Maija Hynninen - Amazon Web Services...Freedom from Fear reﬂects the thoughts of Aung San Suu Kyi (b. 1945), Burmese politician and freedom ﬁghter. She spent 15 years in house

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Maija Hynninen

Freedom from Fear

for oboe, electronics and lights

2017

Copyright © by the Composer All Rights Reserved No part of this publication may be copied or reproduced in any form or by any means without the prior permission of the composer Distribution: Music Finland Music Library Urho Kekkosen katu 2 C, 6t h floor FI-00100 Helsinki Finland [email protected] www.musicfinland.fi Helsinki, 2017

Freedom from Fear for oboe, electronics and lights

Maija Hynninen 2017

Oboe

keyclicks lift all fingers from keys/holes and hit forcefully the keys/holes needed to produce the indicated fingering. There is slight pitch in the sound, but it might not be exactly as notated.

keyclicks with airproduce keyclick as described above and at the same time blow air through the instrument. No tone is produced, but only air sound.

slap tongue

The noisy sounds are organised according to the rhythmic and spectral content of a recorded speech by Aung San Suu Kyi (b.1945) the Burmese politician and diplomat, who was a key figure in overthrowing the military dictatorship in her home country Myanmar. Possibly her most well known thoughts are about how dictatorships are governed with fear and that how difficult it is for the people to free themselves from this state of fear they constantly live in. I’ve used computer (Max, CataRT) to analyse and match the content of the speech with the pre-recorded oboe samples. These pre-recorded oboe samples are then organised into written score. The quote above the music presents the fragment where the oboe material is derived from. The quotes are there merely to give an overall idea to the musician and perhaps help him/her with the interpretation of these fragile and noisy sounds.

1/4 up

1/8 up

1/8 down

1/4 down

Winds in general

only air. Woodwinds: pitch is slightly heard. Brass: sound of wind, no tone or pitch.

half tone half air. Add air to the normal tone.

normal tone.

μ

B

"pp" – "ff" dynamics referring to the action not the loudness of the resulting sound

[a], [e], ... vowels after IPA table of vowels. The form of the mouth, not singing unless indicated.

& ¿ ‰ .

& ¿ ¿ ‰A

& —

& 44 42 4335 ≈ .¿ .¿ ≈ —b ¿ ‰ —b ¿5 3A A A A

"majority are determined to"q ≈ 84, liberamente

" f "œb . œ. œ. œn . œb . œb . œb . œb . œ. œn . œn . œ. œb . œ. œ. ®

p P≈ ¿ .¿ ‰ ¿ ¿ —b ‰ .¿ ‰7 3 7

A A A A"makes that first step"

" f "

Electronics

1 microphone for oboe6 large loudspeakers4 small loudspeakers (Any smaller loudspeakers. I’ve made speakers with LEDs integrated in them for the piece.)audio interface with 10 outputsmixer, or connect directly between interface and other equipmentmidi sustain pedalearphones for listening to click track

Lights:NeoPixel RGBW LED strip, 60 lights/meter, 2 meters required

To be cut in four pieces, 20-30 lights each.4 micro controllers such as Arduino Nano or similar.Lights to be placed in translucent container, bottle etc. My solution was

to 3D print speaker cones from translucent PLA and place lights inside.

usb-hub for micro controllerslong powered usb-cable to reach from stage to CPU.

Program note:

Freedom from Fear reflects the thoughts of Aung San Suu Kyi (b. 1945), Burmese politician and freedom fighter. She spent 15 years in house arrest under the Burmese military dictatorship until she was released in 2010. During and after the house arrest Kyi gained international acclaim and received many honours including the Nobel Peace Prize.

After listening and watching many interviews by Kyi, I became fascinated with her thought how “in any country, if the majority is determined to follow a certain path, they will be able to do it, sooner or later”. It seems almost a miracle that the Burmese military dictatorship has finally turned into democracy in the 2010’s. The majority of Burmese people had joined forces. Together they had also overcome fear that is related to the fact that most protests in Burma were brutally interrupted by military action.

“Freedom from Fear” – one of the most famous Aung San Suu Kyi quotes as well as other direct quotes taken from her interviews are transcribed for oboe and woven into the oboe textures. These delicate keyclicks and airy sounds share the stage with powerful and noisy multiphonics and glissandi that represent the strength and power of the thought over brutal violence. Two loudspeaker arrays – the small home-made ones on stage and the large ones placed around the audience – create two different spaces. The intimate on-stage space is illuminated by lights that are built into these small speakers. Following the loudness of the keyclicks and airy sounds of the oboe, each of the speakers flickers at its own pace. The lights changing from white to blue and then towards orange and red portray the political climate change from serenity into a state of uncertainty. The electronics culminate through the peaceful demonstrations of 2016-17 in the US into the chaos of the Burmese Saffron Revolution of 2007.

Premier: Kyle Bruckmann, oboe, Maija Hynninen and Jeremy Wagner, electronics, Hertz Hall, Berkeley, US, May 8th 2017.

3D printed speakers with LEDs inside. Material used is translucent PLA. The diameter of the widest point is about 8 inches

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474747

Oboe

Pedal

Live el. 1

Fixed el.

∑ ˙ jœb

œ Ó . jœ œ Œ∑

f1

Sound file 01Freedom_sf0101Freedom_sf0102

q = 60, a tempo

2

Transposition,inversion(yin, transpose)

Strong, resilient

Ó .œ# jœ

Ó jœ œ ‰3

Œ Œ œ# jœ œ#3

Œ œ ŒF

4

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4747

47

89

8989

89

42

4242

42

44

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44

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4646

46

Ob.

