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kathrine westergaard tydis lexus lfa bling things new muzik MAMIMAGAZINE.COM

MAMi Harvest

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kathr ine westergaard

tydis

lexus l fa

bl ing things

new muzik

M A M I M A G A Z I N E .C O M

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M A M I M A G A Z I N E

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m a m iI t has been a very interest ing 8 years for MAMi Magazine, for me for our readers. We have gone through pr int , web, and now pr int on demand and mobi le devices such as iPad and Android.

We br ing you world c lass photography, new music , new fashion trends, and luxury, en-tertainment news to stay ahead of the curve. For example, you wi l l see extensive use of QR Codes in this and future issues so you can interact with your favorite content through your mobi le device.

MAMi Magazine celebrates the over 140 countr ies that v is i t our website dai ly and wish to increase our relat ionship with our valued fr iends.

Welcome to the new MAMi Magazine. . 8 years strong and growing.

a lg ie deWitt

Publ isher

M A M I M A G A Z I N E

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Mami Magazine is a product of MAMi Media, llc / Lord Algie Artworks copyright 2002- 2008 all rights reserved. No part of this publication may be reproduced, reprinted, or distributed in any form without express permission from MAMi Media, llc and or the copyright holders of the contentwithin this publication. All inquiries may be addressed to [email protected]. MAMi Media, llc PO Box 63993 Philadelphia, PA 19147.

progressive global fashion and entertainment

mam

i P U B L I S H E R C D

A L G I E D E W I T T

A S S O C I AT E P U B L I S H E R

K A R E N D U N AWAY

C O N T R I B U TO R S

A N N B R O W N

J E S S I C A T U C C I L L O

L O V I S A I I

P H O TO G R A P H E R S

C AT H R I N E W E S T E R G A A R D

E R I C O UA K N I N E

A N T H O N Y W I N T E R S

M A R I O M I O T T I

K AT E S Z AT M A R I

PA R T N E R S M I A M I

B O B BY PA U L I N O - S TA R S H O O T E R S

S E N S E I R AY M A R T I N A U - S E N S E I P R O D U C T I O N S

E L I S E R O O N E Y - S E N S E I P R O D U C T I O N S

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CO

NT

EN

T P H O TO G R A P H Y

E R I C O UA K N I N E P G 13

A N T H O N Y W I N T E R S P 32

C AT H R I N E W E S T E R G A A R D P 40

B E A U T Y

J E S S I C A T U C C I L L O P 57

I P R O M A K E U P P 58

A U TO

L E X U S L FA P 60

B L I N G T H I N G S

B U G AT T I E D I T I O N

N E W M U Z I K

T Y D I S - L E E M E K H A I

A K I N B WA R E , R I K E Y P

M O R E P 65

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M A M I M A G A Z I N E

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P H O TO / P R O D U C T I O N / R E TO U C H I N G E R I C O UA K N I N E

M A K E - U P K AT H Y H E I D A R P O U R

H A I R S K ATA R I N A D U G UA

M O D E L S K R Y S T Y N A O L E K S I V & D AWA J U I L L A R D

A L L D R E S S E S BY YAY H A C O U T U R E

J E W E L S & M A S K S BY S U N A M OYA

E R I C O UA K N I N E / E O P G R O U P

P H O TO P R O D U C T I O N / FA S H I O N S H O W S / E V E N T S

FA S H I O N & A D V E R T I S I N G P H O TO G R A P H E R PA R I S / L O N D O N

24 B I S R U E D E C O L O M B E S , 92600 A S N I È R E S - S U R - S E I N E , F R A N C E

M O B I L E 0033 (0)6 22 87 17 05

E M A I L : E R I C .O UA K N I N E @ WA N A D O O. F R

H T T P :// W W W. E R I C O UA K N I N E . B O O K . F R

P R E S S A G E N T S U N A A H M E D 0033 (0)6 10 27 01 03

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E R I C O UA K N I N E

M A M I M A G A Z I N E

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E R I C O UA K N I N E

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E R I C O UA K N I N E

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E R I C O UA K N I N E

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E R I C O UA K N I N E

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E R I C O UA K N I N E

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E R I C O UA K N I N E

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A N TO H N Y W I N T E R S

M A M I M A G A Z I N E

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A N TO H N Y W I N T E R S

M A M I M A G A Z I N E

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advert i sehere.

Long before America was colonized, commerce f lour ished in the Old World where var ious methods were used to promote trade. Notice boards placed outs ide houses indicated what could be had within. Wine sel lers gave free samples in the streets. And actors paraded in the streets attempting to ent ice onlookers into theatres. The idea of commerce is very old indeed, and the means of inducing others into exchange relat ionships was not far behind in i ts development.

