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Managing Critical ColorJuly 1, 2010
11 am PT / 2 pm ET
www.sappi.com
Daniel Dejan
North American ETC
Print and Creative Manager
Sappi Fine Paper/North America
2
Life Life Life Life 1000:1Life Life Life Life 1000:1
RGB Film RGB Film RGB Film RGB Film 600:1RGB Film RGB Film RGB Film RGB Film 600:1RGB Monitor 32 bitRGB Monitor 32 bitRGB Monitor 32 bitRGB Monitor 32 bit
= 16.2 million visible colors
RGB Monitor 32 bitRGB Monitor 32 bitRGB Monitor 32 bitRGB Monitor 32 bit
= 16.2 million visible colors
CMY+KCMY+KCMY+KCMY+K
= 3.125MM visible colors
(coated stock)
CMY+KCMY+KCMY+KCMY+K
= 3.125MM visible colors
(coated stock)
CMY+KCMY+KCMY+KCMY+K
Mathematical Gamut colors
(coated stock)
CMY+KCMY+KCMY+KCMY+K
Mathematical Gamut colors
(coated stock)
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RGB to CMYKRGB to CMYK
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Measuring DevicesMeasuring Devices
Pantone: PMS & GOEPantone: PMS & GOEPantone: PMS & GOEPantone: PMS & GOE sRGBsRGBsRGBsRGB Calibrate:Calibrate:Calibrate:Calibrate:
CMYKCMYKCMYKCMYK RGB/Adobe 1998RGB/Adobe 1998RGB/Adobe 1998RGB/Adobe 1998 MonitorsMonitorsMonitorsMonitors
Euro CMYKEuro CMYKEuro CMYKEuro CMYK L*a*b*L*a*b*L*a*b*L*a*b* Printer/ProoferPrinter/ProoferPrinter/ProoferPrinter/Proofer
HexachromeHexachromeHexachromeHexachrome
RGB Adobe 1998 vs. sRGBRGB Adobe 1998 vs. sRGB
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M A
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CIE L*a*b*CIE L*a*b*
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What the Industry is Doing?What the Industry is Doing?What the Industry is Doing?What the Industry is Doing?
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What the Industry is Doing?What the Industry is Doing?What the Industry is Doing?What the Industry is Doing?
1930: Commission International de l’Eclairage (CIE)1930: Commission International de l’Eclairage (CIE)1930: Commission International de l’Eclairage (CIE)1930: Commission International de l’Eclairage (CIE)
---- Munsell Color Space/CIELABMunsell Color Space/CIELABMunsell Color Space/CIELABMunsell Color Space/CIELAB
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What the Industry is Doing?What the Industry is Doing?What the Industry is Doing?What the Industry is Doing?
1930: Commission International de l’Eclairage (CIE)1930: Commission International de l’Eclairage (CIE)1930: Commission International de l’Eclairage (CIE)1930: Commission International de l’Eclairage (CIE)
---- Munsell Color Space/CIELABMunsell Color Space/CIELABMunsell Color Space/CIELABMunsell Color Space/CIELAB
1993: International Color Consortium (ICC)1993: International Color Consortium (ICC)1993: International Color Consortium (ICC)1993: International Color Consortium (ICC)
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What the Industry is Doing?What the Industry is Doing?What the Industry is Doing?What the Industry is Doing?
1930: Commission International de l’Eclairage (CIE)1930: Commission International de l’Eclairage (CIE)1930: Commission International de l’Eclairage (CIE)1930: Commission International de l’Eclairage (CIE)
---- Munsell Color Space/CIELABMunsell Color Space/CIELABMunsell Color Space/CIELABMunsell Color Space/CIELAB
1993: International Color Consortium (ICC)1993: International Color Consortium (ICC)1993: International Color Consortium (ICC)1993: International Color Consortium (ICC)
---- Repository for device specific color profilesRepository for device specific color profilesRepository for device specific color profilesRepository for device specific color profiles
M A
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M A
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What the Industry is Doing?What the Industry is Doing?What the Industry is Doing?What the Industry is Doing?
1930: Commission International de l’Eclairage (CIE)1930: Commission International de l’Eclairage (CIE)1930: Commission International de l’Eclairage (CIE)1930: Commission International de l’Eclairage (CIE)
---- Munsell Color Space/CIELABMunsell Color Space/CIELABMunsell Color Space/CIELABMunsell Color Space/CIELAB
1993: International Color Consortium (ICC)1993: International Color Consortium (ICC)1993: International Color Consortium (ICC)1993: International Color Consortium (ICC)
---- Repository for device specific color profilesRepository for device specific color profilesRepository for device specific color profilesRepository for device specific color profiles
Color Management Module (CMM)Color Management Module (CMM)Color Management Module (CMM)Color Management Module (CMM)
7
M A
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What the Industry is Doing?What the Industry is Doing?What the Industry is Doing?What the Industry is Doing?
