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UmD school of theatre, Dance, and performance studies
twilight:los angeles, 1992by anna deavere smithcaroline clay, director
may 3–10, 2014kogod theatre
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twilight: los angeles, 1992by anna deavere smith
Director Caroline ClayScenic Design Andrew CohenLighting Design Alberto SegarraCostume Design Robert CroghanProjection Design Lauren JoySound Design Kristina MoyerChoreographer, Solo & Choral VocalsArrangement and Direction Alvin MayesVoice & Dialect Coach Jenay McNeilDramaturg Khalid Yaya LongStage Manager Brittany TruskeAssistant Directors Moriamo Akibu,
Vaughn MidderAssistant Scenic Design Katie SullivanAssistant Costume Design Kara WaalaAssistant Lighting Design Jane ChanVocal Consultant David G. PowellVoice and Dialect Advisors Mary Coy,
Dr. Esther Lee KimAssistant Stage Managers Kelly Durej, Cindy King
TWILIGHT: LOS ANGELES, 1992 is presented by special arrangement with Dramatists play service, inc., new York.
The performance will last approximately two hours with a 15-minute intermission.
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claricesmithcenter.umd.edu
Can’t We All Just Get Along?”Anna Deavere Smith’s Indelible Mark on American TheatrePlaywright and performer Anna Deavere Smith has made an indelible mark onAmerican theatre. As an actress Smith has performed in a number of roles on stage,film and television. Yet, it was Smith’s career as a playwright and theatre artist thatinitially boosted her to national recognition.
After growing up in a racially segregated neighborhood in Baltimore, Maryland, Smithattended Pennsylvania’s Beaver College (now Arcadia University). While she had beena shy child, Smith always had a knack for imitation — a skill that served her wellwhen she went on to earn a Master of Fine Arts degree in acting from San Francisco’s American Conservatory eater in 1977. Smith was teaching acting atCarnegie Mellon University when she began to develop a number of pedagogicalapproaches. In an effort to teach her students how to create a repertoire of fullyrealized, fleshed-out characters, she insisted that her students study and document thelanguage of real people, having real conversations. ese early pedagogical and artisticendeavors helped to inspire Smith’s life-long project, On the Road: A Search forAmerican Character, a series of plays that aim to illuminate the everyday struggles ofpeople living in a world full of difference. Twilight: Los Angeles, 1992 (1994), is amongthe many notable pieces born from this On the Road project.
While some scholars and theatre critics have argued that Smith’s work does not easilyascribe to a particular genre or form of theatre, Smith’s plays are clearly written in thestyle of documentary theatre. Also known as “documentary plays” or “theatre oftestimony,” this mode of theatre-making can be traced to traditions in oral history.According to Gary Fisher Dawson, documentary theatre is “a form of persuasive theatre
“
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that comes as close as possible to an actual event with the exclusive relianceupon documentation from historically accurate materials.” What makesSmith a major innovator of documentary theatre is that she often cultivatessolo performances based on the interviews she has conducted. As a singleperformer taking on the roles of men, women, African Americans, Latinos,Whites, Jewish-Americans, Koreans, celebrities, politicians and academics,Smith not only performs the interviewees’ words verbatim but she alsomimics their bodily movements. us, Smith creates a world in which race,gender, class and a variety of viewpoints converge.
ough not adhering to Smith’s traditional one-woman show, the University ofMaryland’s production of Twilight seeks to highlight both the differences andcommonalities of those involved in the 1992 Los Angeles riots by having eachcast member play a range of characters. In doing so, this production and itsartisans are invested in challenging audiences to think deeply about our ownidentities and the identities of others, especially in terms of how theseunderstandings may inform social unrest. Honoring Smith’s intention to breakthrough the silence of troubling and controversial topics, Twilight invitesaudiences to engage in a dialogue around race and racism. However, the playoffers no simple solutions. Rather, Twilight: Los Angeles uses its animation ofvarious viewpoints to help us all journey to a shared, common ground.
While the 1992 Rodney King beating and its fallout are powerfully dramatized inTwilight, the devastating impulses behind these circumstances can certainly belinked to our current racial dilemmas. e tragic circumstances surrounding thelives — and deaths — of Trayvon Martin, Jordan Davis and Latasha Harlinsremind us of the toxic ideologies and outrageous violence that still impressthemselves upon our social conscience. Despite the passage of 20 years, theracially motivated upheaval of the LA Riots is all-too-familiar territory — a painful reminder of the persistent and pervasive effects of racism. Nevertheless,we also know that progress has been made and it is toward these strides thatSmith works, one step at a time, through one character at a time. Reflecting uponher process, Smith observes: “I am first looking for the humanness inside theproblems, or the crises. e spoken word is evidence of the humanness. Perhapsthe solutions come somewhere further down the road.” e very act of talking andlistening is the first step in understanding, and it is only after we understand oneanother that we can begin to resolve our most injurious ills. Smith’s “search forAmerican character” — powerfully symbolized by Twilight: Los Angeles — is ajourney into insight and empathy, remembrance and recovery.
