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UNIVERSITY OF UDAYANA FACULTY OF EGINEERING DEPARTEMENT OF ARCHITECTURE
MODERN ARCHITECTURE
MACHINE AESTHETICS
GROUP 2
I MD ARYA ADIARTHA (0604205082)
A.A. GEDE PUTRA DANANJAYA (0604205079)
I WYN BANDEM CAHYADINATHA (0604205073)
I.B. GDE YUDHA PERMANA PUTRA (0604205025)
A.A. NGR AGUNG SATRIA WIBAWA (0604205028)
KM FAJAR NUSANTARA KORI (0604205043)
I GEDE PUTU DHANANJAYA P (0604205064)
• HISTORY AND BACKGROUND• EXPLANATION OF MACHINE AESTHETICS
– MECHTECH, ELECTROTECH AND CHAOTECH– MODERNE, MACHINE PURITY, STREAM LONE AND
BIOMORPHIC• MACHINES AESTHETICS IN THE INDUSTRIAL REVOLUTION
– INDUSTRIAL REVOLUTION– MASS PRODUCTION– INDUSRIAL DESIGN– HOUSING DURING THE INDUSTRIAL REVOLUTION
• FIGURES IN MACHINE AESTHETIC• HOUSING EXAMPLES
CONTENT
HISTORY AND BACKGROUND
DURING THE ENLIGHTMENT ERA, HUMANIORA AND THE STRESSING OF INDIVIDUALITY BECAME MORE IMPORTANT THAN RELIGION, AND BECAME A NEW START FOR ARCHITRCTURE.
INDUSTRIAL REVOLUTION OPENED A NEW DOOR FOR PUBLIC CUNSUMPTION, SO THAT AESTHETICS BECAME A SCALE THAT EVEN MIDDLE CLASS PEOPLE CAN REACH
WHEN MODERN ARCHITECTURE BECAME COMMENT IT TRANSFORMED INTO A MOVEMENT BASED ON MORAL, PHILOSOPHY AND AESTHETIC
• AESTHETIC : VALUE OF BEAUTYMACHINE AESTHETIC IS THE VALUE OF BEAUTY THAT IS POSESSED AND MADE BY A MACHINE AS A PRODUCT OF DESIGN AND ART
• MACHINE HAS BECOME AESTHETIC BECAUSE OF IT’S FORM AND FUNCTION
• MASS PRODUCTION HAS MADE AESTHETIC PRODUCTS MORE EASIER TO OBTAIN THAN EXCLUSIVE AND LUXURIOUS TRADITIONAL PRODUCTS
EXPLANATION OF MACHINE AESTHETIC
• MECHTECH : A CLASSICAL MACHINE AESTHETICS BASED ON HARDWARE, GEARS, PISTONS AND SO FORTH
• ELECTROTECH : A HI-TECH MACHINE AESTHETICS BASED ON THE ABILITY OF ELICTRICITY TO PUT MACHINERY ON THE HUMAN SCALE
• CHAOTECH : THE AESTHETIC APPEAL OF THE DECAYED MACHINE
EXPLANATION OF MACHINE AESTHETIC
MECHTECH, ELECTROTECH AND CHAOTECH
EXPLANATION OF MACHINE AESTHETIC
MODERNE, MACHINE PURITY, STREAM LINE, BIOMORPHIC
• MODERNE : A STYLE THAT USES THE LOOK OF THE MACHINE ORNAMENTALLY. IN ARCHITECTURE, THE MODERNE FIGURE MOST PROMINENTLY IN NON RESIDENTIAL BUILDINGS. LATER ON, THE MODERNE STYLE EXHIBITED IT SELF IN CONSUMER PRODUCTS AND INTERIORS.
EXPLANATION OF MACHINE AESTHETIC
MODERNE, MACHINE PURITY, STREAM LINE, BIOMORPHIC
EXAMPLE FOR MODERNE STYLEWWW.UVA.AU.EDU
EXPLANATION OF MACHINE AESTHETIC
MODERNE, MACHINE PURITY, STREAM LINE, BIOMORPHIC
• MACHINE PURITY : INDICATION OF THIS STYLE IS SIMPLIFIED GEOMETRIC FORM.MACHINE PURITY DISALLOWS DECORATION THAT EXCEEDED FUNCTIONALITY.MACHINE PURITY IS A CONVERGENCE OF INTERIOR AND EXTERIOR, FUNCTION AND FORM.
