Mauro Giuliani -Temas Rossinianas

8/18/2019 Mauro Giuliani -Temas Rossinianas

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Mauro GiulianiFrom Wikipedia, the free encyclopedia

Mauro Giuseppe Sergio Pantaleo Giuliani (July 27, 1781

– May 8, 1829) was an Italian guitarist , cellist and

composer, and is considered by many to be one of the

leading guitar virtuosi of the early 19th century.

Contents

1 Biography

1.1 Quotes

2 Works2.1 Theme and variations2.2 Original Sources of Themes

2.2.1 Themes in Giuliani's LeRossiniane

3 List of compositions4 Instruments used by Giuliani5 Books about Mauro Giuliani

5.1 Biographies5.2 Analysis

6 References7 External links

7.1 Sheetmusic7.2 Images of Giuliani

Biography

Although born in Bisceglie, Giuliani's center of study was in Barletta where he moved with his brother

Nicola in the first years of his life. His first instrumental training was on the cello—an instrument which he

never completely abandoned—and he probably also studied the violin. Subsequently he devoted himself to

the guitar, becoming a very skilled performer on it in a short time. The names of his teachers are unknown,

and we cannot be sure of his exact movements in Italy.

He married Maria Giuseppe del Monaco, and they had a child, Michael, born in Barletta in 1801. After that

he was probably in Bologna and Trieste for a brief stay; by the summer of 1806, fresh from his studies of

counterpoint, cello and guitar in Italy, he had moved to Vienna without his family. Here he began a

relationship with a certain Fräulein Willmuth, with whom he had a daughter, Maria, in 1807.

In Vienna he became acquainted with the classical instrumental style. In 1807 Giuliani began to publish

compositions in the classical style. His concert tours took him all over Europe. Everywhere he went he was

acclaimed for his virtuosity and musical taste. He achieved great success and became a musical celebrity,

equal to the best of the many instrumentalists and composers who were active in the Austrian capital city at

the beginning of the 19th century.

Giuliani defined a new role for the guitar in the context of European music. He was acquainted with the

highest figures of Austrian society and with notable composers such as Rossini and Beethoven, and

cooperated with the best active concert musicians in Vienna. In 1815 he appeared with Johann Nepomuk

Hummel (followed later by Ignaz Moscheles), the violinist Joseph Mayseder and the cellist Joseph Merk, in

a series of chamber concerts in the botanical gardens of Schönbrunn Palace, concerts that were called the

"Dukaten Concerte",[1] after the price of the ticket, which was a ducat. This exposure gave Giuliani

prominence in the musical environment of the city. Also in 1815, he was the official concert artist for the

celebrations of the Congress in Vienna. Two years earlier, on the 8th of December, 1813, he had played

(probably cello) in an orchestra for the first performance of Beethoven's Seventh Symphony.

In Vienna, Giuliani had minor success as a composer. He worked mostly with the publisher Artaria, whopublished the large part of his works for guitar, but he had dealings with all the other local publishers, who

spread his compositions all over Europe. He developed here a teaching reputation as well; among his

numerous students were Bobrowicz and Horetzky.

In 1819 Giuliani left Vienna, mainly for financial reasons: his property and bank accounts were confiscated

to pay his debtors. He returned to Italy, spending time in Trieste and Venice, and finally settling in Rome.

He brought with him his daughter Emilia, who was born in 1813. She was educated at the nunnery

L'adorazione del Gesù from 1821 to 1826, together with Giuliani's illegitimate daughter Maria. In Rome hedid not have much success; he published a few compositions and gave only one concert.

In July 1823 he began a series of frequent trips to Naples to be with his father, who was seriously ill. In the

Bourbon city of Naples Giuliani would find a better reception to his guitar artistry, and there he was able to

publish other works for guitar with local publishers.

In 1826 he performed in Portici before Francesco I and the Bourbon court. In this time, which we could call

Giuliani's Neapolitan period, he appeared frequently in duo concert with his daughter Emilia, who had

become a skilled performer on the guitar. Toward the end of 1827 the health of the musician began to fail;

he died in Naples on 8 May 1829. The news of his death created much of a stir in the Neapolitan musical

environment.

