April 16, 1966

Mime scene going -no set date

T";::a'.~~~ Ibis ..-eek with the decision by ABC-TV to drop the - pop show, Thank Yoar Lucky St&z$ In June.

This follows the Musicians' L'ruoo decision to call tor an tnd to miming to records

TV - but theft has still beea not officla.l recognlt:Joo cf the ban.. and no sign ot oo-vs,ent:or. from B.llf> 1V.

-8~W"~ Id:\!: " So lu .. we. are coo.-cemed our disc show T op of Tbe Pops lS not COlllin& olf.•

Said producer JOHNNY STEWART: "At tbr moment I

e PllCE bavm' t b • d _,. ln.strvdioos one way ol d» other and we are Just can)- on. It It happens. 'WI: sb.a1l ha e to do some--thin& about I~ but I ha '"t made U) plans

~~ETH COWLEY, producer of BBC -n's Whole 5-e Goin& said: .. \I. e a.re com.taa off oo hme JS a.nyway, so it doem~ ~ us. 'We upec:.t m ~ back later in the ) ear, but I have no kiea

t - happm --Tbe - ls Olliy part

- Tbls ... - ... bad T1al Yun>, Alan Pr!~ urd JMaalred ,wm. all Un-•

GaMn1 ~ of the Hanlle R.l .cllffe told

die t:M: .. \\ e ban had di.1 c usslOD$ .-tlh n · _.. about mlmln& ..iap,-itbe.-- tbat lt was UIHlesinble.

"ll has been sta ted by ABC-TV thlt dn>pping 1baak Yow Ludty Stan was DC>t because or Unloll - but It could be • as a rMUlt s - ... let< t. ._.-Jes b1"1 ---•lritbtbeJJL "l dn>pplna tbe

- llllplles ABC-TV aot be pu:t:dq cm any aore J:llliaed TV &bows."

PRILIP 10 :-..:.s, ol ABC, mid die '\01: • " 'e hn--e ,_ pilot la the - .. replaee [..o

-

11 . J !I ... I

I .. :II: "' :D

_..._

• f I l SOM EBOD Y HELP ME I) ) T HE SU N AIN 'T CONNA SHIN E ANY MORE Walker Bro lhers, Phil ips

!',) LOVE M E WITH ALL YOUR HEART /THE SOUND OF SILENCE Bc1chelors, Decca

4 ('I) SUBSTITUTE fh e Who. Reaction S fl,) HOLD TICHT 0,1v Oec , Dozy, Bcaky , Mick and r ich . Fontana 6 (J) ELUSIVE BUTTERFLY . . .. Bob Lind, Fontana 7 (4) DEDICATED FOLLOWER OF FASHION . . ... Kinks, Pye 8 I 14) YOU DON 'T HAVE TO SAY YOU LOVE ME

Dusty Springfield, Philips 9 I 11) BANC BAN C .. .. .. .. .. ... Cher, Liberty

10 ( 11) ALFIE .. .. . . . ..... . .... .. ...... Cilia Black , Parlophone 11 l8) ELUSIVE BUTTERFLY .. ... ..... .... . Val Doonican, Decca 12 7) SHAPES OF THINCS ............ Yardbirds, Columbia 13 ( 10) I CA N 'T LET CO ................ ... . Hollies. Parlophone 14 111) MAKE T HE WORLD CO AWAY ... ...... . Eddy Arnold, RCA 15 ( 18) I PUT A SPELL ON YOU .. .. . . . . .. ... Alan Price Set, Decca 16 l]'l) THE PIED PIPER .......... .. .. .. ... Cnspian St Peters. Decca 17 I~) BLUE TURNS TO CREY ...... .... .... . .. Cliff Richard , Columbia 18 IC) ) SOME DAY , ONE DAY ................... Seekers. Columbia 19 (22) YOU WON 'T BE LEAVINC ...... Herman's Hermits, Columbia 20 ( 1 (i ) BARBARA ANN .. .. ... ............... . ...... Beach Boys, Capi to l 21 (25 ) HOM EW ARD BOUND . .. .... ...... .. Simon And Garfunke l, CBS 22 139) DAYDREAM . ................... .. ...... Lovin ' Spoonful , Pye 23 ( 17) T HESE BOOTS ARE MADE FOR WALKIN '

Nancy Sina tr.:J. Reprise 24 (i7 ) SUPER CI RL ..... .. .......... Graham Bonney, Columbia 25 (7 I) WHAT NOW M Y LOVE . . .. .. . .. Sonny and Cher. Atlantic 26 (2G) THE BALLAD OF TH E CREEN BERETS ... Barry Sadle r, RCA 27 (23 ) BACKSTACE . . . .. . ... . Gene Pitney. Stateside 28 (37) FRANKI E ANO fOHNNY .. . .. ... . ... Elvis Presley, RCA 29 120) SHA-LA-LA-LA-LEE . . ....... . ... Small Faces, Decca 30 (36) TWINKLE TOES . .... .. ... .... ... .. Roy Orbi.on, London 31 (3 I) SPANISH FLEA ........... . .. . .... ......... .. Herb Alpert , Pye 32 (33 ) A LECAL MATTER ... .. ... .. .... .. ... The Who, Brunswick 33 (4 1) THAT 'S NICE .......... .. ....... .. .... . ... Nei l Christian. Str ike 34 {28 ) LICHTN IN ' STRIKES ................. .. .. Lou Christie , MGM

c N ......... Otis Redding, Atlant ic I.UV. . . .. .... .. Mtndbe Fontana

ICHWA Y CODE ......... ..... . Master Singers. P~rlophone MY LOVE .. ..... .... ....... .... .... ... .. Petula Clark, Pye

9 (30 ) MAY EACH DAY .. ............. .. ....... .. Andy Williams. CBS (40) I MET A CIRL ......... .. ... .... ..... . ........ Shadows, Columbia (35) TlfUANA TAXI . .. .. . .. . .. . .. ... . ... ...... Herb Alpert. Pye (- ) WALKIN ' MY CAT NAMED DOC Norma Tanega , States,de

l- ) LET'S RUN FOR COVER .... . . ........ .... Zoot Money, Columbia 44 42 ) PLEASE STAY . ........... .. .. .... .. .. .... . Cryin ' Shamc. ,Debca 45 (34) WOMAN ..... .. .......... .. .. .. . ... Peter and Gordon, o u~ . 1a 46 (44l WORKINC MY WAY BACK TO YOU Four Seasons , Ph1 _1ps 47 i- IT'S TOO LATE ....... .. . .. .. Bobby Goldsboro, Un:~e?. Arr~~d 48 -- ) SHOTCUN WEOOINC . ....... .......... .. ...... . Roy C . Is. I 49 ( - ) COMMUNICATION ... ..... .. . . .. ... David McCallum. Capi 50 (- ) I FOUCHT THE LAW .. .. .... . ... Bobby Fuller Four, Lon n

© LONGACRE PRESS LTD., 1966

P P SO COMPOSERS

TOP TEN LPs 1 ( 11 SOUND OF MUSIC Soundtr•ck, RCA :z Ill RUHH SOUL S..1 llos, P• rlophone

J t ) ) 1:~~H~~s [ASY \~11: .~ e~:i~c,!:'~~j: 1•J MARY POPPINS Souodlrock, HMV /G/ COINC PLACU t-lti rb Alpert , Pye

t f5J IYI en I LU IS Bert k•empfe rl , Poly(Jor 1 t11 HACH IOYS PARTY BHC:h Boys, Cap,tol I (1 01 OTIS ILUI Otis R•ddinR, Allan hc 9 181 H CONO ALIUM SPf'l'lc•r o .... ,, . fonuma

,o l - 1 " MAN AND "'f, .. ,:usJ1~101• R,,pri,e

TOP TEN JAZZ

US TOP TEN

• winners -latest

GE1TJNG up at G a.m. and making a long trip

from South WaJes to the

~~~;3~&~ oO: s~:~ day. for they won the latest heat or the Melody Maker National Beat Contest at Brighton's Regent Ballroom. The Sabres, a six-piece group, travelled a ll day to get to Brighton ln time for the contest and were "shat-tered and very knocked out," when they won the heaL

EARLY SABRES CATCH PRIZE

w1J:e vasrl-:t~\r w!~s1~1alror!

There was a du d hu t among the n1nnert-up - IO

~~~r sf1r!3Tna1110on th~~gh8 ;~ addltJon to lhe Sabre,, They a rc the Blue Start, from eirk hamstead, Herta; and thl! Twlllght Men from Camberley,

Jazz-up-the Beatles rush is on in America AME~ Jan mm lctans are f~g over themselves to • rord tunes composed by the BeaUes says Jeff Atterton rrom New York ... Guy Lombardo and his Royal Canadians playing to packed houses in the States.

