstamps verso). Color lithographon Arches 88.image: 45 1/4 x 32 1/2 in.(115 x 75cm)sheet: 50 x 33 3/4 in.(127 x 85.7cm)[ULAE 207].provenance:Private Collection, Pennsylvania.$25,000-35,000

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102 11-2144/8ROBERT RAUSCHENBERG(american 1925-2008)“SLINK”from “marrakitch”2000, signed and dated ‘2K’ in pencil,numbered 27/52 (there were also 8artist’s proofs), the full sheet; GeminiG.E.L., Ltd., Los Angeles, California,publisher and with their blindstamps.Color screenprint on John Koller HMP.sheet: 31 1/2 x 23 1/4 in.(79.8 x 58.9cm)$1,500-2,500

104 11-2019/1LARRY RIVERS(american 1923-2002)“BALD EAGLE GEORGE AND PART OF THE CONSTITUTION”1987, pencil signed, dated and numbered 6/52; Universal Ltd. Art Editions, WestIslip, New York, publishers, and with their blindstamp. Color silkscreen andlithograph on handmade paper.sheet: 32 x 23 1/2 in. (81.3 x 59.7cm)(2).note:This lot will be accompanied by a pencil signed poster with similar imagerycommemorating the bicentennial of the U.S. Constitution commissioned by TheFriends of Independence National Historical Park.$1,500-2,500

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103 11-2020/1ROBERT RYMAN(american b. 1930)“ROBERT RYMAN PRINTS: 1969-1993”a catalogue raisonne1993, the complete deluxe set of sixcolor aquatints (one pencil signed andnumbered 39/50, there were also 200copies issued without the aquatints).Cover page, title, text, introduction, andjustification pages, Parasol Press, Ltd.,New York, publisher. Introduction andcatalogue by Amy Baker Sandback. Theprints with full margins, on variouswove papers loose as issued withinoriginal fabric covered slipcase withembossed title.sheets: 14 x 14 in. (35.4 x 35.4cm)$2,500-3,500


105 11-2115/1ANDY WARHOL(american 1928-1987)“VAN HEUSEN (RONALD REGAN)”from “ads”1985, pencil signed bottom right, numbered 51/190 bottom left (there werealso 30 artist’s proofs), the full sheet; Ronald Feldman Fine Arts, Inc., NewYork, New York, publisher, and with their blindstamps. Color screenprint onLenox Museum Board.sheet: 36 x 36 in. (96.4 x 96.4cm)[Feldman & Schellmann 356].$18,000-25,000

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106 11-2008/1ANDY WARHOL(american 1928-1987)“MARILYN”1981, signed in black felt-tip marker,from the edition of unknown size,the full sheet; Castelli Graphics,New York (for “Andy Warhol: APrint Retrospective”). Color offsetlithograph on smooth wove paperwith printed exhibition text verso.sheet: 12 1/8 x 12 in.(30.8 x 30.8cm)$6,000-10,000

107 11-2144/4ROY LICHTENSTEIN(american 1923-1997)“YELLOW STILL LIFE”from “six still lifes”1974, pencil signed and dated,numbered 61/100 (there were also10 artist’s proofs), with full margins;Multiples, Inc. and CastelliGraphics, New York, New York, co-publishers. Color lithograph andscreenprint on Rives.image: 25 1/2 x 36 7/8 in.(64.6 x 93.5cm)sheet: 33 x 44 3/8 in.(83.5 x 112.6cm)[Corlett 133].$7,000-10,000

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108 11-2078/1ten printsVARIOUS ARTISTS“ny international portfolio”1966, nine pencil signed andnumbered 28/225 (there were also 25 artist’s proof copies letteredA-Y), some dated 1965,title/numbered folded justificationsheet, contained within clothcovered portfolio box with printedtext; Tanglewood Press, Inc., NewYork, publisher. The complete set oftwo color lithographs, onephotolithograph and sevenscreenprints. each sheet: 10 x 16 3/4 in.(25.4 x 42.5cm)including:John Goodyear, “Two-SidedMovement”; Saul Steinberg, “Sam’sArt”, Charles Hinman “PrintCollage”, Robert Motherwell,“Lithograph”, Oyvind Fahlstrom“Eddy (Sylvie’s Brother) in theDesert”, Ad Reinhardt “AbstractPrint”, Allen Jones “Self”, Arman“Boom-Boom”, James Rosenquist“Somewhere to Light”, and MaryBaumeister “Sketch for TanglewoodPress”.$3,000-5,000

110 11-1662/11CHRISTO(american b. 1935)“WRAPPED STATUES/PROJECT FOR DIEGLYPTOTHEK, MUENCHEN”1988, pencil signed and numbered ‘CLX/CCC’ bottomright (there were also 30 artist’s proofs), the full sheet;Olympic Games Committee, Seoul, Korea, publisher.Color screenprint with offset collage on Arches.image/sheet: 35 1/8 x 27 1/4 in. (89.1 x 69cm)[Schellmann 135].Unframed$1,000-1,500

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109 11-1486/1RED GROOMS(american b. 1937)“DE KOONING BREAKS THROUGH”1987, signed with red pencil bottom right, numbered66/75 bottom left (there were 10 artist’s proofs); the artistand Shark’s Ink, Boulder, Colorado, co-publishers. Colorlithographic cutout construction in original Plexiglas case.overall: 47 x 33 x 8 3/4 in. (119.3 x 83.8 x 22cm)[Knestrick 112].provenance:Private Collection, Philadelphia, Pennsylvania.$5,000-8,000


111 11-1662/10CHRISTO(american b. 1935)“WRAPPED WALKWAYS/PROJECT FORST. STEPHEN’S GREEN PARK IN DUBLIN”1983, pencil signed, dated and numbered63/100 (there were also 20 artist’sproofs), the full sheet; Edition Schellmann& Klüser, Munich and New York, publisher.Color lithograph and white cloth collage onwove paper laid down to cardboard (asissued).image/sheet: 28 1/8 x 44 3/8 in.(71.3 x 112.6cm)[Schellmann 111].Unframed$2,000-3,000

112 11-8056/2TOM WESSELMANN(american 1931-2004)“STILL LIFE WITH BLONDE”1999, pencil signed and numbered AP 3/12bottom right (the edition was 100), withfull margins; Cooper Square Prints, NewYork, publisher. Color screenprint on wovepaper.image: 21 x 28 in. (53.3 x 71.1cm)sheet: 30 x 37 in. (76.2 x 93.8cm)$4,000-6,000

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113 11-1665/1JAMES ROSENQUIST(american b. 1933)“VIOLENT TURN”1977, pencil signed, titled and numbered9/100 (there were also 20 artist’s proofs),the full sheet; Sidney Singer, New York,New York, publisher. Color lithograph onArches.36 1/2 x 70 in. (92.7 x 177.8cm)[Glenn 127].$2,500-3,500


115 11-1661/1ALEX KATZ(american b. 1927)“BOY WITH BRANCH II”1975, pencil signed and numbered19/60 (there were also 9 artist’sproofs), the full sheet; BrookeAlexander and MarlboroughGraphics, Inc., New York, New York,co-publishers. Color aquatint onArches.sheet: 24 x 40 1/8 in(60.9 x 102.1cm)[Maravell 80].$1,200-1,800

114 11-2017/1ALEX KATZ(american b. 1927)“GREY DAY”1992, pencil signed and numbered 54/75 (there were also 12 artist’s proofs),presumably with the artist’s inkstamp verso, the full sheet; Chalk & Vermillion FineArts, Greenwich, Connecticut, publisher. Color screenprint on Arches.image/sheet: 22 1/8 x 72 1/4 in. (56.2 x 183.5cm)provenance:Private Collection, Main Line, Pennsylvania.$18,000-25,000

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116 11-1661/2ALEX KATZ(american b. 1927)“PORTRAIT OF A POET (KENNETHKOCH)”1970, pencil signed, dated andnumbered 158/200 (there were alsoan unrecorded number of artist’sproofs), the full sheet; BrookeAlexander and Fischbach Gallery,New York, New York, co-publishers.Color lithograph on Arches.sheet: 27 3/4 x 22 in. (70 x 55.8cm)[Maravell 33].$1,000-1,500

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117 11-1661/3ALEX KATZ(american b. 1927)“ADA WITH SUNGLASSES (1969)”from “alex and ada, the 1960’s tothe 1980’s”1990, pencil signed and numbered91/150 (there were also 30 artist’sproofs), the full sheet; Gaultney-Klineman Art, New York, New York,publisher. Color screenprint onArches.sheet: 36 x 24 in. (91.4 x 61cm)$3,000-5,000