Quotes

http://en.wikipedia.org/wiki/Johann_Nepomuk_Hummelhttp://en.wikipedia.org/wiki/Ignaz_Moscheleshttp://en.wikipedia.org/wiki/Johann_Nepomuk_Hummelhttp://en.wikipedia.org/wiki/Johann_Nepomuk_Hummelhttp://en.wikipedia.org/wiki/Viennahttp://en.wikipedia.org/wiki/Mauro_Giuliani#Books_about_Mauro_Giulianihttp://en.wikipedia.org/wiki/Mauro_Giuliani#Biographieshttp://en.wikipedia.org/wiki/Mauro_Giuliani#Themes_in_Giuliani.27s_Le_Rossinianehttp://en.wikipedia.org/wiki/File:Mauro_Giuliani.jpeghttp://en.wikipedia.org/wiki/Mauro_Giuliani#Original_Sources_of_Themeshttp://en.wikipedia.org/wiki/File:Mauro_Giuliani.jpeghttp://en.wikipedia.org/wiki/File:Mauro_Giuliani.jpeghttp://en.wikipedia.org/wiki/Mauro_Giuliani#Biographyhttp://en.wikipedia.org/wiki/File:Mauro_Giuliani.jpeghttp://en.wikipedia.org/wiki/File:Mauro_Giuliani.jpeghttp://en.wikipedia.org/wiki/Classical_guitarhttp://en.wikipedia.org/wiki/Virtuosihttp://en.wikipedia.org/wiki/File:Mauro_Giuliani.jpeghttp://en.wikipedia.org/wiki/Italyhttp://en.wikipedia.org/wiki/Classical_guitarhttp://en.wikipedia.org/wiki/Cellisthttp://en.wikipedia.org/wiki/File:Mauro_Giuliani.jpeghttp://en.wikipedia.org/wiki/File:Mauro_Giuliani.jpeghttp://en.wikipedia.org/wiki/Francesco_Ihttp://en.wikipedia.org/wiki/Napleshttp://en.wikipedia.org/wiki/Romehttp://en.wikipedia.org/wiki/Venicehttp://en.wikipedia.org/wiki/Artariahttp://en.wikipedia.org/wiki/Symphony_No._7_(Beethoven)http://en.wikipedia.org/wiki/Ludwig_van_Beethovenhttp://en.wikipedia.org/wiki/Ducathttp://en.wikipedia.org/wiki/Mauro_Giuliani#cite_note-0http://en.wikipedia.org/wiki/Sch%C3%B6nbrunn_Palacehttp://en.wikipedia.org/wiki/Ignaz_Moscheleshttp://en.wikipedia.org/wiki/Johann_Nepomuk_Hummelhttp://en.wikipedia.org/wiki/Ludwig_van_Beethovenhttp://en.wikipedia.org/wiki/Gioacchino_Rossinihttp://en.wikipedia.org/wiki/Viennahttp://en.wikipedia.org/wiki/Triestehttp://en.wikipedia.org/wiki/Bolognahttp://en.wikipedia.org/wiki/Violinhttp://en.wikipedia.org/wiki/Cellohttp://en.wikipedia.org/wiki/Barlettahttp://en.wikipedia.org/wiki/Biscegliehttp://en.wikipedia.org/wiki/Mauro_Giuliani#Images_of_Giulianihttp://en.wikipedia.org/wiki/Mauro_Giuliani#Sheetmusichttp://en.wikipedia.org/wiki/Mauro_Giuliani#External_linkshttp://en.wikipedia.org/wiki/Mauro_Giuliani#Referenceshttp://en.wikipedia.org/wiki/Mauro_Giuliani#Analysishttp://en.wikipedia.org/wiki/Mauro_Giuliani#Biographieshttp://en.wikipedia.org/wiki/Mauro_Giuliani#Books_about_Mauro_Giulianihttp://en.wikipedia.org/wiki/Mauro_Giuliani#Instruments_used_by_Giulianihttp://en.wikipedia.org/wiki/Mauro_Giuliani#List_of_compositionshttp://en.wikipedia.org/wiki/Mauro_Giuliani#Themes_in_Giuliani.27s_Le_Rossinianehttp://en.wikipedia.org/wiki/Mauro_Giuliani#Original_Sources_of_Themeshttp://en.wikipedia.org/wiki/Mauro_Giuliani#Theme_and_variationshttp://en.wikipedia.org/wiki/Mauro_Giuliani#Workshttp://en.wikipedia.org/wiki/Mauro_Giuliani#Quoteshttp://en.wikipedia.org/wiki/Mauro_Giuliani#Biographyhttp://en.wikipedia.org/wiki/Virtuosihttp://en.wikipedia.org/wiki/Classical_guitarhttp://en.wikipedia.org/wiki/Composerhttp://en.wikipedia.org/wiki/Cellisthttp://en.wikipedia.org/wiki/Classical_guitarhttp://en.wikipedia.org/wiki/Italy


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“Giuliani's expression and tone in guitar playing were astonishing, and acompetent critic said of him: "He vocalized his adagios to a degree

impossible to be imagined by those who never heard him; his melody inslow movements was no longer like the short, unavoidable staccato of the piano, requiring profusion of harmony to cover the deficientsustension of notes, but it was invested with a character, not only

sustained and penetrating, but of so earnest [2] and pathetic[3] adescription as to make it appear the natural characteristic of theinstrument. In a word, he made the instrument sing."

