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Arroyo Monthly March 2012
Citation preview
The Urban Garden
The Urban Garden
WINDSTORM HORTICULTURE
LANDSCAPING FOR WILDLIFE
A CHEF’S GARDEN
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THE URBAN GARDEN11 A CHEF’S GARDEN
Chef Niki Nakayama of n/naka grows Japanese herbs and vegetables at her
East Pasadena–area home.
— By Bettijane Levine
21 WILD ABOUT GARDENING Landscape designer Wynne Wilson’s wildlife refuge in Altadena.
— By Brenda Rees
23 FALLEN FORESTEvaluating Arroyoland’s urban forestry after windstorm
— By Ilsa Setziol
DEPARTMENTS9 FESTIVITIES Claremont School of Theology, Rosemary Children’s Services’
Cottage Guild and more
10 STYLE SPY Punch up your wardrobe with accessories in hot hues.
38 KITCHEN CONFESSIONS The ingredients for a luscious cookbook library
41 WINING AND DINING Orange County’s hit Haven Gastropub unveils a
Pasadena venue.
42 THE LIST Litfest 2012, Descanso’s Cherry Blossom Festival, Al Martinez at the
Huntington and more
ABOUT THE COVER: Photo by Wynne Wilson of Terra Design
21
4210
11
arroyoVOLUME 8 | NUMBER 3 | MARCH 2012
03.12 | ARROYO | 7
8 | ARROYO | 03.12
PHOT
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P: W
ynne
Wils
on o
f Ter
ra D
esig
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EDITOR IN CHIEF Irene Lacher
ART DIRECTOR Kent Bancroft
JUNIOR DESIGNER Carla Cortez
PRODUCTION MANAGERYvonne Guerrero
PRODUCTION Rudy Luthi
COPY EDITOR John Seeley
CONTRIBUTORS Joanna Beresford, Leslie Bilderback,Michael Cervin, Scarlet Cheng, Mandalit del Barco, DavidGadd, Lynne Heffley, Noela Hueso, Carl Kozlowski, BettijaneLevine, Rachel Padilla, Kirk Silsbee, John Sollenberger, Nancy Spiller, Bradley Tuck
PHOTOGRAPHERS Claire Bilderback, Gabriel Goldberg,Christie Hemm, Melissa Valladares
ADVERTISING DIRECTOR Dina Stegon
ACCOUNT EXECUTIVES Brenda Clarke, Leslie Lamm, Heidi Peterson, Jon Wheat
ADVERTISING DESIGNERS Rudy Luthi, Richard Garcia
VP OF FINANCE Michael Nagami
HUMAN RESOURCES MANAGER Andrea Baker
BUSINESS MANAGER Angela Wang
ACCOUNTING Alysia Chavez, Monica MacCree
OFFICE ASSISTANT Gina Giovacchini
PUBLISHER Jon Guynn
CONTACT US
PHONE(626) 584-1500
FAX(626) 795-0149
MAILING ADDRESS50 S. De Lacey Ave., Ste. 200, Pasadena, CA 91105
ArroyoMonthly.com
©2012 Southland Publishing, Inc. All rights reserved.
THANK GOD FOR JEANNE CARR.
Name doesn’t ring a bell? Carr was a 19th-cen-
tury horticulturalist remembered mainly for mentor-
ing John Muir, the legendary naturalist and Sierra
Club founder who helped save Yosemite from devel-
opment. Of course, she left her mark on the land-
scape in other ways as well, not least by persuading
her neighbors in what is now Pasadena to plant
beautiful gardens in the 1870s and look beyond the
vineyards and orange groves that were among the
Indiana Colony’s raisons d’être.
Lo these many years later, Carr’s legacy can be seen all over Pasadena, from
grand estates to the spectacular Huntington Botanical Gardens to community gar-
dens that have transformed abandoned properties into accessible sources of beauty
and food. Indeed, when it comes to Arroyoland gardeners, some of us have come full
circle, returning to the area’s original mission of food production, although on a far dif-
ferent scale than the early agriculturalists.
Visit Chef Niki Nakamura’s acclaimed Culver City restaurant, n/naka, for example,
and you’re likely to dine on Japanese vegetables and herbs picked that morning from
her garden in the East Pasadena area. Nakamura spoke to Bettijane Levine about grow-
ing her own produce as a key element of her practice of kaiseki — cuisine as high art.
Landscape designer Wynne Wilson of Terra Design also grows food at her Altadena
home, but not for her own plate. She explained to Brenda Rees how planting food
sources for wildlife helped her garden win National Wildlife Federation certification —
and the hearts of her new neighbors, some of Mother Nature’s more mobile offspring.
Some horticulture is less about producing bounty than it is about protecting it.
In the wake of last November’s severe windstorm that toppled thousands of trees
here, Ilsa Setziol examines savvy planting practices that will help your own trees resist
nature’s worst blows.
— Irene Lacher
arroyoFINE LIVING IN THE GREATER PASADENA AREA
EDITOR’S NOTE
PHOT
OS: L
ee S
alem
(LA
Cham
ber O
rche
stra
and
Bev
erly
Hills
Bar
Ass
ocia
tion)
FESTIVITIES
Harvard cultural anthropologist Marla F. Frederick gave the 2012
Martin Luther King, Jr., lecture at Claremont School of Theology Feb.
7 as part of its annual celebration, which also included a special
worship service and dinner... Pasadena trial attorney Thomas V.
Girardi of the firm Girardi | Keese received the Beverly Hills Bar As-
sociation’s Excellence in Advocacy Award at the group’s second
annual Litigation Awards Dinner at the Beverly Wilshire Hotel on
Feb. 15… Los Angeles Chamber Orchestra honored Music Director
Jeffrey Kahane at its Crystal Ball at The California Club on Feb. 11;
the benefit was named in honor of Kahane’s 15th year --- known as
the crystal anniversary in nuptial circles --- at LACO’s podium… The
Cottage Guild celebrated Valentine’s Day by creating a festive tea
room at Rosemary Children’s Services’ largest group home for
teenage foster girls in Pasadena on Feb. 14… The Fashion Institute
of Design & Merchandising Museum & Galleries unveiled pieces
from the five films nominated for best costume-design Oscars on
Feb. 11 at the opening reception for the 20th annual “Art of Motion
Picture Costume Design” exhibition.
Oscar nominee Arianne Phillipsand FIDM Curator Kevin Jones
Jonathan Stein, Justice Norman L. Epstein, Thomas V.Girardi of Pasadena and Lawrence H. Jacobson
William Shernoff and Superior Court Judge Michael Linfield William Shernoff and Superior Court Judge Michael Linfield
Michael Rosen, LACO Music Director Jeffrey Kahane, Joyce Fienberg and K. Eugene Shutler
Janis Brown, Dr. Marla F. Frederick and Dr. Cornish Rogers
CST President Rev. Dr. Jerry Campbell, Rev. Dr. Arthur Cribbs, Dr. Helene Slessarev-Jamir
Oscar nominee Arianne Phillipsand FIDM Curator Kevin Jones
Cottage Guild members (L to R): Liz Popoff, Lori Cucchiaro, DonnaPierson, Susan Hale, Jill Boli and Helga Sherman
Jonathan Stein, Justice Norman L. Epstein, Thomas V.Girardi of Pasadena and Lawrence H. Jacobson
William Shernoff and Superior Court Judge Michael Linfield
Los Angeles County Sheriff Lee Baca and Linda Speigel
Pasadena residents Titus and Wendy Brenninkmeijer withJohn Peaslee and Ken Berkowitz
LACO Executive Director Rachel Fine and Christopher Hawthorne of Eagle RockLACO Executive Director Rachel Fine and Christopher Hawthorne of Eagle Rock
03.12 | ARROYO | 9
Bahama Mama Punch up your wardrobe with accessories in hot hues.
BY RACHEL PADILLA
Chase away those winter blues (and
blacks, and grays) by accenting your look
with a tropical palette of pinks, fuchsias,
tangerines and yellows. Whether you’re
planning an island getaway or lounging
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way to invigorate your wardrobe. To add a
touch of summer, pair with a simple tan
dress or classic white tee and jeans. Mix
and match these fruity add-ons to give a
fresh jolt to the color-blocking trend. No
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sories will keep you on trend throughout
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STYLE SPY
10 | ARROYO | 03.12
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OS: R
ache
l Pad
illa
and
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tesy
of D
&Y
4.
2.
1.
Bahama Mama Punch up your wardrobe with accessories in hot hues.
BY RACHEL PADILLA
Chase away those winter blues (and
blacks, and grays) by accenting your look
with a tropical palette of pinks, fuchsias,
tangerines and yellows. Whether you’re
planning an island getaway or lounging
locally, these bold must-haves are a surefire
way to invigorate your wardrobe. To add a
touch of summer, pair with a simple tan
dress or classic white tee and jeans. Mix
and match these fruity add-ons to give a
fresh jolt to the color-blocking trend. No
fleeting spring fling, these delicious acces-
sories will keep you on trend throughout
the spring and summer seasons.
AChef’s Garden
Chef Niki Nakayama of n/naka nurtures an exoticvariety of Japanese herbs and vegetables at herEast Pasadena–area home.BY BETTIJANE LEVINE
03.12 | ARROYO | 11
PHOT
OS: L
owel
l Fra
nk fo
r Far
msc
ape
FOUR YEARS AGO, CHEF NIKI NAKAYAMAhad never planted a seed or grown anything edible. Nowshe’s an urban farmer extraordinaire, master of what maybe the most unusual organic vegetable garden west ofthe Mississippi — an exotic array of Japanese herbs andvegetables blooming in raised redwood beds, destinedfor her restaurant’s kitchen.
Nakayama greets each morning with a visit there“for inspiration,” she says. It is peaceful, fragrant, beau-tiful, prolific. On that little plot of land behind herhome, she enjoys some meditative minutes amidst thegarden’s shifting scents and palettes calibrated to thecurrent season.
After deciding what to use that night for dinner ather Culver City–area restaurant, n/naka, she clips theproduce she’ll need: perhaps some mizuna, a Japanesesalad green; mitsuba, a Japanese parsley; a few tsugaroscarlet turnips; and some lunar white, Kyoto red andsolar yellow carrots. Or kabocha squash, shishito pep-pers, Japanese eggplants, momotaro tomatoes and edibleflowers such as nasturtium, borage and wild pansy —all picked at their peak of flavor.
She packs the produce into her car and heads for
Green cabbage, purple carrots, green onions and spinach thrive behind Nakayama’s home.
