making goodsound better

THE BASS KICKS AND THE HEADS TURN.

THE STEERING WHEEL PULSES UNDER YOUR FINGERS AND YOU MORE THAN HEAR THE MUSIC, YOU FEEL IT. THE CRISP, CLEAR SOUND JARS THE COMPLACENCY FROM YOUR SOUL AND LEAVES YOUR PROBLEMS SCATTERED ON THE HIGHWAY UNROLLING BEHIND YOU. HERE IN YOUR CAR, YOU ARE KING. THIS IS YOUR WORLD, YOUR TIME, WHERE YOU ARE THE STAR AND YOU PICK THE SOUNDTRACK…

…THE SOUND PROFESSIONALS AT AUDIOCONTROL UNDERSTAND THIS. THAT IS PRECISELY WHY WE CREATED THIS LINE OF SIGNAL PROCESSORS TO GIVE YOU THE QUALITY AND PRECISION YOU DESERVE. THESE ARE COMPONENTS DESIGNED TO WORK WITH YOUR VEHICLE’S ACOUSTICAL ENVIRONMENT, COMPENSATING FOR NEGATIVE INFLUENCES THAT WOULD DEFEAT LESSER AUDIO SYSTEMS. AUDIOCONTROL PRODUCTS BOAST SUPERIOR TECHNOLOGIES AND FEATURES USED EVERY DAY BY PROFESSIONAL SOUND ENGINEERS BOTH IN COMPETITION AND IN THEIR DAILY DRIVING…

…FROM THE EARLY DAYS OF CAR AUDIO CONTESTS

TO THE MOST RECENT WORLD FINALS, AUDIOCONTROL HAS

BEEN IN THE WINNER’S CIRCLE. SERIOUS SOUND

COMPETITORS KNOW THAT OUR LINE OF EQUALIZERS, CROSSOVERS, AND

SPECIAL PROCESSORS PUMP OUT LOUD, CLEAN TUNES THAT BRING HOME TROPHIES.

OUR LATEST PRODUCTS ARE JUST ANOTHER LINK IN A WINNING TRADITION.

OUR STORY SO FAR…

BULLETPROOF AUDIO IS A TAG WE HAVE EARNED THROUGH YEARS OF PROVIDING RELIABLE COMPONENTS THAT NOT ONLY MAXIMIZE PERFORMANCE, BUT STAND UP TO THE RIGORS OF EVERYDAY LIFE. FACE IT, YOU DON’T PRESERVE YOUR CAR IN A GLASS CASE, YOU DRIVE IT. WHETHER THAT MEANS FLYING ACROSS A BLAZING DESERT, OR TOSSING A FEW SNOWBOARDS IN THE BACK FOR A WEEK IN THE MOUNTAINS, WE’VE GOT YOU COVERED.

SA-3055 Spectrum Analyzer

PROFESSIONAL INSTALLERS NEED THE FINEST DIAGNOSTIC EQUIPMENT AVAILABLE. THEY NEED THE EQUIPMENT TO MAKE SURE YOUR CAR’S AUDIO SYSTEM IS IN PERFECT HARMONY WITH YOUR CAR’S ACOUSTICAL ENVIRONMENT AND YOUR PERSONAL PREFERENCES. THE AUDIOCONTROL SA-3055 IS THE TOOL FOR THIS JOB. IT ALLOWS YOUR INSTALLER TO GET THE VERY BEST OUT OF YOUR EQUIPMENT.

SINCE 1977, AUDIOCONTROL HAS BEEN MAKING AUDIO TEST EQUIPMENT AND PRODUCTS TO MAKE SYSTEMS SOUND BETTER. NO OTHER COMPANY MAKES BOTH. OUR DECADES OF KNOWLEDGE

AND SEARCH FOR EXCELLENCE SHOWS IN THE PRODUCTS WE

SELL AND IN THE SA-3055 MEASUREMENT INSTRUMENT TO INSURE THAT THEY ARE TUNED TO PERFECTION.

