Malaysia-Poland Residency Program Booklet

8/14/2019 Malaysia-Poland Residency Program Booklet

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CULTURALEXCHANGEAND ARTRESIDENCY

PROGRAMBOOKJUL-AUG2009

WWW.ARTCHORE.ORG

CARIMASAJALANTUKARKUALA LUMPUR


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INTRODUCTION

The Cultural Exchange and ArtResidency Program was initiated by theMalaysian-Poland Business Association,with support rom the Poland Embassyin Malaysia in April 2009. From the

rst meeting, a new group o visionary

artists and architects were ormedto be part o the participants or theproposed Art Residency Program inPoland. This cross-disciplinary team oparticipants is seen as the most relevantand bene cial or the emergence anddevelopment o the creative industry orboth Malaysia and Poland.

This program will unction as aninternational laboratory or research,education and development in art,architecture and urbanism. Bridging

ne arts and architecture throughthe academic education and researchwith pro essional acuity, it is hoped

that this proposed program will helpin the production and development oinnovative knowledge that is applicableto ne arts and architectural practiceas part o a transnational discourse andculture interaction.

The Team

June 2009, Kuala Lumpur

PROGRAMBACKGROUND

SUPPORTS &ACKNOWLEDGEMENT

Government of Malaysia Government of Poland

Poland Embassy in MalaysiaMalaysia-Poland Business AssociationAcademy of Fine Arts in PoznanNational Art Gallery, MalaysiaAntamax Sdn BhdWoods Baggot Sdn BhdGerbang Perdana Sdn BhdShalini Ganendra Fine Art: The Private GalleryArchitecture Department, Universiti Teknologi MARAArchitecture Department, Universiti Putra MalaysiaKW Institute for Contemporary Art, BerlinMalaysia Embassy in Warsaw, PolandMalaysia Embassy in Berlin, GermanyMalaysia Embassy in Vienna, AustriaMalaysia Embassy in Prague, Czech RepublicMERCY MalaysiaRenaissance Hotel Kuala LumpurCollectors and friends


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Participants or this proposedResidency Program in Poland willpursue extensive research into theprocesses o understanding the social-cultural-economic context o Poland,seen rom the eyes o Malaysians.Through investigative, experimental andspeculative research process, the aimo this intensive program is to advanceresearch related to arts, architectureand urbanism o Poland and Malaysiaby connecting participants to thereal conditions o both worlds. Theseexperience and understanding are soonto be shared with public and othersthrough progressive post-residencyactivities.

The participants which consists o two(2) ne artists rom various disciplineand experience, joined together with one(1) architect and one (1) art manager,

who share the same vision towardsa progressive art, architecture andurbanism sees this Residency Programin Poland as a plat orm towardsde ning what art and architecturecan contribute towards the social andcultural advancement o Malaysia.This Residency Program also aspires to

initiate a trans ormative impact on theart and built environment by producingpolemical art and architectural research

understanding through the production oartworks, research papers, reports andothers.

This proposed Residency Programis a uniquely designed intensive andintimate environment and experiencethat aims to expand ormal andintellectual resources rom both Polandand Malaysia. Based within the city oWarsaw, and other towns o Poland,the Residency Programs studios willcreatively utilize the city and townssurroundings as its ocus o research,innovation and new methodologies inthe pursue o understanding its context.The participants will work closely withlocal community, artists, architects,curators, and third-party collaboratorsto broaden and deepen the scope ounderstanding, which hope ully willprovide a critical global outlook while

simultaneously producing locallyin ormed knowledge.

INTRODUCTION

PROGRAMOBJECTIVES


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INTRODUCTION

CARIMASAJALANTUKAR is aconcept to push orward the boundaryo creativity and research in the worldo arts, architecture and the builtenvironment. The program will unctionas a plat orm to encourage bilateralpartnership between both Malaysia andPoland. The program will take placein Poland, starting rom July 3 untilAugust 18, 2009. It will consist oan Art Exchange/ Residency SummerProgram in Pyzdry, which starts romJuly 4 until July 15, 2009. Pyzdry isa small town, located 300 km to thewest side o Warsaw. A small nalexhibition will be conducted in themuseum o Pyzdry. Alongside thisproposed program, the participatingartists and architect will also conduct

ormal research trips around Polandin preparation to produce a morecomprehensive and in-depth body o

works that will be part o the biggerexhibition to be held back in Malaysia.From July 16 until July 20, 2009, theThe Academy o Fine Arts in Poznanwill be hosting the team members ina Cultural Exchange program withthe aculty members o the institution.This program will be an intellectual

discourse agenda to promote the richculture o both countries, as well as aplat orm or experience sharing.

Poland was chosen as the plat ormor this program or an establishment

o cultural exchange within thetwo countries. As a progressivelydeveloped country, the participantssee the opportunity to learn the widephenomenological progression o artsand the built environment in Polandto bridge cultural and intellectualbelongings o both countries. We seethis as an opportunity to export therich cultural diversity o both countriesin the orm o knowledge expressionthrough arts and architecture.

Study, research and observation willbe supported by regular discussionwith local artists, curators and relatedparties o the public. During the threeweeks program, all ndings will beproduced in the kind o artworks,research papers (essay) and other

orm o body o work (i.e. multimediaproduction, desktop publishing, etc.).

CARIMASAJALANTUKAR


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Sabri Idrus (b. 1971, Kedah, Malaysia)is an award-winning Malaysiasvisionary young contemporary artist,exploring experimental approaches incombining painting, graphic designand industrial materials to achieve aliberated socio-cultural dogma towardsreinventing a new orm o symbolin art. Sabris interest lies in hisdevelopment o body o works that triesto un old his critical notion towardsthe social condition and the parodyagainst institutions that secures thede nition between painting and cra tingpainting. Sabri has also produced anextensive amount o port olio rangingnot only rom painting works, butalso publication and graphic design,multimedia and video production,installation and other new orms omedia.

[email protected]

PARTICIPANTS

Nasir Baharuddin (b. 1960, PerakMalaysia) is a practicing artist andeducator. A Masters o Fine Artgraduate rom Savannah College o Artand Design, Georgia, U.S.A.(1993),Nasir has involved in many exhibitionseither at the national or internationallevel. He has taught art and designat various colleges and universitiesin Malaysia, and as an art director

or the Gallery Shah Alam, Selangor1997-98, be ore joining UniversitiPutra Malaysia (UPM). A writer oran art magazine (SENTAP) and artjournals in Malaysia, currently he isa senior lecturer at the ArchitectureDepartment, UPM, where hismajor interest is on socio-cultureenvironment and visual culture study.Nasir received many awards in artcompetitions and collaborative artprojects. His current research interests

ocused on Malaysian visual artthinking, questioning the position oMalaysian visual artist in terms o theirintellectuals contribution, including theprocess o developing new theories.

[email protected]

SABRI IDRUS NASIR BAHARUDDIN


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Ha z Amirrol (b. 1983, Kuala Lumpur,Malaysia) is an architect workingin the eld o humanitarian worksand academic research. Received hisearly architectural education romUniversiti Teknologi MARA (UiTM),Malaysia between 2001 to 2005 be orespending two years in Aceh, Nias andJogjakarta, Indonesia to help in thename o humanitarian with MERCYMalaysia. He was also involved inhumanitarian works in Bangladeshand Myanmar. He then declared thatarchitecture as a very power ul tool orhumanity. Fascinated by the aestheticso visual encounters and the personalradiance o human beings, Ha z hasplaced the main ocus o his works onsocial and contextual issues, humanityand everyday li e. He also sees designas being sexy, play ul and provocativeas an e ective way to respond to social

change.

[email protected] zamirrol.blogspot.com

Norhana Yunos (b.1971, Singapore) hasabout 17 years o working experience.Currently an independent curatorand specializes in art management,cataloguing, archiving and art history.Previously with the Olympic Council oMalaysia (2005-2007) as the CentreDirector to oversee the operations andmanagement o the OCM Indoor SportsCentre, and to curate and administerthe on-going exhibitions and activities

or the OCM Sports Museum & Hall oFame. Other signi cant post held wasas a Senior Executive ( 2002-2005),heading the Corporate Communicationsand Knowledge Management Unit orPro essional Services DevelopmentCorporation Sdn Bhd. From 1990 1997, served as a production manager

or several television commercials suchas Petronas (Festive series), McDonalds(promo), F & N, Yellow Pages, Glucolin,

Wrigleys, Yomeishu, and Sharp (localconsumers). Currently, in the midsto completing her assignment withMaybank or their audit purpose the artevaluation on Maybanks Art Collection.

