EFFECT: You stand in the middle of a room. Without any cover, totally away from any objects, your body completely levitates 4 ~ 5 inches off the ground, putting you heads above the competition.

COMPLETE STEP'BY-STEP INSTRUCTIONS

Performance rights for Zero Gravity are granted only to purchasers of this manuscript if you have not purchased this effect, you do not have the right to perform it. The signature below validates the manuscript's authenticity.

Special thanks to Eric/ Steve, and Skip for their always appreciated advice and their help in working out the bugs. And oven more thanks to Linda for her fine editing, extreme patience and support.

Television performance rights reserved,

Copyright 1997 by Michael J. Bent, Belmont, MA 02178. All rights reserved. Illegal copying of this book is prohibited The reproduction or alteration of this work HI whole or in part in any form by any electronic, mechanical or other means, now known or hereafter invented, is forbidden without the written permission of the author. Television performance rights reserved. The book may not be purchased by any public library, or used for any public display. The author ha$ neither liability nor responsibility to any person or entity for injuries, loss or damages resulting from the construction, rehearsal/ or performance of the effect explained in this book. The right to manufacture this product for sale is reserved by the author,

PRINTED IN THE UNITED STATES OF AMERICA

INTRODUCTION Thanks for purchasing Zero Gravity. This self-levitation is an improvement on an impromptu stunt, originator unknown, introduced by Ed Balducci in the 1960s and published in Pallbearer's Review. The Balducci Levitation is a great method for totally impromptu levitation, but it has its severe angle limitations. With Zero Gravity, the audience sees both feet leave the ground completely. The angles are vastly improved, allowing larger audiences to enjoy the effect. You also don't have to be as concerned with the exact placement of the spectators. While no longer impromptu, the illusion is much, stronger and worth the effort of an added gimmick.

The secret is in the shoes. They are gaffed so that your left foot can come out of the shoe and act as an unseen lift. The left shoe also contains a metal shell to make your foot appear rigid during the lift. Your right shoe is gaffed so that it can lift your left shoe. Before constructing the shoes, carefully read all the directions twice so that you fully understand them. If you don't, you may go through a lot of shoes.

MATERIALS

A. 1 pair of sneakers, one half she larger than you normally wear. The kinds I use are Converse® All Star High Tops, available just about anywhere. There are several reasons I decided on this brand. First, they are classics, and never go out of style. They are unisex and sized to fit all ages; anyone reading this manuscript will be able to find a pair that works. They are extremely common, and therefore less suspicious. They have a flat sole, which aids in the illusion. The walls of the shoe are thin, giving you more room inside. Most important, they provide great ankle support, making it easier to perform "The move."

B. A 2"X 5/8" steel connector available at any hardware store. It should look something like this:

C: A steel Phillips head screw 3/8" long. It should be able to fir through one of the holes in the connector without falling through. D. Strong flexible adhesive, I use Shoe Goop©, available at most hardware and department stores. E. A 1' XT piece of sheet metal-This should be thin and flexible enough to bend and shape, but strong enough to retain its shape. You can also use stiff yet flexible plastic, I use plastic cut from a children's snow sled, the kind that s just a sheet of plastic rolled up.

F. Thin black socks G. Flat black spray paint H, Rubber bands. I, Crazy Glue

TOOLS A. Work gloves

B. Tin snips

C. Strong scissors or shears

D. An Exacto® knife with a wide strong blade, or utility knife

E. Phillips head screwdriver

F. A hacksaw

G. A metal file

H. Sandpaper for metal

CONSTRUCTION

NOTE: SOME OF THE TOOLS YOU’LL BE USING ARE EXTREMELY

SHARP THEY SHOULD ONLY BE USED BY AN ADULT WHO IS FAMILIAR WITH THEIR USE PLEASE BE CAREFUL-YOUR FINGERS ARE YOUR FRIENDS!

