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MARCUS - Smithsonian InstitutionI Saw Him) Sarah Walton Miller 6. ... MUSICIANS Marcus: Vocals, 6 and 12 string rhythm guitars, dulCimer, auto harp, lead nylon string guitar

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Page 1: MARCUS - Smithsonian InstitutionI Saw Him) Sarah Walton Miller 6. ... MUSICIANS Marcus: Vocals, 6 and 12 string rhythm guitars, dulCimer, auto harp, lead nylon string guitar
Page 2: MARCUS - Smithsonian InstitutionI Saw Him) Sarah Walton Miller 6. ... MUSICIANS Marcus: Vocals, 6 and 12 string rhythm guitars, dulCimer, auto harp, lead nylon string guitar

FOLKWAYS RECORDS FTS 32440 STEREO

MARCUS Life's Railway to Heaven

From East New York to the C& W bars of New Jersey . . . To the folksongs at Washington Square/ To the record hops and the Rock·a-bil/ sounds of Tin Pan Alley. Yes . .. the Brill building and the bubble-gum Songs. Onward to the Cafes of Greenwich Vii/age . .. Acoustic music and esspresso. The prevailing protest!! The Folk music groups of the mid sixties.

The Hitch Hikers, The All Night Singers, The New Christy Minstrels . . .

To the Haight Ashbury in '67 .. . Acid Rock . .. producing records . . . ! "The San Francisco Sound. "

It's A Beautiful Day, West Coast Natural Gas,

Solo album effort . . . A remnant of the spaced out 60's, On to the Visual Art world of the 70's . . . Linear landscapes and Marin County. A one man Show in San Diego-another in Indianapolis,

Born again. . . Musical renewal!! ·A subway car, a twinkling star continuing the ride, From the sunshine on the freeway, my 6 string by my side, Another day, another dream, an old familiar rhyme The words keep ringing In my ear,

Let your little light shine. MARCUS

For bookings write: Marcus c/ o Oaksprings Productions P.O. Box 861, Fairfax, Ca. 94930

Side One: 1. I Saw the Light 2:50 Hank Williams 2. The Great Speckled Bird 3:15 Guy Smith 3. Life's Railway to Heaven 3:00 Abbey/Tillman

*4. Gently Lead Me On 3:56 Marcus Uzilevsky *5. Take Up Your Pallet and Walk 2:47

Marcus Uzi/evsky 6. Where the Soul Never Dies 3:53 William Golden

Side Two: 1. The Battle of Armegeddon 2:50 AcufflMcLead 2. On the Wings of a Dove 3:40 Ferguson 3. Higher Ground 2:50 Johnson Oatman/

Charles Gabriel 4. Thank God 2:55 Fred Rose 5. Tramp on the Street 2:30 Grady & Hazel Cole

(I Saw Him) Sarah Walton Miller 6. Gospel Ship 2:40 Traditional ' PublishedbyOaksprings Workshop © 1978

MUSICIANS

Marcus: Vocals, 6 and 12 string rhythm guitars, dulCimer, auto harp, lead nylon string guitar.

Darby Slick: Bass, drums, electric guitar on " Thank God" and lead acoustic on " Higher Ground."

Mark Kingen: Bass and drums.

Dan Hayes: Harmonica.

Gene Mitchell: Steel guitar, and " mandolin style" acoustic guitar.

Mark Spoelstra: Dobro.

Background Vocals-Mary Young & Sandy Guestella _ recitation-Rachel Uzilevsky

Cover Photo-Gerald French

Engineer & Musical advisor-Darby Slick

Produced by-Marcus Uzilevsky

DESCRIPTIVE NOTES ARE INSIDE POCKET

FOLKWAYS RECORDS FTS 32440 STEREO © 1979 FOLKWAYS RECORDS AND SERVICE CORP. 43 W. 61st ST., N.Y.C., U.S.A. 10023

Page 3: MARCUS - Smithsonian InstitutionI Saw Him) Sarah Walton Miller 6. ... MUSICIANS Marcus: Vocals, 6 and 12 string rhythm guitars, dulCimer, auto harp, lead nylon string guitar