Ped.

L.el 1

F.el

multiphonic continues4 jœ Œ Ó Œ ˙

3

3

∑ œ Óƒ F f

5

jœ# Œ œ Jœb3

Ó jœ œ Œ Œ .3

∑

F f6

Jœæ.œæ

œ Œ∑

P7

Sound file 02Freedom_sf02

≈œœœœœb#μμ

.œ> ≈ œ. ‰ ≈ œ> ≈ œ> ≈ œ> œ ≈ œ> ≈ œ. œ> ≈ œ. ≈ œ. ≈ œ> ≈

œ Ó .F

152C#

as fast as possible (q ≈ 120),improvise on the given rhythms,repeat to get total duration of about 10"

ƒ8

RESETPhase vocoder,transpose, stretch and layer sound

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46

4646

46

44

4444

44

45

4545

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87

8787

87

Ob.

Ped.

L.el 1

F.el

8

∑P

∑∑

Ó

Ó Œœœœœœœœ#BBB

Óœœœœœœœ¯

‰5:3

Ó œ Ó

Ó

p F

131

q = 84, a tempo

9


Envelope followerControls the amount of delay in the small speaker array

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87

8787

87

44

4444

44

43

4343

43

44

4444

44

Ob.

Ped.

L.el 1

F.el

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~11

Jœœœœœœœ#BBB -

‰ ‰œœœœœœœ¯ œœœœœœœ

œœœœœœœ 3

∑∑

staccatissimo

fP

wwwwwB

jœ œ Ó .

ƒ

as loud as possible

F

C

10

Transposition,delay

.....˙̇̇̇˙

∑

˙̇̇̇˙ ŒU

∑

Freedom from Fear

Maija Hynninen2017

dur ≈ 12'

©MH2017

Score

&

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44

44

44

45

45

45

44

44

44

Ob.

Ped.

F.el

15 ŒœœœœœBμB œœœœœ

#μμl

œœœœœ

nlB œl5

œ Ó .Ó

q = 60, liberamente

Ab

C250

single pitch into multiphonic,use only the multiphonic fingering.

πFC

73

F

77

FC

Bn

71P F11

RESET

œ œœœœœ# œœœœœ

œœœœœ ‰ Ó3

œ Ó

pf

S M

12


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4444

44

46

4646

46

43

4343

43

Ob.

Ped.

L.el 1

F.el

~~~~~~~~~vibrato

17 ‰œœœœœ

#μμl œœœœœμμ

l œœœœœbbœœœœœ

∑∑

F

77

F ƒ78

‰ . œ. œ. œ. œb . ˙˙̇̇̇˙#μ ˙ Œ

7

3

Œ jœ œ ∑Œ∑

ƒC12


PP13

Phase vocoder,strech and layer sound


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4343

43

45

4545

45

43

4343

43

44

4444

44

Ob.

Ped.

L.el 1

F.el

~~~~~~~~vibrato

19

˙̇̇˙μ

œœœœœμμμ œœœœœ ≈

œœœœœœbBl

3

jœ œ ÓÓ

P f F 246C160

CF

162

14

Multiphonics with slurs:molto legato.

œœœœœœ œ œ œ œ. œ. œb . œb . œ. œ. œb . œ. œ. œb . œ. ‰

Ó . œ ŒÓ .

detuned oboe, multilayer tape part

M S

multiphonic into single pitch,use only the multiphonic fingering.

p F15

Transposition,delay

∑

∑Ó

&

ã&

44

44

44

45

45

45

44

44

44

87

87

87

Ob.

Ped.

F.el

22

˙̇̇˙̇b

˙̇̇˙b

œœœœœœœœœ

œœœœœœœœœ

jœ œ Ó .FC#100

F101

in addition to the multiphonics presentedadd 'spatule 3°' to the trill to get a squeeking sound

ƒ16


.....œœœœœb

....œœœœb

....˙̇̇˙

.±‰

∑

F

3.

101 ƒF101P

∑

∑

2 Freedom from Fear

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878787

44

444444

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L.el 1

F.el

25

œœœœœμ œœœœœœ

œœœœœœ.œB ......

œœœœœœ3

jœ œ Œ Œ .

Ab

255

Ab

C#253f p

M S M

multiphonic into single pitch,use only the multiphonic fingering.

17

RESET



œB œœœœœœnμ œBŒU

∑

molto rubato

P π

S M S

&

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45

454545

44

444444

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Ped.

L.el 1

F.el

~~~~~~~~~~~~~~27

œœœœœμB œœœœœnl

μμ

œœœœœœ#μμμ œœœœœœ

œœœœœœœœœœœœ ‰

3

Ó œ Ó3 ∑

Ó3

F

77

1.

245p PfFC

73

vibr. impuls

18


‰œœœœœœ#BB œœœœœœμ

œœœœœœn .....

œœœœœnBμ .......

œœœœœœœ###nμ

œ Œ Ó .

∑

Ab

C250

C249F

Bn

139

F

140

F

1.

141Pf19

Transposition,delay

RESET

&

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44

4444

43

4343

Ob.

Ped.

L.el 1

multiphonic continues

29 ≈œœœœœb#μμ

.œ> ≈ œ. ‰ ≈ œ> ≈ œ> ≈ œ> œ ≈ œ> ≈ œ. œ> ≈ œ. ≈ œ. ≈ œ> ≈

œ Ó .

PF

152C#

ƒ20

Phase vocoder,transpose, stretch and layer sound

as fast as possible (q ≈ 120),improvise on the given rhythms,to create 'stutter' use flutter tongue,repeat to get total duration of about 15"

∑

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43

434343

45

454545

46

464646

Ob.

Ped.

L.el 1

F.el

gliss. slide finger

31˙̇̇˙

˙̇̇˙

œœœœb5:3

jœ œ Ó

∑

Ab

171Eb

Ab

R(olling) multiphonics

q = 60, liberamente

ƒ21

Delay,feedback

œœœœ ‰œœœœ#

œœœœœœœœœœ ≈

œœœœœμœœœœBB

œœœœœ##μB

ŒU3

Œ jœ œ Œ ‰ œ Ó3

Ó ‰

Bb

43 42

Bn

6C

8C

molto rubato

f PF22 23


playback between cues 21-22Sound file 09Freedom_sf09

3Freedom from Fear

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4646

46

42

4242

42

44

4444

44

Ob.

Ped.

L.el 1

F.el

multiphonic continues33 ≈

œœœœœb#μμ

.œ> ≈ œ. ‰ ≈ œ> ≈ œ> ≈ œ> œ ‰ . œ. œ> ≈ œ. œ. ‰

œ Œ ∑

∑

F

152C#

accel towards as fast as possible (q ≈ 120),improvise on the given rhythms,repeat to get total duration of about 6"

F

Rustling, restless

24


RESET

œ. œ. œ# . œ# . œ. œb . œ. œ. œb . œb .œ. ≈ ,

jœ œ Œ

≈ œb . œ. œ. œb . œ. œb .® ‰

ƒ

q ≈ 120

25

Sound file 16Freedom_sf16Sounding -25 cents lower than written

F

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44

4444

44

42

4242

42

43

4343

43

83

8383

83

Ob.

Ped.

L.el 1

F.el

35 ≈ .¿ .¿ ≈ —b ¿ ‰ —b ¿5 3A A A A

"majority are determined to"

jœ œ Œ Ó

∑

q ≈ 84, liberamente

" f "26


œb . œ. œ. œn . œb . œb . œb . œb . œ. œn . œn . œ. œb . œ. œ. ®

jœ œ Œ∑

‰ œ. œ. œb . œ. œ. œb . ≈ . œ. œ. œ.

p P27


Sounding -25 cents lower than written

p

≈ ¿ .¿ ‰ ¿ ¿ —b ‰ .¿ ‰7 3 7

A A A A"makes that first step"

jœ œ Œ Œ

∑

" f "28


&

ã&

&

83

8383

83

85

8585

85

45

4545

45

44

4444

44

Ob.

Ped.

L.el 1

F.el

h .multiphonics continue

38 œ. œb . œ. œ. œ. œb . œ. œ. œ# . œ# . œn . œ# .

jœ œ ‰∑

‰ ® œb . œ. œb . œ. ≈ .

P π

29



p

≈ —b ¿ — ¿ ¿ — ≈ ¿#> œ. œ# .¿#> œn . œ. œ. œ# .5 3

A"can go on"

jœ œ ‰ jœ œ

∑

p" F " " f "

30 31


œœœœœœ#œœœœœ

œœœœb œ œ œ œ œ œ œ œ œ œ œ œ œ ˙ ˙

œ Œ Ó .∑

23Eb

Bb

22F ƒ P

q = 60, liberamente

32


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44

4444

44

87

8787

87

47

4747

47

Ob.

Ped.

L.el 1

F.el

41 ≈ œ. œb . œ. œ. œ# . .¿ .¿ ≈ —b œb . œ. œn . œ. œ. ‰ ,5

5

7

A A

œ Ó .


P " f " P33



RESET