Koobas plan to buy Irish racehorse . . . Tony W indsor to take over as head of programming at Radio Lo ndon . . . Comedian Arthur Mullard, now making records, reckons he"s the Webs te r Booth or tsling ton.

Riot Squad guitaris t Roger Crisp sustained cut head from falling lam pshade as group was playing "'Lightnin' Strikes" . . In one hour Martha and the Vandellas spent £300 in Car• naby St~ t.

Rhythm and Bl ues Incor-porated travel with an Alsation which guards the band coach . . . Publicist Nancy Lewis handles Dave Berry and the Koobas.

Why do people book top acts if they can't ensure

I~~ sc!~ P~~fi~~~~? a &Teat Indian critic called Pandit Unmerdtully,

* * * CRISPlAN SI. Peters plays fa ir guitar . . . Publicist KJ t Wells back in London from Southend couldn' t stand the commuting ... One reader reckons James Brown Is Her• man with a sock over his head.

Viv Prin« to Jet Harri s in

~ ~~on•: . s;~rk ;~;~m m:;:l~ announced a co ncert to be

f!,v:n ct~1,8~Y w~ t!v~ tneet Marlon Brando m Britain

Earl Hines horrified at hot dlscographers w ho remind him of ancient record• . . . Has Ken Smlley started a riva l Fleet Street Jazz Band?

Sandy Brown ploys strong neck/ . . . The lining of Lou Chrls tJe's jacket has Roman so ldiers on chariots . . Beryl Bryden in Afrlc.a .. Is Bob

eh:b~: ~a~ -~~1fieejti~ r,n•~~J laugh at th e aame lime?

* * * SPENCER DAVIS and the Wbo went to hear Mark Leeman Fin at the Crom-wellian . .. Bassist JobMy Hawk •worth has recorded an LP with Art Fa.Jrbanka.

Pee Wee Russell is sixty . ,

~~w :,w~I ~.••• J:w ~'::ff Faces LP great and 1hould go well . . . French plan to stop Longhair, enterina country

Hope Jeff Beck geu we ll soon . Some London club, popular wlth policemen • . . Carol• Kina'• "A Road To Nowhere"-yea. She's IOn&• writer Geff)' Goffln'a wife , .. Adler Bilk kept on telllq Joke while Illa fru it macbJne In his Capr~ club paid oul £12 10... to a lct11torner.

I

B~~h~?ERRo:n~ ~~~~ Club for Omette Coleman's

~r«~:::ce· TerT}' :~:::ry w!:i~ make to Julte Box Jury . , How do some British record companies man 11ge to muck up recording qualities on American releases here?

Belated congrnu to Barry Fanion I'• ' ' Green Beret" feature on AWSG . .• Bia Pel" Duker, recording C & W

~~ofu~,J ~r K~r:l!n st:~~~•·ra~~ to keep ti t . . David BIik says it's ni ce to get lhe bands' wages back over the: har a t his Capricorn Club, Omette Coleman's "Golden Circle" album Blue Note's rastest-ever seller " thanks to Melody Maker's review.'' says Record Imports Don Johnaon.

Bounty's Joe Boyd back from fo lk-sco1.1 tln1 m111ion ln Glasgow . . John Mayall'• Blucabreak_, had " HoulCI Full'" notJcff up ll Marquee . . Timi Yuro doesn't come acrou nearly so vividly on

te l~i · Bruce Tumer the Mon• sfeur Hulot of Britlth Jill? , . " My Fair Lady" Drad·

:Tfi1onl.P cop"r! r:1~en°~:a..e the biUf'lt•sellinli LP tver .

!~1ffra~m~0ne p~:::e ~~~ muvellous lv 1vrln11ng 1.1111 Colnnan d u r I n I current Britlah tour?-Sweetman."

It'• dl1gu1llng the WI.)' aome American 1r1d1 .,.apif dl1cu11 "the 8all1d of lht Green 8ereta" 11 a hot ron,. mwdll pro.,..-ty . . D111,y

=:r~"\ur~ ,~11:~1.,

JACQUES LOUSSIER

Play Bach Trio A 11,00;1145 rpm si ng!•

AIR ON A G STRING F 22383

from the br1l/1ant LPs

PLAY BACH VOL. 1 PLAY BACH VOL. 3 GLl ta GlllOOl

PLAY BACH VOL 2 PLAY BACH VOL 4 GlltOII

London Globe 111-lk DKca HOIIH AUi"\ EmMn•mHil London S l 1

BRON'S P.O. IOX 46 19-3 t OXFORD STREET LONDON, W.1 OU ,.., & MQ CUHENT ORCHHTRATIONS

' " M '" 111m1 i' 1.Wat!O,-Ul4"11 I t•••li 1UI "1 ll( lllrlf',_. I I lil 111l'NI (IUIUfl ~ - IWlf'IWIOO lU ,) ·~ I 'lltlllOltO Oft(IUilUS! l. !~':•~n_:1,omr 1u,:,1 ww0trau1nrn I (lll\lf Ult I ' NnOIPUCf"IW• !•I I ,. WU -.a1 W ,_ flfflNlJ S Cllll OIi t-. !I •ti ' 1111 .. ffl (INlll ) I l•Mll l l QID.. L IIIW.,,.. Tt N lU I I IUl'IMIQ [ ....... , . _-.U OIUM .!!!'._I • Clllilll. 1111 ' ft ltllW .... t u,,,. t• t• aa.1 ' ••--• t-lld\ nm•n . ,_u.--01 " OIAOJAIMI lllllll (NUMAII I •••• tUI ' -·- -·- !. "'J.•:.=.· • ..,,,." ..... 1.lnlNl~tml I ... ,.,, 1 ,,uaw..-, 11t1 ,. IU1Gl5•.) ~::::1 ... amrwn I """"unu . IMM t.l-11 I __ ,..,.

tw.\llCfllll'IIW IWll ' ~•INSIWII I -- =- I «- .... 1111 ' -- _,..., IIMt.1111 ' ...... ' ::. ":!u IWII } . .... ,._ -1an••--.. 11 0111.111 aa.1 N- ' ua•-..1u.1 I ::n..:.--1 :,i:sa.) -·-- I "'!!..- • . BAND ffi JACIIT5 MAOf fO •MIAlll• I I .... HC!N

• I \\•P"tf 0 IQ IIOAH l C MOICI O J I , CO.Olllt ll•blHO lliMOI IUH'UID"" 0tiN OI

, ... \?IJ0" 0 \11 '"' (Ot\lTIAlflMl'l ..... otl COVNlll Mffl:INI ....... u crntt,nir cut -::.~-=-110. AU WOOi. f\AN .....

:.".:,.--:;:: -= .. =~ '1:::'.::. =..•:.:,:. .. --::: coo 111,--, CINllflltl!CAtMOOWONNQlllt ..... -

• BLAKEY . ROACH

c.u Qnrtcl wl UI Astnld C.llt.ff'l.o. Hertllc Mann and UI• ~ Nov• A.JI St.an and ~"'• J M Harriott Quln-

SalUntay ~ln1 and v-

!T;~::!1n;.111 T:: !~:~in~~= show • •II lndudo an all-11:Ur

~•1,?xn::·t:i1 '!::''l:: Wrftht (allAI, n ut.); lh• 0 •.,, • •u.,.ck Quartet J immy Rush ing and t h e Ma,; ~~"-Qu lntet, with Ab b•r

On S und ay l h•r• Is u In-:~-:::: ;,~:~lle:H,:~ur~ ;~=-~di Cl ayton a~ SIH'I

• • pl.an LO have y ou back In London a r ou nd 6.)0 a m on Monday. Al l this for 25 11 uJnca--.&nd JOU Rffd only b' a n lnida1 deposit of

onT~h-=~•51•:~t.~•~:.•pf= E:!:~~ ~;:_/:,~::· ~:::::.

I am interested in the MM's Berlin Jazz Festival Trip. Please send me details .

NAME

ADDRESS

THE NE"1 CAPRI ...