The mint-like shiso leaf is often served with sashimi.
12 | ARROYO | 03.12
work at the intimate 10-month-old restaurant that seats 26, has no sign on the doorand does no advertising. Starting at about noon, five days a week, she designs and cre-ates the evening’s prix fixe tasting dinners (either nine- or 13-course), which have ex-hilarated some of the most persnickety palates in Southern California. Nakayama’scuisine, which includes one vegetarian menu each night, has left diners and bloggerspractically gasping for adjectives of appreciation: “Spectacular,” “best food experience ofmy life” and “OMG Worthy” are some of the raves on Open Table, Daily Candy andother websites.
Chef Nakayama’s backyard garden is at the heart of her success, she says. It is also atthe core of her food philosophy, based on the ancient Japanese tradition of kaiseki. Toconnoisseurs, that single word conveys the essence of 500 years of Japanese dining cul-ture and is an automatic stimulus to the senses. Kaiseki is the artful blend of taste, tex-ture, scent and visual beauty, utilizing only ingredients in season, at their peak ofperfection. It is Japanese cuisine as high art, and it relies totally on the chef as artist —one whose palate distinguishes the delicate flavor difference between a tomato, carrotor salad leaf just arriving at maturity and one that is perhaps a few days past its prime.Two Los Angeles Times writers, on a dining tour of Japan some years ago, rhapsodizedthat kaiseki is “a poetic experience” involving “tiny jewel-like courses beautiful enough
03.12 | ARROYO | 13
PHOT
O: D
an A
llen
for F
arm
scap
e
for a design museum.”Nakayama, 36, could buy her produce at a Japanese market, she says, but it wouldn’t
be as fresh and certainly not as pampered as the herbs and vegetables she grows in herown organic garden. And to attain true kaiseki, quality ingredient sourcing is key.
Nakayama, who says she has always known she would be a chef, has studied suchsubtleties since girlhood, attending Pasadena’s California School of Culinary Arts(later, Le Cordon Bleu College). She then apprenticed with some of the finest Japanesechefs in Los Angeles and spent three more years absorbing kaiseki culture at arenowned Japanese inn owned by relatives. She also toured Japan to study regional fla-vors and gardens, she says, noting that many Japanese people grow their own organicfood. Finally, after rehearsing her skills at small restaurants she ran in Arcadia andWest L.A., she was almost ready for the main act of her professional life. She hadeverything she needed to open her namesake restaurant, she says, except one essentialingredient: her own organic Japanese garden.
About a year before she opened her eatery, Nakayama hired Los Angeles–basedFarmscape, an urban farming firm that plants and maintains residential gardens toproduce healthy, organic, home-grown food. Master gardener Dan Allen, one ofFarmscape’s eight co-owners, took Nakayama’s call and paid a visit.
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KAISEKI IS JAPANESE
CUISINE AS HIGH ART, AND IT
RELIES TOTALLY ON THE CHEF
AS ARTIST — ONE WHOSE
PALATE DISTINGUISHES THE
DELICATE FLAVOR DIFFER-
ENCE BETWEEN A TOMATO,
CARROT OR SALAD LEAF JUST
ARRIVING AT MATURITY AND
ONE THAT IS PERHAPS A FEW
DAYS PAST ITS PRIME.
A bed of cabbage that may be pickled for tsekemono.
14 | ARROYO | 03.12
PHOT
O: c
ourte
sy Z
en S
ekiz
awa
for n
/nak
a
“Niki’s backyard was mostly dying grass,” he says. “It wasn’t huge,but it was certainly big enough to grow a big chunk of what she neededfor her upcoming restaurant.” Allen was familiar with some of the un-usual items Nakayama wanted to grow but totally unfamiliar with oth-ers. It was a learning experience for them both.
Allen constructed the raised redwood frames and filled them withnutritious soil; together they ordered seeds from the Kitazawa SeedCompany, a Japanese organic seed supplier in Oakland.
The garden was fully operational by the time n/naka opened, andAllen has continued to plant and maintain it on a weekly basis eversince. He uses ladybugs and other natural methods to keep the producepest-free. An underground system in each bed supplies automatic wa-tering. “Farmscape does the work, but they have also taught me to par-ticipate,” Nakayama says. “I get so excited to have things growing —like shiso leaf, a Japanese-type mint that’s not really unusual. But it’s justso nice to have my own patch of it, because I get to choose what sizeleaf to use. And we have snow peas and edible flowers like borage,which has a cucumber-like flavor. And nasturtium, which has pepper-like flavor that’s not overwhelming.”
Perhaps best of all, she says, food from her garden is farm-to-tablefresh each night — and that makes all the difference in flavor.
“At first Niki gave us very specific lists of what she wanted to grow,”Allen says. “Over time it has become more collaborative.” Allen, who’sfrom Iowa, can now reel off a long list of obscure Japanese vegetablenames and explain their particular flavors. “Kabocha squash is a kind ofJapanese pumpkin. It has the sweetness of winter butternut, but it’stastier,” he says.
Although crops change with the season, there’s always abundantcolor, he adds, citing the variety of “round Japanese turnips which arewhite, scarlet and red; the three varieties of Japanese carrots which arewhite, red, yellow. There are the edible blue nasturtiums, colorfulJapanese varieties of eggplant, peppers and tomatoes along with moreusual crops such as green cabbage, bunching onions, baby arugula.” Allpotential fodder for Nakayama’s vegetarian meal each evening, whosesuccess depends on the excellence of what she has carted across townfrom her backyard. ||||
Japanese TurnipsTokyo market (round and white) and tsugaru scarlet (round andred). Can be pickled, steamed, stir-fried or chopped into a salad.
Japanese CarrotsLunar white, Kyoto red and solar yellow. Often thicker than Western carrots.
ShungikuAlso known as chrysanthe-mum greens, these popularleaves are rich in vitamin B.
KyusiJapanese cucumbers, thinner
than Western and always eatenunpeeled.Favorites include the
hybrid tasty queen.
ShisoA mint-like herb served withsashimi, salads and stews.
JAPANESE VEGGIES BY THE SEASONWINTER CROPS
MizunaA popular salad green alsoused in soups and hot pots
and as a garnish.
DaikonA radish served raw in salads,
boiled in soups and hot pots orgrated atop fish and tempura.
SUMMER CROPS
MitsubaAlso known as Japaneseparsley and packed with nutrients; used in soups,
noodles and meat dishes.
ShishitoA sweet and usually mild
pepper, used in tempura orroasted and topped with
bonito flakes and soy sauce.
KabochaAlso known as Japanesepumpkin, it’s packed with vitamins and served as
tempura or boiled in sugarand soy sauce.
Momotaro Delicious red medium-size
tomatoes, usually served rawin Japan.
NasuJapanese eggplants, smaller
and less bitter than theirWestern counterparts, used in
a wide variety of dishes.
Available from the Kitazawa Seed Company, kitazawaseed.com, (510) 595-1188.
Chef Niki Nakayama
03.12 | ARROYO | 15
INSPIRED OUTDOOR LIVING
THE MORE THINGS CHANGE, THE MORE THEY STAY THE SAMEBY JOANNA DEHN BERESFORD
SPECIAL ADVERTISING SUPPLEMENT
arroyoHOME & DESIGNSPECIAL ADVERTISING SUPPLEMENT
arroyoHOME & DESIGN
03.12 | ARROYO | 17
Thus Oberon, king of the fairies, de-
scribes his wife’s wild, forested boudoir in Shake-
speare’s dreamy Elizabethan drama. And thus
we often wish our own days to be ensconced,
among nodding violets and canopies of musk
rose in encroaching moonlight, and the de-
lights of luscious eglantine. Really, our lives can
be – perhaps they ought to be – ripe and ef-
fortless in and around our homes as spring awakens. The indoor/outdoor lifestyle ought to
be more than a trend or a luxury. Outdoor living, particularly for Southern Californians, ought
to be the bread and butter, the raw earth, of everyday existence.
“You don’t have to book a spa retreat, or scale a mountain to enjoy the out-
doors,” say John Vega and Michael Bernier of Vega & Bernier Design Group. “You can enjoy
nature in a very personal way at home. Think of creating a butterfly garden outside a nurs-
ery to pique your child’s sense of wonder; or planting lavender outside your bedroom win-
dow if you suffer from insomnia; or creating an
herb garden if you are a cooking aficionado.
The sights and sounds of a well-designed land-
scape can bring a texture to your life, awaken-
ing senses dulled by fluorescent lights and
computer screens.”
Vega and Bernier design landscapes
that focus on “bringing people and nature to-
gether.” Air, light, water, plantings, vegetation, furnishings, accessories – these are the real
tools of their trade. The scope of their projects runs the gamut from outdoor kitchens and liv-
ing rooms to pools, water features, green roofs, living walls - and of course, gardens. Con-
tainer gardens, for example can vary from table-top desert orbs to large tropical oases. Herb
gardens and organic pocket gardens appeal to the “urban farmer.” And dog runs, discov-
ery gardens for children and meditative or healing gardens provide places of wonder for
everyone in the family.
–continued on page 19
“I KNOW A BANK WHERE THE WILD THYME BLOWS,WHERE OXLIPS AND THE NODDING VIOLET GROWS,QUITE OVER-CANOPIED WITH LUSCIOUS WOODBINE,WITH SWEET MUSK-ROSES AND WITH EGLANTINE;THERE SLEEPS TITANIA SOMETIME OF THE NIGHT,LULLED IN THESE FLOWERS WITH DANCES AND DELIGHT,AND THERE THE SNAKE THROWS HER ENAMELED SKIN,WEED WIDE ENOUGH TO WRAP A FAIRY IN…”
William Shakespeare, “A Midsummer Night’s Dream”
PHOT
O: C
ourte
sy o
f Tom
's Pi
ctur
e Pe
rfect
–continued on page 19
INSPIRED OUTDOOR LIVING
THE MORE THINGS CHANGE, THE MORE THEY STAY THE SAMEBY JOANNA DEHN BERESFORD
INSPIRED OUTDOOR LIVING
THE MORE THINGS CHANGE, THE MORE THEY STAY THE SAMEBY JOANNA DEHN BERESFORD
INSPIRED OUTDOOR LIVING
THE MORE THINGS CHANGE, THE MORE THEY STAY THE SAMEBY JOANNA DEHN BERESFORD
18 | ARROYO | 03.12
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But while the projects vary, the aesthetic remains the same. “We create natural
spaces that excite all the senses,” explains Vega. “The sights and sounds of a well-designed
landscape can bring a texture to your life, awakening senses dulled by fluorescent lights
and computer screens.”
