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Music Matters Magazine (M3) web edition. M3 is a quarterly music publication focused on the live music of Second Life and other virtual environs. From breaking news to artist and venue reviews; leading technologies, public interest and of course, the very useful Open Mic directory. M3 tries to cover all matters of music, as all Music Matters
Citation preview
All Matters Of Music Because All Music Matters
Metaverse Live Music PublicationIs
sue
#2
Dec
08
RockstaR Rehab
Open Mic Directory
sounds Like hollywood Likes
My sound
tIp s & tRIcks:optimize Your broadcast sound
Guilty pleasures
the cars – Greg hawkes
cruising in the Metaverse
Editor's Note
A great many thanks to our readers for the amazing
response to our premier issue. We’ve seen that the
need and interest is here, and so we aspire to keep
raising the bar, & bringing you more interesting stories,
active resources, and big news in the developments of
live music in the metaverse.
As the magazine is developing to maturity, we
excitedly invite you to send us email suggestions,
comments, or to become involved in Music Matters
magazine production.
Have a very safe and happy holiday,
- Editor
Impressum
publisher Pat Insoo
senior editor Chapl Paisley
editor Andrew Hellershanks
art Layout & Design Kaela Kilara
contributors Andrew Hellershanks
Bibi Ballinger
Chapl Paisley
Jura Sheperd
Pat Insoo
Ditribution
Reslez
�
�7
5
Table of Contents
�1
9
33
37
Rockstar Rehab Try to make SL rockstars go to rehab and some will say “YES YES YES!”
chapl’s salon players Tea and talent gatherings in Chapl’s Home Salon are bringing classical excellence in to the Metaverse.
angels & alligators Zaphod Theas long awaited Debut CD Releases exclusively to the Second Life™ grid.
Guilty pleasures Take a warm heart, a well rounded free spirit and a dollop of devilishly witty satire; You’ve baked up Evamoon Ember
the soundmanTweaky, tweaky little Star. You want to shine bright as you are.
open Mic Directory Where to go. Breaking the Ice in this new medium
13the cars – Greg hawkes Cruising in the Metaverse
3
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19sounds Like hollywood Likes My sound Song by Second Life™ Star Winston Ackland to be Featured in Upcoming Major Motion Picture.
�
with sitting areas and easy-going
music.It can be said that there are
similar areas in-world but Rehab was
created with an atmosphere of fun
yet sophisticated, casual charm in a
private and relaxing setting.
More ambitious guests can hanglide,
ride jetskis, drive dune buggies, or have
pogo stick races. Perhaps what makes
it unique is it unmistakably implied
purpose, weary rockstars can relax to
good tunes or have fun with all the
grown up toys that make SL fun
again. This feeling of belonging and
exclusivity is clearly what Rockstar
Rehab creator Sesi Ackland had in mind
as she built it: We all need to take a
break and relax, and rehab… well, why
shouldn’t musicians have a chance to sit
and chat with each other or laugh over
how ridiculous their avi looks jumping
on a giant bouncy toy. For most of the
musicians, Second Life™ is a constant
round of gigs and more gigs.
Everyone needs to be reminded that you
Second Life’s™ music scene may not
mirror the intensity of its terrestrial
counterpart, but it is no stretch to say
that many of the more popular artists are
some of the hardest working residents
in-world. Most Second Life™ veterans
of all walks will also acknowledge that
“taking a break,” from SL is simply not
an option. Often SL entertainers forget
to have fun in-world, their time spent
logged in is all business and their Second
Life™ quickly becomes a second job.
A break from SL does not always
cure the rocker blues as the worn out
crooners come back to the grid.
They need to find a balance between
the work and fun in-world and now
they have a place to do just that.
The realization of this need, along
with a dose of humor, was the
inspiration behind “Rockstar Rehab”.
Rockstar Rehab is gentle lapping waves
on a quiet beach, hide-a-way nooks
Rockstar Rehab
5
When Second Life becomes a Second JobBy Jura Sheperd
�
Rockstar Rehab may be closer to Club
Med than the Betty Ford clinic, but it
isn’t so far fetched to see it’s appeal.
SL music fans are only now getting used
to the idea that there are in-world rock-
stars but one can only guess what’s next.
Paparazzi? Bands trashing rented sky-
boxes? Scandalous celebrity tapes?
Let’s hope so.
can do anything you want here usually
with just a click of your mouse.