WE COULD WRITE TWENTY MORE PAGES ABOUT HOW TOUGH, LOUD, AND CLEAN OUR PRODUCTS SOUND, BUT WHY? DON’T TAKE OUR WORD FOR IT. YOU HAVEN’T GOTTEN TO WHERE YOU ARE BY LETTING OTHER PEOPLE TELL YOU WHAT IS WHAT, SO WHY START NOW? AUDITION OUR PRODUCTS AT YOUR LOCAL DEALER TODAY, AND DECIDE IF SUPERIOR QUALITY AND INCREDIBLE SOUND ARE TWO

ATTRIBUTES YOU CAN LIVE WITH.

MEANWHILE…

MAKING IT ALL COME TOGETHER…

EPIC-160In-Dash Bass Maximizer/160 dB SPL Microphone and Display

IF YOU WANT THE BEST BASS POSSIBLE AND A WAY TO MEASURE HOW LOUD YOUR SYSTEM IS PLAYING, THE EPIC-160 IS THE PERFECT PRODUCT FOR YOU. THE EPIC-160 IS AN EXPERT COMBINATION OF THE PATENTED BASS ENHANCEMENT CIRCUITS FROM THE EPICENTER ALONG WITH A MICROPHONE AND 160 dB S.P.L. (SOUND PRESSURE LEVEL) DISPLAY.

THE DISPLAY WILL SHOW REAL TIME SPL OR HOLD THE HIGHEST VALUE SO YOU CAN SHOW YOUR FRIENDS. IT ALSO WILL DISPLAY VOLTAGE SO YOU CAN MONITOR YOUR BATTERY AND ALTERNATOR.

WITH AUDIOCONTROL’S UNIQUE PARA-BASS EQ CONTROL, YOU SELECT

THE FREQUENCY AND BANDWIDTH FOR THE ENHANCED BASS ACTION. SIMPLY, THE EPIC-160 GIVES YOU GREAT BASS AND A WAY TO SEE THE RESULT.

AudioControl’s in-dash processors are true audiophile quality products in compact, all-in-one packages. These units can help you build a quality system using the factory head unit, compensate for the acoustics of the vehicle, and recapture the excitement and vibrancy of concerts. We specialize in these types of products and we have put our decades of professional audio experience into making the first in-dash units worthy of your system. Processing: Patented bass

enhancement with Para-BASS, Display: SPL or voltsInputs: 2, RCA and speaker level, Outputs: 2Max. Out: 9.5 Vrms/13.5 Vpeak Size: 1" H x 6.75" W x 5" D

www.audiocontrol.com

FOUR.1In-Dash Equalizer/Dual Source Inputs/Line Driver

THE WORLD’S FIRST PROFESSIONAL QUALITY IN-DASH EQUALIZER HAS A 13 VOLT PEAK LINE DRIVER AND FIVE CUSTOM EQUALIZATION BANDS, INCLUDING A PARA-BASS BAND FOR ULTIMATE BASS RESPONSE. THE FOUR.1 HAS SECOND SOURCE INPUTS, MASTER VOLUME CONTROL, FADER AND

SWITCHABLE ILLUMINATION.

*In-Dash Equalizer of the Year 1998, 1999.

HPXIn-Dash Processor/Crossover/Portable Audio Input

MUSIC EXPANDS BEYOND THE PHYSICAL BOUNDARIES OF YOUR VEHICLE WITH THE HIGH DEFINITION EXPANSION (H.D.E.) MAGIC OF THE HPX. THE HPX PROVIDES AN AUTOSOUND EXPERIENCE LIKE NO OTHER. WITH THE BUILT-IN CROSSOVER AND SUBWOOFER LEVEL CONTROL, YOU COMPLETELY COMMAND THAT EXPERIENCE. AND, WITH THE SECOND SOURCE INPUT CONNECTOR ON THE FRONT, USING A PORTABLE AUDIO OR MP3 PLAYER IS A BREEZE.

THE HPX INCLUDES AN O.E.M. INPUT SO THAT IT CAN BE INSTALLED EASILY WITH A FACTORY SYSTEM. SOME CUSTOMERS CALL IT A DREAM COME TRUE.