EXPLANATION OF MACHINE AESTHETIC
MODERNE, MACHINE PURITY, STREAM LINE, BIOMORPHIC
EXAMPLE FOR MACHINE PURITYWWW.UVA.AU.EDU
EXPLANATION OF MACHINE AESTHETIC
MODERNE, MACHINE PURITY, STREAM LINE, BIOMORPHIC
• STREAM LINE : IS A STYLE THAT ADAPTS “SPEED” BY USING A FORM OF OVOID OR TEAR DROP.USE OF CURVES AND STABIL FORM
EXPLANATION OF MACHINE AESTHETIC
MODERNE, MACHINE PURITY, STREAM LINE, BIOMORPHIC
EXAMPLE FOR STREAM LINEWWW.UVA.AU.EDU
EXPLANATION OF MACHINE AESTHETIC
MODERNE, MACHINE PURITY, STREAM LINE, BIOMORPHIC
• BIOMORPHIC : A DESIGN THAT USES THE FORM OF NATURE AND HUMAN BODYBIO > BIOLOGICAL ENTITIESMORPHIC > CHANGE OF FORMBIOMORPHIC RESEMBLES THE FORM OF AN AMOEBA
EXPLANATION OF MACHINE AESTHETIC
MODERNE, MACHINE PURITY, STREAM LINE, BIOMORPHIC
EXAMPLE FOR BIOMORPHICWWW.UVA.AU.EDU
• INDUSTRIAL REVOLUTION IS THE CHANGE OF TECHNOLOGY, SOCIAL ECONOMY AND CULTURE AT THE END OF 18TH CENTURY AND EARLY 19TH CENTURY, THAT’S SIGNALED BY THE CHANGE OF ECONOMY AND BASED ON INDUSTRIAL DOMINATION.
• THE INVENTION OF THE STEAM ENGINE MADE MOBILITY AND TRANSPORTATION EASIER, HENCE THE INDUSTRIAL SECTOR DEVELOPED RAPIDLY.
• AS TIME FLOWS, PEOPLE MANAGED TO REALIZE THE AESTHETIC VALUE IN MACHINES.
MACHINE AESTHETIC IN INDUSTRIAL REVOLUTION
INDUSTRIAL REVOLUTION
• MASS PRODUCTION IS THE PRODUCTION OF LARGE AMOUNT OF STANDARDIZED PRODUCTS ON PRODUCTION LINE.
• THIS TERM WAS POPULARIZED BY HENRY FORD IN THE EARLY 20TH CENTURY.
MACHINE AESTHETIC IN INDUSTRIAL REVOLUTION
MASS PRODUCTION
• INDUSTRIAL DESIGN IS AN APPLIED ART, WHERE THE AESTHETIC AND USABILITY OF A PRODUCT BECOMES PERFECT.
• INDUSTRIAL DESIGN CREATES FORMS, CONFIGURATION OR COMPOSITION OF A LINE OR COLOUR, OR EVEN BOTH.
MACHINE AESTHETIC IN INDUSTRIAL REVOLUTION
INDUSTRIAL DESIGN
• LIVING CONDITION DURING THE INDUSTRIAL REVOLUTION VARIED FROM THE SPLENDOUR OF THE OWNERS TO THE SQUALOR OF THE LIVES OF THE WORKERS.
• POOR PEOPLE LIVED IN VERY SMALL HOUSES IN CRAMPED STREET THAT SHARE TOILET FACILITES, HAVE OPEN SEWERS AND WOULD BE AT RISK OF DESEASE.
• CONDITION DID IMPROVE DURING THE 19TH CENTURY AS PUBLIC HEALTH WERE INTRODUCED.
