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Our aim is not to design "misfits" per se, but rather to integrate these as characteristic parts of the design and manufacturing process. By following a multifaceted object/ material/ fabrication approach we we demonstrate that a combination of these can lead to better output results in terms of typology, performance, material and cost efficiency, mass customization and part/material behavior. Zheng Wang (Hansbrough) 2014
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M I S F I T SP O R T F O L I O
Z H E N G W A N G
1
EDUCATION
University Collage of London, Bartlett, RC2 Got Distinction of GAD Master Degree — 2013-2014
China Central Academy of Fine Arts(CAFA), A9Bachelor Degree — 2008-2013
Oslo School of Architecture and Design, B3 Exchange Student — 2012
Zheng WangNW1 1NJ
61 Oakley Square, LondonT +447453297432
EXPERIENCE
URBANUS Architecture and DesignProject: A vision for Dawangjing
Workshop is collaboration with China Megacities LabArchitecture assistant(internship)
— Jun 2012-Aug 2012
CAFA Students’ UnionChairperson — 2011-2012
CAFA Environment Volunteer Team Voluntary serve in Inner Mongolia — Jun 2011
Kengo Kuma And AssociatesProject: Holiday Vallage Hotel (unpublished)
Architecture assistant(internship) — Sep 2010-Jan 2011
CAFA Architecture College Basketball Team — 2008-2011
LANGUADGE
English and Mandarin
SOFTWARES
Very good: 3ds Max, Zbrush, Photoshop, Illustrator
Good: Rhinoceros, SketchUp, InDesign, AutoCAD
Basic: Grasshopper, Softimage, V-Ray, SolidThinking
AWARD
BIAD (Beijing Institute of Architectural Design) Scholarship — 2012-2013
Second Prize of CAFA Excellent Students’ Works Exhibition — twice in 2011 and 2012
China Young Leaders Foundation Scholarship (Zheng Zhigang Scholarship) — 2010-2011
Beijing Outstanding Student Cadres Award— 2010-2011
China Central Academy of Fine Arts Scholarships — many times 2008-2013
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PRINTING SUPPORTER
P4 - P10
P11 - P16
P20 - P23
P24 - P25
P17 - P19
GANTRY THEATRE
NEW COLLECTIVE
PRODUCT DESIGN
FINE ART
CONTENTS"[...] Architectural engineering has traditionally been characterized by the sequential development of‘ form, structure and material’. A formal concept is first conceived by the architect and subsequently structured and materialized in collaboration with the engineer. If there is a historical point of departure for the evolution of a new structuralism, Peter Rice, in An Engineer Imagines, locates it in the relationship that developed between Jørn Utzon, Ove Arup and Jack Zunz in the structuring and materialization of the Sydney Opera House(1957–73). In the final solution the problem of the geometry of the covering tiles influenced the design of the rib structure and the overall form of the roof. This effectively reversed the traditional process to become ‘material,structure, form’."
Our aim is not to design "misfits" per se, but rather to integrate these as characteristic parts of the design and manufacturing process. By following a multifaceted object/material/fabrication approach we we demonstrate that a combination of these can lead to better output results in terms of typology, performance, material and cost efficiency, mass customization and part/material behavior.
ROOF-GARDEN APPARTMENT
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MISFITS SOLUTION
fabrication
structure
The 3D print need support structure in fabrication
Dendritical support structure instead of scafford support structure
Plaster combines the 3D print together
Filling plaster into the ABS channel can make the resistance to shear and stress more suita-ble for architectural structure.
Consequently, it is able to save the print time and internal filling material.
Less material waste; more ornament and resolution
The 3D print need to be printed in pieces which should be con-nected together
The shearing force resistance of plaster is weak
The compressive resistance of ABS plastic is not enough strong
The internal output by 3d printer is hexagonal network of which interior structural is not strong.
Tutor: Isaie BlochMoa Carlsson
Partner: Lu Liu
PRINTING SUPPORTER
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1
3
2
4
5
1. Traditional support structure
2. Dendritical support structure
3. Structure analysis
4. Printing test by Makerbot, support structure would be generated when the angle of geometory is less than 45°
5. Support structure stair
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1
52 3 4
1. Besides the intricate ornamental effects generated, the plaster is also a means of fusing different 3d printed parts together, reinforcing these to form a complete self supporting structure. Exploring the extremes of the parameters that dictate the need for support material, the 3d printed form is controlled to meet both local and global programmatic, functional and aesthetic constrains.