118 10-1738/10ALEX KATZ(american b. 1927)“SWEATSHIRT II”from “alex and ada, the 1960’s tothe 1980’s”1990, pencil signed and numbered91/150 (there were also 30 artist’sproofs), the full sheet; Gaultney-Klineman Art, New York, publisher.Color screenprint on Arches.sheet: 36 x 28 1/2 in.(91.5 x 72.4cm)provenance:Private Collection, Pennsylvania.$1,000-1,500

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119 11-1661/6ALEX KATZ(american b. 1927)“GREY RIBBON”from “alex and ada, the 1960’s tothe 1980’s”1990, pencil signed, dated andnumbered 91/150 (there were also30 artist’s proofs), the full sheet;Gaultney-Klineman Art, New York,New York, publisher. Colorscreenprint on Arches.sheet: 27 1/2 x 36 in.(69.9 x 91.4cm)$1,500-2,000


120 11-2023/1JACOB LAWRENCE(american 1917-2000)“CONFRONTATION AT THE BRIDGE”from “not songs of loyalty alone:the struggle for personal freedom”1975, pencil signed and dated bottomright, titled center and numberedXLV/V (the regular edition was 125),the full sheet; Transworld Art, NewYork, publisher, and with their inkstamp verso. Color screenprint onStrathmore.sheet: 19 1/2 x 26 in. (49.4 x 65.9cm)[Nesbett L75-2].$5,000-8,000

121 11-2012/1CLAUDE CLARK(american 1915-2001)“BROTHERS & SISTER”Oil on boardExecuted in 19499 x 12 in. (22.8 x 30.4cm)provenance:The artist.By descent in family to present owner.Private Collection, Atlanta, Georgia.$2,500-3,500

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122 11-2012/2CLAUDE CLARK(american 1915-2001)“NOON RAP”Signed bottom right, oil on board12 x 18 in. (30.5 x 45.8cm)provenance:The artist.By descent in family to present owner.Private Collection, Atlanta, Georgia.$1,000-1,500


123 11-2023/2three printsROMARE BEARDEN(american 1911-1988)“ODYSSEUS LEAVES,” “TROY,” AND “THE SIRENS SONG”from “odysseus suite”1979, all pencil signed, two inscribed ‘a.p.’ and onenumbered ‘LXII/LXXV’ (two artist’s proofs and one fromthe edition in Roman numerals, there was also 125 inArabic numerals). Three color screenprints on variouswove papers.each image: 18 x 24 in. (45.7 x 60.9cm)each sheet: 21 1/2 x 29 3/8 in. (54.6 x 74.5cm)(3).[Gelburd/Rosenberg 44, 45 and 46].$3,000-5,000

124 11-1573/2ROMARE BEARDEN(american 1911-1988)“AUTUMN OF THE ROOSTER”1983, pencil signed and numbered AP 19/20(artist’s proof, the edition was 175), with widemargins. Color lithograph on wove paper.image: 17 x 22 5/8 in. (43.2 x 57.4cm)$1,500-2,500

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125 11-1573/1ROMARE BEARDEN(american 1911-1988)“MORNING (CAROLINA MORNING)”1979, pencil signed and numbered 18/30 AP(the edition was 175), with wide margins. Colorscreenprint on wove paper.image: 19 3/8 x 25 in. (49.2 x 63.5cm)[Gelburd/Rosenberg 62].$1,200-1,800


126 11-1399/1ROMARE BEARDEN(american 1911-1988)“SLAVE SHIP”1977, pencil signed andnumbered 1/44 bottom right, withwide margins. Color screenprint onwove paper.image: 28 1/2 x 18 1/8 in.(72.3 x 46cm)sheet: 30 1/2 x 20 1/4 in.(77.4 x 51.4cm)[Gerlburd/Rosenberg 61].$2,000-3,000

127 11-2023/3ROMARE BEARDEN(american 1911-1988)“MECKLENBERG AUTUMN”from “the mecklenberg series”1979, pencil signed and titled,numbered ‘AP 7/15’ (arist’s proof,the edition was 175), with widemargins; London Arts, publisher.Color lithograph on wove paper.image: 23 x 18 1/8 in.(58.4 x 47cm)sheet: 27 1/8 x 21 1/4 in.(68.8 x 54cm)[Gelburd & Rosenberg 60].$1,500-2,500

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128 11-1399/4CHARLES SEARLES(american 1937-2004)UNTITLEDSigned and dated 83 bottom right, shaped paper collagewith applied acrylic10 x 8 x 3/4 in. (25.3 x 22.2)provenance:Private Collection, Wyndmoor, Pennsylvania.$1,000-1,500


129 11-1399/3two worksCHARLES SEARLES(american 1937-2004)UNTITLED AND “SPIRIT FORMS”Each signed bottom right, one dated‘9/79’ and the other ‘78’, “SpiritForms” also titled verso, acrylic oncanvaseach: 16 1/2 x 20 5/8 in.(41.9 x 52.3cm)(2).provenance:Private Collection, Wyndmoor,Pennsylvania.$3,000-5,000

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130 11-2146/1CHARLES SEARLES(american 1937-2004)“LOOKING OUT #1”Signed and dated 86 verso, paintedwood construction16 5/8 x 35 x 5 1/2 in.provenance:Sande Webster Gallery,Philadelphia, Pennsylvania.$2,000-3,000

131 11-1882/5HUMBERT HOWARD(american 1915-1992)STILL LIFE WITH FRUITSigned and dated 70 upper right, oilon board8 x 25 (20.3 x 63.5cm)provenance:Private Collection, Bala Cynwyd,Pennsylvania.$1,200-1,800


132 11-2111/1SHEPARD FAIREY(american b. 1970)“HOPE”2008, pencil signed and datedbottom right, from the fundraiserrelease aside from the edition of600, with margins. Released by theObama Campaign. Color offsetlithograph on wove paper.image: 34 1/4 x 22 3/8 in.(87 x 55.8cm)sheet: 36 x 24 in. (91.5 x 60.8cm)Unframed$1,800-2,200

133 11-1662/12KEITH HARING(american 1958-1990)“FIGHT AIDS WORLDWIDE”1990, numbered 532/1000 inpencil, with full margins; WorldFederation of the United NationsAssociations, New York, New York,publisher and with the artist’s estatestamp verso. Color lithograph onwove paper.image: 10 3/4 x 8 in.(27.3 x 20.3cm)sheet: 11 x 8 3/8 in. (27.9 x 21.3cm)Unframed$800-1,200

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134 11-2144/7KIM DOUGLAS WIGGINS(american b. 1960)“ESTANCIA”Signed and dated 98 bottom right,oil on canvas60 x 40 in. (152.3 x 101.5cm)provenance:Cline Fine Art, Santa Fe, NewMexico.Private Collection, Pennsylvania.$6,000-8,000


135 11-8057/1three paintingsMICHAEL GREGORY(american b. 1955)UNTITLED (THREE TULIPS)Two signed and dated 2002 verso,one signed and dated 2003 verso,oil on paneleach: 12 x 8 in. (30.3 x 22cm)(3).provenance:Nancy Hoffman Gallery New York,New York.Private Collection, Virginia.exhibited:Nancy Hoffman Gallery, “MichaelGregory,” 2004.$3,000-5,000

136 11-2144/2set of nine printsTONY FITZPATRICK(american b. 1958)“JOE’S GARDEN”1995, the complete suite of nine color etchings with aquatint, all signed with initials, dated95, individually titled and inscribed 'P.P.' (printer's proofs, the edition was 40); all with fullmargins, published by the artist. The complete set of nine color aquatints on chine colléall images: 8 x 5 in. (20.3 x 12.7cm)all sheets: 18 x 15 inches (45.7 x 38.2cm)Unframed.(9)$2,500-3,500

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137 11-2144/6JOSEPH RAFFAEL(american b. 1933)“MEDITERRANEAN ROSE”Signed bottom right, watercolor on paper34 x 35 1/4 in. (86.2 x 91.9cm)provenance:Nancy Hoffman Gallery, New York, New York.Private Collection, Pennsylvania.$3,000-5,000


138 11-2144/5six watercolors framed togetherGREG HALILI(american b. 1975)UNTITLEDWatercolors on paperAll executed in 2000each: 7 x 5 in. (17.8 x 21.6cm)Framed togetherincluding:“Eden,” “Twilight,” “Ethereal Night,” “Serenity,” “Quiet Dream,” and “Jewels.”provenance:Nancy Hoffman Gallery, New YorkPrivate Collection, Pennsylvania.$1,200-1,800

