Luke 16v1-9 Exegetical Paper

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    Ryan P. TinettiEN-105

    Major project

    Friends with Mammon:An Exegetical Study of Luke 16v1-9

    PART 1: TEXT AND TRANSLATION

    1 He also1 began saying to the disciples, A certain man was rich who had a manager,and this one was accused to him as squandering his possessions.22 And calling him, hesaid to him, What is this I am hearing about you? Surrender the account3 of yourmanagement, for you are not able to be manager anymore. 3 And the manager said tohimself, What will I do, since my master is taking away the management from me? I amnot strong enough to dig; I am ashamed to beg. 4 Aha! I know4 what Ill do so that when Iam removed from managing they will receive me5 into their homes! 5 So aftersummoning each one of his masters debtors, he began saying to the first, How much doyou owe my master? 6 And the first debtor said6, One hundred barrels7 of olive oil. And

    he said to him, Take what you owe8

    and quickly sit down9

    and write, Fifty. 7 Then toanother he said, And youhow much do you owe? The man said, A thousand bushels10of wheat. He says11 to him, Take what you owe and write, Eight hundred. 8 And the

    1 Martin Scharlemann, Proclaiming the Parables (St. Louis: CPH, 1963), 83, notes, de; kai; is afavorite transition device of St. Luke[It] shows that the parable connects to the previouschapter.2 FromuJpa;rcw, this form is often used as a substantive, denoting ones property (e.g., Luke 11v21,12v33, 14v33; see BDAG, 1029).3 Kenneth Bailey, Poet and Peasant(Grand Rapids: Eerdmans, 1976), 97, points out that thedefinite article with lo;gon precludes the translation an account.4e[gnwn is an aorist for present action (aka dramatic aorist); see Stanley E. Porter, Idioms of theGreek New Testament(Sheffield: SAP, 1999), 36.5 The indefinite 3rd person plural verb de;xwntai is a Semitic substitute for the passive voice(Joseph Fitzmyer, The Gospel According to Luke, X-XXIV[AB 28A; New York: Doubleday, 1985],1100). Cf. v9.6 Since the Greek oJde; signals a change of speaker, for the sake of clarity I have made explicit thespeaker.7 Louw & Nida (Johannes Louw and Eugene Nida, Greek-English Lexicon of the New TestamentBased on Semantic Domains [2 vols.; New York: UBS, 1988-89], 81.20), noting the potentialsymbolic significance of the numeral 100, suggest 100 barrels as dynamically equivalent toba;to~roughly 9 gallons. D and 1241 read ka;dou~, a significantly smaller amount, probably to

    make the parable less fantastic.8 Literally your letters, used as an idiom for an account, oras I have translated, followingLouw & Nida (33.39)an account of your debt: what you owe.9 The awkward phrase kaqi;sa~ tace;w~ is omitted in D, but is best explained as a participle ofattendant circumstance, communicating an action thatis coordinate with the finite verb(Daniel Wallace, Greek Grammar Beyond the Basics [Grand Rapids: Zondervan, 1996], 640).10 The Greek ko;ro~, from the Hebrew r/K, amounts to between ten and twenty bushels, and so Ihave approximated 1,000 (cf. BDAG).11le;gei, a sudden slip into the historic present.

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    boss praised12 the manager of unrighteousness13 because he acted shrewdly. For the sonsof this age are shrewder in dealing with their own generation than are the sons of light. 9And I myself say to you, make friends for yourselves14 by means of unrighteous wealth15,so that when it fails you will be received16 into the eternal dwellings.

    PART 2: COMMENTARY

    I. Introduction

    The New Testament has been so doggedly pursued over the last two millennia that

    almost no passage has eluded the grasp of commentators and exegetes. Every iota and

    keraia has been agonized over; nopetra has been left unturned. Which makes the parable

    at the beginning of Luke 16 that much more enticing. There are nearly as many

    interpretations to it as it has interpreterseach with their own slant on the story that

    supposedly wrangles it for good. Kenneth Bailey is typical in calling Luke 16v1-9 the

    most difficult of all the synoptic parables.17 The novice exegete, then, approaches the text

    with a certain degree of trepidation.

    The parable itself,18

    of course, is straight-forward enough: a profligate manager

    plays fast and loose with his masters goods and is subsequently caughtand canned;

    with the imminent end of the world as he knows it, the manager needs to cook up a

    scheme to ensure a roof over his head; he (someway) cancels a portion of what is owed by

    12 Compare the Greek ejpaine;w with ejpaite;w in v3 as a possible wordplay: the steward wouldhave had topray, but he ends up beingpraised.13

    A straightforward objective genitive, contra the attributive (Hebraic) genitive favored by mosttranslations. See commentary below.14eJautoi`~, used in the second person, with a dative of advantage.15 Literally mammon of unrighteousness, this is more likely a case of the Hebraic genitive (cf.n.13).16de;xwntai is again the Semitic substitute for the passive; see n.5 above.17Bailey, Poet and Peasant, 187.18 I take the parable proper to be 16v1-8. There is also plenty of debate on this point, of course,but entering into those discussions is beyond the purview of this paper.