STEP 1: Remove the inner sole from the left shoe. This sounds easy, but is probably the hardest part of the construction. (When shopping for the sneakers, check different pairs to see which has an inner sole with more "give".) Remove the laces from the shoe to give you more room to get your fingers' inside. While pulling the inner sole out you may have to make cuts with the Exacto© knife to cut the glue that holds it down. Be patient -it will come out eventually.

Once the inner sole is removed you should be looking at the dark brown rubber material that matches the bottom of the shoe.

STEP 2: Cut a hole in the bottom of the shoe, {See Appendix A), The size of the hole will depend on your shoe size. The template just gives you an idea of where to cut on your shoe. Make sure to leave a small ledge at the top as shown on the diagram. This ledge lets you flatten the shoe to the ground with your left big toe, before and after the levitation. I was able to cut a slit with an Exacto® knife, them work a strong pair of kitchen shears into the slit to make the cuts. (If you’re having trouble? with this step take the shoe to a cobbler and explain what you need -he'll probably be able to help you.) Turn the (oft shoe over and cut out the bottom of the shoe as shown below. No one will see this part of the shoe; it doesn't have to look pretty. STEP

3: Looking at the bottom of the shoe, make two slits as shown below:

STEP 4: Now cut a shell out of the sheet metal, or plastic. This shell will fit inside the front and sides of the shoe to give it support and retain its shape during the levitation. It’s impossible to give you exact measurements for this because everyone’s shoe size is different. Appendix B in the back of the book has a template for a size 8 1/2 sneaker. You will have to make yours larger or smaller depending on your shoe size. Once you under stand how it works, you'll be able to make adjustments to fit your size.

Cut out the size you need using the tin snips. Be careful of the sharp edges. Next, file and sand the edges of the metal so that it can't cut you while you're wearing the shoes. Now, carefully bend a curve to match the natural curve of the shoe, Place the shell inside the shoe and check to see if it fits snugly against the shoe and follows the natural curve. Make adjustments as necessary. Lace up the shoe and try it on while wearing one of the black socks to see how it fits. Make sure the shell doesn't dig into your foot or cause discomfort.

STEP 5: Once you're satisfied the shell fits properly, glue it inside the sneaker using Shoe Goop©. Adjust the laces so that they appear natural, as if they were on a shoe with a foot in it, then wrap some rubber bands around the sneaker and shell to hold them lightly together. Let dry in a well-ventilated area overnight. (Refer to the manufacturer's directions for drying times, temperatures, etc.)

STEP 6: Cut the metal connecting strip with a hacksaw, it should be 5/8" x 1 5/8". File and sand the edges smooth. Round off the edges as shown below:

STEP 7: Paint the strip flat black and let dry.

STEP 8: Turning to the right shoe, locate a raised ridge in the white rubber on the left side. Go down about a quarter of an inch and mark this spot. Screw the plate to the bottom of the shoe about a quarter of an inch in from the edge. The plate should be secure against the bottom of the shoe, yet still be able to swing out from under the shoe and back It should be hidden by the shoe when underneath. Make adjustments as necessary, (NOTE: The screw may loosen over time. If this happens/ loosen the screw, squirt some Crazy Glue on it, and screw it back in. This will tighten it back up.)

STEP 9: Locate where the screw enters the shoe and snip the end off with the tin snips. Cover this spot with a dab of Shoe Goop© so that the screw doesn't dig into your foot. STEP 10: Patiently wait for the glue to dry, and get ready to levitate!

PERFORMANCE

The performance angles will be discussed later; first practice the levitation. Place both shoes on and lace them up comfortably. Walking in the left shoe will take some getting used to, but you'll get the hang of it. Try to walk naturally and forget that you're wearing a gimmick -no one will be looking at your feet until you want them to. Just be careful where you step, since you' re basically walking around in your stocking feet* Also be careful about catching the edge of the shoe and tripping while going up and down stairs, etc.