≈ ¿ .¿ ‰ œb . œ. œb . œ. ≈ —b ≈ œ# . œ. œ. œ. œ. ,≈ ‰7 3

7

A

œ Œ Œ .∑

Œ ≈ œ. œb . œb . ≈ . Œ ‰

" f " p " F " P π34



4 Freedom from Fear

&

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47

4747

47

45

4545

45

44

4444

44

Ob.

Ped.

L.el 1

F.el

43 ‰ œb . œ. œ. œb . œ. ≈ —b .¿n r— ¿ ¿ œ. œ. ‰ ≈ œb . œ# . œ. œb . œ. ≈ ¿ ¿ — ‰ .¿œ. œ. ,

7

5 5

3

7

3

7

A A A A A

Œ œ Ó œ jœ œ Œ

P " F " F P " f " P35 36 37




.....œœœœœμ

μμ J

œœœœœœœœœœ


˙̇̇˙̇

3

jœ œ Œ Ó .∑

227

press.

H H L

p fR(olling) multiphonic.The speed of Rchanges with the lip pressure

q = 60, liberamente

38


&

ã

&

44

44

44

43

43

43

85

85

85

43

43

43

Ob.

Ped.

F.el

45




œœœœœ5

∑

H

fp F p



∑

L

p œb . œ. œb . œ. œ. œ. œb . œ. œ# .ŒU3

œ Œ .

‰ . œb . œ. œ. œ. œ# . œ. œ# . œ. œ.® ‰

f39



&

ã&

&

43

4343

43

45

4545

45

44

4444

44

Ob.

Ped.

L.el 1

F.el

48 ‰ œ. œ. œ. œ. œb .œb . œ. œn . œ. œ.

Œ3 3

œ Ó∑

® œb . œ. œ# . ® œ. œ. ® ® œ. œ. ® œ. .œ- œ. œ. ≈ ‰

f FP40


-25 cents lowerord.

RESET

—b .¿ ¿# ¿ ≈ —b œ. œ. œ. œ. œn . œb . ≈ ¿ .¿ ® —b ® œb . œb . ® — œb . œ.5

3 3

A A"they will be able to do it sooner or later"

jœ œ Œ Ó .

Ó

" P " f P " F " P F41



&

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44

44

44

47

47

47

46

46

46

Ob.

Ped.

F.el

50

œœœœœœ#μ œ

œœœœœ œœœœœœμ

3 3

jœ œ Œ ÓƒC

12F F Fƒ ƒ

q = 56, a tempo


42

Sound file 12Freedom_sf1201_4chFreedom_sf1202_4ch

œœœœœœ#μ œ œ Ó3

3

∑ƒF F p

∑U15"

∑

remove reed

5Freedom from Fear

&

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&

46

4646

46

44

4444

44

Ob.

Ped.

L.el 1

F.el

53 ‰ ¿b —b > Œ ≈ ¿ ¿ ¿n ¿ ¿ ¿b ¿ ¿b .¿ ® .¿ ¿ ¿ .¿ ≈3 7 7A A A A A A A A"so I think hatered and fear"

jœ œ Œ ∑


" f " " F " " f " " F "" P "


43 RESET

‰ . ¿ ¿ ¿b ¿ —b > ‰ .¿ ¿ ¿ ¿n .¿b7 7A A A A A A A

"people say they hate somebody, basically they fear that person"

Ó ‰ œ Œ

Ó ‰

" F " " ƒ " " F "

"basically they fear that person"

Sound file 27Fear_fragment01

44

‰ ¿b .¿ ¿ ¿# —> ≈ .¿ ¿ ‰ .3A A A

∑

ã

" f "

&

ãã

ã

Ob.

Ped.

L.el 1

F.el

56 ‰ . ¿b ¿n —b > ≈ ¿ ¿ ‰ ¿b ¿ ¿ ≈ ® ¿ —n7 7A A A

"that fear is the foundation of hatered"

∑

" F "" f "‰ . ¿b ‰ .– – – – –æ

7A

Œ . jœ Jœ Ó

∑

" P "


45

.–æ ‰ ‰– – – – – – .– – –

Ó jœ œ Œ" ƒ " " P "

Cross synthesisbetween two sound files,alternation dependent on dynamics of oboe.


46

&

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ã

45

4545

45

44

4444

44

45

4545

45

Ob.

Ped.

L.el 1

F.el

59

– – – – – ≠æ –æ –b æ –æ3 3

∑

∑

" ƒ "

"that fear is the foundation of hatered"

–b æ .– ‰ Ó

œ Œ Œ œ Œ‰ Ó

‰ Ó

" P "47 48

∑

∑∑

∑

&

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45

45

45

44

44

44

43

43

43

45

45

45

Ob.

Ped.

L.el 1

62 ‰ .¿b ¿ ¿ —n > .¿b ‰ ¿ .¿ ¿ ¿# —> ≈ .¿7 3A A A A A A

"basically they fear that person"

œ Œ Ó .