1930: Commission International de l’Eclairage (CIE)1930: Commission International de l’Eclairage (CIE)1930: Commission International de l’Eclairage (CIE)1930: Commission International de l’Eclairage (CIE)
---- Munsell Color Space/CIELABMunsell Color Space/CIELABMunsell Color Space/CIELABMunsell Color Space/CIELAB
1993: International Color Consortium (ICC)1993: International Color Consortium (ICC)1993: International Color Consortium (ICC)1993: International Color Consortium (ICC)
---- Repository for device specific color profilesRepository for device specific color profilesRepository for device specific color profilesRepository for device specific color profiles
Color Management Module (CMM)Color Management Module (CMM)Color Management Module (CMM)Color Management Module (CMM)
---- Look Up Tables (LUTLook Up Tables (LUTLook Up Tables (LUTLook Up Tables (LUT))))
(BEFORE COLOR MANAGEMENT)(BEFORE COLOR MANAGEMENT)
(AFTER COLOR MANAGEMENT)(AFTER COLOR MANAGEMENT)
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(BEFORE COLOR MANAGEMENT)(BEFORE COLOR MANAGEMENT)
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8
(BEFORE COLOR MANAGEMENT)(BEFORE COLOR MANAGEMENT)
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(BEFORE COLOR MANAGEMENT)(BEFORE COLOR MANAGEMENT)
M A
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(BEFORE COLOR MANAGEMENT)(BEFORE COLOR MANAGEMENT)
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9
(BEFORE COLOR MANAGEMENT)(BEFORE COLOR MANAGEMENT)
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(BEFORE COLOR MANAGEMENT)(BEFORE COLOR MANAGEMENT)
M A
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(BEFORE COLOR MANAGEMENT)(BEFORE COLOR MANAGEMENT)
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(BEFORE COLOR MANAGEMENT)(BEFORE COLOR MANAGEMENT)
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(BEFORE COLOR MANAGEMENT)(BEFORE COLOR MANAGEMENT)
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(BEFORE COLOR MANAGEMENT)(BEFORE COLOR MANAGEMENT)
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(BEFORE COLOR MANAGEMENT)(BEFORE COLOR MANAGEMENT)
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(BEFORE COLOR MANAGEMENT)(BEFORE COLOR MANAGEMENT)
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R G B
177, 15, 38
Scanner A
R G B
170, 22, 24
Scanner B
Scanner C
R G B
168, 27, 20
Scanner variability
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Source and Destination Profile
in Adobe Photoshop
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Look Up Tables
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CMYK
38, 67, 0, 0
CMYK
38, 67, 0, 0
CMYK
38, 67, 0, 0
Printer variability
Printer variability
CMYK
38, 67, 0, 0
CMYK
38, 67, 0, 0
CMYK
38, 67, 0, 0
42, 63, 0, 3
30, 60, 0, 0
(AFTER COLOR MANAGEMENT)(AFTER COLOR MANAGEMENT)
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(AFTER COLOR MANAGEMENT)(AFTER COLOR MANAGEMENT)
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(AFTER COLOR MANAGEMENT)(AFTER COLOR MANAGEMENT)
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Use a Color Reference Card Use a Color Reference Card
for Critical Product Reproductionfor Critical Product Reproduction
xRite Color CheckerxRite Color Checker
15
Use a Color Reference Card Use a Color Reference Card
for Critical Product Reproductionfor Critical Product Reproduction
Mini Color CheckersMini Color Checkers
Color Management for Digital Cameras
RAW
RAW
RAW
Vendor
software
- Nikon,
Canon
Adobe
Photoshop
Camera
Raw
Digital
Camera
ICC
Profile
Pro Photo vs. Adobe 1998 (RGB)Pro Photo vs. Adobe 1998 (RGB)
16
Adobe Photoshop Camera Raw
(AFTER COLOR MANAGEMENT)(AFTER COLOR MANAGEMENT)
M A
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M A
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O RWhat Designers Can DoWhat Designers Can DoWhat Designers Can DoWhat Designers Can Do
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M A
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M A
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O RWhat Designers Can DoWhat Designers Can DoWhat Designers Can DoWhat Designers Can Do
• Ask your Printer for their ICC profilesAsk your Printer for their ICC profilesAsk your Printer for their ICC profilesAsk your Printer for their ICC profiles
M A
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M A
N A
G I
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O RWhat Designers Can DoWhat Designers Can DoWhat Designers Can DoWhat Designers Can Do
• Ask your Printer for their ICC profilesAsk your Printer for their ICC profilesAsk your Printer for their ICC profilesAsk your Printer for their ICC profiles
• Keep your monitor and laser/ink jet calibratedKeep your monitor and laser/ink jet calibratedKeep your monitor and laser/ink jet calibratedKeep your monitor and laser/ink jet calibrated