I ';I

Now, for Lhc first time a portable with the pun~h and power of a big organ. The Capri ha,i it all ways. Big, exc1ung range. PfJwcrful pt"r

1'11,:1 H '

,\nwrl('a ,I U{tll n A Vlbra-~1:~· ii:.b. 111~0~~\:•oc;~d! ~m

Marth• 11nd 1hr V• ndellu ., Nf'WC"l•lh· Town ll a ll IQ n11,hl

Sp• ncu Da 'tllt Gr-oup, Who ,nd H•r• •Y• llprn lh('lr tour .. 1 •h~ southo mpton Cau-"'':ro\• tl'lnl§~~)son • Walhr • roUl ani - Lul u lour visits •hn Coloon nau, Bn.101

Herman 's HuTT1its-Mlnd-llla nd ars - Pinkerton'• -Da n hr,y tour a l th l! Un • 1to l Har-m• n - Mlndbe ndeni

pu k• ,: t' It thr AB C, ll ul\

SATURDAY Gu:~~~~:, on ~I~~ L11~~;: morn ln A: .. lhe Over1llnde",

~~~ "~'!~•:,,.~o;e~,';:"~~ •m>

Hum111hny

Cllla • lie.II, Dae DH War-•kk, Wayne Fontana, Karl

~.;~:crhoT~:"o!~." L:!.!1 :,~h and 1h11 Sh• Trinity all on Thank Your LurkJ St.an tl't'V 0 15 pm J m~n S wl1~1~~rlaJ~_l~ I •'r:1:; ~~~~(~,; JusirPt>t"~,rld N~;tl~~~ h• m, IOnlaht

Orblton - W• lkan - Lulu 11 the Clly 11,11 , $ heffie ld .

Hannla. - Mlnd be nders vl1lt th

Negotiations /,ave fizzled out 0 1 H "S lrom Austrnlln lor the Wnlkcr Bro-ther hnv11 h~ n turned down by Lh Ir m11n-

tll'11\ent. 1nm,,:~r llnrry t'lnym n told the MM this

\\ k, " u,trnllnn ne11ollntlon, hnvc fizzled out. 1 h Wnlkrr. nr~ not c1ulte Rs blll In Auslralln us thty • h~'oru on thi., ,rnnw 11hnw.

1 Holllu ate due to Ill>" ~•r In Dick Clark' 11 W'hcro l1u.1 Acllon Is TV ahow and Jtl producora aro now In a 1cra.mblo t ryi ng to get the n~11nry unio n cle11rance.

NEWS EXTRA-P.12

Dylan rumours N EWoJ ~n~~•re~~~f::·r:~u0r~ 11 cau1lng a lot of n.imoun: (report• Ron Grevau).

Trodo,ters were saying this week that with Dylan's con• trn ct with Columbia's Records due to expire at lhe end or thi1 year, the sinau Is 1hop, s:, ~ ~da rrhr:em~~~~nt~:~: under an arrangement wherein he wou ld produ ce his own record,.

Som6 wnter, have pointed to tho example of the RolUng Stones who shopped around laat year before retumin& 10 their original London label.

STARS AT RALLY

Among the many celebrities who turned up in Lon-don~ Trafalgar Square last Sunday at the CND rally werQ (1-r) Paul JOMi4 the Manmteb, American folk star Julie Felix and gospel singer R•m Holder.

N'~f~1j~~(',J0~v~~~ b1:t~': ex. R1utt11 ( 'd~tlnu ,u,d Rndlo

=~~~l~~i, \~rl~t~r:Jn I~~ -~~~rit It !11, ll II " ttll.l WOl'II I VC fiver known"', nnd 1u1ld thut ht" " liuhl now hnv no l,lUC\ln1, ahout ru1urt, days Md n\1-hl• lllh.>lt 111 tOOn at the h\l&t WH N1>11ln..•I) Tho dJ'• ;1nd

P•ce 6-MELODY MAKER, Apri l 16. 1986

ELLA: great

welcome

at the UN NEW YORK

EL1tst F!~~e~~ldth:a~nl~:d

ORNETTE: the Wave, resident ,n

New London

LONDON BOB HOUSTON

THE tuxedoed trio who trooped on to the stage of Ronnie Scott's

London Club on Monday evening looked anything but the standard

Ornette Coleman, David Izenzo~ and Charles Moffett looked more like a visiting chamber music trio, albeit an integrated one. ORNETTl: movin1 Nations bulJdlng last week

•nd was 1,lven .n enthusi-astic wclcome. She attended • special luncheon In the delepte.s' dining roo m.

Benny Goodman, who has not appeared In a New York

COL TRANE :beared~;~ew itme~~~ But the tuxedos are an indication of how

saleable a commodity Coleman's passJonate

and dlsturbln&IY beautllul musJc have become 1n the eight years since he was being laughed off the

ror reasons best known to hlmself.

The alto 11 rna1nJft«nt, one of the most mo'101

si1e~!f~n1no/e~•~• ~ectj;

new band to the Rainbow Grtll • . . Mr Kelly's, the Chicago club recently de-stroyed by ft. re, plan• to re-ope.n In Septembe

mean • I

a,n t it a thing, if

got that swing?

stands on America's West

Co~~n, musicians would begin to pack up and leave when Om ette would appear. At the Trio's London opening, there was never any danger of

:'~~:& ln,rnt:zz- W~din::,~ Ure theme stattment In eon-

l::::!1ct0bus, w1:, o~::,08:: The Modem Jau Quartet,

currently touring Australia, will be back for a Cameg.te Hall concert In New York on April 27 . .. tbe Jimmy Smith Trto Is currently at the Lighthouse, Hermon Beach, caJlfomla.

HOLLYWOOD LEONARD FEATHER that happening.

Coleman's TrJo Is tht: ' most exciting group in Jazz. l came to thk conclusion at that now near-legendary concert in Croydon last August. l had It confirmed on Mon-

most beautJful momenta ot the evenJ01. Slow and stately, It developed into u alto solo which veered from wlld crlu to delicately traced pa11,qes wtth a sombre, smoky tone.

"Activism" and "Who's

Veteran pianist Claude Hopkins and his All-Stars are accompanying Juanita Hall's one-woman show at New York's East 74th Street Theatre ... MUes Davis bas Just completed two weeks at the Village Van,uard.

The Roy Eldridge and Harry Sheppard quartets are now at Embers West . . . Capitol Records have re--sl&ned blues slna;er Lou Rawls to a ftve-year con-tnct.

Qulncy Jones Is workln~

::~:~:~;~fo~u1b! ~~~ ~~ Grant-Samantha Egaar fllm, "Walk Don't Run" • • Nancy WIison opens at New York's Americana Hotel on May 9.

The Jackie McLean Quar-t.et returned to Slugs' lut week . •. Atter thtte years, Kai WlndJng remains as musical director and band-leader a t Manhattan'• Play-boy Club.

An orl~lnaJ full-leng th

ELLA: firtt visit

HOW much rhythm should a rhythm

section have? Does it now mean a thing If it ain't got that swing?

Jazz in recent years has been going through a curious rbythmJc over• hauling. First the tradi-tional four beats to the bar

~~;-: :,ax,~~i4,8r:,s~~ a variety or other met ers once unknown to the Idiom.

Now there's a. new situ-ation, posslb!}:; brought on

~ate of'fi-e 01:f!~ie~L Rhythm sections are get. ting bigger, not Just in rock groups but In the new wave or Jazz.

Recently Elvin Jones, the Nureyev of the modem Ja:u drummers, round him-self doing a "pas de deux"

yer, John o , a second

drummer to the combo. Some observen felt that

the quality and quantity or Jones' percussive state• ments should be plenty for one band, since he ls an overwhelmingly dynamic

c:i~r: s~to':er!!.,~!r ~ rhythmic ti.me steps.

"The other drummer had a different sense of time

~':s't~'J:ere r1:i.1t:. •~ Jones left Coltrane and flew to Europe to Join Duke Ellln1tons bana.

After the 6,500 mlle trip

DISC & MUSIC ECHO

ONE GREAT PAPER with front.page colour

* Top 50 Hit Parade Chart * The belt News and Feature• • B- Plctur .. * And Inside gouip of the pop world, plus

TV, Pop People'• Clothes, and Film•

* NEXT WEEK'S ISSUE * will be a bumper 24 pages and feature exclusive articles on

THE BEATLES • ROLLING STONES CILLA BLACK GENE PITNEY AND MANY OTHER TOP STARS

Thel:~ s:_~~! ~~:c1e~ · ~ ch~~, ·~ usual ls that after more favouritea u 'Sweet Lor• than fttteen years of ~ ~~~~FJ~a::e' the-: lntematiooal acclaim h.e cord ts doae wlth tht: mo still lives in CanadL and the rut whh Manny

" l haven't 1tayed In the OSCAR: new album Albam and a bl& band. .. aame place all the time," he What other Lh are on die :P~.;:• =e 1f !:: With tbt. aroup he's reall,- ••Jf "I don't know, bu~ bom. But J'n been In down front and he'a pin• ~ball tbe nert one Toronto •Ince 1118." to be noticed much more.Ti ~ by ::. ":.,!.~tt ,:a:; mo."t:. be to an:e!"'e;!'::Cn :! re~!: t:~ t~n .!!!~:'; theJ'll call lt "lbe Old Aad :!ol~ ln "~.!a._ p~elt!: r ___ ...;, __ .;,•_;•--;.;,;;;__;Tbo,::_.:,N:-:_.:•:.• .:-:::=::•a-::,•_• -York to me Is a place to r----------------, = 1inls ':~,..,.•nd• Top~! H •• very trultllul. .. ira not a d°i; -OLD DAVISON and OEOI.OE WE1N pre1.n,

: :ic:.:w~• ~~ • elty THE "And, of COW"N, 1 like