The most satisfying outdoor living spaces blur the line between exterior and inte-
rior design. Ginger Evans of Pasadena Patio describes fabrics, colors and finishes for out-
door furnishings that feel like indoor furniture, but provide durable, sustainable design for all
seasons. The outdoor kitchen and barbecue is a primary feature of their work, and of many
outdoor design schemes.
“The outdoor kitchen relies on the same rules and ideas that an interior kitchen
does,” says Evans. Granite counters and backsplashes are both beautiful and practical, as
are solid surface tables of granite, concrete, travertine, faux and cast materials. Cooking
mechanisms like outdoor wok burners, pizza ovens and the wildly popular Green Egg com-
bine ancient wisdom with modern technology. In a climate like ours, inspired entertaining,
dining and living can happen more effortlessly outside, in your own backyard, than it does
within the walls of your home.
–continued on page 31
–continued from page 17
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03.12 | ARROYO | 21
PHOT
OS:
Wyn
ne W
ilson
/Ter
ra D
esig
n
THE DESTRUCTIVE AUGUST FIRES OF 2009brought smoggy days, closed forest roads and plumes ofdark purple clouds rising above the Angeles NationalForest. It also displaced countless animals suddenly leftwithout nests, burrows or holes to call home.
Altadena resident Wynne Wilson was not surprisedto see enormous flocks of birds arriving at her recentlyplanted backyard garden for a cleansing dip in hernewly paved creek bed. Critters of all shapes and sizesjoined the post-fire influx to set up temporary sheltersamong the coffeeberry bushes, edible currant shrubsand 900 other plant types that punctuate Wilson’sthree-quarter-acre landscape. “We were happy to wel-come the birds and all the other escapees,” says Wilson,a landscape designer, photographer and former long-time Art Center College of Design instructor. “I’ve al-ways wanted my own garden to be a wildlife refuge, aplace I could connect with the natural world.”
Beneath a splendid vista of the rising San GabrielMountains, Wilson’s backyard ecosystem sculpts itsown majestic scene of California natives mingled withMediterranean plantings ideal for the Southern Cali-fornia climate. Part arid chaparral, part shady wood-lands, the expanse is more than just a fine example ofan economical water-wise garden (with the gardenredo, her monthly water bill went from $1,000 permonth to a mere $100 to $150). This arty smart gardencontains several large areas, including a sun–bakedsalvia and California lilac garden with a stone seatingcircle, and an updated pool and a spa with customhand-painted Malibu tiles, guarded by huge deodarcedars and privacy hedges of California lilacs. Veritablerainbows of floral color abound, including more than3,000 plantings of coral bells (delicate but hardy plantsthat proliferate wildly), to Wilson’s delight. “I’ve also
About Gardening
WildWynne Wilson
created a wildliferefuge in the
colorful gardenaround her
Altadena home.BY BRENDA REES
A Swallowtail butterfly investigatesCalifornia native wild rose foliage.
22 | ARROYO | 03.12
California natives and Mediterranean plantingsconverge beside a restored stream bed.
03.12 | ARROYO | 23
got so many varieties of penstemons that they are cross-hybridizing into unique specimens,” she says.
The garden is open for educational tours, and Wil-son and her Terra Design Company host classes and in-formal gatherings of eco-minded gardeners. (She’s alsowell connected with the Theodore Payne Foundation;her garden has been showcased on TPF’s annual gardentour for the past two years.) Former students and staff atArt Center, artists, musicians and garden clients aredrawn together to discuss a topic that’s an evergreen inArroyoland — using California natives and drought-tol-erant plants to create wildlife habitats as well as beauti-ful landscapes. “It is ironic how [California natives] havebeen utilized in European gardens for over a centuryand are now finding new popularity here,” she says.
Wilson planted her garden in the spring of 2009,beginning by removing her typical suburban lawn,scraggly azaleas and other water-hungry plants. “I handdug it up. We removed about 95 percent of the grass. Itwas a long process, but the best way to do [it],” she saysof forgoing chemicals or large black plastic sheets thatsuffocate and kill beneficial insects (like native bees)and underground critters while they’re killing grass.Wilson then followed guidelines set by the NationalWildlife Federation (NWF) for designing a residentialwildlife refuge. She discovered it wasn’t difficult tocombine those directives with her ambition to craft agarden that would be attractive in any season. The trick:Use plants with long bloom times, interesting leafstructures and sculptural qualities.
The NWF specifies four main criteria to certify agarden as a wildlife refuge: The site must provide foodand water sources, protective covering and safe placesfor wildlife to raise their young. In return, the organiza-tion participants (who may be involved in residential,school or community projects) receive an actual certifi-cate, a free one-year free NFW membership and the op-portunity to install an official plaque in their habitats.But, says NWF spokeswoman Roxanne Nersesian Paul,“I think the real benefits are twofold — with so much oftheir habitat disappearing, wildlife has a better chance tosurvive when we provide space for them. For people, thechance to view the wildlife up-close and share with theirchildren is an end in itself.” Some 146,000 locations —with California’s in the lead — have been certified sincethe program was launched almost 40 years ago.
For Wilson, getting the certification was “more apersonal accomplishment and a way of giving some-thing back…Waking up to the sights and sounds ofbirds, butterflies, bees and water is a wonderful way tobegin one’s day.” Wilson found that supplying the pro-gram-mandated food and water was easy enough. Sheinstalled appropriate bushes, trees and flowers (e.g.,manzanitas, lavenders, poppies, sages) which soon be-came a wildlife smorgasbord of tempting berries, nec-
tar, leaves and fruit. For water, she constructed a 50-foot-long recirculating man-made stream completewith 30 tons of boulders. Creating hiding spots andwildlife nurseries involved a little more thought whenit came to placement. “Shrubs that are intermingled toallow animals to escape… plants with spiny branchesand/or thorns are just the thing,” says Wilson, whoused wild roses, native grasses and toyon and goose-berry bushes. Scattered stones in the stream bed alsoprovide nesting opportunities for lizards and insects.Large trees, like pines, offer great seclusion spots forraccoons, squirrels and birds.
“The ability to invite nature in is so easy,” says Wilsonabout the ever-changing critter clientele. “Every winter,we are a stopover for migrating cedar waxwings. I love itwhen they come. We had an incredible migration ofpainted lady butterflies that flocked to the native [Cali-fornia lilac] by the thousands one year.”
Walk her footpaths to glimpse Western fencelizards basking on enormous boulders. Nearby,monarch butterflies feast on California milkweedplants tucked beneath centuries-old California liveoaks. Aerobatic dragonflies dart over bubbling waters.At night, little brown bats and great horned owlsperch high in the deodar trees, which offer ideal van-tage points for their evening hunts. “When you createthis kind of ecosystem, everything takes care of itselfpretty much,” says Wilson. Sure, she’ll do monthlydeep waterings, pruning and weeding but, on thewhole, the garden runs on its own with no pesticidesor fertilizers. Ladybugs eat aphids, possums eat thesnails, hawks go after the small rodents. Wilson’s es-sential philosophy is to stand back: “Just let naturealone and it will be fine,” she says.
Landscape designer Wynne Wilson can be reached at
[email protected] or (626) 296-3773. For informa-
tion about the National Wildlife Federation’s Certified
Wildlife Habitat® program, visit nwf.org/gardenforwildlife
or call (800) 822-9919.
||||
A mix of California nativescreates a tapestry of color
around the fountain.
The tiles were selectedto harmonize with the
garden’s plantings.
A native Penstemon centranthifolius, a.k.a.scarlet bugler, attracts a hummingbird.
24 | ARROYO | 03.12
An uprooted tulip tree tore up parkway pavement along Edgewood Drive in South Pasadena.
The storm splintered a major limb ofa jacaranda tree on Milan Avenue inSouth Pasadena.
S
03.12 | ARROYO | 25
PHOT
OS: B
arba
ra E
isen
stei
n
FOREST
Evaluating Arroyoland’s urban forestry after the windstormBY ILSA SETZIOL
WHEN THOUSANDS OF TREES TOPPLED IN LAST November’s fierce windstorm, it was a reminder that urban trees, thosegentle giants, can pack a powerful punch. Pasadena and Altadena arestill littered with stumps, uplifted sidewalks and orange cones. The
event has prompted soul-searching among arborists and tree lovers over the challengesof sustaining urban forests.
The loss of so many mature trees — more than 1,500 in Pasadena alone — is notjust an aesthetic issue; it means hotter, more polluted neighborhoods for years to come.“Large trees, particularly conifers, are like giant air filters,” explains Rebecca Latta,Pasadena’s former tree superintendent. “They intercept large-particle pollution that canget into your lungs.”
It’s a calm January day, and Latta is surveying some of the damage in northPasadena. She examines the slanting 8-foot-tall stump and exposed roots of a deodarcedar. A resident has wrapped the tree with green-and-white barricade tape reading
“killer tree.” “The winds were coming from the north and pulled the root plate up,” saysthe consulting arborist and oak specialist based in Glendora. “You can see the rootscame up a long way, so there had to be tremendous force placed on top of this very talltree.” Indeed, wind speeds approached 100 miles an hour in the unusually destructivestorm; meterologists considered it a ferocious variation on the gentler and warmerSanta Anas typical of the season.
Latta notes the winds particularly “devastated the really tall trees — Canary Islandpine, deodar cedar, stone pine.” Some trees probably toppled simply because of the ve-locity. But the demise of others can, at least partially, be attributed to the challenges ofgrowing trees in parkways. “Street trees have to be maintained in a situation where theyhave limited root space,” says Latta. “And, in some cases, the trees will pull up the side-walk, curb and gutter, so those trees will have their roots pruned when new sidewalksare put in.” That makes the trees less stable.
continued on page 27
FALLEN
A downed tulip tree blocks Edgewood Drive in South Pasadena.A downed tulip tree blocks Edgewood Drive in South Pasadena.
26 | ARROYO | 03.12
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Inadequate watering regimes also threaten bothstreet trees and their brethren in home gardens. That’sbecause a tree and a lawn have fundamentally differentwater requirements, as horticulturist Barbara Eisensteinis quick to point out. “Watering once or twice a weekfor 10 minutes is not good for trees,” she says. “Thewater doesn’t soak down very far; trees want a muchdeeper root system and you want to water them infre-quently and really deeply.”