— Khalid Yaya Long, dramaturg
”
e
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claricesmithcenter.umd.edu
twilight: los angeles, 1992cast
Jessye Norman, Barbara, Queen Malkah, Frederico Sandoval Sisi ReidMaria, Chris Oh, Ted Briseno, Anonymous Juror Tiziano D’AffusoJosie Morales, Mrs. Young Soon-Han, Angela King Olivia BrannPaul Parker, Rudy Salas Sr., June Park, Jeffrey Ariel O’NealJay Woong Yahng, Judith Tur, Charles Lloyd Da Eun (Grace) LeeTwilight Bey, Cornel West, Sergeant Charles Duke, Walter Park Lee AdamsOctavio Sandoval, Joe Viola, Maxine Waters Kia BraganzaKeith Watson, Elaine Young, Reginald Denny Hillary TempletonStanley Sheinbaum, Jin Ho Lee, Elaine Brown, horn player Noah IsraelElvira Evers, Shelby Coffey III, Katie Miller Maria Ortiz Daryl Gates, Bill Bradley, Talent Agent, Alice Waters Rachel Barlaam“The Witness” Malcolm Akeem
Lewis
UnDerstUDies
Jessye Norman, Keith Watson, Elaine Young, Reginald Denny Diana BostMaria, Bill Bradley, Chris Oh, Ted Briseno Kyle TraversJosie Morales, Mrs. Young Soon-Han, Angela King, Kathryn WinklerFrederico SandovalPaul Parker, Rudy Salas Sr., Anonymous Juror,“The Witness” Avery CollinsJay Woong Yahng, Judith Tur, Charles Lloyd, Alice Waters Nabreyia ScottTwilight Bey, Sergeant Charles Duke, Walter Park,Cornel West Philip KershawOctavio Sandoval, Joe Viola, Maxine Waters, Talent Agent, Summer BrownDaryl GatesStanley Sheinbaum, Jin Ho Lee, Elaine Brown, June GrafElvira Evers, Shelby Coffey III, Katie Miller, Kristen El YaoutiQueen Malkah
creW
Run Crew Chioma Dunkley, Conner Morrison
Dressers Jennifer Geiger, Adanna Nnawuba
Light Board Operator Phil RamosSound Board Operator Maggie BartolomeoProjections Operator Hannah MarshAssistant Master Electrician Christopher Wong
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open anY Door at the clarice smith performing arts center and you will find a worldof learning, exploration and growth. Support for scholarships gives our students the gift of time, time
to focus on their artistic and scholarly endeavors without having to take on a part-time job to help
defray increasing educational costs. Our students are fearless in pursuit of their dreams through a
world of artistic experiences. Without your support, these pursuits would not be possible for our
students. Scholarships are essential to eliminating the financial barrier to a quality education.
YoUr sUpport can maKe a Difference. please plaY YoUr part bY maKing a gift to sUpport scholarships in the UmD school of theatre, Dance, anD performance stUDies.
go to tDps.UmD.eDU anD clicK on sUpport or call 301.405.5550 to maKe YoUr contribUtion toDaY!
“As a student focusing within two individual fields of study, I am constantly battling to be as efficient as I can in meeting academicrequirements, and thanks to donor support, I can afford the additional classes I need that will permit me to graduate within four years.”
VaUghn miDDerUnDergraDUate in theatreschool of theatre, Dance, anD performance stUDiesgeorge anD rUth tretter arts scholarship
Keep me maryland. Keep me at the clarice.
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Anonymous (2)
†Dr. Rolfe L. Allen
Mr. & Mrs. Harvey A. Alperin
Bernard & June Auerbach
Dr. Robert L. Bennett & Mrs. Carol H. Bennett
Dr. Marilyn Berman Pollans & Mr. Albert A. Pollans
†Dr. Daniel P. Boyd
Mr. Alan S. Eisen
Carolyn and Carl Fichtel
John C. Ford & Sandra Sollod Poster
†Dr. Donald W. Giffin
†Ms. Daryl B. Klonoff
†Dr. David V. Lumsden
†Dr. Dorothy G. Madden
†Mr. Carl K. Maholm
Steve & Shelley Marcus
Ms. Mary C. Massey
Mr. Jeffrey M. Menick
Bob & Terry Miller
†Ms. Dorothy E. Morris
Ms. Viola S. Musher
Dr. Gerald Perman
†Mr. Victor Rice
†Mr. Keith G. Steyer
Mrs. Marsha Oshrine Stoller
Mr. Walter C. Summer
†Francis H. Thomas & Anne W. Hurd
Mr. and Mrs. Roy R. Thomas
Mr. Leonard Topper
claricesmithcenter.umd.edu
for more information, please contact edward lewis at 301.405.8178or visit claricesmithcenter.umd.edu/planned-giving.