MACHINE AESTHETIC IN INDUSTRIAL REVOLUTION
HOUSING DURING THE INDUSTRIAL REVOLUTION
FIGURE IN MACHINE AESTHETIC
• LE CORBUSIER ( 1887 – 1965 )CHARLES-EDOUARD JEANNERET WHO CHOSE TO BE KNOWN AS LE CORBUSIER WAS A SWISS AND LATER FRENCH, WRITER AND ARCHITECT WHO IS FAMOUS FOR HIS CONTRIBUTION TO WHAT NOW IS CALLED MODERN ARCHITECTUREHE WAS A PIONEER IN THEORETICAL STUDIES OF MODERN DESIGN AND WAS DEDICATED TO PROVIDING BETTER LIVING CONDITIONS FOR THE RESIDENTS OF CROWDED CITIES.
FIGURE IN MACHINE AESTHETIC
• FRANK LLOYD WRIGHT ( 1867 – 1959 )FRANK LLOYD WRIGHT WAS ONE OF THE WORLD MOST PROMINENT AND INFLUENTIAL ARCHITECT. UNTIL NOW HE IS THE MOST INFLUENTIAL AND FAMOUS ARCHITECT IN AMERICA.HE ALSO DEVELOP THE BIOMORPHIC STYLE OF MACHINE AESTHETIC.
FIGURE IN MACHINE AESTHETIC
• RICHARD GUY WILSON RICHARD GUY WILSON IS AN ARCHITECTURAL HISTORIAN THAT STUDIES MACHINE AESTHETICS.HE WAS THE ONE WHO DEVIDED THE DEVELOPMENT OF MACHINE AESTHETIC INTO FOUR STYLISTIC INTERPRETATIONS, MODERNE, MACHINE PURITY, STREAM LINE AND BIOMORPHIC.
FIGURE IN MACHINE AESTHETIC
• BRUMMETTBRUMMETT IS A PERSON THAT DEVELOPED THEORY OF MACHINE AESTHETIC THERE IS DEVIDED INTO THREE GENERAL TYPES : MECHTECH, ELECTROTECH AND CHAOTECH
HOUSING EXAMPLES
LE CORBUSIER & PIERRE JEANNERET : STEIN HOUSE
GARHES, NEAR ST.CLOUD, FRANCE, 1982
MACHINE PURITY
HOUSING EXAMPLES
RICHARD NEUTRA : LOVELL HOUSE
LOS ANGELES, 1927-1929
MACHINE PURITY
HOUSING EXAMPLES
LE CORBUSIER & PIERRE JEANNERET : SAVOYE HOUSE
POISSY-SUR-SEINE, FRANCE, 1930
MACHINE PURITY
HOUSING EXAMPLES
LAWRENCE KOCHER & ALBERT FREY : ALUMINAIRE HOUSE
SYOSSET, NEW YORK, 1931
MACHINE PURITY
HOUSING EXAMPLES
GEORGE KRAETSCH & E.E. BUTLER : BLUTER HOUSE
DES MONIES, IOWA, 1982
STREAM LINE
HOUSING EXAMPLES
EDWARD DURELL STONE : RICHARD MANDEL HOUSE
MT. KISCO, NEW YORK, 1934
STREAM LINE
HOUSING EXAMPLES
NORMAN BEL GEDDES : HOUSE OF TOMORROW
MODEL, 1931STREAM LINE
QUESTION TIME
QUESTION TIME
QUESTION SESSION 1
• NOVI 26• APAKAH 4 TYPE TERSEBUT BERDASARKAN
PERIODE ATAU BEDA ARSITEKTURNYA SAJA?• ARDI 37• DILIHAT DARI ESTETIKA MANAKAH YANG
LEBIH TINGGI ANTARA MESIN DAN MANUAL?
• KAVI 3• PENERAPAN MASS PRODUCTION PADA
PEMBANGUNAN
QUESTION SESSION 2
• DEDI 53• APAKAH ESTETIKA MESIN TERSEBUT DAN
CIRI-CIRIYA ?• GUNG ARYA 11• APAKAH MAKSUDNYA MENGHILANGKAN
ORNAMEN YANG MENUTUPI FUNGSI?• ADIT 55• PENERAPAN BIOMORPHIC PADA
BANGUNAN?
THANK’S FOR YOUR ATYTENTION
UNIVERSITY OF UDAYANA FACULTY OF EGINEERING DEPARTEMENT OF ARCHITECTURE