But what does the future hold for advertising? As the world of corporations and advertising charts its future, the search for new advertising venues goes on. Advertising has been very innovative in the past in finding ways to communicate promotional messages. As technology has evolved, it has revolutionized advertising techniques as well as changing the social landscape. There is no reason to suspect that advertising will not continue to reinvent itself, discover new media, and develop new techniques. Advertising as we know it may be at its end, but the culture of consumption is alive and well.

contact MAMi Media at 856-637-2560 for more information on how we can help you deal with the fast paced advertising world. [now on iPad, Android, Print, TV and Web]

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M A M I M A G A Z I N E

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B L A C K M O O N

P H O TO G R A P H E R : C AT H R I N E W E S T E R G A A R D

P R O P S T Y L I S T: A Z U L M A N T I S

H A I R : E R N E S TO A Q U I N O F O R C H U D O H A I R C A R E

M A K E - U P : A N G E L I Q T U R N E R

S T Y L I S T: S A R A H D A N I E L L A

M O D E L S : M A R I C O U R T E S Y O F B A S I C M O D E L M A N A G E M E N T

M A L E M O D E L A D A M R I V E R A

M A M I M A G A Z I N E

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BROADTAIL DRESS-LUCA LUCA

SHOES-JIMMY CHOO

LARGE CRYSTAL BRACELET- HARLOW IN CHAINS

RHINESTONE BRACELET- KENNETH JAY LANE

M A M I M A G A Z I N E

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L I P I J A C K E T W I T H M I N K C O L L A R A N D S L E E V E S -

J E R R Y S O R B A R A

F U R S S O R B A R A F U R .C O M

S I L K T U N I C - M A X A Z R I A

J E A N S - D I O R H O M M E

S N A K E S K I N B E LT - D & G

S H O E S - P I E R R E H A R DY F O R G A P

R I N G O N M A L E M O D E L - K E N -N E T H J AY L A N E

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P L U M L E AT H E R B O M B E R J A C K E T - L U C A L U C A

W H I T E B L O U S E - B R O O K S B R O T H E R S

L E O PA R D P R I N T S C A R F A S B O W T I E - S T Y L I S T S O W N

B L A C K P L E AT E D S K I R T - M I U M I U

S N A K E S K I N B E LT - Y V E S S A I N T L A U R E N T

O N M A L E M O D E L : S A B L E S C A R F - J E R R Y S O R B A R A F U R S - S O R B A R A F U R .C O M

M A M I M A G A Z I N E

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B L A Z E R - VA L E N T I N O

T U R T L E N E C K - R A L P H L A U R E N

D E N I M S H O R T S - C I T I Z E N S O F H U M A N I T Y

S TO C K I N G S - S T Y L I S T S O W N

B O O T S - Y V E S S A I N T L A U R E N T

A L L J E W E L R Y - H A R L O W I N C H A I N S

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M A M I M A G A Z I N E

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MANNEQUINS

Photographer: Cathr ine Westergaard Art Director/Prop Styl ist : Azul Mantis

Hair : Ernesto Aquino for Chudo Haircare Make-Up: Nathan Hamilton

Styl ist : Sarah Daniel la Models: Br idgette & Georgina Courtesy of Q Model Manage-

ment Drew Courtesy of Red Model Management

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M A M I M A G A Z I N E

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Bridgette- Jumpsuit- Matthew Ames, Shoes-Chloe, Belt-Orciani ,

Bracelet-Trash and Vaudvi l le NYC, Hat- Sty l ist Own.

Georgina- Tank- Alternat ive, Pants-Matthew Ames,

Belt-3.1 Phi l l ip L im, Gloves- Miss S ixty,

M A M I M A G A Z I N E

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You’ve seen enough red carpet premieres in your l i fet ime ( i f only on the televis ion) to know that the g lamour and dazz le of Hol lywood is no i l lus ion. Seduct ive dress-es, ravishing heels , cascading cur ls and mi l l ion dol lar jewels are just for starters , though. The real stars of the show are the f lawless sk in, the Cupid’s bow l ips , the dramatic eyes, the accentuated cheek-bones and, of course, an a l lover radiant g low. None of this would be possible with-out the help of Glo minerals , Located at the Oxford Val ley Dental Excel lence.

Achieving the look is surpr is ingly s imple, even for novices or those who don’t nor-mal ly stray from their standard look. Whi le there’s nothing wrong with wearing the same colors everyday, there’s a lso no harm in experimenting a l i tt le . You might just d iscover some exotic , h igh fashion make-up sty les and looks that are just perfect for you. Al l i t takes is some conf idence. Glo Minerals , Exot ic Spr ing , was an fu-s ion of br ight , wearable and fashion-for-ward shades inspired by the breathtaking

“When i t comes to makeup, we crave three things: s impl ic i ty, var i -ety and playfulness. The beaut i fu l looks worn by Mami Magazine Mod-els, capture that and, bel ieve i t or not , are easier to copy than you’d th ink!”

BY J E S S I C A T U C C I L L O

beauty of nature’s most v iv id colors , such as the sun and the sea. Glo Minerals fa l l col lec-t ion, P lay in the Darks, reminds women that there’s no need to be a wal l f lower a l l the t ime: A s l ick of vamp-l ike l ipst ick or a dark l ine of cream along the eyel id can create the best k ind of drama. Clear ly, 2009 has been the year of exot ic makeup. That makes the process of achieving an ultra-g lamorous look al l the more possible, especial ly consider-ing the innumerable looks just wait ing to be created.