~~\i:.. ~·~:.•7:!l.E: THE LON IOU S MONK the outdoor.--)'OU know

~~,an:re~~na,O:d ,!i QUARTET "I boqbt a boat lut

year, a power boat. not too bla. I want to UH It for

=,r,. -g:.:s ~-= apoloptlcally. "1 pNa I

::,on~t1:zn1_:::.J!n.''n~":1; way I 8t the pleture 11 mualcally."

How dots the new trio 10Wld to Oscar's ean? " FantaaUC! Jt•• ehan&ed my playlna. Hard to say bow, exactly, but I'm reactlna to • dUl1rent teeli I lcnow I'm 1ettJ111 Into different .,. .. :.i:,.:--a!:tm ~~ ::spr :;.,l:":!:~n~a~::a:~~

•so rar u Sam JonH ta COMf!fned. I think w hat .....

~lq wrn.W:ec1 th=:, ~~r now, bffaUN ol lbe ..... 1c he"I bHn called 0A 10 ... ,.

Featuring CHARLIE ROUSE

SAT. 23 APR • ROYAL FESTIVAL HALL 6.15 I 9.0 p.m.

MON. 25 APR• CROYDON flllFIILD HAU I.Op.m.

TICKETS AVAILABLE ROM IOX OfflCE$ AND ALL USUAL AG!NTS

~---------------J

At last! Entwistle' s silence

broken • IS To,. m"!~~ohn ,!~f~~1~:U:: ae.nllem,1n who .unu flnn :W~ :~::In: !~!nrl\hJow°! u Pete Townshend and RoQer Daltrey. He illways sc,wn1, qulta unmoved by the Uu,ndfflng of Keith Moon 's dn,~ l'n his left ear and lhe aenual ol't4tage com~ ~i:n~ whu the Who ar.- In

th!oh~.!~~'!'eor la t~~h:»1 ll's, not a dubblM!J he 111,es: "AftlH" ~I I do more loon:. rna about Lhe night du.be Lhan a.ny of the others,." Aid .John, "I know I never talk an lnten-lews ilnd lhat, lbuc- I flnd that I Chilt for hours to clubby peopfe-or ~'!:' ~1~5Uillly bend their

Does .John ,..Mint the other memb.,.. of the Who S1Milkln9 up on beh;alf of hl-n aJI the thne7 "On mQK of our ln tervie.ws I don 't MY oMIYlhlng simpl y beCilUH Peta- does .all the nattering.

"Invariably we are asked 'What Is. pop arW' or 'Why do you smuh gultilni7' and I'm Just not lnteresud--1 =• ~-~hat q!:sJ:.:· ~':-: ~y Uke 'What is your next record?', or somethi ng . How .,.. WE su pposed to ••Y .anything? Petl!,r writ.es a.nd miles lh• demo di.a. flf. our new r.cord• so ob-viously he answen th;at on1.

" I'm more c:onurned with our •und on stage and In what I ' m pilaytng. I think thCIIY" calf me t he -'1-e nt one beCiliae on the surface It seems I am. I don't m ove about muc:h on sUge b• c:.aun I think Lh• group woWd ny off It they didn't have one solid pus.on to keep It a ll together.

.. __,c:ally the Who are ln-ltlvldu&lfsts and slorsts SID

without • bac:«bone UI• 90Und would b• rour p1opl• eac:h dofng 90IN.."

Marv pieopl• have la.Ad Ulal the Who han done JYSI. about everything with f•ed· back and 110und9-, and that thin l's nothing left to do. Whfflll dOIN' John t hink VI•

:;'J'te1yk eJn~"l!rw~::••~ the tTm•. Now we uu. mo r11 vocat harmonlu and Ulfngs aa In The Everty Drotheni• ' Man Wit h Money• an.d the Dion numbet"S wa

0

do." "Th• groups conflict ovar

c.ttoc.tnll mat1rl&I a nd mllSil-k.at po11cy has almest died d-n now," lilld Joh n over his lemon tea. "We •era• on our atage numb.,... ... m--. hnrnedlately. I n fact OU I" mfnda • re working In such h•nnony w• often all c:on,• u p with "'• same sua-....U.Ons for a n1w .n umb•r to lea.m."

The, Wlto's Internal rrtc:tJon k • mudl publkJM:d fact -what part does John pilay In this? "I Ilk• to fed that I get Oft with all of lha grou.p--they a" easy guys to a-t- on with. I murt MY that a lot ot this 'hilte udl other' bit Is very pl ayed up. I aet on with Nc:h of then1 separately - bu t the othr three are lndlned to duh."

"I undfl"SUnd Pd-hat h•'s a bout to do. No one undarstands him .... ally waU. A moody person. Ona day you'll AY ..nethlng a.nd ho'll Jum~ down your thJ'Oilt and th• next h•'• extAmtiy ;am/able. Ha"s q ul'c:k leffl-

r::!h!~dhab:~IJ":i: ~~oe5:!; he's with! I r-espec:t him for e.~ ~~~~Ue0u"m!:, ;~r::: Every now and apn he'll pl~ • m 11:thlng that'll knodt ma out.

"Sometlme-s, If a s.how'• not gO,ng w~,. P'i!;t.e will try

to c:any It off by a sudd1n

~•n!.-:.lsp!:in:'ln~u~er~J oth...- Ume, ha Just won't uire a damn how It SJOH. Ha aei. very angry with his 111ulpment . A lot of tha& guf .. tar ba.sh lng i. bec:auw ha Isn't happy with t h1 •und he'a aaltl.ng at th• lime.

"Ketth probably knowt1 more abeut ma than anyone . Som•Uma ha ads very .10un,-ve,y slapstick-but •m•tlmff he"s Ula opposlt• -• ,duft •nd s,erlous. Keith 1°"9 loon lng about Md l&k· Ing the mlc.k. He's Just • Wembley yobo," taughc.d J ohrt ,

"Moo,ny mu,st be th• loud-est drummer In England. Ha'• a gre;it Nlow drummar for' t he Who, and very driv-l"SJ. Tech nlcUly h • '• stumped--but h1 swlnp In his. own wa.y. Rather than get a good, quld1 fluJ,

r!.:ns:11 1:'..:~~~'~' h:;:: IIOUnd roudesl at th~ t lme. ~: ... t:al~~l.~~~~= often he's mlsleadl ng and he's ROI ttlln klng what )'OW think he r.. Rogw woM• quite a bJl,

a -~~h•m:oht~h=;:'~t.:- ~~ ::r.- o'!':ia. Rh,:r wn~~ nT; and afw~ d rops. things: or trfps onr. A very lmpiu lsh11 penvn," Aid .John .

"If you 9lv1 him three d..,.. to do .om1th lng ho' II

~rrh:"::~lnr.:lsm7:.1::.~ that aUhough he"s had th,.. days to th ink It _.,._.t al'· r~:!r:.nd:.:rr,_as Int-minute

"Then's. on 1 thing that worries me about Roger," smiled John, " he has • , .,. dnallng way or looklng lnlo cameras, sio t ha t he al~ looks as. If he"s miles away and eo,ng Into the rut~1·•

MATT MONRO EMI ARTIST OF THE MONTH

latest single BORN FREE CAPITOL CL 15436

Hit, of Ye11e,day Parlophone PMC1286 0

r= --Min Monro Mfll!t H011qy Carm1ch1aJ Peflophone PCS3C:U PMC1116 9

mono

Lova Is the same anywhe,o Parlophone PCS3020 8 PMC11 61 9

I have dreamed P• rlophono PCS3067 8 PM Cl 260 9

MELODY MAKER, April 16, 1966-Pige 7

ALAN PRICE fl.YING: All rlkhl ror

l)COplc with wlnga-bul not or int.•, H A~c~u~: lin--~~-~ cl~~o~~d Eric Burdon. Dt.•splle whnl they sny In the papers It'• not dlflcu lt to ACt nhout In Ho.rlcm Ir you're Engllah. There':c no ,,robl l!nl,

J•:1:n1~:•~~~ ~~•~ ~~~ end, or Jazr. orgnn . Anyway, orgnn is such on lmpersonDI Instrument it's not really wort!\ talking about. It's llke be.Ing a Telex opcrutor.

nuc~.'!::k!!~":C~.;1\1c~ n sort of wind-up compos-ing doll.

G ;~h~~ 1t~e50glc:/!~~~~· Robbie Bums.

ST~:~r ~f~'?oN::st:;~: player but I'd imagine they have the snmc kind of feel-ing about pop music as the mojority or those plastic session men. I would use a b~~"~!:}!~"u~~ :n~~~ ow AGE: IL doesn't run

in my family.

p~er~~~ao:~ ~~~: ster.

J~Yi/~s!1r!;!\~ct~ as Bingo-he obviously ap-

re8tC:n~t 1~;;:a~ p:e.but D~~e ST!;:: ~ doesn't really stand for any-thing as far as I'm con-cerned - despite all you read about tunesmiths, PoP-smiths and Tin Pan Alley.

c0:i~~~~~~t s;r~~~ ing Scene At 6.30 in Man-chester because you see them all flying about. The amazing thing is that they all do look an{l act like

More big names on EMI records

beans out or a tm with a knife. I don't think l'd ever sha re again - you ge t to know the other person too well.

H1~2.~~~"~~~~ i;t~ change over the last three years. When I fi rs t knew him he didn' t drink at all and he was very much in love with a g.i rl. The rest or us Junio r Animals were aJI for the big, heaving, smelly, living-for-the-music a nd s tuff-anybody-else biL We a ll went to work on Hil-ton and changed his whole outlook.

R~~~:: to~eD~~:: tis t's.

• It's wrong to focus everything on one thing. It's a waste of life ~

NE~;~~~=~: I so~l .~~i:-.:~ r;; ~~ him yet, but I'm still hopi~g to get down to Ronme Scott's. That kjnd of people frighten me. They have such

~i~~si~ ~~ f~t~n°s~~- IE~'Jk it's wrong to focus every-thing on one thing. It's a waste of a life .

the characters they play-Ena Sharples really has a killing look, Ena's just like my grannie.

~ S~:u~~e~ ::-:~ I coulln•t do anythlng with-out them now. It's not a