M A
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M A
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O RWhat Designers Can DoWhat Designers Can DoWhat Designers Can DoWhat Designers Can Do
• Ask your Printer for their ICC profilesAsk your Printer for their ICC profilesAsk your Printer for their ICC profilesAsk your Printer for their ICC profiles
• Keep your monitor and laser/ink jet calibratedKeep your monitor and laser/ink jet calibratedKeep your monitor and laser/ink jet calibratedKeep your monitor and laser/ink jet calibrated
• Every digital device has its own color gamut: Every digital device has its own color gamut: Every digital device has its own color gamut: Every digital device has its own color gamut:
create a closed loop internal calibrated environmentcreate a closed loop internal calibrated environmentcreate a closed loop internal calibrated environmentcreate a closed loop internal calibrated environment
18
M A
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M A
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O RWhat Designers Can DoWhat Designers Can DoWhat Designers Can DoWhat Designers Can Do
• Design in visually neutral surroundings: Design in visually neutral surroundings: Design in visually neutral surroundings: Design in visually neutral surroundings:
ambient light and colors contaminateambient light and colors contaminateambient light and colors contaminateambient light and colors contaminate
M A
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M A
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O RWhat Designers Can DoWhat Designers Can DoWhat Designers Can DoWhat Designers Can Do
• Design in visually neutral surroundings: Design in visually neutral surroundings: Design in visually neutral surroundings: Design in visually neutral surroundings:
ambient light and colors contaminateambient light and colors contaminateambient light and colors contaminateambient light and colors contaminate
• Paper quality, fluorescent brighteners, shade and Paper quality, fluorescent brighteners, shade and Paper quality, fluorescent brighteners, shade and Paper quality, fluorescent brighteners, shade and
opacity will affect color fidelityopacity will affect color fidelityopacity will affect color fidelityopacity will affect color fidelity
M A
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M A
N A
G I
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C
O L
O RWhat Designers Can DoWhat Designers Can DoWhat Designers Can DoWhat Designers Can Do
• Design in visually neutral surroundings: Design in visually neutral surroundings: Design in visually neutral surroundings: Design in visually neutral surroundings:
ambient light and colors contaminateambient light and colors contaminateambient light and colors contaminateambient light and colors contaminate
• Paper quality, fluorescent brighteners, shade and Paper quality, fluorescent brighteners, shade and Paper quality, fluorescent brighteners, shade and Paper quality, fluorescent brighteners, shade and
opacity will affect color fidelityopacity will affect color fidelityopacity will affect color fidelityopacity will affect color fidelity
• Consult your Printer prior to converting RGB to Consult your Printer prior to converting RGB to Consult your Printer prior to converting RGB to Consult your Printer prior to converting RGB to
CMYKCMYKCMYKCMYK
19
M A
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M A
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O RWhat Designers Can DoWhat Designers Can DoWhat Designers Can DoWhat Designers Can Do
• Will you be repurposing your design/images: Will you be repurposing your design/images: Will you be repurposing your design/images: Will you be repurposing your design/images:
retain your original RGB filesretain your original RGB filesretain your original RGB filesretain your original RGB files
M A
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M A
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O RWhat Designers Can DoWhat Designers Can DoWhat Designers Can DoWhat Designers Can Do
• Will you be repurposing your design/images: Will you be repurposing your design/images: Will you be repurposing your design/images: Will you be repurposing your design/images:
retain your original RGB filesretain your original RGB filesretain your original RGB filesretain your original RGB files
• If printing at multiple sites and/or overseas If printing at multiple sites and/or overseas If printing at multiple sites and/or overseas If printing at multiple sites and/or overseas
ensure that ICC profiles are requested ensure that ICC profiles are requested ensure that ICC profiles are requested ensure that ICC profiles are requested
