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Melaleuca
Number 48: June 2013 Editor: Phillip A. Ellis
Table of Contents
Nicholaos Floratos Morphling 3
Jeremy Gadd Bird Songs 4
Jeremy Gadd Capella Romana 5
Tiggy Johnson Mamie 7
Tiggy Johnson My First Bedroom 8
Max Merckenschlager Rainforest Fungi at Night 9
Luke Whitington A peacock in his garden 10
All works are copyright by their respective creators, 2013; the arrangement of this collection is
copyright by Phillip A. Ellis, 2013.
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works2.5 Australia License .
You are free to make and pass along copies, so long as you do not charge money or goods for the
copy, and as long as this and other issues remain intact.
Submission guidelines: email 2-5 poems, any length, any style, any genre to
[email protected] in the body of a single RTF or DOC attachment. No bios are needed;
cover letters are welcome. We accept previously published material and simultaneous submissions;
if work is published prior to its appearance in Melaleuca you must advise us accordingly, so that
proper attribution can be made.
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Morphling
The air is filled with spoilt syllables and cheap juice.
On the page, you draw the ten stars overhead. Their perseverance
Astounds you. They greet us and begin to splinter. You find it right
That the moon and four thin birds should sit by them
Like pale ornaments drawn in your black pen. It is all so simple.
You know the names of two of these things. Your images
Are footsteps. The paper is hard and cold
But it is the key to a dark lexicon. You are sticky
From the six lollies you dabbled over. Your picture is black
And beautiful like boiled leather. This page is much too small.
You reconfigure the night into a white field littered
With black confetti and one particular star holds itself
In your eye and asks for a name. You mull over the sounds
Of every color you know. You say none correctly.You slowly learn that lollies and pictures are the smallest things in the world.
Your eyes are dark and full.
Nicholaos Floratos
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Bird Songs
Outside hospitals, homes and hospices,
the incessant cycle of seasons persists,
bringing deluge or desert but indifferent
to every imaginable human indisposition,
unreasonableness, tort and imposition.While dilettantes discuss Michelangelo,
and UN delegates decide war or no,
synchronous with the ruining of relationships
that connect and mesh humanity, birds
perched on twigs or rusting steel rods protruding
from crumbling reinforced concrete exult
in their existence outside cells, wards,
inner-city studios and writers unwashed windows:
their songs a balm for the sad, sick and sentenced.
Jeremy Gadd
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Capella Romana
Constantinoples gates guarded
the legacy of Pericles, Plato, Christ and
the dominating dome of Hagia Sophia
for nearly nine hundred years before falling
to Frankish profiteers to finance their sea voyage home.
Instead of contesting
as the Pope planned
the Infidel in the Holy land,
Christians killed Christians at the
blind Doges vengeful command.
Slaughter and looting were the orders
of the day as Crusaders sold their souls
to pay Venetians for the fare
of shipping them to Outremer even though they never arrived there.
Black smoke billowed above
the Golden Horn while, below,
triumphant trumpets stridently
warned the inhabitants they were
at the mercy of brute brawn.
Byzantine Greeks violated and hacked;
a civilisation put to the sword and sacked;
exquisite altar crosses never seen again;
delicate jewellery snatched by coarse men
who should have been fighting the Saracen.
Precious glass and enamel lay liquefying
in the flames; helpless monks and nuns
wrung their hands in fear and shame
as the soldiers singing blades
slashed, decapitated and maimed.
Obelisks toppled onto the streets;sculptures cracked and shattered
in the heat; figurines and icons
of the Virgin and saints destroyed
for their gold leaf and gilded paint;
art melted down to coin money.
Nicetas, the historian, watched in a daze
as relics of Rome and Christendom,
including busts commissioned by Augustus,
were thrown into the furnaces blaze,
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Fragments of the True Cross stolen and
forever lost; the cost to the future, incalculable loss.
In burning libraries and palace corridors
charred manuscripts, irreplaceable scrolls,
smouldered on the emperors mosaic floors.
In the desecrated churchesthe floor tiles were stained red
where the ravaged and the wounded
moaned among the dead.
Weakened by war between successor states,
by plague, poverty and religious hate,
two centuries later eastern Rome fell
to Mehmed the Greats Turkish cannon
and Hagia Sophia became a mosque.
Jeremy Gadd
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Mamie
When I sort the photos
and postcards you sent
read your words
feel you missing her
across seas,your warmth
laugh,
fear to ask
to visit,
the chance to meet again,
its like I know you.
And I think to pick up
the phone, call,
ask you to fill the gaps
whos who,
whos shebut before I stand
I remember
you died thirty years
before
I ever heard your name.
Tiggy Johnson
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My first bedroom
The sash window and the filled-in fireplace were my favourite things. The window was almost
always open and, despite the constant passing of four lanes of traffic, it was somehow peaceful.
Perhaps it was the magnolia separating me from the cars. Not that I kept it open overnight. Often. I
wrote my first stories in that room, literally and figuratively, and take myself back sometimes when
I should be sleeping. I hated the way the door never closed properly: Id hang an old pair ofswimmers on the inside handle, loop them around the knob on the outside and back again, so it
would jam closed, the closest to privacy I had. I liked it closed, and when storming through a
teenage rage, and once slammed it against my brothers head after he snuck in on all fours to
surprise and cheer me one particularly grey afternoon. I spent many hours redecorating that room.
My bed must have moved to every possible position except in front of the door, and once I used
drawers to break the space into two, though I dont recall why. Maybe to hide the mess from my
mother quickly if she stuck her head inside the door, or came to collect my laundry basket. It was so
cold Id often dress beneath the blankets during winter and loathed the high ceilings at the same
time as loving them. I lost my virginity in that room, not knowing it was some big deal of a thing to
lose, unlike moving out of it after Id finally been allowed to paint it pink.
Tiggy Johnson
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Rainforest Fungi at Dusk
Lake Allom, Fraser Island
A laggard lance of light,
a flaccid lumen strand, a soaked spaghetti,
expelled from oceans resting on the canopy,
extruded through the press of forest branches,exhausted as it fell like crashing feathers,
now lit a tiny showcase in its bath.
In session run till night,
for close-of-day performance to the gallery,
an audience was simply immaterial;
a matinee for none, or many hundreds.
The artist with self-gratifying needs
displayed her gem beside Lake Allom's path.
Max MerckenschlagerOriginal appearance: Captured Moments (Ginninderra Press)
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