~~~ed~i;:ncf:~~P•o~u\h~ than I ever was on tbe Animals for moral support .-not that I've got any morals. QLD FILMS: 1 like them,

especially things like Buster Keaton and Laurel and Hardy. Stan Laurel came from South Shields. Did you see Monsieur Hulot's Holiday? It's the next thing to a silent film. Our trumpet player, John. is very a rty - a former

schoolteacher and jazz lec-turer - and he tu med me on to all this bit.

BOSSA NOVA: Ugh!

w~ t~:~1:r~~~ good indeed. They have achieved what Proby should have done.

FLAT-SHARING: When I shared w i t h Chas.

Chandler it was very good from my point of view. I've always been lazy and untidy and Chas is a great cook and very tidy. Some of the best meals I've ever- had were cooked by Chas.-though Eric Burdon always swears that whenever be called for us we were drink-ing mi!~ al'ld eaung baked

THie~~~J;~~~y•s

AL~ Co~~~f':i;e_,gw.h·"_---tar-but I admire him tre-mendously.

EMI;~~ F~o~he~ik;,a';8~ great help to me in New-castle-not particularly in teaching but by accepting the fact that I was there. In the old days if you were a blues musician you alien-ated yourself from both sides-the iazzmen thought you were a rock-'n'-roller and the rock-'n' rollers thought you were a jazz• man. The EmCee Five just didn't worry about what category you were supposed to 't\. Li\c. ··~ "'" used to sing with th' ·

LATEST~ : SINGLES AM·ERICAN

RAY CHARLES Together Again H.M.V. POP1519

JIMMY SMITH Got My Mojo Wor~ing (Part 1) Verve VS536

THE BEACH BOYS Sloop John B Capitol CL 15441

JOHNNY RIVERS Secret Agent Man liberty l1B12023

EDDIE RAMBEAU I'm the Sky Stateside SS501

BRITISH

MAN FRED MANN Pretty Flamingo H.M .V . POP1523

LEW IS RIC H I Don't Want to Hear It Anymore Parlophone R5434

RUSS CONWAY The Crunch Columbia D87894

-MGIIIIAl'--••WIU ~ ... ~-:-.:=,,...~ --

P• 8-ME.U>DV MAKER, Aor1l 16, 1966

BLIND DATE

I CRISPIAN St. PETERS BEACH BOYS: "Sloop

John aw (Capitol). Jt '1 a knockout, man-a

knockout! Beach Boys. Great. Thi.I' ll be number onr--or 1t should be any-way. I hke 1t, m ract 1t'1 bloody marvellou.s. They're

i~eri~~Y ,:~imt. from SEARCHERS: "Take

It Or Leave ll" (Pye).

Th~ Searchers Doesn't sound at though there's a middle ~1ght. ft'1 good, though not as good u '6mc of thPir previous re-

~~~i: 1r\•:h~~~ fi~!t1ntl:~ I've hC'ard It 10 it'll prob-ably grow on me.

KOOBAS: "You'd Better Make Up

Your Mind" (Pye).

Whc,'s that? The Bc::atl

~h .. ~:ii ~.~0:a:eJh~~n~h~ ogo, didn't they? This Is a lot bew·r than their hit, It , hould do rather well . Th~ heat is n bit old-fu ',hionrd, but I like the middle Plght. It's not very long, 1, It?

I heard this the other day. Can 't remember who it ls. Oh, yeah, Wayne

r~;~~!· ~r b~tehit!~[ ~;~ ~f~e 5{;a~~r a~:af:uldN76! backing. and r like the fe-male voices. He's strong In the voice, too. Very, very good.

T"E KNACK: "Did You Ever Have To

Make Up Your Mind" (Pye).

Zombies? Overlanders? Oh, the Knack. ls there a girl In this group? It sounds like an early Zom-bies number. Not a bad beat. Wouldn 't like to say where it'll get in the ~Lha:e~Y ~ouuct~· I don't llko

PETER COOK AND DUDLEY MOORE:

"Bo Dudley" (Decca).

Who the hell is that? Oh it's Peter Cook and DudleY Moore. I heard this on one or the pirate stations the other morning, Should be

:s biffu~~~g~ari:s°sfuh~~~ the fi rst two or three times, but you get a bit ti red or it after tha t. I eco .their Priva~~ n; re~

than this. Ta e it off.

JOHNNY KIDD: "It's Got To Be You".

(HMV).

Chris Andrews? No. Johnn y Kidd . It"s about time he came out with a new one. One of my favourite artists. He and the Pirates have got one of the best stage acts in the country. I like the backing-that double rhy-thm guitar is great. The backing's better than the song. I think it'll be a hit. He needs n hit.

U.S. T-BONES: "Sip· pin' n' Chlppln' " (Liberty).

Nice, easy riding riff there. Is It an instrumen-tal? ls thi s all there Is to it? No vocal? Who is it? Pleasant tune, but not a hit. Turn it off.

JOHNNY RIVERS: " Secret Agent Man" (Liberty).

.. . ... , .. . . .

~,-LP's from

do better in the States than here. Very old-fashioned.

JERRY MARTIN: "I Can't Find Her"

(Columbia).

David and Jonathan. Not bad harmony, if he's doing it all himself. Never heard or Jerry Martin. It's got quite a ~ood backing, but I don't like the chord sequence - too many chords. I don't rancy his chances with this.

ANTOINE: "Les Elec-ubratlons d' Antoine" (Pye).

French record. Is it Johnny Hallyday? l thought it was Bob Dylan singing in Germani Back-ing's pretty good, but ;,iou can't tell what he's sing-ing about. Sounds dated again. He keeps on about shoes or something. Not a hit here because if the

:tn!~~,~/:0~!~~e1; rrcft was in English. Ts it a pro-

~~~ndss0flf~ a 1

flr~0:~~

v ersion of "Let'.! Twist Again". No thanks.

Uncle Bob's_

--

~VI

postbag Not all the .. queries the Melody Maker receives can be dealt with in Expert Advice. Here, Uncle Bob Dawb~rn clears off some of the most

urgent-with wit ;,nd wisdom, of course.

1s Elvis 1n Britain? The boy J was with la_st

night said he was EJv1s, but there was something about his plus-fours that made me wonder after he'd gone. - NeUie Clog-

ftet~:Jg::?~e get him to give you a chorus of "Blue River".

H0ti~e~~~e!.~ ~:~~t even speak to me on the phone? - Roger (leader, Roger and the Lodgers),

:1re,~rsc~~~: ·tary you're

Carruthers. Inland Reve-nue.

I'~ee3 of ~~~~\~h I~~ should I use? - Fred Flange (43), London, W6. • At your age. you can't afford to be fussy.