UMD Symphony Orchestra photo by Alison Harbaugh
the founders society at the
University of maryland honors
all benefactors, living and
deceased, whose gifts through
wills, charitable trusts or
other planned gifts help to
ensure the excellence of the
University and its programs.
for the clarice smith
performing arts center,
a planned gift gives us the
opportunity to partner with
donors who wish to ensure
that future audiences have
transformational performing
arts experiences at maryland.
every donor can make an
impact through a planned gift.
The Founders Society
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YoUr contribUtions change liVes
the clarice smith performing arts center WoUlD liKe to thanK its Donors: individuals who support the performing arts at the University of Maryland, which includes the UMD School of Music;
UMD School of Theatre, Dance, and Performance Studies; Michelle Smith Performing Arts Library and
The Clarice’s Visiting Artist Program.
Anonymous (2)
Mr. & Mrs. Howard M. Bender
†Marvin & †Elsie Dekelboum
The Hon. Joseph B. & Alma Gildenhorn
†Ina & †Jack Kay
†Constance Keene
Robert & Arlene Kogod
Dr. Margery Morgan Lowens
Charles E. Smith Family Foundation
†Mr. & Mrs. Robert H. Smith
Robert H. Smith Family Foundation
marYlanD societY
The Maryland Society acknowledges individuals and families who have madelifetime contributions of $100,000 or more to the University of Maryland. We would like to recognize and extend our gratitude to those members whohave so generously invested in the performing arts at this level and beyond.
Anonymous (1)
Mrs. Mary Lee Anderson
†Malvina Balogh
Gail Berman-Masters & Bill Masters
†Estate of Daniel Boyd
Mr. & Mrs. Charles A. Dukes Jr.
Dr. & Mrs. Carl Fichtel
Dr. & Mrs. Robert E. Fischell
Mr. John Charles Ford & Dr. Sandra S. Poster
†Charles Fowler Jr.
Ann & Gordon Getty Foundation
The Honorable & Mrs. Kingdon Gould
Jane Henson Foundation
†Mr. & Mrs. Kenneth M. Herman
Chancellor & Mrs. William E. Kirwan
†Estate of Dr. Dorothy G. Madden
Mr. & Ms. Richard E. Marriott
Dr. and Mrs. C.D. Mote Jr.
Mr. & Mrs. Thomas C. Mulitz
†Michael Naida
†Mr. Marshall Ocker
†Mr. & †Mrs. Nathan Patz
Dr. Marilyn Berman Pollans & Mr. Albert A. Pollans
†Barb & Charlie Reiher
Philip R. & Brenda Brown Rever
†Estate of Victor Rice
Nora Roberts Foundation
†Henry Z. & Polly Z. Steinway
Dr. Sam Steppel
†Mr. & Mrs. George Tretter
Dr. & Mrs. Bruce D. Wilson
$100,000 — $999,999
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claricesmithcenter.umd.edu
We applaUD YoUr commitment anD generositY!
These individuals are current donors who have provided program, scholarship or general support and/or new endowment gifts to the performing arts as of March 15, 2014.
$10,000 anD aboVeAnonymous (1)
Ronald & Anne Abramson
Mrs. Shirley Banning
Gail Berman-Masters & Bill Masters
Ms. Laura Bryna Gudelsky Mulitz
Mr. Isadore Morton Gudelsky
†Mr. & Mrs. Jack Kay
Robert & Arlene Kogod
Dr. John W. Layman
Dr. & Mrs. Wallace Loh
†Estate of Dr. Dorothy G. Madden
†Estate of Mr. Carl K. Maholm
Dr. & Mrs. C.D. Mote, Jr.
Ms. Michelle H. Mulitz
Mr. & Mrs. Thomas C. Mulitz
†Barb & Charlie Reiher
Nora Roberts Foundation
James & Katherine Simpson
Mrs. Clarice Smith
Ms. Michelle Smith
Robert H. Smith Family Foundation
Dr. Sam Steppel
‡Mrs. Mary Traver
†Mr. & Mrs. George Tretter
Dr & Mrs. William B. Walters
Mrs. Dorothy G. White
Dr. Peter Wolfe
$5,000 - $9,999�Ronald and Anne Abramson
Jason Aufdem-Brinke
§ Dr. Peter Beicken
Mr. & Mrs. Richard Bourne
Mr. & Mrs. Eirik S. Cooper
Mr. Michael Cummins & Dr. Debra Suarez
Mr. & Mrs. Thomas O. Dunlap III
Carolyn & Carl Fichtel
Mr. Albert A. Folop
Mr. John C. Ford & Dr. Sandra Poster
Mr. & Mrs. James M. Hawley III
Ms. Mary E. Howard
Dr. & Mrs. Robert Knight
Dr. & Mrs. Willard D. Larkin
Mr. Jeffrey M. Menick
Mr. Nick Olcott
David & Heidi Onkst
†Lee & Patricia Preston
†Mr. Francis Hugh Thomas
Michael & Sandra Twigg
Mr. J.D. Williams
$2,500 - $4,999Anonymous (1)
Ms. Deanna M. Amos
Mr. & Mrs. Keith A. Arnaud
Dr. Robert L. Bennett & Ms. Carol H. Bennett
Sam & Elizabeth Bernsen
†Mr. & Mrs. James Bersbach
Mr. & Mrs. Richard Bourne
Michele & Roger Eastman
Ms. Susan S. Farr
Dr. & Mrs. Robert Gibson
Frances & Denny Gulick
James F. & Catherine A. Harris
Esther & Eugene Herman
Raymond LaPlaca, Esq. & Mrs. Rose LaPlaca
Mr. William R. Malone
Mr. & Mrs. William V. Meyers
Ms. Alice Mobaidin
George Moquin in memory of Kathleen Moquin
Mr. Nick Olcott
Mr. & Mrs. David M. Osnos
Ms. Meriam Rosen
Mr. Marc Rothenberg & Ms. Ivy Baer
Ms. Dorothy G. White
$1,000 - $2,499Ms. Kelly Andrews
Ms. Cynthia L. Barnes
Dr. Henry C. Barry & Ms. TerrieFielden-Barry
†Mr. John B. Bourne
�Richard & Sarah Bourne
Mike & Roxanne Boyle
Mr. Herbert J. Broner & Mrs. Janice Broner
Ms. Linda S. Casselberry
Drs. Salvatore & Marlene Cianci
Ms. Eileen L. Connolly
Mr. & Mrs. James L. Cooley
Patrick & Patricia Cunniff
Mr. Scott Eichinger & Mr. Jason Lott
Mr. Julio M. Espinoza-Sokal
Steve & Marie Fetter
�Mr. John C. Ford & Dr. Sandra Poster
Mr. Charles C. Gallagher, Jr.
Dr. & Mrs. William M. Goldman
†Irv & Micki Goldstein
Ms. Gailyn Gwin & Mr. Joseph Irwin
Mr. Charles C. Gallagher Jr.
�James F. & Catherine A. Harris
Ms. Sallie Holder
Mr. Nathan Kotz
Kyle & Tatiana Kweder
Mr. & Mrs. Julius H. Lauderdale
Ms. Dorothy Levy
Mr. Edward J. Lewis III
Dr. Edward Maclary
Mr. Harvey W. Maclary
�William R. Malone
Mr. Steven Marcus
Ms. Mary C. Massey
Dr. Marlene Mayo
�Jeffrey Menick
Dr. John R. Moore
Dr. & Mrs. Malcolm B. Niedner, Jr.
Ms. Deborah L. Potter
Dr. & Mrs. Aron Primack
Dr. & Mrs. Charles S. Rutherford
Mr. Robert Sherman
Mr. Thomas R. Shipley & Mr. Christopher L. Taylor
�David Bruce Smith
Mr. Randolph R. Snell
Mr. Mike Spring
Dr. & Mrs. Donald H. Steel
†Mr. Keith G. Steyer
Ms. Karen K. Stodola
Carl & Beryl Tretter
Debby & Victor Vargas
�Ruth Waalkes & Jeffrey Cole
Sharon (Leshner) Weintraub
Mrs. Marsha B Werner
§ Mr. J.D. Williams
† DECEASED
§ IN MEMORY OF SUZANNE BEICKEN
‡ IN MEMORY OF PAUL TRAVER
� IN HONOR OF SUSIE FARR
The Clarice values every gift received,however we regret that space does notallow us to list every donor. For informationon ways to give, please call Scott Eichingerat 301.405.5550.To notify us of any necessary corrections,please contact 301.405.5375.THANK YOU.
Visionaries
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please note
please turn off all personal electronic devices. the use of recording devices,
as well as eating, drinking, smoking and photography, are prohibited.
for your own safety, in case of emergency, please note the location of the nearest exit.
to read more about this performance,
scan this code with your mobile device, or visit
http://claricesmithcenter.umd.edu/twilight-info.
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