M A S T E R I N G A R P E G G I O S 3F O R S E R I O U S L Y S E R I O U S G U I T A R I S T S

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M A S T E R I N G

A DELUXE CRASH COURSE IN GUITAR THEORY!

ARPEGGIOS 3

M A S T E R I N G A R P E G G I O S 3

M A S T E R I N G A R P E G G I O S 3

× MASTERING ARPEGGIOS 3 ×

CHAPTER 1 Review of the Primary Triad and Seventh-chord Arpeggio Qualities

FIGURES 1-5

CHAPTER 2 G Major Seven and Minor Major-seven Arpeggios in Positions

FIGURES 6-83

CHAPTER 3 G Major Seven Flat-five and Sharp-five Arpeggios in Positions

FIGURES 84-137

CHAPTER 4 G Dominant Seven Flat-five and Sharp-five Arpeggios in Positions

FIGURES 138-169

CHAPTER 5 G Dominant Seven Sus4 Arpeggios in Positions

FIGURES 170-190

CHAPTER 6 Two-notes-per-string Patterns

FIGURES 191-198

CHAPTER 7 E Harmonic Minor Diatonic Seventh-chord Arpeggios

FIGURES 199-213

CHAPTER 8 E Melodic Minor Diatonic Seventh-chord Arpeggios

FIGURES 214-228

CHAPTER 9 Interval Patterns

FIGURES 229-232

CHAPTER 10 Bonus! Classical Performance Piece

FIGURE 233

A DELUXE CRASH COURSE IN GUITAR THEORY!

M A S T E R I N G A R P E G G I O S 3

M A S T E R I N G A R P E G G I O S 3

Chapter 1Review of the Primary Triad and Seventh-chord Arpeggio Qualities

GFIGURE 1 the four primary triad arpeggio qualities, played up and down one string

Gm

3 3 3 3

Gdim G

3 3 3 3

0 4 7 0 4 7 0 3 7 0 3 7 0 3 6 0 3 6 0 4 7 0 4 7

Gaug G

3 3 3 3

0 4 8 0 4 8 0 4 7 0 4 7 0

GFIGURE 2 same arpeggios, with the octave root note included

Gm

3 3 3 3

Gdim G

3 3 3 3

0 4 7 12 7 4 0 3 7 12 7 3 0 3 6 12 6 3 0 4 7 12 7 4

Gaug G

3 3 3 3

0 4 8 12 8 4 0 4 7 12 7 4 0

GFIGURE 3 same arpeggios, played in a single position, minus the octave root note

Gm

3 3 3 3

Gdim G

3 3 3 3

Gaug G

3 3 3 3

543

543

533

533

532

532

543

543

54

4

544

54

3

54

3

5

CHAPTER 1 Review of the Primary Triad

and Seventh-chord Arpeggio QualitiesFIGURES 1-5

M A S T E R I N G A R P E G G I O S 3

Gmaj7FIGURE 4 the five primary seventh-chord arpeggios, in descending order of brightness

G7 Gm7 Gm7 5

0 4 7 11 12 11 7 4 0 4 7 10 12 10 7 4 0 3 7 10 12 10 7 3 0 3 6 10 12 10 6 3

Gdim7 Gmaj7

0 3 6 9 12 9 6 3 0 4 7 11 12 11 7 4 0

Gmaj7FIGURE 5 same arpeggios, played in position, minus the octave root note

G7 Gm7 Gm7 5 Gdim7 Gmaj7

5432

5432

5431

5431

5331

5331

5321

5321

5320

5320

5432

5432

5

M A S T E R I N G A R P E G G I O S 3

Chapter 2G Major Seven and Minor Major-seven Arpeggios in Positions

Gmaj7FIGURE 6 Gmaj7 and Gm(maj7) arpeggios, played up and down one string

Gm(maj7) Gmaj7

0 4 7 11 12 11 7 4 0 3 7 11 12 11 7 3 0 4 7 11 12 11 7 4 0

Gmaj7FIGURE 7 same arpeggios, played in position, minus the octave root note

Gm(maj7) Gmaj7

54

32

54

32

53

32

53

32

54

32

54

32

5

Gmaj7FIGURE 8 Gmaj7 and Gm(maj7) arpeggios in two octaves, fourth position

Gm(maj7)

3 75

4 54 7

73 7 3

77 4

5 45

7 3 65

4 53 7

73 6 3

77 3

Gmaj7 Gm(maj7) Gmaj7

5 456 3 7

54 5

4 773 7 3

77 4

5 457 3 6

54 5

3 773 6 3

77 3

5 456 3

Gmaj7FIGURE 9 same pattern, minus the top note

Gm(maj7) Gmaj7

3 754 5

4 77377 4

5 457 3 6

54 5

3 77

37

7 35 4

56 3

CHAPTER 2 G Major Seven and Minor Major-seven

Arpeggios in PositionsFIGURES 6-83

M A S T E R I N G A R P E G G I O S 3

Gmaj7FIGURE 10 same pattern, minus the bottom note

Gm(maj7) Gmaj7

754 5

4 773 7 3

77 4

5 45

65

4 53 7

73 6 3

77 3

5 45

7

Gmaj7FIGURE 11 eight-note "alternate-picking cell" on the A, D and G strings

Gm(maj7) Gmaj7

54 5

4 7 45 4

54 5

4 7 45 4

54 5

3 7 35 4

54 5

3 7 35 4

5

Gmaj7FIGURE 12 same pattern, starting on the top note

Gm(maj7) Gmaj7

7 45 4

54 5

4 7 45 4

54 5

4 7 35 4

54 5

3 7 35 4

54 5

3 7

Gmaj7FIGURE 13 six-note triplet variation

3 3 3 3 Gm(maj7)3 3 3 3 Gmaj7

54 5

45 4

54 5

45 4

54 5

35 4

54 5

35 4

5

Gmaj7FIGURE 14 same pattern, starting on the top note

3 3 3 3

Gm(maj7)

3 3 3 3

Gmaj7

45 4

54 5

45 4

54 5

35 4

54 5

35 4

54 5

4

M A S T E R I N G A R P E G G I O S 3

Gmaj7FIGURE 15 Gmaj7 and Gm(maj7) arpeggios in two octaves, sixth position

Gm(maj7) Gmaj7

75 9

5 977 8

78 7

79 5

9 56

5 95 8

77 8

68 7

78 5

9 57

Gmaj7FIGURE 16 eight-note "alternate-picking cell" on the bottom three strings

Gm(maj7) Gmaj7

75 9

5 9 59 5

75 9

5 9 59 5

65 9

5 8 59 5

65 9

5 8 59 5

7

Gmaj7FIGURE 17 same pattern, starting on the top note

Gm(maj7) Gmaj7

9 59 5

75 9

5 9 59 5

75 9

5 8 59 5

65 9

5 8 59 5

65 9

5 9

Gmaj7FIGURE 18 six-note variation

3 3 3 3Gm(maj7)

3 3 3 3Gmaj7

75 9

59 5

75 9

59 5

65 9

59 5

65 9

59 5

7

Gmaj7FIGURE 19 same pattern, starting on the top note

3 3 3 3Gm(maj7)

3 3 3 3Gmaj7

59 5

75 9

59 5

75 9

59 5

65 9

59 5

65 9

5

M A S T E R I N G A R P E G G I O S 3

Gmaj7FIGURE 20 higher triplet variation, on the A and D strings only

3 3 3 3

Gm(maj7)

3 3 3 3

Gmaj7

9 59 5 9

5 9 59 5 9

5 8 59 5 9

5 8 59 5 9

5 9

Gmaj7FIGURE 21 same pattern, starting on the bottom note

3 3 3 3 Gm(maj7)3 3 3 3 Gmaj7

5 95 9 5

9 5 95 9 5

9 5 95 8 5

9 5 95 8 5

9 5

Gmaj7FIGURE 22 Gmaj7 and Gm(maj7) arpeggios in two octaves, seventh position

Gm(maj7)

7 109 10

97

7 87 10 7

8 77910 9

10 6 109 10

87

7 86 10 6

8 77

Gmaj7 Gm(maj7) Gmaj7

810 9

10 7109 10

977 8

7 10 78 7

7910 9

10 6 109 10

87

7 86 10 6

8 77810 9

10 7

Gmaj7FIGURE 23 same pattern, minus the top note

Gm(maj7) Gmaj7

7 109 10

977 8

78 7

7910 9

10 6 109 10

87

7 86

8 77

810 9

10 7

M A S T E R I N G A R P E G G I O S 3

Gmaj7FIGURE 24 same pattern, minus the bottom note

Gm(maj7) Gmaj7

109 10

977 8

7 10 78 7

7910 9

109 10

87

7 86 10 6

8 77

810 9

10

Gmaj7FIGURE 25 six-note "alternate-picking cell" on the top two strings

3 3 3 3

Gm(maj7)

3 3 3 3

Gmaj7

7 87 10 7

8 7 87 10 7

8 7 86 10 6

8 7 86 10 6

8 7

Gmaj7FIGURE 26 same pattern, starting on the top note

3 3 3 3

Gm(maj7)

3 3 3 3

Gmaj7

10 78 7 8

7 10 78 7 8

7 10 68 7 8

6 10 68 7 8

6 10

Gmaj7FIGURE 27 16th-note variation, descending only (four-note "cell")

Gm(maj7) Gmaj7

10 78 7

10 78 7

10 78 7

10 78 7

10 68 7

10 68 7

10 68 7

10 68 7

10

Gmaj7FIGURE 28 Gmaj7 and Gm(maj7) arpeggios in two octaves, ninth position

Gm(maj7) Gmaj7

109 10

9 121112

12101212 11

12 910 9

109 10

8 1211 12

1110

1112 11

12 810 9

10

M A S T E R I N G A R P E G G I O S 3

Gmaj7FIGURE 29 eight-note "alternate picking cell" on the bottom three strings

Gm(maj7) Gmaj7

109 10

9 12 910 9

109 10

9 12 910 9

109 10

8 12 810 9

109 10

8 12 810 9

10

Gmaj7FIGURE 30 same pattern, starting on the top note

Gm(maj7) Gmaj7

12 910 9

109 10

9 12 910 9

109 10

9 12 810 9

109 10

8 12 810 9

109 10

8 12

Gmaj7FIGURE 31 six-note variation

3 3 3 3 Gm(maj7)3 3 3 3 Gmaj7

109 10

910 9

109 10

910 9

109 10

810 9

109 10

810 9

10

FIGURE 32 same pattern, starting on the top note

3 3 3 3

Gm(maj7)

3 3 3 3

Gmaj7

910 9

109 10

910 9

109 10

810 9

109 10

810 9

109 10

9

Gmaj7FIGURE 33 eight-note "alternate-picking cell" on the A, D and G strings

Gm(maj7) Gmaj7

9 109 12

1112 9

10 9 109 12

1112 9

10 9 108 12

1112 8

10 9 108 12

1112 8

10 9

M A S T E R I N G A R P E G G I O S 3

Gmaj7FIGURE 34 same pattern, starting on the top note

Gm(maj7) Gmaj7

1112 9

10 9 109 12

1112 9

10 9 109 12

1112 8

10 9 108 12

1112 8

10 9 108 12

11

Gmaj7FIGURE 35 six-note variation, using only the notes on the A and D strings

3 3 3 3 Gm(maj7)3 3 3 3 Gmaj7

9 109 12 9

10 9 109 12 9

10 9 108 12 8

10 9 108 12 8

10 9

Gmaj7FIGURE 36 same pattern, starting on the top note

3 3 3 3

Gm(maj7)

3 3 3 3

Gmaj7

12 910 9 10

9 12 910 9 10

9 12 810 9 10

8 12 810 9 10

8 12

Gmaj7FIGURE 37 higher eight-note cell on the A, D and G strings

Gm(maj7) Gmaj7

109 12

11 12 1112 9

109 12

11 12 1112 9

108 12

11 12 1112 8

108 12

11 12 1112 8

10

Gmaj7FIGURE 38 same pattern, starting on the top note (not demonstrated in video)

Gm(maj7) Gmaj7

12 1112 9

109 12

11 12 1112 9

109 12

11 12 1112 8

108 12

11 12 1112 8

108 12

11 12

M A S T E R I N G A R P E G G I O S 3

Gmaj7FIGURE 39 six-note variation

3 3 3 3

Gm(maj7)

3 3 3 3

Gmaj7

109 12

1112 9

109 12

1112 9

108 12

1112 8

108 12

1112 8

10

Gmaj7FIGURE 40 same pattern, starting on the top note

3 3 3 3

Gm(maj7)

3 3 3 3

Gmaj7

1112 9

109 12

1112 9

109 12

1112 8

108 12

1112 8

108 12

11

Gmaj7FIGURE 41 higher variation, using only the notes on the D and G strings

3 3 3 3

Gm(maj7)

3 3 3 3

Gmaj7

9 1211 12 11

12 9 1211 12 11

12 8 1211 12 11

12 8 1211 12 11

12 9

Gmaj7FIGURE 42 same pattern, starting on the top note

3 3 3 3

Gm(maj7)