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    his masters debtors; the master commends his shrewdness. So the story goes, without

    much dispute.

    No, theproblem with the parable is its applicationprovided by Jesus in verse 9:

    Make friends for yourselves by means of unrighteous mammon, in order that when it

    gives out they will receive you into the eternal dwellings. So Robert Farrar Capon points

    out, 16:9 is the verse that did all the attracting to begin with and is therefore the crux

    interpretum of the whole passage.19 Friends with mammon? Since when, Jesus?

    To ease the tension before we get too far, let me briefly lay my cards on the table

    right here at the outset. The parable, which I entitle the shrewd manager, is what James

    Voelz calls a piety parable: it instructs disciples of Jesus in their response to the coming

    reign of God.20 It has a low degree of correspondence to realitythat is, the author does

    not intend it as an allegory,per se, but rather as a story making a single point. Within the

    diverse interpretations of details, two main explications of this point prevail: Some take it

    to teach shrewdness in the use of our money; others, prudence in the time of crisis.21

    With Blomberg, though, I do not see these as mutually exclusive. In view of the

    eschatological crisis of the coming reign of God, the disciple is exhorted to make shrewd

    use of mammonwhich mammon he will be unavoidably involved with and which, if

    he is not careful, will compromise his allegiance to God and so leave him out in the cold

    19 Robert Farrar Capon, Parables of Grace (Grand Rapids: Eerdmans, 1989), 145.20 See James W. Voelz, What Does This Mean? (2nd Ed; St. Louis: CPH, 1995), 301-315.21 Craig Blomberg, Interpreting the Parables (Downers Grove, IL: IVP, 1990), 246.

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    (heat?), so to speak, on Judgment Day. With this goal in view, let us now broach the

    hardest parable.22

    II. Narrative analysis

    Overview of Luke

    The Gospel according to Luke is the narrative of the world-upending good news of

    Jesus the Messiah. The tone is set thematically in the Magnificat of chapter 1a song in

    praise of God my savior:

    He has shown strength with his arm; he has scattered the proud in the thoughts oftheir hearts; he has brought down the mighty from their thrones and exalted thoseof humble estate; he has filled the hungry with good things, and the rich he hassent away empty. (Luke 1v51-53)

    John the Baptist carries this narrative theme along when he arrives preaching a baptism of

    repentance for the forgiveness of sins (3v3). The fruits of this repentance are principally

    economic in character (3v10-14). Then, Jesus himself identifies his ministry with the

    liberating proclamation of Isaiah 61:

    The Spirit of the Lord is upon me, because he has anointed me to proclaim goodnews to the poor. He has sent me to proclaim liberty to the captives and recoveringof sight to the blind, to set at liberty those who are oppressed, to proclaim the yearof the Lord's favor. (Luke 4v18)

    A kingdom is coming that is not aligned with the ways of the world; it is, if you like, a

    backward kingdom, in which the lowly are exalted, the poor blessed, and the bound

    freed (cf. 6v20-26). Lukes narrative delineates this kingdom as present in Jesus himself,

    Gods eschatological Messiah, who is summoning disciples to follow himallowing no

    worldly attachment to intervene (9v57-62; 14v25-33). The narrative, in short, is of a

    22 Capon, Parables of Grace, 145.

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    Messiah who turns the worlds economies on their ear, and calls disciples to comply with

    this economy, living under his backward kingdom.

    In Lukes narrative, a decisive turn takes place at 9v51: Jesus sets his face for

    Jerusalem and the fate awaiting him there. The portion of the narrative that follows, in

    which our present text is located, extends through chapter 19, and consists primarily of

    Jesus teachings as he goes through the villages and towns. In the immediate context of the

    narrative, Jesus has responded to the grumbling of the scribes and Pharisees at his

    welcoming of tax collectors and sinners (15v1-2) by offering a series of parables to the

    effect that God is pursuing all men in the hope that they would repent and trust in him.

    Now, in the beginning of chapter 16, his attention turns to his disciplesthough verse 14

    makes apparent that the prior audience is not out of earshot.

    Narrative analysis of Luke 16v1-9

    The parable itself consists of five characters and five scenes. (Our passage as a

    whole comprises a sixth scene: Jesus application in verse 9.) Before considering each

    section of the parable in greater depth, we offer a brief survey of characters and scenes.