" F " " f " " F "


49

¿ ‰ . Œ .j¿ —b —> ‰ . ≈ ® —>≈ —7 7

A"so I think hatered"

∑

Œ ≈ ¿b ¿ ¿n ¿ ¿ ¿b ¿ ¿b .¿7 7

A A A A A

"hatered and fear"

∑

" F " " f " " P "

6 Freedom from Fear

&

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ã

ã

45

45

45

45

43

43

43

43

44

44

44

44

Ob.

Ped.

L.el 1

F.el

65 ® .¿ ¿ ¿b .¿ ≈ –n – ≠ – – – – – – –æ ‰3A A

œ Ó Ó" F " " f " " F "


"hatered and fear"

Cross synthesisbetween two sound files,alternation dependent on dynamics of oboe.

50 RESET

¿b ® ¿ ¿ ¿ ¿ ¿# .¿A A A

"but you don't say, people won't say: I'm frightened of oranges"

Œ œ Œ51

¿ ¿b ¿ .¿ ¿ ¿ ¿ ¿n .j¿ ¿b .j¿ –7 7 7A A A A A

∑

&

" f " " P "

&

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45

4545

43

4343

Ob.

Ped.

L.el 1

68 – – – – j–æ –b æ –æ – ¿n — —b > ‰ ≈ —> ¿b — ‰3 3 7

"we may dislike sour fruits"

∑" P "f

‰ ® ¿b ¿n ¿ .¿ ® ¿b ® .—b > ‰ – – – –n – – rK–j–

5A A

Ó . jœ œ Œf


52

&

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43

43

43

46

46

46

44

44

44

Ob.

Ped.

L.el 1

70

– – – – –æ – – – ≈ ¿ ¿ ¿b j¿n3A A A

∑∑

≈ ¿# —b ≈ ‰ ® .¿ ¿j¿ — .¿ ¿ —>

® ¿ ¿b ¿ ¿n —>¿b —

3 7A A A A A

"people would say things like I hate snakes"

œ" f " " F "" F "


53

&

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44

4444

44

45

4545

45

44

4444

44

Ob.

Ped.

L.el 1

F.el

72 ∑

œ Œ ÓÓ

Sound file 30Freedom_majority01Stage speakers&Hall speakers

54

Œ ‰ .– – – –∑

q = 60, a tempo

" P "

"In any country, if the majority are determined to follow a certain path, they will be able to do it sooner or later"

Cross synthesisbetween two sound files,alternation dependent on dynamics of oboe. Phase vocoder,

strech and layer sound

–– – – – – – – – – – ≠æ –æ3

∑" ƒ " – – – – – .–æ – – – .–– – – – – – – ≠

Œ . jœ Jœ Ó ." P "

55

&ãã

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44

4444

44

Ob.

Ped.

L.el 1

F.el

76 ∑œ Œ Ó

Sound file 31Freedom_majority02Stage speakers&Hall speakers

56

‰ – – – – – – – – – .– – – j–3

∑" P "

"Getting over fear is not easy, but once they've managed that first step, then they can go on."

– – – .≠æ – – – – – –æ

∑" ƒ " –æ Œ Ó

œ Œ Ó" P "

Freeze+gran+reson+spat,grains of airy sound colored with resonators is scattered around the hall.

put reed back on

57

7Freedom from Fear

&ãã

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44

4444

44

Ob.

Ped.

L.el 1

F.el

80 ∑U16"

∑&

Fixed electronicssolo, 15"

"they must not obey someone who's an authoritysimply because he or she is an authority"

Sound File 32Authority01_4chAuthority02_4ch"This was one of the things we had to try to teach the members of our party..."

∑œ Ó .58

Click track on

q = 112, a tempo

Lonely protester

RESET

‰ . œ. œ. ‰ . œ. ≈ Ó5 5

"follow certain path"

œ Œ Ó∑

P59

Œ Rœ. ‰ .- œ. œ. ‰ . œ. ≈ ‰ œ. œ. ≈5 5 5 5

œ Œ Ó∑

60

&ã

&

ã

Ob.

Ped.

