Martin Scorsese, Leonardo DiCaprio & Sir Ben Kingsley’s Shutter

Island: High Profiling MK Ultra and Threatening What Coercive Diplomacy Promises to Deliver for the R&D, Deployment and

Proliferation of Stealth Cognition Technologies

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Just how gripped with trepidation over the second instance of militarized

‘mind control’ experimentation that violates the Nuremberg Code and its

successor, Article 7 of the International Covenant on Civil & Political Rights is

observed in this suspense thriller set in the mid-1950s when MK Ultra was in

full swing both north and south of the 49th Parallel. To the public another

Hollywood feature film in the genre created by ‘The Manchurian Candidate’;

but to those operating in or privy to the diplomatic back-channel and

coalition fears and intentions another example of coercive diplomacy

employed to drive home how committed the partnership is to addressing this

Pandora’s Box and holding responsible parties accountable.

The lexicon is introduced early – a telltale sign of coalition involvement back

to September 2006; but isn’t employed most assertively until a scene where

two U.S. Marshals, the lead detective played by DiCaprio, are examining the

cell of an escaped psych ward patient deemed to be very dangerous. A note

is discovered below the floorboards, which to Scorsese et al. is a

circumstance that in addition to the MK Ultra issue draws them to make the

film because the author of the book on which the film is reproduced chooses

what in geo-circles is a Taylor Identifier. The scene ends with a Clooney M..

This production decision is amplified when the coalition’s supra-celebrity is

honoured the month before the film’s release with the prestigious ‘2009

Partner of the Year’ distinction. The number ‘67’ is generously sprinkled

throughout the script:

Then DiCaprio’s character interviews all staff members about the inexplicable

disappearance. Behind him on the wall is a clock set at 7:20 – the number

twenty being the constituent symbolizing two decades of enslaving

torturous human experimentation. And 7 – 2 = five, representative of the

quantum the Canadian lawyer is entitled to for what he suffered and lost.

Additionally, he and an extra who plays a nurse are choreographed to

employ lexiconic gestures as follows:

Marshall: Miss Solandro [O-S M.] was put in her room for lights out.

Does anyone here know what she did before that? [extra: q-Cl.M.] Anyone? C’mon, anyone, anyone, anyone [snaps fingers three times]?

Nurse: She was in a group therapy session.

Marshall: [Condi M.] Huh! Anything unusual occur?

Nurse: Define 'unusual'.

Marshall: Excuse me! Nurse: This is a mental institution Marshall for the criminally

insane [McG-J.M.]. ‘Unusual’ isn’t part of our day. [laughter]

In a scene involving Leo, Sir Ben Kingsley, who plays the psych ward’s head

doctor and Leo’s law enforcement partner, is the following dialogue; which

includes a combination 'gun to the temple' 'we're gonna f _ _ k you up real

good' gesture to underscore what kind of radical approach the coalition feels

compelled to employ since the Chinada threat is so profound and diplomacy

failed:

Marshall: And which school [of psychiatric thinking] are you,

doctor? Doctor: Me? I have this radical ideal that [Powell-R-S M.] if you

treat a patient with respect listen to him; try and understand you might just reach him.

[background distraction: patient screams; staff subdue her]

Marshall: These patients, huh? Doctor: Even these. What used to do as a last resort is becoming

a first response. Give them a pill, put them in a corner it all goes away. […] The greatest obstacle to [the escaped

patient’s] recovery was her refusal to face what she had done.

Leo has a flashback to his days serving in World War II. He recalls what

happened during the liberation of a Nazi concentration camp where human

experimentation is suspected. He and other soldiers are so furious at the

inhumanity they witness they line the guards up against a fence and execute

them en masse.

Immediately after this scene Leo and his partner are discussing their

assignment and the matter of MK Ultra is injected into the dialogue to link

this graphic slaughter with consequences for pursuing stealth cognition

technology R&D in the face of worldwide condemnation:

Marshall: You know this [asylum] is funded by a special grant from

the House on Un-American Activities Committee? Partner: How exactly are they fightin’ the Commies from an island

in Boston Harbor? […]

Marshall: By conducting experiments on the mind. […] Like I said,

no one would talk, right, ‘till I found someone [that got funding for a science project] who used to be a patient here. […] So he starts seein’ dragons everywhere. He almost beats his professor to death. Ends up here in … Ward ‘C’. They release him after a year, right. What

does he do? Two weeks on the mainland he walks into a bar, stabs three guys to death. [At trial] he begs the judge for the electric chair. […] They’re experimenting on people in here.

Like the recurring Taylor Identifying #67, "Ward C" to Scorsese et al. was

another perfect fit, being representative of the Coalition.

The film is full of flashbacks which until the end of the movie and the

delivery of a big twist in the plot are not fully understood. However, they

certainly are in terms of what Scorsese et al. wanted to communicate to the

Chinada High Command through this production. For example, Leo

repeatedly sees his wife and child in various dreams. One involves him

standing over them amongst piles of concentration camp corpses. She’s

attired in Chinada prison certainty (chain link fence).

Later when he’s confronted by her in the doctor’s study, the same lexiconic

constituents:

When in a dream she’s seen to have been shot by him because she

murdered their three children, the same colors that implicate the Beijing

leadership in 21st century MK Ultra are again present:

The Marshall's convinced the head of the facility is the 'directing mind' of the

human experimentation program, and one of the evidentiary circumstances

is being a German. He confronts him with this perceived malfeasance and

proceeds to effect the kind of punishment coalition partners have threatened

many times over the years:

Doctor: And wouldn't you agree when you see a monster you

must stop it? Marshall: I agree.

When the full plot is fully revealed producers again draw attention to

Chinada’s violations of the International Covenant on Civil & Political Rights.

However, this time they add a specific rebuke for what the Canadian lawyer

has been suffering since the earliest days of his two-decade ordeal. In a

critical scene the doctor implores the U.S. Marshall to fess up and Scorsese

et al. describe the malfeasants as ‘insects’ living inside the Canadian’s mind.

They add a reference to the technology that sounds like tapping on the other

side of the wall used dozens of times a day; that when the coalition is

successful it ought to be the last time enslaving torturous experimentation

will occur in the western world; and partners came to the Canadian’s rescue.

Doctor: We need to hear you say it. Marshall: After she tried to kill herself the first time Deloris told me

she –- she had an insect living inside her brain. She could feel it clicking across her skull; just pulling the

wires just for fun. She told me that. She told me that. But I didn’t listen [Cl.M.]

Doctor: I hope what we’ve done here will [McCain M.] be enough

to stop it from ever happening again. I need to know you’ve accepted reality.

Marshall: [Newman M.] You came after me, huh Doctor? [You] tried

to help when no one else would [Cl.M.].

The film concludes with another reminder who's to blame for the 21st

century's MK Ultra. There are eight actors and extras in the final shot: