Los Angeles Modern Auctions May 23, 2010 Auction

May 2

3, 2

010

11

Preview: May 15 -May 22, 10-6pm (PST)

Auction: Sunday, May 23, 12pm (PST)

16145 Hart Street

Van Nuys, CA 91406

The shape of things. As the financial markets start to return to normal, I

can’t help wonder if the art market isn’t a better place to invest. For one thing, you

are unlikely to wake up tomorrow to discover half of your painting is gone because

of predatory lending in the housing market; or three of your dining chairs have

disappeared due to a bad credit default swap. But more important than the financial

investment, there is the emotional one. I love hanging out in the Wegner “Papa” chair

I’ve had since 1996. I enjoy rearranging the objects and books on my Eames storage

unit (one of my first purchases in 1988!). Both have gone up and down in value while

I’ve owned them, but I can’t possibly measure the dividends that eawch have paid in

the quality of my life.

More recently, I have discovered that Fine Art adds an exciting dimension to any

interior. In this catalogue you will find a selection of the best art and objects I could

find available on the market. The standout highlight is a large offering from the

private collection of GLC Art Co. LLC; Gerard L. Cafesjian, President. From Altoon and

Bayer to Vasarely and Warhol, works from this collection represent some of the best

examples to surface in recent memory.

Incredibly, many lots offered here are entering the market for the first time. The Van

Keppel Green designs were acquired by Paul Kasper (a sculptor, landscape architect

and former employee of VKG) when they were first designed and still look like they did

sixty years ago. Several lots of objects come from Elaine K. Sewell Jones and the late

A. Quincy Jones. Anyone who had the pleasure of visiting this extraordinary power

couple of modern design in their home will surely recognize the Architectural Pottery,

Eames furniture, and Arts & Architecture magazines always on display. And the Frank

Lloyd Wright carpet is direct from his son David’s residence in Arizona and is unlike

any Wright-designed object ever to come on the market.

This is a big sale, so I hope you will take it all in. Think about what may enhance your

life. Select a few works you can’t live without. And simply enjoy the shape of things! — Peter Loughrey, Director

1HeNdriCk VAN keppel & TAylor GreeNTAll freeSTANdiNG bookSHelf

VKG, designed circa 1946 72”h x 13”d x 96”l

Provenance: ESTATE oF PAuL KASPEr

$5,000-7,000

55

3HeNdriCk VAN keppel & TAylor GreeNCoNSole TAble

VKG, designed circa 1951 26”h x 48”l x 18”d


$1,000-1,500

2dAVid CreSSeypAir of wHiTe plANTerS

Model no. AP-513 Architectural Pottery, designed circa 1960 Glazed with texture Each 15.5”h x 20”diameter

$1,000-1,500

4HeNdriCk VAN keppel & TAylor GreeNGroup of 6 diNiNG CHAirS

VKG, designed circa 1950 Each 29.5”h x 22.5”w x 20”d


$1,500-2,000

77

5HeNdriCk VAN keppel & TAylor GreeNdiNiNG TAble

VKG, designed circa 1950 27”h x 38”w x 72”


$2,500-3,500

7pAul SoldNerSCulpTure

Studio, executed circa 1958-1962 Glazed ceramic Signed 32.25”h x 9” x 9”


$3,000-5,000

6pAul SoldNerSCulpTure

Studio, executed circa 1958-1962 Glazed ceramic Signed 43”h x 13”diameter


$3,000-5,000

99

8AdolpH GoTTliebblACk SiGNS

1967 Wool tapestry Signed, titled and numbered on a linen label affixed verso #1 of 5 53.5” x 72”

Provenance: FroM ThE PrIVATE

CoLLECTIoN oF GLC ArT Co LLC;

GErArD L CAFESJIAN, PrESIDENT

$8,000-10,000

9AdolpH GoTTliebCHrome GreeN

1972 Serigraph in colors Signed and numbered in pencil #131 of 150 35.875” x 27.5”




$3,000-5,000

10ANAToli pApANiANdoN QuixoTe, THe womAN ANd THe deATH

1991 Etching on paper #6 of 13 24” x 30”

$1,000-1,500

11JoHN folliS & rex GoodeSombrero oN STANd

Model no. 4048 Architectural Pottery, designed 1949 29”h x 24.5”diameter

$1,500-2,000

12HeNdriCk VAN keppel & TAylor GreeNCHild’S CHAir

VKG, designed circa 1940 29”h x 14”w x 17”d

$400-600

13HeNdriCk VAN keppel & TAylor GreeNrefeCTory TAble

VKG, designed circa 1950 To be used as a bookshelf or table, this versatile unit was often advertised by Van Keppel & Green in Arts & Architecture magazines 27.25”h x 13”d x 94”l