L.el 1

F.el

84 Ó Œ Rœ. Œ5

œ Œ Ó

∑

61

Œ ‰ œ. ‰- ≈ œ. ‰ . œ. ‰ . œ.5 5 5

∑

∑

Œ Œ Rœ. Œ ≈ œ. œ. ‰5 5

Ó œ Œ

Ó ‰ . œ. œ. ‰ . œ. ≈5 5


Óp

Phase vocoder,transpose and layer sound

62

Œ Rœ. ‰ . œ. ≈ Œ œ. ‰ . œ.5 5 5

∑

Ó Œ Rœ. ‰ .- œ. œ.5 5

∑

&ã

&

&

Ob.

Ped.

L.el 1

L.el 2

88 Ó ‰ œ. œ. œ. œ. œ. œ. œ. œb .5

5

∑

‰ . œ. ≈ ‰ œ. œ. ≈ Ó5 5

∑

Fœb . œ. ‰ . Œ .œ- ‰ ≈ .œ- œ-

55 5

Œ œ Ó

Œ Rœ. Œ Œ ‰ œ. ‰-5 5

‰ . œ. œ. ‰ . œ. ≈ Ó5 5


p


P63

œ .œ- Œ .œ- ‰ ‰ .œ-5 5 5

Œ œ Ó

≈ œ. ‰ . œ. ‰ . œ. Œ Œ Rœ.5 5 5

Œ Rœ. ‰ .- œ. œ. ‰ . œ. ≈ ‰ œ. œ. ≈5 5 5 5

64

.œ- œ- Rœ Œ .œ- ‰ Œ Rœ-5 5 5 5

Ó . œ

∑

Ó Œ Rœ. Œ5

65

&ã

&

&

&

Ob.

Ped.

L.el 1

L.el 2

L.el 3

92 œ ‰ . ‰ .œ- .œ- œ- Rœ Œ5 5 5 5

∑

‰ . œ. œ. ‰ . œ. ≈ Ó5 5


Œ ‰ œ. ‰ ≈ œ. ‰ . œ. ‰ . œ.5 5 5

∑


∑œ Œ Ó

Œ Rœ. ‰ . œ. œ. ‰ . œ. ≈ ‰ œ. œ. ≈5 5 5 5

Œ Œ Rœ. Ó5

∑

66

Ó Œ .œ- œ-5

∑

Ó Œ Rœ. Œ5

.œ- ‰ ≈ .œ- œ- œ .œ- Œ5 5 5

"to follow"

Ó Œ ‰ . œ.B œ.5




pœ ‰ . œ. .œ- ‰ Œ ≈ œ. .œb -

5 5 5

∑

Œ ‰ œ. ‰ ≈ œ. ‰ . œ. ‰ . œ.5 5 5

.œ- ‰ ‰ .œ- .œ- œ- Rœ Œ5 5 5 5

‰ . œ.B ≈ Œ Œ Œ Rœ.5 5

P

8 Freedom from Fear

&

&

&&

&

Ob.

L.el 1

L.el 2

L.el 3

L.el 4

96 .œ- œ- Rœ Œ Ó5 5

Œ Œ Rœ. Ó5

.œ- ‰ Œ Rœ- œ ‰ . ‰ .œ-5 5 5 5

‰ . œ.B œ. ‰ . œ. ≈ ‰ œ. œ. ≈ Œ5 5 5

∑

p≈ œ. .œb - œ. ‰ . œ. œ. ‰ . œ- œ ‰ .

5 5 55

Œ Rœ. ‰ . œ. œ. ‰ . œ. ≈ ‰ œ. œ. ≈5 5 5 5

"follow"

.œ- œ- Rœ Œ Ó5 5

Œ Œ Rœ.B Ó5

Œ .œ-B ‰ ‰ .œ- .œ- œ-5 5 5

"follow02"



P.œ- œ. œ- œ .œ- ‰ . œ. œ- œ ‰ .

5

5

5 5

Ó .œ-B ‰ ≈ .œ- œ-5 5

"to follow"

‰ . œ. œ. ‰ . œ. ≈ Ó5 5


‰ œ.B ‰ ≈ œ. ‰ . œ. ‰ . œ. Œ5 5 5

Rœ Œ .œ-B ‰ Ó5 5

F



∑

œ .œ-B Œ .œ- ‰ ‰ .œ-5 5 5

Œ Rœ. ‰ .- œ. œ. ‰ . œ. ≈ ‰ œ. œ. ≈5 5 5 5

Œ Rœ.B Œ Ó5

∑

&

&

&

&

&ã

Ob.

L.el 1

L.el 2

L.el 3

L.el 4

F.el

100 ‰ . œ- œ .œ- ≈ ‰ œ. œ. ≈ ‰ .œ-5 5

55

.œ-B œ- Rœ Œ .œ- ‰ Œ Rœ-5 5 5 5

Ó Œ Rœ. Œ5

‰ . œ.B œ. ‰ . œ. ≈ Ó5 5


∑∑


pœ. ‰ . œ. ‰ . œ- œ œb . œ. ‰ œ. œ. œ. œ. œ.

5 5 5

5

œ ‰ . ‰ .œ-B .œ- œ- Rœ Œ5 5 5 5

Œ ‰ œ. ‰- ≈ œ. ‰ . œ. ‰ . œ.5 5 5

Œ Rœ.B ‰ . œ. œ. ‰ . œ. ≈ ‰ œ. œ. ≈5 5 5 5

Ó Œ Œ Rœn .5

"follow01"

∑


F

œ. œb . ‰ . Œ Ó5

‰ . œ.B œ. ‰ . œ. ≈ Ó5 5


Œ Œ Rœ. Ó5

Ó Œ Rœ.B Œ5

‰ . œ. œ. ‰ . œ. ≈ ‰ œ. œ. ≈ Œ5 5 5


Sound file 25Freedom_sf25_4ch

∑

Œ Rœ.B ‰ .- œ. œ. ‰ . œ. ≈ ‰ œ. œ. ≈5 5 5 5

Ó Œ .œ- ‰5

"follow02"

Œ ‰ œ.B ‰ ≈ œ. ‰ . œ. ‰ . œ.5 5 5

Ó .œ-μ ‰ ≈ .œ- œ-5 5

"to follow"



&

&

&

&

&

Ob.

L.el 1

L.el 2

L.el 3

L.el 4

104 œμ . œ. ‰ . .œb - œ. ≈ ‰ œ. œμ - œ ‰ . œ-5 5

5 5

Ó Œ Rœ.B Œ5

‰ .œ- .œ- œ- Rœ Œ .œ- ‰5 5 5 5

Œ ‰ . œ.μ œ. ‰ . œ. ≈ Œ5 5"follow certain path"

œ .œ-μ Œ .œ- ‰ ‰ .œ-5 5 5


Pœ œμ . ‰ Œ Œ ≈ .œ-μ œ.

5

5

Œ ‰ œ.B ‰ ≈ œ. ‰ . œ. ‰ . œ.5 5 5

∑

Œ Œ rœ.μ ‰ .- œ. œ. ‰ . œ. ≈5 5 5

.œ-μ œ- Rœ Œ .œ- ‰ Œ Rœ-5 5 5 5

p.œb - œ-μ œ ‰ . œ- œ œ.μ œ- œ œ. ‰ .5 5

55

Œ Œ Rœ.B Ó5

Ó ‰ . œ. œ. ‰ . œ. ≈5 5


‰ œ.μ œ. ≈ Œ Œ Œ rœ.5 5

œ ‰ . ‰ .œ-μ .œ- œ- Rœ Œ5 5 5 5

P


.œb - œ- œ .œ- ≈ Ó5 5

