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De La Salle University-DasmariñasCollege of Liberal ArtsLanguages and Literature DepartmentLiterature of the Philippines
Total Examination ReviewerMidterms
Name:Course, Year and Section: HUB22/HUB21/HUB23
The following discussions and notes are based on Ms. Maureen Requiestas’ lectures and notes:
1. The boy who never learned2. Damdamin3. Macdo4. Ugat sa Dugo5. Letter to Pedro6. Violence on TV Can’t Compare to Reality7. Dyugdyugan8. LIham ni Pinay Mula sa Brunei9. Study Notes
Literature is generally divided into two main kinds, Prose and Poetry.
Prose- a literary work that uses sentences and paragraphs to convey ideas, feelings, and actions. Poetry- refers to writings in verse with rhythm and rhyme. Characterized to have a melodious tone.
Short Story- artistic form of prose fiction which focuses on a single main incident, involving one or more characters, and is intended to produce a single dominant impression. Read in one sitting only
Types of Poetry
Types of Poetry
Narrative Poetry-tells a story
Lyric Poetry-expresses the
feelings of writer
Dramatic Poetry-meant to be
performed on stage
Narrative Poetry
Epic-narrative of a heroic
adventures
Ballad-shortest & simplest
narrative poem
Literature may also be divided into1. Non-fiction-actual facts and information. 2. Fiction- collective term for literary narratives that portray imaginary people
caught in imaginary situations. There are two forms of fiction: short story and novel.
Lt.: fictio-to invent or make up
Lyric Poetry
Folk songs-short poems
intended to be sung
Sonnet-lyric poem of 14 iambic pentameter line with formal
rhyme or scheme pattern
Ode-most
majestic type of lyric
poetry, exalted in tone and expresses
lofty praise for
some person
Psalm-song
praising God or the
Virgin Mary
Elegy-poem
expressing lamentatio
n
Song-has a
measure of 12 syllables
or dodesyllabi
c lines
Corrido-has a
measure of 8 syllables
or octosyllabic
lines
Dramatic Poetry
Comedy-komos-revelry
-usually light and written to amuse
and entertain
Tragedy-involves main
character struggling with some dynamic
forces
Melodrama-also called soap
opera. Highly emotive stories
Farce or Sainete-exaggerated
comedy
Plot development
FICTION
Realistic Fiction-uses elements that
are related to life-like situations
Biographical Fiction-tells a story about a person who actually
lived but the experiences told may
not be factual.
Historical Fiction-uses a real setting usually in the past
but the characters are imaginary
Fanciful Fiction-is a combination of real and imaginary
events
MAIN ELEMENTS OF FICTION
PLOT-framework of fiction
EXPOSITIONCONFLICTCLIMAX
DENOUEMENT
CHARACTERS-are persons whom
the story is told
SETTING-time, place, and
general environment in which a fiction
occurs.
THEME-underlying main idea of a literary
work
Plot-framework of a fiction. Consists of causally related events.
Exposition-Characters are exposed, Setting is given, and Time is identifiedComplication- Events that led to the turning point. Opposing forces. Climax- Turning point of the story. There is a change of one character’s personality, status, belief, etc. Denouement- Conclusion. Resolution of the story. Also called rising action and falling action.
Aspects of a Plot1. Peripeteia- an attempt to do something but actually accomplishes the opposite2. Anagnorisis- change from ignorance to knowledge. Form of a discovery3. Catastrophe- means death, mutilation etc. 4. Juxtapose- things will always turn out the way that they must be
Aristotle- according to him, the best form of plot is a combination of peripeteia and anagnorisis.
Frye- according to him, there are four basic plots. These are:1. Romance2. Tragic3. Comic4. Ironic and Satiric
Satire- ridicules peoples, ideas, customs, and their institutions. This is done in order to bring reform or change. Exaggeration and irony are two frequent satirical devices.
Two Kinds of Plot1. Organic Plot- without unnecessary events2. Episodic Plot- with unnecessary events
Conflict- struggle between opposing forces.
Two kinds of Conflict1. External Conflict- a character may be in conflict with external forces like a group
of persons (social) or with nature (physical conflict) 2. Inner or Internal Conflict- conflict in which a character battles himself/herself
(psychological).
Characters
According to their relationship to the conflict:1. Protagonist- central character in conflict whether good or bad. Hero or heroine
2. Antagonist- adversary that opposes the protagonist or the forces who struggle against the protagonist. It may be persons, things, conventions of society or fate chance or any combination of these.
Foil- minor character in the plot that is created to emphasize the protagonist’s character.
Characters may also be classified according to their development1. Flat or stock character- is the same sort of person at the end and beginning of the
story. 2. Round or developing or multidimensional character- undergoes a change in some
aspect of character, personality or outlook, be it for better or for worse. This is a very dynamic character.