[email protected]

PARTICIPANTS

HAFIZ AMIRROL NORHANA YUNOS


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The Republic o Poland (RzeczpospolitaPolska), is a country in Central Europe.Poland is bordered by Germany to thewest; the Czech Republic and Slovakiato the south; Ukraine, Belarus andLithuania to the east; and the BalticSea and Kaliningrad Oblast, a Russianexclave, to the north. The total area oPoland is 312,679 square kilometres,making it the 69th largest country inthe world and the 9th largest in Europe.Poland has a population o over 38million people, which makes it the 34thmost populous country in the world andthe most populous Eastern EuropeanMember State o the EU.

The establishment o a Polish state iso ten identi ed with the adoption oChristianity by its ruler Mieszko I, in966 when the state covered territorysimilar to that o present-day Poland.

In 1025, Poland became a kingdom andin 1569, it cemented a long associationwith the Grand Duchy o Lithuania, bysigning the Union o Lublin, ormingthe PolishLithuanian Commonwealth.The Commonwealth collapsed in 1795and Polands territory was partitionedamong Kingdom o Prussia, Russian

Empire and Austria.

HOSTING COUNTRY

Poland regained its independence asthe Second Polish Republic in 1918,a ter World War I, but lost it again inWorld War II, then occupied by NaziGermany and the Soviet Union. Polandlost over six million citizens in WorldWar II, emerging several years lateras the socialist Peoples Republic oPoland within the Eastern Bloc, understrong Soviet infuence. During theRevolutions o 1989, communist rulewas overthrown and Poland becamewhat is constitutionally known as theThird Polish Republic. Poland isa unitary state, made up o sixteenvoivodeships. Poland is also a membero the EU, NATO and the Organisation

or Economic Co-operation andDevelopment.

Historians have postulated thatthroughout Late Antiquity, many

distinct ethnic groups populatedthe regions o what is now knownas Poland. The exact ethnicity andlinguistic a liation o these groups hasbeen debated; in particular the timeand route o the original settlement oSlavic peoples in these regions.

POLAND


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Poland historically contained manylanguages, cultures and religions onits soil. The country had a particularlylarge Jewish population prior to WorldWar II, when the Nazi Holocaustcaused Polands Jewish population,estimated at 3 million be ore the war,to drop to just 300,000. The outcome othe war, particularly the westward shi to Polands borders to the area betweenthe Curzon Line and the Oder-Neisseline, coupled with post-war expulsiono minorities, signi cantly reduced thecountrys ethnic diversity.

HOSTING COUNTRY

FACTS

Capital WarsawGovernment RepublicCurrency Zoty (PLN)Area 312,685 kmPopulation 38,636,000

Language PolishElectricity 230V/50Hz (EU plug)Calling Code +48Internet TLD .plTime Zone UTC+1


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VISITING COUNTRY

Malaysia is a country that consistso thirteen states and three ederalterritories in Southeast Asia with atotal landmass o 329,847 squarekilometres. The capital city is KualaLumpur, while Putrajaya is the seat othe ederal government. The populationstands at over 27 million. The countryis separated into two regions Peninsular Malaysia and MalaysianBorneo by the South China Sea.Malaysia borders Thailand, Indonesia,Singapore, Brunei and the Philippines.The country is located near the equatorand experiences a tropical climate.Malaysias head o state is the Yangdi-Pertuan Agong and the governmentis headed by a Prime Minister. Thegovernment is closely modeled a ter theWestminster parliamentary system.

Malaysia as a uni ed state did not exist

until 1963. Previously, a set o colonieswere established by the United Kingdomrom the late-18th century, and the

western hal o modern Malaysia wascomposed o several separate kingdoms.This group o colonies was known asBritish Malaya until its dissolution in1946, when it was reorganized as the

Malayan Union.

Due to widespread opposition, it wasreorganized again as the Federationo Malaya in 1948 and later gainedindependence on 31 August 1957.Singapore, Sarawak, British NorthBorneo and the Federation o Malayajoined to orm Malaysia on 16September 1963. The Southeast Asiannation experienced an economic boomand underwent rapid developmentduring the late-20th century. Rapidgrowth during the 1980s and 1990s,has trans ormed Malaysia into anewly industrialised country. BecauseMalaysia is one o three countriesthat control the Strait o Malacca,international trade plays a large rolein its economy. At one time, it was thelargest producer o tin, rubber andpalm oil in the world.Manu acturinghas a large infuence in the countryseconomy. Malaysia has a biodiverse

range o fora and auna, and is alsoconsidered one o the 18 megadiversecountries. Malaysia is a oundingmember o the Association o SoutheastAsian Nations and is a member o theUnited Nations. As a ormer Britishcolony, is also a member o theCommonwealth o Nations. It is also a

member o the Developing 8 Countries.

MALAYSIA


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VISITING COUNTRY

Malaysia is a multi-ethnic, multicultural and multilingual society.Malaysias population comprises manyethnic groups, with the Malays at50.4% making up the majority andother bumiputra/indigenous (Aborigine)groups in Sabah and Sarawak at 11%o the population. There also existaboriginal groups in much smallernumbers on the Peninsula, where theyare collectively known as Orang Asli.

FACTS

Capital Kuala LumpurGovernment Constitutional

monarchyCurrency Ringgit Malaysia (RM)Area 329,750 km

Population 26,600,00Language Bahasa Malaysia,English, Chinese, Tamil

Electricity 230V/50HzCalling Code +60Internet TLD .myTime Zone UTC+8


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PREVIEW SHOW,18.06.09, KUALA LUMPUR

Since the beginning o his career, orSabri, art is a way o li e, along withall its complexities. His belie in artmaking, especially paintings as aninherent social process that submergedhim in technical and materialadvancement through experiments.By this, increases his sensitivity inthe visual language and other artisticpossibilities.

Initially trained as a graphic designer,Sabri embarked on a li e long searchin his creative direction, and hadexperienced a very signi cant change

in his journey o sel -discovery. Whathe usually regarded as his secondaryinterests, i.e. graphic design and digitalprints, have signi cantly

KERONCONG SERIES (REVISITED)SABRI IDRUS

contributed to his process in masteringhis own visual language. The elementso balance and surprises, discoveredthrough the exploration o contrasts,an aesthetic strategy he o ten usedwith his digital sketches merged into akind o extrasensory mechanism thatusually works e ciently or his laterdevelopment o works on canvas.

One thing that attracted Sabri were theexperiments in basic elements; playingaround with lines, space, volumesand colors. These basic elementswere always being put into tests in

his works; considering the notion thatmeaning within those elements arecomplex, slippery, multi aceted andindeterminate.

01.


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Parallel to this, Sabri also o tenuses paint as paint, colors as colorsand orms as orms. Most revealingabout his approach in creating hisprogressive body o works is the

ostering inscrutability or aestheticreasons. From his vantage point o viewon aesthetic obscurantism, missing orinde nable knowledge is seen as simplyanother aspect o his works inherentincompleteness; an open-endedapproach that allows him to fexiblytake them to another level or urtherdevelopment.

Sabris interests in those obscurantismlies in his details o creating marks andprints o in-between spaces, tensionvoids, jagged edges, the tension othe transition during the process omaking and moments that are rozenand captured within di erent strategicoperations. His anxiety in experiencingsurprises during his process holds bothexcitement and also danger. This risk

had cost him a lot in the production ohis works, but at the same time makingSabri being more ready and opentowards the inevitable consequences. Itis a bittersweet com ort in his tendencyin liberating painting rom clichnarrative and orced meanings.

He always argues on the relevancyo making artwork in todaysunprecedented fow and amount oin ormation available through

02.

03.

04.


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globalised media and the internet.What he sees as a redundancy inreproducing in ormation and critiquesreadily available rom various sourcesinto the orm o artwork is, or him,a notion to be challenge by all artists,academics and thinkers in order tomake art relevant again. This argumentalways put Sabri in a situation wherehe aces confict within himsel , thustrapping him in the race with time,resulting in his sedated mode in workingon his paintings. Sometime, his othercommissions, i.e. desktop publishing,graphic designs and photographykeeps him away rom his canvasses,but during these sojournic moment iswhere Sabri discover his experimentaland explorative methods towards

urther discovery in his questions andarguments.

05.

06.

07. 08.


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This series o digital prints are setso revisited works rom his previous

paintings, captured and manipulateddigitally into ragments o repetitivepatterns. This series o seductivelycomposed patterns are his explorationin making marks through the process olayering, embedding, contrasting andso on in order to produce somethingthat is almost impossible to achieve in

conventional paintings. In the processo producing works that are regardedas contemporary, Sabri uses digitaltechnology, combined with skill ulphotography and painting works tocelebrate the existentialism o hisdevelopment o work through the acts oexploration, research, nding and data

recording.

09. 10.

01. Masa Satu02. Masa Dua03. Masa Tiga

04. Masa Empat 05. Masa Lima

06. Masa Enam07. Masa Tujuh

08. Masa Lapan09. Masa Sembilan

10. Masa Sepuluh

2009Digitally manipulated photographs

76.2cm x 76.2cm


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Nasir strongly believes in discovery oliving systems theory, which he derived

rom exploring the world o philosophy,literature and the sciences. His purposein this journey is to structure thelaw o natural systems through theirscienti c decoding into works o art.

His previous paintings o ten try todiscover a minimalist orm-world osigns as distinct shapes and points, asthey are enigmatic in their content.In addition to his ideas are proposalson the advancement o language onvisual systems and its content usinggeometrical rules and methodologies.

His studies put orth the idea onatural and living systems, which areconstructed based on abstracting

ART+TECTURE(S)NASIR BAHARUDDIN

calculation and matrix o knowledge asa visual phenomenon or object. Derived

rom the theory o the occurrence oobjects, a psychological approach thatincludes human anxiety, eccentricity,imagination, reality and betweenconscious and subconscious phenomenon

were constructed. These analysesindicate the process o natural andliving systems - the sel organizingsystems, consisting nature abstractionthat trans orm into basic knowledgeand law o existence to all the visualphenomena and human creation.

01.


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His belie in perennial knowledgeand truth is his guiding strength to

urther embark and produce works thatchallenge conventional means o makingpainting. This challenge, etiologically,are his visual representation derived

rom a schematic nature and orderingo objects that caused systems o visualphenomena. By discovering these, hecan structure the law o natural systemsthrough images and abstract paintingsas characteristics o needs and mysticalambiguity. His philosophical attitudesthat are inattentive to the valuesand needs or spirituality have pavedalternative scienti c approaches tovisual interpretation.

The intent o all o these acts in theproduction o his works is actuallyan act o obedience, puri cation,improvement and enlightenment to theheart. Prosperous is he who puri esit (Quran, 91:9). These acts are toachieve the illumination o aith in

what he is doing, which means theshining o the light o knowledge. Hismind has always been attracted to themathematical sciences in accordancewith the abstract character o thedoctrine o Oneness (Tawhid), whichlies rom the law o natural systems,where uni ormity within multiplicity is

the characteristic in regard to time andspace.

02.

03.

04.


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Art+Tecture(s) are photographic worksthat communicate the architectural

representation o beauty - holisticallyand mystically. The dynamism andprovocative moment o the architecturalpieces are captured in a dynamicperspective convention. Spatialinteraction, either visible or not, asRudolph Arnheim says: the world oimages does not simply imprint itsel

upon a aith ully sensitive organ.Rather, in looking at an object, we tryto reach out on it. We move throughspace around us, go out to distantplaces where things are ound, touchthem, catch them, scan their sur aces,trace their borders, measure their linesand so on. It is an eminently active

occupation. The work o lenses andlters emphasize on angles that createtheir exterior monologue o the living

space and meaning - a visual paradoxwithin the emptiness and natural

objects. The architectural structuredescribes underlying cognitiveprocesses, infuencing human perceptionon natural environment. Though thesephotographs could not easily haveenvisaged outside the parameters oimages, the parameters o the rozenmoments are results o operations that

provoke to elucidate his intention onthis series o works.

05. 06.

01. After Image02. En lade Dissolution

03. Ludic Tension04. Monastic Odyssey

05. Only Halfway Escape

06. Threshold of Invisible

2009Photography

76.2cm x 76.2cm


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The Measuring Series are attemptsto communicate architectural visualencounters within a certain journeythrough the process which involvegathering historical, strategic, politicalor other datasets and rede ning theterritory through particular terms,

expanded upon speci c themes based onndings rom his earlier investigations.These investigations through his earlierworks were testimonies against theconventional techniques o drawings,diagrams, models, collage andphotography at di ering scales. Theserepresentations combined planometric,

sectional and three-dimensionaldrawings as temporal techniques which are represented in a moreinnovative and provocative manner.

MEASURING SERIESHAFIZ AMIRROL

01.

Throughout his journey in the worldo architecture and creative design,humanitarian approaches have playedimportant roles in molding his criteria

or a new refexive kind o architecture.His interest in every days banality intodays context o li e o ten orced him

to mix multidisciplinary task, i.e. art,graphic, writing, social works, lmmaking, etc. with architecture to keephis mind stimulated in order to keep onproducing new works. Ha z believesthat these approaches would some daytear down the wall between the elitistculture in design and the majority poor

community.