„—Philip James Bone, The guitar and mandolin, 1914 (page 127)[4]

WorksTheme and variations

As a guitar composer he was very fond of the theme and variations— an extremely popular form in

Vienna. He had a remarkable ability to weave a melody into a passage with musical effect while remaining

true to the idiom of the instrument.

One example of this ability is to be found in his Variations on a theme of Handel, Op. 107. Thispopular theme, known as "The Harmonious Blacksmith", appears in the Aria from Handel's Suite no.5 in E for harpsichord.Another example is Giuliani's Sei variazioni sull'aria "A Schisserl und a Reindl", op. 38, which is aset of variations on the Austrian Folkslied A Schisserl und a Reindl, is åll mein Kuchlg'schirr, used inthe play Der Kaufmannsbude (1796), with music by Johann Baptist Henneberg (1768–1822) and textby Schikaneder; and in the play Der Marktschreyer (1799), with music by Franz Xaver Süssmayr

(1766–1803) and text by Friedrich Karl Lippert. [5] (Beethoven used the same theme in his work

op.105, number 3 for flute and piano.)

Giuliani's achievements as a composer were numerous. Giuliani's 150 compositions for guitar with opus

number constitute the nucleus of the nineteenth-century guitar repertory. He composed extremely

challenging pieces for solo guitar as well as works for orchestra and Guitar-Violin and Guitar-Flute duos.

Outstanding pieces by Giuliani include his three guitar concertos (op. 30-36 and 70); a series of six

fantasias for guitar solo, op. 119-124, based on airs from Rossini operas and entitled the "Rossiniane";

several sonatas for violin and guitar and flute and guitar; a quintet, op. 65, for strings and guitar; some

collections for voice and guitar, and a Grand Overture written in the Italian style. He also transcribed many

symphonic works, both for solo guitar and guitar duo. One such transcription arranges the overture to TheBarber of Seville by Rossini, for two guitars. There are further numerous didactic works, among which is amethod for guitar that is used frequently by teachers to this day.

Today, Giuliani's concertos and solo pieces are performed by professionals and still demonstrate the ability

of the guitarist to play the piece, as well as Giuliani's natural ability as a composer for the classical guitar.

Original Sources of Themes

Giuliani arranged many 19th century opera themes for the guitar, e.g. from the opera Semiramide by

Gioachino Rossini. His work Le Rossiniane, also include numerous themes from the operas of Rossini.

Themes in Giuliani's Le Rossiniane

Rossiniana I , op. 119

Introduction (Andantino)“Assisa a piè d’un salice”(Otello)“Languir per una bella”,Andante grazioso (L’Italienne à

Alger)

“Con gran piacer, ben mio”,Maestoso (L’Italienne à Alger)”Caro, caro ti parlo in petto”,Moderato (L’Italienne à Alger)“Cara, per te quest’anima”,

Allegro Vivace (Armida)

Rossiniana II , op. 120

Introduction (Sostenuto)“Deh ! Calma, o ciel”,

Andantino sostenuto (Otello)“Arditi all’ire”, Allegrettoinnocente (Armida)“Non più mesta accanto alfuoco”, Maestoso (Cendrillon)

“Di piacer mi balza il cor”, (La

pie voleuse)“Fertilissima Regina”,Allegretto (Cendrillon)

Rossiniana III , op. 121

Introduction (Maestoso

http://en.wikipedia.org/wiki/File:Giuliani_Rossiniane.pnghttp://en.wikipedia.org/wiki/La_Cenerentolahttp://en.wikipedia.org/wiki/La_gazza_ladrahttp://en.wikipedia.org/wiki/La_Cenerentolahttp://en.wikipedia.org/wiki/Armida_(Rossini)http://en.wikipedia.org/wiki/Otello_(Rossini)http://en.wikipedia.org/wiki/Armida_(Rossini)http://en.wikipedia.org/wiki/L%27italiana_in_Algerihttp://en.wikipedia.org/wiki/L%27italiana_in_Algerihttp://en.wikipedia.org/wiki/L%27italiana_in_Algerihttp://en.wikipedia.org/wiki/Otello_(Rossini)http://en.wikipedia.org/wiki/List_of_operas_by_Rossinihttp://en.wikipedia.org/wiki/Gioachino_Rossinihttp://en.wikipedia.org/wiki/Semiramidehttp://en.wikipedia.org/wiki/The_Barber_of_Sevillehttp://en.wikipedia.org/wiki/Overturehttp://en.wikipedia.org/wiki/Quintethttp://en.wikipedia.org/wiki/Sonata_(music)http://en.wikipedia.org/wiki/Gioacchino_Rossinihttp://en.wikipedia.org/wiki/Fantasia_(music)http://en.wikipedia.org/wiki/Beethovenhttp://en.wikipedia.org/wiki/Mauro_Giuliani#cite_note-4http://en.wikipedia.org/wiki/Harpsichordhttp://en.wikipedia.org/wiki/The_Harmonious_Blacksmithhttp://en.wikipedia.org/wiki/George_Frideric_Handelhttp://en.wikipedia.org/wiki/Theme_and_variationhttp://en.wikipedia.org/wiki/Mauro_Giuliani#cite_note-3http://en.wikipedia.org/wiki/Mauro_Giuliani#cite_note-2http://en.wikipedia.org/wiki/Mauro_Giuliani#cite_note-1


