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A brief essay on Lucifer
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SIN JONES, updated January 7, 2013
Who or what is Lucifer? You might find yourself asking that very question one day.
When you look to the originating sources you may find that the information does not
coincide with what you learned by either oral tradition or cultural transference. I think
it's important to examine these ideas for yourself and to do your own investigative work.
It may start with a fundamental question: Why do people believe Lucifer is the Devil?
This paper is a summary of the research work I've conducted over the years, and the
intended meaning of Lucifer in each context used. Typically, when I begin my research I
look to the etymology of the terms. Language can lead you to sources you may not have
considered. There is vocabulary, and there is language. Language includes context to
convey meaning. Cultural context is important when seeking to understand the evolution
of terms and what they mean; which brings me to a point to address, the distinction of
definition and meaning. Reference works, typically provide definition. The most
common reference resources used are Dictionaries, and Encyclopedias. I consider
Dictionaries as a point of reference intended to initiate one into a path of research. That
research will provide other references used to extrapolate meaning. There are a number
of reference works one could use to conduct research.1 This is a jump-off point, to
conduct your research.
1 Almanac - a book of information in specific fields, often by date
Atlas - a set of maps, often of geographical locations
Book by category - books listed in their category
Citation index - lists which publications cite other publications
Concordance - a list of every word in a book, and where it is used in that book
Dictionary or Lexicon (the latter generally provides more grammatical analysis) - an alphabetical
listing of words and their definitions
Directory - a list of references, used for ease of locating their subject
Encyclopedia - a comprehensive compendium
Gazetteer - a geographical dictionary
Grammar - a book in which aspects of the grammar of a language can be looked up
Handbook - a manual which summarizes a subject
Mathematical tables - a tabulation of mathematical results
Pharmacopoeia - is a book containing pharmaceutical drug specifications.
Periodical index - a list of topics for a periodical publication, organized by date
Scientific tables - a tabulation of scientific results
Telephone directory - a book with residence and business listings
Thesaurus - a list of words with similar, related, or opposite meanings
SIN JONES, updated January 7, 2013
It may lead you to other reference works, and even more still. You begin to paint a
picture within a frame. The larger the frame becomes, the picture expands, as does your
understanding. One of the most commonly used references cited for the origins of
Lucifer is The Dictionary of Greek and Roman Biography and Mythology, Smith. You
can look to version 3, page 346 for the use of Lucifer, as it relates to the Phosphorus
mythology.
I am adding the complete reference here, for ease of use:
PHOSPHORUS, or as the poets call him 4wcr<f>6pos or •fcaea^opos (Lat.
Lucifer}, that is, the bringer of light or of Eos, is the name of the planet Venus,
when seen in the morning before sunrise (Horn. II. xxiii. 226 ; Virg. Georg. i. 288
; Ov. Met. ii. 115, Trist. i. 3. 72.) The same planet was called Hesperus (
Vesperugo, Vesper, Noctifer or Nocturnus) when it appeared in the heavens after
sunset. (Horn. //. xxii. 318 ; Plin. //. N. ii. 8 ; Cic. De Nat. Deor. ii. 20 ; Ca-tull.
62, 64 ; Horat. Carm. ii. 9. 10.) Phosphorus as a personification is called a son of
Astraeus and Eos (Hes. Theog. 381), of Cephalus and Eos (Hygin. Poet. A sir. ii.
42), or of Atlas (Tzetz. ad Lye. 879). By Philonis he is said to have been the father
of Ceyx (Hygin. Fab. 65 ; Ov. Met. xi. 271), and he is also called the father of
Daedalion (Ov. Met. xi. 295), of the Hesperides (Serv. ad Aen. iv. 484), or of
Hesperis, who became by his brother Atlas the mother of the Hesperides. (Diod.
iv. 27 ; Serv. ad Aen. i. 530.)
In addition, you can look to artifacts to cross reference the written references to obtain
cultural mores:
i
Nyx (Night) & Hesperus (Evening Star), Athenian red-figure
krater C4th B.C., State Hermitage Museum, St Petersburg
SIN JONES, updated January 7, 2013
"EOSPHOROS and HESPEROS were the gods of the star (astron planeta) Venus.
They were originally regarded as two quite distinct divinities--the first, whose
name means "dawn bringer," was the god of the dawn-star, while the second,
"Evening," was the star of dusk. The two star-gods were later combined.