Literature: ArTS & ArChITECTurE, MAy 1952

$3,000-5,000

1 11 1

14miTCHell bobriCkCoNTrol liGHT

Controlight Company, designed circa 1949 retains label “Controlight Los Angeles, Calif” 60”h x 20” x 28”

This lamp won an A.I.D. merit award in 1949


$2,000-3,000

1 31 3

17pAul kASperuNTiTled (2)

Studio, executed circa 1968 Galvanized steel 10”h x 12” x 1.25” and 10”h x 15” x 15”


$1,000-1,500

16pAul kASperuNTiTled

Studio, executed circa 1968 Welded metal Stamped “8” 28.5”h x 26” x 6”


$1,000-1,500

18pAul kASperNeCklACe

Studio, executed circa 1968 Welded and melt-coated metal


$500-1,000

15pAul kASperuNTiTled

Studio, executed circa 1968 Welded metal 28.5”h x 20” x 13”


$1,000-1,500

19lArry CoHeNCeNTury CiT y SeeN from eASTbourNe

1991 oil on canvas Signed verso; Jan Turner Gallery label verso 22” x 22”; Framed 22.75” x 22.75”

$4,000-6,000

1 51 5

20roGer HermANGirl oN THe rAilroAd TrACkS

1987 oil on canvas Signed and dated verso 24” x 12”

$1,500-2,000

21roGer HermANuNTiTled ( Two fiGureS STANdiNG)

1981 oil on paper Signature and date lower right Sheet 41.75” x 29.75” Framed 46” x 36”

$1,500-2,000

22ArNe JACobSeNGroup of 8 oxford CHAirS

Fritz hansen, designed circa 1965 retains labels Side chairs 50”h x 18.5”w x 20”d; Armchairs 46”h x 25”w x 20.5”d

Literature: DECorATIVE ArT IN MoDErN

INTErIorS 1966/67, VIKING PrESS, 1966,

PG 75

$5,000-7,000

1 71 7

23HANS J. weGNerdiNiNG TAble

Model no. AT-319 Andr. Tuck, designed circa 1958 rosewood Branded “Fabrikat=Andr. Tuck/Arkitekt=hans J. Wegner/Made in Denmark” 27.75”h x 117.75”l x 39.25”w

$4,000-6,000

24borGe moGeNSeN, ATTribuTedlouNGe CHAir

Possibly Karl Andersons, designed circa 1955 rosewood and leather 30”h x 26”w x 29”d

$1,500-2,000

25JeAN GilloNlouNGe CHAir ANd oTTomAN

Wood Art, designed circa 1965 retains label “Gillon handmade Jacaranda Wood - Wood Art - Industria Brasileira” 33”h x 35”w x 44”d

$2,500-3,500

1 91 9

26TierNey GeAroNuNTiTled

1999 C-print mounted on Sintra Signed “Tierney Gearon” on a label verso From the edition of 5 40” x 50”




$2,000-3,000

27lArry SulTANmiSSioN HillS

2000 C-print White Cube Gallery label verso #2 of 15 Sheet 20” x 24”; Framed 23.5” x 26.75”

$4,000-6,000

28pedro freidberGoCCASioNAl TAble

Pedro Freidberg, designed circa 1975 24.5”h x 25”diameter

$9,000-12,000

2 12 1

29GuSTAVo NoVoAuNTiTled SCreeN

1972 oil on panel Signed & dated bottom right panel 84”h x 72”l (each panel 18”w)

$5,000-7,000

30CArloS AlmArAzuNTiTled (2)

1989 Etching Each with signature and edition #10 of 25 and #46 of 50 Sheet 19” x 15” and 17” x 16.75”

$1,500-2,000

2 32 3

32frANCiSCo ToledouNTiTled (2)

Etching Signed lower left; edition lower right Artist’s proof (EA) and #18 of 30 Image 6” x 9.75” (framed 14.5” x 18.5”) and Image 6.5” x 8”