    The firstcharacter is the rich man (plou;sio~) of verse 1, whom I deem to be the

    master (ku;rio~) of verse 8. Bailey would have us view him as an upright man23: The

    wealthy, distant, foreign, ruthless landowner is unknown in the synoptic parables.24 For

    the implied reader, then, the master is a generally positive and trustworthy character. The

    secondcharacter and protagonist is the manager/steward (oijkono;mo~). The parable

    23 Bailey, Poet and Peasant, 87.24 Ibid., 90.

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    informs the reader from the start that he is disreputable, but as the story unfolds it becomes

    clear that he is to be sympathized with. The third and fourth characters are a pair of the

    masters debtors. They are essentially props for the parable and thus are strictly one-

    dimensional in characterization. The fifth character, if we are to call him such, is Jesus

    himself as the narrator. He is a reliable narrator, and so both his storytelling and his

    application are to be trustedif not immediately understood! The implied reader is thus

    bound to accept Jesus words at face value.

    The parables opening scene (v1) provides the backstoryfor the relationship of the

    master and the manager, and the precipitating issue: accusations of unfaithful stewardship.

    The second scene (v2) presents the crisis: the accused manager is summarily fired. The

    third scene (v3-4) is the fired managers soliloquy contemplating his future, and makes for

    the storys rising action. In fine dramatic fashion, a resolution is reached but not disclosed,

    thereby raising the suspense. In the climactic fourth scene (v5-7), we see the managers

    plan play out, as he forgives some of what is owed by his masters debtors. The fifth

    scenes denouement(v8) depicts the managers vindication, as the master commends his

    shrewdness in the face of crisis. Finally, Jesusin the sixth scene of the passage (v9)

    provides application and the upshot of the parable: eternal welcome is ensured by

    following the managers shrewd example.

    Now, as best as we can, let us attend to some of the more difficult details of the

    parable to substantiate the interpretation here proposed.

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    III. Scene analysis

    Scene I: Backstory

    We are told in the first scene that this story is about a rich man and his manager,

    evoking Jesus earlier parable in the travel narrative about a master who leaves his

    stewards to oversee his estate while he is gone (12v35-48). The thrust of that parable is

    end-time judgment and the faithfulness of disciples in the intervening period.25 Similar

    themes are rightly to be expected in the present text.

    The parable begins with an anonymous tip to a rich man concerning his manager:

    hes being ripped-off. Marshall asserts that, since it was accused to him rather than him

    discovering on his own, this suggests that the rich man is an absentee landlord.26

    Following Bailey, however (see above), I do not see this to be the case: concerned

    members of the community are simply acting as whistle-blowers to the managers ruse.

    His possessions (ta; uJpa;rconta) is sufficiently vague, and it need not be conjectured just

    what possessions the manager has squandered and how; the point is that he has indeed

    squanderedthem.

    This initial issue sets the stage for what follows, rather than a supposed disgrace to

    the master (though it is no doubt that as well): It is better to take the story as developing

    on the basis of the steward having been found out than as turning upon the honor of the

    master.27

    25 John Nolland, Luke 9:21-18:34 (Word 35B; Dallas: Word, 1993), 705.26 I. Howard Marshall, The Gospel of Luke (NIGTC; Grand Rapids: Eerdmans, 1978), 617.27 Nolland, Luke 9:21-18:34, 797.

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    Scene II: Crisis

    The rich man wastes no time. Calling the manager in, he keeps the discussion to a

    minimum. What is this I am hearing about you? has the force, not so much of a genuine

    question (which it is at the locutionary Level 1) but of a rebuke: You have done wrong

    Bailey notes, The word order is Semitic, idiomatic, and forceful.28

    The master is not asking for the manager to give an explanation (i.e. Offer me an

    account) but to surrender the paperwork detailing his management. By decrying the

    abilityof the manager to manage any longer, the master is in fact denying his admission to

    do so: he is, in effect, fired. We might further note that this speech act of the master is

    performative in nature, for it accomplishes whatit says in the very act of saying it.

    Bailey supports this contention by calling to our attention that, as far as the master is

    concerned, the manager is at this very moment released of all duties: Legally his authority

    as an agent is immediately cancelled.29

    And yetit is as far as the masteris concerned. Until the word spreads to the

    community, the fired manager is still able to exercise his authority. This window is what

    allows for the action that follows. The function of this scene in the narrative is therefore as

    the crisis that brings about the ensuing action. The significance is that the steward is now

    facing impending judgmentand for those with ears to hear, we might say that its

    judgment ofeschatologicalproportions.

    28 Bailey, Poet and Peasant, 96. Bailey also considers the apparent silence of the managersignificant, but I thinkgiven the force of the masters questionno opportunity for a response bythe manager is intended.29 Ibid., 97.