1·~~r:C:~ ::er 0::1 cj~~ ~~v~C!l".!0 ~:Jve ~~r~l, WI. e Send £38 lOs and a stamped addressed enve-lope for the Ronnie Scott Joke Boob:, Frith Street, Soho. I ENCLOSE a demo disc.

HO\Y can I improve my

IJ~3Jw~~"J;:"'ia;;- ~1ffii-lng. • Try using strings. Q UR girl singer is a sex

maniac and now has eyes fo r me. I'm a happily married man. What should I do? - Disgusted, Luton. • l enclose a &a.e. for

her name, address and ff OW can I get Eppy to phone number. sign up my group _

I 'VE been playing guitar A.. Loaner, ottingh1 JIL

for three years but Just ~r 5c!0f ta~fling him Eppy don't seem to get any bet• ter. What do you advise? -0. Leitch, Glasgow .. • Look for folk club gigs.

H~~m~r !m!~:g ':~ stage? - Blue Eyes, Shef•

:1itick him in a bucb:et of

water.

w~:i;~t t~~ld~: ;:;. man? - Fan, Leicester. • Under the armpits.

A ~o~mal~:! rJ;8rrien:rs think I would make a good publicist. What Js f(!UT view? - C. Murray, Edm• burgh. • If you've- stall got friends you won't make it as a publicist..

cA:er~u :~i:~ ~::: the Pop 50? - Hopefu~ Manchester. • lf I knew that, I wouldn't be sitting he,re answering a lot of bloody ~illy letters!

H0e~~c~:i~ 1s:~~/~.~J playing guitar? - Xavier Zebedee, London. • Stop borrowing Disley's guitar.

co~a1;'e ~~u J !v:r:1d:~ of the Jonathan King Fan Club? - Unbelle\'er, Wap-

t'J~nathan King.

~T mouthpiece does Acker Bilk use? _

~:~~~ree~oJmondJey, • David Bilk. HOW does a new arllSt

time~~ C. in~e1J:..• J!~ don. • Wai! for the new Beat-les album and take your pick cf the track.!

IN BRIEF. To Worried,. Muswell

Hill-{a) yes, {b) not in the nude, (c) Nick Jones only has one, (d) Con Clu.ikey and Enc Burdon.

To Blondie, Cardiff -(a) my doctor says you are, (b) you must be 1ok-mg. (c) Albert AyJer Plavs

~k:arJie~.:t~~ ~:;:; plain cover plus~

To Knobb)', Hltcblo -(a) Try London Zoo. (b) I've never tried it undu water, (c) You ough• to see a psychiatrist.

To Lonely, Hampton Wick - (al the 4d ones are larger, (b) Ti to Burns· accordion, (c) who am I to argue with your granrl)•? (d) a No. 7 bus.

To Curious, Golden Green - (a) Beryl Br)'den, (b) only on Wednesdays. (c) fou r cards of green stamps, (d) you must have left it too close to the fire.

THE 4 SEASONS WORKING MY WAY BACK TO YOU

HARRY SECOMBE ITALIAN SERENADE stereo S BL 7704 mono BL 7704 BL 7699

PHILIPS THE MORGAN JAMES DUO SHHHH ... TALENT STRIKES AGAIN stereo S BL 7702 mono BL 7702 JOHN HANSON IN WHEN YOU'RE YOUNG stereo S BL 7701 mono BL 7701 e order now ordernow

OffODY " ·I ll 'fl con , 1Fl('f' •~.,.,al m1Uion fhil1lh J 4-year-olct, that 111, R U un~ pop o/

tQCk,· ~ unyWh\•r, 111ar u, ~-f.""1h"' 41 rhf tOdt arid roll of th..,. t«noll' duy Dlt• hord roe-it f\ltt• fr11que,uty ml• th l"tr \'1.>lc M laud lht a1an tt, of

1...-,"#(lf, Qnd cJ,rmfH wi th dl, -d 1i,, modtnl 1roup..-r To VOP fwt4 "h.o r 1urJ lhl Who Ut lh c,

newrecords • JAZZ: reviewed by Bob Dawbarn, Bob Houston, Max Jones i A WAIL OF A TIME

MILES-STILL AHEAD HIGHLY DANGEROUS, THIS GIMMICK

'-"Rt( YUlt_Y 108 llt\' kMC Lil, '' T"h row .. , l ' ,-,o,l:i~ i.,!""l"J::~~•.•

,,, .. ti~,n o, ,,... RP tl1.l( ll~~l'I; h.t:f•1t\~ t!h\:1:

t::~ t::r,': ;\ll~~\ll,\~•ot1 ,:,90 I 1,.\t tFent.-n11 TL ,;::r~ . .,.'t'''' 1, .. i!'!""1~~~t· ...... "•fl.tWAY ll'lf'h\l BUI ~~r !t...,,,t O.n•• ~ll•y

1 •· !~1,~~3t !-~"' ig~~,~~~l':i~~ 1h1,1111,,lnlil1,t. thlt makt'tl llll

~~

1h11,::~1. 1~:1thl~ l~~,~~;-~~t "ll\t1ng1 nu.•1,~lt" nnd, J.tro

'''"' 'I ' 1t1 11rr1:1 fun lt'U'< t n l l\f\\lX\d, lryin& h) I'"" bt- tak~n b un intentional tnbutt·

And when all's stud :>nd dunt', thtre ar-en't many atnMtrs who can .:1ve better ix-rfnrman('H th11n ..\n1ta O'Day-8.D.

newreeords :IPOP: reviewed by the Melody Maker pop panel , I

NA NCY: repeat

BOOTS ALL OVER AGAIN! SINCLES

N~~:. ~~Ti:t~ .. ~~: Darlin'?" (Reprise): How do you follow up "Boots"? Quite easy. By bringing out a record exactly the

;:r~ ~t~hi~~htlr8 al~~~

T"E ROLLING STONES: " Aftermath" (Deccn): SJ)unki ng new fourleen-trurk Rolling Slonc8 LP. Undoubtedly Lh••

is the best they have mude and should he their higgcsl llritinh seller to date. Tho emphasis of the record iA on big hea l, power, and Interesting "sounds" . With the a id of dulc im ers , s itar, organ, harpsicord, marimbas, fu zz boxes and the like. the Stones incorporate an overwhelming va rie•y of a tmo-shperics and tones. "Lady Jane" Is a pretty track featurin g Brian Jones on dulcimer and using exciting minor changes. Also worth a listen is ''Under My Thumb" , on which Brian plays marimbas and Bill Wyman a prominent f• zz bass. "Goin' Home" features 11 minutes 35 seconds of improvised blues, and "I Am Wailing" reminds you of an up-tempo Kinks cut. With "Think", recorded by Farlowe, and "Take 1t Or Leave It" , by the Searchers, plus many other Jagger-Richard com• positions, "Aftermath" should effortlessly take Britain by storm.

BA:~~EYST~'i:~~l'.;~ "Funny Girl' (Capitol). This album-with the original Broadway Cllst-rcaturcs all the music from this com-paratively new musical and to judge from lt.s verve and vitality spilling from it, the

show will be the biggest smash London has seen for years. There are some very

::~Pf~~s,;'laer~~e•:hi~~! through Lhe whole produc• lion as one of the star finds of the century. MA R I ANNE FAITHFULL: "North Country Maid" (Dec-ca). Marianne's plain, simple voise sounds quite attractive on some beautlful melodies. She sings with a kind of cam. est sincerity. Donovan's "Sunny Goodgc Street" Is a

t~ed ~~f·Th:°Fal~'~~ .. ~~~~ Country Maid", ''The First Time Ever I Saw Your Face", and "Green Arc Your Eyes"

Stones go wild on new sounds

Pet makes it mean something

TRENDS & GUTHRIE FOLK LPs

~~n• J.~_:;r...~=-1~n: fM ot 1"nds dtllt .__ now ..._..,_ Hfonal, o,- the& ,._ ,_ tr"M-..aon&J, and had a l"":ft 111-' to do •JUI U.o ,.,......,. pnera-

~~c:' ~;-"?_.:•~ ~Jt= •Ith a 1uftar, a -g and a pl"'O'lftL I wHdu wtdit he

=::..a: :.~~ ~ ::7. orfglnal In a den.en •ne- -d an ln,trum•'""" preM-ltied •• der lhe llUa ' '• .I D O N THIE FLO OR" (Yem VU' SGC9) . Th- Fofkwa,s ,.c.wdtnp, ,,....