$1,500-2,500

31JoSe ClemeNTe orozCoTHe broTHel

1935 Lithograph printed on BKF rives paper Signed in pencil and numbered #37 of 120 15.875” x 22.75”




$1,800-2,500

33AlexANder CAlderGroup of 9 liTHoGrApHS

Circa 1971-76 unknown edition Pubished by Galerie Maeght Various markings Various sizes, each framed

$2,000-3,000

2 52 5

35eAmeS & frieNdSmiNiATureS ( 10)

Vitra Design Museum Comprised of Eames “DCW”, “rAr”, Dowel chair and 3 “Time Life” stools; Nelson “Pretzel” chair, Prouve “Stan-dard” chair and Jasper Morrison chair

Provenance: ELAINE K SEWELL JoNES

$800-1,200

34GeorGe NelSoNexeCuTiVe offiCe Group deSk wiTH reTurN

Model no. 9719 with no. 605 lamp & no. 601 Pendaflex file basket herman Miller, designed 1949 29.75”h x 72” x 72.5” total

This design was featured in the June 1952 issue of Arts & Architecture article on “Modern Office Furniture” as a “tool for better management”.

Literature: ArTS & ArChITECTurE,

JuNE 1952

$5,000-7,000

36JoHN eNTeNzA , publiSHerArTS & ArCHiTeCTure mAGAziNeS

Incomplete set dating 1949 to 1966 51 issues See full listing online

Provenance: A QuINCy JoNES &

ELAINE K SEWELL JoNES

$400-600

37GeorGe NelSoNCASe GoodS CAbiNeT

herman Miller, designed circa 1947 retains herman Miller label 40”h x 18.5”d x 24”l

$1,000-1,500

38GeorGe NelSoNCASe GoodS CAbiNeT

Model no. 5245 herman Miller, designed circa 1947 retains herman Miller label 39.5”h x 18.5”d x 56”l

$1,500-2,000

39GeorGe NelSoNSTriNG CloCk

Model no. 2214 howard Miller,designed 1952 retains howard Miller label 19”diameter


MAy 1955

$800-1,200

40GeorGe NelSoNexeCuTiVe offiCe Group deSk

Model no. 8500 with no. 604 privacy screen herman Miller, designed circa 1952 30”h x 39” x 20.5”

$1,500-2,000

2 72 7

41ilyA boloTowSkyAreA ruG

Designed circa 1970 Wool rug Signed in selvedge verso 84”diameter

$2,000-3,000

42JoHN mClAuGHliNuNTiTled (#33)

1958 oil on board Verso “John McLaughlin #33-1958 The Landau Gallery” 12” x 6.25”

$20,000-30,000

The paintings from McLaughlin’s later part of his life (1950 - 1975) methodically embody the style of Western nonobjective art, so much so, that it takes a sensitive viewer to fully see the influences of Japanese culture and art in his compositions. McLaughlin’s study of Japanese language and art, his experience of living in Japan, and his expertise in Japanese paintings and prints, ultimately shaped and informed his artistic style. McLaughlin, after his wartime experiences, did not

part-take in the Abstract Expressionist movement. Instead he looked to his past influences from the works of Sesshu, Malevich, and Mondrian. The post-war movement brought McLaughlin closer to his aesthetic of modesty and plainness, leading his compositions to become more distilled as he aged. McLaughlin’s careful scale and color relationships were not his prime focus; it was the hoped-for state of mental struggle brought by the painting that was McLaughlin’s ultimate goal.

2 92 9

44mArCel breuerCoffee TAble

Custom, designed 1965 This table was commissioned for “Stillman II” in Litchfield, CT. 13.5”h x 36” x 36”

Provenance: Mr AND MrS ruFuS

STILLMAN

Literature: MArCEL BrEuEr: NEW

BuILDINGS AND ProJECTS, PrAEGEr ,

1970, PG 165

$9,000-12,000

43mArCel breuerdiNiNG TAble

Custom, designed circa 1970 This was designed and used as a conference table for “Stillman III”. 27”h x 54” x 54”

Provenance: Mr AND MrS ruFuS

STILLMAN

$15,000-20,000

From the late 1940”s until his death in 1981, Marcel Breuer created half a dozen buildings and projects for rufus Stillman including three residences in Litchfield, Connecticut. The following four lots are examples of tables designed for function and utility and have been used by the Stillman family for over sixty years.