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    Scene III: Rising action

    The manager now contemplates his choices in a soliloquy that provides the rising

    action for the narrative.30 He is faced with some unseemly choices for a man of his social

    stature on account of the inevitable disgrace his dismissal will bring him. We infer from

    his exclamation in verse 4 that his goal is to make sure that he keeps a roof over his head.

    With such a goal in mind, he mulls over a pair of alternative career paths: digging and

    panhandling.

    These were not desirable solutions. Nolland notes, Begging and manual labor

    were the steps immediately above slavery in the social scale.31 The sheer fact that the

    manager reckons these as possibilities demonstrates how grievous his situation is since,

    Bailey writes, An educated man in authority is not expected to consider manual

    laborSurprisingly, his only reason is his physical weakness.32 On the other hand, that

    he rejects begging is to his credit in a society that accepts begging as a legitimate,

    although despised, profession.33

    30 Fitzmyer, Gospel According to Luke, 1101, points out the presence of similar monologues inLukes gospel at 12v45, 15v17, 18v4-5, and 20v13.31 Nolland, Luke 9:21-18:34, 798.32 Bailey, Poet and Peasant, 98.33 Ibid. Nestle-Aland suggests that there may be an echo here of an oracle concerning Jerusalem inIsaiah 22:

    15 Thus says the Lord God of hosts, Come, go to this steward, to Shebna, who is over the

    household, and say to him: 16 What have you to do here, and whom have you here, thatyou have cut out here a tomb for yourself, you who cut out a tomb on the height and carvea dwelling for yourself in the rock? 17 Behold, the Lord will hurl you away violently, Oyou strong man. He will seize firm hold on you 18 and whirl you around and around, andthrow you like a ball into a wide land. There you shall die, and there shall be your gloriouschariots, you shame of your master's house. 19 I will thrust you from your office, and youwill be pulled down from your station.

    No commenter consulted, though, picks up on this, and any proposed significance is dubious.

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    Then, in verse 4, we have the Eureka! moment. The grammar (see note __)

    reinforces the drama of the moment, as the manager has an epiphany that, we are led to

    believe, will solve his predicament. The goal, as we noted above, is to ensure shelter. The

    scene fades, and we as the reader/listener await to witness the unfolding of his plan.

    Scene IV: Climax

    Now we arrive at the parables climax and the resolution of the crisis depicted in

    Scene II. In few other places in Lukes gospel is the interpreter so keenly aware of the gulf

    separating him from Lukes first century, Near Eastern context than here. A host of

    questions about the cultural setting are apropos to what followsand commentators, to

    varying degrees of satisfaction, have answered them. In the present analysis we can only

    briefly touch on a couple of these questions.

    First, with respect to the debtors whom the steward summons: are these simple

    peasants, or more wealthy entrepreneurs? Nolland, judging from the large amounts owed

    by the debtors, writes, The master is dealing with large-scale business associates here, not

    with ordinary people and ordinary economic levels.34 These are movers and shakers from

    the community.

    Second, and more importantly, what exactly is the manager doing when he enjoins

    the debtors to mark down what they owe? Specifically, is the manager indulging in further

    squandering of his masters estate,35 or is he relinquishing some of his own incomeeither

    commission or kickback? Nolland favors the former, stating, If the steward has been

    34 Nolland, Luke 9:21-18:34, 799.35 Marshall (Gospel of Luke, 614) calls this the obvious interpretation of the story.

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    pocketing the difference, then this present act would simply be to expose his own

    corruption to those he has formerly cheated and only now for the first time treats squarely.

    There is nothing here to serve as a basis for expecting a major investment of hospitality in

    return.36 Bailey likewise disagrees with the notion that the manager subtracts his cut.37

    Marshall concedes, however, in light of Jesus application, the possibility of the latter

    interpretation: This interpretation gives a closer link to the interpretation (16:9) that the

    steward was making use of his own money, and the disciples are called to act wisely with

    their own money."38

    I favor this latter interpretation, that the manager is relinquishing some of his own

    cut. Given Nollands caveat that there is finally no adequate basis for drawing into the

    parable the complexities of the first-century loan market,39 I rest on what makes the most

    senseof the narrative. As we will see, only this interpretation accounts for the subsequent

    action of the storynamely, the masters commendation.

    The resolution that the manager settled on, then, is to use his mammon to make

    friends (cf. v9). He forfeits some of his own wagesearned or notto mark down the

    accounts of the masters debtors. In other words, he takes the fall for the sake of the

    debtors (of course, he doesnt do it altruistically, but in order to secure future shelter now

    that his mammon has given out).40 Nolland directs us to the key social phenomenon that

    the manager is exploiting here:

    36 Nolland, Luke 9:21-18:34, 799.37 Bailey, Poet and Peasant, 88.38 Marshall, Gospel of Luke, 615.39 Nolland, Luke 9:21-18:34, 800.40 If the reader picks up on possibilities for preaching here he is not far off; see Appendix.