3 3 3 3

Gmaj7

12 1112 9 12

11 12 1112 9 12

11 12 1112 8 12

11 12 1112 8 12

11 12

Gmaj7FIGURE 43 Gmaj7 and Gm(maj7) arpeggios in two octaves, 11th position

Gm(maj7)

10 1410 14

1211 12

1210 14 10

1212 11

1214 10

14 10 1410 13

1211 12

1110 14 10

1112 11

M A S T E R I N G A R P E G G I O S 3

Gmaj7 Gmaj7

1213 10

14 10141014

1211 12

1210 1410

1212 11

1214 10

14 10 1410 13

1211 12

1110 14 10

1112 11

1213 10

14 10

Gmaj7FIGURE 44 same pattern, minus the top note

Gm(maj7) Gmaj7

10141014

121112

12101212 11

121410

14 10 1410 13

1211 12

1110

1112 11

1213 10

14 10

Gmaj7FIGURE 45 same pattern, minus the bottom note

Gm(maj7) Gmaj7

141014

1211 12

12101410

1212 11

1214 10

1410 13

1211 12

1110 14 10

1112 11

1213 10

14

Gmaj7FIGURE 46 eight-note "alternate picking cell" on the bottom three strings

Gm(maj7) Gmaj7

10141014

121410

1410141014

121410

14 10 1410 13

1213 10

14 10 1410 13

1213 10

14 10

Gmaj7FIGURE 47 same pattern, starting on the top note

Gm(maj7) Gmaj7

121410

1410 141014

1214 10

14101410 14

1213 10

14 10 1410 13

1213 10

14 10 1410 13

12

M A S T E R I N G A R P E G G I O S 3

Gmaj7FIGURE 48 six-note variation, using only the notes on the bottom two strings

3 3 3 3 Gm(maj7)3 3 3 3 Gmaj7

10 1410 14 10

14 10 1410 14 10

14 10 1410 13 10

14 10 1410 13 10

14 10

Gmaj7FIGURE 49 same pattern, starting on the top note

3 3 3 3

Gm(maj7)

3 3 3 3

Gmaj7

14 1014 10 14

10 14 1014 10 14

10 13 1014 10 14

10 13 1014 10 14

10 14

Gmaj7FIGURE 50 higher variation on the bottom three strings

3 3 3 3 Gm(maj7)3 3 3 3 Gmaj7

1410 14

1214 10

1410 14

1214 10

1410 13

1213 10

1410 13

1213 10

14

Gmaj7FIGURE 51 same pattern, starting on the top note

3 3 3 3

Gm(maj7)

3 3 3 3

Gmaj7

1214 10

1410 14

1214 10

1410 14

1213 10

1410 13

1213 10

1410 13

12

Gmaj7FIGURE 52 Gmaj7 and Gm(maj7) arpeggios in two octaves, 13th position

Gm(maj7)

14 1514

12 1612 16

1514 15 14

1516 12

16 1214

15 14 1513

12 1612 15

1514 15 14

1515 12

M A S T E R I N G A R P E G G I O S 3

Gmaj7 Gm(maj7) Gmaj7

16121315 1415

1412 16

12 161514 1514

1516 12

16 121415 14 15

1312 16

12 151514 15 14

1515 12

16 121315 14

Gmaj7FIGURE 53 same pattern, minus the top note

Gm(maj7) Gmaj7

1415141216

12161514151612

16121415 14 15

1312 16

12 1515

1415

15 1216 12

1315 14

Gmaj7FIGURE 54 same pattern, minus the bottom note

Gm(maj7) Gmaj7

15141216

12 1615141514

151612

161214

1513

12 1612 15

1514 15 14

1515 12

16 1213

15

Gmaj7FIGURE 55 same complete shape, shifted down 12 frets and one octave, to first position

Gm(maj7)

2 32

0 40 4

32 3 2

34 0

4 02

3 2 31

0 40 3

32 3 2

33 0

Gmaj7 Gm(maj7) Gmaj7

4 013 2 3

20 4

0 432 3 2

34 0

4 023 2 3

10 4

0 332 3 2

33 0

4 01

3 2

M A S T E R I N G A R P E G G I O S 3

Gmaj7FIGURE 56 same pattern, minus the top note

Gm(maj7) Gmaj7

2 320 4

0 43234 0

4 023 2 3

10 4

0 33

23

3 04 0

13 2

Gmaj7FIGURE 57 same pattern, minus the bottom note

Gm(maj7) Gmaj7

320 4

0 432 3 2

34 0

4 02

31

0 40 3

32 3 2

33 0

4 01

3

Gmaj7FIGURE 58 eight-note "alternate-picking cell" on the A, D and G strings

Gm(maj7) Gmaj7

20 4

0 4 04 0

20 4

0 4 04 0

10 4

0 3 04 0

10 4

0 3 04 0

2

Gmaj7FIGURE 59 same pattern, starting on the top note

Gm(maj7) Gmaj7

4 04 0

20 4

0 4 04 0

20 4

0 3 04 0

10 4

0 3 04 0

10 4

0 4

Gmaj7FIGURE 60 same pattern, one octave and 12 frets higher, in 13th position

Gm(maj7) Gmaj7

16121612

141216

1216121612

141216

12 15 1216 12

1312 16

12 15 1216 12

1312 16

12 16

M A S T E R I N G A R P E G G I O S 3

Gmaj7FIGURE 61 same pattern, starting on the bottom note

Gm(maj7) Gmaj7

141216

1216 121612

1412 16

12161216 12

1312 16

12 15 1216 12

1312 16

12 15 1216 12

14

Gmaj7FIGURE 62 six-note variation

3 3 3 3

Gm(maj7)

3 3 3 3

Gmaj7

1412 16

1216 12

1412 16

1216 12

1312 16

1216 12

1312 16

1216 12

14

Gmaj7FIGURE 63 same pattern, starting on the top note

3 3 3 3

Gm(maj7)

3 3 3 3

Gmaj7

1216 12

1412 16

1216 12

1412 16

1216 12

1312 16

1216 12

1312 16

12

Gmaj7FIGURE 64 same pattern, shifted down 12 frets and one octave, to first position

3 3 3 3Gm(maj7)

3 3 3 3Gmaj7

04 0

20 4

04 0

20 4

04 0

10 4

04 0

10 4

0

Gmaj7FIGURE 65 same pattern, starting on the bottom note

3 3 3 3Gm(maj7)

3 3 3 3Gmaj7

20 4

04 0

20 4

04 0

10 4

04 0

10 4

04 0

2

M A S T E R I N G A R P E G G I O S 3

Gmaj7FIGURE 66 higher six-note pattern, on the D and G strings only

3 3 3 3 Gm(maj7)3 3 3 3 Gmaj7

0 40 4 0

4 0 40 4 0

4 0 40 3 0

4 0 40 3 0

4 0

Gmaj7FIGURE 67 same pattern, starting on the top note

3 3 3 3

Gm(maj7)

3 3 3 3

Gmaj7

4 04 0 4

0 4 04 0 4

0 3 04 0 4

0 3 04 0 4

0 4

Gmay7FIGURE 68 same pattern, one octave and 12 frets higher, in 13th position

3 3 3 3

Gm(maj7)

3 3 3 3

Gmaj7

16 1216 12 16

12 16 1216 12 16

12 15 1216 12 16

12 15 1216 12 16

12 16

Gmaj7FIGURE 69 same pattern, starting on the bottom note

3 3 3 3

Gm(maj7)

3 3 3 3

Gmaj7

12 1612 16 12

16 12 1612 16 12

16 12 1612 15 12

16 12 1612 15 12

16 12

Gmaj7FIGURE 70 higher variation on the D, G and B strings

3 3 3 3

Gm(maj7)

3 3 3 3

Gmaj7

1612 16

1516 12

1612 16

1516 12

1612 15

1515 12

1612 15

1515 12

16

M A S T E R I N G A R P E G G I O S 3

Gmaj7FIGURE 71 same pattern, starting on the top note

3 3 3 3

Gm(maj7)

3 3 3 3

Gmaj7

1516 12

1612 16

1516 12

1612 16

1515 12

1612 15

1515 12

1612 15

15

Gmaj7FIGURE 72 same pattern, one octave and 12 frets lower, in first position

3 3 3 3

Gm(maj7)

3 3 3 3

Gmaj7

34 0

40 4

34 0

40 4

33 0

40 3

33 0

40 3

3

Gmaj7FIGURE 73 same pattern, starting on the bottom note

3 3 3 3 Gm(maj7)3 3 3 3 Gmaj7

40 4

34 0

40 4

34 0

40 3

33 0

40 3

33 0

4

Gmaj7FIGURE 74 Gmaj7 and Gm(maj7) arpeggios in two octaves, 14th position

Gm(maj7)

14 1514 17

16 17161514 15 14

151617 16

17 1415 14 15

13 1716 17

1515

14 15 1415

1517

Gmaj7 Gm(maj7) Gmaj7

1617 13

15 14151417

1617161514 1514

151617 16

17 1415 14 15

13 1716 17

151514 15 14

151517 16

17 1315 14

M A S T E R I N G A R P E G G I O S 3

Gmaj7FIGURE 75 same pattern, one octave and 12 frets lower, in second position

Gm(maj7)

2 32 5

4 54

32 3 2

34

5 45 2

3 2 31 5

4 53

32 3 2

33

5

Gmaj7 Gm(maj7) Gmaj7

45 1

3 2 32 5

4 5432 3 2

345 4

5 23 2 3

1 54 5

332 3 2

335 4

5 13 2

Gmaj7FIGURE 76 eight-note "alternating picking cell" on the bottom three strings

Gm(maj7) Gmaj7

2 32 5

45 2

3 2 32 5

45 2

3 2 31 5

45 1

3 2 31 5

45 1

3 2

Gmaj7FIGURE 77 same pattern, starting on the top note

Gm(maj7) Gmaj7

45 2

3 2 32 5

45 2

3 2 32 5

45 1

3 2 31 5

45 1

3 2 31 5

4

Gmaj7FIGURE 78 same pattern, one octave and 12 frets higher, in 14th position

Gm(maj7) Gmaj7

161714

1514 151417

1617 14

15141514 17

1617 13

15 14 1513 17

1617 13

15 14 1513 17

16

M A S T E R I N G A R P E G G I O S 3

Gmaj7FIGURE 79 same pattern, starting on the bottom note

Gm(maj7) Gmaj7

14151417

161714

1514151417

161714

15 14 1513 17

1617 13

15 14 1513 17

1617 13

15 14

Gmaj7FIGURE 80 slightly higher pattern, starting on the second note

Gm(maj7) Gmaj7

151417

1617 161714

1514 17

16171617 14

1513 17

16 17 1617 13

1513 17

16 17 1617 13

15

Gmaj7FIGURE 81 same pattern, starting on the top note

Gm(maj7) Gmaj7

17161714

151417

1617161714

151417

16 17 1617 13

1513 17

16 17 1617 13

1513 17

16 17

Gmaj7FIGURE 82 same pattern, one octave and 12 frets lower, in second position

Gm(maj7) Gmaj7

5 45 2

32 5

4 5 45 2

32 5

4 5 45 1

31 5

4 5 45 1

31 5

4 5

Gmaj7FIGURE 83 same pattern, starting on the bottom note

Gm(maj7) Gmaj7

32 5

4 5 45 2

32 5

4 5 45 2

31 5

4 5 45 1

31 5

4 5 45 1

3

M A S T E R I N G A R P E G G I O S 3

Chapter 3G Major Seven Flat-five and Sharp-five Arpeggios in Positions

Gmaj7FIGURE 84 Gmaj7, Gmaj7b5 and Gmaj7#5 arpeggios, played up and down one string

Gmaj7b5

0 4 7 11 12 11 7 4 0 4 7 11 12 11 7 4 0 4 6 11 12 11 6 4 0 4 6 11 12 11 6 4

Gmaj7 Gmaj7 #5 Gmaj7

0 4 7 1112 11 7 4 0 4 7 11 12 11 7 4 0 4 8 11 12 11 8 4 0 4 8 11 12 11 8 4 0

Gmaj7FIGURE 85 same arpeggios, played in position (minus the octave root note)

Gmaj7b5 Gmaj7 Gmaj7 #5 Gmaj7

5432

5432

5422

5422

54

32

54

32

54

42

54

42

5432

Gmaj7FIGURE 86 Gmaj7, Gmaj7b5 and Gmaj7#5 arpeggios in two octaves, fourth position