THREE.1In-Dash Equalizer/Crossover/Line Driver

THE THREE.1 PROVIDES FOUR STEREO EQUALIZATION BANDS INCLUDING PARA-BASS TO GIVE SUBWOOFERS

A KICK ALONG WITH A 4 CHANNEL, 2-WAY, 24 dB/OCTAVE ELECTRONIC CROSSOVER. ADDITIONAL FEATURES ARE A SUBWOOFER LEVEL CONTROL, SPEAKER LEVEL INPUTS, 13 VOLT LINE DRIVER, MASTER VOLUME CONTROL, A FADER, AND

SWITCHABLE ILLUMINATION.

*In-Dash Equalizer of the Year 2003.

Equalization bands: 5 with Para-BASS, Inputs: 2 pairs RCA (dual sources), Outputs: 4 (front/rear), Max. Out: 9.5 Vrms/13.5 Vpeak, Size: 1" H x 6.75" W x 5" D

Equalization bands: 4 with Para-BASS, Inputs: 2 RCA and speaker level, Outputs: 6 (front/rear/sub), Max. Out: 9.5 Vrms/13.5 Vpeak, Size: 1" H x 6.75" W x 5" D

Processing: high definition expansion, Inputs: 2 pairs RCA and speaker level, Outputs: 6 (front/rear/sub), Max. Out: 9.5 Vrms/13.5 Vpeak, Size: 1" H x 6.75" W x 5" D

www.audiocontrol.com

I HAVE TO ADMIT, AFTER MY EXPERIENCE WITH THE

AUDIOCONTROL THREE.1—YOU COULDN’T PAY ME TO RUN ANY OTHER X-OVER,

PROCESSOR, ETC. YOU GUYS ARE #1.

—S. S., Florida

ABSOLUTELY AWESOME PRODUCT. DEFINITELY NOT

COMPARABLE!!! IN A CLASS OF ITS OWN!!

—O.B., Connecticut

PARA-BASSThink of it as a friendly parametric

equalizer. As you turn down the “Sweep,” the center frequency of the sound affected goes lower and the width gets narrower; Up is opposite. “Gain” is the boost or cut for this band only. Experiment and see what

is best for your box and car.

EQSSix Channel Equalizer/Line Driver

GREAT SOUND FOR SIX CHANNELS ALL IN ONE UNIT. SEPARATE INPUTS AND SEPARATE EQUALIZATION FOR FRONT, REAR, AND SUBWOOFER SPEAKERS. THE EQS HAS SEVEN BANDS OF FULL AND HALF OCTAVE EQUALIZATION CONTROL FOR THE FRONT AND REAR PLUS SIX, ONE-THIRD OCTAVE EQUALIZATION BANDS FOR MAXIMUM BASS CONTROL. ADD TO THAT THE PROGRAMMABLE FREQUENCY MATCH (PFM) FILTER AND A LOW OUTPUT IMPEDANCE LINE DRIVER AND YOU GET MAXIMUM OUTPUT AND SONIC CLARITY EVERYWHERE IN THE CAR. AND TO EASILY USE A FACTORY HEAD UNIT, THE EQS HAS BUILT-IN SPEAKER LEVEL INPUTS.

TRULY A PRODUCT FOR THOSE WHO CONSIDER PERFECTION POSSIBLE.

Maximize overall system performance! AudioControl equalizers offer precise control to compensate for factors that interfere with sound quality. Adjust your system response for your car’s acoustics and your personal musical preferences. The Programmable Frequency Match (PFM) filter protects woofers and maximizes bass. And AudioControl equalizers raise signal voltages for the highest possible performance. You can even use your factory head unit.

ALL OF THESE PRODUCTS ARE AVAILABLE IN EITHER SIERRA WHITE (LEFT PAGE) OR SALMON GREY (RIGHT PAGE).

Equalization bands: 6 one-third-octave bass plus 7 dual bandwidth front and rear, Inputs: 6, RCA and speaker level, Outputs: 6, Max. Out: 9.5 Vrms/13.5 Vpeak, Size: 1.25" H x 9.3" W x 7.7" D

www.audiocontrol.com

EQLDual Bandwidth Equalizer/Line Driver

THE EQL WORKS WONDERS WITH ANY 2-CHANNEL AUDIO SYSTEM, FROM EXISTING FACTORY-INSTALLED SETUPS TO CUSTOM AUDIOPHILE-GRADE SYSTEMS. LEVEL-MATCHING CIRCUITRY ALLOWS CONNECTION TO EITHER PREAMP-LEVEL OR SPEAKER-LEVEL INPUTS. THIRTEEN-BAND DUAL BANDWIDTH EQUALIZATION AND PROGRAMMABLE FREQUENCY MATCH (PFM) FILTER FOR PRECISE BASS CONTROL.