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02.

03.

04.

01. Measures of Control02. Measures of Cut

03. Measures of in Between04. Measures of Balance

2009Digitally manipulated drawings,

models, collage and photographs76.2cm x 76.2cm


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TRAVEL ITINERARY

MODERN ART MUSEUM, LODZMUZEUM SZTUKI

Ulica Wieckowskiego 36, Lodz, Poland,PLT:+48 42 633 9790

Opening Hours:Tue 10:00 to 17:00Wed and Fri 11:00 to 17:00Thur 12:00 to 19:00Sat and Sun 10:00 to 16:00

Admissions:Free on Thursdays

Sited on the corner o Ulica Gdanskaand just a couple o blocks to the westo the Ulica Piotrkowska, the LodzModern Art Museum boasts a large andimpressive collection o 20th-centuryart works and was amongst the very

rst gallery o its kind in the wholeo Europe. Filled with colour ul andstylish sculptures, paintings, drawings,sketches and even photographs, thiscontemporary art gallery eatures worksby a number o world- amous artists,such as Marc Chagall, Max Ernst andPablo Picasso. Close by, the MusicAcademy may also be o interest.

POLANDLODZ

HISTORICAL MUSEUM OF LODZMUZEUM HISTORII MIASTA LODZI

Ulica Ogrodowa 15, Lodz, Poland, PLT: +48 42 654 0323

Opening Hours:

Tuesday and Thursday - 10:00 to 16:00Friday to Sunday - 10:00 to 14:00Wednesday - 14:00 to 18:00

Admissions:Free on Wednesdays

Located on the ar northern side othe Ulica Piotrkowska, the HistoricalMuseum o Lodz can be ound withinthe glorious palace once owned by thea fuent Poznanski amily. The elaboratedecorated interior is a particularhighlight and eatures a wealth oexhibitions about the citys history andghetto, with some displays remembering

amous citizens, such as the pianistArtur Rubinstein and the Polish writero Jerzy Kosinski


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TRAVEL ITINERARY

MUSEUM OF ETHNOGRAPHY ANDARCHEOLOGY(MUZEUM ARCHEOLOGICZNE IETHOGRAFICNE

Plac Wolnosci 14, Lodz, Poland, PLT: +48 42 632 8440

Opening Hours:Tuesday, Thursday and Friday - 10:00to 17:00Wednesday - 09:00 to 16:00Saturday - 09:00 to 15:00

Admissions:Free on Tuesdays

Close to the Historical Museum oLodz and located on the Plac Wolnosci,a ormer market place also knownas Liberty Square, the Museum oEthnography and Archaeology containsan exceptional collection o ancienttreasures and archaeological arte acts

rom all around this part o Poland.Many o the exhibits date rom as longago as the Stone Age, and cover thevarious periods right up to the MiddleAges.

POLANDLODZ

CITY ART GALLERYMIEJSKA GALERIA SZTUKI

Ulica Wlczanska 31 / 33, Lodz,Poland, PLT: +48 42 632 7995

Opening Hours:Tuesday to Friday - 12:00 to 17:00Saturday and Sunday - 12:00 to 16:00

Admissions:Unknown

The City Art Gallery enjoys anappealing setting, being housed within abeauti ul Art Nouveau style villa, whichwas built at the very start o the 20thcentury. Many visiting art exhibitionsare regularly staged here and are o tenrather contemporary in their style,attracting modernist artists rom allover Poland and beyond.


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TRAVEL ITINERARY

ACADEMY OF FINE ARTS INPOZNANAKADEMIA SZTUK PIEKNYCH wPOZNANIU

Skrytka Pocztowa 19160-967 Poznan, Poland, PL T: +48 61 855 25 21F: (+48 61) 852 80 91www.asp.poznan.pl

Contact Person:Marek BoruczkowskiInternational Relations / WspolpracaZagranicznaAkademia Sztuk Pieknych w PoznaniuAcademy o Fine Arts in PoznanT: +48/ 61/ 8552521F: +48/ 61/ 8528091M: +48/605244394

POLANDPOZNAN

KUNST-WERKE BERLIN e.V.KW INSTITUTE FORCONTEMPORARY ART

Auguststr. 69, 10117 BerlinT: +49 (0)30 24 34 59-0F: +49 (0)30 24 34 59-99E: in [email protected]

Opening Hours:Tue - Sun 12 - 19Thur 12 - 21

Admission:6 euro, 4 euro concessions

GERMANYBERLIN


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TRAVEL ITINERARY

JEWISH MUSEUM BERLIN

Lindenstrae 9-14, 10969 BerlinT: +49 (0)30 259 93 300F: +49 (0)30 259 93 409E: in [email protected]: [email protected]

Opening Hours:Monday rom 10 a.m. to 10 p.m.Tuesday-Sunday rom 10 a.m. to 8 p.m.Admittance will be granted until 7 p.m.Tuesdays-Sundays, 9 p.m. on Mondays.