The storm was so intense at Eisenstein’s SouthPasadena home — small branches flying everywhere,windows blowing open, dust swirling around the house— that she worried her mature avocado and deodarcedar would crash onto the Craftsman home. They didn’t, perhaps because of the care she’d given them.Eisenstein had removed the lawn around both trees and
replaced it with mulch, which allows for less frequent watering and prevents root rot. Another tip: Cap or remove irrigation systems around trees so they don’t spray the trunks.“There should be no watering [next to the tree],” says Latta. “If the soil is too wet or thesoil is compacted, you don’t have enough oxygen in the soil or the exchange of gasses thattree roots need to be healthy.”
Pasadena plans to hire a consultant to undertake a storm post-mortem and analyze howits street-tree practices might be improved. The findings are scheduled to be released to thepublic in the spring. Meanwhile, Forestry Superintendent Kenneth Graham says, whenworkers plant new street trees, the city hands out care guidelines to neighbors, advising,among other things, “not to grow any groundcover adjacent to tree trunks.” He notes thatthe city trims and inspects street trees every five to seven years, depending on the kind oftree. Latta says that for some trees, that’s not often enough.
And many trees, both municipally and privately owned, suffer from sloppy pruning. Alot of cities have cut their tree maintenance funds, and Eisenstein says they often contractwith companies that charge less and aren’t as diligent. Pasadena, however, has increased itsstreet-tree budget over the past decade.
Perhaps the worst offender is Southern California Edison, which prunes — no, hacks —trees near power lines, often lopping off their tops in a bad buzz cut. “Trees should never bebrought down (called ‘heading back’ or ‘topping’),” Eisenstein says. “As soon as you cut a branchin the middle like that, it sends out multiple shoots that aren’t attached to the stem very well.”The new shoots are weaker and the dense regrowth is more vulnerable to wind damage.
For homeowners, finding a good tree service can be a challenge. Latta says even shestruggles to find qualified crews. She recommends making sure a certified arborist su-pervises any pruning and that the arborist doesn’t leave the worksite until the crew isdone cutting. It also helps to hire a consulting arborist who specializes in the treespecies you have.
As Latta continues her tour, she points out more stumps in Altadena, then drives by aspot where trees blown over in a previous storm have not been replaced. Pasadena officialssay they’re optimistic they can secure grants and other funds for replanting, although theyacknowledge the city faces financial constraints. But Latta wonders aloud whether L.A.County will have the money to reforest Altadena. “All these cities — Pasadena, Altadena,Arcadia, La Cañada — have really amazing urban forests,” she muses. “I think the legacywe leave our children is to replant and to maintain the trees we have so we don’t losethem.” And even if the fallen are replaced, it will be decades before the saplings grow intothe giants that stood before the storm.
Ilsa Setziol is an environmental reporter who blogs at ramblingla.com.
||||
TIPS FOR SELECTING AND PLANTING TREES
• Purchase small trees in containers no larger than five gallons. The longer a
tree is in a pot, the more time there is for root damage or stress to occur.”
• Purchase plants with roots that are spreading out symmetrically, not cir-
cling inside or overgrowing the container. Circling roots “will grow in tight
balls that never adequately anchor the trees and eventually choke off water.”
• Leave lower branches on trees for the first few years to help feed and struc-
ture the young tree.
• Choose trees that will thrive in our semi-arid climate, such as coast live oak,
Engelmann oak and western sycamore.
.• When planting, don’t bury the crown (where roots intersect the base of
trunk). Keep it slightly above ground level.
• Always remove the nursery stake, so the trunk doesn’t get scraped and the
tree can sway, which promotes stronger roots. If staking is needed, use two
with flexible webbing in between to allow the tree to sway a bit. Remove them
after the first year or two.
• Mulch around the base of the tree, but keep the area directly around
the trunk bare to prevent root rot.
• Young trees need more frequent
water, but allow top layer of soil to dry
before watering. Water deeply.
• Prune young trees to ensure good
structure.
Recommended reading: The Pruning
Book by Lee Reich (The Taunton Press).
— Adapted from Barbara Eisenstein’s blog
at Weedingwildsuburbia.com
continued from page 25
28 | ARROYO | 03.12
ARCHITECTS
HARTMANBALDWIN DESIGN/BUILDHartmanBaldwin Design/Build is a fullyintegrated Architecture, Constructionand Interior Design Company specializ-ing in upscale remodels, additions, his-toric restorations and new customhomes for highly discerning individualsthat are passionate about their homeand lifestyle. We pride ourselves in beingchosen by clients who look for a fullservice firm that will provide them withoutstanding design services, cutting-edge materials and products, qualityconstruction that is sustainable and energy-efficient, as well as a relationshipthat goes beyond the duration of a project. Call (626)486-0510 www.HartmanBaldwin.com.
JAMES COANE & ASSOCIATESSince 1994, James V. Coane, has special-ized in: custom residences, estates, his-toric renovations and expansions,residential and apartment interiors,multi-family residential, corporate interi-ors, retail and small commercial build-ing design. American Institute ofArchitects award winners, and namedBest Architect by Pasadena Weekly, theirprojects have been in Architectural Di-gest and other magazines and used aslocations for filming and fashion shoots.Well-versed in historical and modern ar-chitecture and design and known for at-tention to detail on all projects. Visitjvca.com or call (626) 584-6922.
CUSTOM HOME BUILDERS
CHELSEA CONSTRUCTIONChelsea Construction is a full service de-sign and construction company, specializ-ing in luxury home remodels, customhomes and commercial construction. Ourfull time staff provides one stop compre-hensive contracting services with cost effi-cient solutions and quick turnaround forour clients. Since the company’s proud be-ginnings in finish carpentry, window instal-lations and crown moldings our precisionand craftsmanship has evolved into anaward winning team that focuses on de-tail, quality and service. Call us at (818)949-4595 and visit us online atwww.chelseaconstructioncorp.com
DINING & NIGHTLIFE
RUTH’S CHRIS STEAK HOUSERuth’s Chris Steak House believes everyguest deserves the best. Here, steak is hand-selected, broiled to perfection at 1800 de-grees and served on a 500-degree plate sothat every bite tastes like the first. Or choosefrom the Chef’s Seasonal Specials: freshseafood, classic sides and homemadedesserts to satisfy any craving. Whether it’sa guys’ night out, just the girls or unwindingwith coworkers, you deserve the best. Visityour local Pasadena Ruth’s Chris today.(626) 583-8122 www.ruthchris.com
ECO FRIENDLY SOLUTIONS
GREYWATER CORPS COMPANY PROFILEGreywater is gently-used water from
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EVENTS
NATIONAL MS SOCIETYJoin the movement at Walk MS to bring usone step closer to a world free of MS! Comeand celebrate with thousands of fellowfriends, co-workers and families that, likeyou want to stop MS in its tracks. There willbe fun for the whole family as you enjoy abeautiful 5K walk, roll or stroll around theRose Bowl. There will also be entertainmenton the route and at the finish festival withfood, music, jugglers, face painters, teambooths, fun give-a-ways and more.www.walkcal.nationalmssociety.org
FITNESS
ARX FITEfficient Exercise features highly effectiveand efficient personal fitness training pro-grams utilizing their proprietary ARX Fittechnology. Lack of time is one of themost common excuses for not regularlyexercising so Efficient Exercise has de-signed adaptive resistance exercise(ARX) programs for the busy downtownprofessional giving a convenient, per-sonal, and effective means to an end —improved health and fitness in minutesper week! Schedule a free trial workouttoday and experience. ARX Fit at EfficientExercise, 515 S. Flower, 36th [email protected]
ULTIMATE FITNESS BREAKTHROUGHGet rid of unwanted fat and get that lean,tone and firm body you’ve always wantedWITHOUT diets that never work, spendinghours at the gym or doing boring cardio.Are you FINALLY frustrated with tryingeverything under the sun only to wind upback where you started with your fitnessgoals or maybe even a step further backthan when you first started? We’ve got thesolutions! Call us today for a free trial andsee for yourself! Ultimate Fitness Breakthrough, 145 Vista Ave., Pasadena (626) 407-3150 www.ultimatefitnessbreakthrough.com
GIFT BOUTIQUES
FANCY THAT!Throw open the windows and bring the out-doors in! The sweet smell of spring temptsall the senses and Fancy That! has a deli-cious assortment of gifts, décor and sea-sonal surprises. From exquisite florals andvases. to made in California birdhouses or1960's vintage cookie jars to house yourhome baked goodies, Fancy That! haseverything you need to dress your home forSpring. Fancy That! 2575 Mission St., SanMarino fancythat.us.com
POSH ACCESSORIESPosh Accessories is your one stop head-quarters for all the latest clothes and ac-cessories! You’ll find the perfect outfit,beautiful bracelets, earrings and cocktailrings to die for! Choose from Trina Turk jew-elry, Lockheart handbags, Lollia perfumesand candles, Charlotte sweaters, and somuch more! Enjoy complimentary Poshgift wrapping for all your gift purchases.838 Foothill Blvd., La Cañada, CA 91011 or2537 Mission Street, San Marino, CA 91108
HEALTH & BEAUTY
AURORA LAS ENCINAS HOSPITALBehavioral health care treatment optionsare offered for patients with psychiatric,chemical dependency, or co-occurringdisorders. Psychiatric services include in-patient, partial hospitalization and inten-sive outpatient programs. has remainedcommitted to quality care and service tothe community for over 100 years, andgrown to include 118 licensed acute carebeds, plus 38 residential treatment beds.Please call (626) 795-9901 or (800) 792-2345 and ask for the Assessment & Refer-ral Department.
BEAUX CONTOURSThe future of body sculpting and contour-ing has arrived at Beaux Contours! Our fa-cilities and staff are geared towards givingyou the look you have always wanted.Whether it is a more defined mid section ora tighter jaw line, our physicians are hereto help you. With multiple years of com-bined experience, our physicians will workwith you to give you exactly the look thatyou have been searching for. Call our of-fice today to schedule your complimentaryconsultation. You may also visit our web-site: www.beauxsurgery.com. Hope to seeyou in our offices soon!!
CHRISTINE WON, M.D.What is Concierge Medicine? It’s a type ofpractice that allows you to spend 30 min-utes for office visits (rather than 8 minutesin a traditional practice). You’ll be treatedlike a person instead of a number. We’llfocus on preventive care to maintain yourgood health through a comprehensiveannual physical that includes extensiveblood tests, EKG, metabolic test and muchmore. Call us for info and how to join at(626) 793-8455.