46mArCel breuerCoffee TAble

Custom, designed 1950 Slate top (black) This was the first table designed for the Stillman’s residence in Litchfield, CT 13.5”h x 36” x 36”

Provenance: Mr AND MrS ruFuS STILLMAN

Literature: MArCEL BrEuEr: BuILDINGS AND

ProJECTS 1921- 1961 , ThAMES & huDSoN,

PG 210

$9,000-12,000

45mArCel breuerdiNiNG TAble

Custom, designed circa 1970 This table was designed for rufus Still-man’s office at the Torin Corporation and was used at Stillman III. 29”h x 36” x 72”

Provenance: Mr AND MrS ruFuS STILLMAN

$15,000-20,000

3 13 1

47mAx erNSTlA bAllAde du SoldAT (S/l 218)

1972 Lithograph printed in colors 34 signed and numbered in pencil #3 from the edition of 79 suites

A complete set of signed lithographs (34) together with a complete folio with text by Georges ribemont-Dessaignes, in a portfolio box Each sheet 15.5” x 11.25”

Provenance: FroM ThE PrIVATE CoL-

LECTIoN oF GLC ArT Co LLC; GErArD L

CAFESJIAN, PrESIDENT

$8,000-10,000

49ANdrew SzoekeCoffee TAble

Studio, 1946 retains “Andrew Szoeke Associates” label 16.5”h x 64” x 24”

$3,000-4,000

48mArCel breuerCHAiSe louNGe

Isokon, designed circa 1937-38 Ink stamped “New Furniture Incoroporates” 31”h x 24.5”w x 50”l

$5,000-7,000

3 33 3

50CAio foNSeCAuNTiTled

1999 oil and mixed media on canvas Signed lower right; signed, inscribed and dated verso 27” x 52”

$20,000-30,000

51Jim diNewAll CHArT ( williAmS ColleGe)

1974 Lithograph in colors on rives Signed and dated in pencil #3 of 75 48.5” x 35”




$6,000-9,000

3 53 5

52ArNAldo pomodororomboide

1977 Bronze Signature, date and edition inscribed on base #28 of 30 12” x 11” x 6.8”

$15,000-20,000

54CHriSTiAN liAiGreToJA CoCkTAil TAble

Studio, designed circa 2000 15.5”h x 63.5” x 43.5”

$2,500-3,500

53VlAdimir kAGANSeCTioNAl SofA

Kagan Design Group, designed 1970 retains label “Vladimir Kagan Designs Incorporated” From the omnibus Seating Collection 27”h x 104”l x 34”d and 27”h x 75”l x 34”d

$7,000-10,000

3 73 7

55VlAdimir kAGANbuffeTKagan Design Group, designed circa 1960 Buffet: 32”h x 84”w x 20.75”d Cabinet: 54.75”h x 42”w x 13.5”d Glass Front Display Cabinet Not Illustrated

$5,000-6,000

56VlAdimir kAGANouTdoor SeT

Kagan-Dreyfuss, designed 1958 From the Capricorn Collection Table 28”h x 41”diameter; Chairs 42.5”h x 18.5”w x 28”d

Literature: ThE CoMPLETE KAGAN,

PoINTED LEAF, 2004, PG 134 -35

$3,000-5,000

57HowArd HodGkiNbleediNG (#67 )

1981-82 Lithograph from 3 aluminum plates with hand coloring in gouache Signed with initials, numbered and dated lower center #91 of 100 Sheet 35.5” x 60”; Framed 43.5” x 67”

Literature: hoWArD hoDGKIN PrINTS: A

CATALoGuE rAISoNNE, hEENK, PG 190

$4,000-5,000

58bArbArA HepworTHGreeN mAN

1970 Lithograph Signed lower right; edition lower left and blind stamp “Cerde Graphique European” #120 of 200 Framed 30.25” x 22”

$2,000-3,000

59HAmiSH fulToNfourTeeN CoAST To CoAST wAlkS ( 10)

1982-1989 offset lithograph #13 of 35 Signed and numbered verso lower edge Approximately 38.75” x 25.75”, other dimensions vary, includes cloth-bound portfolio and nine other works not illus-trated, see additional images online.