Characterization- is the technique of a writer uses to reveal the personalities of the characters. An author may reveal a character’s personality and traits by describing his:1. physical appearance2. speech and actions3. inner thoughts and feelings4. his effect on other characters
Characters may be presented into two ways:1. Direct Presentation- author tells the readers straight out how a character looks,
thinks, feels and etc. 2. Indirect Presentation- opposite of direct presentation
Setting- refers to the time, place, and general environment in which a piece occurs. Details of the setting may either be suggested or stated. ROLES of a SETTING1. serve as a background or physical context for the action2. It can be used to reveal character and shape events3. It may also help create the atmosphere from which the story revolves.
Theme- underlying main idea of a literary work. A philosophy or observation of life, a principle of truth.
According to Arp and Perrine (1993), there are certain principles to follow in determining the theme of a literary text:1. Theme should be expressible in the form of a statement with a subject and a
predicate2. theme should be stated as a generalization about life3. Terms like all every, always, should be used cautiously.4. We should avoid old clichés.
Narrator and Point of View
Narrator- person who tells a story. The author may tell a story directly whereby he usually remains an anonymous observer.
Point of View- is the angle of vision from where the story is told. Four basic point of views as follows:1. Omniscient- author tells the story using the third person pronoun. Knowing all
and is free to tell the readers everything about it.2. Limited omniscient point of view- the author tells the story using the third person
pronoun but is limited to a complete knowledge of one character only. 3. First person point of view- the story is told by one of its characters, using the first
person pronoun. 4. Objective or Dramatic Point of View- the author tells the story using the third
person pronoun but is limited in reporting what the characters say or do.
Style- refers to the way an author expresses himself or herself.
Diction- types of words used.
Syntax- placement of words in a sentence
Imagery- use of concrete words or details that appeal to the senses
Types of Imagery1. Visual2. Auditory3. olfactory4. gustatory5. tactile6. organic7. kinetic
Other Fictional Devices1. Symbol- can be in the form of conventional and created2. Irony- can be in the form of verbal, situational, dramatic or cosmic irony.3. Tone4. Mood5. Motivation
Narrative Devices1. Straight Narration2. Dramatic Presentation3. Foreshadowing4. Flashbacks5. Frame Story Device6. Stream and Consciousness
STORY ANALYSIS
The Boy who Never Learned-Susan Mercaida
Damdamin-Ricardo de Leon
Macdo-Merlinda Bobis
Ugat sa Dugo-Dr. Joey Arrogante
Title Author Type of Fiction Protagonist/s Antagonist/sThe Boy who
never LearnedSusan
MercaidaShort Story Danny
DimatutoPersons that were cruel to Danny, e.g. Mang Doro
MacDo Merlinda Bobis Short Story Rosa and her Older Sister
Ms. MacLisa, Those who
judged Rosa when her
napkin soiled with blood from coughing was exposed to the
publicDamdamin Ricardo de
LunaShort Story Tata Fidel and
Nana LolengTata Fidel and Nana Loleng’s
childrenUgat sa Dugo Dr. Joey
ArroganteShort Story Sidra External-Tiya
Concha, DestaInternal-
herself and her past
PLOT ANALYSIS
Title Conflict Climax Denouement ConclusionThe Boy who
never LearnedDanny was given the sobriquet
Danny
When Ben found out that Mang Doro
Cheated over
Ben and Danny became distant and cold with each other.
Ben and Danny were separated
by time.
Dimatuto.
When the Banahaw
people thought and treated Danny as a
hopeless case
When Ben took care of Danny
as his ward
Ben Ben was sent to Manila to study.
Ben thought of Danny as a
very important friend who
touched and scarred his
core.
MacDo Rosa’s sickness When the people saw the blood-
soiled napkin that Rosa
used.
Rosa helped her in coughing and
they went outside.
Rosa and her elder sister
went outside and observed
how judgmental and uncaring
the public was.Damdamin When Enyang
kept on saying that Tata Fidel
and Nana Loleng’s
children will go home and take care of them.
When Tata Fidel died
Soledad went home and took
care of her father’s wake and
burial. Nana Loleng talked to
Tata Fidel’s dead body. Later in the
story, Tata Fidel’s burial
happened
Enyang went to thinking how
the things that the couple’s
children did for their father will bring joy and healing to the wounded soul of Tata Fidel.
Ugat sa Dugo The Familial curse that
Sidra’s mother, Sidra herself, and Sidra’s children had
done
When Sidra saw her children
having sex with each
other.
Sidra realized that everything is rooted to the very
first familial curse that her mother did.
The flashbacks came one by one
and started to make her
enlightened with the roots of the familial incest
that she was able to see among her
children.
Sidra realized that everything that their family did mixes and
she experiences them at first
hand.
Title Type of Plot ConflictThe Boy who
never LearnedOrganic, Ironic
and TragicExternal Conflict (Danny
versus Mang Doro and
others)MacDo Organic, Ironic External
Conflict (Rosa and her sister versus Ms. McLisa
and the judging public
Damdamin Organic, Tragic
External Conflict
(Nana Loleng and Tata
Fidel versus their
children)Ugat sa Dugo Organic,
TragicExternal Conflict
(Sidra versus Tiya Concha
and Desta and the others)
Internal Conflict
(Sidra versus herself)
Title Foil Characterization Protagonist/s Antagonist/sThe Boy who
never LearnedBen Indirect Danny
DimatutoPersons that were cruel to Danny, e.g. Mang Doro
MacDo Ms. McLisa Direct Rosa and her Ms. MacLisa,
Older Sister Those who judged Rosa
when her napkin soiled
with blood from coughing was exposed to the
publicDamdamin Enyang Direct Tata Fidel and
Nana LolengTata Fidel and Nana Loleng’s
childrenUgat sa Dugo Tiya Concha
DestaDirect Sidra External-Tiya
Concha, DestaInternal-
herself and her past
Title Theme Point of ViewThe Boy who
never LearnedFriendship sees no boundaries, even time or status does not matter
Omniscient point of view
MacDo Familial bonds surpass public judgment
First Person point of View
Damdamin It is the perpetual duty of the children to take care,
honor, and give thanks to their
parents.
Omniscient Point of View
Ugat sa Dugo Sowing what one reaps is an essential rule
of life.
Limited Omniscient
point of view
POETRYMay be defined as a kind of language that says more and says it more than does ordinary language. Poetry takes all life as its province. Poetry as a whole is concerned with all kinds of experience, beautiful, ugly, actual or imaginary. Poetry is a kind of multidimensional language. Ordinary language, one which we use to communicate information is one dimensional.
It has four dimensions1. Intellectual
2. Sensuous3. Emotional4. Imaginative
The word poem came from the Latin word poema meaning something that is created and composed.
Rhyme-repetition of similar or identical sounds. It is determined not by spelling but by pronunciation. Its uses are:
1. may give pleasure to the ear2. emphasize important words or lines3. unify parts of the poem or the whole poem itself
End rhyme- rhyme that is found at the end of linesMedial or Initial Rhyme Rhyme Scheme- definite pattern to the end of the rhyme
Figurative Language1. Simile2. Metaphor3. Personification4. Apostrophe5. Hyperbole6. Metonymy7. Synecdoche8. Antithesis9. Alliteration
PoemsIdentify the Figures of Speech used in the poems studied. Answer the Guide Questions as well.
Title of Poem/Type of Poem
Figures of Speech Rhyme Scheme
Letter to Pete, Also Called pedro U.S. citizen
Violence on TV can’t compare to reality
I WASN’T ABLE TO FIND A SITE WITH POEM’S LINES. ILL TYPE THEM LATER.
Liham ni Pinay mula sa BruneiDyugdyugan
Letter to Pedro, US Citizen, also called Pete by Rene Estella Amper
Pete, old friend,there isn’t really much change
in our hometown since you left.
This morning I couldn’t find anymorethe grave of Simeona, the cat we buried
at the foot of Miguel’s mango tree,when we were in grade four,
after she was hit by a truck while crossingthe street. The bulldozer has messed it up
while making the feeder road into the mountainsto reach the hearts of the farmers.
The farmers come down every Sundayto sell their agony and their sweat fora few pesos, lose in the cockpit or get
drunk on the way home.
A steel bridge named after the congressman’s wifenow spans the gray river where Tasyo, the old
goat, had split the skin of our young lizardsto make us a man many years ago.
The long blue hills where weused to shoot birds with slingshot or spend
the summer afternoons we loved so much doingnothing in the tall grass have been bought
by the mayor’s son. Now there’s a barbed wirefence about them; the birds have gone away.
The mayor owns a big sugar plantation, threenew cars, and a mansion with the gate overhung
with sampaguita. Inside the gateare guys who carry a rifle and a pistol.
We still go to Konga’s store for riceand sardines and sugar and nails for the coffin.
Still only a handful go to Mass on Sundays.In the church the men talk, sleep; the children play.
The priest is sad.
Last night the storm came and blew awaythe cornflowers. The cornfields are full of cries.
Your cousin, Julia, has just become a whore.She liked good clothes, good food, big money.
That’s why she became a whore.Now our hometown has seven whores.
