I LLINO I SUNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN

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Court -pianiist to -his Majest the ki-ng of Prussi'a and to his Royal Righnefs the hereditaryprbwe of Wuittemterg.

TFrantslated fi'oin the Geriuiaii by ALBERT R.mPARSONS.

Preparatory method. Exercises to prepare -the haJ for playingqoctaves .......... P.... ............. ..................Jr.

Seven exercises and studies coupose by 'TH.J{1JLLAK............................. ................................... ......

Passages, exercises and examples 'of octaves from the works of BENDEL, BRAHMS,

BUJLOW, CHOPIII DREYSCHOCK, GRIEG, HELLER, HENSELT, HUMMEL, KIEL,

KULLAK, LISZT, LITOLFF, MENDELSSOHN, RAFF, RUBINSTEIN, SCHUMANN ,

SEI SS ,TAUSIG ,THAIBERG and WEBER. r

N

35, Unrion

New Edition revised. and enlarged ty the Alitho-r..' OP. 48. "7~~-

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'YORK ~ ~~ LONDONRM ER AT ALL MUJS IC SELLIERS.e. Copyright. Entered Stat. Hall.

BERLIN, SCHLESINGER' sffe Buckh-& Musikhandiq.(BOB. LIENAU.)

s. 3371. A.

kA \ 1c \\w o skx\vQ xxxwwx x

P a s in dcei folgcendcu El idcn Iiiiufig' vorkoinmilen-

'v Zechcl: ", Youll Illwi it.UiiteriihleK 1(oI ag-

51(1111 11111 Allicil un ZU 1101db auch one sjczifi'sccs I'11i1

St'zicel i ne rcon ~ltI,(qlInllr ciltrel Z11 cii nIn scn. DI_.

Scihec kauni naijirlieli nur vine g';muz ~uiuc.c cl

atlom ui ul.(lanuif der Takt nichit.daruit ci' lvidcli. ;8bcr

L~rss~cuu. 111 lie 111111 V11Vio char TAste ZU tier

uinbsifol'cue'uso )zII (irvi wrcul (18 -s -sic, scnIk'cht.iihcr dcctc( d ie ci'To4-. -'c el i id. Wi

L1( )sSCIT11 I [i t ImY111(liS('hI'it ( III ist dics .-'chonldaii m

11(1)-11 zu Seht .g'el n. ()1((r~n liiSidevhif scibsi di c

wr .sstfii 'p 1.ii1 A 'Illus fiihre.ii Zttkn tn

bgstm~dieps, (i/idwiri /i ii717' 7 070?1 il t (0/i

1/1(4;p M/n/Stat it Xs permitted to -raise tMe /hand,

as ?/ lo take l,.-oat/i, M1//aCimbwoI va ~epaamt/a.w

1/ukv ,s on& ito lhe zreYriti'i fa mere atom of tbllea,

7ii order t/11(7u11t 1/ Pn(/Sure /7?MV/ not s?/i yeao1/ hill i it must l)(:lo;wg' elloi g'/ito permt ,,10/ ,>C-

/b/rr die 'hand /i'om one key to the next in SUM /ia

ulanmwr that it 8/h(ll stand peirpendiilarlii cier M/i

inte~ri-als' 1M s isneeessary, or (it leat ad/'antag-eduis,

itleeb 9IO1'd()l' to (ai'Oid .stIrkI*~10( 0/e 10 sii' aiid lo

hie abl/eto excut 0el i tI' reatest Ile.,, ' ,,it/ls ciry

ti. 3:;71(11.)

Zwei*te.Abtlieilung.7 Octaven Etudeii.

Die Vor'ibungeri zi dieser Etlude befindeii sich in der 1stenIlnterabtheilung des 1. Theiles der Ocdaven*Iscl tle, vorzags -Sweise unter NQ? 1. u. 4.- Die EtUde selbsf ist mit mioglieh-ster Rube and rrrosser Leichtigkeit miehr elegant and G'razio"Sals Ieidensehaftlich erreg't ausznf Uhren. Wiederholt sich einnnd dieselbe Octave ingere Zeit hiritereinander, wieimi An -fange~ des zweiten Theiles and in Schlusssatze der EIUde.sowird es vor Erniludung' schiizen, wenR beohachtet wird, wasin dei' Vorschule iibei' gleiehrniissiiges Steigen and Fallen desHandgelen1ks beereikt worden isi.

Allegro.

Part Second.VII Octave studies.

Zie pre/finaqy exeeisesf/'or thi~s t ualy are contained inthe 1S] Sn~dloision q/1 Part I of th~e Afelod q/ Oczawes.,par-twidlarly undei A iA. and 4.- The sMilise//lis to h~e exe-

('ided wi//i Me iitm,9t possoie rq'ose, great !ig'kthness, andiwit/i more qf elegance and grae 1/Man passionate excda/i.I? the case Vfea prow~tied 7epc//ion wiii/ .' nteluuiptiontfliie and Mei sariie odlave, as for eaample in Ik egi-zning of the second part tqf M/e stud ~ada /c(lSf~-7gue 1?'l )e avoilded by o/iscrving what was r-erarAk'd in t,~e

PI'~a~/O9?/ netl~d6onernn~an equal risirWg' and/alg

-1o 4yrht 1876 by G. Schirmner. S. :13 a(If.)

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II.Dies elf)en Vocriibungren wie bei der' ersten Etiide- iiaientlich be-

,,elli uiigswerth1: Iter Theil der Octaveiischule, 1. Untercabtiuilung"

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The Same p7'elimi2?(lry exercises aS fr (lie /Pwt Islaadl N~ 4.oflhe I-st S)"ildivision, Part /Iof(lhe AMethiod o/ Octavesqliefn<espcCl// WoiilO/-(iy of allention.

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III.Voril'butigen: 1Ie Theil der Octavensehule, 1. Unterabthelung

N9 20I Preliminary exercises: M~2 f St

q/ of te ilet o d qf Octaves.

11

Andante legatowlssal..4 4 got r 4 A

5 4 & 1 5 44 4 4 4 4 4 4

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Subdivision. in Part 1

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S.337j (ii.)

I~hrdie Ausfiihrung gehmidener Octav'en in clironiatiseche r Ton-folgre vrlih e t-llT ldrOctavensehule, 1. Uniterabthei-Luing Nv2

dolce, s054l/to

Concerni ng a- tex.ecution of legato octaves in c/ rama-tie SUW(es-sian, coinpare wilh 1V02 f iSubadicisioll. infPart 1 oflh etlwdOf O)(ades.)

S. 3371 (ii.)

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'-1Xeen Accorde itIdI( eilifche Octaven wvie ill vorliegender Etu-de, -so siiid die Aceorde (lurch Dr-uck (ric s Ie , ieb ce 1Oct aven duricl Sehiag misiszfiffhren.

Allegtro iuaesloso.

JIenl chords anid SLimpIPaoctaves a11eriiate, as in thepnesent stu-dy. tlhe ch ords are to be eycculed by pressizgr the keys dow n (1,hAepress'llefot/b andibe simple octaves, by strikeing(br

S. 3371 (11.)

19

S. 3 (1 .

S. 3391(11.)

Vorl*bungen: ItES Theil der Octaveuschule, 2. Uiterabheiluiig'Ng .u7

VII. 21

Preimnary,'exercises: YiVs 68and 7, 2YS2bdivisimfl in Part10fth~e lethod of Octaves.

M 1eno Aile -ro e iiiaestoso.

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