$12,000-15,000

3 93 9

60mAlColm morleyGoAT

Watercolor on paper Signed lower right 13.75” x 15.5”




$4,000-6,000

61TrACey emiNediTioN for pArkeTTe

2001 Photograph printed on Kodak paper Signed and dated verso and inscribed “Self Portrait 12-11-01 31” and “Edition for Parkette 63” Sheet 8.25” x 8”; Framed 18” x 17.75”

$1,500-2,000

62GilliAN weAriNGoliA

2003 C-type Signature, dated and edition verso & Count Gallery London label #59 of 100 Sheet 24” x 20”

$1,500-2,000

64frANk o. GeHryeNd TAble

Easy Edges, designed 1972 Corrugated cardboard and Masonite 18”h x 9.5” x 24”

$2,000-3,000

65frANk o. GeHrypower plAy Club CHAir

Model no. 94L-GC Knoll, designed 1992 retains branded signature, Knoll label and “02/00” 32”h x 32”w x 28.5”d

$2,000-3,000

63frANk o. GeHrylouNGe CHAir ANd oTTomAN

Easy Edges, designed 1972 Corrugated cardboard and Masonite 29”h x 23.75”w x 61”d (with ottoman)

$5,000-7,000

In 1992 Gehry was awarded Time Magazine’s “Best Design” of the year for this chair.

4 14 1

66Alex kATzSAmANTHA

1987 Screenprint in colors on Toso hanga paper Signed in pencil and annotated “r.T.P” with Simca Print Artist blind stamp Trial proof, aside from the edition of 80 66.25” x 28.5”




$9,000-12,000

67Jerome kirkpATTerN lANGuAGe

1975Aluminum sculpture Signed “Kirk”; retains label “#6 Pattern Language” and “3-27-75” 36”h x 25”w x 6”d

$4,000-6,000

4 34 3

70ludwiG mieS VAN der roHebArCeloNA CHAir

Model no. Mr 250 Knoll, designed 1929; this example produced before 1972 Black leather and stainless steel 29”h x 29.5”w x 30”d

$1,000-1,500

69GeorGe NelSoNCoffee TAble from THe CATeNAry Group liNe

Model no. 6371 herman Miller, designed 1962 15.25”h x 36” x 36”

Literature: GEorGE NELSoN: ThE DESIGN

oF MoDErN DESIGN, NELSoN, 1995, PG

133-34

$2,000-3,000

68floreNCe kNollpArAllel bAr CouCH

Model no. 1205 S3 Knoll, designed 1954 30”h x 56”l x 30”d

$1,200-1,500

71JeAN-miCHel bASQuiATrome pAyS off

2004 Screenprint in colors Edition lower left; label verso from the Administrator of the Estate of Basquiat, signed by Gerard Basquiat hC, aside from the total edition of 20 Framed 45.5” x 41.5”

$10,000-15,000

4 54 5

72JeAN-miCHel bASQuiATleG of A doG

1983 Two color silk screen on okawara rice paper Pencil signature lower right From the signed edition of 11 40” x 31.25”

This print has kindly been authenticated by Fred Hoffman

$10,000-15,000

73CArlo buGATTiwriTiNG deSk

Studio, designed circa 1900 Ebonized wood, mahogany, leather, applied copper and Mother of Pearl 39.5”h x 24.75”w x 20”d

A similar example is in the permanent collection of National Gallery of Victoria, Australia.

Literature: BuGATTI : CArLo, rEMBrANDT,

ETTorE, JEAN, DuNSMorE, PELEuS PrESS,

2009, PG 38-39

$12,000-15,000

4 74 7

NOT ILLUSTRATED3mArCo zANuSopAir of “lAdy ” CHAirS

Arflex, designed 1951 Arflex foil label 30.5”h x 31”w x 31”d

$3,000-5,000

74CArlo buGATTiSide CHAir

Studio, designed circa 1900 Italian burl Walnut, lacking original parchment seat and back 41.5”h x 13.75”w x 19”d

A similar example is in the permanent collection of National Gallery of Victoria, Australia.