FOLKWA YS RECORDS Album No, ITS 32440 © 1979 by Folkways Records & Service Corp" 43 W, 61st St., NYC, USA 10023

I 5Av-J i\\E: UGI·-\'( b H I< \,1 '\\ ~ a.'11 'NI IOVVlj

C~O"I.\~:

\ SAw 1\\t l\6\-\-r I \ 5A'iJ '\\E. UGt\I, Vlo mOfe dav-k.v'Ie5S VlO rYlOf'e Yli13~'i't ... No-w \m 50 Ytapp~ ( VlO 5Orrow \VI 7i~\\-r f'ra\)<L ~e. Lord { \ SAW ,HE; L\&\\1

JUS1- liKe a 't:>\iY'd W'l3Vl \ VJaV\de'fecl a\oVle/ 'NOn-'I<l? aY\d COV'~7 \ C \o\me:d fOr WlLj oWY\, Jus,," liKe.. -th.e. b\w\o.. maY\. ~at God go\l<l Pack ¥liS Siq~1 ~,(2 il<l. -tYIe Lord ( \ 5Av..J \\\E; L\G-\"\\ , /

I 'No5 a ~o\ -to \NoV\der z,Y\d srrolj I 7t'fOI<jh.t'l) -title qate., Vlar'foW ~e: wa4 Now \ have. -traded \\l\OYl~. -tt,'( -1\-te f\g~t' ?Y'3\)e. ~e Lon! I \ 5A'Al il1E Uc;\\1.

Page 4: MARCUS - Smithsonian InstitutionI Saw Him) Sarah Walton Miller 6. ... MUSICIANS Marcus: Vocals, 6 and 12 string rhythm guitars, dulCimer, auto harp, lead nylon string guitar

-flu &real 5pec.k/ed BIrd 1/ is a /Je~"£Y ;;odtc sym~ol of' fh ~d, jWlseveIlil1'1 ~Murh ~ C/tt/;ci.sm of' ils de.5j/lsG'2> while awai'lihf ~ JetArld Ch?"l111f' 0/ ClwisT.

-mf GR8\15P'ECKLEP ~\~\I ---'-----'----- !....---'-- b~ Gutj .$r"'-tt\-t 1936

\\l~a1" -a 'peau"tifu I ~OU9Y1+ I aWl ~ln\<\V\q CDY1cem\Y191\\E: GREAj' 5P'ECKLE.1/ BIRt>

Revnemper Yle'l name \5 recorded 01'1 ~e p~e5 of God5 l1o\~ 'AI ora "

Pe5\nVlS -to \owe~ \1er 5tanda,.-d? 1~e.LL wa-\-c.\tJ every" '<Y\oYe ~ she ma'Re7 ror -\t,e.'1 \oV\91n .fil1d -falAI-\- wd·1rt ~er {eacl1lY197 \3~-\- (QD\\l.\ 1\.1ey -h11G. VlO \"\1\5fa \<.e.

I aWl q\30- \ nave lean-ted of 'v\er mee'KV\e.55 I c.Yv1 proud -\Vtot my naYYle i5 il1 ~er 'crook

ror \ VVllYI"1' -fo ve OYie YltZver -fea'(\Yl9 i~e -face of Wll1 $avior +0 looK.

I YI -\11e yre,5el1C!l. of ~I I \1er c\ I/P'\~ ex;. vir\\1 2. Wo"(d l"'0Jer u1fexeo ~efo"(e .5he \Ni\\ 'r·15e. c.Y\9 \le goYie. '111 a l'Y\omeYlt

li\ -the gr<Z2lt -tri't7l.\\atiol1 i; oer

W'r\en Ot'fij1" come> dey:eYldiYl9 ~OWl ne21veYl I On ~e clou,d 47 ~e ?aid \Yl \-\i5 wo-<d \ \\ be joyfu,\lj CAn'led -10 meet \-\il11