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Sostenuto)“Un soave non so che”

(Cendrillon)“Oh mattutini albori!”,Andantino (La dame du lac)“Questo vecchio maledetto”, (Le Turc en Italie)“Sorte! Secondami”, Allegro (Zelmira)

“Cinto di nuovi allori”, Maestoso (Ricciardo et Zoraïde)

Rossiniana IV , op. 122

Introduction (Sostenuto-Allegro Maestoso)“Forse un dì conoscerete”, Andante (La pie voleuse)

“Mi cadono le lagrime” (La pie voleuse)

“Ah se puoi così lasciarmi”, Allegro Maestoso (Moïse en Egypte)“Piacer egual gli dei”, Maestoso (Mathilde de Shabran)“Voglio ascoltar” (La pierre de touche)

Rossiniana V , op. 123

Introduction (Allegro con brio)“E tu quando tornerai”, Andantino mosso (Tancrède)“Una voce poco fa” (Le Barbier de Séville)“Questo è un nodo avviluppato”, Andante sostenuto (Cendrillon)“Là seduto l’amato Giannetto”, Allegro (La pie voleuse)

“Zitti zitti, piano piano”, Allegro (Le Barbier de Séville)

Rossiniana VI , op. 124

Introduction (Maestoso)“Qual mesto gemito”, Larghetto (Sémiramis)

“Oh quante lagrime finor versai”, Maestoso (La dame du lac)“Questo nome che suona vittoria”, Allegro brillante (Le siège de Corinthe)

List of compositions

Main article: List of compositions by Mauro Giuliani

Instruments used by Giuliani

Of the instruments used by Giuliani, there are known, guitars made by

possibly: Gennaro Fabricatore, (Naples 1809) [6] (now in the collection of Gianni Accornero)At the bottom of the guitar, one can see the initials M G. The guitarcase also has the initials M G.briefly: Pons l'Aîné (Joseph Pons), (Paris 1812)This Pons guitar was made for Archduchess Marie Louise of Austria in Paris 1812, and later given to

Giuliani: is known to have been in Giuliani's possession only briefly.[7]

Giuliani later gave it to theamateur guitarist Christopher Bilderbeck de Monte as a present. However, Giuliani did not often play

this 1812 guitar: it hardly shows signs of use. [7]

unlikely: Pons l'Aîné (Joseph Pons), (Paris 1825) (now in the collection of Gianni Accornero)

The back cover of a CD claims "Giuliani's original Guitar Pons l'Aîné 1825".[8] . Though this isprobably a deceptive and possibly intentionally ambiguous claim. Gianni Accornero wrote the CD'sliner notes about the guitar, and claims: "This instrument is in actual fact identical to the one which Joseph had made for Empress Marie-Louise of Habsburg, the wife of Napoleon, who later gave it toGiuliani. This instrument became one of his favourites. Not only the model is the same, but also are

the different types of wood used for its construction.[8]"However Paul Pleijsier is critical of these claims; and has found flaws and inconsistencies in

Accornero's claims.[9] Pleijsier states that there is no evidence that Giuliani ever played the 1825

Pons.[9]

Eduardo Catemario (the performer on the CD) has insinuated "E' interessante notare che questa Pons

è molto simile (per non dire identica) a quella di Giuliani" ,[10].

This list is incomplete; you can help by expanding it (http://en.wikipedia.org/w/index.php?title=Mauro_Giuliani&action=edit) .

Books about Mauro Giuliani

Biographies

Nicola Giuliani (http://associazionegiuliani.org/biografia/item/2.html) : Mauro Giuliani, Ascesa edeclino del virtuoso della chitarra (Guitar virtuoso: his hearly life and final decline)(http://www.ilsalabue.com/lang1/mauro_giuliani_ascesa_e_declino_del_virtuoso_dell.html) 2005,ISBN 8887618062Nicola Giuliani (http://associazionegiuliani.org/biografia/item/2.html) : La sesta corda. Vita narratadi Mauro Giuliani (http://www.levantebari.com/pug12mis.htm) , Bari, Levante, 2008 ("La Puglia neidocumenti", 12). ISBN 9788879494953Thomas F Heck (http://www.insightsconsulting.biz/InsightsCV.html) : Mauro Giuliani : virtuoso

guitarist and composer. (http://www.editionsorphee.com/books.htm#heck) Publisher: Columbus :Editions Orphée, 1995. (English) ISBN 0-936186-87-9 OCLC 32394767 / Publisher: New Haven,1970. OCLC: 125002Nicola Giuliani (http://associazionegiuliani.org/biografia/item/2.html) : Omaggio a Mauro Giuliani :l'Orfeo della Puglia Type: Italian : Book Book Publisher: [S.l. : s.n.], 1999. OCLC: 45035045Marco Riboni (http://www.marcoriboni.it/) : Mauro Giuliani (1782-1829) : profilo biografico-criticoed analisi delle trascrizioni per chitarra (http://dissexpress.umi.com/dxweb#search?

http://en.wikipedia.org/wiki/File:Giuliani_Rossiniane.pnghttp://dissexpress.umi.com/dxweb#search?&query=AU%28Marco%20Riboni%29http://www.marcoriboni.it/http://associazionegiuliani.org/biografia/item/2.htmlhttp://en.wikipedia.org/wiki/Special:BookSources/0936186879http://www.editionsorphee.com/books.htm#heckhttp://www.insightsconsulting.biz/InsightsCV.htmlhttp://en.wikipedia.org/wiki/Special:BookSources/9788879494953http://www.levantebari.com/pug12mis.htmhttp://associazionegiuliani.org/biografia/item/2.htmlhttp://en.wikipedia.org/wiki/Special:BookSources/8887618062http://www.ilsalabue.com/lang1/mauro_giuliani_ascesa_e_declino_del_virtuoso_dell.htmlhttp://associazionegiuliani.org/biografia/item/2.htmlhttp://en.wikipedia.org/w/index.php?title=Mauro_Giuliani&action=edithttp://en.wikipedia.org/wiki/Wikipedia:WikiProject_Lists#Incomplete_listshttp://en.wikipedia.org/wiki/Mauro_Giuliani#cite_note-9http://en.wikipedia.org/wiki/Mauro_Giuliani#cite_note-paul-8http://en.wikipedia.org/wiki/Mauro_Giuliani#cite_note-paul-8http://en.wikipedia.org/wiki/Mauro_Giuliani#cite_note-Accornero-7http://en.wikipedia.org/wiki/Archduchess_Marie_Louise_of_Austriahttp://en.wikipedia.org/wiki/Mauro_Giuliani#cite_note-Accornero-7http://en.wikipedia.org/wiki/Mauro_Giuliani#cite_note-marie-6http://en.wikipedia.org/wiki/Mauro_Giuliani#cite_note-marie-6http://en.wikipedia.org/wiki/Archduchess_Marie_Louise_of_Austriahttp://en.wikipedia.org/wiki/Mauro_Giuliani#cite_note-5http://en.wikipedia.org/wiki/List_of_compositions_by_Mauro_Giulianihttp://en.wikipedia.org/wiki/Le_si%C3%A8ge_de_Corinthehttp://en.wikipedia.org/wiki/La_donna_del_lagohttp://en.wikipedia.org/wiki/Semiramidehttp://en.wikipedia.org/wiki/The_Barber_of_Sevillehttp://en.wikipedia.org/wiki/La_gazza_ladrahttp://en.wikipedia.org/wiki/La_Cenerentolahttp://en.wikipedia.org/wiki/The_Barber_of_Sevillehttp://en.wikipedia.org/wiki/Tancredihttp://en.wikipedia.org/wiki/La_pietra_del_paragonehttp://en.wikipedia.org/wiki/Matilde_di_Shabranhttp://en.wikipedia.org/wiki/Mos%C3%A8_in_Egittohttp://en.wikipedia.org/wiki/La_gazza_ladrahttp://en.wikipedia.org/wiki/La_gazza_ladrahttp://en.wikipedia.org/wiki/Ricciardo_e_Zoraidehttp://en.wikipedia.org/wiki/Zelmirahttp://en.wikipedia.org/wiki/Il_turco_in_Italiahttp://en.wikipedia.org/wiki/La_donna_del_lagohttp://en.wikipedia.org/wiki/La_Cenerentola


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&query=AU%28Marco%20Riboni%29) Type: Italian : Book Book : Thesis/dissertation/manuscriptPublisher: Anno accademico 1990-1991. OCLC: 32930581