In Greek vase-painting Eosphoros-Hesperos was as a youthful man, either in the
form of a bust surrounded by the shining orb of his star, or as a winged god
holding a torch and crowned with a starry aureole."2
Once you delve into the Greco-Roman world, you realize rather quickly, that the Greeks
and the Romans used mythology in different ways. Greek gods, were often Romanized,
often changing their attributes and how the gods were used in Roman society vs. Greek.
Many of these gods can be traced to the Etruscans, and other pre-Roman Italic cultures.
The Greeks often used mythology as a teaching modality, the Romans had a strong focus
on veneration of gods, creating a cultus to each divinity and devotional observances. For
the last decade, I have been using Greco-Roman symbolism, and I have found it is the
most prominent in personal resonance3.
4
2 Greek Mythology Index, Nyx
3 Son of Sin Jones, born in the month of August
4 Ara of the Pax Romana, Sin Jones [Signifying a rise in power, and achieving divinity]
SIN JONES, updated January 7, 2013
"The Romans designated him by the names Lucifer and Hesperus, to characterize
him as the morning or evening star.5"
"PHO′SPHORUS (Phôsphoros),or as the poets call him Heôsphoros or
Phaesphoros (Lat. Lucfer), that is, the bringer of light or of Eos, is the name of
the planet Venus, when seen in the morning before sunrise The same planet was
called Hesperus (Vesperugo, Vesper, Noctif or Nocturnus) when it appeared in
the heavens after sunset. 6"
Most of what we know about Roman life and mythology comes from poets, philosophers
and Roman historians. A study of the culture will reveal that it was common practice for
the Romans to exaggerate and embellish to give the Roman Empire the essence of
strength and longevity. Even if a battle was lost, the historians would record it as a
victory for future generations of Roman citizens to see the unwavering power of the
mighty empire. This is an important element to keep in mind, with the advent of
Christianity, which would take existing myths and evolve them into a seemingly new
mythos cycle. Lucifer was used in a variety of ways to designate the fall of a Babylonian
King, and to Jesus himself, the star of the morning. The language development is
something one should take special care, the devil is always in the details.
The Hebrew in Old Testament did not always translate properly to other languages such
as Greek or Latin. At times, words were abandoned and texts were paraphrased.
Transliteration from Latin to English made the elements of these stories even more
problematic as it would lead the scribes to tell new tales7. The birth of these ideas came
from the very texts being transcribed. Lucifer was typically used as a designation. It did
not become a being engaging in a war in heaven, until works such as Dante's Divine
Comedy8, and John Milton's Paradise Lost
9 were released into the world. They were the
most influential during this time period, but especially when translating archaic texts. In
some cases you will find people quoting these texts more directly, as if the content is in
the bible! One only need to read the chapters in the scriptures to see the intended usage
and meaning in the Christian Mythos.
5 Aster Eosphoros Greek Myth Index
6 Phosperous, Greek Myth Index
7 The Birth of Satan, Tracing the Devil's Biblical Roots, Wray and Mobley
8 Dante Alighieri's Divine Comedy, a 14
th century epic poem published in the 1330’s
9 John Milton's Pardise Lost, a 17
th century work published in 1667.
SIN JONES, updated January 7, 2013
Ezekiel 2810
, is very telling of the intention of use.
1 And there is a word of Jehovah unto me, saying:
2 `Son of man, say to the leader of Tyre: Thus said the Lord Jehovah: Because thy
heart hath been high, And thou dost say: A god I [am], The habitation of God I
have inhabited, In the heart of the seas, And thou [art] man, and not God, And
thou givest out thy heart as the heart of God,
3 Lo, thou [art] wiser than Daniel, No hidden thing have they concealed from
thee.
4 By thy wisdom and by thine understanding Thou hast made for thee wealth,
And makest gold and silver in thy treasuries.
5 By the abundance of thy wisdom, Through thy merchandise, Thou hast
multiplied thy wealth, And high is thy heart through thy wealth.
6 Therefore, thus said the Lord Jehovah: Because of thy giving out thy heart as
the heart of God,
7 Therefore, lo, I am bringing in against thee strangers, The terrible of the nations,
And they have drawn out their swords Against the beauty of thy wisdom, And
they have pierced thy brightness.
8 To destruction they bring thee down, Thou diest by the deaths of the wounded,
in the heart of the seas.
9 Dost thou really say, `I [am] God,' Before him who is slaying thee? And thou
[art] man, and not God, In the hand of him who is piercing thee.
