Milt HintonFrom Wikipedia, the free encyclopedia

Milt Hinton

Courtesy the Fraser MacPherson estate

Background information

Birth name Milton John Hilton

Born June 23, 1910

Vicksburg, Mississippi, United States

Died December 19, 2000 (aged 90)

Queens, New York, United States

Genres Traditional Jazz. Swing, Pop Music

Occupations Double bassist, Photographer

Instruments Double bass

Years active 80 years

Labels Various

Associated acts Jabbo Smith, Zutty Singleton , Art Tatum, Eddie

South, Cab Calloway,Count Basie, Louis

Armstrong, Dizzy Gillespie, Lionel Hampton, Benny

Goodman, Clark Terry, Hank Jones,Branford Marsalis

Website http://www.milthinton.com/

Milton John "Milt" Hinton (June 23, 1910 – December 19, 2000), "the dean of jazz bass players," was an American jazz double bassistand photographer. He was nicknamed "The Judge".[1]

Contents  [hide] 

1 Biography

2 Discography

o 2.1 As leader

o 2.2 As sideman

3 References

4 External links

Biography[edit]

Hinton was born in Vicksburg, Mississippi, where he resided until age eleven when he moved to Chicago, Illinois. He attended Wendell Phillips High School and Crane Junior College. While attending these schools, he learned first to play the violin, and later bass horn, tuba, cello and the double bass. As a young violinist out of school, he found gainful employment as a bassist. He later recounted in interviews, released in 1990 on Old Man Time, how this prompted him to switch to double bass.

In the late 1920s and early 1930s, he worked as a freelance musician in Chicago. During this time, he worked with famous jazz musicians such as Jabbo Smith , Eddie South, and Art Tatum. In 1936, he joined a band led by Cab Calloway. Members of this band included Chu Berry,Cozy Cole, Dizzy Gillespie, Illinois Jacquet, Jonah Jones, Ike Quebec, Ben Webster, and Danny Barker.

Hinton possessed a formidable technique and was equally adept at bowing, pizzicato, and "slapping," a technique for which he became famous while playing with the big band of Cab Calloway from 1936 to 1951.[1] Unusually for a double bass player, Hinton was frequently given the spotlight by Calloway, taking virtuose bass solos in tunes like "Pluckin' the Bass."

As well as being a famous Jazz musician, Hinton at the same time, worked as a studio musician. he was part of a large group of studio musicians who played on dozens of hit records written by songwriters who worked at the Brill Building. he was responsible for the opening bass line on The Drifters "Under the Boardwalk" as well as playing on dozens of hits recorded by Neil Sedaka and many others.

Hinton played a rare Gofriller Double Bass during his latter career. The bass was in pieces in a cellar in Italy and a musical agent arranged the purchase from the family for Hinton. Hinton in his autobiography Bass Line described the tone as magnificent and said it was one of the reasons for his long success in the New York recording studios in the 1950s, and 1960s.

He later became a television staff musician, working regularly on shows by Jackie Gleason and later Dick Cavett.[1] His work can be heard on the Branford Marsalis album Trio Jeepy.

Hinton twice received awards from the National Endowment for the Arts for his work as a jazz educator: a music fellowship in 1977 and an NEA Jazz Master award in 1993.[2]

According to a search of The Jazz Discography, Hinton is the most-recorded jazz musician of all time, having appeared on 1,174 recording sessions.[3][4]

Also a fine photographer, Hinton documented many of the great jazz musicians via photographs he took over the course of his career.[5] Hinton was one of the best friends of jazz trumpeterLouis Armstrong.[citation needed]

Hinton died in Queens, New York City, New York at age 90.

Discography[edit]

As leader[edit]

1955: Milt Hinton Bethlehem High Fidelity

1955: Basses Loaded

1955: Milt Hinton Quartet Bethlehem High Fidelity

1956 : The Rhythm Section Epic

1975: Here Swings the Judge Progressive

1977: The Trio (Chiaroscuro Records)

1984: Back to Bass-ics Progressive

1984: The Judge's Decision Exposure

1990: Old Man Time Chiaroscuro

1994: The Trio: 1994 Chiaroscuro

1994: Laughing at Life

As sideman[edit]With John Benson Brooks

Alabama Concerto  (Riverside, 1958) – with Cannonball Adderley

With Kenny Burrell

Blue Bash!  (Verve, 1963) – with Jimmy Smith

With Curtis Fuller

Images of Curtis Fuller  (Savoy, 1960)

Cabin in the Sky  (Impulse!, 1962)

With Dizzy Gillespie

The Complete RCA Victor Recordings  (Bluebird, 1937-1949, [1995])

With Lionel Hampton

You Better Know It!!!  (Impulse!, 1965)

With Langston Hughes

Weary Blues  (MGM, 1958)

With Milt Jackson

The Ballad Artistry of Milt Jackson  (Atlantic, 1959)

With Willis Jackson

Cool "Gator"  (Prestige, 1960)

Blue Gator  (Prestige, 1960)

Cookin' Sherry  (Prestige, 1960)

Together Again!  (Prestige, 1960 [1965]) - with Jack McDuff

Together Again, Again  (Prestige, 1960 [1966]) - with Jack McDuff

With Elvin Jones

Time Capsule  (Vanguard, 1977)

With Mundell Lowe

New Music of Alec Wilder  (Riverside, 1956)

With Johnny Lytle

Got That Feeling!  (Riverside, 1963)

With Helen Merrill

Helen Merrill with Strings  (EmArcy, 1955)

Merrill at Midnight  (EmArcy, 1957)

With Charles Mingus

The Complete Town Hall Concert  (Blue Note, 1962 [1994])

Charles Mingus and Friends in Concert  (Columbia, 1972)

With Ike Quebec

Heavy Soul  (Blue Note, 1961)

It Might as Well Be Spring  (Blue Note 1961)

Easy Living  (Blue Note, 1962)

With Sonny Stitt

Broadway Soul  (Colpix, 1965)

The Matadors Meet the Bull  (Roulette, 1965)

I Keep Comin' Back!  (Roulette, 1966)

With Ralph Sutton and Ruby Braff

Remembered (Arbors Records)

With Sylvia Syms

Sylvia Is!  (Prestige, 1965)

With Clark Terry

The Happy Horns of Clark Terry  (Impulse!, 1964)

With Ben Webster

The Soul of Ben Webster  (Verve, 1958)