We seemed to be collecting a mix of
musicians here on Twas, quite by
accident. Winston Ackland and Xengu
Kurka live here and have used it as a
very large playground with plenty of
lounging areas. I noticed that when
Winston was tired of SL, it was because
he was signing on to do gigs and leaving.
Then he would find his next toy and
the joy again. Sooner or later, Linus
Radford began popping in to play with
toys and hang out with Winston and Xen
as well as several other very popular SL
musicians. I began talking to the rockers
and realized that SL had lost the spark
for them, it had been ages since they
laughed and it became very clear to me
what they needed. To prove my point,
I shot one with toilet paper guns until he
laughed and admitted it felt wonderful to
leave the SL responsibilities at the door
and muck it up.
We may sit and chat and shoot the
breeze or we may have dogfights in the
sky above Twas. Xengu and Winston
enjoy shooting each other out of the sky
in our bi-planes. All boys and girls enjoy
their toys. In fact I bought some ground
to air missiles so I could join in the fun.
You are famous in SL and we could care
less. Egos are checked at the door.
We are all just avatars in SL and you
better believe we’ll still launch you from
the avicannon we have. 7 �
“The affirmation I get from audiences when I play my violin in Second Life™ is very encouraging”
At Home with Chapl Paisley – Creator of Chapl‚s Salon Players
By Dakota Dreamscape
Sitting in Chapl Paisley’s real life salon –
her living room – is an immersive
experience. Her original art is every-
where and her home is the perfect
backdrop to enhance every piece.
In the center, the grand piano is the
heartbeat of her home. It is as much
a multi-media studio as a place to live.
This day we sit, sipping tea, the sun
streaming in endless windows which
face either the flowered terrace or
the Red River of the North. The piano
is strewn with electronic black boxes,
sound equipment and wires waterfall
onto the floor. Microphones are
forgotten casualties of a previous
magical moment.
“I can’t seem to get the sound quality
right”, Chapl says, giving the equipment
an over-the-shoulder, dismissive glare.
I want our Second Life™ guests to have
the best quality music available
when they come to our recitals. It’s
a challenge to conquer the multitude
of technical details necessary for good
sound. It’s the same thing with the
photo quality for my paintings. But I am
learning how to use the tools necessary
in each discipline”.
It is clear Chapl does this for the love of
the music. She explained her inspiration
to create Chapl’s Salon Players, “I am
a chamber music musician but I didn’t
want to base the group on just me.
My violin work is almost always collabo-
rative, so the idea of a salon (or chamber)
is a small venue and music played
with friends.”
From Chapl’s salon to her Second Life™
audience, she has brought a distinguished
group of partners who she knows per-
sonally. “I live in a community with a
vibrant music life. I play in the wonderful
symphony orchestra and therefore know
many musicians”.
“Through Chapl’s Salon Players I’ve
introduced to Second Life™ such musicians
as Wisdom Magic (piano), and Ndugu
9 10
Magic (violin) from our local symphony.
Both of these musicians play concerts
around the world, but are based in my
city. DonJose Highbrow teaches voice
at a college, concertizes, and is music
director of an opera company. He brings
his experience as a tenor who was on
the staff as a singer in NY at the Metro-
politan Opera Company. Diva Haystack
performs in opera and as a soloist with
symphony orchestras as well as being a
professor of music. MaryBeth Brimm,
is a professional musician, an organist,
cellist, pianist and teacher. Itzaka String
is a Ph.D. psychologist who majored in
violin in college and plays in the sym-
phony. Charity Zipper is the executive
director of an art theater and film
festival, who also majored in piano
performance. She and I have performed
around our community as a duo for more
than 12 years”.
When asked what about Second Life™
inspires her talents as an artist and
musician, she responded, “The world-
wide audience is so exciting, especially
for me since I do not live in a national/
international arts center. But I enjoy
seeing my paintings in Second Life™
because it gives me a new perspective
on them. I also can combine them with
other paintings which would not always
be easy in real life. I have more than 50
paintings uploaded into Second Life™.
Most of them are not within my reach
in real life because they belong to other
people now or they are in storage.
Playing violin in SL has helped me
recover from stage fright and has
taught me new attitudes about
performance. I love how Second Life™
audiences encourage me to work on
my art and my music.
As an example, I am learning a Ravel
sonata right now with extra excitement
because I want to bring it to Second Life™”.