EQXDual Band-width Equalizer/Crossover/Line Driver

AN IMPRESSIVE UPDATE OF THE FIRST SERIOUS CAR EQUALIZER/CROSSOVER. THIRTEEN-BAND DUAL BANDWIDTH EQUALIZATION PLUS PROGRAMMABLE FREQUENCY MATCH (PFM) FILTER. STEEP 24 dB/OCTAVE SLOPE 2-WAY LINKWITZ-RILEY ELECTRONIC CROSSOVER EASILY LETS YOU CONTROL A SUBWOOFER FOR HIGH-IMPACT BASS. ACCEPTS SPEAKER LEVEL INPUTS FOR EASY O.E.M. INTEGRATION.

Equalization bands: 13 dual bandwidth, Inputs: 2, RCA and speaker level, Outputs: 2, Max. Out: 9.5 Vrms/13.5 Vpeak, Size: 1.25" H x 8.9" W x 6.9" D

Equalization bands: 13 dual bandwidth, Inputs: 2, RCA and speaker level, Outputs: 8, Max. Out: 9.5 Vrms/13.5 Vpeak, Size: 1.25" H x 8.9" W x 6.9" D

www.audiocontrol.com

THIS EQUALIZER TOOK THE MUFFLER OFF MY STEREO AND

REPLACED IT WITH TUNED HEADERS. (LOVE IT.)

—C.B., Minnesota

WHY DIDN'T YOU TELL ME AN EQ WOULD MAKE SO

MUCH OF AN IMPROVEMENT?—A.C., Canada

O.E.M./SPEAKER LEVEL

INPUTSA special input for connecting high output speaker wires directly from

a factory installed system. This is an audiophile-grade adapter built into many AudioControl products so you can build on and improve the factory, a.k.a. O.E.M.

or Original Equipment Manufacturer, system.

6XS6 Channel Electronic Crossover/Remote Level/PFM

THE 6XS DOES IT ALL. SHARP 24 dB/OCTAVE LINKWITZ-RILEY

ALIGNMENT CROSSOVER WITH REMOTE LEVEL CONTROL FOR THE BASS. AUTOMODE™ INPUT SWITCHING AUTOMATICALLY CONFIGURES THE

6XS FOR TWO, FOUR OR SIX CHANNELS OF INPUT WITH UP TO EIGHT CHANNELS OF OUTPUT. INCLUDES BASS MANAGEMENT WITH THE PROGRAMMABLE FREQUENCY MATCH (PFM) CIRCUIT AND A HIGH TECH PWM POWER SUPPLY

FOR MAXIMUM VOLTAGE IN ALL CONDITIONS.

Clean, crisp, smooth sound without distortion — that is what you get with an AudioControl electronic crossover. “Divide and conquer” is the key to efficient use of amplifier power and effective use of each and every speaker. Advanced programmable and steep slope filtering trim frequencies to minimize distortion and power waste. The result: complete, clear, and solid sound.

ALL OF THESE PRODUCTS ARE AVAILABLE IN EITHER SIERRA WHITE (LEFT PAGE) OR SALMON GREY (RIGHT PAGE).

Inputs: 2, 4 or 6, Outputs: 8, plus remote controlMax. Out: 9.5 Vrms / 13.5 Vpeak Size: 1.25" H x 7.25" W x 7.7" D

www.audiocontrol.com

PFMProgrammable Frequency

Match. An exclusive AudioControl feature that allows the system installer to set the subsonic (highpass) filter frequency

to maximize bass while protecting the system’s speakers.

3XS4 Channel 2-Way

Electronic Crossover/PFM

SHARP 24 dB/OCTAVE CROSSOVER SLOPE IN A FLEXIBLE, MODULE-PROGRAMMABLE, 4-CHANNEL LINKWITZ-RILEY DESIGN. PROGRAMMABLE FREQUENCY MATCH (PFM) SUBSONIC FILTER PLUS HIGH VOLTAGE PWM SWITCHING POWER SUPPLY OFFER INCREASED HEADROOM AND NOISE REJECTION.