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    The ancient world ran on the basis of a reciprocity ethic: good turns given andreturned. The stewards move gave him a claim upon his masters debtors that wasmuch more secure than any contract. Public honor required that they make someappropriate return to their benefactor.41

    With this cultural background, we are able to fill in the blanks of the managers plan. He

    has secured a home by making friends with mammon. The outcome is assured. The

    camera zooms in on the managers pained smirk while his mammon is subtracted from

    the debtors bill, and fades to black.

    Scene V: Denouement

    We turn finally to the denouementof the parable, the tying together of what loose

    strands remain. We are back where we started, with a showdown between manager and

    master.

    Or are we? There has been some debate in the past over the identity ofoJ ku;rio~ in

    verse 8, whether it is Jesus or the master speaking. Marshall, however, writes, There is no

    evidence that demands that ho kyrios be taken to mean Jesus, and it is probable that v. 8a

    is an original part of the parable.42 Furthermore, among contemporary commentators,

    Bailey writes, It is almost universally conceded that Luke understood the master of verse

    8 to be the rich man of verse 1.43

    So, then, the master/rich man praised the manager of unrighteousness on

    account of his shrewdness. But why? Before answering that question, we need to address

    the translation ofto;n oijkono;mon th~ ajdiki;a~, for the way the interpreter takes this phrase

    41 Nolland, Luke 9:21-18:34, 803.42 Marshall, Gospel of Luke, 620.43 Bailey, Poet and Peasant, 104-105.

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    will impinge greatly on his interpretation of the parable as a whole. If, as most translations

    take it, the phrase means unjust steward or dishonest manager (so in the KJV, ESV,

    NIV, etc.), then we are seemingly bound to read back into the managers actions ajdiki;a;

    in other words, he must have been doing something inappropriate there to retain this

    title.44 On the other hand, if it is translated manager of unrighteousness, which is the

    natural way to take the genitive construction and befits the external entailment of

    oijkono;mo~ (viz., oijkonome;w), then another exegetical possibility arises.

    In verse 9 and again in verse 11, mammon is called unrighteous.45 Given the

    antipathy toward wealth and money throughout Lukes narrative (discussed in the

    narrative analysis above), and these immediate contextual clues, I think that it is

    reasonable to assert that ajdiki;a is metonymy here for mammon itself. Nature and nurture,

    character and environment, are not sharply distinguished in Lukes gospel: we are sinful

    people living in a sinful world. Jesus forgiveness enables and summons the disciple to live

    faithfully in that sinful world. Returning to the story: the manager, himself unquestionably

    unrighteous, was also mired in an unrighteous systemand in turning from his

    44 I do not think that this is a necessary conclusion from that translation. If we recognize in thissceneas I think we shouldshades of the eschatological courtroom, the point could also be thatthe manager, though he is unrighteous, is finally vindicated because, at the time of crisis, herepented. His past notwithstanding, he is justified in the eyes of the Mastersola gratia, if you like.

    I offer this (perhaps too creative) interpretation by way of concession to the conventionaltranslation; no commentators, to my knowledge, posit such exegesis.

    45 I grant that in verse 9 there is a parallel construction to here in verse 8, with ajdiki;a as thegenitive object. In response, I would say: i) Not every genitive need to be the samefor instance,the preceding verse has both possessive and objective genitives; and ii) There is a textual variantthat reads a[dikou mammw`na~, suggesting a straight-forward adjectival sense.It is not, in otherwords, a cut and dried case.

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    unrighteous ways in the face of crisis, he illustrates how would-be disciples should

    respond, faced with analogous circumstances.46

    So, then, why does the master praise the managers shrewdness? If we accept the

    interpretation put forth to this point, the managers reaction in verse 8 is utterly

    unsurprising for the implied readerand moreover, it fits with the application that Jesus

    himself gives in verse 9. The fired manager divested himself of the mammon he would

    have received as his cut from his masters debtors, decreasing their balance, and ensuring

    shelter in the process due to the reciprocity ethic of his society. The apparently

    magnanimous master is subsequently celebrated by the community, and at no cost to

    himself. The only one who has taken a hit is the manager himself. The master therefore

    praises his former employee for his shrewdness because he found a way to use mammon

    to benefit all parties involved (especially himself) when he was faced with a grave crisis.

