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From the musical Women on the Verge of a Nervous Breakdown.
Citation preview
Frantic
MODEL BEHAVIORWords and Music by
David Yazbek
Women in the Verge of a Nervous Breakdown
mfG7 4frAb7
Pe
G7
pa,
CANDELA:
-
its
me a gain,
4frAb7
- why arent you pick
ing- up the phone?
G7
Its
like my
brain
4frAb7
is gon na- melt
if I dont talk
G7
to you.
Ive
got a prob
F
lem- in the show
er- and Ive
on
G7
ly- got a mi
nute- cause the prob
4frAb7
lem- in the show
er- is that guy
Db
that Ive been
D
dat
ing- named Ma
-
3
1
lik.
G7
Hes,
whats the word,
4frAb7
swar thy,- like
a des ert- sheik.
G7
And
hes been
here
4frAb7
at my a part
- ment- for a bout
G7
- a week.
I
met him down
3frCm7
at Ca f
4frAb7
- Som
bra- and I
know
3frCm7
you think Im
4frAb7
o
ver- ly- ro man
3frCm7
- tic,- but you
4frAb7
would
nt- be lieve
- the con
3 -
nec
3frCm7
tion- we had
like
4frAb7
im me
- di- ate- ly.
- I was rea
dy- for him
to meet
my mom.
G7
Like
I could
3 3 3
2
feel
4frAb7
my heart ex plod
- ing- like some kind
G7
of bomb.
Which
is i ron
4frAb7
- ic- be cause- ac
tul- ly- I
think he lit
er- al- ly- has
some kind of An
Freely
y- way- Grand
pa- hap
py- birth
day.-
Say hel
3 -
lo to Grand
ma- and
be sure
to take your
That was him!
G7
I
may be
3
jump
4frAb7
ing to con clu
- sions, God I hope
G7
I am.
He
thinks Im thin
4frAb7
and hes got shoul
ders- like Jean
3
Claude
G7
van Damme.
Lis ten,- call
3frCm
me when you
Bb
hear
this, Ill be here
4frAb7
for half an hour,
call
D7
me
back.
G7
(Instrumental)
4fr
Ab7
G7
4fr
Ab7
f
G7
4fr
Ab7
G7
4fr
Ab7
Pe
G7
pa,-
are you there?
Are you there?
Are
mf
4
you o kay?- Youre not
there, but we need
G7
to talk.
My
stom achs- ach
4frAb7
ing- like I swal
lowed- some e
-
nor
G7
mous- rock.
Im
at the phone
Fm/Ab
booth on the
F/A
cor
ner- and Ive on
G7
ly- got a min
ute- cause Im
run
4frAb7
ning- out of change
cause Ive been lend
Db
ing- all my
D
mon
ey- to Ma lik.
G7
-
God
knows with
3
men,
4frAb7
Im not ex act
- ly- on a luck
G7
y- streak.
But
this one real
4frAb7
ly- is a mess,
I think Im
5
gon
G7
na- freak.
I
know you say
3frCm7
Im an a
4frAb7
larm
- ist,- but Im not.
3frCm7
Re mem- ber
4frAb7
- theres
that time I
thought
3frCm7
I saw a
4frAb7
spi
der?-
You
said,
3frCm7
Nah, its a
4frAb7
rai
sin,- but it sud
3frCm7
den- ly- start
ed
4frAb7
- mov
ing- and it
crawled o ver
- and bit
me on
6frGb[add2]
the toe!
G7
So
if youre gon
4frAb7
na- stand in judg
ment,- thats how
much
G7
you know.
Its
a good thing
4frAb7
I did nt- eat
it, but I nev
er- would have ate
it cause I
6
nev
er- did like rai
sins- so why would
there be a rai
sin- on the floor?
G7
So
when you
hear
F
this call me
G
back,
Ill wait
Abmaj7
a lit
tle- more.
G
Ill
be at sev
F(add b9)
en- sev
Please check frame
en- three.
Damn, they
scratched
F(add b9)
out
the
num ber-
and
Freely
mis spelled- Va gi
- na.
- All right,
A tempo
Im hang ing- up,
Ill call you
back!