3. The channel for plaster inside the componnet
2. The 3D printing component
4. The support structure for channel5. The real flow of plaster outside the 3D printing component
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2
3
180° 180°
3D PRINT MATERIAL PLASTER MATERIAL THE OLD WALL3D Print
3D Print
3D Print
Plaster
Plaster Channel
Plaster
Old Wall
Joint
Plaster Pattern
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7
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The resulting architecture is a sequence of high-resolution space, proposed as a redevelopment of, and extension to the Winchester Palace Ruins in London.
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7
A
B
1. Space voloum
2. Exterior courtyard rendering showing a clear integration of support structure as part of an overall design approach, operating on a structural/ fabrication level as well as being part of the aesthetics of the project.
2
1
10
THEATRE
gantry construction
landmark
gate
Metropolis Beijing Site redevelopment Yongdingmen
Performing Art CenterTianQiao, Beijing
(West End, London)
Opening space for music festival
Equipemnt for top musical
Yudingmen Square landscape
Axle wire Yongdingmen and Tiananmen
New development Beijing(La Grande Arche de la Défense for Paris)
Large scale square
Tourist spots
Tutor: Yufang ZhouWenbao Liu
GANTRY THEATRE
URBAN
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amphitheater
yongdingmen
0.61815 : 24
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1. The process of steel modeling
2. Steel model photograph
1
2
Laster Cutting Slot Shaping Bending Welding
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1. The section of sequence
2. Function model photograph
2
1
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3
15
41.00041.000
28.600
－3.041
－5.000
±0.000
±0.000
0.900
－3.007
±0.000
±0.000
±0.000
25.100
14.500
2.500
4.800 4.800
2.500
±0.000
22.200
42.600
45.7000
23.700
±0.000
4.800
2.500
45.300
±0.000
32.600 4.800
32.000
2.500
17.200
30.000
28.800
44.500
22.200
±0.000
41.00041.000
28.600
－3.041
－5.000
±0.000
±0.000
0.900
－3.007
±0.000
±0.000
±0.000
25.100
14.500
2.500
4.800 4.800
2.500
±0.000
22.200
42.600
45.7000
23.700
±0.000
4.800
2.500
45.300
±0.000
32.600 4.800
32.000
2.500
17.200
30.000
28.800
44.500
22.200
±0.000
0 4 8 16
2. The Gantry Theatre and Yongdingmen Square could hold the most popular music festical of Beijing
1. The plane
2
1
16
When an architecture was destoried , the well organized plane lose its clearly defination. But the nature of the material and the power of the ruins totally emerge. It can be read by different ways. Try to rebuit it in imagation . Some misread will inspire the new way to dwell.
column grid
tube
boundry
separatesurround
flowing
boundry
flexable
wall
pillar
colonnade
ruins
rebuilted material
nature space
The three basic elements: column, wall, and colonnade. The relationship between them shows their nature to dwell.
TUTOR: PER OLAF FJELD ROLF GERSTLAUER
KATHRINE NAESS
WALL
COLONNADE
PILLAR
The four columns are original materials. In the vertical, the columns show different nature that influenced by the relationship of them. To see it separately, people can go around it. See two of them in a combination, which divide the space. See three of them in a combination, which support the ceiling as structure. See four of them in a combination, which definite the boundary.
There are two types of materials, one is the original material and another is the objective material which constructs the space. Original material waiting for relationship (human discovery and environmental influence), Relationship inspires space and the space asks for objective material. It’s a progress of architecture.
Common Shake of Space Original Material and Objective
NEW COLLECTIVEROOF-GARDEN APPARTMENT
New Nature of Material (2012) was submitted for the New Collective of B3 studio in AHO , in the fifth year. The beginning of the project is from a movie ‘ V for Vendetta ’. One dialogue impressed me a lot ‘ artists use lies to tell truth but politicians use lies to cover truth ’. As Pablo Picasso say “We all know that Art is not truth. Art is a lie that makes us realize the truth, at least the truth that is given to us to understand.”
