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    64

    MA.RXISM TODAY, I-EBRUARY 19 6 2

    at him, to cover up our own fears and

    inadequacies by asser t ing our own vir i l ity a

    phon ey co mm ercial sales gimmick ; we grow to

    value him as a pers on. All this further challenges

    Victorianism and big business sex.

    True, there are many quest ions unanswered

    this is no t a Marx ist fi lm. Wh y do these problem s

    arise? Wh y do corrupt ion , ugl iness, and

    disto rted personalit ies exist? The film does not

    say ; yet thou gh it does not reve al those who are

    responsible, i t does cherish those who are the

    vic t ims. Tru e , the homo sexual goes away,

    pro bab ly bacic to his twilight wo rld. Tr ue , the

    first lover never returns . Yet never is there a

    hint of cynicism . Even the weak and co rrup t

    mother has lovable traits and some love left in

    her. Ne ver is there a con tem pt for these victims

    of capitalism . In this the film is at one with g reat

    humanist wri ters l ike Arnold Bennet t or Chekhov.

    No intelligence is insulted, nor are commercial

    values exploited (the hoardings belong to the

    distributors, not the artists).

    True, the film finds its values amongst squalor

    and ignoranc e. But wh ere shou ld it go? To cosy

    suburban drawing-rooms, or the board meet ings

    of a city ban k? Can we accept the assertion of

    life only in the context of trades union branch

    meetings or a rent struggle? Is anyth ing else

    em pty ? No , the film reasserts a faith in

    humanity, a belief that man can be brother to

    man. deriving it from those very people whose

    faith has been systematically assaulted by all the

    attendant evils of capitalism for over a century.

    This is not an em pty film it is eloqu ent,

    beautiful, shou ting out for life. We should

    honour and respect Shelagh Delaney and a l l

    those associated with her, for producing the most

    consistent , warmest , humanist work so far shown

    in British cinema.

    S t a g e s o f S o c i a l D e v e l o p m e n t

    F. Gannaw ay

    O M R A D E S I D D O U G L A S ' S c on t ri b u ti o n

    to this discussion (December Marxism

    Today)

    seems to clarify some of the issues

    ra ised by Co mra de Robin Jard ine; yet in a t temp

    ting to sort out definitions he seems to have added

    confusion.

    Ho quotes Ma rx 's four modes of product ion

    (1) Primit ive Communism (Asia t ic)

    (2) Slavery (Ancient)

    (3) Feudalism

    (4) Capitalism.

    Yet he is able immediately to call these eth-

    r.ological stages by the mere act of dividing (I)

    above into two stages of social development.

    Surely the differences between savagery and bar

    barism, or say, socialism and communism (to

    give a comparable phase at the opposite end of

    histor ica l development) are not determined by

    differences of racial, ethnological development.

    His own point in reply to R. Jardine is that

    different races have passed through the same

    stages. He says in reply to R. J. It is incon

    ceivable that the Chinese having reached the

    Syndyasmian Family and last stages of primitive

    communism then jumped a complete e thnological

    stage (slavery) . He has a l ready quoted Ma rx 's

    epochs based upon the mode of product ion, so

    why confuse the issue by again calling slavery an

    ethnological stage?

    If we add socialism to the above four stages

    we have five economic stages based upon changing

    modes and re la t ions of prod uct ion which have

    occurred during the three great epochs of

    savagery, barbarism and c ivi l isa t ion .

    Another point of similar nature: he (correctly

    I think) says in answer to Robin Jardine that

    slave society brok e down n ot throug h sheer in

    efficiency but because the social relationships act

    as fetters upon social production. Nevertheless,

    later he says that slave economy almost inevitably

    occurs w here a com mu nity has a low level of

    development in the forces and means of produc

    tion which, however, is in adva nce of barba rian

    levels,

    and where such a country is isolated from

    more advanced economies. Again he is correct the

    first t ime with regard to the significance of change

    in the forces and means of production, but surely

    it is not which, however. but because they are in

    advance of what he calls the barbarian stage, but

    which for the sake of clarity would be more cor

    rectly called primitive communism.

    I think that Comrade Douglas has advanced

    the discussion along co rrect l ines, but th at he

    will be able to make further progress in the sub

    ject and help in the study of this fascinating and

    valuable s ubject to the extent tha t he clarifies

    and adheres to his definitions.

    Published by the Commu nist Party, 16 King Street, London,

    Aldenham

    W C 2 and printed by Farleigh Press Ltd. (T.U. all depls.)

    Herts.

  • 8/11/2019 Marxim Today III

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    WE

    WISH

    TO

    BUY

    ooks

    Pamphlets

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    R e l a t i n g t o

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    as amended and adopted

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  • 8/11/2019 Marxim Today III

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    Vol. 7 includes

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