Marco Riboni: Mauro Giuliani (1781–1829) : profilo biografico-critico ed analisi delle trascrizioniper chitarra Type: English : Book Book Publisher: [S.l. : s.n.], 1992. OCLC: 69237592

Brian Jeffery: Introduction and indexes Type: English : Book Book Publisher: London : TeclaEditions, ©1988. OCLC: 24958769

Filippo E Araniti: Nuove acquisizioni sull'opera e sulla vita di Mauro Giuliani : gli anni del soggiornonapoletano (1824–1829) Type: Italian : Book Book Publisher: Barletta-Trani : Regione Puglia-

Assessorato Pubblica Istruzione, 1993. OCLC: 42716282Thomas Fitzsimons Heck (http://www.insightsconsulting.biz/InsightsCV.html) : The birth of theclassic guitar and its cultivation in Vienna, reflected in the career and compositions of Mauro

Giuliani (d.1829) ; Thematic catalogue of the complete works of Mauro Giuliani(http://dissexpress.umi.com/dxweb#search?&query=AU%28Thomas%20Fitzsimons%20Heck%29)

.Type: English : Book Book Publisher: New Haven, Conn. : Yale University, 1970. OCLC: 53726031

Brian Jeffery: Introductions and indexes by Mauro Giuliani. Type: English : Book Book.Publisher:

Penderyn, South Wales : Tecla Editions, ©1988. OCLC: 52613698

Antonio Lasada: The butterfly, op. 30 by Mauro Giuliani. Type: English : Book Book. Publisher:Sydney : J. Albert & Son, 1976. ISBN 0-909700-90-7 OCLC: 27600649

Thomas Fitz / Simons Heck: The birth of the classic guitar and its cultivation in Vienna reflected inthe career and compositions of Mauro Giuliani (d. 1829) Type: English : Book Book. Publisher:

[S.l. : s.n.], 1970. OCLC: 65932060

Eduardo Caliendo: Metodo per chitarra by Mauro Giuliani. Type: Italian : Book Book. Publisher:

Ancona ; Milano : Edizioni musicali Bèrben, [1978], ©1964.OCLC: 23479377

Mauro Giuliani: 25 etudes [Múscia]. Type: Spanish : Book Book.Publisher: Japon : Zen-On music,[19--]. OCLC: 70134885

Gaspare Spontini; Mauro Giuliani; Brian Jeffery; Wolfgang Amadeus Mozart; Vincenzo Bellini:

Three operatic overtures arranged for two guitars : Spontini's La Vestale, Mozart's La Clemenza diTito, and Bellini's Il Pirata : Wo0, 2G-1, 2, 4. Type: English : Book Book. Publisher: London : TeclaEditions, ©1986. ISBN 0-906953-83-9 OCLC: 38002311

Tomasina Soto Michel: Survey of program music in early romantic guitarists, 1800-1850. Type:English : Book Book : Thesis/dissertation/manuscript Publisher: 1994. OCLC: 30986316

Joseph Zuth: 24 [i.e. Vierundzwanzig] Studien für Gitarre, op. 100 by Mauro Giuliani; Type:German : Book Book Publisher: Mainz : B. Schott's Söhne ; New York : Schott Music Corp., 1929.OCLC: 41699112

Joseph J Gonzales; Johann Sebastian Bach: Recital document. Type: English : Book Book :Thesis/dissertation/manuscript. Publisher: 1995. OCLC: 33850916

Hans Ritter: 24 [i.e. Vierundzwanzig] Etüden für Gitarre, op. 48 by Mauro Giuliani; Type: German :Book Book Publisher: Mainz : B. Schott's Söhne ; New York : Schott Music Corp., [19--] OCLC:41699167

Ludwig van Beethoven: Beethoven-Festnummer der Oesterreichischen Gitarre-Zeitschrift Type:German : Book Book Publisher: Wien : Kunstdruckerie Frisch & Co., 1927. OCLC: 40961302

Antonio Francesco Gori; Liuba Giuliani: Type: Italian : Book Book Publisher: Roma : Consiglionazionale delle ricerche, ©1987. OCLC: 20634181

Analysis

Yvonne Regina Chavez: The flute and guitar duos of Mauro Giuliani Book:Thesis/dissertation/manuscript Publisher: 1991. (English) OCLC: 24571012

Roger West Hudson: The orchestration of the guitar concerto : a comparison of the Concerto in A

major, op. 30, by Mauro Giuliani and the Concierto del sol by Manuel Ponce. Type: English : BookBook : Thesis/dissertation/manuscript. Publisher: 1992.OCLC: 31118635

Heike Vajen Rossiniana no. 6 op. 124 by Mauro Giuliani.Type: German : Book Book. Publisher:Celle : Moeck, (1986). OCLC: 46051295