Whether you just want to try your hand at a new look or show off for a major event or specia l occasion, you’ l l benef it f rom a few of these t ips. You’ l l need a select ion of Glo min-erals cosmetics to start out with. Grab the eye shadows, l ipst icks, eyel iners , b lushes, bronzers , l ip g losses and mascaras that ap-peal to you. Many wi l l l ikely a lready be in your makeup col lect ion, but don’t be afraid to hit the spa and scoop up a few new f inds, e ither. This look is a l l about taking chances and being a bit adventurous.

M A M I M A G A Z I N E

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Here comes the bride! That’s what al l of your guests wil l be thinking when the music be-gins to play. Once they see you gracefully making your way down the aisle, the next thing on their minds simply should be how beautiful you are. You’ve taken the t ime to care-ful ly choose the perfect venue, f lower arrangements, gown, ac-cessories, hairstyle, and even the perfect groom, al l to make sure you have the perfect wed-ding. After months of planning, you know how important every detai l of your special day is. The f inishing touch (but cer-tainly far from least important) to your wedding day, adding to the beauty of i t al l , no matter how extravagant or simple your theme is, should be your bridal makeup!

Although it ’s one of the last vendors you’l l meet with, your makeup art ist should be at the top of your checklist. Af-ter carefully choosing the per-fect photographer, every bride wants to look f lawless. A great, professional photographer understands the signif icant

difference that having your make-up professionally applied wil l have on the outcome of your pho-tos so see if they have any sug-gestions for you.

So, why is i t important to move your bridal makeup to the top of your wedding day checklist? Well , simply because every bride wants to look her absolute best, on and off camera. A professional makeup application should en-hance your best features whether your eyes, l ips, or cheekbones, and can also be used to minimize things such as blemishes and pimples. Addit ionally, your wed-ding day makeup should have you camera ready with minimum shine and a healthy glow if desired.

Your bridal makeup completes your look. Would you get mar-ried in an exquisite gown without having your hair styled? I ’d hope not. Take a peek at your bridal catalogs. Notice how the brides look elegant, excited, and beauti-ful with smooth, f lawless, healthy skin, the way every bride should look on her special day.

• Prepareyourskin.Yourmakeup wil l look more natu-ral and f lawless when applied to healthy, hydrated, smooth skin. Consult a professional to f ind a product l ine and skin care regimen that works best for your skin. Remember that stress may cause breakouts so try to keep your stress level low. I t ’s great to have a spot treatment handy for re-lentless pimples the week of your wedding.

• Chooseyourlook.Justas you did to f ind the perfect gown, look through bridal magazines or browse the in-ternet to get an idea of what you’d l ike your bridal make-up to look l ike (soft , fresh, smokey eyes, etc.)

• Begin your search. I tmay be easier to get a re-ferral through fr iends but the internet is also great for f inding vendors in your area. Start with MUAs that have a website with images of their work, as this wil l speak to their professionalism and credibil i ty.

Bridal MakeupMoving to the Top of Your Checklist

By Lovisa I I for iPro Makeup

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• Request a consultation. Before you make your f inal decision, be sure to scheduleyour bridal makeup consultation. Whoever you choose should be someone you can trust. A consultation wil l al low you to experience what you’l l look l ike on your wedding day. I t wil l also give you and your MUA a chance to get comfortable with each other and make proper arrangements such as t ime, location, etc. Your MUA should be wil l ing to make adjustments if necessary to ensure your complete satisfaction. This may include but is not l imited to re-moving your makeup and beginning again with a different look. These terms and fees should be discussed before scheduling your consultation.

• All together now. Although many brides give their attendants the option of havingtheir makeup done, I strongly recommend you ask your bridal party to have their makeup ap-plied by your preferred MUA. Once again, you want your wedding photos to look exceptional. Addit ionally your attendants wil l look great and feel more confident knowing they look fabu-lous. Most MUAs offer discounts depending on the amount of people they’l l be services. So be sure to consult with your MUA about special rates and arrangements for you bridal party.

• Bookinadvance. I t ’snevertooearlytoconsult withpotential MUAsforyourbigday.I f you have your mind set on who you’d l ike to use, booking them a.s.a.p. is best to secure your appointment. Ask your MUA for recommendations about scheduling a convenient and appropriate t ime for a tr ial run and application the day of your wedding.

For more on bridal makeup visit www.ipromakeup.com

M A M I M A G A Z I N E

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M A M I M A G A Z I N E

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The Lexus LFA is a two-seat exot ic sports coupe produced by Lexus as a concept car, “halo” vehic le, racing prototype, and product ion model. I t is the second model in the F marque l ine of performance vehic les f rom Lexus, fo l lowing the IS F. Three concept ver-s ions have been shown, each debut ing at the North American Internat ional Auto Show with the LF-A designat ion as part of the LF Ser ies concept l ine. The f i rst LF-A concept premiered in 2005, fo l lowed in 2007 by a second LF-A with a more completely furnished inter ior and exter ior. The third version of the LF-A, a roadster model, premiered in 2008. The product ion model, t rademarked LFA, was shown at the Tokyo Motor Show in October 2009.

The product ion Lexus LFA features a new V10 engine and a carbon f iber-reinforced poly-mer (CFRP) body. CFRP mater ia ls account for 65 percent of the LFA’s body composi t ion by mass. The LFA is scheduled to go into product ion in late 2010, wi th a projected run of 500 vehic les at the base pr ice of US$375,000 . A c i rcui t - tuned var iant is scheduled for 2012.