When asked what SL residents can look
forward to in future performances, Chapl
paused, picked up her tea, and looked
out – far beyond the river. “When I start
a painting, I don’t always know where
it’s going to take me. But I just know that
I will bring a variety of performers to the
Salon Players in Second Life™ and I will
continue to perform myself, though not
in every program.”
It is no wonder she chose for her Master’s
thesis title, “The Sublime in Art, Music
and Literature,” In both real life and
Second Life music and color envelop
her guests.
11
“The artist aspires to create a kind of beauty with power to elevate the emotions, the spirit”
1�
For some, the thought of music played
on a ukulele may conjure up images of
Tiny Tim and strains of “Tiptoe Through
The Tulips”. Well, certainly not in the
hands of Greg Hawkes, a founder of
“The Cars” and “The New Cars”.
For this concert, at Pop Art Labs, Greg
left his usual keyboards at home.
Replacing the keyboards was a Ukulele,
an instrument he became hooked on
after receiving one as a gift from his
wife in 2001.
This music was not like Tiny Tim’s!
The Hawkes concert was performed at
Pop Art Labs in Moon Park (127, 64, 21),
which provides residents the opportunity
Greg Hawkes Live at PALby andrew hellershanks
“The Cars”
13 1�
Visit our parent site for more in music, metaverse news, community and artist directories
All Matters of Music,
as all Music Matters
to listen to some of the latest real life CD
releases and re-issues in their five music
domes. PAL is expanding their services
with the introduction of live concerts
and interviews with big name, real life,
recording artists! The first of these events
was held on Friday, December 12, when
PAL played host to a one hour, solo
concert by keyboardist Greg Hawkes.
The covers of Beatles’ classics may have
been the most surprising part of the
concert, but these were just some of
the songs Greg recorded for his latest
CD release titled “The Beatles Uke”
(on Solid Air Records). “The Beatles Uke”
contains fifteen instrumental versions
of Greg’s favourite Beatles’ classics
performed in the style of a Ukulele
orchestra created through the use of
multi-tracked recordings.
The audience was treated to music
ranging from “The Cars” classics,
to songs from his alternative band
“Fierce Tibetan Gods”, as well as
the Beatles classics. After sixty-plus
minutes, Greg concluded his set
thanking the audience, mentioning
it had been,
“A virtual pleasure”.
1�
Gaius Luminos, and Galaxy Productions represent Greg Hawkes in Second Life. His
official web site is http://www.greghawkesmusic.com/.
TV Production Credits
Pop Art Lab in cooperation with SLCN.TV presents Greg Hawkes
Producer/Host (SL): Claus Uriza, Pop Art Lab CEO
Inworld Artist Manager (SL): Gaius Luminos, Galaxy Productions
Artists, Boston (RL): Greg Hawkes, Cybersound Productions
Soundtech, Boston (RL): Perry Geyer, Cybersound Productions
Tech. Support (SL): Mankind Tracer
Host (SL): Persia Bravin, Pop Art Lab
Moderator & Stage+TV design (SL): Emily Hifeng, Pop Art Lab Officer
Inworld alt. Greg Hawkes (SL): Claus Furischer
Architecture (SL): Xray Haller
15 1�
About Winston Ackland
Winston Ackland is a singer-songwriter and seasoned
performer in Second Life™. Winston has been featured
on SLCN.TV’s “Tonight Live with Paisley Beebe“, in
SLexy, SL Newspaper and was a featured performer
at SL5B and Burning Life.
Contact:
Press Inquiries contact: Jura Shepherd
Booking and related info contact: Sesi Ackland
http://www.myspace.com/winstonackland
19
T´was, Second Life™ October 14, 2008 –
Popular SL™ music performer Winston
Ackland has finalized a deal with 20th
Century Fox Films to have his quirky
cover of Kurt Cobain’s “Lithium” included
in their upcoming movie “Marley & Me”.
News of the deal accelerates Ackland’s
plan to wade in to the mixed realities
of being a top performer in SL™, and a
recording artist in the natural world.