Admissions:Regular charge: 5 eurosReduced charge (pupils, students,apprentices, wel are-recipients): 2.50eurosChildren under the age o six: ree ochargeFamily ticket (2 adults and up to 4children): 10 eurosAudio guide: 2 euros (plus ID asdeposit)

GERMANYBERLIN

HOLOCAUST MEMORIAL

Cora-Berliner-Strae10117 Mitte, Berlin, GermanyT: +49 30 26394311W: www.sti tung-denkmal.de

CHECKPOINT CHARLIE

Friedrichstrae 43-45, 10969 Berlin,Germany


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TRAVEL ITINERARY

ARCHITECTURE CENTER VIENNA(ARCHITEKTURZENTRUM WIEN)

7, Museumsplatz 1 U2:Museumsquartier, U3: VolkstheaterT: 522 31 15W: www.azw.at

Opening Hours:Daily 10 a.m. to 7 p.m.

MUSEUM OF ART HISTORY(KUNSTHISTORISCHES MUSEUM)

Auguststr. 69, 10117 BerlinT: +49 (0)30 24 34 59-0F: +49 (0)30 24 34 59-99E: in [email protected]

Opening Hours:Tue - Sun 12 - 19Thur 12 - 21

Admission:6 euro, 4 euro concessions

AUSTRIAVIENNA

MUSEUM MODERNER KUNSTSTIFTUNG LUDWIG(MUMOK)

Wien MuseumsQuartier Museumsplatz1, A-1070 ViennaT: +43-1-525 00

Opening Hours:Daily: 10.00 a.m.6.00 p.m. Thu:10.00 a.m. 9.00 p.m.

Admissions:Adults: 9 eurosReduced rates: 7.50 euros


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TRAVEL ITINERARY

JULY 23 JULY 29Sabri and Ana in Poznan

JULY 29 AUGUST 2Sabri and Ana in Lagow on the 2ndAugust as expected

AUGUST 3 AUGUST 17Art Exchange/ Residency Program inagw

The organizer o Art Residency Programin agw:

Alla Tra menkowa -HermanMobile: +48 514 94 66 14alla. [email protected]

Address:agwul.Lipowa 166-220 agw Lubuski

AUGUST 17Travel rom agw to WarsawYou can go by train rom Wiebodzin

AUGUST 18Farewell visit to the Embassy oMalaysia in Poland

AUGUST 19Return fight rom Warsaw


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MALAYSIAN EMBASSIES

POLANDEmbassy of Malaysia, Warsaw

No. 3, Gruzinska Str.,Saska Kepa,03-902, WarsawRepublic o Poland

T: (+4822) 617 4413/ 617 3144F: (+4822) 617 6256 / 616 0590E: [email protected]

[email protected]

Work day: Monday to Friday0830 - 1630

Holiday: Saturday and Sunday

GERMANYEmbassy of Malaysia, Berlin

Klingelhoe erstr. 610785 BerlinFederal Republic o Germany

T: +49-(0)30-88 57 49 0F: +49-(0)30-88 57 49 50/55E: [email protected]

Work day: Monday to Friday0900 - 1700 hrs


FRANCEEmbassy of Malaysia, Paris

2bis rue Bnouville,75116 Paris, France

T: 00 331 45 53 11 85F: 00 331 47 27 34 60E: [email protected]



AUSTRIAEmbassy of Malaysia, Vienna &Permanent Mission of Malaysia to theUnited Nations Vienna

T: +43-1-5051042 Ext. 17 or 18F: +43-1-5031390E: [email protected]

O cer: Dr. Noor Hasnah MohamedKhairullah (Scienti c Attache)Siti Hawa Idris (Personal Assistant tothe Scienti c Attache)




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CARIMASAJALANTUKARWARSAW

Documents

Malaysia-Poland Residency Program Booklet