0\'\ -tV1e WiYl95 of 1\-\(: 6RE:l\i 7~ECKLE.~ S*'\I

L\fE.) ~\L'NA'\ 10 \-\EJ\\lEN b~ M. c. Abbey ~ Charlie D, "ftllman

192.1

Li1a i5 li~<Z. D WlDU\'\hil1 r2i\roz,.d, wr\"h * eytqil1~r 70 \J(a'J<z, \lJe.. yY1u~tm~l<e1i1e Yuyt 5ucce.5jfu\,-f'(ol11-H1e (.'(.adk -ro -\\1e gY"A\le/ wt>-tcl1 -Th~ c.ur'le? iVte .~\\\? -fue tuytl"\eI7, l1eve'( f~\te~ ¥lever :fail, \(e:e\? ~our 'rtt.,V\a' u~m .!fue -tvn-ot\1e 4Y\d L\our el1e uyor\ -the '(ai I.

B\e:5.5ed 7a'Jior -11AOll. wi\{ gu\de u; / '-til we'(ec.dI-t\.,2.\,p\i5)~\ 5'r10l"e; \\J\-\e'(e ---\V\e AV\9~~ w.ait +0 jO\\1 ul' il111t1~ pY"ai?e -tDrevef"more.

You, '-Ni \\ '(0\\ up- 8'(~c\el of .\-,,'I"a.\ you 'N i\\ cm;7 -tVIe 't>ric\ge of 5h'kej Ma\<e. ?u'f~ -W\a-\ C\-\\""I5.1' i5. ~OU~ c.oY\duc.toY" 0'" 1\,17 \i9Y\i"111\1g

-t'r-ail1 of lite/ AlwA~7 wth1dfu\ ci o~>+rudlor\ do your du,t"1) \'1ew~"(" Xai\, Ke.ep yom' 'r1~V\d UpO\1 ..-\he ..fur~~ 2>.Y\d your e~e Ur"OYl 1\1e mil,

~le)5ed ~av\oriVlou \Ali\t gUide UJ,'{i\ we Y"eadt-t\1aT't7li5S-fu\ 5~0'(el Where -The lIY\ge\5 wait -k jO\11 Ul' \Y\ 1Vt~ \?ra\5e -fore'-J<ZY"rY\ore.

__ fA; you (0\\ acrOI?~~ tr~/t\el 5f'<W\\1iYlg JorchV\'] ~\AJe\\~1'i9 -t'\ae, 'fOll. be.Vtold -fne !JY\lol'i de.rot, into \\l\\ICV\ ljOlA,..""'Y2.111 WIn g\\de, ~\-\e'(e ,-\ou\lI11~e.r 1i1e 5ureY'i\'1.\;eY1de\'1~ God ~f~tZ'I60d.1tte ~m1/ \Ni1h a. \-\e~'(1'1 jOljOU,7 t>\auoit, we.aY"~ t>\\grim \'Je\col1'1e. home..

2

13\e..Jjed ~o.'-Jio'( ~ou \'Vi-\\" <ju"lde u7 \-\:"il we x-eadd\\at b\i5;-tU\ 5nore \NV\e.'(Q ~e aV\ge\/, \Na\t +6 joW\ U7 111 1\1~ pnai.5e -toreVefYl1o'<'e.

//le afw'!'f1 I~ft'fle&t w )"/I 71U cnrar:P' of' ?:,hr a sV~1 o. ,.oi~ ~ a sJr&11JM 111 a slrcm~ Ia-nd. /'111, men~f;thr );dJ ~ dtm'/?/shut as I MW ("e~ 1m )U) Itmf!( a ICt7U ~V~ 6uJI [1 ~ cil/)Ml Witt '-fM saidd ~ GOJi htJ«>ehold.

1his if (3 Stmt / wrole /'ecen4 76 a lriu:l;l/07'1~1 ct>U11y,.y melo~ tvruf I ~ if //7!eyra/e¢ WI'/h Ik classic.. old CbUHlry 9o~ s~ It ~fands a/fm~cte of in I/,;J ~Iledl,n,.