Gmaj7b5

3 75

4 54 7

73 7 3

77 4

5 45

7 3 74

4 54 6

73 7 3

76 4

Gmaj7 Gmaj7 #5 Gmaj7

5 447 3 7

54 5

4 773 7 3

77 4

5 457 3 7

64 5

44 7

3 7 37 4

45 4

67 3

CHAPTER 3 G Major Seven Flat-five and

Sharp-five Arpeggios in PositionsFIGURES 84-137

M A S T E R I N G A R P E G G I O S 3

Gmaj7FIGURE 87 same pattern, minus the top note

Gmaj7b5

3 75

4 54 7

73

77 4

5 45

7 3 74

4 54 6

73

76 4

5 44

7

Gmaj7 Gmaj7 #5 Gmaj7

3 754 5

4 77377 4

5 457 3 7

64 5

44 7

37 4

45 4

67 3

Gmaj7FIGURE 88 same pattern, minus the bottom note

Gmaj7b5

75

4 54 7

73 7 3

77 4

5 45

74

4 54 6

73 7 3

76 4

5 44

Gmaj7 Gmaj7 #5 Gmaj7

754 5

4 773 7 3

77 4

5 45

76

4 54

4 73 7 3

7 44

5 46

7

Gmaj7FIGURE 89 eight-note "alternate-picking cell" on the A, D and G strings

Gmaj7b5

54 5

4 7 45 4

54 5

4 7 45 4

44 5

4 6 45 4

44 5

4 6 45 4

Gmaj7 Gmaj7 #5 Gmaj7

54 5

4 7 45 4

54 5

4 7 45 4

64 5

4 8 45 4

64 5

4 8 45 4

5

M A S T E R I N G A R P E G G I O S 3

Gmaj7FIGURE 90 same pattern, starting on the top note

Gmaj7b5

7 45 4

54 5

4 7 45 4

54 5

4 6 45 4

44 5

4 6 45 4

44 5

4

Gmaj7 Gmaj7 #5

7 45 4

54 5

4 7 45 4

54 5

4 8 45 4

64 5

4 8 45 4

64 5

4 7

Gmaj7FIGURE 91 six-note triplet variation

3 3 3 3 Gmaj7b53 3 3 3

54 5

45 4

54 5

45 4

44 5

45 4

44 5

45 4

Gmaj73 3 3 3 Gmaj7 #5

3 3 3 3 Gmaj7

54 5

45 4

54 5

45 4

64 5

45 4

64 5

45 4

5

Gmaj7FIGURE 92 same pattern, starting on the top note

3 3 3 3

Gmaj7b5

3 3 3 3

45 4

54 5

45 4

54 5

45 4

44 5

45 4

44 5

M A S T E R I N G A R P E G G I O S 3

Gmaj7

3 3 3 3

Gmaj7 #5

3 3 3 3

Gmaj7

45 4

54 5

45 4

54 5

45 4

64 5

45 4

64 5

4

Gmaj7FIGURE 93 Gmaj7, Gmaj7b5 and Gmaj7#5 arpeggios in two octaves, sixth position

Gmaj7b5

75 9

5 977 8

78 7

79 5

9 57

4 95 9

67 8

78 7

69 5

9 4

Gmaj7 Gmaj7 #5 Gmaj7

75 9

5 977 8

78 7

79 5

9 57

6 95 9

87 8

78 7

89 5

9 67

Gmaj7FIGURE 94 Gmaj7, Gmaj7b5 and Gmaj7#5 arpeggios in two octaves, seventh position

Gmaj7b5

7 109 10

977 8

7 10 78 7

7910 9

9 7 99 10

96

7 87 9 7

8 76

Gmaj7 Gmaj7 #5 Gmaj7

910 9

9 7 109 10

977 8

7 10 78 7

7910 9

10 7 119 10

987 8

7 11 78 7

8910 9

11 7

Gmaj7FIGURE 95 same pattern, minus the top note

Gmaj7b5

7 109 10

977 8

78 7

7910 9

10 7 99 10

96

7 87

8 76

910 9

9

M A S T E R I N G A R P E G G I O S 3

Gmaj7 Gmaj7 #5 Gmaj7

7 109 10

977 8

78 7

7910 9

10 7 119 10

98

7 87

8 78

910 9

11 7

Gmaj7FIGURE 96 same pattern, minus the bottom note

Gmaj7b5

109 10

977 8

7 10 78 7

7910 9

99 10

96

7 87 9 7

8 76

910 9

Gmaj7 Gmaj7 #5 Gmaj7

109 10

977 8

7 10 78 7

7910 9

119 10

98

7 87 11 7

8 78

910 9

10

Gmaj7FIGURE 97 six-note "alternate-picking cell" on the top two strings

3 3 3 3

Gmaj7b5

3 3 3 3

7 87 10 7

8 7 87 10 7

8 7 87 9 7

8 7 87 9 7

8

Gmaj7

3 3 3 3

Gmaj7 #5

3 3 3 3

Gmaj7

7 87 10 7

8 7 87 10 7

8 7 87 11 7

8 7 87 11 7

8 7

Gmaj7FIGURE 98 same pattern, starting on the top note

3 3 3 3

Gmaj7b5

3 3 3 3

10 78 7 8

7 10 78 7 8

7 9 78 7 8

7 9 78 7 8

7

M A S T E R I N G A R P E G G I O S 3

Gmaj7

3 3 3 3

Gmaj7 #5

3 3 3 3

Gmaj7

10 78 7 8

7 10 78 7 8

7 11 78 7 8

7 11 78 7 8

7 10

Gmaj7FIGURE 99 16th-note variation, descending only (four-note "cell")

Gmaj7b5

10 78 7

10 78 7

10 78 7

10 78 7

9 78 7

9 78 7

9 78 7

9 78 7

Gmaj7 Gmaj7 #5 Gmaj7

10 78 7

10 78 7

10 78 7

10 78 7

11 78 7

11 78 7

11 78 7

11 78 7

10

Gmaj7FIGURE 100 Gmaj7, Gmaj7b5 and Gmaj7#5 arpeggios in two octaves, ninth position

Gmaj7b5

109 10

9 1211 12

121012

12 1112 9

10 99

9 109 11

11 1212

912

12 1111 9

10 9

Gmaj7 Gmaj7 #5 Gmaj7

109 10

9 121112

12101212 11

12 910 9

119 10

9 1311 12

1211

1212 11

13 910 9

10

Gmaj7FIGURE 101 eight-note "alternate picking cell" on the bottom three strings

Gmaj7b5

109 10

9 12 910 9

109 10

9 12 910 9

99 10

9 11 910 9

99 10

9 11 910 9

M A S T E R I N G A R P E G G I O S 3

Gmaj7 Gmaj7 #5 Gmaj7

109 10

9 12 910 9

109 10

9 12 910 9

119 10

9 13 910 9

119 10

9 13 910 9

10

Gmaj7FIGURE 102 same pattern, starting on the top note

Gmaj7b5

12 910 9

109 10

9 12 910 9

109 10

9 11 910 9

99 10

9 11 910 9

99 10

9

Gmaj7 Gmaj7 #5 Gmaj7

12 910 9

109 10

9 12 910 9

109 10

9 13 910 9

119 10

9 13 910 9

119 10

9 12

Gmaj7FIGURE 103 six-note variation

3 3 3 3 Gmaj7b53 3 3 3

109 10

910 9

109 10

910 9

99 10

910 9

99 10

910 9

Gmaj73 3 3 3 Gmaj7 #5

3 3 3 3 Gmaj7

109 10

910 9

109 10

910 9

119 10

910 9

119 10

910 9

10

M A S T E R I N G A R P E G G I O S 3

Gmaj7FIGURE 104 same pattern, starting on the top note

3 3 3 3

Gmaj7b5

3 3 3 3

910 9

109 10

910 9

109 10

910 9

99 10

910 9

99 10

Gmaj7

3 3 3 3

Gmaj7 #5

3 3 3 3

Gmaj7

910 9

109 10

910 9

109 10

910 9

119 10

910 9

119 10

9

Gmaj7FIGURE 105 eight-note "alternate-picking cell" on the A, D and G strings

Gmaj7b5

9 109 12

1112 9

10 9 109 12

1112 9

10 9 109 11

1111 9

10 9 109 11

1111 9

10

Gmaj7 Gmaj7 #5 Gmaj7

9 109 12

1112 9

10 9 109 12

1112 9

10 9 109 13

1113 9

10 9 109 13

1113 9

10 9

Gmaj7FIGURE 106 same pattern, starting on the top note

Gmaj7b5

1112 9

10 9 109 12

1112 9

10 9 109 12

1111 9

10 9 109 11

1111 9

10 9 109 11

M A S T E R I N G A R P E G G I O S 3

Gmaj7 Gmaj7 #5 Gmaj7

1112 9

10 9 109 12

1112 9

10 9 109 12

1113 9

10 9 109 13

1113 9

10 9 109 13

11

Gmaj7FIGURE 107 six-note variation, using only the notes on the A and D strings

3 3 3 3 Gmaj7b53 3 3 3

9 109 12 9

10 9 109 12 9

10 9 109 11 9

10 9 109 11 9

10

Gmaj73 3 3 3 Gmaj7 #5

3 3 3 3 Gmaj7

9 109 12 9

10 9 109 12 9

10 9 109 13 9

10 9 109 13 9

10 9

Gmaj7FIGURE 108 same pattern, starting on the top note

3 3 3 3

Gmaj7b5

3 3 3 3

12 910 9 10

9 12 910 9 10

9 11 910 9 10

9 11 910 9 10

9

Gmaj7

3 3 3 3

Gmaj7 #5

3 3 3 3

Gmaj7

12 910 9 10

9 12 910 9 10

9 13 910 9 10

9 13 910 9 10

9 12

M A S T E R I N G A R P E G G I O S 3

Gmaj7FIGURE 109 higher eight-note cell on the A, D and G strings

Gmaj7b5

109 12

11 12 1112 9

109 12

11 12 1112 9

109 11

11 12 1111 9

109 11

11 12 1111 9

Gmaj7 Gmaj7 #5 Gmaj7

109 12

11 12 1112 9

109 12

11 12 1112 9

109 13

11 12 1113 9

109 13

11 12 1113 9

10

Gmaj7FIGURE 110 same pattern, starting on the top note

Gmaj7b5

12 1112 9

109 12

11 12 1112 9

109 12

11 12 1111 9

109 11

11 12 1111 9

109 11

11

Gmaj7 Gmaj7 #5 Gmaj7

12 1112 9

109 12

11 12 1112 9

109 12

11 12 1113 9

109 13

11 12 1113 9

109 13

11 12

Gmaj7FIGURE 111 six-note variation

3 3 3 3

Gmaj7b5

3 3 3 3

109 12

1112 9

109 12

1112 9

109 11

1111 9

109 11

1111 9

M A S T E R I N G A R P E G G I O S 3

Gmaj7

3 3 3 3

Gmaj7 #5

3 3 3 3

Gmaj7

109 12

1112 9

109 12

1112 9

109 13

1113 9

109 13

1113 9

10

Gmaj7FIGURE 112 same pattern, starting on the top note

3 3 3 3

Gmaj7b5

3 3 3 3

1112 9

109 12

1112 9

109 12

1111 9

109 11

1111 9

109 11

Gmaj7

3 3 3 3

Gmaj7 #5

3 3 3 3

Gmaj7

1112 9

109 12

1112 9

109 12

1113 9

109 13

1113 9

109 13

11

Gmaj7FIGURE 113 higher variation, using only the notes on the D and G strings

3 3 3 3

Gmaj7b5

3 3 3 3

9 1211 12 11

12 9 1211 12 11

12 9 1111 12 11

11 9 1111 12 11

11

Gmaj7

3 3 3 3

Gmaj7 #5

3 3 3 3

Gmaj7

9 1211 12 11

12 9 1211 12 11

12 9 1311 12 11

13 9 1311 12 11

13 9

M A S T E R I N G A R P E G G I O S 3

Gmaj7FIGURE 114 same pattern, starting on the top note

3 3 3 3

Gmaj7b5

3 3 3 3

12 1112 9 12

11 12 1112 9 12

11 12 1111 9 11

11 12 1111 9 11

11

Gmaj7

3 3 3 3

Gmaj7 #5

3 3 3 3

Gmaj7

12 1112 9 12

11 12 1112 9 12

11 12 1113 9 13

11 12 1113 9 13

11 12

Gmaj7FIGURE 115 Gmaj7, Gmaj7b5 and Gmaj7#5 arpeggios in two octaves, 11th position

Gmaj7b5

10 1410 14

1211 12

1210 14 10

1212 11

1214 10

14 9 1410 14

1111 12

129 14 9

1212 11

Gmaj7 Gmaj7 #5 Gmaj7

111410

1410141014

121112

12101410

1212 11

1214 10

14 11 1410 14

1311 12

1211 14 11

1212 11

1314 10

14 10

Gmaj7FIGURE 116 same pattern, minus the top note

Gmaj7b5

10 1410 14

1211 12

121012

12 111214 10

14 9 1410 14

1111 12

129

1212 11

1114 10

14

M A S T E R I N G A R P E G G I O S 3

Gmaj7 Gmaj7 #5 Gmaj7

10141014

121112

12101212 11

121410

14 11 1410 14

1311 12

1211

1212 11

1314 10

14 10

Gmaj7FIGURE 117 same pattern, minus the bottom note

Gmaj7b5

1410 14

1211 12

1210 14 10

1212 11

1214 10

1410 14

1111 12

129 14 9

1212 11

1114 10

Gmaj7 Gmaj7 #5 Gmaj7

141014

121112

1210 1410

1212 11

1214 10

1410 14

1311 12

1211 14 11

1212 11

1314 10

14

Gmaj7FIGURE 118 eight-note "alternate picking cell" on the bottom three strings

Gmaj7b5

10 1410 14

1214 10

14 10 1410 14

1214 10

14 9 1410 14

1114 10

14 9 1410 14

1114 10

14

Gmaj7 Gmaj7 #5 Gmaj7

10141014

121410

14 10141014

121410

14 11 1410 14

1314 10

14 11 1410 14

1314 10

14 10

Gmaj7FIGURE 119 same pattern, starting on the top note

Gmaj7b5

1214 10

14 10 1410 14

1214 10

14 10 1410 14

1114 10

14 9 1410 14

1114 10

14 9 1410 14

M A S T E R I N G A R P E G G I O S 3

Gmaj7 Gmaj7 #5 Gmaj7

121410

14 10141014

121410

14 101410 14

1314 10

14 11 1410 14

1314 10

14 11 1410 14

12

Gmaj7FIGURE 120 six-note variation, using only the notes on the bottom two strings