M A M I M A G A Z I N E

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The LFA, to be bui l t in 500 uni ts, at Park Lane Lexus in London’s Mayfair

Fol lowing the LFA’s release at the Tokyo Motor Show, Lexus unvei led a websi te wi th a ‘LFA conf igurator ’ which al lowed users to select exter ior and inter ior colors, brake cal iper colors, seats, steer ing wheel leather, and other inter ior designs. In total , there are over 30 bi l l ion possible conf igurat ions. Each LFA wi l l be hand-bui l t by a dedicated product ion team of engineers and special ists at Toyota’s Motomatchi p lant in Aichi , Japan.

In the North American market 150 LFAs wi l l be sold through a two year lease program much l ike the Ferrar i F50. This is to prevent owners f rom resel l -ing the vehic le for a prof i t . [46] Racing dr iver Scott Pruett was hired to give test dr ives to interested buyers, demonstrat ing the vehic le ’s capabi l i t ies at Auto Club Speedway. The Lexus div is ion of Toyota Motor USA wi l l s top tak-ing orders at the end of 2009. In the European market buyers order their LFA through a s ingle Lexus dealer located in Park Lane, London where i t is purchased outr ight .

Dur ing LFA product ion, each vehic le wi l l receive a plaque which is indiv idu-al ly numbered, indicat ing the uni t ’s p lace in the product ion run. Each LFA V10 engine wi l l a lso bear the s ignature of the special ist who assembled i t . With 20 uni ts produced monthly, product ion of the ent i re LFA run wi l l last f rom December 2010 to December 2012.

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M A M I M A G A Z I N E

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S U LT R Y S O U N D S , A M B I T I O N A N D A D A S H O F R A S P Y F U N K A R E A F E W AT T R I B U T E S T H AT D E S C R I B E YO U N G U P A N D C O M I N G R & B P O P S E N S AT I O N , T Y D I S . AT O N LY 18 Y E A R S O F A G E , T Y D I S I S B L E S S I N G T H E S TA G E W I T H H I S F R E S H U R B A N R O C K S TA R S T Y L E . I N S P I R E D BY M I -C H A E L J A C K S O N A N D U S H E R , T Y D I S L E A R N E D TO W R I T E A N D P E R F O R M AT A YO U N G A G E W H I C H E N A B L E D H I M TO D E V E L O P I N TO T H E S T R O N G V O C A L I S T A N D P E R F O R M E R H E I S TO -D AY. T Y D I S A B I L I T Y TO M O V E A C R O W D W I T H H I S S M O O V E D A N C E M O V E S A N D P O W E R -F U L V O C A L S G A I N E D H I M T H E AT T E N T I O N O F M U LT I P L AT I N U M G R A M M Y AWA R D S W I N N I N G P R O D U C E R S T H E T R A K S TA R Z . I T WA S T H I S R AW P O T E N T I A L T H AT L E D TO T Y D I S S I G N I N G TO T H E I R T R A K S TA R Z P R O D U C T I O N S R O S T E R . W I T H T H E P R O V E N H I T M A K I N G T R A C K R E -C O R D O F T H E T R A K S TA R Z A L O N G W I T H T Y -D I S M A N Y TA L E N T S , H E I S T H E N E X T S T. L O U I S A R T I S T D E S T I N E D F O R G R E AT N E S S . A L S O B E -I N G A P R O L I F I C S O N G W R I T E R , A S W E L L A S A A C C O M P L I S H E D A C TO R , T Y D I S I S T R U LY A T R I P L E T H R E AT. H E A L S O P L A N S TO S T I N G T H E S C E N E W I T H H I S FA S H I O N L I N E H O N E Y B E E . H E I S A N A D M I R A B L E YO U N G M A N W H O WA N T S TO I N S P I R E YO U T H T H R O U G H C R E AT I V E A R T S A N D S E L F E X P R E S S I O N . H I S M O T H E R A N D H I S M A N A G E R T R AV I S N E L S O N A R E C R E D I T E D F O R T E A C H I N G H I M TO S TAY F O C U S E D A N D P U T G O D F I R S T. H I S M O T TO I S T H AT A N Y T H I N G I S P O S S I B L E TO T H O S E W H O B E L I E V E . . . A N D W I T H A C O M B O W I T H T Y D I S A N D T H E T R A K S TA R Z , W H O C A N ’ T H E L P B U T TO B E L I E V E . S O W I T H T H E R E L AT I O N S H I P M A N A G E M E N T H A D W I T H M I C K E Y W R I G H T J R . ( A K A M E M -P H I T Z ) H E A R D O F T Y D I S F L E W I N TO S T L O U I S L O V E D H I M A N D WA N T E D TO S I G N H I M R I T E AWAY N O W I T S A H I T Z C O M M I T T E E T H A N G !!! “ D O N ’ T L E T A N YO N E E V E R T E L L YO U T H AT YO U C A N ’ T. I F YO U H AV E A D R E A M , H O L D O N TO I T A N D P R O T E C T I T.”