DR. GREGORY VIPOND, MD FOR VIP FACIAL ARTISTRYFacial Plastic and Reconstructive Surgeryhave the power to restore, enhance andcorrect. In the right hands, it can boostyour self-esteem and outlook on life, giveyou a wealth of confidence, and trans-form how you are seen and treated byothers. Dr. Gregory Vipond’s goal for everypatient is for them to leave his office with-out appearing to have ever seen him byrestoring and enhancing a patient’s natu-ral beauty. Call today for a complimen-tary consultation. 51 North Fifth AvenueSuite 202 Arcadia, California 91006 (626) 357-6222 www.drvipond.com
DR. MARILYN MEHLMAUER Having smooth, youthful skin is the first
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MASSAGE ENVYAs noteworthy studies continue to demon-strate the therapeutic benefits of massage,more and more people seek the restorativeand preventative results of regular mas-sage practice. In the same way that peoplefrom all walks of life seek the healthy ad-vantages of routine exercise, proper dietand spiritual or meditative alignment, theyalso turn to the kinds of treatments offeredat Massage Envy, in order to maintain a bal-anced and productive lifestyle. MassageEnvy, 3707 E. Foothill Blvd., Hastings Ranch,Pasadena, CA 91107 (626) 351-9100
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INTERIOR DESIGNERS
CYNTHIA BENNETT & ASSOCIATES, INC.Cynthia Bennett & Associates has beena celebrated design and build firm for al-most 30 years. They specialize in innova-tive kitchen and bath design, generalconstruction, historical renovation, proj-ect management and interior design.With all areas of residential design andconstruction being taken care of by Cyn-thia Bennett and Associates, Inc., eachdetail will be thought of and coordi-nated. Call for a consultation at (626) 799-9701.
DAY OF DESIGN WITH TERRI JULIODay of Design with Terri Julio — Imaginethe opportunity to consult with a profes-sional designer for an entire day. Now youcan for a fixed flat fee. Let Terri’s expertisebe the first thing you call upon when con-sidering any project. It is a worthwhile in-vestment and a good dose of preventionconsidering valuable dollars and timecan be lost when improvements go awry.Call (626) 447-5370 or visitwww.terrijulio.com.
INTERIOR SPACES
WALLBEDS “N” MOREWe are proud of our reputation for meet-ing and exceeding customers' expecta-tions. We have the largest display ofMurphy Wallbeds in California. We are
–continued on page 35
RESOURCE GUIDEarroyo
03.12 | ARROYO | 29
si-
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on
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Mark Meahl founded Gardenview, Inc. Landscape, Nursery & Pools in 1978. Gar-
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Outdoor family rooms are perpetually popular. Large screen televisions, music
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sources of heat and light. As you venture outdoors this spring and summer, you may want
to consider the integrated world of your living space. Ceiling fans, firepits, outdoor fire-
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–continued on page 33
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In the end it’s not just the big stuff that counts. It’s not the expansive pool, the
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–continued from page 31
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RESOURCE GUIDEarroyo
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MODERN LIGHTINGModern Lighting has been serving South-ern California's lighting needs since 1946.With all types of fixtures in every pricerange, you’ll find what you want. If not, wedo custom design. We have stocks of lightbulbs to compliment your fixture and wecontinually watch the marketplace for thebest buys. Our staff has decades of lightingexperience.. Feel free to contact us if ourservice is what you are looking for: call(626) 286-3262.
JEWELRY, ART & ANTIQUES
ARNOLD’S FINE JEWELRYIt’s a busy time at Arnold’s Fine Jewelry.Bruce Arnold and his seasoned staff workwith patrons in choosing just the right giftsfrom diamond heart pendants to watchesand rings. They also personalize jewelryby engraving graduation gifts sure toplease lucky high school and collegegrads. If you have something special inmind or an estate piece that needs up-dating, Bruce will custom design a pieceof jewelry. 350 S. Lake Avenue. Hours are10am-6pm, Tuesday-Saturday. (626) 795-8647.
JOHN MORAN AUCTIONEERSA full-service auction house for over 40years, John Moran Auctioneers is interna-tionally recognized as a leader in sales ofexceptional antiques, fine art, jewelry andeclectic estate items. In addition tomonthly Estate Auctions, Moran’s con-ducts tri-annual California and AmericanArt auctions featuring top 19th and 20thcentury Impressionist and Western artists.For information about consigning, pur-chasing at auction, estate services, ap-praisals, and free walk-in Valuation Days,please call (626) 793-1833 or visit johnmoran.com.
WAYNE JASON JEWELRY DESIGNSWayne Jason Jewelry Designs has been inbusiness since 1987, in the same locationin the city of Pasadena, California. Waynedesigns most of his own jewelry and man-ufactures it on the premises, eliminating amiddleman. Wayne Jason Jewelry Designsoffers unique, often one of a kind, topquality jewelry pieces at a value wellbelow the competition. Most of our de-signs can be made in any color gold, 18-karat or 14-karat, with any stones. 105 WestCalifornia Blvd., Pasadena (626) 795-9215
OUTDOOR LIVING
A.SARIAN POOL CONSTRUCTIONA pool builder that stays with you after thepool is built. There are many pool builders;however there is only one that backs up
the pool after it is complete. With over 30years of experience the Sarian brothersknow how to construct a pool so it is notonly superior in design but will ensureform will follow the function. With the helpof their father Gary, Andy and John starteda company that is based on three solidprinciples: high quality product, fair priceand they deliver what they say. In thewords of one customer, “I had no idea youguys were so good at such a reasonableprice.” (818) 625-2219
BACKYARD STUDIO COMPANY PROFILEBackyard studio is a local architectureand construction office that specializesin comfortable, modern backyard struc-tures: custom-built studios, personal re-treats, guest rooms. The vision ofBackyard Studio is affordable, ecologicalbuildings that can be rapidly deployed,maximizing spatiality and function whileusing a minimum of resources. The princi-pal of Backyard Studio, Leigh Jerrard, isan architect who draws upon an exten-sive background in small, experimental,and prefabricated structures to createsurprisingly affordable and elegant struc-tures that can be built in a matter ofweeks. 3400 Holyoke Dr., Los Angeles, CA90065. (213) 949-2343 backyard-studio.net
GARDEN VIEW LANDSCAPESpecializing in landscaping, nurseriesand pools, Garden View Inc. can takeyou from a design idea to a finished, de-tail-oriented garden. Garden View & theirclientele are recipients of 60 awardsfrom the California Landscape Contrac-tors Association. The intent of the com-pany is to provide high-qualityinterrelated outdoor services. The syn-ergy between having their own de-signer/project managers, in-housecrews, their own large nursery, and beinga licensed pool builder provides for effi-ciency, competitive pricing, quality andschedule control. Call (626) 303-4043.
HUNTINGTON POOLS & SPASHuntington Pools & Spas designs andbuilds custom pools, spas, and outdoorspaces. We create spaces that comple-ment your home’s overall landscape andarchitecture using a combination of en-gineering, form, and fit. Our philosophyis that each project should have aunique balance and connection to theproperty's overall landscape and archi-tecture. We view each of our water-scapes as a unique work of art and useonly top industry professionals, select fin-ish products, and proven technologies.(626) 332-1527www.huntingtonpools.com
OLD CALIFORNIA LANTERNRecognized as one of the leading compa-nies in the historical lighting business, OldCalifornia Lantern Company’s focus is deco-rative lighting inspired by the rich history andarchitecture of California. There are over1,400 items in the Old California Lanternproduct line (including mailboxes, portablelamps, desk accessories and garden light-ing) with many born through the company’sextensive experience in custom commercial
and residential lighting projects. Their goal isto create lighting and accessories that willlive for years as family heirlooms. (800) 577-6679/ (714) 771-5223 www.oldcalifornia.com
PASADENA PATIOThe Ultimate in casual outdoor furnishingsawait your visit to Pasadena Patio. You willsee a number of sample stone wall treat-ments using different types of stone andapplications. Complete outdoor fire-places can also be viewed and see sev-eral lines of outdoor furniture. While youvisit Pasadena Patio you will see a com-plete outdoor room constructed right in-side the store. We look forward to yourvisit and serving you all of your outdoorneeds. 78 S. Rosemead Blvd., PasadenaCA 91107 (626) 405-2334www.pasadena-patio.com
TEAK WAREHOUSEToday’s hottest outdoor trend is the out-door living room ... a favorite for hotels &resorts for years and now available forresidential settings. Why go to an expen-sive resort for the weekend when you canturn your back yard into one? Invest insomething that will bring comfort andstyle for the long run! Teak Warehouseboasts over 16 varied collections of deepseating, offering teak and wicker at thebest prices in California. 133 E. MapleAve., Monrovia. Call (626) 305-8325 or visitwww.teakwarehouse.com
TOM’S PICTURE PERFECT LANDSCAPEWe accommodate all size projects fromthe small backdoor patio to the estategarden. Your go to company for all jobssuch as construction, water, lighting, stonelayout and irrigation. You will receivehands on customer service that includesdaily visits to your project by Tom for opti-mum communication. Our goal is to en-sure that the final project is exactly whatyou expect. No subs ever. All work is donefrom start to finish by Tom’s certified land-scape professionals. Call (626) 443-3131for more information.
VEGA+BERNIER DESIGN GROUPBringing Design to Life is our mantra forevery landscape project. With your needsand desires in mind, our design team cre-ates diverse landscapes, outdoor livingspaces, container gardens, green roofs andliving walls that allow you to escape the dis-tractions of modern life and return home tothe heart of who you are. Specializing inMediterranean, California native anddrought-tolerant landscape design,Vega+Bernier uses sustainable design/buildpractices that are both budget-friendly andminimally invasive to our environment.Please visit us at www.vegabernier.com/landor call (626) 795.5494 for a personal designconsultation.