*Crossover of the year 1998.

2XS2-Way Electronic Crossover/PFM

A STATE-VARIABLE, 18 dB/OCTAVE, 2-WAY ELECTRONIC CROSSOVER DESIGNED WITH A FLEXIBLE AND ACCURATE MODULE-PROGRAMMABLE CROSSOVER FREQUENCY. OUR EXCLUSIVE PROGRAMMABLE FREQUENCY MATCH (PFM) SUBSONIC FILTER PROVIDES EXCEPTIONAL BASS CONTROL. WINNER OF THE COVETED C.E.S. “DESIGN AND ENGINEERING EXCELLENCE AWARD.”

*Crossover of the year 1997.

24XS2-Way Electronic Crossover/S.W.A.T./PFM

THE 24XS BOASTS A 24 dB/OCTAVE LINKWITZ-RILEY ALIGNMENT, TYPICALLY AVAILABLE ONLY IN THE

FINEST PROFESSIONAL AUDIO SYSTEMS. COMBINED WITH OUR PFM SUBSONIC FILTER, AND EXCLUSIVE SPEAKER WAVE ALIGNMENT TECHNOLOGY (S.W.A.T.) CIRCUITRY TO MINIMIZE “DEAD SPOTS” FROM WAVE CANCELLATIONS, THE 24XS BRINGS A NEW LEVEL OF PERFORMANCE TO YOUR SYSTEM.

*Crossover of the year 1995, 1996, 2001.

4XS2-Way 4 Channel or3-Way 2 Channel Electronic Crossover/PFM

2- OR 4- CHANNEL FLEXIBLE INPUT/OUTPUT OPTIONS, PROGRAMMABLE FREQUENCY MATCH (PFM) SUBSONIC FILTER, AND OPTICALLY-COUPLED POWER SUPPLY MAKE THE 4XS AN INDISPENSABLE PART OF ANY TRULY SOPHISTICATED SYSTEM. *Crossover of the year 1999, 2000.

Inputs: 2, or 4 Outputs: 6, Max. Out: 9.5 Vrms / 13.5 Vpeak, Size: 1.15" H x 8.75" W x 5.7" D

Inputs: 2, Outputs: 4, Max. Out: 9.5 Vrms/13.5 Vpeak, Size: 1.15" H x 5.5" W x 4.65" D

Inputs: 2 or 4, Outputs: 10Max. Out: 9.5 Vrms/13.5 Vpeak Size: 1.25" H x 8.75" W x 5.75" D

Inputs: 2, Outputs: 4 Max. Out: 9.5 Vrms / 13.5 Vpeak Size: 1.2" H x 8" W x 5.7" D

www.audiocontrol.com

I LIKE YOUR CROSSOVER. YOUR CROSSOVER IS GOOD. IT MAKES ME SMILE. IT IS

SO PRETTY. I LIKE IT. I WISH I COULD MARRY IT.

—A.A., California

MATRIXSix Channel Pre-Amp Line Driver

FOR INTEGRATING MULTI-MEDIA AND VIDEO GAMES OR FOR DRIVING DOZENS OF AMPLIFIERS, THE MATRIX GIVES YOUR SYSTEM A BOOST. WITH MULTIPLE SOURCES, LIKE VIDEO, THE MATRIX LEVEL MATCHES THE DIFFERENT VOLUME LEVELS SO SWITCHING BETWEEN THEM IS SEAMLESS. FOR S.P.L. VEHICLES, THE INTERNAL LINKING SYSTEM OF THE MATRIX MEANS THAT TWO CHANNELS OF INPUT CAN DRIVE ALL SIX OUTPUTS—AND EACH OUTPUT CAN DRIVE UP TO SEVEN AMPLIFIERS.

Make a good system even better. That is the purpose of these special processors. Boost, balance and control. Recapture the sparkle and fun of live music. The sense of “being there” during a live performance. AudioControl special processors put the magic back into your music for concert-quality sound and front row seat excitement.