Opening Christmas day 2008, “Marley &
Me” is a comedy based on the memoir
of John Grogan and stars Jennifer Aniston
and Owen Wilson. Winston’s bossa nova
styled cover of “Lithium” was picked by
film editor Mark Livolsi to be in the first
draft in spring 2008 and has survived the
many cut stages to make it to post pro-
duction. The superstar music production
team at “Marley & Me” is credited
with a massive list of multi-platinum
soundtracks from titles like “Good Will
Hunting”, “There’s Something About
Mary”, “the Sex in the City movie”, and
“Devil Wears Prada”. With this pool
of talent, making a hit soundtrack for
“Marley & Me” is a near certainty.
During his nearly two years of living and
performing as a Second Life™ resident,
Winston Ackland has yet to reveal much
of his music profession in the natural
world. In preparation for increased
mainstream exposure, Winston and his
team are currently updating web infor-
mation and attending to administrative
details. When asked if he had mixed
feelings about blending realities, Ackland
says: “Yes, but given the circumstances
it’s inevitable. Here in SL, I’ll always
be Winston not that other guy” and
promises that the Winston that fans have
come to know is still very real and not
going anywhere.
Hollywood is HereBy Jura Sheperd
�0
Alligators
01 Turbononsense • 02 Still Alive • 03 Blackout • 04 Last Bitter Tear • 05 Give Me A Reason •
06 Waiting For The Day • 07 Hot Devil Rush Blood • 08 No-One To Love • 09 Anosognosia •
10 Back on the Rack • 11 Why Did You Never Believe Me? • 12 Start Again
Angels
01 The Vodka Advert • 02 Bubble • 03 Desperate • 04 Angel • 05 Everyday •
06 Knowing I Am Knowing You • 07 Good Times • 08 Flow Girl • 09 Hope You Learn •
10 This Is Your Love Song • 11 Why Did You Never Believe Me • 12 Sweetie •
13 Beautiful Love Song
Rocker Zaphod Theas is releasing a
double live album titled “Angels &
Alligators” in Second Life™ on 24th
November 2008. The album, containing
25 original tracks, is a major release in
the Second Life™ entertainment scene.
Having risen to become one of Second
Life™’s leading premiere artists, Zaphod
Theas became an instant hit when he
debuted in July 2007 with his original,
high-energy live electric rock showcase.
He has since taken the show to over
200 perfomances and now brings us a
complete compendium of his original
live works to date. “I wanted to give my
listeners access to the best of what I play
in SL”, says the 33 year old British rocker
(Allan Dawson).
The album is made up of two virtual
CD’s that can be played in SL. Disc one
“Alligators” contains 12 live electric rock
tracks that are definitive examples of
his dynamic creative work.
With guitar frenzied
explosions like “Back on
the Rack” and “Anosognosia”
through to orchestrated rock
anthems like “Start Again” and
“Why Did You Never
Believe Me?”, “Alligators”
packs a heavy punch and
carries you with catchy tunes through
a gripping ride. Disc two “Angels”
contains 13 live tracks from Zaphod’s
highly regarded acoustic unplugged
“This is a really exciting album to work on because it is the cumulation of a project that
has grown and developed in Second Life™!”
“Angels & Alligators“ Double Album in SL
�1 ��
Check out his TV station, 61 or myspace pages for a variety of previews:
Z Shaped Television - http://www.mogulus.com/zaphodtheaslive
Zaphod on 61 - http://www.thesixtyone.com/zaphodtheas
Zaphod’s Myspace - http://www.myspace.com/zaphodtheas
Zaphod’s music can be purchased in SL at various locations including:
Laurel Arts Isle (187,254,21), The Foundry, (19.35,28),
Trax Live Music Resource center
concerts, amply demonstrating his softer
side without compromising on diversity.
Anger driven quips such as “Hope You
Learn”, “Sweetie” and “The Vodka
Advert” keep the hard edge up on this
album, while timeless ballads such as
“This Is Your Love Song”, title track
“Angel” and a rare piano performance
of “Beautiful Love Song” capture the
imagination and shape it like a flower.
This double album is an emotional
journey through all corners of life.
“I wanted people to meet my Angels
and my Alligators” says Zaphod, “and
I think this album allows them to do
that from the comfort of their stereo
speakers. The album is in the most part
a biographical reflection of my own life
and features a range of songs from my
�3
mid teens, through my twenties as a
struggling musician right up to the
present day.” The album format is the
brain child of Bones Writer, who has
developed a music store at TRAX Music
Resource Center. Trax has become
popular with many musicians in SL
and is enjoying encouraging success.