3 3 3 3 Gmaj7b53 3 3 3

10 1410 14 10

14 10 1410 14 10

14 9 1410 14 10

14 9 1410 14 10

14

Gmaj73 3 3 3 Gmaj7 #5

3 3 3 3 Gmaj7

10 1410 14 10

14 10 1410 14 10

14 11 1410 14 10

14 11 1410 14 10

14 10

Gmaj7FIGURE 121 same pattern, starting on the top note

3 3 3 3

Gmaj7b5

3 3 3 3

14 1014 10 14

10 14 1014 10 14

10 14 1014 9 14

10 14 1014 9 14

10

Gmaj7

3 3 3 3

Gmaj7 #5

3 3 3 3

Gmaj7

14 1014 10 14

10 14 1014 10 14

10 14 1014 11 14

10 14 1014 11 14

10 14

M A S T E R I N G A R P E G G I O S 3

Gmaj7FIGURE 122 higher variation on the bottom three strings

3 3 3 3 Gmaj7b53 3 3 3

1410 14

1214 10

1410 14

1214 10

1410 14

1114 10

1410 14

1114 10

Gmaj73 3 3 3 Gmaj7 #5

3 3 3 3 Gmaj7

1410 14

1214 10

1410 14

1214 10

1410 14

1314 10

1410 14

1314 10

14

Gmaj7FIGURE 123 same pattern, starting on the top note

3 3 3 3

Gmaj7b5

3 3 3 3

1214 10

1410 14

1214 10

1410 14

1114 10

1410 14

1114 10

1410 14

Gmaj7

3 3 3 3

Gmaj7 #5

3 3 3 3

Gmaj7

1214 10

1410 14

1214 10

1410 14

1314 10

1410 14

1314 10

1410 14

12

Gmaj7FIGURE 124 Gmaj7, Gmaj7b5 and Gmaj7#5 arpeggios in two octaves, 13th position

Gmaj7b5

14 1514

12 1612 16

1514 15 14

1516 12

16 1214

15 14 1514

11 1612 16

1414 15 14

1416 12

M A S T E R I N G A R P E G G I O S 3

Gmaj7 Gmaj7 #5 Gmaj7

161114151415

141216

121615141514

1516 12

16 121415 14 15

1413 16

12 161614 15 14

1616 12

16 131415 14

Gmaj7FIGURE 125 same pattern, minus the top note

Gmaj7b5

14 1514

12 1612 16

1514

1516 12

16 1214

15 14 1514

11 1612 16

1414

1416 12

16 1114

15

Gmaj7 Gmaj7 #5 Gmaj7

14151412 16

12161514151612

16121415 14 15

1413 16

12 1616

1416

16 1216 13

1415 14

Gmaj7FIGURE 126 same pattern, minus the bottom note

Gmaj7b5

151412 16

12 161514 15 14

1516 12

16 1214

1514

11 1612 16

1414 15 14

1416 12

16 1114

Gmaj7 Gmaj7 #5 Gmaj7

15141216

12161514 1514

1516 12

161214

1514

13 1612 16

1614 15 14

1616 12

16 1314

15

M A S T E R I N G A R P E G G I O S 3

Gmaj7FIGURE 127 same shape, shifted down 12 frets and one octave, to first position

Gmaj7b5

2 32

0 40 4

32 3 2

34 0

4 02

3 2 32 4

40 4

22 3 2

24 0

Gmaj7 Gmaj7 #5 Gmaj7

44 2

3 2 320 4

0 432 3 2

34 0

4 023 2 3

21 4

0 442 3 2

44 0

4 123 2

Gmaj7FIGURE 128 same pattern, minus the top note

Gmaj7b5

2 32

0 40 4

32

34 0

4 02

3 2 32 4

40 4

22

24 0

44 2

3

Gmaj7 Gmaj7

2 320 4

0 43234 0

4 023 2 3

21 4

0 44

24

4 04 1

23 2

Gmaj7FIGURE 129 same pattern, minus the bottom note

Gmaj7b5

32

0 40 4

32 3 2

34 0

4 02

32 4

40 4

22 3 2

24 0

44 2

Gmaj7 Gmaj7 #5 Gmaj7

320 4

0 432 3 2

34 0

4 02

32

1 40 4

42 3 2

44 0

4 12

3

M A S T E R I N G A R P E G G I O S 3

Gmaj7FIGURE 130 Gmaj7, Gmaj7b5 and Gmaj7 #5 arpeggios in two octaves, 14th position

Gmaj7b5

14 1514 17

16 17161514 15 14

151617 16

17 1415 14 15

14 1616 17

1614

14 15 1414

1617

Gmaj7 Gmaj7 #5 Gmaj7

161614

1514151417

16171615141514

151617 16

17 1415 14 15

14 1816 17

161614 15 14

161617 16

18 1415 14

Gmaj7FIGURE 131 same pattern, one octave and 12 frets lower, in second position

Gmaj7b5

2 32 5

4 54

32 3 2

34

5 45 2

3 2 32 4

4 54

22 3 2

24

5

Gmaj7 Gmaj7 #5 Gmaj7

44 2

3 2 32 5

4 5432 3 2

345 4

5 23 2 3

2 64 5

442 3 2

445 4

6 23 2

Gmaj7FIGURE 132 eight-note "alternating picking cell" on the bottom three strings

Gmaj7b5

2 32 5

45 2

3 2 32 5

45 2

3 2 32 4

44 2

3 2 32 4

44 2

3

M A S T E R I N G A R P E G G I O S 3

Gmaj7 Gmaj7 #5 Gmaj7

2 32 5

45 2

3 2 32 5

45 2

3 2 32 6

46 2

3 2 32 6

46 2

3 2

Gmaj7FIGURE 133 same pattern, starting on the top note

Gmaj7b5

45 2

3 2 32 5

45 2

3 2 32 5

44 2

3 2 32 4

44 2

3 2 32 4

Gmaj7 #5 Gmaj7

45 2

3 2 32 5

45 2

3 2 32 5

46 2

3 2 32 6

46 2

3 2 32 6

4

Gmaj7FIGURE 134 same pattern, one octave and 12 frets higher, in 14th position

Gmaj7b5

1617 14

15 14 1514 17

1617 14

15 14 1514 17

1616 14

15 14 1514 16

1616 14

15 14 1514 16

Gmaj7 Gmaj7 #5 Gmaj7

161714

15 14151417

161714

15 141514 17

1618 14

15 14 1514 18

1618 14

15 14 1514 18

16

M A S T E R I N G A R P E G G I O S 3

Gmaj7FIGURE 135 same pattern, starting on the bottom note

Gmaj7b5

14 1514 17

1617 14

15 14 1514 17

1617 14

15 14 1514 16

1616 14

15 14 1514 16

1616 14

15

Gmaj7 Gmaj7 #5 Gmaj7

14151417

161714

15 14151417

161714

15 14 1514 18

1618 14

15 14 1514 18

1618 14

15 14

Gmaj7FIGURE 136 slightly higher pattern, starting on the second note

Gmaj7b5

1514 17

16 17 1617 14

1514 17

16 17 1617 14

1514 16

16 17 1616 14

1514 16

16 17 1616 14

Gmaj7 Gmaj7 #5 Gmaj7

151417

16 17161714

151417

16 171617 14

1514 18

16 17 1618 14

1514 18

16 17 1618 14

15

Gmaj7FIGURE 137 same pattern, one octave and 12 frets lower, in second position

Gmaj7b5

32 5

4 5 45 2

32 5

4 5 45 2

32 4

4 5 44 2

32 4

4 5 44 2

Gmaj7 Gmaj7 #5

32 5

4 5 45 2

32 5

4 5 45 2

32 6

4 5 46 2

32 6

4 5 46 2

3

M A S T E R I N G A R P E G G I O S 3

Chapter 4G Dominant Seven Flat-five and Sharp-five Arpeggios in Positions

G7FIGURE 138 G7, G7b5 and G7#5 arpeggios, played up and down one string

G7 5

0 4 7 10 12 10 7 4 0 4 7 10 12 10 7 4 0 4 6 10 12 10 6 4 0 4 6 10 12 10 6 4

G7 G7 #5 G7

0 4 7 10 12 10 7 4 0 4 7 10 12 10 7 4 0 4 8 10 12 10 8 4 0 4 8 10 12 10 8 4 0

G7FIGURE 139 same arpeggios, played in position (minus the octave root note)

G7 5 G7 G7 #5 G7

5431

5431

5421

5421

54

31

54

31

5441

54

41

5431

G7 5FIGURE 140 G7b5 and Db7b5: same notes

D 7 5

32 4

3 54 6

6 87 9

43 5

4 66 8

7 9

G7FIGURE 141 G7, G7b5 and G7#5 arpeggios in two octaves, fourth position

G7 5

3 75

3 54 7

63 7 3

67 4

5 35

7 3 74

3 54 6

63 7 3

66 4

CHAPTER 4 G Dominant Seven Flat-five and

Sharp-five Arpeggios in PositionsFIGURES 138-169

M A S T E R I N G A R P E G G I O S 3

G7 G7 #5 G7

5 347 3 7

53 5

4 763 7 3

67 4

5 357 3 7

63 5

44 6

3 7 36 4

45 3

67 3

G7FIGURE 142 same pattern, minus the top note

G7 5

3 75

3 54 7

63

67 4

5 35

7 3 74

3 54 6

63

66 4

5 34

7

G7 G7 #5 G7

3 75

3 54 7

63

67 4

5 35

7 3 76

3 54

4 63

6 44

5 36

7 3

G7FIGURE 143 same pattern, minus the bottom note

G7 5

75

3 54 7

63 7 3

67 4

5 35

74

3 54 6

63 7 3

66 4

5 34

G7 G7 #5 G7

75

3 54 7

63 7 3

67 4

5 35

76

3 54

4 63 7 3

6 44

5 36

7

G7FIGURE 144 eight-note "alternate-picking cell" on the A, D and G strings

G7 5

53 5

4 7 45 3

53 5

4 7 45 3

43 5

4 6 45 3

43 5

4 6 45 3

M A S T E R I N G A R P E G G I O S 3

G7 G7 #5 G7

53 5

4 7 45 3

53 5

4 7 45 3

63 5

4 8 45 3

63 5

4 8 45 3

5

G7FIGURE 145 six-note triplet variation

3 3 3 3 G7 53 3 3 3

53 5

45 3

53 5

45 3

43 5

45 3

43 5

45 3

G73 3 3 3 G7 #5

3 3 3 3 G7

53 5

45 3

53 5

45 3

63 5

45 3

63 5

45 3

5

G7FIGURE 146 G7, G7b5 and G7#5 arpeggios in two octaves, sixth position

G7 5

75 8

5 97

6 87

8 67

9 58 5

74 8

5 96

6 87

8 66

9 58 4

G7 G7 #5 G7

75 8

5 97

6 87

8 67

9 58 5

76 8

5 98

6 87

8 68

9 58 6

7

G7FIGURE 147 G7, G7b5 and G7#5 arpeggios in two octaves, seventh position

G7 5

7 108 10

97 10

87 10 7

810 7

910 8

10 7 98 10

96 10

87 9 7

810 6

M A S T E R I N G A R P E G G I O S 3

G7 G7 #5 G7

910 8

9 7 108 10

97 10

87 10 7

810 7

910 8

10 7 118 10

98 10

87 11 7

810 8

910 8

11 7

G7FIGURE148 same pattern, minus the top note

G7 5

7 108 10

97 10

87

810 7

910 8

10 7 98 10

96 10

87

810 6

910 8

9

G7 G7 #5 G7

7 108 10

97 10

87

810 7

910 8

10 7 118 10

98 10

87

810 8

910 8

11 7

G7FIGURE 149 six-note "alternate-picking cell" on the top two strings

3 3 3 3

G7 5

3 3 3 3

6 87 10 7

8 6 87 10 7

8 6 87 9 7

8 6 87 9 7

8

G7

3 3 3 3

G7 #5

3 3 3 3

G7

6 87 10 7

8 6 87 10 7

8 6 87 11 7

8 6 87 11 7

8 6

G7FIGURE 150 same pattern, starting on the top note

3 3 3 3

G7 5

3 3 3 3

10 78 6 8

7 10 78 6 8

7 9 78 6 8

7 9 78 6 8

7

M A S T E R I N G A R P E G G I O S 3

G7

3 3 3 3

G7 #5

3 3 3 3

G7

10 78 6 8

7 10 78 6 8

7 11 78 6 8

7 11 78 6 8

7 10

G7FIGURE 151 16th-note variation, descending only (four-note "cell")