Literature: Bugatti: Carlo, rembrandt, Ettore, Jean, Dunsmore, Peleus Press, 2009, pg 36

$3,000-5,000

75CArlo buGATTiwAll mouNTed plANTer

Studio, designed circa 1900 Blackened wood, mahogany, applied copper and Mother of Pearl 36”h x 21”w x 7.25”d

$6,000-9,000

4 94 9

76CArlo buGATTiCorNer mouNTed CAbiNeT

Studio, designed circa 1900 Blackened wood, mahogany, applied copper, mirror and Mother of Pearl 49”h x 12”w x 9”d

$7,000-9,000

77dAmieN HirSTbuTTerflieS (6)

2008 Etchings in color Signed lower right; edition lower left #16 of 75 Sheet 17.5” x 16.25”; Framed 24.5” x 23.25”

$18,000-25,000

5 15 1

78frANCoiS-xAVier lAlANNerHiNoCeroS bleu

Executed 1981 Enameled Bronze retains label, see detail #83 of 150 9”h x 22” x 7”




$25,000-35,000

Francois-Xavier Lalanne, a French sculptor, is most noted for his Surrealist, inventive sculptures of animals. he received great success with commissions from famous fashion designers such as yves Saint Laurent, hubert de Givenchy and Karl Lagerfeld. Lalanne’s inventiveness was shown through the functionality of his sculptures, such as “rhinocretaire”, a life-size rhinoceros, whose side folded into a desk. Intending to demystify art, Lalanne looked at art as a “fun house” and promoted the usefulness of sculpture to eliminate the superfluous adoration of art.

5 35 3

79frANCoiS-xAVier lAlANNeSiNGeS ATTeNTifS Si & Sii

Executed 1999 Bronze with green patina Each with signature, edition, and foundry mark (see detail of SI) Each #1 of 8 SI: 29.5”h x 7” x 7”; SII: 30”h x 8” x 6”




$100,000-125,000

5 55 5

80pANel CArVepAir of CArVed wood doorS

Panel Carve, designed 1965 Each 80”h x 30”

$3,000-5,000

81eVelyN ACkermANbirdS of A feATHer

1962 Wool ErA Industrias Stitched “EA” and retains sewn tag “Evelyn Ackerman Design/handwoven in Mexico All Wool/c ErA Industrias rN 23103/Los Angeles, Calif” 19.5”h x 57”l

$1,500-2,000

82eVelyN ACkermANpuerTA

1959 Mosaic title ErA Industries 48.5”h x 13”w

$2,500-3,500

83Jerry ACkermANboTTle wiTH STopper

Jenev, executed 1955 Engraved signature “A Jenev Design Ackerman” 14.5”h

$300-500

85mAuriCe mArTiNelouNGe CHAir

Studio, designed circa 1948 29”h x 21”w x 25”d

$1,800-2,500

84AllAN GouldlouNGe CHAir

Possibly by Functional Furniture, designed circa 1950 29”h x 28”d x 20”l

$700-900

86luTHer w. CoNoVerlouNGe CHAir

Pacifica, designed circa 1950 30”h x 20”w x 20”d

$1,500-2,000

5 75 7

87AmeriCAN mid-CeNTurymAGAziNe TAble

Custom manufactured for the Associated American Artist’s Showroom, New york, designed circa 1952 18”h x 39”w x 26.5”d

$500-700

88lA GArdo TACkeTTdouble CoNe plANTer

Model no. Th-04 Architectural Pottery, designed circa 1955 Bisque, unglazed 25.5”h x 17.75”diameter

$800-1,200

89lA GArdo TACkeTTdouble CoNe plANTer

Model no. T-102 Architectural Pottery, designed circa 1955 White glaze 20”h x 10.5”diameter

$600-800

90lA GArdo TACkeTTlow double CoNe plANTer

Model no. IN-03 Architectural Pottery, designed circa 1955 Bisque, unglazed 16”h x 22”diameter

$800-1,200

91pipSAN SAAriNeN SwANSoNGroup of furNiTure

From the Sol-Air Collection Ficks reed Co., designed circa 1949 Comprised of 2 chaises, 6 armchairs, 2 coffee tables, one side table (not illustrated) Chaise: 30”h x 24”w x 54”d; Tables 15.75”h x 49”diameter; Square table 17.5”h x 20” x 17.5”; Chairs 31”h x 25.5”w x 27.5”d


MAy 1950

$3,000-5,000

92kArl HeuSSeNSTAmmuNTiTled

Studio, 1956 Sculpture Signed 29”h x 19” x 5”


$1,000-1,500

93kimurAVASe

Studio, 1967 Glazed ceramic Signed “Kimura 67” at base of vessel Approximately 16”h x 15”diameter