PROFESSIONAL SERVICES
LAW OFFICE OF C.R. ABRAMSEstate planning and probate are two legalareas that people approach with dread.Moving the valuable things of one per-son's life safely into the hands of others isa task fraught with pitfalls. One false move— one badly worded document — and
assets don't go where they were sup-posed to go. This is one time you need areally good lawyer. The Law Offices of C.R.Abrams serves individuals and their fami-lies in every aspect of estate planning,probate, estate and trust administration,resolution of trust and estate disputes, andguardianship proceedings. Call for moreinformation or to learn about a FREE LivingTrust Seminar near you. (877) 322-9778 orwww.crabrams.com
REAL ESTATE
DICKSON PODLEYRichard Langstaff is an effective Realtorwho works hard for his clients. Represent-ing clients in the sale of their Architecturaland character homes for over 20 years inthe Pasadena area. Richard Langstaffstates "The greatest satisfaction in mybusiness comes from getting results formy clients. I believe that the client’sgoals and needs are always the key andthe first priority. Podley Properties RichardLangstaff 818.949.5750
SOTHEBY’S, LIN VLACICH-Lin Vlacich of Sotheby’s, a 25-year veteranin the real estate profession, is known forher reputation and success as a leader inthe San Gabriel Valley brokerage commu-nity, as well as for high professional ethics,superior negotiating skills, innovative mar-keting plans and extensive knowledge ofreal estate sales. Committed to excellencein representing buyers and sellers through-out Pasadena, San Marino, SouthPasadena and the surrounding communi-ties. Call (626) 688-6464 or (626) 396-3975or email [email protected]
SENIOR RESOURCES
FAIR OAKS BY REGENCY PARKRegency Park Senior Living, with over 40years’ experience, is renowned inPasadena for its luxurious, beautifully-ap-pointed senior communities. The Fair Oaksby Regency Park is Pasadena’s most luxu-rious independent and assisted livingsenior community. Here residents enjoy alifestyle of relaxed elegance and the op-portunity to select from a broad array ofservices and activities—from fine diningand daily housekeeping to assistancewith any of the activities of daily living.951 S. Fair Oaks Ave., South Pasadena.(626) 921-4108. Visit us at www.regen-cypk.com for more information
PROVIDENCE ST. ELIZABETH (PROVIDENCE ST. JOSEPH’S)Providence St. Elizabeth Care Center is a52 bed skilled nursing facility. We offer anarray of health care services for residentsto enjoy themselves with family andfriends. To complement our reputation forcaring, our specially trained staff works inpartnership with residents, families, doc-tors, referring hospitals, and health profes-sionals to make sure residents' needs aremet. As a skilled nursing facility, ProvidenceSt. Elizabeth is staffed 24 hours a day by li-censed professionals specially trained ingeriatric medicine. For more information orto tour Providence St. Elizabeth Care Center, please call (818) 980-3872.
–continued from page 28
03.12 | ARROYO | 35
36 | ARROYO | 03.12
ISSUE DATE: April 26 SPACE DEADLINE: April 18FOR MORE INFORMATION AND TO RESERVE YOUR SPACE, CALL 626.584.1500
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TURN UP THE HEAT.
BarnhartBarnhart School offers a private elementaryand middle school education for childrenin kindergarten through 8th grade from theArcadia, Pasadena, Sierra Madre andother San Gabriel Valley communities. Dis-tinguished programs of Barnhart Schoolare the Writers’ Workshop, the 7th gradeBiotech project sponsored by Amgen,Spanish at all grade levels with a conversa-tion club in 8th grade, early literacy em-phasis, the Virtues character developmentprogram, and continued integration oftechnology, arts, and physical education.240 W. Colorado Blvd., Arcadia. barn-hartschool.org (626) 446-5588
Drucker School of ManagementThe Drucker School of Management inClaremont offers a world-class graduatemanagement education through ourMBA, Executive MBA, Financial Engineer-
ing, and Arts Management degree pro-grams. Our programs infuse PeterDrucker’s principle of management as aliberal art along with our core strengths instrategy and leadership. We offer individu-alized, flexible course scheduling, an inno-vative curriculum focusing onvalues-based management, and the op-portunity to learn from world-renownedfaculty. To learn more, visit us atwww.drucker.cgu.edu.
Good Shepherd Lutheran Church SchoolOur church welcomes all families and chil-dren to share the Word of God . We have aYouth Group and Sunday School. Our pre-school. And K-6th classes emphasize read-ing and mathematics in preparation forthe annual S.A.T. tests given each grade.Computers are used by all the grades. DayCare is also available. Please call (323)
Education& ENRICHMENT AND SUMMER CAMPS
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03.12 | ARROYO | 37
PASTOR ERNEST H. KINGGood ShepherdLutheran SchoolOPEN ENROLLMENT-CALL FOR FREE TOURExperienced Teachers, Small Classes
www.GoodShepherdLA.org 6338 N. Figueroa St., Highland Park
323-255-2786Minutes from South Pasadena
Good ShepherdLutheran Church and School
P r e s c h o o l a n d K - 675 Years of Worship with Youth EducationAll Families and all ages of Children are welcome, Services Sunday 10:00am
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255-2786 to arrange a tour. More details,and the tuition rates are on www.good-shepherdla.org. Lutheran Church of the Good Shepherd,6338 North Figueroa St. LA, Ca 90042, (626)226-6818 www.goodshepherdla.org
Pasadena Christian SchoolSummer at PCS offers preschool care,sports camps, and an engaging aca-demic approach in the Passport to Adven-ture Virtual Travel Program. Extended childcare is also available. Our vision is for stu-dents to exemplify biblical principles, char-acter and skills necessary to be life-longlearners and productive citizens as theyserve Christ. Our teachers are qualifiedand credentialed professionals who em-body the qualities that we want to instill inour students. For more information, pleasevisit our website of pasadenachristian.orgor call 626-791-1214.
Summer Art AcademyCooking Camp comes to La Cañada HighSchool this Summer! Starting June 18th, theCooking Academy invites your child to takean exciting culinary journey during our vari-ous, one-week summer Cooking Camp ses-sions, each taught by experienced LeCordon Bleu trained chef. Don't wait, classeswill fill quickly as it is our second year in LaCañada! Enroll online at http://www.sum-merartacademy.com and create a freshlybaked family memory today! Call us at 866-507-COOK for more information!
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38 | ARROYO | 03.12
KITCHENCONFESSIONS
Athenaeum AnthemThe ingredients for a luscious cookbook library
BY LESLIE BILDERBACK | PHOTOS BY CLAIRE BILDERBACK
I RECENTLY READ THAT RUSS PARSONS, EDITOR OF THE LOS ANGELES
Times food section, owns two copies of all his favorite cookbooks.
One copy is preserved for posterity, the other brought into the kitchen
as a working stiff, available for spillage. I had to laugh. Practical? Not
really, unless by practical you mean "sells more books for publishers.”
A proper chef (something that, in all fairness, Parsons does not claim to be) is
taught never to cook directly from a book. Recipes should be rewritten onto a separate
sheet, which is then carried into the kitchen and hung on the wall at eye level, or
crammed into the pocket of your herringbone pants, along with your one good peeler
and your Sharpie.
This serves several purposes: The paper takes up less counter space (which is usu-
ally at a premium), and it keeps your books clean (although personally, I enjoy the
nostalgia of a stain or two. It brings back fond memories of jobs, colleagues, restau-
rants and my youth, all now gone the way of the floppy disk and Kajagoogoo).
03.12 | ARROYO | 39
Buy These Books
More important, recipes hand-copied from books are in-
surance against screwing up. It forces at least one read-
through, which is something amateurs rarely do. As a culinary
instructor I can tell you that 99.9 percent of recipe failures are
due to user error. Revving the KitchenAids and cold reading
the recipes as you cook inevitably results in leaving out a step
or ingredient (which typically leads to a forced excursion to
the market by some poor innocent bystander) or simple
hubristic wrongness.
This need to charge ahead without full knowledge is not
just a plague of the kitchen. It is part of our national M.O. — it
occurs everywhere, from the voting booth to the backseats of
cars. This lack of preparation is only facilitated by a new age
of kitchen technology. It is bad enough that most people now
get their recipes off the Internet, where origin, authenticity and
accuracy are dubious at best. (Being an Internet recipe
provider, I guess I should be careful here.) Now you can fire up
iPhone apps to further enable your blind assault on food. Why
bother to learn something when you can have it beamed di-
rectly at your head? And so, while I scoff at Parsons for his
dual-tome collection, at least he is still reading books.
My cookbook library reached its zenith years ago. Can we all
just admit that there are too damn many cookbooks out there?
In 1962 there were 850 cookbooks in print. So far this century,
there has been an average of 3,000 new books on cookery
published every year. Putting aside for a moment my dream of
writing the Great American Gustatory Opus, have there really
been 3,000 new breakthroughs in the world of food this year?
That is not to say I do not own cookbooks, because I sure
as hell do. But, with the exception of the occasional flea mar-
ket find (my latest being the hilarious Can Opener Recipes for
the Casual Cook from 1951), I have stopped adding to my
cookbook library. Still, I understand the foodie nation's insa-
tiable hunger for cookbooks and, to that end, I have com-
piled a list of what I consider to be the most important
cookbooks you should own. (In some cases, newer editions
have followed mine.) Use it to start your cookbook library, or
legitimize the one you've already got.
Now get reading. There will be a quiz next month.
Leslie Bilderback is a certified master baker, chef and cook-
book author. A South Pasadena resident, she teaches her
techniques online at culinarymasterclass.com.
||||
American Cookery by James Beard (Little, Brown; 1972)Like America itself, this book is a melting pot. Beard is the father of American cookery, and this is why.
Couscous and Other Good Foods from Morocco by Paula Wolfert (Ecco; 1973)I love all of Wolfert’s books. She is hands down the authority on Mediterranean cookingand the reason you can find couscous at Vons.
The Food Lover’s Companion by Sharon Tyler Herbst (Barron's; 1995)I keep several copies of this book — one in my office, one in the kitchen and one in thecar, because you never know when you might need to look up “flummery" or "shamogi.”
The Gastronomical Me by M.F.K. Fisher (North Point Press; 1989) The beautiful prose of this (and her other volumes, including Serve it Forth, An Alphabet forGourmets, Consider the Oyster, How to Eat a Wolf) recount a lifelong love of food. It’s perfect for cultivating culinary snobbery.
Larousse Gastronomique by Prosper Montagne (Clarkson Potter; 2001)More commonly known simply as Larousse, after the French publishing house that firstproduced it in 1938, it is the premier culinary encyclopedia, proofread by August Escoffierhimself. I am on the lookout for an old edition that has (I am told) an amazingly gory engraving of turtle soup preparation.
The Good Cook series (Time-Life Books; 1980)This series is so extraordinarily detailed, photographed and diagrammed, it should be re-quired reading for anyone learning to cook. Twenty-eight volumes, available at a garagesale near you, cover everything culinary, including meats, eggs, sauces, soups, snacks,fruits, vegetables, beverages and kitchen organization. Also worth noting from the Time-Life people (circa 1968) is the 27-volume Foods of the World series, covering regionalcuisine both here and abroad.