To levitate, swing the metal plate out from under the right shoe and place your feet together so that the plate goes under and catches the right edge of the left shoe.

When you lift up your right foot, the metal strip will lift the shell in the left shoe. At the same time, raise the heel of your left foot by standing on your left roes/ and press the right shoe against the left shoe; the rubber-against-rubber contact wilt help with the lift, and keep the shoes aligned properly.

The shell will be raised level with your right shoe. The right shoe will hide your left toes and shield them from view. The black sock, in conjunction with the shadows, hides things wonderfully. Rise up slowly, balancing yourself with your arms, pause, then go down slowly, Then drag your right shoe against the ground or the left shoe, kicking the metal plate underneath. If the left shoe is not rising evenly, try cutting the slit on the left side of the shoe longer towards the back< Cut little by little until the left shoe rises evenly with the right The left shoe may appear to "widen out" when it' s covering your foot. This is normal and not really noticeable during performance. If it appears really wide/ you might need to buy a wider shoe.

In performance you can have the audience in almost a half circle around you. This is a big improvement over the original Balducci Levitation. The audience should be close to you, looking down at your feet. This will not work on a stage with the audience beneath you, unless you can work out a black-art effect. With practice you will get a feet for the angles, and know when you can perform the illusion/ and when it is not appropriate.

Another way to perform the illusion in a one on-one situation is as follows: Have the spectator stand directly in front of you. Your feet should almost be touching theirs. Have them hold their hands at chest level, with the palms turned up. Place your fingers on their palms for balance, rise up and "fair into them as if you're exhausted from your mental concentration. Because they're looking directly down at your feet they can't see your toes.

You can also block a bad view/ and perform the illusion totally surrounded, by placing a spectator to your left, close to you. Place your hand on their shoulder and push up to levitate yourself.

You'll find that it is difficult to balance yourself while performing the levitation. Don't be afraid to steady yourself with a hand against an object such as a stool or door frame. This actually takes the "heat" off your feet and places it on the object. I usually ask a spectator to my left to hold their hand palm-up. I place my palm on theirs and ask them to push back at the same force that I' m pushing down with. Then I perform the levitation. This way it looks more like a physical "stunt" than a magic trick.

With lots of practice you'll really get a feel for when it's the right time and situation to perform this levitation. Only use it when ifs going to be perfect, if you're doing walk around use it sparingly,

maybe only once per night. Make it look like it requires great effort, and is something really "special." It is.

ADDITIONAL NOTES Remember, your whole body is floating, not just your feet. Don't perform the illusion in the rain or on wet floors unless you want wet feet. Put the shoes on at the gig; you never know what’s been in that parking lot If you have trouble getting traction with your left toes, paint the toe area of the sock with some liquid latex mixed with black acrylic paint It is possible to make this with other shoes; you just need a shoe with a thin sole and good support, I strongly suggest making a pair with Converse first, and getting familiar with the illusion. Then when you look for other shoes, you*!! Know what physical qualities to look for. If the black sock is too bulky, try a woman's nylon knee high. Try it wearing shorts. Cut off and sew the toe of a black sock to the top of a white athletic sock. The best angle for shorts is with your back to the audience, tilted slightly to the right so that they can see both toes. Use a distracting prop, such as a small fan, a beanie propeller, or a helium balloon. Have someone hand you a helium balloon, then another and another until that final balloon makes you float. If you need the left shoe to be deeper to conceal your foot more, cut strips out of a sheet of white rubber (such as a white dish mat)/ and glue them to the sole to build up the edges. Learn the Balducci Levitation for those times when you don' t have your shoes on and someone asks you to levitate* Exercise to build up those calf muscles for better balance. If you find yourself limping, remove the inner sole from the right shoe as well, If you're performing in a tow-light situation, you can try performing the illusions surrounded, without having a spectator block the bad angle. I hope you have fun with this levitation. Now get out there and float!