G7 5

10 78 6

10 78 6

10 78 6

10 78 6

9 78 6

9 78 6

9 78 6

9 78 6

G7 G7 #5 G7

10 78 6

10 78 6

10 78 6

10 78 6

11 78 6

11 78 6

11 78 6

11 78 6

10

G7FIGURE 152 G7, G7b5 and G7#5 arpeggios in two octaves, ninth position

G7 5

108 10

9 1210 12

1210

1212 10

12 910 8

98 10

9 1110 12

12912

12 1011 9

10 8

G7 G7 #5 G7

108 10

9 1210 12

1210

1212 10

12 910 8

118 10

9 1310 12

1211

1212 10

13 910 8

10

G7FIGURE 153 eight-note "alternate picking cell" on the bottom three strings

G7 5

108 10

9 12 910 8

108 10

9 12 910 8

98 10

9 11 910 8

98 10

9 11 910 8

M A S T E R I N G A R P E G G I O S 3

G7 G7 #5 G7

108 10

9 12 910 8

108 10

9 12 910 8

118 10

9 13 910 8

118 10

9 13 910 8

10

G7FIGURE 154 six-note variation

3 3 3 3 G7 53 3 3 3

108 10

910 8

108 10

910 8

98 10

910 8

98 10

910 8

G73 3 3 3 G7 #5

3 3 3 3 G7

108 10

910 8

108 10

910 8

118 10

910 8

118 10

910 8

10

G7FIGURE 155 six-note variation, using only the notes on the A and D strings

3 3 3 3 G7 53 3 3 3

8 109 12 9

10 8 109 12 9

10 8 109 11 9

10 8 109 11 9

10

G73 3 3 3 G7 #5

3 3 3 3 G7

8 109 12 9

10 8 109 12 9

10 8 109 13 9

10 8 109 13 9

10 8

M A S T E R I N G A R P E G G I O S 3

G7FIGURE 156 higher eight-note cell on the A, D and G strings

G7 5

109 12

10 12 1012 9

109 12

10 12 1012 9

109 11

10 12 1011 9

109 11

10 12 1011 9

G7 G7 #5 G7

109 12

10 12 1012 9

109 12

10 12 1012 9

109 13

10 12 1013 9

109 13

10 12 1013 9

10

G7FIGURE 157 six-note variation

3 3 3 3

G7 5

3 3 3 3

109 12

1012 9

109 12

1012 9

109 11

1011 9

109 11

1011 9

G7

3 3 3 3

G7 #5

3 3 3 3

G7

109 12

1012 9

109 12

1012 9

109 13

1013 9

109 13

1013 9

10

G7FIGURE 158 higher variation, using only the notes on the D and G strings

3 3 3 3

G7 5

3 3 3 3

9 1210 12 10

12 9 1210 12 10

12 9 1110 12 10

11 9 1110 12 10

11

M A S T E R I N G A R P E G G I O S 3

G7

3 3 3 3

G7 #5

3 3 3 3

G7

9 1210 12 10

12 9 1210 12 10

12 9 1310 12 10

13 9 1310 12 10

13 9

G7FIGURE 159 G7, G7b5 and G7#5 arpeggios in two octaves, 11th position

G7 5

10 1310 14

1210 12

1210 13 10

1212 10

1214 10

13 9 1310 14

1110 12

129 13 9

1212 10

G7 G7 #5 G7

111410

1310131014

121012

12101310

1212 10

1214 10

13 11 1310 14

1310 12

1211 13 11

1212 10

1314 10

13 10

G7FIGURE 160 same pattern, minus the top note

G7 5

10 1310 14

1210 12

1210

1212 10

1214 10

13 9 1310 14

1110 12

12912

12 1011

14 1013

G7 G7 #5 G7

10 1310 14

1210 12

1210

1212 10

1214 10

13 11 1310 14

1310 12

1211

1212 10

1314 10

13 10

G7FIGURE 161 eight-note "alternate picking cell" on the bottom three strings

G7 5

10 1310 14

1214 10

13 10 1310 14

1214 10

13 9 1310 14

1114 10

13 9 1310 14

1114 10

13

M A S T E R I N G A R P E G G I O S 3

G7 G7 #5 G7

10 1310 14

1214 10

13 10 1310 14

1214 10

13 11 1310 14

1314 10

13 11 1310 14

1314 10

13 10

G7FIGURE 162 G7, G7b5 and G7#5 arpeggios in two octaves, 13th position

G7 5

13 1514

12 1512 16

1513 15 13

1516 12

15 1214

15 13 1514

11 1512 16

1413 15 13

1416 12

G7 G7 #5 G7

151114151315

141215

121615131513

1516 12

15 121415 13 15

1413 15

12 161613 15 13

1616 12

15 131415 13

G7FIGURE 163 same pattern, minus the bottom note and starting on the top

G7 5

15 1315

16 1215 12

1415

1412 15

12 1615

13 15 1314

16 1215 11

1415

1411 15

12 1614

13

G7 G7 #5 G7

15 1315

16 1215 12

1415

1412 15

12 1615

13 15 1316

16 1215 13

1415

1413 15

12 1616

13 15

M A S T E R I N G A R P E G G I O S 3

G7FIGURE 164 same shape, shifted down 12 frets and one octave, to first position

G7 5

1 32

0 30 4

31 3 1

34 0

3 02

3 1 32 4

30 4

21 3 1

24 0

G7 G7 #5 G7

34 2

3 1 320 3

0 431 3 1

34 0

3 023 1 3

21 3

0 441 3 1

44 0

3 123 1

G7FIGURE 165 same pattern, minus the bottom note

G7 5

3 13

4 03 0

23

20 3

0 43

1 3 12

4 03

4 23

2 43

0 42

1

G& G7 #5 G7

3 13

4 03 0

23

20 3

0 431 3 1

44 0

3 12

32

1 30 4

41 3

G7FIGURE 166 G7, G7b5 and G7#5 arpeggios in two octaves, 14th position

G7 5

13 1514 17

15 1716

1513 15 13

1516

17 1517 14

15 13 1514 16

15 1716

1413 15 13

1416

17

G7 G7 #5 G7

151614

1513151417

15171615131513

151617 15

17 1415 13 15

14 1815 17

161613 15 13

161617 15

18 1415 13

M A S T E R I N G A R P E G G I O S 3

G7FIGURE 167 same pattern, one octave and 12 frets lower, in second position

G7 5

1 32 5

3 54

31 3 1

34

5 35 2

3 1 32 4

3 54

21 3 1

24

5

G7 G7 #5 G7

34 2

3 1 32 5

3 5431 3 1

345 3

5 23 1 3

2 63 5

441 3 1

445 3

6 23 1

G7FIGURE 168 eight-note "alternate picking cell" on the bottom three strings

G7 5

32 5

3 5 35 2

32 5

3 5 35 2

32 4

3 5 34 2

32 4

3 5 34 2

G7 G7 #5 G7

32 5

3 5 35 2

32 5

3 5 35 2

32 6

3 5 36 2

32 6

3 5 36 2

3

G7FIGURE 169 same pattern, 12 frets and one octave higher, in 14th position, starting on the top note

G7 5

17 1517 14

1514 17

15 17 1517 14

1514 17

15 17 1516 14

1514 16

15 17 1516 14

1514 16

15

G7 G7 #5 G7

17 1517 14

1514 17

15 17 1517 14

1514 17

15 17 1518 14

1514 18

15 17 1518 14

1514 18

15 17

M A S T E R I N G A R P E G G I O S 3

Chapter 5G Dominant Seven Sus4 Arpeggios in PositionsG7FIGURE 170 G7 and G7sus4 arpeggios, played up and down one string

G7sus4 G7

0 4 7 10 12 10 7 4 0 4 7 10 12 10 7 4 0 5 7 10 12 10 7 5 0 5 7 10 12 10 7 5 0

G7FIGURE 171 same arpeggios, played in position, minus the octave root note

G7sus4 G7 G7sus4 G7

54

31

54

31

55

31

55

31

54

31

54

31

55

31

55

31

5

G7FIGURE 172 G7 and G7sus4 arpeggios in two octaves, fourth position

G7sus4 G7

3 753 5

4 763 7 3

67 4

5 357 3

3 53 5

5 763 8 3

67 5

5 35 3

3 753 5

4 763 7 3

6

G7sus4 G7

7 45 3

57 3

3 53 5

5 76

3 8 36

7 55 3

5 33

G7FIGURE 173 eight-note "alternate-picking cell" on the A, D and G strings

G7sus4 G7

53 5

4 7 45 3

53 5

4 7 45 3

53 5

5 7 55 3

53 5

5 7 55 3

5

CHAPTER 5 G Dominant Seven Sus4 Arpeggios in Positions

FIGURES 170-190

M A S T E R I N G A R P E G G I O S 3

G7FIGURE 174 six-note triplet variation

3 3 3 3 G7sus43 3 3 3 G7

53 5

45 3

53 5

45 3

53 5

55 3

53 5

55 3

5

G7FIGURE 175 same pattern, starting on the top note

3 3 3 3

G7sus43 3 3 3

G7

45 3

53 5

45 3

53 5

55 3

53 5

55 3

53 5

4

G7FIGURE 176 G7 and G7sus4 arpeggios in two octaves, sixth position

G7sus4 G7

75 8

5 97

6 87

8 67

9 58 5

85 8

55 7

6 88

8 67 5

58 5

7

G7FIGURE 177 G7 and G7sus4 arpeggios in two octaves, seventh position

G7sus4

7 108 10

97 10

87 10 7

810 7

910 8

10 8 108 10

107 10

88 10 8

810 7

G7 G7sus4 G7

1010 8

10 7 108 10

97 10

87 10 7

810 7

910 8

10 8 108 10

107 10

88 10 8

810 7

1010 8

10 7

M A S T E R I N G A R P E G G I O S 3

G7FIGURE 178 six-note "alternate-picking cell" on the top two strings

3 3 3 3

G7sus4

3 3 3 3

G7

6 87 10 7

8 6 87 10 7

8 6 88 10 8

8 6 88 10 8

8 6

G7FIGURE 179 16th-note variation, starting on the top note, descending only (four-note "cell")

G7sus4 G7

10 78 6

10 78 6

10 78 6

10 78 6

10 88 6

10 88 6

10 88 6

10 88 6

10

G7FIGURE 180 G7 and G7sus4 arpeggios in two octaves, ninth position

G7sus4 G7

108 10

9 1210 12

1210

1212 10

12 910 8

108 10

10 1210 12

8 10 8

12 1012 10

10 810

G7FIGURE 181 eight-note "alternate-picking cell" cell on the A, D and G strings

G7sus4 G7

109 12

10 12 1012 9

109 12

10 12 1012 9

1010 12

10 12 1012 10

1010 12

10 12 1012 10

10

G7FIGURE 182 six-note variation

3 3 3 3

G7sus4

3 3 3 3

G7

109 12

1012 9

109 12

1012 9

1010 12

1012 10

1010 12

1012 10

10

M A S T E R I N G A R P E G G I O S 3

G7FIGURE 183 higher variation on the D and G strings only

3 3 3 3

G7sus4

3 3 3 3

G7

9 1210 12 10

12 9 1210 12 10

12 10 1210 12 10

12 10 1210 12 10

12 9

G7FIGURE 184 G7 and G7sus4 arpeggios in two octaves, 11th position

G7sus4

10 1310 14

1210 12

1210 13 10

1212 10

1214 10

13 10 1310

10 1210 12

1310 13 10

1312 10

G7 G7sus4 G7

12101013 1013

10 14121012

121013 10

1212 10

1214 10

13 10 131010 12

10 121310 13 10

1312 10

12 101013 10

G7FIGURE 185 G7 and G7sus4 arpeggios in two octaves, 13th position

G7sus4

13 1514

12 1512

12 1513 15 13

15 1212

15 1214

15 13 1515

12 1512

13 1513 15 13

15 1312

G7 G7sus4 G7

15121515 1315

141215

1212 15

1315 1315 12

1215 12

1415 13 15

1512 15

1213 15

13 15 1315 13

1215 12

1515 13

M A S T E R I N G A R P E G G I O S 3

G7FIGURE 186 same shape, shifted down 12 frets and one octave, to first position

G7sus4

1 32

0 30

0 31 3 1

3 00

3 02

3 1 33

0 30

1 31 3 1

3 10

G7 G7sus4 G7

3 033 1 3

20 3

00 3

1 3 13 0

03 0

23 1 3

30 3

01 3

1 3 13 1

03 0

33 1

G7FIGURE 187 G7 and G7sus4 arpeggios in two octaves, 14th position

G7sus4

13 1514 17

15 1716

1513 15 13

1516

17 1517 14

15 13 1515 17

15 1717

1513 15 13

1517

17

G7 G7sus4 G7

1517 15

15 131514 17

15 1716151315 13

151617 15

17 1415 13 15

15 1715 17

171513 15 13

151717 15

17 1515 13

G7FIGURE 188 same pattern, one octave and 12 frets lower, in second position

G7sus4

1 32 5

3 54

31 3 1

34

5 35 2

3 1 33 5

3 55

31 3 1

35

5

G7 G7sus4 G7

35 3

3 1 32 5

3 5431 3 1

345 3

5 23 1 3

3 53 5

531 3 1

355 3

5 33 1

M A S T E R I N G A R P E G G I O S 3

G7FIGURE 189 four-note "alternate-picking cell" on the top two strings, descending pattern only