10 The deaths of the uncircumcised thou diest, By the hand of strangers, for I
have spoken, An affirmation of the Lord Jehovah.'
11 And there is a word of Jehovah unto me, saying:
12 `Son of man, lift up a lamentation for the king of Tyre, And thou hast said to
him: Thus said the Lord Jehovah: Thou art sealing up a measurement, Full of
wisdom, and perfect in beauty.
10
Young’s Literal Translation Bible
SIN JONES, updated January 7, 2013
13 In Eden, the garden of God, thou hast been, Every precious stone thy covering,
Ruby, topaz, and diamond, beryl, onyx, and jasper, Sapphire, emerald, and
carbuncle, and gold, The workmanship of thy tabrets, and of thy pipes, In thee in
the day of thy being produced, have been prepared.
14 Thou [art] an anointed cherub who is covering, And I have set thee in the holy
mount, God thou hast been, In the midst of stones of fire thou hast walked up and
down.
15 Perfect [art] thou in thy ways, From the day of thy being produced, Till
perversity hath been found in thee.
16 By the abundance of thy merchandise They have filled thy midst with
violence, And thou dost sin, And I thrust thee from the mount of God, And I
destroy thee, O covering cherub, From the midst of the stones of fire.
17 High hath been thy heart, because of thy beauty, Thou hast corrupted thy
wisdom because of thy brightness, On the earth I have cast thee, Before kings I
have set thee, to look on thee,
18 From the abundance of thy iniquity, By the perversity of thy traffic, Thou hast
polluted thy sanctuaries, And I bring forth fire from thy midst, It hath devoured
thee, And I make thee become ashes on the earth, Before the eyes of all beholding
thee.
19 All knowing thee among the peoples Have been astonished at thee, Wastes
thou hast been, and thou art not -- to the age.'
20 And there is a word of Jehovah unto me, saying,
21`Son of man, set thy face unto Zidon, and prophesy concerning it;
22 and thou hast said: Thus said the Lord Jehovah: Lo, I [am] against thee, O
Zidon, And I have been honoured in thy midst, And they have known that I [am]
Jehovah, In My doing in her judgments, And I have been sanctified in her.
23 And I have sent into her pestilence, And blood into her out-places, The
wounded hath been judged in her midst, By the sword upon her round about, And
they have known that I [am] Jehovah.
24 And there is no more to the house of Israel A pricking brier, and paining thorn,
Of all round about them -- despising them, And they have known that I [am] the
Lord Jehovah.
25 Thus said the Lord Jehovah: In My gathering the house of Israel, Out of the
peoples among whom they were scattered, I have been sanctified in them, Before
SIN JONES, updated January 7, 2013
the eyes of the nations, And they have dwelt on their ground, That I gave to My
servant, to Jacob,
26 And they have dwelt on it confidently, And builded houses, and planted
vineyards, And dwelt confidently -- in My doing judgments, On all those
despising them round about, And they have known that I, Jehovah, [am] their
God!'
Prophetical context of the King of Tyre is a culmination of the spirit of carnal pride, self-
sufficiency of the whole state. What we call the Phoenicians today, were the Canaanites
as they referred to themselves. This chapter addesses the rivalry between Tyre and
Sidon... At one point, the King of Tyre pronounces himself a Deity. This was common
practice in those days, and there were many cultures which practiced auto-deification
(Egypt for example). The Divine Right of King, was in practice until well into the
1700's. As recently as 100 years ago, Russia was instituting the Divine Right of Kings.
All the precious stones mentioned here (apart
from gold) were amongst the 12 stones in the
breast plate of the High Priest in the Temple.
SARDIUS: "Odem"="ruby"= Reuben
TOPAZ: "pitda"= Shimeon
DIAMOND: yaholam = Zebulon
BERYL: "tarshish" = Asher
ONYX: shoham = Joseph
JASPER: yahspeh = Benjamin
SAPPHIRE: sapir = Issachar
EMERALD: Nopheck = Judah
CARBUNCLE: baraket = Levi
GOLD
The above identifications of the Hebrew stones with the tribes and with stones known
to us are the most commonly accepted but other theories exist.
These verses have been understood as also allude to a mystical being, a kind of angel
who was expelled. This person was identified by Greek Jews with Lucifer and with the
Satan. Later the Christians took this identification up. As seen in Isaiah:
[Isaiah 14:12]11
HOW ART THOU FALLEN FROM HEAVEN, O LUCIFER, SON OF
THE MORNING! HOW ART THOU CUT DOWN TO THE GROUND, WHICH
DIDST WEAKEN THE NATIONS!