The Joy of Cooking by Marion Rombauer (Scribner; 1997)When this classic volume was revised in 1997, there was a lot of hoo-ha. At least it stillhas the opossum and squirrel recipes, complete with skinning diagrams and great tips like"don gloves to avoid possible tularemia infection."
La Technique: An Illustrated Guide to the Fundamental Techniques of Cookingby Jacques Pepin (Times Books; 1976)I still like this clear, descriptive, generously photographed book, even though MonsieurPepin, former personal chef to Charles de Gaulle, once told me I looked like a horse. I'msure he meant it in a nice way.
Le Guide Culinaire by August Escoffier (John Wiley and Sons; 1983)Originally published in 1903, this is the definitive reference for haute cuisine formulas andnomenclature. As Escoffier insisted, this is not a recipe book. You're supposed to alreadyknow the recipes.
Mastering the Art of French Cooking (two-volume set) by Julia Child, LouisetteBertolle and Simone Beck (Alfred A. Knopf; 2001)Without this book, we'd all be eating crap.
The New Making of a Cook: The Art, Technique, and Science of Good Cooking byMadeleine Kamman (William Morrow; 1997)Despite a career spent in the shadow of Julia, Kamman (a legitimate chef) earned theright to tell you how everything should be done, including the how and why of recipes.
On Food and Cooking: The Science and Lore of the Kitchen by Harold McGee(Collier Books; 1998) McGee is the Einstein of the kitchen.(Mc=Ge2). If you want to know why blueberries are blueor how your olfactory cells work (and if you're a serious cook, you should), buy this book.
The Secrets of Baking: Simple Techniques for Sophisticated Desserts by SherryYard (Houghton Mifflin; 2003)I love this book and not just because I helped write it. (Regular readers of this column willrecognize its infectious wit.) Sherry divided the book into master recipes, with subsequentvariations, akin to the way pastry is taught in culinary school.
The Taste of Mexico by Patricia Quintana (Stewart, Tabori and Chang; 1986)Though you may never have heard of her, Quintana is a culinary rock star in Mexico. Shestudied with the greatest chefs of the 20th century — Paul Bocuse, Gaston Lenotre, theTroisgros brothers, Michel Gerard — and is her country's official culinary ambassador. Thisimpeccable book is thoughtfully broken down by region, with the most authentic techniques available.
— L.B.
MY COOKBOOK LIBRARY
REACHED ITS ZENITH YEARS AGO.
CAN WE ALL JUST ADMIT THAT
THERE ARE TOO DAMN MANY
COOKBOOKS OUT THERE?
40 | ARROYO | 03.12
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Pasadena’s new Haven Gastropub pairs a huge beer list with inventivefine dining and comfort fare.
BY BRADLEY TUCK
Haute Pub Grub
Haven Gastropub
42 S. De Lacey Ave.Pasadena
(626) 768-9555Havengastropub.com
Entrées: $10 – $42
Open daily from 11 a.m. – 2 a.m.
03.12 | ARROYO | 41
PHOT
OS: C
ourte
sy o
f Hav
en G
astro
pub
It’s interesting that Old Pasadena now has not one but two establishments proudly sport-
ing the moniker “gastropub.” The first was King’s Row Gastropub, which opened on Col-
orado in April 2011, replacing Neomeze. The most recent, taking over the space formerly
occupied by Brix 42, is Haven Gastropub, a new outpost of the Orange County venue.
The Haven in Orange has been a commercial and critical success for partners Wil Dee,
who also serves as beverage director, and Chef Greg Daniels. Figuring that Old Pasadena
has a similar feel to Orange, with its great foot traffic and shopping, they threw their hats
into the ring and launched their paean to great beer and food here two months ago.
Walking into the space, a lot of it seems familiar, and the layout is essentially the same
as when it was Brix 42. It’s still an enormous space, organized around a central bar, and
those steel brewing tanks are still visible through glass walls. But the details are different:
Now there’s an open kitchen and a wine/private dining room toward the back of the
restaurant. And I’m happy to report that the new venue looks really promising.
The term “gastropub” generally refers to a pub that offers elevated standards of food. It
stems from the growth of such establishments in England in the early 1990s and, while not
being a pretty word, it sums up the genre pretty neatly. So, as in the
classic chicken-and-egg conundrum, which comes first — the gastro
or the pub? Does the food support the beer, or vice versa? At Haven,
they both march in unison, which is as it should be. Dee has put to-
gether a really huge beer list, with some hard-to-find and carefully se-
lected drafts and bottles. I counted 40 on tap and more than 90 in
the bottle. Add to this an interesting and accessible wine list, and a
respectable lineup of craft cocktails, and you’ve definitely got the
pub part covered.
The gastro side is taken care of by Greg Daniels, an alum of
Pasadena’s Le Cordon Bleu program at the California School of Culi-
nary Arts. Stints at respected fine-dining establishments — Pascal in
Newport Beach and Napa Rose in Anaheim — were supplemented
by dining pilgrimages to restaurants as far-flung as Heston Blumen-
thal’s Fat Duck in Bray, U.K., and Thomas Keller’s Per Se in New York,
both recipients of three Michelin stars. Daniels also cites a passion for culinary literature as
a creative inspiration, which is always encouraging. Indeed, the menu is far from the mod-
ern riff on comfort food one might expect in a pub setting. Yes, there are the familiar sta-
ples, like shepherd’s pie, mac ’n’ cheese and the like. But when was the last time you saw
pheasant pot pie on a menu a few
inches down from hiramasa crudo?
I opted for the latter as a table next to
mine shoveled into the puff pastry crust
of the pie. Judging by their fervor, it was
more than acceptable. The crudo was exceptional. Lovely raw fresh fish with fine slivers of
crunchy heat provided by the shards of Fresno chili, juicy ruby grapefruit wetting your whis-
tle and arbequina olive oil pulling the flavors together to create a light but rich mouthfeel.
Fried sardines were served whole, with a very light breading crust, a smoked paprika rouille
and golden raisins. Some diners might be fearful of the bones, and diners are often worried
about fishy fish, so putting these on the menu is a bold choice. I can eagerly imagine en-
joying their rich flavor with a crisp white wine in the summer — chewing those fine bones
would be a small sacrifice to make.
Brussels sprouts are on pretty much every menu these days and are generally a far
cry from the gray-green slurry of many English Sunday dinners of my childhood. These
are sautéed to a nutty brown, with crisped prosciutto and a dash
of lemon juice to brighten it all up. The grilled octopus involved 6-
inch-long tentacles that looked very Jules Verne, weaving their way
through a seascape of caramelized fennel and hearts of palm.
The tentacles were really perfect, not rubbery in the least, tender
and full of flavor.
Desserts come by way of an extremely talented pastry chef, San-
tanna Salas, who has had an illustrious career so far with various
Michael Mina establishments, including his restaurant at The Bellagio
in Las Vegas. Her peanut butter and jelly took the flavors and textures
of everybody’s favorite bedtime snack and rendered the elements in
a beautifully composed and sophisticated dessert: Blackberry sor-
bet, powdered peanut butter, a peanut butter brittle and a wafer of
sourdough crisp was the kind of dessert that if shared could ruin a
friendship. You’ll be counting the number of your dining companions’
spoon dips and racing them to the finish.
Haven’s owners are counting on Pasadena’s openness to an approachable but so-
phisticated menu, a parking structure right across the street and a good volume of foot
traffic. I, for one, will be back, if only to try out that pheasant pot pie! ||||
Chef Greg Daniels
Hiramasacrudo
WINING & DINING
42 | ARROYO | 03.12
THE LIST A SELECTIVE PREVIEW OF UPCOMING EVENTS
SHAKESPEARE AND SORCERY AT A NOISE WITHIN March 3 — Shakespeare’s Antony and
Cleopatra, a tragedy of lust, love, politics
and war during the glory days of the
Roman Empire, opens at 8 p.m. at A Noise
Within and continues through May 13.
Geoff Elliott and Julia Rodriguez-Elliott
co-direct.
March 17 — The Illusion by Pierre
Corneille, adapted by Tony Kushner,
opens at 8 p.m. and continues through
May 19. The classic tells the story of a fa-
ther who calls on a powerful sorcerer for
help in reuniting with his estranged son.
Tickets for both productions cost $46 for
Friday and Saturday evening and Sunday
matinee performances; $42 for Wednes-
day, Thursday and Sunday evenings and
Saturday matinees.
A Noise Within is located at 3352 E. Foothill
Blvd., Pasadena. Call (626) 356-3100 or
visit anoisewithin.org.
WOMEN AUTHORS STRUT THEIR STUFFMarch 3 — The annual Festival of
Women Authors returns to Pasadena
from 9:30 a.m. to 1:30 p.m. at the
Pasadena Senior Center. This year’s
lineup includes Heidi Durrow, author of
The Girl Who Fell from the Sky; Fannie
Flagg, author of I Still Dream About You;
Michelle Huneven, whose latest book is
Blame; and Susan Straight, author most
recently of Take One Candle, Light a
Room. Elizabeth Forsythe Hailey, author
of A Woman of Independent Means,
serves as moderator. Tickets cost $85;
proceeds benefit the Senior Center.
The Pasadena Senior Center is located at
85 E. Holly St., Pasadena. Visit pasade-
nafestivalofwomenauthors.org .
COLBURN ORCHESTRA SHOW-CASES BRAHMS AND STRAUSS March 3 — The talented students of the
Colburn Orchestra perform Brahms’ Piano
Concerto No. 2 and Strauss’ “Ein Helden-
leben” at Pasadena’s Ambassador Audi-
torium. Sichen Ma is featured piano
soloist, and Bramwell Tovey conducts. Ad-
mission to the 7:30 p.m. concert is free,
but tickets are required.
Ambassador Auditorium is located at 131
S. St. John Ave., Pasadena. Call (213) 621-
1050 or visit colburnschool.edu/tickets.
LOCAL ART HISTORY REVIEWED AT PACIFIC ASIA MUSEUM
March 4 and 25 — In
conjunction with the
Pacific Asia Museum
exhibition about its
predecessor, “46 N.
Los Robles: A History
of the Pasadena Art Museum,” Lynn Kien-
holz, author of L.A. Rising: SoCal Artists
Before 1980, discusses the period with
panelists influential in the museum’s his-
tory at 2 p.m. both days. Free with mu-
seum admission.