Volker Höh: Sonata op. 15 : Fingersatz by Mauro Giuliani. Type: Book Book Publisher: Celle :Moeck, 1989. OCLC: 46095695

Horacio Ceballos: Sonata Op. 15 [Música] by Mauro Giuliani. Type: Spanish : Book Book. Publisher:Buenos Aires, Argentina : RICORDI, 1977. OCLC: 70134745

Kurt L Schuster: Performing Joseph Haydn's Divertimento a quattro, opus 2, no. 2 and MauroGiuliani's Grand sonata eroica, opus 150. Type: English : Book Book :

Thesis/dissertation/manuscript. Publisher: 1989.: 20402277

References

1. ^ Österreichisch-ungarische Revue (http://books.google.com/books?id=MOqzAAAAIAAJ&pg=RA1-PA165&dq=%22Mauro+Giuliani%22+%22Ducatenconcerte%22&lr=&as_brr=3) . 1864.

http://books.google.com/books?id=MOqzAAAAIAAJ&pg=RA1-

PA165&dq=%22Mauro+Giuliani%22+%22Ducatenconcerte%22&lr=&as_brr=3.

2. ^ "earnest: zealous with sincerity; with hearty endeavor; heartfelt; fervent; hearty" (http://machaut.uchicago.edu/?

http://machaut.uchicago.edu/?resource=Webster%27s&word=earnest&use1913=onhttp://en.wikipedia.org/wiki/Mauro_Giuliani#cite_ref-1http://books.google.com/books?id=MOqzAAAAIAAJ&pg=RA1-PA165&dq=%22Mauro+Giuliani%22+%22Ducatenconcerte%22&lr=&as_brr=3http://books.google.com/books?id=MOqzAAAAIAAJ&pg=RA1-PA165&dq=%22Mauro+Giuliani%22+%22Ducatenconcerte%22&lr=&as_brr=3http://en.wikipedia.org/wiki/Mauro_Giuliani#cite_ref-0http://en.wikipedia.org/wiki/Special:BookSources/0906953839http://en.wikipedia.org/wiki/Special:BookSources/0909700907http://dissexpress.umi.com/dxweb#search?&query=AU%28Thomas%20Fitzsimons%20Heck%29http://www.insightsconsulting.biz/InsightsCV.htmlhttp://dissexpress.umi.com/dxweb#search?&query=AU%28Marco%20Riboni%29


5/5

resource=Webster%27s&word=earnest&use1913=on) . Webster’s Revised Unabridged Dictionary, G. & C.

Merriam, 1913. http://machaut.uchicago.edu/?resource=Webster%27s&word=earnest&use1913=on.

3. ^ "pathetic: Affecting or moving the tender emotions, esp. pity or grief; full of pathos"(http://machaut.uchicago.edu/?resource=Webster%27s&word=pathetic&use1913=on) . Webster’s Revised

Unabridged Dictionary, G. & C. Merriam, 1913. http://machaut.uchicago.edu/?

resource=Webster%27s&word=pathetic&use1913=on.

4. ^ Philip James Bone. "The guitar and mandolin, 1914"

(http://www.archive.org/stream/guitarmandolinbi00bone#page/127/mode/1up) .

http://www.archive.org/stream/guitarmandolinbi00bone#page/127/mode/1up.

5. ^ Lisa Feurzeig, John Sienicki, Friedrich Satzenhoven, Franz Volkert (2007).Quodlibets of the Viennese theater(http://books.google.com/books?

id=GkESElZF25EC&pg=PA297&dq=%22a+sch%C3%BCsserl+und+a+reindl%22&as_brr=3) . A-R Editions, Inc..

ISBN 9780895796233. http://books.google.com/books?

id=GkESElZF25EC&pg=PA297&dq=%22a+sch%C3%BCsserl+und+a+reindl%22&as_brr=3.

6. ^ Giuliani's Fabricatore guitar (http://www.maccaripugliese.com/Duo_Maccari-Pugliese/N-giulguitar.html) 2

(http://www.maccaripugliese.com/Duo_Maccari-Pugliese/Album.html) image(http://maurogiuliani.free.fr/en/guitar_giuliani.php)

7. ^ a b Found: A Giuliani Guitar, Kept In A London Bank Since 1816

(http://www.paulpleijsier.nl/assets/pdf/soundboard_2001.pdf) by Paul Pleijsier, 2001

8. ^ a b CD back cover image

(http://www.paulpleijsier.nl/assets/images/uploaded/PerformedwithGiulianisoriginalguitar.jpg) ; Giuliani Concerto

CD1

(http://artsmusic.de/Concertos_Nos1_2_for_Guitar_and_Orchestra/topic/sacd/shop_art_id/468/tpl/artsmusic_article_detail)

(also available: Giuliani Concerto CD2

(http://artsmusic.de/Concerto_for_Guitar_and_Orchestra_No3Gran_Quintetto_for_Guitar_and_StringsVariations_for_Guita/topic/blueline/shop_art_id/307/tpl/artsmusic_article_detail)

, or double CD (http://artsmusic.de/Concertos_for_Guitar_and_Orchestra_Nos_1_-

_3/topic/blueline/shop_art_id/324/tpl/artsmusic_article_detail) ) Liner notes about the instrument, written by Gianni

Accornero.