Line Driver: 36 dB range, 24 dB gain and 12 dB cut, Inputs: 6, Outputs: 6, Max. Out: 9.5 Vrms/13.5 Vpeak, Size: 1.15" H x 7" W x 5.75" D

www.audiocontrol.com

I HAVE BEEN BUILDING THIS SYSTEM OVER 7 YEARS. YES, 7 YEARS!! I WANT EVERYONE AT AUDIOCONTROL TO KNOW THEY MAKE THE BEST DAMN PROCESSORS IN THE WORLD!!

—J.E., Nebraska

THE EPICENTER® Digital Bass Maximization

THE CENTERPIECE OF MANY CHAMPION SOUND INSTALLATION

SYSTEMS. A PATENTED PROCESS DIGITALLY MAXIMIZES THE ULTRA-

LOW BASS ON ALL TYPES OF SOURCE MATERIAL. THE EPICENTER DETECTS BASS HARMONICS, THEN

DIGITALLY RECREATES THE UNDERLYING

FUNDAMENTAL FOR THE INCREDIBLE PUNCH AND IMPACT OF LIVE MUSIC.

OVERDRIVEPre-Amp Line Driver

GIVE YOUR SYSTEM THE BOOST THAT IT NEEDS. THE HIGH HEADROOM POWER SUPPLY OF THE OVERDRIVE RAISES ANY PRE-AMP SIGNAL UP TO 24 dB. THIS PROVIDES BETTER DYNAMIC RANGE AND A

QUIET, NOISE-FREE SIGNAL. PERFECT FOR DRIVING THOSE LONG CABLE RUNS FROM THE FRONT TO THE BACK OF THE VEHICLE.

Processing: patented bass enhancement, Display: bass activity, Inputs: 2, Outputs: 2, plus remote control, Max. Out: 9.5 Vrms/13.5 Vpeak, Size: 1" H x 6.75" W x 5" D

Line Driver: up to 24 dB gain, Inputs: 2, Outputs: 2, Max. Out: 9.5 Vrms/13.5 Vpeak, Size: 1.25" H x 5" W x 4.25" D

Special Processors The EPICENTER OVERDRIVE MATRIXInput Channels 2 2 6Output Channels 2 2 6 Line Driver N/A 24 dB 24 dBProcessor Bass maximization N/A N/APara-BASS Equalization Yes N/A N/ADash Mount Control Yes N/A N/APFM - Subsonic Filter 18 dB/ octave N/A N/ASignal-To Noise Ratio > 110 dB > 110 dB > 110 dBMaximum Distortion 0.005 0.005 0.005Maximum Input Voltage - RMS/Peak 9.5/13.5 9.5/13.5 9.5/13.5Maximum Output Voltage - RMS/Peak 9.5/13.5 9.5/13.5 9.5/13.5Dimensions - W x H x D in inches 6.75 x 1 x 5 5 x 1.25 x 4.25 7 x 1.15 x 5.75Chassis Colors All special processors are available in either Salmon Grey or Sierra White

ALL OF THESE PRODUCTS ARE AVAILABLE IN EITHER SIERRA WHITE OR SALMON GREY.

www.audiocontrol.com

THE OVERDRIVE IS A MUST-HAVE FOR THE

MEASLY PRICE. IT DOUBLED MY BASS. YOUR PRODUCTS ROCK!

—N.M, Ohio

EVERY BOLT IN MY CAR COMES LOOSE!

THIS THING REALLY WORKS!—D.B., New York

I THOUGHT I COULD PICK UP EVERY LOW BASS NOTE. I

WAS WRONG. IT SOUNDS 10 TIMES LOUDER AND LOWER AND NOTES I

NEVER HEARD BEFORE, I CAN HEAR.

—S.W., Virginia

I ABSOLUTELY LOVE WHAT THE EPICENTER HAS DONE FOR MY STEREO!

IT BROUGHT IT TO LIFE!THANKS!

—O.F., Kentucky

I STARTED DANCING WHEN I HEARD

THE EPICENTER MAKE SUCH A DIFFERENCE IN THE BASS.

—D.B., New YorkTHANK YOU FOR

PRODUCTS WE CAN COUNT ON AND TRUST; NOT ONLY IN QUALITY,

BUT IN PURE REALITY, IN SIGNAL AND SOUND. I WOULDN'T BE WHERE

I AM WITHOUT MY AUDIOCONTROL!!