    The alternative is, essentially, to make the master out to be rather capricious

    something of an aficionado of shrewdness.47

    So Nolland writes, The unlikelihood that a

    master who has just been swindled would consider his swindler praiseworthyhas led to

    theories of mistranslation, as well as to the suggestion that there is heavy irony in the

    masters praise.48 He concludes, However grudgingly given, a recognition of the

    cleverness of this fellow is not out of place.49 From this perspective, the masters reaction

    would have to be surprising to the implied reader, an unexpected turn in the flow of the

    46 Bailey (Poet and Peasant, 106) grants that this interpretation is strengthened in that it wouldfurther indicate the eschatological thrust of the parable.47 Objective genitive.48 Nolland, Luke 9:21-18:34, 800-801.49 Ibid.

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    story.50 We would thus accordingly expect this to be the upshot of the parablee.g., God

    commends all those who cast all their hopes on his mercy.51 This is not, however, the

    direction Jesus goes; instead he points us to the managers use of mammon in the face of

    crisis.

    Scene VI: Application

    In conclusion, we consider the apparently cryptic application of the parable offered

    by Jesus that, in my estimation, is considerably elucidated by our interpretation of the

    parable. To make friends by means of unrighteous mammon means, more or less, what

    the manager does in the parable: give it away in order to curry favor. The significance of

    this action, however, is that you will not serve mammon, but God (cf. 16v13). Mammon,

    as the manager learned, inevitably gives out; eternal dwellings do not. Jesus therefore is

    exhorting his disciples to make faithful use of mammon, guarding against the manifold

    unrighteous uses available in this sinful world, by making friends through generosity and

    so not becoming idolatrously attached to it. Then, on the Last Day, they52 will welcome

    you into those eternal dwellings.

    We may therefore summarize the message of the passage as a whole thus. In this

    world you will have unrighteous mammon. Divine judgment is imminent on all

    unrighteousnessnot least because of covetousness. In light of this judgment, act

    shrewdly with your mammon. Acting shrewdly as a disciple with respect to mammon

    50 The Message paraphrase of 16v8 betrays this: Now here's a surprise: The master praised thecrooked manager! This simply does not comport with Jesus unapologetic abruptness in the scenechange between verses seven and eight.51 This is essentially Baileys interpretation; see Poet and Peasant, 107.52 Angels? The Church triumphant? Jesus himself? The text gives no indicationprobably becauseits beside the point, which is that you will be welcomed.

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    means being detached from it (an attitude cultivated through generosity), rather than

    serving it. If you practice this as an expression of your faith, you will not fail to serve/be

    enslaved to Christ and so receive vindication on Judgment Day.53

    APPENDIX: HOMILETIC APPLICATION54

    Theres a lot that you can do with mammon. Eugene knew that full well. Perhaps morethan anything else, this was his problem. He worked as manager of the von Himmelestate, monitoring the appetizing flow of mammon that passed between debtor andcreditor, marveling at all the delicious things it could buy. But Eugene was no merevoyeur; he was more a conoisseurof mammon, you could say, and bristled whenbarbarians irreverently called it money.

    Eugene was von Himmels right-hand man, if anyone cared to know, and the thorn in theside to all the landlords debtors. Theo von Himmel held vastpropertyMore than hecould reasonably maintain, Eugene would demurand he let it out to the well-to-doentrepreneurs of the community. Someone had to oversee all the subsequent transactions,and this was Eugenes job. He kept tabs on the rich olive farmers and rich vinedressersand rich wheat farmers, all borrowing from his even richer master. And he worked hard.Hard enough, he thought, that all these rich folk could afford for Eugene to keep morethan just tabs. He was no mere accountant, after all; he was the numbers manparexcellence. So for Eugene, as for so many accountants, he could only count so manybeans before he started hungering after a burrito of his own.

    Von Himmel himself didnt luck into his present fortune. He worked hard, andappreciated not only the summit but the climb. Now he wears a 10-gallon hat and smokesbig cigars and plays roulette for the thrill. He often says that he has earned the right toinvest in the more refined pursuits of real estate and making a name for ones self.Anyway, these pursuits demand much less of a mans time. Which is not to say that hedisregards his estate; only he has all but removed himself from the minutiae of hisoperationentrusting it instead to his manager, Eugene.

    Which is why he was finding out from some two-bit narc and not his own carefuloversight that Eugene, the manager and overseer of his entire estate, was receiving morekickback than from a shotgun blast. Von Himmel was unsurprised. Eugene had beentrotting around in velour jump-suits lately, and he knewhe didnt pay more than apolyester-blend wage. At any rate, he had long since lost track of actual dollars and cents,having ascended to that stratum of wealth where your net worth is compared with small

    53 For a homiletic appropriation of this text for the edification of the Church, see the Appendix.54 The sermon is entitled Friends with mammon. It was originally prepared for P-438.