\~e 'vIla\\(ed a maO. un\tJ\\1di\1~ down -\"he cory-°ldor; ot -rime. A p\\Cjrim 31'\d a -:'-ffO\1ge'f yet not "3\OYle

Ihz--feaI'"5 aVId \augni"e\" echo -It1Y'ou9Vr -\"\--te c.anljol15 of m~ mi\1d 0\1 WlIj ffec."lou; -::;-a'Jior, GEN-rl'/ LEAl> Me ON

Page 5: MARCUS - Smithsonian InstitutionI Saw Him) Sarah Walton Miller 6. ... MUSICIANS Marcus: Vocals, 6 and 12 string rhythm guitars, dulCimer, auto harp, lead nylon string guitar

My 1-<Z.a'fC'(op'5 ~ea'(" -t\-te gift ~ou gi\}e., w\1lci1 i7 Wl~ 3uidll19 li.9nt \\I~el'\czve\' \ aWl wea\<. you. are 7troYl9 'iou:'.Je 5~ay<zd my mOUn1iYlCj oYld WIt} 50ymw 4rougk 111e

dAy-ke.5t VI ig\.1t o VYlIj prec.\ou5 5a\}ior, GcN-rt.:'{ LE.AD \Y1E. ON

laKe \11~ l1a\'\d and lead me fhrou~\-11i1e .QagYCV1f momilt1g dew 1\'\fOWJ'h p,<l8OZ-fu \ garde.Vl5 2IYld -t~e raq\h<) storm A5 \ "N3Ylder il'\ I11Lj foot5ter-5 \& me -tollow a-R-e.r you, o VYlY preclou5 53'lI0"("( GtN1"L'l LEA\) ME ON .

/ fUrof~ -#,if m1e ,juft sf'hi ~e C477C1!?/'t or: c/olnr 'lhif <3/~ oe~ pb h?€,.

/f 12.1111 ?-t all CM'I1~ at ~ce and Imme.liafley IVI ~ -411a~ .,6 me ... 'dS If? /;j teMf sil1rinrlt ~ fIRMS.

1~'KE. lR'IOUR V>Allf\ f\~y. '-'If\\.K b~ l"I-arc.lA) UZ ilevsk'j @ \9'18

1q\<.cz up your pa\\at and '-'la\\< YY\~ ffieYld, ll\\<.~ \)f "lOUR fAUf.' ANti' WALK, io 1h~ \'Y1'O¥\ ~1: -the poo\ of 'Dd\''Vl$da \-\e ~\d/

1AKE. UP YOUk F',AU£1 P\ND ¥.Jf\Lk.

Open your elie.,5 a~d lee. I11Uj WVlI1d / ope.n 110Uf' czl1e5 al'\d. J& I'm -1he-~ -h-o-m Go\li\~ aVul I've- corne 10 set you %ee

Opel'\ your e.~e.5 ancl. 5ee . I am -1\tte \iq\t\1- of-\-'vle 'Wor\d my -friel1cil 1 aY\1 -tlJle. \i9~t 0\ -t\1e \\Jol"\d, No ooe COWle.? --\t> KV\o\N -the 'fa-ther put \711 mel

I aWl -l11e \ighT o1-fue world. I am -111e. t;.read of Ute 1'l1L\.fl"le\1d, \ aWl ike b-re.ad of \ i -fe., \1e w~o parla~? of -\'\.1i5 byead 5V1a\ \ \"Ieve.r die;

I am -I't1e head of \ if'e. .

I al11 -fue lam'o -tlJl~1 W4) slaiYl l11y -fl"iel1d \ 2m -\tie \3VY\\7 1'i1at wa5 514iYl, I

1~ere. a+ Ca\va'rY\ \ co$+ out -t\1e enemlj I I om ~e. \aYYl'D 1fu+ YIIa5 5\;;l\"rl

I oVYI -\'t1e 'Water of I,te my -\1'i<Z\1d \ 211'\1 -the Wa:>re..r or life. WI Y

He. w\-\o driYlk) -\\1i5 warer w\\\ YleVer-rhirl+ aga\Yl \ aYYl -t\1e water of' lite.