11
Young's Literal Translation Bible
SIN JONES, updated January 7, 2013
"LUCIFER, SON OF THE MORNING" in Hebrew "Hilel ben
Shachar". Here Babylon is
epitomized by a prince of Tyre
who like Babylon ascribed to
himself divinity.
Christian tradition identified
"Lucifer" with an angel who
rebelled against God and
became the Satan or devil. A
whole doctrine has developed around this concept; even
if, it was taking elements completely out of context. So,
to use the Ezekiel, as proof' of Satan, Lucifer, or
Cherubim as beings is not quite accurate. A
misunderstanding and misrepresentation of meaning is
what paved the way for the doctrine of New Testament.
Oh Venus, sun of the
Dawn!
Bring them illumination
so they may see!
The Bible is a complete occult work!
SIN JONES, updated January 7, 2013
Ezekiel 112
, is another interesting
chapter that I urge you to read. It is
often taken literally to provide evidence
of Cheribum as literal creatures, some
even go as far as lending it as evidence
to support aliens, alien abductions, and
making 'God' the Alien Creator or
overseer. Thereby making the son of
'God' an alien!
This is what Ezekiel's vision would translate to if taken literally.
Ezekiel 1
1 And it cometh to pass, in the thirtieth
year, in the fourth [month], in the fifth
of the month, and I [am] in the midst of
the Removed by the river Chebar, the
heavens have been opened, and I see
visions of God.
2 In the fifth of the month -- it is the fifth year of the removal of the king
Jehoiachin --
3 hath the word of Jehovah certainly been unto Ezekiel son of Buzi the priest, in
the land of the Chaldeans, by the river Chebar, and there is on him there a hand of
Jehovah.
4 And I look, and lo, a tempestuous wind is coming from the north, a great cloud,
and fire catching itself, and brightness to it round about, and out of its midst as the
colour of copper, out of the midst of the fire.
5 And out of its midst [is] a likeness of four living creatures, and this [is] their
appearance; a likeness of man [is] to them,
6 and four faces [are] to each, and four wings [are] to each of them,
12
Ezekiel 1, Young’s Literal Translation
SIN JONES, updated January 7, 2013
7 and their feet [are] straight feet, and the sole of their feet [is] as a sole of a calf's
foot, and they are sparkling as the colour of bright brass;
8 and hands of man under their wings -- on their four sides, and their faces and
their wings -- [are] to them four;
9 joining one unto another [are] their wings, they turn not round in their going,
each straight forward they go.
10 As to the likeness of their faces, the face of a man, and the face of a lion,
toward the right [are] to them four, and the face of an ox on the left [are] to them
four, and the face of an eagle [are] to them four.
11 And their faces and their wings are separate from above, to each [are] two
joining together, and two are covering their bodies.
12 And each straight forward they go, whither the spirit is to go, they go, they
turn not round in their going.
13 As to the likeness of the living creatures, their appearances [are] as coals of
fire -- burning as the appearance of lamps; it is going up and down between the
living creatures, and brightness [is] to the fire, and out of the fire is going forth
lightning.
14 And the living creatures are running, and turning back, as the appearance of
the flash.
15 And I see the living creatures, and lo, one wheel [is] in the earth, near the
living creatures, at its four faces.
16 The appearance of the wheels and their works [is] as the colour of beryl, and
one likeness [is] to them four, and their appearances and their works [are] as it
were the wheel in the midst of the wheel.
17 On their four sides, in their going they go, they turn not round in their going.
18 As to their rings, they are both high and fearful, and their rings [are] full of
eyes round about them four.
19 And in the going of the living creatures, the wheels go beside them, and in the
living creatures being lifted up from off the earth, lifted up are the wheels.
20 Whither the spirit is to go, they go, thither the spirit [is] to go, and the wheels
are lifted up over-against them, for a living spirit [is] in the wheels.
SIN JONES, updated January 7, 2013
21 In their going, they go; and in their standing, they stand; and in their being
lifted up from off the earth, lifted up are the wheels over-against them; for a living
spirit [is] in the wheels.
22 And a likeness [is] over the heads of the living creatures of an expanse, as the
colour of the fearful ice, stretched out over their heads from above.
23 And under the expanse their wings [are] straight, one toward the other, to each
are two covering on this side, and to each are two covering on that side -- their
bodies.