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    nations rather than individuals. It wasnt the money that bothered him; it was the lack ofrespect.

    ***

    Eugene was deciding between his Gucci and Versace loafers when he got a call from themasters secretary.

    Boss wants to see you right now, Eugene. He quick pulled out his Boisenberry PDA andconsulted his schedule. His quarterly meeting with von Himmel was two months away.

    Any idea what its, uh, about?

    Hes not happy, Eugene.

    He set down the receiver and climbed atop his feather bed to lay down. Gazing up, as ifpeering into heaven itself, he said to himself, I need this.

    ***

    Eugene opted for the Hush Puppies. One did not approach the master with head raisedhigh. He put on his best look of puzzled concern, with his lips shoved together, and hiseyebrow compressed to form a bell curve. He breezed past the secretary and tapped onvon Himmels half-open door.

    Who darkens my door without understanding? The voice boomed from the rear of the

    office, veritably sending shockwaves through the threshold. Von Himmel chortled asEugene slithered into the room. There, the master sat majestically atop his throne, flankedby statuettes and paper-weights and picture frames, all paying homage atop his desk. Ah,Eugene, I should have known! Come in, have a seat. Eugene huddled into the armchair.

    Listen, EugeneIve heard things. Not good, Eugene; things about you and yourmanaging of my estate. Would you know anything about these things? Eugene feignedbemusement and remained silent. He could tell it wasnt working; a word not spoken wasas good as a confession, but he was hoping not to incriminate himself any more than heneeded to.

    Von Himmel narrowed his eyes as he stared at his employee, his tongue probing theinside of his cheek while he awaited a reply; none came. He cleared his throat and leanedforward on his elbows. Thats what I thought. I am a good man, Eugene, a generous man,and I dont need my name being dragged all over town, folks thinking Im some bumpkinwho lucked into his fortune. I have a reputation to uphold! The boss was talking himselfinto it now. He stood up behind the desk, dominating Eugenes modest frame.

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    Do you think youre the only decent accountant in this town? Von Himmel pressed.Eugene wanted to interject that he was no mere accountant, but the moment was not yetpropitious. Youve got until 3 this afternoon to clear out your desk and hand in youraccounts. God help me, if youre not gone by then, itll be weeping and gnashing of teeth!You hear?

    ***

    The disgraced manager slipped away to his office, already pondering his fate. Hisprudence didnt extend to a savings account, and so losing this job would pull the roofright off his head, too. He had no back-up plan. A chill ran up his spine as he imaginedcold nights on park benches and cold shoulders from passersby. A man couldnt livewithout sanctuary; hed rather be a doorkeeper in his masters house than be out on thestreets! Alas, no such severance was offered.

    Eugene began pacing around his office, muttering to himself. This is fantastic, just great. Iguess Im out of this line of work; what landlord wants to hire the guy who plunders hiscoffers? And I dont exactly have a lot of marketable skills. I have the strength of a starvedgerbil, so manual labors out. The only trade I ever learned was with baseball cards, sothats no good. And Ill sell my right arm before I beg. Sowhat?

    Scanning his office for ideas, he saw all von Himmels mammon had bought him: thePersian rug, the marble chess set, the calfskin couch. He turned his eyes upon hisglockenspiel, with the pirouetting Germans announcing mittag, the noon hour. Eugene felta pit in his stomach; he had lost his appetite.

    He may not be good at much, but one thing was certain: he was good at indulging inmammon. But where had it gotten him? He knew all too well all that it could buy. Thensuddenly a thought arose that occurred to him as deliciously contrary: if mammon got himinto this mess, it would someway also have to get him out.

    A stack of papers filled the corner of his desk: the debt records of all von Himmels clients.The single sheets of paper held the fortunes of countless men in the communityandEugenes, too. He looked wonderingly at the stack and thought, No. He knew a lot ofthings you could do with mammon, but not that. He began kneading his hands togetherand cried, God help me, come 3 oclock, if I have to plunder hell itself, I am going to

    prepare a place.

    ***

    By and large they were not stupid men. You dont reach their level of society by lackingwits. Yet some of von Himmels debtors were decidedly simpler than others; behindclosed doors the boss, unimpressed by such men, called them suckers and scalawags.

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    Let it be known that Eugene did not despise these men; in fact, he knew them to be themost honorable of von Himmels clients, which is why he called on them first. Theythought it strange, being urgently summoned like this, but the unpromising harvest mayhave caused their landlord some concern over their ability to keep their end of thebargain. So an urgent call from Eugene did not exactly lift their spirits; he had a habit of

    leaving them with lighter pockets.