March 18 — A screening of Pasadena Art
Museum Voices, a documentary featur-
ing guest curator Jay Belloli interviewing
key artists, board members and curators
involved in the “46 N. Los Robles” exhibi-
tion, runs from noon to 4 p.m. Free with
museum admission.
March 29 — The exhibition “Kimono in the
20th Century,” showcasing items from for-
mal wear to children’s clothing, undergar-
ments and light summer pieces, opens
and continues through March 10, 2013.
The Pacific Asia Museum is located at 46
N. Los Robles Ave., Pasadena. Call (626)
449-2742 or visit pacificasiamuseum.org.
SHAKESPEAREAN SOUNDS BLAST ABOUT TOWNMarch 4 — The Los Angeles Philharmonic
Orchestra’s “Sounds about Town” series
features the Los Angeles Children’s Cho-
rus and American Youth Symphony, with
James Conlon conducting, at 7:30 p.m.
at Walt Disney Concert Hall. The evening
features the world premiere of “The Isle is
Full of Noises” by Icelandic composer
Daniel Bjarnason, based on Shake-
speare’s The Tempest. The ensembles also
perform Sir David Willcocks’ “The Glories of
Shakespeare.” In addition, LACC Artistic Di-
rector Anne Tomlinson conducts the cho-
rus singing Shakespearean texts for treble
voices and AYS Music
Director Alexander
Treger conducts the
orchestra in selec-
tions from Prokofiev’s
Romeo and Juliet.
Tickets cost $20.75 to $45.
Walt Disney Concert Hall is located at 111
S. Grand Ave., Los Angeles. Call (323) 850-
2000 or Ticketmaster at (800) 745-3000 or
visit laphil.com.
RATTLING A CENTURY-OLD CAGE March 10 and 11 — Southwest Chamber
Music celebrates the centennial of com-
poser John Cage in a series of concerts.
Pasadena locations include Art Center
College of Design and Pacific Asia Mu-
seum. The 8 p.m. Saturday concert at Art
Center features Cage’s “Atlas Eclipticalis,”
“Variations IV” and “0’00.” The 5 p.m. Sun-
day performance at the Pacific Asia Mu-
seum features his composition “Score.”
Tickets for each concert cost $38, $28 for
seniors and $10 for students.
Art Center College of Design is located at
1700 Lida St., Pasadena. Pacific Asia Mu-
seum is located at 46 N. Los Robles Ave.,
Pasadena. Call (800) 726-7147 or visit
swmusic.org.
L.A. ART, ANTIQUES ON THE BLOCKIN GLENDALEMarch 10 and 11 — Roadside America
presents the second annual “Antiques,
Objects and Art L.A.” show and sale from
10 a.m. to 6 p.m. Saturday and 10 a.m. to
4 p.m. Sunday at the Glendale Civic Audi-
torium. Items include fine art, furnishings,
decorative arts, textiles, jewelry, Chicano
art, modernism, Americana, American In-
dian arts and crafts and much more. Ad-
mission costs $12 for both days.
The Glendale Civic Auditorium is
located at 1401 N. Verdugo Rd., Glen-
dale. Call (626) 437-6275 or visit
antiquesandobjects.com.
CELEBRATING DANCE DIVERSELY AT THE ALEXMarch 3 — Choreographer Jamie Nichols presents Celebrate Dance 2012at Glendale’s Alex Theatre, spotlighting new works performed by Hysterica
Dance Company, Invertigo Dance Theatre, LaDiego Dance Theatre, Los An-
geles Contemporary Dance Company, Malashock Dance, Monat Dance,
Regina Klenjoski Dance Company and RhetOracle Dance Company.
Showtime is 8 p.m. Tickets cost $16 to $36.
The Alex Theatre is located at 216 N. Brand Blvd., Glendale. For tick-ets, call (818) 243-2539 or visit alextheatre.org; for information, visitcelebratedance.org.
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L.A. PHIL LIVE, ON THE BIG SCREENMarch 18 — The Los Angeles Philhar-
monic presents a screening from the
2011--2012 season opening–night con-
cert at Disney Hall in theaters nation-
wide, including locally at AMC Santa
Anita 16 in Arcadia. The concert fea-
tures Music Director Gustavo Dudamel
and the orchestra with jazz great Her-
bie Hancock celebrating the music of
George Gershwin by performing
“Rhapsody in Blue,” “Cuban Overture”
and “An American in Paris.” Tickets for
the 2 p.m. screening cost $18 and are
available at the theater box office or at
fathomevents.com.
AMC Santa Anita 16 theater is located
at 400 S. Baldwin Ave., Arcadia. Call
(888) 262-4386 or visit laphil.com.
CHRONICLER OF L.A. ON DISPLAYMarch 17 — An exhibition of papers
and other items from the 60-year ca-
reer of author and Los Angeles Times
columnist Al Martinez opens at the
Huntington and runs through June 25.
The Huntington Library, Art Collections
and Botanical Gardens is located at
1151 Oxford Rd., San Marino. Call (626)
405-2100 or visit huntington.org.
LITFEST CELEBRATES ALL THINGS LITERARYMarch 17 — LitFest 2012 comes to
Pasadena’s Central Park from 9 a.m. to
5 p.m. Organizers Larry Wilson, public
editor of the Pasadena Star-News; Tom
Costen of the Light Bringer Project; and
novelist and USC creative writing
teacher Jervey Tervalon worked with
local government leaders, independ-
ent publisher Red Hen Press and Cal-
tech to plan a day of panels and
readings by local literati, including
Jonathan Gold, Ron Koertege and Ter-
valon. Entertainment will include
music, theater, poetry and perform-
ances by local schoolchildren. Admis-
sion to the event, a project of the
Pasadena Arts Council, is free.
Central Park is located at 219 S. Fair
Oaks Ave., Pasadena. Call (626) 793-
8171 or visit pasadenaartscouncil.org.
LACO PRESENTS WORLD PREMIERE WORK BY YOUNG VIRTUOSO March 24 — The Los Angeles Chamber
Orchestra, conducted by Music Director
Jeffrey Kahane, spotlights young com-
poser and piano virtuoso Timothy An-
dres in an 8 p.m. concert at Glendale’s
Alex Theatre. Andres is featured pianist
in “Refracted,” a concert that includes
the West Coast premiere of his work
“Coronation,” in which Andres has
added his own stamp to one of
Mozart’s incomplete concertos. Re-
peated at 7 p.m. Sunday at UCLA’s
Royce Hall. Tickets cost $24 to $105.
The Alex Theatre is located at 216 N.
Brand Blvd., Glendale. Call (213) 622-
7001 or visit laco.org.
continued from page 42
continued on page 44
THE LIST
March 4 —Curator Peter Frank and artists Kenton Nelson and Ray Turner discuss
the life and art of Richard Bunkall, the late Pasadena artist whose work is currently
on display at the Pasadena Museum of California Art in the exhibition “Richard
Bunkall: A Portrait.” The discussion, from 5 to 7 p.m. at the museum, includes the
launch of Richard Bunkall, the first published survey of his work. Admission is free.
The Pasadena Museum of California Art is located at 490 E. Union St., Pasadena.
Call (626) 568-3665 or visit pmcaonline.org.
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THE MUSIC MAN STAGED FOR SCHOLARS March 24 and 25 — The Shakespeare
Club of Pasadena presents the Meredith
Wilson musical classic The Music Man at
8 p.m. Friday and 2 p.m. Saturday at the
San Gabriel Mission Playhouse. Bill Shaw
directs, with musical direction by Bob
Marino and choreography by Rikki Lugo.
The producer is Tanya Danforth. Tickets
cost $25 to $45 and benefit a scholar-
ship program for graduating seniors in
the Pasadena Unified School District.
The San Gabriel Mission Playhouse is lo-
cated at 320 S. Mission Dr., San Gabriel.
For information, call (626) 367-2428 or
email [email protected]. For
tickets, call (800) 595-4849 or visit shake-
speareclub.org.
PARTY FOR A PLANTMarch 25 — Downtown Sierra Madre
hosts a street party from 9 a.m. to 5 p.m.
in honor of the city’s Wisteria Festival, cel-
ebrating Sierra Madre’s most famous res-
ident, a 118-year-old wisteria plant. The
Guinness Book of World Records calls it
the world’s largest blossoming plant,
weighing an estimated 250 tons. The
event, centered around Sierra Madre
Boulevard and Baldwin Avenue, features
live music stages, 150-plus juried artists
and craftspeople, food booths and chil-
dren’s activities in Memorial Park. Shut-
tles to see the plant depart on the hour,
from 9 a.m. to 3 p.m. The shuttle ticket
booth is at the corner of Montecito and
Baldwin avenues. Shuttle tickets cost $10,
$7 for seniors and kids. The free Gateway
Shuttle travels on a loop from the Metro
Gold Line Sierra Madre Villa station at
the corner of Sierra Madre Villa and
Foothill Boulevard in Pasadena to down-
town Sierra Madre from 10 a.m. to 6 p.m.
For information, call the Sierra Madre
Chamber of Commerce at (626) 355-
5111 or visit wisteriafestival.com. To order
shuttle tickets online, visit
wisteriatickets.com.
EPIC BEETHOVEN AT AMBASSADORMarch 31 — The Pasadena Symphony
comes to the Ambassador Auditorium for a
concert featuring Beethoven’s epic Sym-
phony No. 3, “Eroica”; Mendelssohn’s “The
Fair Melusina” Overture; and Mozart’s Piano
Concerto No. 20. Nicholas McGegan con-
ducts, and pianist Nareh Arghamanyan is
the featured soloist. Performances are at 2
and 8 p.m. Tickets cost $35 to $100.
Ambassador Auditorium is located at
131 S. St. John Ave., Pasadena. Call
(626) 793-7172 or visit
pasadenasymphony-pops.org. ||||
THE LIST
continued from page 44
March 24 and 25 — With cherry trees blooming at Descanso Gardens, the Cherry
Blossom Festival celebrates the seasonal arrivals and Japanese culture from
11:30 a.m. to 3 p.m. both days, with guided walks at 11:30 a.m. and 1:30 p.m.,
Japanese folk tale--telling at 11:30 a.m. Saturday and a children’s introduction to
origami from 11 a.m. to 1 p.m. Sunday. The Camellia Lounge is open from 11 a.m.
to 3 p.m. both days, offering Japanese-themed dishes and cocktails. Free with
Descanso admission.
Descanso Gardens is located at 1418 Descanso Dr., La Cañada Flintridge. Call
(818) 949-4200 or visit descansogardens.org.
CHERRIES BLOOMAT DESCANSO