139 11-2112/1PAT STEIR(american b. 1938)UNTITLEDSigned bottom right, watercolor and crayon on folded papersheet: 12 1/4 x 16 1/8 in. (31.1 x 41cm)Unframedprovenance:Private Collection, New York, New York.$1,000-1,500

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140 11-2112/2PAT STEIR(american b. 1938)UNTITLEDSigned bottom right, watercolor and crayon on folded papersheet: 12 1/4 x 16 1/8 in. (31.1 x 41cm)Unframedprovenance:Private Collection, New York, New York.$1,000-1,500


141 11-2110/1ANDRES SERRANO(american b. 1950)“CACTUS BLOOD”from “body fluids”1987, pencil signed, titled andnumbered 1/10 verso. C-printmounted to plexiglas.sheet: 40 x 27 1/2 in.(101.6 x 69.8cm)provenance:Stux Gallery, New York, New York.Private Collection, Charleston, SouthCarolina.$10,000-15,000

142 11-1325/25JAMES SIENA(american b. 1958)“TANAGRA”2006, pencil signed, dated and numbered24/33 in the margin (there were also 8artist’s proofs); United Limited Art Editions,Inc., publisher, West Islip, New York. Ninecolor lithograph on hand torn white Archescover.image: 13 1/4 x 21 in. (33.5 x 53.2cm)sheet: 29 3/8 x 43 5/8 in. (74.6 x 11.1cm)Unframed$2,000-3,000

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143 11-2015/1DONALD ROLLER WILSON(american b. 1938)CAT WITH OLIVESigned, dated 1981/9 and inscribed'2:50pm March 26" bottom right,oil on canvas20 x 24 1/4 in. (50.8 x 61.5cm)provenance:Estate of Edwin Friedman, Denver,Colorado.$8,000-12,000

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144 10-1508/11ROBERT GORDY(american 1933-1986)“ARCADY #5”Initialed and dated ‘71 bottom left,signed and dated again on stretcherverso, titled on stretcher verso,acrylic on canvas84 x 58 in. (213.3 x 147.3cm)provenance:Galerie Simonne Stern, NewOrleans, Louisiana.Estate of Rolf E. Muenter,Greensboro, Vermont.$4,000-6,000

145 11-1014/2ROBERT GOODMAN(american 20th century)“PILE STORM”Pencil signed verso and titled onstretcher, oil and acrylic on canvas72 x 84 in. (182.8 x 213.4cm)Unframedprovenance:Seraphin Gallery, Philadelphia,Pennsylvania.Private Collection, Philadelphia,Pennsylvania.$1,500-2,500

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146 11-2128/1THOMAS NOZKOWSKI(american b. 1944)UNTITLEDSigned, titled, dated 1985 anddedicated in red crayon verso, oil onhandmade paper16 x 20 in. (40.6 x 50.8cm)provenance:The artist.Private Collection, Bala Cynwyd,Pennsylvania.$12,000-18,000

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147 11-1853/2DALE CHIHULY(american b. 1941)“SEAFORM SET”Signed and dated ‘93’ on undersideof small green element with whitestripes, nine elements of blownglass with pink, amber, yellow,lavender and blue lip wrapoverall: 11 x 24 x 10 in. (27.9 x 61 x 25.4cm)provenance:Albers Fine Art Gallery, Memphis,Tennesse.Private Collection, Memphis,Tennessee.$8,000-12,000

148 11-1853/1WILLIAM MORRIS(american b. 1957)“STANDING STONE”Signed and dated 1984 along thebase, blown colored glass31 1/2 x 17 x 5 in.(80 x 43.2 x 15.2cm)note:William Morris Archive numberWM18901.provenance:Private Collection, Memphis,Tennessee.$8,000-12,000

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149 11-1853/3BETTY WOODMAN(american b. 1930)“NIGHTTIME (KIMONO VASE)”Each stamp-signed on the base, two paintedand glazed ceramic vasesExecuted in 1990.each approx.: 29 x 20 x 29 1/2 in.(73.7 x 50.8 x 74.9cm)(2).provenance:Private Collection, Memphis, Tennessee.$10,000-15,000

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150 11-1853/4ANTHONY CARO(british b. 1924)“HYPNOS (SLEEP)”from “trojan war” seriesCeramic, jarrah wood and steelExecuted in 1993-459 x 20 1/2 x 18 in.(149.9 x 52.1 x 45.7cm)provenance:Marlborough Gallery, New York,New York.Private Collection, Memphis,Tennessee, acquired from the abovein 1998.literature:Blume, Dieter, "Anthony Caro. ACatalogue Raisonné," vol. XI: Tableand Related Sculptures 1993-1995,Clay and Related Sculptures 1994-1996, Miscellaneous Sculptures1993-1996, Bronze Sculptures 1993-1994, Steel Sculptures 1993-1996,Cologne/London/NewYork/Hannover, p. 133, no. 2254(illustrated).exhibited:English Heritage and YorkshireSculpture Park, "The Trojan War:Sculptures by Anthony Caro," 1994,illus. p. 16.Marlborough Gallery, New York,"The Trojan War: Sculptures byAnthony Caro," 1998.$25,000-40,000

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151 11-1853/5MAGDALENA ABAKANOWICZ(polish b. 1930)“ANGELO”Stamped with the artist’smonogram, date and title on insideof sculpture, unique bronzeExecuted in 1989.67 x 22 x 13 in.(171.2 x 55.9 x 33cm)provenance:Marlborough Galleries, New York,New York.Private Collection, Memphis,Tennessee.exhibited:Marlborough Gallery, New York,"Magdalena Abakanowicz," October20-November 25, 1989, cat. no. 3,illus. p. 16.$40,000-60,000

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152 11-1853/12WOLF KAHN(american b. 1927)“DARK TREES”Signed twice at bottom center andbottom right, pastelExecuted in 1991.sight size: 21 x 28 1/2 in.(53.3 x 72.4cm)provenance:Grace Borgenicht Gallery, Inc., NewYork, New York.Private Collection, Memphis,Tennessee.$7,000-10,000

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153 11-1853/11WOLF KAHN(american b. 1927)“A COLD SUNSET OVER SANTA FE”Signed bottom left, oil on canvasExecuted in 1992.28 x 36 in. (71.1 x 91.4cm)provenance:Grace Borgenicht Gallery, Inc., NewYork, New York.Private Collection, Memphis,Tennessee.$10,000-15,000


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154 11-1853/13JANET FISH(american b. 1938)“PROVENCE”Signed and dated 1995 bottom rightcorner, oil on canvas50 x 50 in. (127 x 127cm)provenance:Grace Borgenicht Gallery, New York,New York.Private Collection, Memphis,Tennessee.$30,000-50,000


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155 11-1853/22HUNT SLONEM(american b. 1951)“THE WITNESS”Each panel signed and dated 1995 verso, oil on canvas, triptycheach panel: 78 x 62 in. (198.1 x 157.5cm)overall: 78 x 186 in. (198.1 x 472.5cm)(3).Unframedprovenance:William McWillie Chambers III, New York, New York.Private Collection, Memphis, Tennessee.exhibited:Tennessee State Museum, Nashville, Tennessee, March-July 1997.Lannon Gallery, New York, New York, 1995.literature:A detail of “The Witness” is reproduced as the cover illustrationof the book “Hunt Slonem Exotica” published by Edizioni d’ArteFratilli Pozzo, Turin, Italy, 1997.$6,000-10,000


156 11-1853/18IDELLE WEBER(american b. 1932)“GREY STILLNESS R.A.P.1.98”Signed and dated 1993 bottom right,acrylic and oil stick on linen41 3/4 x 42 in. (106 x 106.7cm)provenance:Schmidt-Bingham Gallery, NewYork, New York.Private Collection, Memphis,Tennessee.$2,000-3,000

157 11-1853/17IDELLE WEBER(american b. 1932)“LIQUID GOLD”Signed and dated 93 bottom left, oilon linen46 x 46 in. (116.8 x 116.8cm)provenance:Schmidt-Bingham Gallery, NewYork, New York.Private Collection, Memphis,Tennessee.$2,000-3,000

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158 11-1853/20HOLLY LANE(american b. 1954)“THE VISITATION”Signed and dated 1995 on rightangel wing and signed, titled anddated again verso, mixed mediaconstruction29 x 22 1/2 x 6 in.(73.7 x 57.2 x 15.2cm)provenance:Schmidt-Bingham Gallery, NewYork, New York.Private Collection, Memphis,Tennessee.exhibited:Schmidt-Bingham Gallery, NewYork, New York, September 6-October 7, 1995.$3,000-5,000