3

\N~E:'RE. i~E: SOUL ~E.\}E.R D\E:,S b~ \'J\\\iam GoI~ 1'11'1

10 Ca't'l2\'Avt \~'r'\cJ.. \'m 01'\ my wa~, w~ -t11<z soul never die? . My d4rKe,71- \1lgl1t vv\\\ -\unl -to da.Lj, \AJk~'(e the soul neve.r (lie)

~S:

{No s~ -taY\Nel \5 \10 -teal" o.irt1med eye5, Wku<l.. all i~ \0'1£ aYlo.. -fue 50u\ (of mavi') vtel/ev- die$.

A '(Q51l i5 \;>\oo\"'(\\l1q ~e'(e.fo'r mel 'Whe.re.1i-te 50U\ 11€."er die; M. \ \OJ'II\ Spe'td den1\+Y, where ~e $CuI never die?

A \o\Je hqVrt \veaYl'l? across -1tte -toam, VJ~exe ~€. 5°1..\1 never che.5 I

It ~it1e7 10 \iq'v-f ~e ~cK'e5 of hoWl€' , where 1i1e 501.\1 l1€Nerci\Q) .

\'J\y \ife y.j\I\ e.\'14 \Y\ de~le5S 5\UY', Wnere il1e 50~\ r\evel" ~..e?1 Md e"er\a.7+il1~ JoYS \ \ I feap I wVtere -the 50 \.,\1 y\rl'Ie., die; . 1m 01'\ my w;a~ -tn -that ..fair l-ancA. I 'Nhe'(e.1VIe ,5ou\ l1eve.r die; \Nne'fe. fv(e.'fe w\\\ ~e. '110 'f'arh't'l~ \10 no... , dV\ct -111e 5oL.tI l1ever cAie:,5

cJ.".on~s:

ltledf fievlG\5 -rnenill b>e \10 ,SuA ~re\i'Je\17J 1V1ere 1\ ~e.. Ylo +ea'( dimmed. eye5, 'N~ey-e a\l 15 r,-eac.e. 'dVld joy aVId. IO\Je:/ A'I1o. -fue: 50u\ of l11aYl \1ey~-, d\ e'j .

Page 6: MARCUS - Smithsonian InstitutionI Saw Him) Sarah Walton Miller 6. ... MUSICIANS Marcus: Vocals, 6 and 12 string rhythm guitars, dulCimer, auto harp, lead nylon string guitar

/I/~ I Uta) C) /ee,pap: .9~f" &I1J jJlatjlrzr m'j 1GUIc»r 4&nr wi~ a 1Ia-uA­Wtl/t~f 1i'M:Cd'2£ i "77J Ba'llle of 4rma7'~'/t1:H N / c~ /tea;? /lnt .;a~ 5tnfll1f altJ?rr 117 ~ ,,~ /l#/)'{ , #e WilJ '1wle IJmillar w/Yh fh EWe 4Md M1j~d, Yk /fjf'ics 4' -/hif ,af~ea!yfJfjc s~ed-. ,

, fh'.) 5d711, has a P OWe/2 117 11.r 5e/M1(~-,M€ cadurce- as If derw.beJ !hIS ilnd! "f dU 6a/I/es,

l\iE t7A1ilE: of AR.tv1AGE.~lIoN b'1 f\c.uff/ Mcleod

l~ere's c. w\'9~+Y paitle comlVlCj one'- "Its well \'low on d,s wa~1 \t II be -fOLl9nt at A,{,YVld<:\eddoY\, I+'J I be a S<0 saO. day , \11 -tY1~ boo~ c* ~vela-tioY1, word} IVI cl1o\>-l-er SIX-teen 5at..j

"ihere II be gaihered -\'\ielY- great d'YYlte5 -m,-1'he battle on ~a+ da~,

clto\'1.\~ ;