G7sus4 G7

7 36 3

7 36 3

7 36 3

7 36 3

8 36 3

8 36 3

8 36 3

8 36 3

7

G7FIGURE 190 same pattern, 12 frets and one octave higher, in 14th position

G7sus4 G7

19 1518 15

19 1518 15

19 1518 15

19 1518 15

20 1518 15

20 1518 15

20 1518 15

20 1518 15

19

M A S T E R I N G A R P E G G I O S 3

Chapter 6Two-notes-per-string Patterns

Gmaj7FIGURE 191 all the "new" arpeggio qualities, two notes per string, starting on the root

Gm(maj7)

3 75 9

5 97 11

8 121014 1410

12 811 7

9 59 5

7 3 3 65 9

5 87 11

8 1110 14

Gmaj7b5

14 1011 8

11 78 5

9 56 3 3 7

4 95 9

6 118 12

9 14 14 912 8

11 69 5

9 47 3

Gmaj7 #5 G7 5

3 76 9

5 98 11

8 1211 14 14 11

12 811 8

9 59 6

7 3 3 74 8

5 96 10

8 129 13

G7 #5

13 912 8

10 69 5

8 47 3 3 7

6 85 9

8 108 12

11 13 13 1112 8

10 89 5

8 67 3

G7sus4

3 85 8

5 107 10

8 1310 13 13 10

13 810 7

10 58 5

8 3 3

CHAPTER 6 Two-notes-per-string Patterns

FIGURES 191-198

M A S T E R I N G A R P E G G I O S 3

Gmaj7FIGURE 192 same thing, starting on the third

Gm(maj7)

7 109 10

9 1211 12

12 1514 15 15 14

15 1212 11

12 910 9

10 7 6 109 10

8 1211 12

11 1514 15

Gmaj7b5

15 1415 11

12 1112 8

10 910 6 7 9

9 109 11

11 1212 14

14 15 15 1414 12

12 1111 9

10 99 7

Gmaj7 #5 G7 5

7 119 10

9 1311 12

12 1614 15 15 14

16 1212 11

13 910 9

11 7 7 98 10

9 1110 12

12 1413 15

G7 #5

15 1314 12

12 1011 9

10 89 7 7 11

8 109 13

10 1212 16

13 15 15 1316 12

12 1013 9

10 811 7

G7sus4

8 108 10

10 1210 12

13 1513 15 15 13

15 1312 10

12 1010 8

10 8 8

Gmaj7

FIGURE 193 same thing, starting on the fifthGm(maj7)

101410 14

12 1612 16

15 1915 19 1915

19 1516 12

16 1214 10

14 10 10 1410 13

12 1612 15

15 1915 18

M A S T E R I N G A R P E G G I O S 3

Gmaj7b5

18 1519 15

15 1216 12

13 1014 10 9 14

10 1411 16

12 1614 19

15 19 19 1519 14

16 1216 11

14 1014 9

Gmaj7 #5 G7 5

11 1410 14

13 1612 16

16 1915 19 19 15

19 1616 12

16 1314 10

14 11 9 1310 14

11 1512 16

14 1815 19

G7 #5

19 1518 14

16 1215 11

14 1013 9 11 13

10 1413 15

12 1616 18

15 19 19 1518 16

16 1215 13

14 1013 11

G7sus4

10 1310 15

12 1512 17

15 1815 20 20 15

18 1517 12

15 1215 10

13 10 10

Gmaj7FIGURE 194 same thing, starting on the seventh

Gm(maj7)

141514 17

16 1716 19

19 2019 22 2219

201919 16

17 1617 14

15 14 14 1513 17

16 1715 19

19 2018 22

Gmaj7b5

221820 19

19 1517 16

17 1315 14 14 15

14 1616 17

16 1819 20

19 21 211920 19

18 1617 16

16 1415 14

M A S T E R I N G A R P E G G I O S 3

Gmaj7 #5 G7 5

14 1514 18

16 1716 20

19 2019 (19)

20 1920 16

17 1618 14

15 14 13 1514 16

15 1716 18

18 2019 21

G7 #5

211920 18

18 1617 15

16 1415 13 13 15

14 1815 17

16 2018 20

19 (19)20 18

20 1617 15

18 1415 13

G7sus4

13 1515 17

15 1717 19

18 2020 22 22 20

20 1819 17

17 1517 15

15 13 13 15

Gmaj7FIGURE 195 same patterns, one octave and 12 frets lower

Gm(maj7)

2 32 5

4 54 7

7 87 10 10 7

8 77 4

5 45 2

3 2 2 31 5

4 53 7

7 86 10

Gmaj7b5

10 68 7

7 35 4

5 13 2 2 3

2 44 5

4 67 8

7 9 9 78 7

6 45 4

4 23 2

Gmaj7 #5 G7 5

2 32 6

4 54 8

7 87 11 11 7

8 78 4

5 46 2

3 2 1 32 4

3 54 6

6 87 9

M A S T E R I N G A R P E G G I O S 3

G7 #5

9 78 6

6 45 3

4 23 1 1 3

2 63 5

4 86 8

7 11 11 78 6

8 45 3

6 23 1

G7sus4

1 33 5

3 55 7

6 88 10 10 8

8 67 5

5 35 3

3 1 1 3

Gmaj7FIGURE 196 "climbing and tumbling" run, moving through all six arpeggio qualities

3 75 9 5 9

5 9 5 97 11 7 11

8 12 8 1210 14 14 10

12 8 12 811 7 11 7

9 5 9 59 5 9 5

7 3

Gm(maj7)

3 65 9 5 9

5 8 5 87 11 7 11

8 11 8 1110 14 14 10

11 8 11 811 7 11 7

8 5 8 59 5 9 5

6 3

Gmaj7b5

3 74 9 4 9

5 9 5 96 11 6 11

8 12 8 129 14 14 9

12 8 12 811 6 11 6

9 5 9 59 4 9 4

7 3

Gmaj7 #5

3 76 9 6 9

5 9 5 98 11 8 11

8 12 8 1211 14 14 11

12 8 12 811 8 11 8

9 5 9 59 6 9 6

7 3

M A S T E R I N G A R P E G G I O S 3

G7 5

3 74 8 4 8

5 9 5 96 10 6 10

8 12 8 129 13 13 9

12 8 12 810 6 10 6

9 5 9 58 4 8 4

7 3

G7 #5

3 76 8 6 8

5 9 5 98 10 8 10

8 12 8 1211 13 13 11

12 8 12 810 8 10 8

9 5 9 58 6 9 6

7 3

G7sus4

3 85 8 5 8

5 10 5 107 10 7 10

8 13 8 131013 1310

13 8 13 810 7 10 7

10 5 10 58 5 8 5

8 3 3

Gmaj7FIGURE 197 triplet variation on the same pattern

3 3 3 3

3 3 3 3 3 3 3 3

3 75 9 5 9

595 9 5 9

79

7 11 7 11811

8 12 8 121012

10 14 10 14 101210

12 8 12

3 3 3

3 3 3 3 3

Gm(maj7)

3 3 3 3

811

811 7 11 7

979 5 9 5

95

9 5 9 575

7 3 7 3 65 9 5 9

59

5 8 5 8

M A S T E R I N G A R P E G G I O S 3

3 3 3 3 3 3 3 3 3 3 3

3

78

7 11 7 11811

8 11 8 1110

1110 14 10 14 10

1110

11 8 11 811

811 7 11 7

87

8 5 8

3 3 3 3

Gmaj7b5

3 3 3 3

3 3 3 3

59

59 5 9 5

65

6 3 6 3 74 9 4 9

59

5 9 5 9696 11 6 11

811

8 12 8 12

3 3 3 3 3 3 3

3 3 3 3 3

912

9 14 9 14 912

912 8 12 8

11811 6 11 6

96

9 5 9 59

59 4 9 4

74

7 3 7

Gmaj7 #5

3 3 3 3

3 3 3 3 3 3 3 3

3 76 9 6 9

59

5 9 5 9898 11 8 11

811

8 12 8 121112

11 14 11 14 1112

1112 8 12

3 3 3

3 3 3 3 3G7 5

3 3 3 3

811

811 8 11 8

989 5 9 5

95

9 6 9 67

67 3 7 3 7

4 8 4 85

85 9 5 9

M A S T E R I N G A R P E G G I O S 3

3 3 3 3 3 3 3 3 3 3 3

3

69

6 10 6 10810

8 12 8 12912

9 13 9 13 912

912 8 12 8

10810 6 10 6

96

9 5 9

3 3 3 3G7 #5

3 3 3 3

3 3 3 3

58

58 4 8 4

74

7 3 7 3 76 8 6 8

58

5 9 5 989

8 10 8 10810

8 12 8 12

3 3 3 3 3 3 3

3 3 3 3 3

1112

11 13 11 13 1112

1112 8 12 8

10810 8 10 8

98

9 5 9 58

58 6 8 6

76

7 3 7

G7sus4

3 3 3 3

3 3 3 3 3 3 3 3

3 85 8 5 8

585 10 5 10

710

7 10 7 10810

8 13 8 1310

1310 13 10 13 10

1310

13 8 13

3 3 3

3 3 3 3 3

810

810 7 10 7

107

10 5 10 58

58 5 8 5

85

8 3 8 3

M A S T E R I N G A R P E G G I O S 3

Gm(maj7)FIGURE 198 Gm(maj7) arpeggio inversions, moving up the neck on two strings

6 37 3 3 7

3 6 6 37 3 3 7

3 6 10 68 7 7 8

6 10 10 68 7 7 8

6 10

14 1011 8 8 11

10 14 14 1011 8 8 11

10 14 15 1415 11 11 15

14 15 15 1415 11 11 15

14 15

18151915 15 19

15 18 18151915 15 19

15 18 22 1820 19 19 20

18 22 22 1820 19 19 20

18 2220

M A S T E R I N G A R P E G G I O S 3

Chapter 7E Harmonic Minor Diatonic Seventh-chord Arpeggios

rootFIGURE 199 E harmonic minor scale played up and down one string

2 m3 4 5 m6 7 root root 7 m6 5 4 m3 2 root

0 2 3 5 7 8 11 12 12 11 8 7 5 3 2 0

Em(maj7)FIGURE 200 E harmonic minor diatonic seventh-chord arpeggios, played on the bottom three strings

F m7 5 Gmaj7 #5 Am7

0 32

1 2 12

3 2 53

2 4 23

5 3 76

4 5 46

7 5 87

5 7 57

8

B7 Cmaj7 D dim7 Em(maj7)

7 119

7 9 7911 8 12

109 10 9

1012 11 14

1210 13 10

1214 12 15

1413 14 13

1415 12

Em(maj7)FIGURE 201 same set of arpeggios, played in two-octave positions across all six strings

F m7 5

0 32

1 20 4

40 3 3 0

44 0

2 12

3 0 2 532 4

2 552 5 5 2

55 2

4 235 2

Gmaj7 #5 Am7

3 76

4 54

4 73 7 7 3

7 44

5 46

7 3 5 875 7

5 985 8 8 5

89 5

7 578 5

CHAPTER 7 E Harmonic Minor Diatonic Seventh-chord Arpeggios

FIGURES 199-213

M A S T E R I N G A R P E G G I O S 3

B7 Cmaj7

7 119

7 98 11

107 11 11 7

1011 8

9 7911 7 812

10910

9 1212

8 1212 81212 9

10 91012 8

D dim7 Em(maj7)

1114121013

11 141311 1414 11

1314 11

13101214 11 12 15

1413 14

12 161612 15 15 12

1616 12

14 131415 12 12

Em(maj7)FIGURE 202 one-octave diatonic seventh-chord arpeggios in E harmonic minor, 1st position

F m7 5 Gmaj7 #5 Am7

0 321 2 1

23 0 2

0 32 4 2

3 02 3

21 4

04 1

23

0 320 2 0

23 0

B7 Cmaj7 D dim7

21 4

2 4 24 1

2 32

0 41

4 02

31 4

21 4 1

24 1

Em(maj7) F m7 5 Gmaj7 #5

20 4

40

44 0

2 421

0 2 01

24

0 44

2 3 24

4 0 (0)

F m7 5FIGURE 203 one-octave diatonic seventh-chord arpeggios in E harmonic minor, 2nd-3rd position

Gmaj7 #5 Am7 B7

2 532 4 2

35 2 3

2 64 5 4

6 23 5

32 5

25 2

35

2 64

2 4 24

6 2

M A S T E R I N G A R P E G G I O S 3

Cmaj7 D dim7 Em(maj7)