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159 11-1853/19HOLLY LANE(american b. 1954)“THE SOLITARY WITNESS”Signed and dated 1994 bottom rightand signed, titled and dated againverso, mixed media construction41 1/2 x 45 x 4 3/4 in.(105.4 x 114.3 x 12.1cm)provenance:Schmidt-Bingham Gallery, NewYork, New York.Private Collection, Memphis,Tennessee.$2,000-3,000


160 11-1398/77JEFF ELROD(american b. 1966)“CLONE ALONE”Signed, titled and dated andinscribed ‘NYC 2000’ verso, oil oncanvas92 x 78 1/2 in. (233.6 x 199.3cm)Unframedprovenance:Lehman Brothers Corporate ArtCollection.$7,000-9,000

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161 11-1398/47GREG BOGIN(american b. 1965)“WARM REGARDS”Signed and dated 2001 verso, acrylicand enamel on canvas65 x 56 in. (165.1 x 142.3cm)Unframedprovenance:Mary Boone Gallery, New York, NewYork.Lehman Brothers Corporate ArtCollection.$3,000-5,000

162 11-1398/59JAMES WELLING(american b. 1951)“UNTITLED 79”Signed with initials and inscribed‘79’ verso, oil on canvasExecuted circa 1986-752 x 52 in. (132.1 x 132.1cm)Unframedprovenance:Lehman Brothers Corporate ArtCollection.$2,500-3,500

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165 11-1398/29BILLY SULLIVAN(american b. 1946)“EASTER IN AFGANISTAN”Signed with initials and dated 90bottom right, pastel on paper42 x 30 in. (106.6 x 76.3cm)provenance:Fishbach Art Gallery, New York,New York.Lehman Brothers Corporate ArtCollection.$2,000-3,000

163 11-1398/27DAVID MORENO(american b. 1957)“HEADPHONE HEADS”Ink and watercolor on paperExecuted in 200185 1/2 x 62 in. (217.1 x 157.4cm)provenance:Lehman Brothers Corporate ArtCollection.$2,000-3,000

164 11-1398/8WILLIAM H. BAILEY(american b. 1930)“GIRL IN TURTLENECK”Signed and dated ‘67 bottom right,graphite on paper15 x 11 1/8 in. (38.1 x 28.2cm)provenance:Lehman Brothers Corporate ArtCollection.$800-1,200

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166 11-1398/36five works on paperALESSANDRO PESSOLI(italian b. 1963)“UNTITLED”Each presumably signed, dated 1997 or 1998 in inkand numbered in pencil verso, bleach andwatercolor on paperExecuted in 1997-1998.each sheet approx. 10 x 14 in. (25.4 x 35.6cm)(5).provenance:Anton Kern Gallery, New York, New York.Lehman Brothers Corporate Art Collection.$5,000-8,000

167 11-1398/44six works on paperALESSANDRO PESSOLI(italian b. 1963)UNTITLEDEach presumably signed, dated 1997 or 1998in ink and numbered in pencil verso, bleachand watercolor on paperExecuted in 1997-1998.each sheet approx. 10 x 14 in.(25.4 x 35.6cm)(6).provenance:Anton Kern Gallery, New York, New York.Lehman Brothers Corporate Art Collection.$5,000-8,000

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168 11-1398/48CARLOS ESTRADA-VEGA(mexican b. 1955)“FACUNDO 202 = 401”Signed twice, titled, dated 1998 andinscribed ‘202 = 401’ and ‘PomonaCA Summer of 1998’ verso, oil oncanvas with magnet insertsattached to metal plate14 1/2 x 14 1/2 in. (36.8 x 36.8cm)Unframedprovenance:Lehman Brothers Corporate ArtCollection.$600-1,000

169 11-1398/30CARL FUDGE(british b. 1962)“STORAGE OF PLEASURE”Signed and dated 1997 andinscribed ‘jouis sarce’ verso,synthetic paint on wood56 x 48 in. (142.2 x 121.9cm)Unframedprovenance:Lehman Brothers Corporate ArtCollection.$1,500-2,500

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170 11-1398/62JULIAN LETHBRIDGE(american b. 1947)“ALIBI I”Signed with initials and dated 92bottom right, graphite and acrylic onpapersheet: 27 x 22 in. (68.6 x 56cm)provenance:Stuart Regen Gallery, Los Angeles,California.Lehman Brothers Corporate ArtCollection.$800-1,200


171 11-1398/102BRAD KAHLHAMER(american b. 1956)“CLOUDY BOY MONUMENT”Signed, titled and dated 1999 verso,oil on canvas84 x 64 in. (213.3 x 162.5cm)Unframedprovenance:Lehman Brothers Corporate ArtCollection.$4,000-6,000

172 11-1398/98CORNELIUS VÖLKER(german b. 1965)“SWIMMER”Signed and dated 1996 verso, oil oncanvas59 x 86 in. (149.8 x 218.4cm)Unframedprovenance:Lehman Brothers Corporate ArtCollection.$3,000-5,000

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174 11-1398/404ANDRES SERRANO(american b. 1950)“BLOOD AND SEMEN”from “photographers and friendsagainst aids”1990, signed and numbered 9/25verso. Silver dye bleach printcontained within wove paper folderprinted with artist’s name.15 3/4 x 12 3/4 in. (40 x 32.4cm)Unframedprovenance:Lehman Brothers Corporate ArtCollection.$1,500-2,500

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173 11-1398/408VITO ACCONCI(american b. 1940)“BLOWN-UP BABY DOLL (6 TRIANGLEVERSION)”1992, signed in black marker, dated andnumbered 6/20 verso, printed by ClayStreet Press, Inc., Cincinnati, and withtheir blindstamp. Color screenprint onSintra and mirrored plexiglas in six parts,each backed with velcro.overall: 48 x 48 in. (121.9 x 121.9cm)Unframedprovenance:Private Collection, New York.Lehman Brothers Corporate ArtCollection, acquired from above inOctober 1999.$2,500-3,500


175 11-1398/88AMY MYERS(american b. 1965)“THE HANDHELD UNIVERSE-POPE”Graphite, conte crayon, fine metallicthread and gouache on paperExecuted in 2004.sheet: 22 x 23 in. (55.8 x 58.3cm)provenance:Dunn and Brown Contemporary Art,Dallas, Texas.Lehman Brothers Corporate ArtCollection.$600-1,000

176 11-1398/52JAMES BARSNESS(american b. 1954)“ST. CHRISTOPHER”Signed with initials and dated 1992bottom right, mixed media andcollage on paper40 x 32 in. (1101.6 x 81.3cm)provenance:Frumpkin/Adams Gallery, New York,New York.Lehman Brothers Corporate ArtCollection.$800-1,200

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177 11-1398/84AMIKAM TOREN(israeli b. 1945)“UNTITLED (ARM CHAIRPAINTING)”Signed bottom right, oil on canvaswith cut out letteringExecuted in 198918 x 24 in. (40.7 x 60.8cm)provenance:Anthony Reynolds Gallery, London.Lehman Brothers Corporate ArtCollection.$2,500-3,500

178 11-1398/80ELLIOTT GREEN(american b. 1960)“EMERGENCE 57”Signed and dated 1993 bottom right,titled verso on stretcher, acrylic onpaper laid down to painted canvas24 x 36 in. (60.8 x 91.5cm)Unframedprovenance:Lehman Brothers Corporate ArtCollection.$800-1,200

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179 11-1398/10HIRAKI SAWA(japanese b. 1977)“ELSEWHERE”Signed, titled, numbered 1/8 anddated 20/11/2003 on printed andfolded certificate with title cardenclosed therein, digital video onDVD plus two duplication copiescontained within cardboard box.7:40 loop.provenance:Lehman Brothers Corporate ArtCollection.$1,200-1,800


180 11-1398/18WALTER PICHLER(austrian b. 1936)“ROT IN RUECKEN (RED IN BACK)”Signed, dated 4.5.83 and inscribed ‘(St.M)’ bottom right, titled uppercenter, graphite, watercolor and egg tempera on papersheet: 16 3/4 x 12 in. (42.5 x 30.5cm)provenance:Lehman Brothers Corporate Art Collection.$4,000-6,000

181 11-1398/105MIA WESTERLUND ROOSEN(american b. 1942)“HOOSICK FALLS I”Graphite and pastel on vellumExecuted in 2006sheet: 30 x 20 3/4 in. (76.2 x 52.7cm)provenance:Betty Cuningham Gallery, New York, New York.Lehman Brothers Corporate Art Collection.$600-1,000