An -tVIe 'W8l1 -WOYY\ -tVle ga+e.,5 of EO.e¥\ -tL> -*'e. BAi1lf. of A~NAGfI>\X)t\) ""'ere.'5 ~n -tt\o\) aY\6. fflbu\a+iOl1 1\1ere'H De 5orf'oW Zlvu;:t delf7air He Vla5 S8d.:~e ye VlOT-\t'ou.b'ed,1he5e--th1nq5 5~a\\ ~me-b pass; AY\~ ~ou.{' life '..\il\' ~ eklVla\ w\\en. yOl{ dwel\ VJliIA ~lm at la5t,

flAm -\1-\e., pa3e; of LjOUY" bl\?\e 5d.m+ Ma'ilitev.J '/OU w',I\ 7ee {l ~ar+ w'rtv\ c~p'\eY" -hNeY1~ -fou'Y, -recict -trOVYI one -tq 'itJ(ITy-mree , \1'1 OlAV- )av\ors \;>\e?sed \NoY'o.. On eat;"lh ~ \>f'op~esled, 1-\12 7poke of ~i7 great boW\e --\ttats coYt\\Ylq bye a~ bLf.

""'ere\\ ~ Vla+ioVl 09a1v\S+ Vla+ioYl,-1'herell b>e -war a'r'lCl n.trrtol"5 o-t 'NcH,

ll1eni 1 \ \?e <)recrt 5\qYl5, iYl hed'JeVl, I ~ -the S\'\Y\ -the mCO'\ 'fite 5~? lt1e ~ear\-s oi='meYl 511al\ fai\ ~em --\t1eve'll be '~ash'V1.q o-f' /

~e+~ , 1\.to~ 'W\"b 5eek 'It will re<:e,'\je -It, mercy a-t "+tte ?cMOf5

-fee.t.

/ heard litis (7)? 7%e radio, /f was a Utf /;;1' Ii? tie 'p0j1 Ilei! lOr O/tu17rr .5Il1fe? len}}? 1Iu.f/&y iI1 ~ hle50 '!

O~ 1\\t 'N\~6/ Or ~ V'O\JE: b-y Joe ref~l.\<'OVl No2l.Y\ 'vie d~\rhzd O~ -1i-Ie 5ea W\aYl'0 cial15 Y'e 7e~'fd\ed ROf \al1d \\'\ 'J2\riOLl7 vJ2I,,-\5. lfol{p\e5 he \1ad, ,)oY\1e, \7ut ~e wa5V\:r'iOrgDtteYl He ,5el't1" dowY! Hi,> love. ON i\\c v,l\\ .. l65 Of p.., \loVE.

4

On -\'VIe VJ\~~~ of 2. 5\'\O"N VJt, i1e dO'le He 5eY\d5 \1\5 pWfe 5wocr \o'Je ~ 5'1911 %0'<'1 abo'Ve, ON il1E vJ\N6; of f\ ~'Jc

\N\\e:Y\ -\vou\:M.5 \7e;et LA} I w\-1e\'\ e\lj 1,5 ,cowte: -fue \7ody grow5 \\lea\(. ~V\d 1t1e. ?r"lrI~ 9'(Ow.5 l1um'p v.,J\.\en --\t1e5e 111\'19$ ve5e1' ul, I-\e aoe,5Y1-t :.foY'get U,5 He )eY\d1 dowt1 Hi5 \()\Je, o\1-1i1e w1N61 Or F\ lIove

0", --lite WI~A5 of ~ 7V1o-w \AJ\'\\1-e dCN<Z He 5e't'\d5 \117 pure sweet love A 5;191'1 ~OWl ~vo\le, OY\ 1he. W\~G,5 of 1\ PO'JE

W'neYl JellA5 weY\t dOVJ\1 -b -t~e n'Jer -1-0 ?ra~ \-k W2Il. \7aykized vtj Jot1Y\ I 1\'I1he Jorda\,\ -thai ~-a~ \N\\~ ~eJe *,\\0\95 were dOYle/ G<x\ 'P\e5>ea \--\I( ~011 11e: ~vt-\- do-wY\ ~' 15 \o'Je, on -\'\tte vJING-,5 of (\ t;:>o\JE::-