Ó .œ-μ ‰ ≈ .œ- œ-5 5"to follow"

Œ Œ Œ Rœ. ‰ .- œ. œ.5 5

Ó ‰ œ.μ ‰ ≈ œ. ‰ .5 5

Œ Rœ. ‰ .- œ. œ. ‰ . œ. ≈ ‰ œ. œ. ≈5 5 5 5

"follow01"


pPhase vocoder,transpose and layer sound

9Freedom from Fear

&

&

&

&ã

Ob.

L.el 1

L.el 2

L.el 3

F.el

108 Ó ≈ œ. œμ . œμ . œ.œb . œB . .œ-5

5

œ .œ-μ Œ .œ- ‰ ‰ .œ-5 5 5

‰ . œ. ≈ ‰ œ. œ. ≈ Œ Œ5 5

œ.μ ‰ . œ. Œ Œ Œ Rœ.5

5

"follow01"

∑


F.œ- œ- Rœ Œ Ó5

5

.œ-μ œ- rœ Œ .œ- ‰ Œ rœ-5 5 5 5

Œ Rœ. Œ Œ ‰ œ. ‰-5 5

‰ .- œ. œ. ‰ . œ. ≈ ‰ œ. œ. ≈ Œ5 5 5

Œ

p

Sound file 26Freedom_sf26_4ch

‰ œ. œ. œ- œ ‰ . .œ- œ. ≈ ‰ .œb -5

5

5 5

œ ‰ . ‰ .œ-μ .œ- œ- rœ Œ5 5 5 5

≈ œ. ‰ . œ. ‰ . œ. Œ Œ Rœ.5 5 5

Ó Œ .œ-B ‰5

"follow02"


‰ . œ. œ- œ œμ . ‰ ≈ .œ- œb . .œ- œμ-5

55 5

Ó .œ-B ‰ ≈ .œ- œ-5 5

"to follow"

Ó Œ ‰ . œ. œ.5


‰ .œ-B .œ- œ- Rœ Œ .œ- ‰5 5 5 5

∑

PPhase vocoder,transpose and layer sound


&

&

&

&

&

Ob.

L.el 1

L.el 2

L.el 3

L.el 4

112 Rœ Œ Œ Ó5

œ .œ-B Œ .œ- ‰ ‰ .œ-5 5 5

‰ . œ. ≈ Œ Œ Œ Rœ.5 5

∑

∑

pÓ ‰ . œ# . œ- œ ‰ .5 5

.œ-B œ- rœ Œ .œ- ‰ Œ rœ-5 5 5 5

‰ .- œ. œ. ‰ . œ. ≈ ‰ œ. œ. ≈ Œ5 5 5

∑

Ó Œ Œ Rœ.B5

"follow01"


œ. .œ- œ# . ‰ . œ. ≈ ‰ . œB - œ œ. œ. ‰5

5

5

5

œ ‰ . ‰ .œ-B .œ- œ- rœ Œ5 5 5 5

Œ Œ Rœ. Œ Œ5

Œ .œ- ‰ ‰ .œ- .œ- œ-5 5 5

"follow02"

‰ . œ.B œ. ‰ . œ. ≈ ‰ œ. œ. ≈ Œ5 5 5


P∑

Ó .œ- ‰ ≈ .œ- œ-5 5

"to follow"

‰ œ. ‰- ≈ œ. ‰ . œ. ‰ . œ. Œ5 5 5

Rœ Œ .œ- ‰ Ó5 5

∑


≈ œ. ‰ . .œ-B ‰ ≈ œ. ‰ . œ. .œ- œ.5

5

5

5

œ .œ- Œ .œ- ‰ ‰ .œ-5 5 5

Ó Œ .œ-B ‰5"follow02"

Œ Rœ.B ‰ . œ. œ. ‰ . œ. ≈ Œ5 5 5


∑

p P



&

ã&

&&

&

ã

Ob.

Ped.

L.el 1

L.el 2

L.el 3

L.el 4

F.el

117 ‰ . œB - œ .œ- ≈ ‰ œ. œ. ≈ ‰ .œ-B5

5

5 5

œ Œ Ó.œ- œ- Rœ Œ .œ- ‰ Œ Rœ-

5 5 5 5

‰ .œ-B .œ- œ- rœ Œ .œ- ‰5 5 5 5

Œ Œ Rœ.B ‰ . œ. œ. ‰ . œ. ≈5 5 5

∑

∑Sound file 33Protests0101_4chProtests0102_4chProtests, US Women's March 2017, Myanmar, Saffron Revolution 2007.Leading to more and more chaotic state.Abrupt end with communication breakdown.

67

œ. ‰ . œ. ‰ . œ# - œ œ. œ. ‰ Œ5

55

∑œ ‰ . ‰ .œ- .œ- œ- Rœ Œ

5 5 5 5

Œ Œ Rœ. ‰ . œ. œ. ‰ . œ. ≈5 5 5

"follow01"

‰ œ.B œ. ≈ Œ Œ Œ Rœ.5 5

∑

F


≈ œ# . œb . œ. œ. œB . œB . œB .‰ Ó

5

5

∑∑

‰ œ. œ. ≈ Œ .œ-B ‰ ‰ .œ-5 5 5

"follow02"

Ó ‰ œ.B ‰ ≈ œ. ‰ .5 5

Œ Rœ. ‰ .- œ. œ. ‰ . œ. ≈ ‰ œ. œ. ≈5 5 5 5

"follow01"


P


∑

∑Œ ‰ . œ. œ. ‰ . œ. ≈ Œ

5 5


.œ- œ- Rœ Œ .œ- ‰ Œ5 5 5

œ.B ‰ . œ. Œ Œ Rœ. Œ5 5

Ó Œ .œ-B ‰5

"to follow"



10 Freedom from Fear

&

&

&

ã

44

44

44

44

Ob.

L.el 1

L.el 4

F.el

121 Ó Œ ‰ . œ. œ-5

Œ Œ Rœ. ‰ .- œ. œ. ‰ . œ. ≈5 5 5

≈ .œ-B œ- œ .œ- Œ .œ- ‰5 5 5

∑"Not my president"

"This Land is Your Land"

The people

pœ ‰ . œ. .œ- œ. ‰ . œ. ≈ Œ5 5 5

‰ œ. œ. ≈ Œ Œ Œ Rœ.5 5

‰ .œ-B .œ- œ- Rœ Œ .œ- ‰5 5 5 5

∑

Œ Œ ‰ œ. ‰- ≈ œ. ‰ .5 5

Œ Rœ-B œ ‰ . ‰ .œ- .œ- œ-5 5 5 5

∑U

œ. ‰ . œ. Œ Œ Rœ.5 5

Rœ Œ5

Fixed electronicssolo, 35"

&

ã&

ã

44

4444

44

45

4545

45

Ob.

Ped.

L.el 1

F.el