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182 11-1398/115two drawingsPEGGY PREHEIM(american b. 1963)“CYCLE” and “JANE”Both signed and dated 98 bottom right, “Jane” signed,titled, dated ‘July 15, 1998’ in pencil verso, graphite onpapereach image approx.: 3 1/2 x 2 1/2 in. (8.9 x 6.4cm)each sheet: 14 x 11 in. (35.6 x 27.9cm)(2).provenance:Bonakdar Jancou Gallery, New York, New York.Lehman Brothers Corporate Art Collection.$800-1,200


183 11-1398/50PETER WEGNER(american b. 1963)“SKY 9” AND “SKY 10’from “clear blue sky”Signed, titled and dated 1999 versoon each panel, oil on mediumdensity fiberboard, diptycheach panel: 30 x 78 in.(76.2 x 198.2cm)overall: 60 x 78 in.(152.3 x 198.2cm)Unframed(2).provenance:Mary Boone Gallery, New York, NewYork.Lehman Brothers Corporate ArtCollection.$4,000-6,000

184 11-1398/93JIRI KOLAR(czech 1914-2002)“UNTITLED #6”Signed with initials and dated 69bottom right, collage of strips oncolor offset laid on cardboard7 1/2 x 18 in. (19 x 45.7cm)provenance:Lehman Brothers Corporate ArtCollection.$800-1,200

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185 11-1398/97ERNESTO PUJOL(cuban b. 1957)“HOW TO SINK A BOAT: BOATAND SAW”Oil on linen affixed to compositeboard with pins, diptychExecuted in 1996.each: 27 x 38 in. (68.6 x 96.5cm)(2).provenance:Lehman Brothers Corporate ArtCollection.$1,000-2,000


186 11-1398/104ELLEN PHELAN(american b. 1943)“CATSKILLS- MIST RISING OFF THE RIVER”Gouache on paperExecuted in 1986.sight size: 13 1/2 x 11 in. (34.3 x 27.8cm)provenance:Barbara Toll Fine Art, New York, New York.Lehman Brothers Corporate Art Collection.$1,200-1,800

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187 11-1398/13BETTY ROODISH GOODWIN(canadian b. 1923)“LA MEMOIRE DU CORPS I”Signed and dated 91:92 bottom right, oil,graphite, and pastel on Geofilm with steelpendulum84 x 32 in. (213.36 x 81.3cm)(2).provenance:Lehman Brothers Corporate Art Collection.$4,000-6,000


188 11-1398/61ANN HAMILTON(american b. 1956)“UNTITLED”From the edition of 40 unique examples, published by the New Museum,New York, cut-out book pages, colored stones and pebbles in a lacqueredbirch and glass caseExecuted in 1992.3 5/8 x 38 3/4 x 9 1/4 in. (9.2 x 98.4 x 23.4cm)provenance:Lehman Brothers Corporate Art Collection.exhibited:New York, Akira Ikeda Gallery, “An Empty Space: Ann Hamilton,” January-June 2006 (another example exhibited).$4,000-6,000

189 11-1398/63SAM SAMORE(american b. 1963)“THE I (#3)”Signed and dated 2000 in pencil verso. Digital pigment print on canvas.43 x 102 in. (109.3 x 259.1)Unframedprovenance:Gorney Bravin + Lee, New York, New York.Lehman Brothers Corporate Art Collection.$4,000-6,000

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190 11-1881/10PETER REGINATO(american b. 1945)“FREEFORM IRON SCULPTURE”Signed and dated ‘79 on underside,welded iron sculpture28 x 25 1/2 x 21 1/2 in.(71.12 x 64.8 x 54.6cm)provenance:Marian Locks Gallery, Philadelphia,Pennsylvania.Private Collection, Bryn Mawr,Pennsylvania, acquired from theabove in 1981.By descent in family.$2,000-3,000

191 11-2116/1STUART NETSKY(american 20th century)“SCANDAL TO THE JAYBIRDS”Enamel sign paint on plexiglasExecuted in 2003.45 x 45 in. (114.3 x 114.3cm)Unframed.provenance:Locks Gallery, Philadelphia,Pennsylvania.$1,500-2,500

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192 11-1951/1EDNA ANDRADE(american 1917-2008)“SKETCH B - CLOUD II”Initialed and dated 12.76 bottom leftcorner, ink on graph paper14 x 11 in. (35.6 x 27.9cm)provenance:Marian Locks Gallery, Philadelphia,Pennsylvania.$800-1,200


193 11-5003/1JANE PIPER(american 1916-1991)“SMALL FLORAL”Signed and dated 77 bottom right,mixed media and paper collageelement on paper23 1/2 x 18 in. (59.7 x 45.8cm)provenance:McCleaf Gallery, Philadelphia,Pennsylvania.Estate of Polly Plummer Mackie, BrynMawr, Pennsylvania.$800-1,200

194 11-1353/6LYNN SNYDER(american 1928-2010)“A QUIET PLACE”Signed bottom right, oil on canvas22 x 28 in. (35.8 x 71.1cm)provenance:Estate of Lynn Snyder, Bala Cynwyd,Pennsylvania.By family descent.$1,000-1,500

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195 11-1882/3two works on paperJIMMY LUEDERS(american 1927-1994)UNTITLEDEach signed and dated 76 (onebottom right, one bottom left),acrylic on paper22 7/8 x 21 7/8 in. (58.1 x 55.6cm);and 25 x 24 7/8 in. (63.5 x 63.3cm)Each unframed(2).provenance:Private Collection, Bala Cynwyd,Pennsylvania.$1,000-1,500


196 11-5003/4JIMMY LUEDERS(american 1927-1994)“LEFT HAND FLOWERS”Signed and dated 71 bottom right,signed again verso on canvas andstretcher, acrylic on canvas34 1/4 x 28 in. (87 x 71.1cm)provenance:Estate of Polly Plummer Mackie, BrynMawr, Pennsylvania.$1,000-1,500

197 11-5003/5JIMMY LUEDERS(american 1927-1994)“BLACK CALLA”Signed and indistinctly dated bottomleft, acrylic on canvas40 1/4 x 30 in. (102.2 x 76.2cm)provenance:McCleaf Gallery, Philadelphia,Pennsylvania.Estate of Polly Plummer Mackie, BrynMawr, Pennsylvania.$1,000-1,500

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198 11-1353/12JIMMY LUEDERS(american 1927-1994)“FLOWER STRUCTURE”Signed and dated 73 bottom right,oil on canvas46 x 48 in. (116.8 x 121.8cm)provenance:Gross McCleaf Gallery, Philadelphia,Pennsylvania.Estate of Lynn Snyder, Bala Cynwyd,Pennsylvania.$1,500-2,500


201 11-1557/2ELIZABETH OSBORNE(american b. 1936)“UNTITLED III”Signed and dated ‘74 bottom right,watercolor22 1/2 x 30 3/8 in. (57.1 x 76.8cm)provenance:Marian Locks Gallery, Philadelphia,Pennsylvania.Private Collection, Philadelphia,Pennsylvania.$1,500-2,500

199 11-5003/6JIMMY LUEDERS(american 1927-1994)“COMPOSITION #7”Signed center right, titled on stretcher,acrylic on canvas30 x 24 in. (76.2 x 61cm)provenance:Estate of Polly Plummer Mackie, Bryn Mawr,Pennsylvania.$800-1,200

200 11-1486/20ELIZABETH OSBORNE(american b. 1936)“AUDREY II”Signed and dated 87 upper left, pastel onpapersight size: 23 x 32 in. (58.3 x 81.3cm)provenance:Private Collection, Philadelphia, Pennsylvania.$1,200-1,800

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202 11-1847/2ELIZABETH OSBORNE(american b. 1936)“CHAMA VALLEY”Signed, titled and dated 73 verso and again on stretcher, acrylic on canvas70 x 72 in. (177.8 x 182.9cm)provenance:Marian Locks Gallery, Philadelphia, Pennsylvania.Private Collection, Philadelphia, Pennsylvania.By descent in family to present owner.Private Collection, Wayne, Pennsylvania.$12,000-18,000

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203 11-1999/1ELIZABETH OSBORNE(american b. 1936)“INTERIOR”Signed and dated 67 bottom left,signed, titled and dated again onstretcher verso, acrylic on canvas33 x 43 in. (83.7 x 43cm)provenance:Private Collection, Pennsylvania.$4,000-6,000

204 11-1999/2ELIZABETH OSBORNE(american b. 1936)INTERIOR WITH TWO FIGURESSigned and dated 67 bottom left,acrylic on canvas32 x 40 in. (81.1. x 101.5cm)provenance:Private Collection, Pennsylvania.$4,000-6,000

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205 11-1557/3ELIZABETH OSBORNE(american b. 1936)SEATED WOMANSigned and dated 71 bottom left,pastel on paper10 3/4 x 14 in. (27.3 x 35.5cm)provenance:Private Collection, Philadelphia,Pennsylvania.$1,200-1,800

206 11-1882/1ELIZABETH OSBORNE(american b. 1936)BLACK BOTTLESigned and dated 76 bottom left,watercolor on papersight size: 13 x 11 in. (33 x 27.8cm)provenance:Private Collection, Bala Cynwyd,Pennsylvania.$1,500-2,500

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207 11-1016/174BO BARTLETT(american b. 1955)“THE LIGHT YEARS (MELONIE1993-1994)”Signed and with artist’s IGNinscription verso, oil on board21 x 17 in. (53.3 x 43.2cm)provenance:The artist.Private Collection.$4,000-6,000

208 11-1016/54BO BARTLETT(american b. 1955)MELONIE IN PINK DRESSOil on panel12 x 9 in. (30.3 x 22.7cm)Unframedprovenance:The artist.Private Collection.$1,000-2,000

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209 11-2011/1BO BARTLETT(american b. 1955)“MADRE DEL NENE”Signed, titled, dated Dec. 1989-Jan. 1990 and with IGN inscription verso, oilon linen70 x 94 in. (177.8 x 238.8cm)provenance:The artist.P.P.O.W. Gallery, New York, New York.Private Collection, Haverford, Pennsylvania.exhibited:“Heartland: Paintings by Bo Bartlett, 1978-2002,” The Columbus Museum,Columbus, Georgia (traveled to Greenville County Museum of Art, Frye ArtMuseum, Santa Barbara Museum of Art and Pennsylvania Academy of theFine Arts), illustrated in exhibition catalogue on p. 54 (plate 13).P.P.O.W. Gallery, New York, New York, 2010.literature:Donald Kuspit, Patricia Junker and Jack Byer, “Bo Bartlett: Paintings 1981-2011,” 2010, illustrated p. 12.$40,000-60,000

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210 11-1851/1BO BARTLETT(american b. 1955)STUDY FOR “FIREFLY”Signed, titled 1993, inscribed andtitled verso, oil on panel5 1/2 x 7 5/8 in. (14 x 19.4cm)Unframedprovenance:The artist.Private Collection, Bryn Mawr,Pennsylvania.literature:Charles Butler, Al Harris-Fernandez,Sylvia Yount and Suzi Gablik, “BoBartlett,” 2002, “Firefly” (larger,finished painging) illustrated p. 17(plate 17).$600-1,000

211 11-1851/2BO BARTLETT(american b. 1955)ELIOT (TWO PORTRAITS)One dedicated bottom left and executed ca. 1996-7 and theother inscribed ‘EL’ and dated ‘9.12-03’ verso, graphite onpapereach sheet approx: 11 3/8 x 15 1/8 in. (28.8 x 38.3cm)(2).provenance:The artist.Gifted to the present owner.Private Collection, Bryn Mawr, Pennsylvania.$1,000-1,500

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212 11-1016/176BO BARTLETT(american b. 1955)STILL LIFE WITH COFFEE CUPSigned, dated ‘03 verso and withartist’s IGN inscription verso,gouache on papersheet: 15 x 22 1/2 in.(38.2 x 57.2cm)provenance:The artist.Private Collection.$1,500-2,500


213 11-2116/2BO BARTLETT(american )UNTITLED (PHILADELPHIA)Signed twice and dated 83 onstretcher verso, oil on canvas16 x 20 in. (40.6 x 50.8cm)provenance:The artist.Locks Gallery, Philadelphia,Pennsylvania.$4,000-6,000

214 11-1016/121BO BARTLETT(american b. 1955)STUDY FOR “MIGRATION”Signed and with the artist’smonogram and titled in pencil verso,oil on board11 x 23 in. (27.7 x 58.3cm)Unframedprovenance:The artist.Private Collection.$2,000-3,000

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215 11-1016/43BO BARTLETT(american b. 1955)VIEW THROUGH TREESOil on panel14 x 11 in. (35.4 x 27.8cm)Unframedprovenance:The artist.Private Collection.$1,000-2,000


216 11-1016/175BO BARTLETT(american b. 1955)“MELONIE MOULTRIE”Signed, titled, dedicated and dated‘July 1995’ and with artist’s IGNinscription verso, oil on board13 x 16 3/8 in. (32.9 x 41.5cm)provenance:The artist.Private Collection.$3,000-5,000

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217 11-1664/1BO BARTLETT(american b. 1955)“GREEN REASON”With the artist’s red ‘IGN’ monogram bottom leftand artist’s pentagon symbol bottom right,signed, titled and dated 1990 verso, oil on birchpanel16 1/4 x 19 1/4 in. (41.3 x 49cm)provenance:Private Collection, Philadelphia, Pennsylvania.exhibited:“Bo Bartlett: Paintings and Drawings,” Jan 5-26,1991, PPOW, NY, Illustrated p 36., cat. no. 20.$6,000-10,000

END OF SALE

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names

attributed to

studio of

circle of

follower of

manner of

school of

after an artist

signatures & dates

measurements

any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to betaken as a statement or representation of fact. freeman’s reserves theright, in forming their opinion, to consult and rely upon any expert orauthority considered by them to be reliable.

Forename(s) and surname of painter is in our opinion a work by that artist;e.g. Charles Willson Peale. When an artist’s forename(s) is not known, aseries of asterisks followed by the surname of the artist, wether preceded byan initial or not, indicates that in our opinion the work is by the artistnamed.

Refers to probably a work by the artist; e.g. Attributed to Charles WillsonPeale.

Refers to a work from the studio of the artist which may or may not havebeen executed under his direction; e.g. Studio of Charles Willson Peale.

Circle of..... refers to a work of the period of the artist executed under hisimmediate influence; e.g. Circle of Charles Willson Peale.

Follower of..... refers to a work by a painter working in the artist’s style,contemporary or nearly contemporary, but not necessarily his pupil; e.g.Follower of Charles Willson Peale.

Manner of..... refers to a work in a style related to that of the artist, but of alater date; e.g. Manner of Charles Willson Peale.

School accompanied by the name of a place or country and a date meansthat we believe the picture was executed at that time and in that location;e.g. Italian School, 18th Century.

After an artist is in our opinion a copy of any date after a work by that artist;e.g. After Charles Willson Peale.

Signed and/or dated and/or inscribed means that we believe the signatureand/or date and/or inscription are from the hand of the artist.

Bears a signature and/or a date and/or an inscription means that we believethe artist’s name and/or date and/or inscription have been added byanother hand.

All references to signature, inscriptions and dates refer to the present stateof the work.

Dimensions are given height before width.

Glossary


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Index

Abakanowicz, M., 151Acconci, V., 173Andrade, E., 61, 192Ardissone, Y., 26Arman, 53, 108Arp, H., 52Avery, March, 83, 85, 86Avery, Milton, 76-80Avery, S., 81, 82, 84

Bacci, E., 32Bailey, W., 164Barsness, J., 176Bartlett, B., 207-217Baumeister, M., 108Bearden, R., 124-127Bedia, J., 69, 70Bogin, G., 161Bouyssou, J., 27Bonnard, P., 22Botero, F., 64Braque, G., 10,11

Calder, A., 60, 88Camargo, H., 72Cardenas, A., 71Caro, A., 150Chagall, M., 17-20Chamoun, C., 62Chihuly, D., 147Christo, 110, 111Clark, C., 121, 122

Dali, S., 15de Kooning, W., 95de la Fresnaye, R., 24Dufy, R., 51

Elrod, J., 160Engman, R., 59Estrada-Vega, C., 168

Fahlstrom, O., 108Fairey, S., 132

Sala, E., 28Samore, S., 189Sawa, H., 179Searles, C., 130Serrano, A., 141Siena, J., 142Slonem, H., 155Sluijters, J., 38Snyder, L., 194Souza, F.N., 45-50Steinberg, S., 108Steir, P., 139, 140Sullivan, B., 165

Tamayo, R., 65, 66Toren, A., 177

Ubeda, A., 29

Van Velde, B., 37Ventrone., L., 33, 34Völker, C., 172

Warhol, A., 105, 106Weber, I., 156, 157Wegner, P. 183Welling, J. 162Wesselmann, T., 112Wiggins, K., 134Wilson, D.R., 143Woodman, B., 149