9. ^ a b Duimzuigerij over een Pons-gitaar (http://www.paulpleijsier.nl/blog/?p=17)

10. ^ Catemario on the 1825 Pons guitar (http://www.catemario.com/core/e107_plugins/forum/forum_viewtopic.php?

826.4#post_839) (see also (http://www.catemario.com/core/e107_plugins/content/content.php?content.25) )

External links

Biography (http://www.archive.org/stream/guitarmandolinbi00bone#page/124/mode/1up) (The guitarand mandolin (http://www.archive.org/details/guitarmandolinbi00bone) by Philip James Bone, 1914)Associazione Giuliani (http://associazionegiuliani.org/)Found: A Giuliani Guitar, Kept In A London Bank Since 1816(http://www.paulpleijsier.nl/assets/pdf/soundboard_2001.pdf) by Paul Pleijsier, 2001Information (http://www.tecla.com/authors/giuliani.htm) (Tecla Editions)

Sheetmusic

Rischel & Birket-Smith's Collection of guitar music(http://rex.kb.dk/primo_library/libweb/action/preferences.do?

fn=change_lang&vid=KGL&prefLang=en_US&prefBackUrl=http:%2F%2Frex.kb.dk%2Fprimo_library%2Flibweb%2Faction%2Fsearch.do?dscnt=0%26fctN=facet_tlevel%26vl(1UI0)=contains%26vl(61142532UI2)=sub%26scp.scps=scope%3A%28KGL%29%26fctV=online_resource%26vl(1UI2)=contains%26t1 (https://rex.kb.dk/F?func=find-c&ccl_term=(WRD=Giuliani%20AND%20WWW=http%20NOT%20WWW=sheetmusicnow%20NOT%20WWW=freehandmusic%20NOT%20WWW=hebeonline)&localDet Kongelige Bibliotek, DenmarkBoije Collection (http://www.muslib.se/ebibliotek/boije/Boije_g.htm) The Music Library of Sweden

George C. Krick Collection of Guitar Music (http://catalog.wustl.edu/search/X?(George%20C.%20Krick%20Collection%20of%20Guitar%20Music)+and+(Giuliani)&SORT=D)Washington UniversityGFA Archive (http://www.guitarfoundation.org/gfaa/?t=Giuliani&s=a&f=listScores&submitbtn=Search)

maurogiuliani.free.fr (http://maurogiuliani.free.fr/en/)creativeguitar.org (http://creativeguitar.org/sheet-music/giuliani-mauro) (sheetmusic largely compiledfrom the above primary sources)Free scores by Mauro Giuliani in the International Music Score Library ProjectFree scores (http://icking-music-archive.org/ByComposer/Giuliani.php) by Mauro Giuliani in the

Werner Icking Music Archive (WIMA)Free scores (http://www.mutopiaproject.org/cgibin/make-table.cgi?Composer=GiulianiM) at theMutopia Project

Images of Giuliani

Image (http://www.beethoven-haus-bonn.de/sixcms/detail.php?id=&template=dokseite_digitales_archiv_en&_dokid=i2069&_seite=1) (www.beethoven-haus-bonn.de)Images (http://digitalgallery.nypl.org/nypldigital/dgkeysearchresult.cfm?keyword=mauro+giuliani)

(NYPL Digital Gallery)Image (http://gallica.bnf.fr/ark:/12148/btv1b7720958f.r=mauro+giuliani.langEN) (Gallica)image (https://reader015.{domain}/reader015/html5/0722/5b53ab6cae98c/5b53ab6f68d12.jpg) (ref.(http://www.tabulatura.com/GITBIBL.htm#Guitar) )

Retrieved from "http://en.wikipedia.org/wiki/Mauro_Giuliani"Categories: 1781 births | 1828 deaths | Italian composers | Romantic composers | Composers for theclassical guitar | Italian classical guitarists

This page was last modified on 8 May 2011 at 19:54.

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ani#cite_ref-2http://machaut.uchicago.edu/?resource=Webster%27s&word=earnest&use1913=onhttp://machaut.uchicago.edu/?resource=Webster%27s&word=earnest&use1913=on

Documents

Mauro Giuliani -Temas Rossinianas