32 5

4 5 45 2

3 64

2 54

5 24

62 5

44 5 4

45 2

F m7 5 Gmaj7 #5 Am7

42 5

52

55 2

4 54

42 3 2

44

52 5

53 5 3

55 2 (2)

Gmaj7 #5FIGURE 204 one-octave diatonic seventh-chord arpeggios in E harmonic minor, 4th position

Am7 B7 Cmaj7

3 76

4 5 46

7 3 53 7

5 7 57 3

5 76

4 74

7 46

73 7

54 5 4

57 3

D dim7 Em(maj7) F m7 5

64 7

54

57 4

6 75

44 5 4

45

74 7

55 7 5

57 4

Gmaj7 #5 Am7 B7

54

4 73

7 44

5 75

53 5 3

557

44 7

5 7 57 4

4 (4)

Am7FIGURE 205 one-octave diatonic seventh-chord arpeggios in E harmonic minor, 5th-6th position

B7 Cmaj7 D dim7

5 875 7 5

78 5 7

6 97 9 7

9 67 8

75 9

59 5

78

6 97

5 8 57

9 6

M A S T E R I N G A R P E G G I O S 3

Em(maj7) F m7 5 Gmaj7 #5

75 9

8 9 89 5

7 97

5 97

9 57

95 9

87 8 7

89 5

Am7 B7 Cmaj7

75 9

85

89 5

7 98

75 7 5

78

95 9

87 8 7

89 5 (5)

B7FIGURE 206 one-octave diatonic seventh-chord arpeggios in E harmonic minor, 7th-8th position

Cmaj7 D dim7 Em(maj7)

7 119

7 9 7911 7 8

7 109 10 9

10 78 11

97 10

810 7

911

7 109

8 9 8910 7

F m7 5 Gmaj7 #5 Am7

97 10

9 11 910 7

9 109

8 118

11 89

107 10

98 10 8

910 7

B7 Cmaj7 D dim7

98 11

10710

11 89 10

98 12

812 8

910

8 1110

8 11 810

11 8 (8)

Cmaj7FIGURE 207 one-octave diatonic seventh-chord arpeggios in E harmonic minor, 8th-9th position

D dim7 Em(maj7) F m7 5

8 1210

9 10 91012 8 11

9 1210

810

12 911 12

109 13

913 9

1012

9 1210

9 11 91012 9

M A S T E R I N G A R P E G G I O S 3

Gmaj7 #5 Am7 B7

109 13

11 12 1113 9

10 1210

9 1210

12 910

129 13

1110 12 10

1113 9

Cmaj7 D dim7 Em(maj7)

109 12

1281212 9

10 1311

10 1311

13 1011

139 12

1211 12 11

1212 9 (9)

D dim7FIGURE 208 one-octave diatonic seventh-chord arpeggios in E harmonic minor, 11th position

Em(maj7) F m7 5 Gmaj7 #5

11 1412

10 13 1012

14 11 1210 14

13 14 1314 10

12 14121014

111410

1214

10 1413

11 12 1113

14 10

Am7 B7 Cmaj7

1210 14

12 14 1214 10

12 1413

11 1412

14 1113

1410 14

1212 13 12

1214 10

D dim7 Em(maj7) F m7 5

1311 14

1311

1314 11

13 1412

1211 12 11

1212

1411 14

1312 14 12

1314 11 (11)

Em(maj7)FIGURE 209 one-octave diatonic seventh-chord arpeggios in E harmonic minor, 12th position

F m7 5 Gmaj7 #5 Am7

12 1514

13 14 1314

15 12 1412 15

14 161415 12

14 1514

13 1612

16 1314

1512 15

1412 14 12

1415 12

M A S T E R I N G A R P E G G I O S 3

B7 Cmaj7 D dim7

1413 16

14 16 1416 13

14 1514

12 1613

16 1214

1513 16

1413 16 13

1416 13

Em(maj7) F m7 5 Gmaj7 #5

1412 16

1612

1616 12

14 161413 17

1417 13

1416

12 1616

14 15 1416

16 12 (12)

Em(maj7)FIGURE 210 same set of arpeggios, played two notes per string, starting on the root

F m7 5

0 32 6

2 54 8

5 87 11 11 7

8 58 4

5 26 2

3 0 2 53 7

4 75 9

710812

Gmaj7 #5

12 810 7

9 57 4

7 35 2 3 7

6 95 9

8 118 12

11 14 14 1112 8

11 89 5

9 67 3

Am7 B7

5 87 10

7 109 12

10 1312 15 1512

13 1012 9

10 710 7

8 5 7 119 12

9 1311 14

12 1614 17

Cmaj7

17 1416 12

14 1113 9

12 911 7 8 12

10 1410 14

121613 17

15 19 191517 13

161214 10

141012 8

M A S T E R I N G A R P E G G I O S 3

D dim7

11 1412 15

13 1614 17

16 1917 20 20 17

19 1617 14

16 1315 12

14 11

Em(maj7)

12 1514 18

14 1716 20

17 2019 (19)

20 1720 16

17 1418 14

15 12 (12)

Em(maj7)FIGURE 211 same set of arpeggios, played two notes per string, starting on the third

F m7 5

3 76 7

5 98 9

8 1211 12 12 11

12 89 8

9 57 6

7 3 5 87 9

7 109 11

10131214

Gmaj7 #5

14121310

11 910 7

9 78 5 7 11

9 109 13

11 1212 16

14 15 15 1416 12

12 1113 9

10 911 7

Am7 B7

8 121012

10141214

13171517 1715

17131412

14 1012 10

12 8 11 1412 14

13 1614 16

16 1917 19

Cmaj7

19 1719 16

16 1416 13

14 1214 11 1215

14 1514 17

161717 20

19 20 20192017

171617 14

151415 12

M A S T E R I N G A R P E G G I O S 3

Cmaj7 D dim7

0 32 3

2 54 5

5 87 8 8 7

8 55 4

5 23 2

3 0 2 53 6

4 75 8

7 108 11

Em(maj7)

11 810 7

8 57 4

6 35 2 3 7

6 75 9

8 98 12

11 12 12 1112 8

9 89 5

7 67 3 3

Em(maj7)FIGURE 212 same set of arpeggios, played two notes per string, starting on the fifth

F m7 5

7 117 10

9 139 12

12 1612 15 15 12

16 1212 9

13 910 7

11 7 812912

10141114

13171417

Gmaj7 #5

17141713

14111410

12 912 8 11 14

10 1413 16

12 1616 19

15 19 19 1519 16

16 1216 13

14 1014 11

Am7 Am7

12 1512 15

14 1714 17

17 2017 20 20 17

20 1717 14

17 1415 12

15 12 0 30 3

2 52 5

5 85 8

B7

8 58 5

5 25 2

3 03 0 2 5

2 64 7

4 87 10

7 11 11 710 7

8 47 4

6 25 2

M A S T E R I N G A R P E G G I O S 3

Cmaj7(not played in video)

D dim7

3 73 7

5 95 9

8 128 12 12 8

12 89 5

9 57 3

7 3 5 86 9

7 108 11

10 1311 14

Em(maj7)

14 1113 10

11 810 7

9 68 5 7 11

7 109 13

9 1212 16

12 15 15 1216 12

12 913 9

10 711 7 7

Em(maj7)

FIGURE 213 same set of arpeggios, played two notes per string, starting on the seventhF m7 5

11 1210 14

13 1412 16

16 1715 19 19 15

17 1616 12

14 1314 10

12 11 12141215

14161417

171917 20

F m7 5

20 1719 17

17 1416 14

15 1214 12 0 2

0 32 4

2 55 7

5 8 8 57 5

5 24 2

3 02 0

Gmaj7 #5 Am7

2 32 6

4 54 8

7 87 11 11 7

8 78 4

5 46 2

3 2 3 53 7

5 75 9

810812

M A S T E R I N G A R P E G G I O S 3

B7

12 810 8

9 57 5

7 35 3 5 7

6 97 9

8 1110 12

11 14 14 1112 10

11 89 7

9 67 5

Cmaj7 D dim7

7 87 10

9 109 12

12 1312 15 1512

13 1212 9

10 910 7

8 7 8 119 12

10 1311 14

13 1614 17

Em(maj7)

17 1416 13

14 1113 10

12 911 8 11 12

10 1413 14

12 1616 17

15 19 19 1517 16

16 1214 13

14 1012 11 12

M A S T E R I N G A R P E G G I O S 3

Chapter 8E Melodic Minor Diatonic Seventh-chord Arpeggios

rootFIGURE 214 E melodic minor scale played up and down one string

2 m3 4 5 6 7 root root 7 6 5 4 m3 2 root

0 2 3 5 7 9 11 12 12 11 9 7 5 3 2 0

Em(maj7)FIGURE 215 E melodic minor diatonic seventh-chord arpeggios, played on the bottom three strings

F m7 Gmaj7 #5 A7

0 32

1 2 12

3 2 54

2 4 24

5 3 76

4 5 46

7 5 97

5 7 57

9

B7 C m7 5 D m7 5 Em(maj7)

7 119

7 9 7911 9 12

109 11 9

1012 11 14

1211 13 11

1214 12 15

1413 14 13

1415 12

Em(maj7)FIGURE 216 same set of arpeggios, played in two-octave positions across all six strings

F m7

0 321 2

0 440 3 3 0

44 0

2 123 0 2 5

42 4

2 65

2 5 5 256 2

4 245 2

Gmaj7 #5 A7

3 764 5

44 7

3 7 7 37 4

45 4

67 3 5 9

75 7

6 98

5 9 9 58

9 67 5

79 5

CHAPTER 8 E Melodic Minor Diatonic Seventh-chord Arpeggios

FIGURES 214-228

M A S T E R I N G A R P E G G I O S 3

B7 C m7 5

7 1197 9

8 1110

7 11 11 710

11 89 7

911 7 9 12

109 11

9 1212

9 12 12 91212 9

11 910

12 9

D m7 5 Em(maj7)

1114121113

11 141411 1414 11

1414 11

13 111214 11 12 15

1413 14

12 161612 15 15 12

1616 12

14 131415 12 12

Em(maj7)FIGURE 217 one-octave diatonic seventh-chord arpeggios in E melodic minor, 1st position

F m7 Gmaj7 #5 A7

0 321 2 1

23 0 2

0 42 4 2

4 02 3

21 4

04 1

23

0 42

0 2 024 0

B7 C m7 5 D m7 5

21 4

2 4 24 1

2 42

0 42

4 02

41 4

22 4 2

24 1

Em(maj7) F m7 Gmaj7 #5

20 4

40

44 0

2 42

20 2 0

22

40 4

42 3 2

44 0 (0)

F m7FIGURE 218 one-octave diatonic seventh-chord arpeggios in E melodic minor, 2nd-3rd position

Gmaj7 #5 A7 B7

2 542 4 2

45 2 3

2 64 5 4

6 23 5

42 5

25 2

45

2 64

2 4 24

6 2

M A S T E R I N G A R P E G G I O S 3

C m7 5 D m7 5 Em(maj7)

42 5

4 6 45 2

4 64

2 64

6 24

62 5

44 5 4

45 2

F m7 Gmaj7 #5 A7

42 6

52

56 2

4 54

42 3 2

44

52 6

53 5 3

56 2 (2)

Gmaj7 #5FIGURE 219 one-octave diatonic seventh-chord arpeggios in E melodic minor, 4th position

A7 B7 C m7 5

3 764 5 4

67 3 5

4 75 7 5

7 45 7

64 7

47 4

67

4 75

4 6 45

7 4

D m7 5 Em(maj7) F m7

64 7

64

67 4

6 75

44 5 4

45

74 7

65 7 5

67 4

Gmaj7 #5 A7 B7

54

4 73

7 44

5 76

53 5 3

56

74

4 75 7 5

7 44 (4)

A7FIGURE 220 one-octave diatonic seventh-chord arpeggios in E melodic minor, 5th-6th position

B7 C m7 5 D m7 5

5 975 7 5

79 5 7

6 97 9 7

9 67 9

75 9

69 5

79

6 97

6 8 67

9 6

M A S T E R I N G A R P E G G I O S 3

Em(maj7) F m7 Gmaj7 #5

75 9

8 9 89 5

7 97

6 97

9 67

95 9

87 8 7

89 5

A7 B7 C m7 5

76 9

85

89 6

7 98

75 7 5

78

96 9

87 9 7

89 6 (6)

B7FIGURE 221 one-octave diatonic seventh-chord arpeggios in E melodic minor, 7th-8th position

C m7 5 D m7 5 Em(maj7)

7 1197 9 7

911 7 9

7 109 11 9

10 79 11

97 11

811 7

911

7 109

8 9 8910 7

F m7 Gmaj7 #5 A7

97 11

9 11 911 7

9 109

8 118

11 89

107 11

98 10 8

911 7

B7 C m7 5 D m7 5

98 11

10710

11 89 11

98 12

912 8

911

8 1110

9 11 910

11 8 (8)

C m7 5FIGURE 222 one-octave diatonic seventh-chord arpeggios in E melodic minor, 8th-9th position