During the stay trip in Roma, I see the ruins in hundreds years ago. The well-designed architecture damaged and loses the significant definition into ruins. The nature of the material emerges out and creates new collective with surrounds.
The material and the relationship is the first thing will be achieved when one gets into architecture. The space is the result of them. It means both of material and relationship contain the information, which affect the recognitions of visitor. The relationship implies the content, usage and the meaning of architecture. The uncertainties are generated by the complexities of the material such a door on the wall is not only for the people to go through but also for the view extension from a structure in a long distance. For me to dwell is one recognize the notion from reading series of sequence of material. The distortion or disjunction is the nature of material emerges in potential. In another worlds, it is the context I want to challenge, “ artists use lies to tell truth”.
New Nature of Material
ruins in Roma (2012)
routing
lighting
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下 下
上
上
上 上上
上 上
上
上
上
上
上
下
3.45
4.80 5.00
2.65
3.70
3.951.00
3.70
5.152.60 3.65 2.60
0.30
3.652.50 5.255.45 3.453.45 2.60 1.20
2.80
5.15
3.70
10.00
4.85 4.853.95
5.105.40 5.704.103.90 5.40 5.706.10 4.105.704.10 4.805.40
10.00
BB
AA
上下
上
上下
下
下
上
上
下上
下上
下
下上
下上
上
上下
下
3.42 3.78
10.00
3.40
0.30
5.45
1.50
3.90
1.50 1.50 1.501.501.30
4.105.40
1.50
3.65 2.60
1.502.10 1.50
3.65
1.501.50 1.50
4.805.70
2.503.453.45
5.00
2.60
5.40 4.10
2.80
2.60
1.50
5.15 5.252.65 1.20
3.703.70
1.50
3.70
4.106.10 5.705.70
1.50
5.40
1.50
4.80
1.50
5.10
1.501.50 1.50
5.151.00 4.853.953.95 4.853.45
10.00
+2.7
00
4.05
0
+2.7
00
+2.7
00
4.05
0
4.05
0
0 1 3 5 8 10
2. The geometry of a high density appartment is consist of two triangles, which not only let more rooms enjoy the sunshine, but also make the roof a continuous open garden.
4. Each layer of roof is an unique garden and is designed with the three elements: wall, colonnade, and pillar.
5. The section A and B
3. The plane
1. The relationships between cross-shaped pillars inspire the sequence of architectural space.
1
3
4
5
2
18
The vertical stair on the roof garden is the only way for residents to reach their appart-ments. The sequences give residents a public space to comunicate with neighbours and do some exercise.
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Through the analysis of Milipede, force line of the geometry could be fabricated by precise CNC technology. The thick-ness of force line is the same as plaster gap. They are designed as one pattern system, a part of surface design.
For traditional technology of plaster casting, there is an imperfect plaster gap which is a certain kind of liner ge-ometry on surface after demoulding, because plaster leak into the interface between molds (complex form geome-try need muti-mold casting).
BACON TABLE
The geometry is inspired from the photography and painting of Francis Bacon. Since the relationship between human and coverage of space is quite close, plaster, as the most common material of decoration in room, might have a great potential.
Molds
Plaster gap
Force line
Plaster
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FLOWING VASE
Traditionally, a successful plaster mold would create an ex-acting positive or negative form. With mold, the plaster could be widely applied in artwork copying or mass manufactory production as a three-dimensional duplication machine. Us-ing simulation software and digital modeling tools, designers can embrace the potential misfits introduce to the process. During the process of solidify, plaster is not totally controlled by mold but partially flow inside out guided by the mold.
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SORROWFUL PILLARS
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BUNNY OF ARCHITECTS
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ART WORKSHOPEXPERIENCE
Lacquer Painting Design College, CAFA— May. 2011-Jun 2011
SculptureSculpture Studio, CAFA — Apr. 2011-May 2011
Screen Silk Print Printmaking Studio, CAFA
— May. 2010-Jun 2010Relief
Mural Painting Studio, CAFA — Apr. 2010-May 2010
FINE ART
1
2
3. Lacquer painting<Moon NO.1>
4. Lacquer painting<Moon NO.2>
1. Lacquer painting<Shinning>
2. Screen silk print painting<Architecture>
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4
25