and implementedand implementedand implementedand implemented
(AFTER COLOR MANAGEMENT)(AFTER COLOR MANAGEMENT)
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The 3 C’s of CalibrationThe 3 C’s of CalibrationThe 3 C’s of CalibrationThe 3 C’s of Calibration
CalibrationCalibrationCalibrationCalibration
The 3 C’s of CalibrationThe 3 C’s of CalibrationThe 3 C’s of CalibrationThe 3 C’s of Calibration
– Calibration
• Measuring a device and returning it
to a linear standard or optimizing
its performance
CalibrationCalibrationCalibrationCalibration
The 3 C’s of CalibrationThe 3 C’s of CalibrationThe 3 C’s of CalibrationThe 3 C’s of Calibration
– Calibration
• Measuring a device and returning it
to a linear standard or optimizing
its performance
– Characterization
• Fingerprinting the unique color
attributes of a device
CalibrationCalibrationCalibrationCalibration
21
The 3 C’s of CalibrationThe 3 C’s of CalibrationThe 3 C’s of CalibrationThe 3 C’s of Calibration
– Calibration
• Measuring a device and returning it
to a linear standard or optimizing
its performance
– Characterization
• Fingerprinting the unique color
attributes of a device
– Conversion
• Assigning the unique color
attributes of one device
to another device
CalibrationCalibrationCalibrationCalibration
Measuring DevicesMeasuring Devices
Calibrate:Calibrate:Calibrate:Calibrate:
MonitorsMonitorsMonitorsMonitors
Printer/ProoferPrinter/ProoferPrinter/ProoferPrinter/Proofer
(AFTER COLOR MANAGEMENT)(AFTER COLOR MANAGEMENT)
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(AFTER COLOR MANAGEMENT)(AFTER COLOR MANAGEMENT)
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(AFTER COLOR MANAGEMENT)(AFTER COLOR MANAGEMENT)
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MultiMulti--Lighting Viewing BoothsLighting Viewing Booths
www.gtilite.comwww.gtilite.comwww.gtilite.comwww.gtilite.com
23
(AFTER COLOR MANAGEMENT)(AFTER COLOR MANAGEMENT)
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www.flintgrp.com
Flint Ink’s
The Color Quiz
(AFTER COLOR MANAGEMENT)(AFTER COLOR MANAGEMENT)
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24
M A
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Web SitesWeb SitesWeb SitesWeb Sites
www.sappisamples.comwww.sappisamples.com
www.chromix.comwww.chromix.com
www.color.orgwww.color.org
www.colormanagement.org
www.munsell.comwww.munsell.com
www.pantone.comwww.pantone.com
www.trumatch.comwww.trumatch.com
www.xrite.comwww.xrite.com
www.sappisamples.comwww.sappisamples.com
www.chromix.comwww.chromix.com
www.color.orgwww.color.org
www.colormanagement.org
www.munsell.comwww.munsell.com
www.pantone.comwww.pantone.com
www.trumatch.comwww.trumatch.com
www.xrite.comwww.xrite.com
www.adobe.com/support/
techguides/color/main.html
www.apple.com/creative/
resources/color
www.gain.org
www.gatf.org
www.ipa.org
www.idealliance.org
www.updig.org
www.adobe.com/support/
techguides/color/main.html
www.apple.com/creative/
resources/color
www.gain.org
www.gatf.org
www.ipa.org
www.idealliance.org
www.updig.org
BibliographyBibliographyBibliographyBibliography
Standard No.1 Standard No.1 –– Preparing Files for PressPreparing Files for Press- Sappi Fine Paper, 2006
Standard No. 2 Standard No. 2 –– Color ManagementColor Management- Sappi Fine Paper, 2007
Mission Possible Mission Possible –– Secrets RevealedSecrets Revealed- PIA/GATF Press, 2007
Real World Color ManagementReal World Color Management- Fraser, Murphy & Bunting, 2005
Understanding Color ManagementUnderstanding Color Management- Dr. Abhay Sharma, 2004
CMYK 2.0CMYK 2.0- Rick McCleary
Color Management Handbook: A Practical GuideColor Management Handbook: A Practical Guide- Dr. Richard M. Adams II, Dr. Abhay Sharma, & Joseph J. Suffoletto, 2008
2007 SWOP 11, GRACOL, G7 & DISC Guidelines2007 SWOP 11, GRACOL, G7 & DISC Guidelines- IDEAlliance
Standard No.1 Standard No.1 –– Preparing Files for PressPreparing Files for Press- Sappi Fine Paper, 2006
Standard No. 2 Standard No. 2 –– Color ManagementColor Management- Sappi Fine Paper, 2007
Mission Possible Mission Possible –– Secrets RevealedSecrets Revealed- PIA/GATF Press, 2007
Real World Color ManagementReal World Color Management- Fraser, Murphy & Bunting, 2005
Understanding Color ManagementUnderstanding Color Management- Dr. Abhay Sharma, 2004
CMYK 2.0CMYK 2.0- Rick McCleary
Color Management Handbook: A Practical GuideColor Management Handbook: A Practical Guide- Dr. Richard M. Adams II, Dr. Abhay Sharma, & Joseph J. Suffoletto, 2008
2007 SWOP 11, GRACOL, G7 & DISC Guidelines2007 SWOP 11, GRACOL, G7 & DISC Guidelines- IDEAlliance
25
Thank You.Thank You.
Q&A Session
Please submit your questions
to our speaker using the
“chat” box on your console
Q&A Session