:r~:'!-J;f~~i:a-t ~~:E a,a "UtUa mack Tl"llln", .. ,_ 84)'", " Mlna,-ls Song.. a.ad a t1plea1 " Maan Talking 8111~••. C'9co Hounon tum,o up ~

'r,.~:a,~n !::" ;::~ T;'sS.!:~ TerT)' on harmonlQI cm a , .. olhu- U'.-clu, a.a.a, lll'lpl"Wta-n1--IOUS f .. k poetry U.. bra IMud

Nancy has done here. Con-tains same charm and gim-micks as "Boots" but gets a little boring towards the end. Likeness to "Boots" plus Herb Alpert sound with horns should prope l th is to top of U.S. chart, b:.:.t ,.:Unlikely to score so blahly in Britain. On';!~ f~ ?cN~!,_'. •T:~~~~r. An attractive voice, atw&)'II In

tune, Impressive techn ique with a strangely old-fashioned sound helped out by some

:h:r, \ !~ t~ ~ ;ec;: atr~r~~ Mn. - N~.

Others: "Sand In My Shoe.,," ------------------------------"Alice Blue Gown," ''Tea For Two," "Runaround," "On The Other Side Of The Tracks.'"

LOU CHRISTIE: " Rbepaod y

~~ll~upJtaln•~ (MG~(iih~i~~

~i~~~" lnc,~tve!btam~!~f~~ tempo track the falsetto pu-sage5 are a little wearing -they really do sound like singing mice!

~=~t!ll~'!:d B~~~h~.~~a!.rran~; trumpets are marvellous. Jn• duded: "Charmain," "Chero-kee," "Laura," "The Lively Ones," "Marie," and "Little Girl."

SANDIE SHAW: "The Gold-en Hits of Sandie Shaw" (Golden Guinea). What's Sandie's secret? Apart from Chris Andrews? Is it thal she'• sexy In a down-to-earth way? Ls it that she's the bird next door rather than the fluffy film star type? What•

Included: "There'• Always Somethlna There To Remind Me," "Long Live Love," " l'II Stop Al Nothing" "Don't Count On It," "Me11aae Un• derstood," and "Girl Don't Come."

LI BBY MORRJS: "Ad·Ubby" ~~:e si~:!4?.'>j. on'~06f tho~ songs which can establish an arllst. It'• reminiscent or Edith Piaf. Libby ls a sock 'em and rock 'em singer who Is better seen than heard. On thla LP 11 an Incredible song called "JU-Thall" which leaves nothing to lhe imaginalion.

RAY CHARLES: "Together Again" (HMV): Another slow baJlad from Mr Charles. This number, written by Buck Owens, has naturally a C&W flavour but Ray 1mgs with more soul than his usual C&W otrerings. Could hit. Flip, "You're Just About :ro Lose Your Clown" the A-side tn lhe U.S. is an up tempo rocker In better swinging Charles style . Why was it Ripped?

EXPERT ADVICE by Chris Hayes R o!~'.f": ;;!,~~':,~ n ~ec:; fi~?au~

1~~1o~

5 ona~ti:c~n!do~

club scene. Tells story of "a shotgun wedding, here Jn this town". Humorous lyric• with semi-blue beat backing,

ROD STEWART: "Shake"

i~l~~~r~:lnafh~re!;:~d ~:~ ~dys~:!.:r.rl~h ol°J~ltesl~ih the Steam Packet. Thi• ver-

6}0n oi, cJo;:Zu~~~~d 0~ trh! •·oua Blue" LP. Very well-made and performed record

:;~mr~~e~ai~i:~ 1e:::i ~~rg:nhh ~ni;:dto thf: ~~ might be it.

MY th~rf~~: t : : :~ !~~ copated orches tra to come to Brftaln was led by Ted Rich, but I main tain that It was the Southern Synco--pated Orchestra, Who ls right? - W.J,K., London, SWl7.

According LO Hilton R,

~:~~~.!~·· sax~~~:n:::~ w

P•~e Jl- Ml:.LOOY MAKER, Aorll 16, 1966

Chris Curtis finds pop pace too hot SEARCHERS LEADER QUITS A FTER six years Chris Curtis, leader and drummer of the Searchers, has quit. Chris w ilt no t be going with the group o n their Amer ican tour which begins n ext week.

NEWS EXTRA • NEWS EXTRA Relaxing a t his pa rents'

Liverpool h om e , Chris dis-closed why he had left the group, whose hit records in• elude "Goodbye, My Love " and "Needles And Pins".

ou;~s he; p::~;:!~ ance on BBC-TV's Whole Scene Going on May 11 when she is the fea tured "Profi le." She opens a week's cabaret at clubs In Bolton and Wigan on April w.

Ken ny Ball w ill present his new s ingle. ''Poor Peo ple Of Pa n -." on Th ank Your Lucky Slars (A pnl 30) . . . Sugar Pie Desa nto returns to Brit-ai n for a new 17-day tour on April 28

T he seve nth Yugos lav ln-ternnt iona l Jan Festival will be held fro m June 2 to 5 in the ho liday resort o f Bled Johnny Dankworth ha, wrlllen lbe score for the MW fl lm,

organ - A Suitable Case For T re4tme nt, s tarring David Wa rner a nd Va nessa Red-grave.

Ray Conn iff nnd hi s w ,fe Ann Oy to London fo r a six-day holiday on June 7 Dur-ing his stay, the Ameri ca n handleader-arrange r will give a party for his fan club in London on June 1 I

lh~~:Y:aer" ~~~tr~~re "~~in~B~ Records . Their next single will be releos

Currently appearing in Easl

AN EXCITING RANGE OF SUPER OUAUTY !!!"-IIRY LEATHER WEAR

-·""'-' H .. l t1-,,o .... t .... ,1 m e~.) C••·• - • ••• .... .,

• U 14 ,,.._. ·- ... ..... C-_.._ IC illlll IW IM j • J,lit' l !fl f llt 1- ..

DUSTY'S DEBUT ON WHOLE SCENE GOING Berlin, Helen Sha piro mes to Malta on April 21 for a week of cabaret. She o pens for a week at Manchester's Cabaret Club o n May I .

* * * TH!a1~~~1~t : :act~~n~~i~ caan, Zu rich , Switzerland, throughout April. Th ey resume their ,egular Friday sessions at Lo ndo n's Ken Colyer Club on May 7 . bassist JOhn Hawksworth and singer- pia n-ist Art Fairbank hove recor-ded an album litled "This Is My Life"

The Bo S tree t Runners have a new single, "Drive My Car", released by Columbia on April 29 . Phil Franklin, Terry Thompson and Keith Nlchollu have left the Mike Da niels Band and fanned the Phll Frankli n Swing Sex tet.

Tom Sloan, hend or BBC light entertainmenl, joins Gra -nada's PhUlp Mackle as a

ku:,~e O~t M~~~re~a~ ti~I~~~ nu al championship for TV shows.

~

DUSTY : P,ofi lc

The Chris Barber Ba nd

~~~;e o/0Ger':na~~wonf~~~\fh1\~ They record a BBC Band Beat ~how on April 29 . . the Summe.r Set are resident at Hamburg's Top Ten Club throughout April

The Marquee Club now open~ on Sunday afternoons with David Bowle and the Bu u: whose current single is "Do Anything You Soy"

Stars at MM Beat Contest lon•~v::.~n~l~~~~ !m•'tt!!~~M l"'~=~~~,~~•Jr!; ~nrit!; a. dri nk and lO cheer on the 1roup ,. -\mon1 IH I we-tk'• vl~1t,,r,1 werl" (1-r) f't.•U Chrl•tlan, whoH "That '• Nkt" 11 3.S In thlt WHk', Pop SO, IIIWe Dnb, Diane Fem i and Nkky ~ n . They &rt' ruu,1rect on a l"Ull'ent Jln11e. "Me And Yo1t"

' 'I quit the group fi ve weeks ago after we re turned from our tour o f Australia with the Roll ing Stones," he said. " I did it because r wa.s ill . There was no row. It was simply overwo rk and overstrain .

" The trouble s tarted du ring the Australi an tour and con-t inued when I was in the

fe~~iwt ~~sd it~as ~h~~ ~:~ the vaccinat ion in jections tl1at I had had beca me infected . But I s till went on drumm ing.

" When T came home in the beginni ng of March, I went to see a doctor. He o rdered me to rest. Since then the i::rou p has found a repl3cf'ment drummer (John Blunt} encl our agent Tito Burns has releued me trom al l my com-commllmenl~. ·

"I hav.: no idea wh en I'll be tit enougn to gel back into show business or even whether I'll be rejoi ning the ,',ea rcher -. They're a gr>!at group and I've been wuh th em smce they !'-tatted six years ago.

" But it's tough ll fe being

rlfk.P h~~y~g ~~e f:~i:11 i~h~; ; screaming fans night aher

ni'r~~~ing 1n blue jea ns a nd

~~~~s · c~~~~i~ed:Y~•1i~i r ~!~tl now 1s peact> a nd quiet. I'm s pending my tim e wriling ::~t ardm;: n:~a~~ :~ust~~ dinav10 soon but one thing 1s certa in - there will be no r;:;:,~e .. drumm ing for a Jong

He ,s the sec.:ind member of the Sear:::hers to qull . Bass guitarist and lead singer Tony Jockw n left in July, 1964, to form has own group

'Chicago' concert E A:~c: ~ 1!!io~ ~dR;;e~~en;! arl. Alex Welsh and hi s band and Humphrey Ly ttelton and his band s lar In a unique con-cer t at London's Royal Full-val Hall on May 28.