Ying, P.T., 42

Lichtenstein, R., 107Lueders, J., 196-199

Man Ray, 87Marini, M., 35, 36Marx, R., 73Matta, R., 74Miro, J., 12, 13, 14Moore, H., 16Moreno, D., 163Morris, W., 148Motherwell, R., 96, 108Muter, M., 21Myers, A., 175Netsky, S., 191Nozkowski, T., 146

Ohl, F., 41Oldenburg, C., 56, 57Osborne, E., 200-206

Pai, L., 42Paz., O., 68Pessoli, A., 166, 167Phelan, E., 186Picasso, P., 1-9Pichler, W., 180Piper, J., 193Preheim, P., 182Pujol, E., 185

Raffael, J., 137Rauschenberg, R., 102Rayo, O., 67Reginato, P., 190Reinhardt, A., 108Rivers, L., 104Roosen, M., 181Rosenquist, J., 108, 113Roy, J., 43Rueda, G., 30Ryman, R., 103

Fangor, W., 55Fish, J., 154Fitzpatrick, T., 136Francis, S., 100Frankenthaler, H., 99Friedeberg, P., 63Fudge, C., 169

Gerzso, G., 68Goeritz, M., 54Goodman, R., 145Goodwin, B., 187Goodyear, J., 108Gordy, R., 144Gottlieb, A., 97Green, E., 178Gregory, M., 135Grooms, R., 58, 109

Halili, G., 138Hamilton, A., 188Haring, K., 133Hinman, C., 108Howard, H. 131Hugo, J., 23

Itten, J., 39

James, W., 25Jenkins, P., 89-93Johns, J. 101Jones, A., 108

Kahlhamer, B., 171Kahn, W., 94, 152, 153Katz, A., 114-119Kelly, E., 98Kolar, J., 184

Lam, W., 75Lane, H., 158, 159Lawrence, J., 129Laxman, P., 44Lethbridge, J., 170


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To ensure the safety of your lot(s) Freeman’s requests payment in full and removal of property within 10 business days of the sale date. Collection hours areMonday - Friday, 9:30 - 4:30pm. For larger items, please email [email protected] to schedule a loading dock appointment. For purchaserelease to persons not listed on your invoice, 3rd party authorization is required. Please mail or fax, 215.599.2240, a signed letter stating sale, lot, successfulbidder and name of 3rd party collecting property. Freeman’s does not handle packing or shipping. The shippers listed below have worked with Freeman’sclients in the past and will be happy to provide you with quotes for the packing and shipping of your property.

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Inquiries:lynda caindirect tel: [email protected]

amy parentidirect tel: [email protected]

Catalogue $30

ExhibitionsWednesday, November 16thThursday, November 17thFriday, November 18thSaturday, November 19th

Please contact the department or www.freemansauction.com for further details

American Furniture, Folk & Decorative Arts 11/19/11

The 6th Annual Pennsylvania Sale 11/20/11

FREEMAN’S

1808 Chestnut Street

Philadelphia, PA 19103

Telephone: 215.563.9275

126 Garrett Street

Charlottesville, VA 22902

Telephone: 434.296.4096

45 School Street

Boston MA 02108

Telephone: 617.367.3400


To be offered 11/20/11Wharton Esherick (1887–1970)sculpted, wall-mounted consoleInscribed “W.E. 1962”provenance:Estate of Lynn Snyder,Bala Cynwyd, Pennsylvania.


Fine PaintingsThursday 1st December, 201133 Broughton Place, Edinburgh EH1 3RR

www.lyonandturnbull .com

JOHN MACLAUCHLAN MILNE R.S.A. (SCOTTISH 1886-1957) HIGH CORRIE, ARRANSigned, oil on canvas

51cm x 61cm (20in x 24in)

£10,000-15,000 ($16,000-24,000)

Viewing timesSunday 27th November 12 noon - 4pm Monday 28th November 10am - 5pm Tuesday 29th November 10am - 5pm Wednesday 30th November 10am - 5pmMorning of Sale by appointment only

EnquiriesNick CurnowTel: +44 (0)131 557 8844 [email protected]

Charlotte RiordanTel: +44 (0)131 557 8844 [email protected]


Alasdair [email protected]

David [email protected]

JAMES ABBOTT MCNEILL WHISTLER(american 1834-1903)"BLUE AND OPAL - THE PHOTOGRAPHER"Watercolor on paper, laid down on card. Painted circa 18854 x 8 in. (10.2 x 20.3cm)$150,000-250,000(detail)

provenance:Howard MansfieldHarlow McDonald & Co., New YorkMrs. Cornelius J. SullivanMacbeth Gallery, New YorkE.A SeasongoodSold at Parke – Bernet auction, New York, 5-6thNovember, 1951, lot 304Private CollectionMacbeth Gallery, New YorkPrivate Collection, Amherst, MAMacbeth Gallery, New YorkHirschl & Adler, New YorkAcquired from the above in 1959Private Collection, PennsylvaniaEstate of the above.

exhibition:London, Dowdeswell, 1886Possibly Paris, 1887New York, 1889 (where purchased by Howard Mansfield)Boston, Copley Society, ‘Memorial Exhibition of the Works of Mr. Whistler’, 1904New York, 1984‘James McNeill Whistler: Retrospective Exhibition, 1994-95’ Touring ExhibitionTate Gallery, London, UK, October 12, 1994 – January 8, 1995Reunion des Musees Nationaux (Musee d’Orsay), Paris, France, February 6 - April 30, 1995National Gallery of Art, Washington, D.C., May 28 – August 20, 1995

Upcoming atFreeman’s

Fine American & European Paintings & Sculpture 12/04/11

www . f r e em a n s a u c t i o n . c om


126


11/06/11

Old Master Paintings & Works of Artdavid weissmaya o’donnell-shahdavid edevane

Photography & Photobookskate moletsaimee pfliegerdavid edevane

Modern & Contemporary Artanne henryalasdair nichol david weissaimee pfliegerdavid edevane

Pop Culturesimeon lipman, consultantkerry-lee jeffery

Oriental Rugs & Tapestriesrichard cervantesdavid weiss

Rare Books, Manuscripts, & Ephemeradavid j bloomjoe huenke

depart≤ents

Appraisalsanita heriotsa≤uel ≤ free≤an iijames e buckleydonald e walterkate molets

Appraisal Servicesheather burkenatalie difeliciantoniolauren peck

Consignmentssamuel h cooperjames e buckley

≤useum Servicesthomas b. mccabe ivlynda a cain

Client Servicesmary maguire carrollfran nicosiajessica carterbethany mobbssusannah hendersonmarianne dagesbridget bonner

Operationsnathan norleygerald lightfootmarlon glovermichael fredricksandrew zajackgerald davisalex hampshire

Financejeffrey miller

Business Development & ≤arketingtara theune davisthomas b. mccabe ivmary knappchristopher browne

Trusts & Estatessamuel t freeman iiithomas b. mccabe ivnatalie difeliciantonio

Photographyelizabeth fieldelizabeth schultzthom clark

officers

chair≤ansamuel ≤ freeman ii

vice chair≤anmargaret d freeman

vice chair≤analasdair nichol

presidentpaul roberts

chief operating officerhanna dougher

executive vice presidentja≤es e buckley

senior vice presidentdavid weiss

chief financial officereric a smith

vice presidentsdavid j bloom lynda a cainsamuel t. freeman iiianne henryrobert waterhouse

representativesdavid weissWashington, [email protected]: 202.412.8345

colin clarkeCharlottesville, [email protected]: 434.296.4096Fax: 434.296.4011

kelly wrightBoston, [email protected]: 617.367.3400

robert and kate waterhouseAnnapolis, [email protected]: 267.414.1226

john jonesMountain Brook, [email protected]: 205.803.4949

Directory

specialist departments

American Furniture, Decorative & Folk Artlynda a cainsamuel ≤ free≤an iiamy parentiwhitney bounty

American Silversamuel ≤ free≤an iiamy parenti

Asian Artsrobert waterhouserichard cervantesnicholas clarke

English & ContinentalFurniture, Silver & Decorative Artsdavid walkerben fishernicholas clarke

Fine Jewelrykate waterhousesamuel ≤ free≤an iimadeline mccauley

Fine Paintings & Sculpturealasdair nichol david weissmaya o’donnell-shahaimee pfliegerdavid edevane

Fine Printsanne henrydavid weissaimee pfliegermaya o’donnell-shah


“One of the

top 100 hotels

in the world”Travel + Leisure in 2010 & 2011

The Rittenhouse Hotel, Philaldelphia’s historic and most luxurious hotel is proud

to announce our new partnership with Freeman’s. We are pleased to offer

Freeman’s clients a preferred rate.