Pete, old friend,every time we have good reason to get drunk
and be carried home in a wheelbarrowwe always remember you. Oh, we miss
both Pete and Pedro.
Remember us to your American wife,you lucky bastard. Islaw, your cock-eyed
uncle, now calls himself Stanleyafter he began wearing the clothes you sent
him last Christmas.
P.S. Tasyo, the old goat,Sends your lizard his warmest congratulations.
Dyugdyugan by Lualhati Bautista
bago ka lumapit, gusto kong malaman mo
na sa loob ng maluwang na blusa ko
diretsahan ito, wala akong suso.
ang sagot niya, wala raw ‘yong kaso.
nawi-wish ko rin
na sana’y pareho kami ni carmi martin
huwag kang tanga, sagot niya
pag gano’n na kalaki, mahirap ding dalhin.
siguro’y alam mo ring nagdaan na ‘ko sa iba
sa kamang ganito, meron nang nakasama.
ang sagot niya, basta mahal kita.
ang tiyan ko’y marami nang bakat
ng nagdaang panganganak.
sabi niya, hulog daw iyon ng langit
bunga lang ng matamis na pakikipagtalik.
pero si sharon cuneta, sa kanyang pelikula
may asawa na’y virgin pa.
sabi niya,
kaya kita mo, hindi siya lumigaya.
sinasabi ko lang sa’yo
di ako humihingi ng paumanhin
ang sasabihin ng tatay mo
kaya mo bang tiisin?
ang sagot niya, mahal
ako’y malaki na
ang buhay ko’y akin, ako’ng magpapasiya.
pagkatapos ng romansa at magaling na bukadura
nag-asawa siya ng iba.
Liham ni Pinay mula sa Brunei ni Ruth Mabanglo
Ako’y guro, asawa at ina.
Isang babae--pupol ng pabango, pulbos at seda,
Kaulayaw ng batya, kaldero at kama.
Napagod yata ako’t nanghinawa,
Nagsikap mangibang-lupa.
Iyo’t iyon din ang lalaking umuupo sa kabisera,
Nagbabasa ng diyaryo uma-umaga.
Naghihintay siya ng kape
At naninigarilyo,
Habang kagkag ako sa pagitan ng kuna at libro,
Nagpapahid ng lipstick at nagpapatulo ng gripo.
Hindi siya nag-aangat ng mukha
Umaaso man ang kawali o umiingit ang bata.
Hinahatdan ko siya ng brief at tuwalya sa banyo,
Inaaliw kung mainit ang ulo.
Wala siyang paliwanag
Kung bakit hindi siya umuwi magdamag,
Ngunit kunot na kunot ang kanyang noo
Kapag umaalis ako ng Linggo.
Ayaw niya ng galunggong at saluyot
Kahit pipis ang sobreng inabot,
Ibig pa yatang maghimala ako ng ulam
Kahit ang pangrenta’y laging kulang.
Ako’y guro, asawa at ina.
Isang babae-- napapagal sa pagiging babae.
Itinakda ng kabahaging
Masumpa sa walis, labada’t oyayi
Kahit may propesyo’t kumikita ng salapi.
Iyo’t iyon din ang ruta ng araw-araw--
Kabagutang nakalatag sa kahabaan
Ng bahay at paaralan,
Ng kusina’t higaan.
May karapatan ba akong magmukmok?
Saan ako tatakbo kung ako’y malungkot?
May beerhouse at massage parlor na tambayan
Ang kabiyak kong nag-aasam,
Nasa bintana ako’t maghihintay.
Nagbabaga ang katawan ko sa paghahanap,
May krus ang dila ko’t di makapangusap.
Humihingi ng tinapay ang mga anak ko,
Itinotodo ko ang bolyum ng radyo.
Napagod yata ako’t nanghinawa,
Nagsikap mangibang-lupa.
Noon ako nanaginip na nakapantalon,
Nagpapadala ng dolyar at pasalubong.
Nakakahinga na ako ngayon nang maluwag,
Walang susi ang bibig, ang isip ay bukas.
Aaminin kong ako’y nangungulila
Ngunit sariling kape ko na ang tinitimpla.
Nag-aabang ako ng sulat sa tarangkaha’t pinto,
Sa telepono’y nabubusog ang puso.
Umiiyak ako noong una,
Nagagamot pala ang lahat sa pagbabasa.
Ito lamang ang sagot,
Bayaang lalaki ang maglaba ng kumot.
Guide Questions for All Poems Read1. Who is the author?2. Does the title suggest the theme?3. Who is the speaker?4. Does it tell a story?5. Does it have difinite number of lines, rhyme schemce and metrical pattern?6. Does it have quatrain couplets?