The concert - •1 6. 15 p,m - 1s tllled "Jau - Frnm Clncogo To Kan.sa, City". 11 is presented by pr o m o ter Ha rold Davison Jt will be fo llowed by a nolher at 9 pm by th e Errol Garner trio. It opens Garner's 1966 tour of Brilain

Earl Hines concluded h is tour of the country at Lon-don's I 00 Club la s t week , but stoyed on with hlS family to see something of London . He left Bnta m yeste rt. pends largely on how m1ny trad1lio nu l pcrformeo actually turn up and how much care-ful hehind-the-scenes plannina goes into the basic o.rnnge-ments.

As the mo..n iiaid, mv best ad~llbs are the ones l rehearse the lonaest • sun from Scotland, And-rew Moyse tel11t me that there art' going to be a numbn from south of the border at the Glugow Folk Centre In Montrose Stn'Ct In April

lut Thursd11:y, Frld1y , Sat• urd1y and Sunda,1 they had Rod Garfield and F.ddte Hum phreys from Pf'tt-rhorou~h and 1hlt weekend they've MCH Mark Newman rrom Leic'HlM.

On Apri I 23 thty've 1ut Pt-le S tan ley and Wiu Jone•

~;~\"lo :~e~u~r a ·~:!.ti~ llOn, with Fnnk'• Armatron,: and MldlHl JeUOl

Loci.! •tnaen •Pl>•rtna dur-

~~m A~!.:: .,.:he I .-~re.:: th, lAl'lrl• nd Polk~r frOtn Dlandw on ApriJ J4. - ILUlL DALLAS.

FOLK FORU M THURSDAY SUNDAY cont.

Al " LES COUSIN S" , •P Gree.It St. HAMPSTEAD. STEFAN ZO BEL. fl: 00 MACHLINC., The North w..-u Th re.C', Terry Gouia _ The tn . t m Falr-tleld H oll , Croydon IHld UIU.111 ill'~nlil. Teh•Phlllll.' Croydon tZtl, or Cu\le-t a. 70 New Ollfon1 Strt."C' I. Wt

OXFAM FI.NNAato FOLK CLU• ·~~:~~:m; n~ ~

1.l~"r r:111~t•1.!~~\

• I.ATTI E. Reald,·nt•. CR• 8 kSI D-I H .

f"HILHARMONIC HALL Lnt• •HDL

WUNI.SDAY, APRIL 11

JULIE FELIX MIKE SEECER

McPEAKE FAMILY

f ri

CLUBS . I hn Puhh llhN• 14' l ft m tht• nKht tn re h11e n r wilhdr11w 11dve rusem ents lll l their d1scrcuon A llh,1u it h f'vr- rv c:nro 11 l• lum tu 11vo1d m11lake1 thoy o. ro not rttoons,ble ror clerica l o r or1nters·

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Pact> 14-MELOOY MAKER, April 16, 1966

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MELODY MAKER, April 16, 1965-P•a• 15

OUITA.l A.M,S Wotklnt w,.1m1n1te, l lrd Goldon Eor,lo, • .,...rt, Wotkln1 Oont:to0tor, 2 1pookor1 5o1mtr Rotory 5oloc1orton• Solm., Stodlum 19T lum• Sonk 20, Tron•. Vo11 A,C 30, 2 ll" tpookora lumt Orbit 2, 40 woN Ed,ol.ito 140, Rov.,b Wotkln1 Monitor, 30 woN Groh

STEVE IS OVER-RATED

WINWOOO: hi, "'Blues" i1 re1lly Ckpton 't

Can Dud do what Lewis couldn't do? CAN the Dudley Moore Trio suc-

ceed where Ramsey Lewis has failed In bringing pop tunes ln modem jau style to the British chart?

Hundreds bou&ht Dudley's recent LP because of his current popularity. I'm aure more would buy his aingle•.-0, G. GREGORY, Hom-chutth, Ess:ex.

IS the Spencer Davis Group that good? "Stevie's Blues" rated as their greatest recording is a straight copy of Eric Clapton's "Telephone Blues", and lhe whole guitar tech-nique used by Steve is eopied from Eric Clapton. - ROGER WARNER, South Ockendon, Essex.

A L?~~:11~~ ~rtb~~!':fe~~n, Hank Marvin Tunes lik~ "Stingray" haven't a hundredth

~~1~::_Wrc.~oi!s0":.~9~6~~"·to~~~ SWII.

J TH1NK that J. Freestone (MM April 2) Is n dedicated Shadows ra·n who was

disappointed at not seeing Hank Marvin's name mentioned in the Group's Group pall, and has never heard Eric Clapton play.

DUD: slngl111

Erlc"s music is more com-plex and raster than any-thing the Shadows hove done. However, those who have heard John Slaughter will know who Is master of

:Uf~1i B~t:M~~i~~d;,; Nl2.

ffAVE Sonny and Che< returned to the ch.art

st::~ :d s:r,~:;s or Thia I• exactly how the

American version of "Home-ward Bound"' strikes me. -MISS E. ISAACS, London SES.

p~~elT~~SEND'S comments on the Army made me

WHY don't British record

more :r1n:fsr~:'z.z7 re c O rd The market 1, flooded with

American mu•lcians, and the on ly well-rtcordcd British

about~~Pcln R.h~i~mj~\;; J~~~~~k~ hl~t k;~w~eno~:~'!.1 Sussex, Lydd CAmp. KtnL

TH~s~~I~:, :~~e o:w:r:~~ed~~~ve. Pant. Mlddleaex. • LP WINNER

T"!u,I~~ ::,r Ni=~ Is dlstressJna but not un-usual.

The Brltl1h Institute of Juz

CLAPTON : copied

Studies with support of fans could help to rectlry this • ltuatlon. Wlth • trona: mem-::~:::ro~e :°uJi'o:!~~:rsre~~ed ~~ubv:~:r•o~~.rdr:'~h~ a~~~~ circui t .

Fans arc invited to find out more about the Institute from the secretary, Mr M. A. Wood,

~ln:o~180x~: . .!_ee:ow~i

MARCHANT, LeatherbH.d, Surrey.

uB~" ot, Th:e G':: disc since Barry McGulrfl's "Destmcdon", by any American artist.

a,.~~t B:~~ J:~s~~ Wundoa F.• tatt, WorcNter.

~u!k\~fn::n1sr~.~ there any real muslclo.ns left. people who get a bl!:, kick out of playing or aln n1 ..Dlualc they believe In, 1n belna s lave, 10 that paper god called money? - PETE WARNE, Enfleld, Middlesex. rr----~------------------------,

:nil~i THIS WEEK : L ... Di AT TILES! ! f GERrard 2977 t

: LATE I , Nmm: I SHOPPING I I EVERY ' I NIGHT I : I I I IN t : TILES : \ STREET I t ..,. ' I IADIO : I LUIEIIOUIG

208 t ti LUNCHTIII t

DISC PAITY f t --3p .... t

2/6 lntnlnce f flH COKE t I TO MIMIEIS

I ._ _ ___,t

~----------------------Hea1uered a1 the G P 0. a1 a nt:wspaper Secm,t.1 clan posta1c p1ld at Ntw York

* MAILBAG

What about

groups on

the move? JT ;:~::r b~f!:O to 1n seetll:

MM devoted to the move• ments of musiclnns In groups and bands. As weU as be.Ina useful to musl-dans It would be Interest.-Ing for the fans to know who's making the changes. How about lt?-GERRY WISE, B

~~.ft~'J':;;;on':i'!u!::'~~~ In ~~c~o:um!~:f:e which ~~;:e/~~l~t~l::::n:; duh of IOUI to the lyrlca

I would have Uked to hive ~1en t~a\on~~~~fooi, an:i~~ sound. but • taste 11 better ~~- too much, perhaps. _

MAX BYGRAVES

Dolly', which would have put even Franlcie Vau1h:.n to 1bame..-P.L.

ARTHUR

ALEXANDER

THE -ACTION -