Several dozen artists have commissioned
their albums with Bones’ format, but
“Angels & Aligators” is a custom project,
“This double album has been exciting to
work on ,says Bones, “Because it has
allowed us to push the boundaries of
what can be achieved with the TRAX
album format, and do something a bit
more unique”.
��
EvaMoon Ember’s music is like a Las Vegas smorgas-
bord. A luscious feast of jazz, torch, hip hop, rock and
country, Eva spices it up with bawdy humor, political
commentary and the absurdities of life. Add some
champagne with a beer chaser and you’ve got one of
her shows. Oh, and if you look closely at the dessert
table, you might find Eva sitting in the middle eating all
the chocolate!
“Eva Moon skewers romance, sex, high tech and pop
culture with smart, funny original songs. It’s a tasty
blend of jazz, Funk and Comedy. Think: Sheryl Crow
meets Lily Tomlin,” or so says her profile. Her act is a
comic jazz journey in the company of terrorist cats,
Nigerian bank managers, sexy UPS guys, psychotic
baristas and more. The tone continues in the 1st life
section: “Imagine your brain is an enormous Costco
and the shelves are stocked with everything you’ve
ever experienced. There it all is – dinosaurs, baristas,
RVs, Nigerian scammers. Each memory in its own
spot on a shelf. Now imagine the Costco has been hit
by a tornado. Chaos ensues. The floor is a toxic swirl.
Random, unrelated items collide. Everything is gooey
with libido (it’s a well – stocked item). A call goes out
Guilty Pleasuresby Bibi Ballinger
���7
it’s hard to be fresh. Not so with songs
about renegade RVs, vibrators, spam or
Wall Street bailouts.”
“Getting gigs in RL can be a challenge.
People don’t go out so much anymore,
so competition for audiences is rough.
SL provides a way to reach the very
people who would like my songs but
can’t go out often – intelligent adults.
I haven’t found a better way than SL to
really reach out to a global audience
before. A few years ago I was heavily
involved in internet radio, but there are
a million stations with a dozen listeners
each. It’s hard to make any headway and
it’s all one way. In SL, it’s two – way –
more like performing, which is what
I love. It’s not just about the music. It’s
about interaction with the audience.
to the songwriter, who arrives in hip
boots with a push broom and begins the
arduous task shoving the whole stinking
mess down the drain.”
“A friend invited me into SL,” says
Ember. “I was lost at first and then when
I found the live music scene
I was intrigued but not sure it was
something I could do. I’m a band girl
– not a soloist – and I knew I couldn’t
get the whole band into it. But in the
end it was irresistible.”
EvaMoon started with gypsy music…
“I started writing songs a few years ago
while the gypsy band was on hiatus and
I was restless for something musical to
do. It was the first time I really ever sang
in English, even though it’s my native
language. I had to start a new band in
order to perform the new songs.
We have gone through a few changes
of personnel but it’s been the five of us
in Eva Moon & the Lunatics for several
years now and we’re really starting to
find our sound. From her start, EvaMoon
Embers’ music was always fun and
controversial and she wanted to try
everything. “The biggest complaint I get
from critics about my first CD is that
it’s too eclectic. No two songs have the
same style. But I’ve always loved humor
and shied away from conventional topics.
When it comes to tender love songs,
30�9
Avatar Hangout » 24
Cypernetic Art Research Project (CARP) » 17
DreamSphere » 38
Kaelaidoscope » 1
MOM » 15
Advertiser Index
Moondoggirl » 40
Ravenlong Productions » 39
RPM Challenge » 25
Taj Hejem III » 41
The Stream Team » 32
That’s where the fun is. “The best thing
any artist can do in RL or SL is be a part
of the community – network, support,
help out, hang out.”
“Unless the platform changes radically,
SL will always be a niche world. With
small audience capacity and lag, there’s
not enough impact to draw big name
artists. But I think that’s a plus for the
music scene. RL is being eaten up by
Clear Channel, focus groups and mass
marketing. It’s nice to think there is
a place for the quirky small act. The
biggest thing that would help the music
scene in SL is getting the word out that
it’s there. Artists and venues are nothing
without audiences!”
“Playing at different times of day in SL
is like taking a little world tour; midday
here in Seattle is the start of the evening
in Europe. Mornings are for Australia and
Asia. I could try to do a RL gig at 11 am
on a Tuesday, but who would show up?