R E A D M O R E : H T T P :// W W W. M Y S PA C E .C O M /T Y D I S # I X Z Z 0 W F H 1 Q KG P

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WHO IS LEE MEKHAI?

A songwriter and vocal producer as well , Lee Mekhai brings the world new flavor by shedding l ight on a new genre of music. HIP-POP is the fusion of storytel l ing-rap- and main stream pop cultures. Known for having a strong no-nonsense work ethic,discipline and crazy writ ing skil ls Lee Mekhai pos-sesses an uncanny abil i ty to express emotion through ‘real’ lyricism and infectious melodies. Backed by the amazing “Goodfellas” band collective, Lee Mekhai has had the opportunity to make history on stage and in the stu-dio with some of the area’s most talented musicians. Her band mates have traveledacrosstheworldtouringwithmajorrecordingart istssuchasJohnLegend, Lauryn Hil l , Bilal , N’dambi, Res and more.

V I D E O I N T E R V I E W Q R C O D E

http://www.youtube.com/watch?v=soLbASAnsos

P H O TO S BY W H I T N E Y T H O M A S

M A M I M A G A Z I N E

N E W M U Z I K

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ANDROIDMUSIC

Akin B Ware is the dr iv ing force behind one of Phi ladelphia’s t ight ly kept secrets . Soulf i re Entertainment.

SoulF ire Entertainment is responsible for the budding careers of Alexis S immons, a premier underground house diva. . Wi l l F isk. . a domineering presence in HipHop and Akin is working on his own solo image. . Android. . scan the QR Code below to experience SoulF ire.

V I D E O Q R C O D E

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A K I N B WA R E

S O U L F I R E E N T E R TA I N M E N T

M A M I M A G A Z I N E

N E W M U Z I K

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D J PAT S A N L A U N C H E S H I S N E W S I N -G L E O N H I S O W N L A B E L P D M S R E -C O R D S . “ I WA N N A G E T D O W N W I T H YA” J A C K I N M I X I S A F U N K Y R N B D I S C O T R A C K W I T H S E X Y V O C A L S & A WA R M S M O O T H B A S S L I N E W H I C H G I V E S I T A E N E R G E T I C S O U L F U L V I B E . T H E H O U S E M I X D E L I V E R S F O R T H AT WA R M U P O R B A R F E E L D A N C E F L O O R A S M O O T H G R O O V E D B A S S L I N E W I T H A 4/4 B E AT A N D A D D E D P E R C U S S I O N W I T H A T W I S T O F A E L E C T R O B R E A K D O W N . T H E C L U B M I X I S B U I LT F O R T H E P E A K -T I M E S E T A T R I B A L E L E C T R O H O U S E F E E L I N C O R P O R AT E D W I T H A TO U C H O F L I V E T U R N TA B I L I S M A N D A D R I V -I N G D I R T Y B A S S L I N E . . .

U N L O C K I N G T H E P O T E N T I A L O F T H E M O D E R N R & B E R A I S M U S I C ’ S L AT E S T R I S I N G S TA R , R I K E Y P. R A I S E D I N C A M D E N , N J , O N T H E O U T S K I R T S O F P H I L A D E L P H I A , R I K E Y P D E V E L O P E D H I S V O I C E A N D U N I Q U E S O U L F U L S T Y L E BY F U S I N G O L D S C H O O L S O U L , R & B, H I P - H O P, A N D P O P. O V E R Y E A R S A S A T E E N P E R F O R M E R , R I K E Y P P O L I S H E D H I S V O C A L S I N C H U R C H A N D I N T H E S T R E E T S .

H I S C U R R E N T E P E N T I T L E D “ D O N ’ T S TO P ” I S A N I N T R O I N TO T H E W O R L D O F R I K E Y P. H E T E A M E D U P W I T H 2008 T W O T I M E G R A M M Y N O M I N AT E D S O N G W R I T E R A N D P R O D U C E R R O B E R T “ S P E E DY ” B A R H A M TO C R E AT E A S A M -P L I N G O F W H AT YO U C A N E X P E C T F R O M R I K E Y P A S A N A R T I S T I N T H E N E A R F U T U R E . R I K E Y P D E S C R I B E S H I S S T Y L E A S , “ V I B R A N T S O U L W I T H A S M O O T H , S E N S UA L M I X .”

N E W M U Z I K

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L O U N G E , E L E C T R O N I C A , U R B A N