G7
4fr
Ab7
G7
7
4frAb7 Bb
G7
6fr
Fm6/Ab
G
6frFm6/Ab
4fr
Ab13
Pe
G7
pa,-
o
kay- Im try
4frAb7
ing- you a gain,
- its af ter-
-
noon.
G7
Its
like my eyes
4frAb7
are gon na- pop
if I dont get
G7
you soon.
Im
at the
stu
F7
di- o,
- which sucks,
be cause- Im hav
G7
ing- trou ble- work
ing- cause the on
4frAb13
ly- thing I think
a bouts- this
8
cra zy- sit u- a
- tion- with Ma lik.
G7
-
I
dontknow what
4frAb7
Im gon na- do
if you and
I
G7
dont speak.
I
know you think
3frCm7
Im just a
F7
dra
ma- queen, but ac
3frCm7
tual- ly- Im
F7
prac
ti- cal- and,
damn
Bbm7
it, Im a mo
Eb9
del-
so of course
Bbm7
I feel things deep
Eb9
er- than most
3
peo
D
ple- ty
D7
pi- clly- do!
G
And
an y- way,
F7
- I think my life
may be in
3
9
dan
G
ger- too.
You
wont be lieve
4frAb7
- what hes got hid
den- in the
oh,
Eb7
Fer nan
- dos- work
ing- here. Hes lost
a lot of weight
and now
hes
got that thing re moved,
- he just looks
4frAb7
Pe pa,-
Mar cos,-
He
says hel
-
lo.
G
And
now hes tell
4frAb9
ing- me were shoot
ing- so I got
G
ta- go.
Its
some big
10
deal
3frCm
ad cam paign,
Bb
- I dont know what
4frAb
its for.
G7
Theyve
got me pos
3frCm
ing- with a mel
Bb
on- and a
mat
3frAb6
a- dor.
G
-
Some
kind of met
a- phor.
-
Call me
back!
G
Bdim
Cm[add2]
Edim7 Fm
4fr
Ab13
f
Pe
G7
pa,-
its
eight,
I
dont
4frAb7
know why youre treat
ing- me like this.
G7
mf
11
4frAb7
Pe
G7
pa,-
its
al most- ten
4frAb7
o clock,- you real
ly- are a
ter
G7
ri- ble- friend.
4fr
Ab7
Pe
G7
pa,-
Im
sor ry.-
I
mp
nev er- felt so fright
ened- and a lone.
3frCm
-
Im
like a
cresc.
dim.
help
G7
less- lit tle- kit
ten- up a Hey!
Im
on the fuck ing- phone!
4frAb7
Please
call me
f
12
back.
G7#5
Pe
pa,-
its
mid night.- Are
you screen
ing?-
G7#5
Its
three A. M.
you have
to call
me!
G7#5
Would
ne
ver- do this
to you,
what kind of friend?
3 3
13
G7#5
What
was the name
of that cheese
that I like?
3 3
3
IVAN: Pepa, Pepa sweetheart. Listen, I need to tell you MECHANICAL VOICE: Tape is full. End of messages.
G7
4frAb7
G7
4fr
Ab7
Pe
G7b9
pa,-
o
kay- now e
3frAbm(maj7)
ven- your ma chines
- ig nor- ing- me.
G7b9
14
3frAbm(maj7)
Lis
G7b9
ten,-
Pe pa,-
I
know
3frAbm(maj7)
you think Im need
y- but youve
got
G7b9
ta- see
3fr
Abm(maj7)
Im
feel
3frAb9/C
ing- kind of woo
zy.- Im here
cry ing- for an hour
and my boy
4frDb7
friends- got an U
zi- and he does
nt- clean the show
er- and I
dont know where you are.
I
dont
D7
know where I am.
Im
15
half
4frD9
way- up a tree
and com plete
4frD7#9
- ly- in a jam.
Im
out
D7#5
here in the des
ert- and no
-
bo dy- gives a damn!
CANDELA: Pepa? Pepa? Pepa
Call me
back!
G
3fr
Cm
G
3fr
Cm
G
3fr
Cm
Abmaj7 G
4fr
Ab G
16