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70th Annual Technical Conference · Baltimore, MD · 2018
Measuring CMYK Halftones: The Case for Spot Color Tone Value (SCTV) Formula
Mike StricklerMSP Graphic Services
70th Annual Technical Conference · Baltimore, MD · 2018
§ Benefits:
§ Simplified calibration of all types of devices regardless of ink and screening type
§ Improved correspondence between measured values and visual impression
§ Consistent, unambiguous curves for all colors in process control software
PROPOSAL: Current density-based TVI should gradually be replaced with ISO 20654 (SCTV) colorimetric tone curves for CMYK printing.
70th Annual Technical Conference · Baltimore, MD · 2018
Some background …
70th Annual Technical Conference · Baltimore, MD · 2018
L* 80a* 20b* -5
Unlike CMYK: Spot color tints are usually undefined
50% Magenta (from profile)
L* ? a* ?b* ?
50% Pantone 239 C
70th Annual Technical Conference · Baltimore, MD · 2018
Spot color gradients can be visually very nonlinear
70th Annual Technical Conference · Baltimore, MD · 2018
TVI varies widely among spot colors
Figure 1 - TVImw curves of 15 randomly selected inks
The shapes of these curves in Figure 1 are all reasonable, but the magnitudes of some are ridiculous. One of the inks (not shown in Figure 1) had a 50% TVImw of 48.6%, in other words, according to this measure, the 50% patch looks like a 98.6%. It would be an understatement to call this plugging.
This one ink is not an anomaly. Figure 2 is a histogram showing 50% TVImw of all of the inks. There were 70 inks that had a 50% TVImw above 35%. I have not asked lately, but I am guessing that most prepress folks would balk if I requested plate curves that brought this down to 18%. Banding will be an issue.
Tone ramps of 15 spot inksscreened and printed identically
(Courtesy John Seymour)
70th Annual Technical Conference · Baltimore, MD · 2018
Density measurement of spot tints can be misleading
Color: Reflex Blue
Tonal compression in the “cyan” range
Courtesy John Seymour
70th Annual Technical Conference · Baltimore, MD · 2018
Or, 1-10-Dt
1-10-Ds
Density v Spot Color Tone (ISO 20654)
Where R is X, Y, or Z reflectance
X 100
70th Annual Technical Conference · Baltimore, MD · 2018
Old Plot v New
TVI
0
5
10
15
20
25
30
0 10 20 30 40 50 60 70 80 90 100
CyanMagentaYellowBlack
70th Annual Technical Conference · Baltimore, MD · 2018
Old Plot v New
-6
-4
-2
0
2
0 10 20 30 40 50 60 70 80 90 100CyanMagentaYellowBlack
SCTV
70th Annual Technical Conference · Baltimore, MD · 2018
Why SCTV for CMYK? Common visual reference for calibration of all devices and inks
70th Annual Technical Conference · Baltimore, MD · 2018
Avoidance of ambiguity in “mixed” TVI displays
CMYK (TVI) + Spot Color (SCTV)
Spot Color (SCTV) with correction
70th Annual Technical Conference · Baltimore, MD · 2018
Linear SCTV as a universal target?
SCTV = 0%
70th Annual Technical Conference · Baltimore, MD · 2018
Comparison: coated substrate
GRACoL2013
ISO Curve A (from profile)
SCTV Linear
70th Annual Technical Conference · Baltimore, MD · 2018
Fogra 52 (uncoated)
ISO Curve B (from profile)
SCTV Linear
Comparison: Uncoated substrate
70th Annual Technical Conference · Baltimore, MD · 2018
Comparison: black
GRACoL 2013
ISO Curve B (from profile)
SCTV Linear
Fogra 52
ISO Curve C (from profile)
SCTV Linear
70th Annual Technical Conference · Baltimore, MD · 2018
For backward compatibility, simplified correction curves
0
2
4
6
0 10 20 30 40 50 60 70 80 90 100
Cyan
Magenta
Yellow
Black
From SCTV to GRACoL 2013 CRPC6
From SCTV to Fogra 52 Uncoated
-4
-3
-2
-1
0
1
0 10 20 30 40 50 60 70 80 90 100CyanMagentaYellowBlack
70th Annual Technical Conference · Baltimore, MD · 2018
Gray balance and tonality still OK (GRACoL 2013)
✓
70th Annual Technical Conference · Baltimore, MD · 2018
Gray balance and tonality still OK (Fogra 52)
✓
70th Annual Technical Conference · Baltimore, MD · 2018
Overall match (GRACoL) To GRACoL 2013 To “GRACoL” SCTV✓ ✓
70th Annual Technical Conference · Baltimore, MD · 2018
Overall match To Fogra 52 To “Fogra 52” SCTV✓ ✓
70th Annual Technical Conference · Baltimore, MD · 2018
Not always visually linear!
Why not G7 as a universal calibration target?
Epson Inkjet
0
10
20
30
40
50
60
70
80
90
100
0 10 20 30 40 50 60 70 80 90 100
CyanMagentaYellowBlack
0
10
20
30
40
50
60
70
80
90
100
0 10 20 30 40 50 60 70 80 90 100
CyanMagentaYellowBlack
Dye Sublimation
Press
Data courtesy of Bruce Bayne
70th Annual Technical Conference · Baltimore, MD · 2018
§ Establish visually linear (SCTV) tone curve for a universal calibration standard
§ Provide “backward compatibility” with existing reference print conditions using SCTV adjustment curve sets
§ Continue to rely on ICC color management for precise matching to reference print conditions
Recommendations:
70th Annual Technical Conference · Baltimore, MD · 2018
Thank you