D m7 5 Em(maj7) F m7

9 1210

9 11 91012 9 11

9 1211

811

12 911 12

109 13

913 9

1012

9 1211

9 11 911

12 9

M A S T E R I N G A R P E G G I O S 3

Gmaj7 #5 A7 B7

109 13

11 12 1113 9

10 1211

9 1210

12 911

129 13

1110 12 10

1113 9

C m7 5 D m7 5 Em(maj7)

119 12

12912

12 911 13

1110

9 11 910

1113

9 1212

11 12 1112

12 9 (9)

D m7 5FIGURE 223 one-octave diatonic seventh-chord arpeggios in E melodic minor, 11th position

Em(maj7) F m7 Gmaj7 #5

11 1412

11 13 111214 11 12

10 1413 14 13

14 1012 14

1211 14

1114 11

1214

10 1413

11 12 1113

14 10

A7 B7 C m7 5

1211 14

12 14 1214 11

12 1413

11 1412

14 1113

1411 14

1212 14 12

1214 11

D m7 5 Em(maj7) F m7

1311 14

1411

1414 11

13 1412

1211 12 11

1212

1411 14

1412 14 12

1414 11 (11)

Em(maj7)FIGURE 224 one-octave diatonic seventh-chord arpeggios in E melodic minor, 12th position

F m7 Gmaj7 #5 A7

12 151413 14 13

1415 12 14

12 1614 16 14

16 1214 15

1413 16

1216 13

1415

12 1614

12 14 1214

16 12

M A S T E R I N G A R P E G G I O S 3

B7 C m7 5 D m7 5

1413 16

14 16 1416 13

14 1614

12 1614

16 1214

1613 16

1414 16 14

1416 13

Em(maj7) F m7 Gmaj7 #5

1412 16

1612

1616 12

14 1614

1412 14 12

1414

1612 16

1614 15 14

1616 12 (12)

Em(maj7)FIGURE 225 same set of arpeggios, played two notes per string, starting on the root

F m7

0 32 6

2 54 8

5 87 11 11 7

8 58 4

5 26 2

3 0 2 54 7

4 76 9

7 109 12

Gmaj7 #5

12 910 7

9 67 4

7 45 2 3 7

6 95 9

8 118 12

11 14 14 1112 8

11 89 5

9 67 3

A7 B7

5 97 10

7 119 12

10 1412 15 15 12

14 1012 9

11 710 7

9 5 7 119 12

9 1311 14

12 1614 17

C m7 5

17 1416 12

14 1113 9

12 911 7 9 12

10 1411 14

12 1614 17

15 19 19 1517 14

16 1214 11

14 1012 9

M A S T E R I N G A R P E G G I O S 3

D m7 5

11 1412 16

13 1614 18

16 1917 21 21 17

19 1618 14

16 1316 12

14 11

Em(maj7)

12 1514 18

14 1716 20

17 2019 (19)

20 1720 16

17 1418 14

15 12 (12)

Em(maj7)FIGURE 226 same set of arpeggios, played two notes per string, starting on the third

F m7

3 76 7

5 98 9

8 1211 12 12 11

12 89 8

9 57 6

7 3 5 97 9

7 119 11

10 1412 14

Gmaj7 #5

14 1214 10

11 911 7

9 79 5 7 11

9 109 13

11 1212 16

14 15 15 1416 12

12 1113 9

10 911 7

A7 B7

9 1210 12

11 1412 14

14 1715 17 17 15

17 1414 12

14 1112 10

12 9 11 1412 14

13 1614 16

16 1917 19

C m7 5

19 1719 16

16 1416 13

14 1214 11 12 15

14 1614 17

16 1817 20

19 21 211920 17

18 1617 14

16 1415 12

M A S T E R I N G A R P E G G I O S 3

C m7 5 D m7 5

0 32 4

2 54 6

5 87 9 9 7

8 56 4

5 24 2

3 0 2 54 6

4 76 8

7 109 11

Em(maj7)

11 910 7

8 67 4

6 45 2 3 7

6 75 9

8 98 12

11 12 12 1112 8

9 89 5

7 67 3 3

Em(maj7)FIGURE 227 same set of arpeggios, played two notes per string, starting on the fifth

F m7

7 117 10

9 139 12

12 1612 15 15 12

16 1212 9

13 910 7

11 7 9 129 12

11 1411 14

14 1714 17

Gmaj7 #5

17 1417 14

14 1114 11

12 912 9 11 14

10 1413 16

12 1616 19

15 19 19 1519 16

16 1216 13

14 1014 11

A7 A7

12 1512 16

14 1714 18

17 2017 21 21 17

20 1718 14

17 1416 12

15 12 0 30 4

2 52 6

5 85 9

B7

9 58 5

6 25 2

4 03 0 2 5

2 64 7

4 87 10

7 11 11 710 7

8 47 4

6 25 2

M A S T E R I N G A R P E G G I O S 3

C m7 5 D m7 5

3 74 7

5 96 9

8 129 12 12 9

12 89 6

9 57 4

7 3 5 96 9

7 118 11

10 1411 14

Em(maj7)

14 1114 10

11 811 7

9 69 5 7 11

7 109 13

9 1212 16

12 15 15 1216 12

12 913 9

10 711 7 7

Em(maj7)

FIGURE 228 same set of arpeggios, played two notes per string, starting on the seventhF m7

11 1210 14

13 1412 16

16 1715 19 19 15

17 1616 12

14 1314 10

12 11 12 1412 16

14 1614 18

17 1917 21

F m7

21 1719 17

18 1416 14

16 1214 12 0 2

0 42 4

2 65 7

5 9 9 57 5

6 24 2

4 02 0

Gmaj7 #5 A7

2 32 6

4 54 8

7 87 11 11 7

8 78 4

5 46 2

3 2 3 54 7

5 76 9

8 109 12

B7

12 910 8

9 67 5

7 45 3 5 7

6 97 9

8 1110 12

11 14 14 1112 10

11 89 7

9 67 5

M A S T E R I N G A R P E G G I O S 3

C m7 5 D m7 5

7 97 10

9 119 12

12 1412 15 15 12

14 1212 9

11 910 7

9 7 9 119 12

11 1311 14

14 1614 17

Em(maj7)

17 1416 14

14 1113 11

12 911 9 11 12

10 1413 14

12 1616 17

15 19 19 1517 16

16 1214 13

14 1012 11 12

M A S T E R I N G A R P E G G I O S 3

Chapter 9Interval Patterns

Gm(maj7)FIGURE 229 the six "new" arpeggio qualities, played in fourth and fifth intervals, 4th position

3 654 5

3 773 6 3

77 3

5 456 3 3

56

455 4

357 3

77

376

(reverse contour)

7

3

37

5743

55

6

4

35 5

3

4

6

55

3475

73

3

7

67

3

773 7

534 5

54

653

Gmaj7b5

3 74

4 54 6

73 7 3

76 4

5 447 3 3

47

44

5 44

56 4

76

37

7

Gmaj7 #5

6

3

47

56

44

45

7

4

34

3 76

4 54 8

73 7 3

78 4

5 467 3

G7 5

367

465 4

458 4

78

377

8

3

47

5844

65

7

4

36

3 743 5

4 663 7 3

66 4

5 3

CHAPTER 9 Interval Patterns

FIGURES 229-232

M A S T E R I N G A R P E G G I O S 3

47 3 3

47

34

5 34

56 4

66

36

7

6

3

46

56

34

45

7

3

34

G7 #5

3 76

3 54 8

63 7 3

68 4

5 367 3 3

67

365 3

458 4

68

36

7

G7sus4

8

3

46

58

34

65

7

3

36

3 853 5

5 763 8 3

67 5

5 358 3

35

8

35

5 35

57 5

67

36

8

7

3

56

57

35

55

8

3

35

Gm(maj7)FIGURE 230 same thing, using the two-notes-per string patterns, starting on the root

3 65 9

5 87 11

8 1110 14 14 10

11 811 7

8 59 5

6 3 35

69 5

59

8 57

811

78

1111 8

1011

14810

1111

78

811

57

98

55

69

35

M A S T E R I N G A R P E G G I O S 3

(reverse contour)

53

96

55

89

7511

8

8711

11

10814

1110

8 1111

87 11

87

5 89

55 9

6

Gmaj7b5

53 3 7

4 95 9

6 118 12

9 14 14 912 8

11 69 5

9 47 3

34

79 4

59

9 56

911 6

811

12 8912

148

9

1112

68

911

56

99

45

79

Gmaj7 #5

34

3 76 9

5 98 11

8 1211 14 14 11

12 811 8

9 59 6

7 3

36

79 6

599 5

8911 8

81112 8

1112

14811

1112

88

911

58

99

65

79

G7 5

36

3 74 8

5 96 10

8 129 13 13 9

12 810 6

9 58 4

7 3

M A S T E R I N G A R P E G G I O S 3

34

78 4

58

9 56

910 6

810

12 8912

138

9

1012

68

910

56

89

45

78

G7 #5

34

3 76 8

5 98 10

8 1211 13 13 11

12 810 8

9 58 6

7 3

36

78 6

589 5

8910 8

810

12 811

1213

811

1012

88

910

58

89

65

78

G7sus4

36

3 85 8

5 107 10

8 1310 13 13 10

13 810 7

10 58 5

8 3

3588 5

5810 5

71010 7

81013 8

101313

810

1013

78

1010

57

810

55

88

35

Gm(maj7)FIGURE 231 Gm(maj7) arpeggio, played in sixth and seventh intervals, 4th position

3

4

6

55

34

75

73

3

7

6

3

3

5

7

47

5

3

6

5

3

4

M A S T E R I N G A R P E G G I O S 3

(reverse contour)

4

3

5

6

3

5

74

7

5

3

3

6

7

3

37

57

43

55

6

4

3

5

3 (3)

Gm(maj7)FIGURE 232 "mind-blowing" angular-melodic-contour variation

3

45

3

6

5 47

5

35

7

47 3

3

5

77

6

47 3

3

5

35

7

6

55

3

3

455

M A S T E R I N G A R P E G G I O S 3

Chapter 10Bonus! Classical Performance Piece

DmFIGURE 233 "Prelude, BWV 999" (also known as "Prelude in D Minor") by Johann Sebastian Bach

Gm/D C dim/D

5

765676777

87

5

78687878757

5

65 8 5

65

68

65

6

Dm Dm/C B maj7 Dm/A

577677778757

8

77677778757

6

77677778757

5

77677778757

G dim7 E/G# Am(add2) Am

4

43 6 3

43434

5

4

4

43 6 3

4346424

0

41 5 1

41424

3

4

0

21 5 1

212

3

2

0

2

Fmaj7 Dm6 E7

1

5555555 2 5

35

5

46

56

46

4

5

4

2

4

0

43

43

43

42

4

2

4

Am/E G dim7/E Am/E E7

0

5555555

7

5

8

5

0

7

4 7 4

7

4

737

5

7

0

9

5 8 5

9

5

979

7

9

0

9 13

10

13 9 13 999

119

CHAPTER 10 Bonus! Classical Performance Piece

FIGURE 233

M A S T E R I N G A R P E G G I O S 3

F7/E E7 9 D dim7/E Dm6/E

0

8

5 8 5

8

5

878

8

8

0

767676767

7

7

0

5

2 5 2

5

2

545

6

5

0

435343434

5

4

E7 Cdim7/E E7 9 Am/E

0

434343424

2

4

0

212121212

3

2

0

1 4

1

4 1 4 101

2

1

0

2 555 2 5 2

3

2

0

2

Dm6/E E7 G dim7/A A

0

2 434 2 4 2

3202

0

1 434 1 4 1

21

2

1

0

1 434 1 4 1

3101

0

2 43 2

22222

4

2

Fdim7/A E7/A A A7 9

0

4 7

4

7 4 7 43404

0

7

4 7 4

7

4

73

3

0

3

0

655565676

7

6

0

6535656 3 6

56

Dm/A Ddim7/A A G dim7/A A

0

23132323202

0

131

31

31

31

01

07

65

67

65 6

7 4

4 5

6

57

M A S T E R I N G A R P E G G I O S 3

M A S T E R I N G A R P E G G I O S 3

M A S T E R I N G A R P E G G I O S 3

M A S T E R I N G A R P E G G I O S 3

M A S T E R I N G A R P E G G I O S 3

M A S T E R I N G A R P E G G I O S 3

M A S T E R I N G A R P E G G I O S 3

M A S T E R I N G A R P E G G I O S 3

M A S T E R I N G A R P E G G I O S 3

M A S T E R I N G A R P E G G I O S 3

M A S T E R I N G A R P E G G I O S 3

M A S T E R I N G A R P E G G I O S 3

M A S T E R I N G A R P E G G I O S 3

M A S T E R I N G A R P E G G I O S 3

M A S T E R I N G A R P E G G I O S 3

M A S T E R I N G A R P E G G I O S 3

M A S T E R I N G A R P E G G I O S 3

M A S T E R I N G A R P E G G I O S 3

M A S T E R I N G A R P E G G I O S 3

M A S T E R I N G A R P E G G I O S 3

M A S T E R I N G A R P E G G I O S 3