24 And I hear the noise of their wings, as the noise of many waters, as the noise of
the Mighty One, in their going -- the noise of tumult, as the noise of a camp, in
their standing they let fall their wings.
25 And there is a voice from above the expanse, that [is] above their head: in their
standing they let fall their wings.
26 And above the expanse that [is] over their head, as an appearance of a sapphire
stone, [is] the likeness of a throne, and on the likeness of the throne a likeness, as
the appearance of man upon it from above.
27 And I see as the colour of copper, as the appearance of fire within it round
about, from the appearance of his loins and upward, and from the appearance of
his loins and downward, I have seen as the appearance of fire, and brightness [is]
to it round about.
28 As the appearance of the bow that is in a cloud in a day of rain, so [is] the
appearance of the brightness round about.
What does it really mean? There is a fairly decent lecture conducted on the meaning of
Ezekiel 1 by William Hamblins, 2008 SANE Symposium: "What is the Chariot in
Ezekiel 113
?"
Mr. Hamblins, addresses some of the finer points of the symbolism, essentially he is
drawing our attention to astronomical events vs. literal Cheribum fighting the war of
heaven. I'd like to add that the Book of Revelations, is the climax of the mythos, the
battles between kingdoms14
, the interpretations of the ultimate smack down between good
and evil, can be traced to memes15
created by Hellenized Jewish-Christians, but can
especially traced to Plato's declaration of God as the embodiment of goodness, making an
embodiment of evil a necessary element to create such a contrast possible. Even though,
in Plato’s own words he claims that God cannot be described; aside that it is goodness16
.
13
Part 1, Video Presentation 14
Satan as a pagan symbol, written by SIN JONES 15
Meme, a carrier of cultural ideas. 16
The influence of Greek ideas on Christianity, Edwin Hatch
SIN JONES, updated January 7, 2013
For other relevant chapters on Cheribum, I suggest: Genesis 3, Exodus 25, Exodus 26,
Exodus 36, Exodus 37, 1 Kings 6, 2 Chronicles 3, 2 Chronicles 5, Hebrews 9, Ezekiel
41.
I consider these to be the primary resources for developing Luciferian symbolism:
1. The Phoenician use of Helel
2. Greek Mythology dealing with Eosphorus
3. Roman poetry, Virgil's Georgics and Ovid's Metamorphasis
4. The Vulgate
5. John Milton's Paradise Lost
6. Dante's Divine Comedy
Taking from each resource we can see the pattern of information which leads to the
theme of the fall of man from grace.
I will use #1, as an example:
One of the most interesting things about what we know about the Phoenician's
(Canaanites) is that they took on the name of the place in which they lived (city/states).
From what I understand of Canaanite scriptures, Helel is identified as Lucifer, son of
Shahar and leader of the Nephelim.
The Canaanite version of the passage in
Isaiah 14:12-14
How hast thou fallen from heaven,
Helel's son Shaher!
Thou didst say in thy heart, I will ascend
to Heaven.
Above the circumpolar stars I will raise
my throne
And I will dwell on the Mount of Council
in the back of the North
I will mount on the back of a cloud.
I will be like unto Elyon.
SIN JONES, updated January 7, 2013
This passage is important in understanding the development as Lucifer as the Morning
Star. Venus is typically associated with the female goddess vs. a male fallen angel. Thus,
it would be understood that Lucifer would be 'daughter' of the dawn, vs. 'son' as is taught
and written in the Hebrew. As I mentioned, it’s important to understand how the
Phoenicians titled themselves. For instance, if they lived at Mt Lel, and El resides there
(El being the entitlement of gods) it would be Hel of Lel. Thus, Hel-lel, may be a joining
of two concepts. So rather than taking it literally, symbolically it would be god of Mt
Lel. When discussing Mt Lel, typically associated with a particular mountain, the Light
of the Dawn, would be first seen from above the peak of the Mountain top.
In the Hebrew language, Elohim, was used both singularly and plurally to denote god or
gods. The early Hebrews were polytheistic, and seeing that they copied the verse above
nearly verbatim, it gives us a glimpse of what the verse was intended to communicate to
the reader.
The Queen of Heaven in conjunction with solar symbolism is throughout my personal
paradigm; often presented through the written and spoken word and artwork as well.
This perplexes people, and often compels their own imagining and projection of my
person . I'm often referred to as a Heretical or left-hand-path Christian. It makes me
smile the Devil's grin, for the light of Lucifer is lost to them. It's certainly a stratification
measure which allows me to distinguish occultists from occultniks.