T H E A L B U M , “ H E Y, W H AT ‘ S W R O N G B A BY !” WA S P R O D U C E D B E T W E E N C H R I S T M A S 2009 A N D E A S -T E R 2010. I N W I N T E R 2009, T H E O P P O R T U N I T Y A R O S E TO C R E AT E A N A L B U M I N A V E R Y S P E C I A L A N D S O L I TA R Y P L A C E AT W I L E N / S A R N E N I N S W I T -Z E R L A N D. T H E B A S I C E L E M E N T S O F T H E T R A C K S A R E D E R I V E D F R O M S A M P L E S O F VA R I O U S S O U N D S M A D E BY O B J E C T S F O U N D I N A N D A R O U N D T H E H O U S E , A S W E L L A S S A M P L E S O F O L D R E C O R D S F O U N D I N A C U P B O A R D. A N M P C S A M P L E R A N D A S M A L L M O D U L A R S Y N T H E S I Z E R H E L P TO C R E AT E T H E F I R S T B E AT S A N D M O O D S . T H E P I E C E S W E R E N A M E D A F T E R T H E S A M P L E D O B J E C T S O R H AV E O R I G I N S I N T H E M O V I E , “ T H E Y L I V E ” BY J O H N C A R P E N T E R . H E N C E T H E T I T L E O F T H E A L B U M . O N “ H E Y, W H AT ‘ S W R O N G B A BY !”, B E N FAY B R I N G S A L L H I S M U S I C A L I N F L U E N C E S C O N S E Q U E N T LY TO G H E T H E R . C L A S S I C A L T H E M E S A R E E M B E D D E D I N E L E C T R O N I C A L S T R U C T U R E S . T H E R E I S T N O L O N G E R O N E S T Y L E TO F I L E T H I S M U S I C U N D E R - BY P L AY I N G W I T H H I S M U S I C A L B A C KG R O U N D, B E N FAY C R E AT E S A R I C H A N D U N I Q U E S O U N D O F H I S O W N .

A R T I S T: B E N FAY

T I T L E : H E Y, W H AT S W R O N G B A BY !

L A B E L : E V E R E S T R E C O R D S

C AT C H A S TA R F E AT U R I N G E D H OY L A N D – K I C K -I N G O F F T H E A C T I O N , T H E V O C A L TA L E N T O F T H E J U N K YA R D S C I E N T I S T ’ S L E A D M A N O N T H I S D A R K , S O U L F U L , D U B B E D O U T A F FA I R . T H E T R I B A L B E AT A N D D I R T Y B A S S L I N E W I L L M A K E YO U M O V E . R E V -O L U T I O N F E AT U R I N G S E N O R I S A A C – A M A R C H I N G B R A S S B A N D S E T S T H E TO N E . E L E C T R O N I C B E AT S W I T H T R A D I T I O N A L P E R C U S S I O N , A N D A B A S S L I N E TO M A K E YO U S TA N D TO AT T E N T I O N A R E A L L F U -E L L E D BY P R O PA G A N D I S T S E N O R I S A A C . F R I E N D A N D F E L L O W M U S I C I A N S E N O R I S A A C I S T H E A L -T E R E G O O F B R I T I S H - M E X I C A N M U S I C I A N J O S E P H S H E P H E R D O F L O N D O N F U N K B A N D S I Z E 9. J O I N -I N G T H E R E V O L U T I O N , S U N L I G H T S Q UA R E P R O -V I D E S U S W I T H H I S R E B E L L I O N R E M I X . A N Y T H I N G YO U WA N T R E M I X – C O N T I N U I N G O N O U R E L E C -T R O N I C / L AT I N T H E M E , C H E C K O U T T H E S O U N D O F S I Z E 9 L O U I S U B S O L E S T Y L E . M I X E D W I T H A B R O -K E N B E AT, P E R C U S S I O N A N D R AW S Y N T H S , L O U I S D I C E S F R A G M E N T S O F T H E B A N D S H O R N S E C T I O N A N D S T R I N G Q UA R T E T T H AT A C C O M PA N I E S T H E P O W E R O F V O C A L I S T B R E E Z Y E LT H A L I O N .

A R T I S T: L O U S I U B S O L E

T I T L E : W O R L D B E AT S V O L 1

M A M I M A G A Z I N E

N E W M U Z I K

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M A M I M A G A Z I N E

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H O S P I T A L I T Y

P H O TO G R A P H Y: PA U L L O W E L L

A S S I S TA N T: J O A N F I S H E R

M O D E L S : B R E A N N A R U S S A N D D R E W PA R K I N

P R O P S : R O N N I E M I T C H E L L A N D M I K E M I R T H

M A M I M A G A Z I N E

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PA U L L O W E L L G R E W U P I N S O U T H E R N M I S S O U R I A N D C U R R E N T LY R E S I D E S I N T H E S T. L O U I S , M I S S O U R I M E T R O P O L I TA N A R E A W I T H H I S W I F E . H E W O R K E D A S A M E C H A N I C F O R M A N Y Y E A R S B E F O R E B E C O M I N G A P R O F E S -S I O N A L P H O TO G R A P H E R .

PA U L I S A S E L F TA U G H T P H O TO G R A P H E R . H I S C A R E E R S TA R T E D I N D E C E M -B E R O F 2004 W H I L E H E A N D H I S W I F E W E R E V I S I T I N G H E R FA M I LY F O R T H E H O L I D AY S I N W E S T V I R G I N I A . W H I L E T H E R E , H I S W I F E ’ S A U N T A N D U N C L E G AV E H I M A M A N UA L F O C U S 35 M M F I L M C A M E R A T H E Y H A D P U R C H A S E D I N T H E M I D 1980 S . PA U L Q U I C K LY D I S C O V E R E D T H AT H E H A D A PA S S I O N F O R P H O TO G R A P H Y A N D S P E N T M A N Y H O U R S TA K I N G P H O TO S , S T U DY I N G B O O K S , J O I N I N G N U M E R O U S P H O TO G R A P H Y F O R U M S O N T H E I N T E R N E T, A S W E L L A S AT T E N D I N G P H O TO G R A P H Y W O R K S H O P S I N T H E L O C A L S T. L O U I S A R E A . PA U L S TA R T E D H I S O W N P H O TO G R A P H Y B U S I N E S S I N 2007.