~~~~~~~~~~~vibrato

125 ∑

∑∑

Listen to the sound file andplay when you feel like it.

q = 60, a tempo

Sound File 34Protests_0201_4chProtests_0202_4ch'This is what America looks like!'

126 ‰ œ̆œœœœœœœ#BBB œœœœœœœ

œœœœœœœ œ. œb - œ. œ- œb ® ‰3 3 3

jœ œEnvelope followerWhen oboe plays the fixed electronicsare at a softer dynamic.

F

131

f fP

deciso

Delay,feedback

68

RESET

128 ≈ œ. œ. œb . œb . œ. œb . œœœœœœœ#BBB œœœœœœœ#

œœœœœœœœœœœœœœ œ. œb - œ. œ- œb ®

3 3

∑Œ

staccatissimo

ff P

&

&

ã

45

45

45

43

43

43

44

44

44

Ob.

L.el 1

F.el

130 ‰ œb .. œ.

œœœœœ#μμ>

Œ œ.. œ. Jœœœœœ>

Œ œ.. œ.

œœœœœ>

‰ œ.. œ.

œœœœœ> œœœœœb

>‰

5 5

F

152C#

gracenotes are allmultiphonics

F ƒ&


‰ œb .. œ.

œœœœœ#μμ>

≈ œ.. œ.

œœœœœ>

≈ œ. œ.œ. œ. œ. œn . œb . œ. ≈

F

152C#

F ƒ

&

&

ã

44

44

44

Ob.

L.el 1

F.el

133

.œ.....

œœœœœ#μ œœœœœ

repeat as many times as you feel like.A slow timbral change from single pitchto multiphonic. Search for different timbralpossibilities by changing the dynamics, pressure etc. Max length about 20"

P fdolce

"Not my president!"

C12

& ® œ. œ# . œ. œb . œb . œ œœœœœœ

bμB

œœœœœ Œ3

14

Bb

P F P

11Freedom from Fear

&

&

ã

84

84

84

Ob.

L.el 1

F.el

136 ‰ œb . œ. œ. œ......

œœœœœBμ

.....œœœœœ#B

42

Bb

43

R(olling) multiphonics

F f

deciso

Jœœœœœœ#μ>

œ. œ. Jœœœœœœ>

œ. œ. Jœœœœœœ>

‰Uƒ

F

225C


Gushots, crowd running in panic.

repeat as many times as you feel like.Change the grouping and place of thegracenotes. Max length about 10"

∑

∑

Sound File 35Protests_0301_4chProtests_0302_4ch30" fixed electronics solo.Siren sounds, gunshots, white noise,radio noise, people shouting.

When sirens start, stop playing

&

ã&

45

45

45

Ob.

Ped.

L.el 1

139 ∑U

∑∑

Silence.Try to hold as long silence as you can.Avoiding the audience from starting clapping.

Lights completely off.Sound off.

The aftermath – solemn

Ó Œ . .œæ

œ Œ Œ ‰ jœ œ ‰

q = 64, liberamente

LEDsOrangefrom dim to brighter,fluctuating

π69 70RESET

.œæ Jœæ æ̇ Œ

Œ . Jœ Ó .Œ .

P π71

Resonators,granular synth.

Ó .œ .œ

œ Œ Ó .∏

ord.


72

&

ã

&

&

44

44

44

44

Ob.

Ped.

L.el 1

F.el

143 ˙ œB œ œμ œB œ œn œb5

Ó œ Ó

Ó . Œ œ œb3

F

P

Sound file 21Freedom_sf2101Freedom_sf2102

73

œ ˙b ˙B œ3

3

Ó Ó jœ œ3

.œ .œb œB

p

p F

74

œ ˙ Jœ Œ .3

∑∑

˙ œ ˙ Œ3 3

P π

p P π

Ó˙

∑∑

P

&

ã

&

&

Ob.

Ped.

L.el 1

F.el

147.œ .œ .œB .œ œ

Œ ‰ œ Ó

Œ .

F


75

œ œB œ œ .œ œ œ œ œμ œb œb œ3 5 5

∑73-74

p fœ œ œb œb œμ

3

œ Œ Ó

∑

‰.œb .œ

Jœb

P

p F

76


jœ .œb ˙

∑∑

œ œb œb œ œb jœμ3 3

F p

P f

12 Freedom from Fear

&

ã

&

45

45

45

44

44

44

45

45

45

43

43

43

Ob.

Ped.

F.el

151 ‰ . .œb - .œ- Œ

∑

.œ jœ ˙p

p‰ . .œb .œ .œμ œn œ

3

∑

˙ Ó

p F.œB ‰ Œ œ œ

3

∑

Pœ œb .œ

....œœœœm

B

Œ jœ œ Ó .

Bb

43


p


77

&ã

&

43

43

43

44

44

44

45

45

45

44

44

44

45

45

45

Ob.

Ped.

F.el

155œœœœ

....œœœœ ‰

∑F p w-

∑

Ó

P .œ .œ .œ .œμ ˙œ Œ Ó

Ó .œμ ..œœμSound file 24Freedom_sf24

78

w∑

wwμŒ . .œ œœ

p

&&

45

45

44

44

45

45

Ob.

F.el

159 ∑˙̇ .˙˙̇ ..˙̇

∑ww

∑U

Only air / whisper

13Freedom from Fear

Documents

Maija Hynninen - Amazon Web Services...Freedom from Fear reﬂects the thoughts of Aung San Suu Kyi (b. 1945), Burmese politician and freedom ﬁghter. She spent 15 years in house