Please contact Jill Heim to arrange your accomodations.

215-790-2541, [email protected]


1Unless otherwise indicated, allProperty will be offered byFreeman’s as agent for theConsignor.

2Freeman’s reserves the right to varythe terms of sale and any suchvariance shall become part of theseConditions of Sale.

3Buyer acknowledges that it had theright to make a full inspection of allProperty prior to sale to determinethe condition, size, repair orrestoration of any Property.Therefore, all property is sold “AS-IS”. Freeman’s is acting solely as anauction broker, and unless otherwisestated, does not own the Propertyoffered for sale and has made noindependent investigation of theProperty. Freeman’s makes nowarranty of title, merchantability orfitness for a particular purpose, orany other warranty orrepresentation regarding thedescription, genuineness,attribution, provenance or conditionto the Property of any kind or naturewith respect to the Property.

4Freeman’s in its sole and exclusivediscretion, reserves the right towithdraw any property, at any time,before the fall of the hammer.

5Unless otherwise announced by theauctioneer at the time of sale, allbids are per lot as numbered in theprinted catalogue. Freeman’sreserves the right to determine anyand all matters regarding the order,precedence or appropriateincrement of bids or the constitutionof lots.

6The highest bidder acknowledgedby the auctioneer shall be the buyer.The auctioneer has the right toreject any bid, to advance thebidding at his absolute discretionand in the event of any disputebetween bidders, the auctioneershall have the sole and finaldiscretion either to determine thesuccessful bidder or to re- offer andresell the article in dispute. If anydispute arises after sale, theFreeman’s sale record shall beconclusive in all respects.

7If the auctioneer determines thatany opening or later bid or anyadvance bid is not commensuratewith the value of the Propertyoffered, he may reject the same andwithdraw the Property from sale.

8Upon the fall of the hammer, title toany offered lot or article willimmediately pass to the highestbidder as determined in theexclusive discretion of theauctioneer, subject to compliance bythe buyer with these Conditions ofSale. Buyer thereupon assumes fullrisk and responsibility of theproperty sold, agrees to sign anyrequested confirmation of purchase,and agrees to pay the full price, plusBuyer’s Premium, therefore or suchpart, upon such terms as Freeman’smay require.

9No lot may be removed fromFreeman’s premises until the buyerhas paid in full the purchase pricetherefor including Buyer’s Premiumor has satisfied such terms thatFreeman’s, in its sole discretion,shall require. Subject to theforegoing, all Property shall be paidfor and removed by the buyer athis/her expense within ten (10)days of sale and, if not so removed,may be sold by Freeman’s, or sentby Freeman’s to a public warehouse,at the sole risk and charge of thebuyer(s), and Freeman’s mayprohibit the buyer fromparticipating, directly or indirectly,as a bidder or buyer in any futuresale or sales. In addition to otherremedies available to Freeman’s bylaw, Freeman’s reserves the right toimpose a late charge of 1.5% permonth of the total purchase price onany balance remaining ten (10) daysafter the day of sale. If Property isnot removed by the buyer within ten(10) days, a handling charge of .1%of the total purchase price permonth from the tenth day after thesale until removal by the buyer shallbe payable to Freeman’s by thebuyer; Freeman’s shall charge 1.5%of the total purchase price permonth for any property not soremoved within 60 days after thesale. Freeman’s will not beresponsible for any loss, damage,theft, or otherwise responsible forany goods left in Freeman’spossession after ten (10) days. If theforegoing conditions or anyapplicable provisions of law are notcomplied with, in addition to otherremedies available to Freeman’s andthe Consignor (including withoutlimitation the right to hold thebuyer(s) liable for the bid price)Freeman’s, at its option, may eithercancel the sale, retaining asliquidated damages all paymentsmade by the buyer(s), or resell theproperty. In such event, the buyer(s)shall remain liable for any deficiencyin the original purchase price and

will also be responsible for all costs,including warehousing, the expenseof the ultimate sale, and Freeman’scommission at its regular ratestogether with all related andincidental charges, including legalfees. Payment is a precondition toremoval. Payment shall be by cash,certified check or similar bank draft,or any other method approved byFreeman’s. Checks will not bedeemed to constitute payment untilcleared. Any exceptions must bemade upon Freeman’s writtenapproval of credit prior to sale. Inaddition, a defaulting buyer will bedeemed to have granted andassigned to Freeman’s, a continuingsecurity interest of first priority inany property or money of, or owingto such buyer in Freeman’spossession, and Freeman’s mayretain and apply such property ormoney as collateral security for theobligations due to due to Freeman’s.Freeman’s shall have all of the rightsaccorded a secured party under thePennsylvania Uniform CommercialCode.

10Unless the sale is advertised andannounced as “without reserve”,each lot is offered subject to areserve and Freeman’s mayimplement such reserves by biddingthrough its representatives on behalfof the Consignors. In certaininstances, the Consignor may payless than the standard commissionrate where Freeman’s or itsrepresentative is a successful bidderon behalf of the Consignor. Wherethe Consignor is indebted toFreeman’s, Freeman’s may have aninterest in the offered lots and theproceeds therefrom, other than thebroker’s Commissions, and all salesare subject to any such interest.

11No “buy” bids shall be accepted atany time for any purpose.

12Any pre-sale bids must besubmitted in writing to Freeman’sprior to commencement of the offerof the first lot of any sale. Freeman’scopy of any such bid shallconclusively be deemed to be thesole evidence of same, and whileFreeman’s accepts these bids for theconvenience of bidders not presentat the auction, Freeman’s shall notbe responsible for the failure toexecute, or, to execute properly, anypre-sale bid.

13A Buyer’s Premium will be added tothe successful bid price and ispayable by the buyer as part of thetotal purchase price. The Buyer’s

Premium shall be: 25% on the first$20,000 of the hammer price ofeach lot, 20% on the portion from$20,001 through $500,000, and12% on the portion of the hammerprice exceeding $500,000.

14Unless exempted by law from thepayment thereof, the buyer will berequired to pay any and all federalexcise tax and any state and/or localsales taxes, including wheredeliveries are to be made outsidethe state where a sale is conducted,which may be subject to acorresponding or compensating taxin another state.

15Freeman’s may, as a service to buyerarrange to have purchased propertyposted and shipped at the buyer’sexpense. Freeman’s is notresponsible for any acts oromissions in packing or shipping ofpurchased lots whether or not suchcarrier recommended by Freeman’s.Packing and handling of purchasedlots is at the responsibility of thebuyer and is at the entire risk of thebuyer.

16In no event shall any liability ofFreeman’s to the buyer exceed thepurchase price actually paid.

17 No claimed modification oramendment of this Agreement onthe part of any party shall bedeemed extant, enforceable orprovable unless it is in writing thathas been signed by the parties tothis Agreement. No course ofdealing and no delay or omission onthe part of Freeman’s in exercisingany right under this Agreement shalloperate as a waiver of such right orany other right and waiver on anyone or more occasions shall not beconstrued as a bar to or waiver ofany right or remedy of Freeman’s onany future occasion.

18These Conditions of Sale and thebuyer’s, the Consignor’s andFreeman’s rights under theseConditions of Sale shall be governedby, construed and enforced inaccordance with the laws of theCommonwealth of Pennsylvania andConsignor and Buyer agree to theexclusive jurisdiction of thePhiladelphia, Pennsylvania Court ofCommon Pleas and the UnitedStates District Court for the EasternDistrict of Pennsylvania.

Terms & Conditionsall property offered and sold (“property”) through samuel t. freeman & co,(“freeman’s”) shall be offered and sold on the terms and conditions set forthbelow which constitutes the complete statement of the terms and conditions onwhich all property is offered for sale. by bidding at the auction, whether presentin person or by agent, by written bid, telephone, internet or other means, the buyeragrees to be bound by these terms and conditions.


Lot 153 (detail)ARMAN(french/american 1928-2005)UNTITLEDSigned and dated ‘71’ on lower edge,unique broken violin cast in polyesterresin9 7/8 x 9 7/8 x 9 7/8 in.(25 x 25 x 25cm)provenance:The Estate of Jack L. Wolgin,Philadelphia, Pennsylvania.note:This work is recorded in the ArmanStudio Archives under number: APA#8208.71.084

www.freemansauction.com Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia Pennsylvania 19103Tel-215.563.9275 Fax-215.563.8236

Documents

Modern & Contemporary Works of Art