Venus is the first light ushering in the dawn; symbolic representations of the sun rising
and setting. Venus was most beautiful, nothing could compare to this light of beauty.
The designation of Lucifer was applied to the goddess Diana, as the Queen of Heaven,
designated as Diana Luciferi. Celebrations in her honor such as Nemoralia - Diana’s
Day, are a festival of lights celebrated on the 13th of August. Diana is the huntress of the
wild, expressed through the beauty of her light. Her temple was built at Lake Nemi in the
Classical World; a procession of devotees walks with candles through the woods to her
temple. The light, is a representative of life. The torch carried for Diana Luciferi
represents the first light a child sees at birth, the light of healing and health, and the
protectress of all life. The Spring and Summer months were primarily vegetarian, and
observed with the cycles of the hunt. Come Autumn, the lazy days of the warmer months
comes to an end, and work resumes putting meat back on the menu. It is for that reason
that Diana Luciferi, is the patron goddess of hunters (and those on the hunt).
SIN JONES, updated January 7, 2013
I strongly recommend a study in Roman Religio, many of the mythological symbols are
given deeper meaning, and perhaps will offer some clarity to those readers who are
genuinely interested in understanding the development of Lucifer. Its attributes and how
diverse forms of Luciferianism are born from this symbolism. It would not surprise me at
all, if the researcher comes away with their own understanding and use of the symbolism
that differs from my own.
The hunt: A quest for knowledge and truth. Light=remembering, Night=forgetting. Each
day, it would serve us well, to focus on the cycles of remembering ourselves as well as
forgetting ourselves. Thus, a fall from heaven, could be used to symbolize the attempted
ascension of godhood, but continued suffering of feeding the universe from the base of
the mountain. Each day, with the dawning of Venus, the remembering can be worked on
each day with the sun. I also see a tie in with Setian17
ideology, and the Coming Forth by
Night18
. I'm not a big fan of duality myself, so my intent is not to insert it here. But rather
focus on the idea that while you are coming forth by day, in the dream world, you can
also come forth by night. I think this ties in rather well with the 'Atheism by day' and
'Theism by Night' idea being developed more and more in occult circles. I am Hermetic
in thought, thus see no literal difference between Atheism and Theism, in an occult
context. I understand the need to write on these subjects more aggressively, in lieu of
supplanted dualism in most Western cultures.
Evil, is applied to Lucifer, attributed to the post-transliteration interpretations. For
example Lucifer's Emerald, or Lucifer's Lens was a device used by the Roman Emperor
Nero for seeing.19
The Emerald was viewed as a diabolical device as Nero looked on as
Christians were fed to the lions. How ever did Lucifer become a representative of all
things diabolical? If the meme is planted, and enough people lend it belief, it continues
on, evolves slightly, and is extremely difficult to divorce the
idea attached to another like a blood sucking parasite.
Difficult, but not impossible. As Lucifer progresses, it
evolves with time.
The Emerald of Lucifer, is later tied to Arthurian legends20
,
the Utopian Kingdom with the Idealic King leading his
subjects into peace, prosperity and joy. The Emerald, became
a holy grail, the source of power eternal. Juxtaposed, you can
see the regression back from diabolical to romantic.
17
Temple of Set, and its doctrine of Xeper 18
Coming Forth by Night, Michael A. Aquino 19
The Lens of Nero 20
Emerald Tablets of Lucifer, Sir Thomas Malory, Le Morte Arthur
SIN JONES, updated January 7, 2013
As more and more Luciferians and Satanists embrace Lucifer, they look to the origins
and find Lucifer an expression of beauty, light, gnosis and enlightenment.
"If Satan is the dog that bites, Lucifer is the dog that bites with reason" 21
Satan and Lucifer, while seemingly separate ideals have become joined in a harmonious
unity while destroying duality. Satan: the brute force and carnal nature, and Lucifer the
maternal reasoning behind such pursuits.
21
Jason King, Satanist, self-published author
SIN JONES, updated January 7, 2013
Other works by SIN JONES
1. Madonna and the Serpent
2. I summon and stir thee
3. Satan as a pagan symbol
4. The Satanism of SIN JONES
5. Sinjones.info
6. Youtube
Radio/Podcast:
Blogtalk:
http://www.blogtalkradio.com/poisonappleradio
Mp3 Downloads:
Poisonappleradio.com
SIN JONES
The Poison Apple
www.the-poison-apple.com