    Sam Creighton was the first to be summoned, and, letting himself in, he eagerly strodeacross the room to shake Eugenes hand. He owned a three-bedroom colonial, with avacant guesthouse out back. I got down here as quick as I could. If this is about mybusiness covering our loan, I can assure you, Eugene, that our humble operation is goingto do everything it can to meet costs. We wont Eugene waved him off, and bid him sitdown.

    Mr. Creighton, say no more. Mr. von Himmel and I understand your situation.

    Creighton breathed a sigh of relief, then furrowed his brow. So, then, what is this about?Is Mr. von Himmel funding another orphanage and in need of more assistance? Heleaned in and gently set a hand on the desk.

    Heh, uh, no, nothats not it. I dont think there will be any such projects for awhile,actually He trailed off, before retrieving his composure. Look, Mr. Creighton, Ill getright to it. As you know, von Himmel is a very generousalbeit hardman.No question about that.

    It is indeed going to be a tough season, isnt it, Mr. Creighton?

    I hope not, but it looks that way.

    So you could use a break in your rent.

    I wouldntI mean, of course, but

    Mr. Creighton, say no more. I have beheld your plight, and pleaded with von Himmel toreduce your debt. Now, he is a generous man, as you said, but hard, and he neededpersuading. Oh, I went to bat for you, Mr. Creighton. I begged. I said, Mr. von Himmel,where would we be if not for our faithful, honorable tenants like Mr. Creighton?

    You didnt! Creighton gripped his armrests, rapt, as if watching some cosmic courtroomscene unfold.

    Ah, but I did, my friend. I know you would do the same for me. So I told him, If wearent the kind of outfit that looks out for its clients, Im not sure I can work hereanymore.

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    Oh, Eugene, II dont know what to say. Im honored!

    You need not say anything, Sammay I call you Sam? With all due respect to my master,it is men like you who not only keep our economy going but, if I may say so, keep the

    moral foundation of our community strong. Creighton blushed. Eugene noted theenjoyment he felt feeding these lines to the client. Now, exactly how much is it you oweMr. von Himmel?

    Why, ten thousand dollars. Eugene was reviewing Creightons account very officially.

    Yes, I see that right here. Mr. Creighton, I want you to take this here slip and cross out the10,000 and write 5,000.

    But I couldnt!

    You canand you must. It would be an insult to von Himmels generosity to not!

    Mr. Creighton stifled nascent tears as his shaking hands grasped the bill. His eyes seizedthe managers. Mr. von Himmel may be a good man, but I know who I really have tothank. I wont soon forget this, Eugene.

    Oh, its nothing, Eugene retorted, stretching his arms wide, his legs crossed. Its onlymoney, right? And as soon as he said it, he knew that it was true.

    ***

    His new friends gone, Eugene finally set to boxing up his things. With only the hours ofnoon to three and some savvy dealing, he had managed to ensure not only a roof over hishead, but also goodwill from those whod lacked any reason to sympathize with him. Nota bad afternoon.

    Eugene had known a lot of things you could do with mammon; making friends wasnt oneof them. It was a lesson worth pondering. But for him, the lesson came at a costquiteliterally. He had endured a kind of dying, and it was a death that left neither himself norhis clients the same.

    The phone, sitting contentedly on the floor, rang. It was the secretary.

    Boss wants to see you right now, Eugene.

    ***

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    The hallway sprawled before him as Eugene shuffled toward von Himmels office. Afterexchanging pleasantries with the secretary, he came to the masters door. Taking a deepbreath, he knocked firmly. An affirmative grunt, and Eugene sheepishly crept in, taking aseat off to von Himmels right.

    The boss was in a strange mood. When he first caught wind of his discharged managerslatest, shenanigans, you can imagine how he felt. It wasnt about the mammon, which hehad more than enough of; it was about respect. But thats also why, when the word spreadthat an impromptu holiday had been declared in his honor, and that families weredancing in the street, he started to change his tune. Now, as his fired manager inched in,von Himmels fury was met by a measure of admiration. Maybe this guy wasnt a merebean counter, after all.

    I didnt expect to have another talk with you, Eugene, the boss began. Eugene looked atthe floor, silent. You know better than anyone how important my mammon is to me. Anyman in his right mind would show you the door, and I have to say, I am such a man.Many would show you the back of their hand, too.

    Eugene, still looking at the floor, sensed von Himmels hand approaching and braced forimpact. Instead, he felt a great big paw patting him on the shoulder. He ventured to lookup.

    Ive got to hand it to you, Eugene. Maybe the only thing I can appreciate more thanmammon itself is a man who knows how to use it. Youre one shrewd kid. Giving awaymammon? Good Lord! Who in Gods name, being rich, becomes poor for the sake ofsuckers and scalawags?