—A.A., California

Electronic Crossovers 2XS 3XS 4XS 6XS 24XSInput Channels 2 4 2 or 4 2, 4, or 6 2Front high Output Yes Yes Yes Yes YesFront low/ Midrange Ouput Yes YesRear high Output Yes Yes YesRear low Ouput YesSubwoofer Output Yes Yes Yes Yes YesCrossover Slope 18 dB/ octave 24 dB/ octave 18 dB/ octave 24 dB/ octave 24 dB/ octaveCrossover Alignment Butterworth Linkwitz-Riley Butterworth Linkwitz-Riley Linkwitz-RileyPFM - Subsonic Filter 18 dB/ octave 18 dB/ octave 18 dB/ octave 18 dB/ octave 18 dB/ octaveRemote Subwoofer Level Control YesSignal-To Noise Ratio > 110 dB > 110 dB > 110 dB > 110 dB > 110 dBMaximum Distortion 0.007 0.005 0.005 0.005 0.007Maximum Input Voltage - RMS/Peak 9.5/13.5 9.5/13.5 9.5/13.5 9.5/13.5 9.5/13.5Maximum Output Voltage - RMS/Peak 9.5/13.5 9.5/13.5 9.5/13.5 9.5/13.5 9.5/13.5Dimensions - W x H x D 5.5 x 1.15 x 4.65 8.75 x 1.15 x 5.7 8.75 x 1.25 x 5.75 7.7 x 1.25 x 7.25 8 x 1.25 x 5.7Chassis Colors All electronic crossovers are available in either Salmon Grey or Sierra White

In-Dash Equalizers/Processors EPIC-160 FOUR.1 THREE.1 HPXInput Channels 2 2 2 2Speaker Level Input - O.E.M. Interface Yes No Yes YesAuxiliary Inputs Yes Yes - 1/8”Fader Yes Yes YesLine Driver 20 dB 20 dB 20 dBProcessor Bass Restoration High Definition ExpansionEqualization bands 5 4Para-BASS Equalization Yes Yes Yes Illumination Green or Amber Green or Amber Green or Amber Green or AmberSubwoofer Crossover N/A N/A 24 dB/ octave 24 dB/ octaveSubwoofer Level Control Yes YesSignal-To Noise Ratio > 110 dB > 110 dB > 110 dB > 110 dB Maximum Distortion 0.005 0.005 0.005 0.005Maximum Input Voltage - RMS/Peak 9.5/13.5 9.5/13.5 9.5/13.5 9.5/13.5Maximum Output Voltage - RMS/Peak 9.5/13.5 9.5/13.5 9.5/13.5 9.5/13.5Dimensions - W x H x D 6.75 x 1 x 5 6.75 x 1 x 5 6.75 x 1 x 5 6.75 x 1 x 5

Trunk Mount Equalizers EQS EQL EQXInput Channels 6 2 2Speaker Level Input - O.E.M. Interface Yes Yes YesOutput Channels 6 2 8Line Driver 18 dB 18 dB 18 dBEqualization bands 20 13 13PFM - Subsonic Filter 18 dB/ octave 18 dB/ octave 18 dB/ octaveSubwoofer Crossover N/A N/A 24 dB/ octaveSignal-To Noise Ratio > 110 dB > 110 dB > 110 dBMaximum Distortion 0.005 0.005 0.005Maximum Input Voltage – RMS/Peak 9.5/13.5 9.5/13.5 9.5/13.5Maximum Output Voltage – RMS/Peak 9.5/13.5 9.5/13.5 9.5/13.5Dimensions — W x H x D in inches 9.3 x 1.25 x 7.7 9 x 1.25 x 7 9 x 1.25 x 7Chassis Colors All trunk-mount equalizers are available in either Salmon Grey or Sierra White

©2003 AUDIOCONTROL, A DIVISION OF ELECTRONIC ENGINEERING AND MANUFACTURING, INC. ALL RIGHTS RESERVED. PRINTED IN USA. AUDIOCONTROL AND “THE EPICENTER” ARE REGISTERED TRADEMARKS OF

ELECTRONIC ENGINEERING, INC.

www.audiocontrol.com

22410 70TH AVE. W. MOUNTLAKE TERRACE, WA 98043, USA

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