M A M I M A G A Z I N E

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M A M I M A G A Z I N E

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Who am I? I ’m Victor, a young Phi ladelphia based fashion, beauty and f ine art photographer. I went to school for photography at the Univers ity of the Arts in Phi ladelphia, earning my BFA in photography. I have also earned myself recognit ion and support from Olympus whi le I was st i l l attending school , which is a great opportunity for me. My work is heavi ly in-f luenced by many great photographers such as I rv ing Penn, Helmut Newton and Richard Avedon. I th ink of them as my blueprint for what my photography aspires to be someday.

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M O D E L S : K E L L I E TAY L O R A N D D A N W H I T E

S T Y L I N G , H A I R , M UA : L A U R E N PA L M E R

© 2010 V I C TO R F R O D R I G U E Z J R | S T U D I O 206 I M A G I N G A N D D E S I G N

(609) 254-1299 | S T U D I O 206 I D @ G M A I L .C O M

M A M I M A G A Z I N E

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M A M I M A G A Z I N E

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A N TO H N Y W I N T E R SM A M I M A G A Z I N E

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A N TO H N Y W I N T E R S

M A M I M A G A Z I N E

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A N TO H N Y W I N T E R S

M A M I M A G A Z I N E

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The latest f rom the house of luxury mobi le phone manufacturer Gresso is the Luxor Las Vegas Jackpot luxury phone, which is adorned with br i l l iant black diamonds and 18-karat gold. The name complements perfect ly i ts pr ice tag of a whopping $1 mi l l ion. Inspirat ion for the phone came from the treasures of Ancient Egypt and the beauty of modern Las Ve-gas. Weighing in at 180 g , the phone case is made of pure gold and is decked out with 45.5K black diamonds. L ike a l l the Gresso phones, the Jackpot a lso has i ts back panel made from 200-year-old Afr ican Blackwood. Every key has been made from s ingle manual ly pol ished and laser engraved crystal sapphire. No more than three Luxor Las Vegas Jackpots wi l l be made avai lable, with the personal number of the specimen engraved on the back panel .

G R E S S O L U XO R L A S V E G A S J A C K P O T

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We have already seen a range of mult imedia chairs ear l ier and here comes the one designed exclus ively for use with your iPad. Offered by E l i te Home Theater Seat ing , the ergonomical ly designed iPad Chair rec l ines back whi le ra is ing the footrest without making any noise, thanks to i ts whisper-quiet motor. To enhance the iPad experience, the chair comes with a purposeful ly placed lumbar support , e lbow posit ioning and a seat cushion, which you normal ly see ins ide a European sports car. The iPad Chair com-bines a Luxa2 H4 iPad holder that keeps your iPad in place with i ts s ix rubber pins. The iPad holder has been f ixed onto the exist ing cup holder of the E l i te HTS chair, and can swivel and pivot 360 degrees.

M A M I M A G A Z I N E

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A central London penthouse f lat is being reported to have been sold for a whopping £140 mi l-l ion, which makes i t the most expensive in the world. The two-f loor s ix-bedroom apartment at One Hyde Park development has a penthouse v iew over Central London, a pr ivate wine-tast ing fac i l i ty and an underground passage to a Heston Blumenthal restaurant. Part of Chr ist ian and Nick Candy ’s Knightsbr idge development of 86 apartments, the f lat even features a panic room and bul letproof windows for those unwanted s i tuat ions. There are SAS-trained secur ity guards who make sure you are a lways safe ins ide. The apartment costs more than £6,000 per square foot and boasts f loor-to-cei l ing windows, a car park and access to spas and squash courts .

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Snoopy, the f ict ional character in the long-running comic str ip Peanuts by Charles M. Schulz , has been given the bl ing-bl ing treatment by the Hong Kong ’s f ine jewelry brand TSL. To com-memorate the 60th anniversary of the c lass ic cartoon character, TSL has made a 207-carat Diamond Snoopy (aka The Ever-Shining Star) . The Diamond Snoopy is 5 .5 inches ta l l and is festooned with 9,917 diamonds, 783 black diamonds and 415 rubies. TSL’s sk i l led jewelry de-s igners took eight months to complete the sparkl ing Snoopy. Each gem used has been careful ly selected to make sure that the color, c lar i ty, cut and s ize are the same. The Diamond Snoopy carr ies a pr ice tag of HK $2,888,880 (approx. US $426,780).

M A M I M A G A Z I N E

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bling things.

Superior in every sense, the Bugatt i Veyron already has earned i tsel f a name in car history as an undisputed c lass ic . When the Bugatt i Veyron was f i rst announced, they said that the supercar would be l imited to an exclus ive product ion run of just 300 units . As i f the or ig inal Bugatt i Veyron supercar wasn’t enough, a number of l imited edit ion, super luxur ious Veyrons have been rol led out over the years. Hit the jump to see some of the most exot ic and expensive Bugatt i Veyrons spotted t i l l date.