I can play naked. Disadvantages? I miss
playing with my band. The interaction
between the musicians – all of them – and
the audience really ups the energy and fun
at any show. And my Lunatics definitely
know how to crack me up. SL has only
gotten the barest taste of that.”
EvaMoon Embers RL family and friends
are amused, puzzled, tolerant.
“My husband has played with me in SL
a few times, but it’s not something he
loves to do. The rest of the band seem
willing enough to give it a try sometime as
long as it doesn’t interfere with RL. Mostly
people think it’s kinda oddly cool.”
http://evamoon.net,
http://balkanarama.com,
http://evamoon.net/blog
More about Eva:
3�31
GG
G G G
For the listener, each unorchestrated sound tears at the fabric of your music, and
the flavor of the delivery. It is a live show, the utmost effort ought be taken to
ensure that on delivery, your sound shines every bit as bright, as it does in your
studio. Overlooking this fact can render tarnish on the most brilliant of artist.
Be aware, and Shine on metaverse stars!
Happy Holidays
The Sound Man
The Soundman, a column dedicated to music production
over the internet. If you have any questions or problems
setting up equipment to play live music in SL, this is the
place to ask for help.
http://mattersofmusic.com/theforums
Remember, each listener is unique. Many of them too, have gone to great lengths
with their sound setup, to ensure that they are getting the full quality of the shine
you are broadcasting.
In light of this, there are a few things left, to mark on the checklist
THE SOUNDMANYou have your sound levels set, you have landed a gig, you are at the venue, stream is tested and you are 2 minutes from stage call. What else could there possibly be, for the sound Man to tell you about?
Skype, MSN etc should be closed, or have all sounds disabled
In world sounds should be turned down. ie voice, sounds, ui, media, music
Close any programs you dont need running that may slow down the computer or internet.
Telephones should be unplugged, cell phones turned off (or active in another room)
Set up your playing area in a quiet part of the house, so background sounds are minimized.
Kids and dogs sent out, doors closed etc.
33 3�
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Cylindrian Rutabaga
Book your Special Holiday Concert today.ee
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Click info tab for details3�
Open Mic DirectOry
SUNDAY
Aquastar Ballroom
Time: 1-4 pm SLT
Genre: All
Run by: Shellie Boucher
http://slurl.com/secondlife/
Dozer/85/44/38
Shooting Star
Time 9 -11 am SLT
Genre: All
Run by: Ann Wunderland
http://slurl.com/secondlife/
Live%20Music/182/169/23/
Merry Prankster Called Pickers Party (Pass the Mic)
Run by: Diana Singh
Time: 7 - 12 pm SLT
Genre: All
Run By: Creola Deledda, Zany Xevious
http://slurl.com/secondlife/Prankster
%20Isle/130/129/56
Wild Rose
Time 9 -11 am SLT
Genre: All
Run by: Harmonie Weitman
http://slurl.com/secondlife/
Iowa/131/75/28
Open Mic Venues listed by Day of the
week. All times areSecond Life™ Time
(SLT). This list is correct at time of
printing and will be updated regularly.
Contact us for sumissions, corrections,
questions and for… Advertising!
Merry Prankster
1737
Wild Rose
TUESDAY Merry Prankster
Time: 7:30 - 10 pm SLT
Genre: All
Run By: Creola Deledda, Zany Xevious
http://slurl.com/secondlife/Prankster
%20Isle/130/129/56
MONDAY Tantalus (Beach Stage)
Time 11 am - 8 pm SLT
Genre: All
Run by: Shrike Rossini or Bubbles Lurra
http://slurl.com/secondlife/
Fusion%20Worlds/92/72/22
Mediaculture
Run by: AngleFireDagger
Time: 1 pm- 3 pm
Genre all
http://slurl.com/secondlife/mediacul-
ture/157/26/22
Tantalus
1739
SATURDAY
FRIDAY Carver’s Cove
Time 1 - 3 pm SLT
Genre: All - 30 minute slots
Run by: Alexa Sideways
Formal Dress
http://slurl.com/secondlife/
UNIVERSAL%20ADVERTISIN/
169/203/22
Carver´s Cove
THURSDAY
WEDNESDAY Wild & Wacky Wed. Open Mic @ The Double Olive
Run by: Nessa Rose Radek
Time: 7am-12pm
genre: all
http://slurl.com/secondlife/Urie-
as/35/131/30
Your
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