H\GHE:R G~OUNt> b~ Johl1SoVl O~iman ~ C\,arles Gabriel

1m pre5S'IV\~ OY\ iVie Llpwan:~ Way New \-\el<jh15 1m 9a\\,)Iv\~ e'ler~ ~al11 I~ pf~~iY\~ as \\'YI onward. bouVlc\ lovo.. t>\oVll m~ -ree+ OYI r\\G«ER ~O\) N\),

~\A<':

LoteX \'1fT V't'Ie ~\) o'rlJ \e.l- Me 5toM; B", {aM-.. 011 \\eo\Je.V\'s -rable. \aY\J.., A hlCjhe.f' p\a'(l€. -4aYl \ Vla'le -fO\.~Y\d, Lord pb~vit 111~ feet 0\1 Yti.9Y1er ground,

My \-\0;(\ h~s \10 <k7\re +0 5t~y Wnere dOV.'t>1; 8'fi(e 2lV\o. fear) di~m4ljf '\\10 50me \"(lay elwel\ \f\l'r\e('e ~e?e at;ouY\d { My ?'(a~er, m~ a\l11, is \\\6\-\~ <Sf:,oU Nt> ,

J....o'\.UA:

I VJant -b 5c.a\e ~e utmo)t heigl1t AV\o. <:.o-\'c\\ '4 g\eoYV\ of glorlj DfiSYtT, AVId. \ will ~ro.\.j '-hi lAeaveYl \~e =found.., Lord. lead me 0'1'\ -\0 \\\&t\E.~ 6iCoU~I/.

Page 7: MARCUS - Smithsonian InstitutionI Saw Him) Sarah Walton Miller 6. ... MUSICIANS Marcus: Vocals, 6 and 12 string rhythm guitars, dulCimer, auto harp, lead nylon string guitar

ll1eres 4 r02>d -t\1at5 S.ffai9hl ~nd vt3~rolJl --the 5aivrts \-\cN~ -\Yave\~ " " dow 11/

!>o'-JeJ. 'W\-1Vt c.\\ -1\\e -t<-\~u\ot\0}1~1 of -t\-te mort~r5 t'rtZlt \1a'-Je gene If :l0ure gfate:fu\ ~x- -t\--.e.ir VlOo'fY, -\0\ snow'Il1<j you ""\1\e WA~ / GWe 1'\12.\\\(7 -tt>'( A\\ ~ou,( v\e.sS\\'\95, geto\1 you'\ "V\ees ~~d IprZly .

l'vrZly\\( God, -to'(" (lve(\-\ -t\o-we.'\ "AV\<l <22d\ -tree l

"1V\aviK God. I for 2.\\ -\t:1e VYlourrt-a1n5 21V\o. i\1e S~I iV\,Wl\< God. , for q\V\vt~ hfe. -to you ~vtd vne/ VJhe.reve.y- yo\>. vt\3.l1 ve, it\J\~K GOD.

Iy, -fuil wo'(\d of g'("\ef 2.V\~ 70 r row, of )elf\}\1ne5) 3Y\.cl <jfeeG\/ 1\\enz. '(e.w\~iV1' a glolt1 fauV\~ai\'\ -to 5U??'\j OIJ.'( e-vef") Vleed 'Iou C:2W\ fll1d it \'(1 ~e -feWl'\7\e -w\-1h 1\-\e \'Je\coYY\e 21-+ %e 000'</ ~e. SU'fe +0 couV\-r your 'P\e;Sh19> pefo'(e Y0l..\ A7K -£'( mo'(e.

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5

Page 8: MARCUS - Smithsonian InstitutionI Saw Him) Sarah Walton Miller 6. ... MUSICIANS Marcus: Vocals, 6 and 12 string rhythm guitars, dulCimer, auto harp, lead nylon string guitar

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