• B U G AT T I V E Y R O N 16.4 G R A N D S P O R T

The f i rst bui ld s lot for the Bugatt i Veyron Grand Sport was sold at the Pebble Beach auc-t ion in 2008 for a whopping $2.9 mi l l ion. I t was a Targa model with a removable poly-carbonate roof. The Grand Sport roadster model boasts a top speed of 253 mph when the roof is in place and 223.7 mph when the roof is stowed away. The highl ights are the s l ight ly higher windscreen, sty l ized dayt ime running l ights , and l ightweight and the transparent polycarbonate roof.

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bugatti edition

This one is a gold vers ion owned by someone in Kuwait and i t ’s as ent ic-ing as the other l imited edit ions. The Gold Bugatt i Veyron gets i ts ju ice from the 8.0 W16 64 V engine with four turbochargers. The best part is that i t ’s not just garage-only as i t has been spotted on roads in Kuwait by media and the publ ic .

• G O L D B U G AT T I V E Y R O N F R O M K U WA I T

When compared with the standard Veyron, the Bugatt i Veyron L inea Vincero d’Oro comes with modif ied fenders, a shortened bonnet and an ent ic ing front apron. The car ’s f ront features LED dayt ime running l ights and the sty l ized letter “ V ” that stands for Vincero. Other highl ights inc lude the newly developed s ide skirts and a new rear di f fuser. One outstanding feature of the L INEA Vincero d’Oro ‘s design is the use of carbon fabr ic with bui l t- in copper threads. The gold work can be seen on the wheels , V-shaped gr i l le , door handles, mirror housings, fuel f i l ler cap, headl ight washer noz-z les , headl ight surrounds and roof. The inter ior of the car a lso f launts gold accents.

• B U G AT T I V E Y R O N L I N E A V I N C E R O D ’O R O

M A M I M A G A Z I N E

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The l i fe of any ancient tree is measured out in great events whi le the l ives of men are measured out in hurr ied steps and missed appointments. The furniture maker, Adrian Swinstead, must show an equal pat ience when coaxing their stor ies from the wood. With over 25 years experience, he can take up to a year to complete some of his be-spoke p ieces us ing his col lect ion of specia l ised seasoned t imber. F inding the raw mater ia l i s only the beginning , he must then transport i t to his workshop, e ither car-ry ing i t on his shoulder or us ing a crane or truck, where i t jo ins the rest of h is col lec-t ion of wood to season, a process which can take between three to four years. Adrian takes inspirat ion from his natural surroundings and in part icular woodland, “ I search for fa l len trees and look for the unusual , s igns of r ippl ing , spalt ing* or textural beauty which I know wi l l te l l a story later on, once I start to work on them in my studio.”

Adrian’s mater ia ls come to him in many ways, “F inding a stand of Yew trees on the top of Aston Hi l l in Buckinghamshire, uprooted by the great storm of 1987. In France, a Maple tree fe l led in a local v ineyard was saved from becoming the centrepiece of a

A D R I A N S W I N S T E A D

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bonfire. Exploratory sawing revealed the f ine tracery of colours and textures, char-acter ist ic of spalt ing caused by fungi . These unique patterns of l i fe are preserved in my work. Rescued from the f i re, the tree became a cabinet.” Another example is when he discovered and salvaged a Sycamore tree which f loated down a local r iver and got stuck at Bromham Mil l in Bedfordshire, “ I pul led the tree from the r iver – this was the f i rst stage in the making of a tabletop”.

A D R I A N S W I N S T E A D

M A M I M A G A Z I N E

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Adrian’s work requires not only dedicat ion and pat ience but an incredible creat ive fore-s ight. His work is an investment for those looking for a true piece of organic art , the ult imate free form of craftsmanship, that only matures and gets better with t ime; whi lst a lso providing a fasc inat ing narrat ive of i ts own. “Furniture is used a as medium for dis-playing pieces of the natural world…” One of Adrian’s most pr ized woods is Bog Oak* used for a col lect ion of unique tables, benches and sculptures, result ing from searches and digs in Wales and the fens of Norfolk. “ The mater ia l fasc inates me; discover ing i t i s a quest and always a surpr ise. The journey involves the f inding , the digging up and the haul ing of p ieces of trees across wet landscapes.” Adrian goes on to explain his pass ion for seasoning Bog Oak and how he has been able to stock-pi le near ly 200 pieces (50 trees worth) of i t f rom al l over the country, “Seasoning involves careful attent ion and con-stant moving , turning and handl ing. Through this labour (of love) I achieve an int imate relat ionship with the wood”.

A D R I A N S W I N S T E A D

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From sculpture to cabinets , tables, doors and benches Adrian’s pieces never fa i l to inspire and spark the imaginat ion whi lst preserving the natural ma-ter ia l that celebrates his work, “Doors are designed using the shape of the tree’s edge, forms created by l i fe . I hope my furniture a l lows the wood to tel l i ts own story.”

A D R I A N S W I N S T E A D

M A M I M A G A Z I N E

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A D V E R T I S E H E R E C O N TA C T M A M I M E D I A 856-637-2560