$2,000-3,000

5 95 9

95ellAmArie & JACkSoN woolleyeNAmeled plAQue eNCASed iN wood box

Studio, executed circa 1955 Signed “Ellamarie & Jackson Woolley 3780” 2”h x 5.75”w x 4.5”d

$2,000-3,000

96dAVid CreSSeybiomorpHiC GlAzed bowl

Model no. 6041 Architectural Pottery, designed circa 1965 Inscribed “16 CD” 2” x 7” x 6”

$300-400

94JoHN folliS & mArilyN kAy AuSTiNGroup of 10 plANTerS ANd oNe SHAllow bowl

Models C-0806, C-0808, SS-350, and Sr-700 & 6077 Architectural Pottery, designed circa 1963 Various sizes (largest 8.5”h x 8.5”diameter)

Provenance: A QuINCy JoNES & ELAINE K

SEWELL JoNES

$400-600

97ClAire fAlkeNSTeiNSCulpTure

Studio, executed circa 1965 Fused glass and bronze 17.5” x 13” x 15”

$12,000-15,000

98ClAire fAlkeNSTeiNuNTiTled

Circa 1950 oil on canvas with string Initialed verso and retains Falkenstein card 15”h x 30.5”

$4,000-6,000

99ClAire fAlkeNSTeiNuNTiTled (HorSe)

1993 Drawing Signed and inscribed verso, sold with three Falkenstein catalogues, see illustration online 9.25” x 12”


SEWELL JoNES

$300-500

6 16 1

101HeleN frANkeNTHAlerAerie

2009 Lithograph with hand-torn deckled edges #18 of 128 Signed lower right; edition lower left Sheet 39” x 30”

$4,000-5,000

100HeleN frANkeNTHAlerA pAGe from A book: i- i i i (3 workS)

1997 Etchings on handmade paper Each signed, dated and numbered; Tyler Graphics blind stamp #9 of 60 Each 10” x 24.75”




$9,000-12,000

102dAVid HoCkNeyNo. #4 (from doG wAll)

1998 Etching Signed and dated lower right; edition lower left; Alan Cristea Gallery label verso #25 of 35 Image 16.5” x 19”; Framed 26.5” x 29.25”

$5,000-7,000

103dAVid HoCkNeyA Hollywood ColleCTioN ( ‘A piCTure of A lANdSCApe iN AN elAborATe Gold frAme’)

1965 Lithograph in six colors printed on rives BFK paper Signature, dated, edition lower right of image Trail Proof II, aside from the edition of 85 Printed by Kenneth Tyler at Gemini Ltd Sheet 30.25” x 22.25”; Framed 42” x 34”

Literature: DAVID hoCKNEy By DAVID

hoCKNEy, ABrAMS, 1976, PG 122

$3,000-5,000

104AmeriCAN moderNTwo-pieCe SeTTee

Fortress, designed 1988 retains “Fortress” labels with LACMA inventory number 37”h x 69”l x 31”d

Custom designed and built as gallery furniture at LACMA in 1988 during a retrospective on David hockney.

$2,000-3,000

6 36 3

105roberT rAuSCHeNberGuNTiTled (feATureS & CurreNTS)

1970 Screenprint signed with edition lower right 40” x 40” #47 of 50

$2,000-3,000

106roberT rAuSCHeNberGuNTiTled (feATureS & CurreNTS)

1970 Screenprintsigned with edition lower right 40” x 40” #47 of 50

$2,000-3,000

107roberT rAuSCHeNberGeArTH dAy

1970 offset lithograph Signed lower center and dated “70” From the signed edition of 300 Published by Castelli Graphics for the American Environment Foundation Sheet 33.5” x 25.5”

$1,000-1,500

108roberT rAuSCHeNberGCurreNTS

1970 offset lithograph unsigned From the edition of 300 Sheet 34.75” x 30.5”

Literature: roBErT rAuSChENBErG,

SMIThSoNIAN, 1976, PG 178

$1,000-1,500

109lyNN foulkeSuNTiTled

1961 oil on paper Pasadena Art Museum and Dilexi Gallery label verso Image 4.5” x 2.75”; Framed 13.25” x 10”

$3,000-5,000

110roberT moTHerwellSooT blACk SToNe #5

1973 Lithograph Signature and edition lower right #21 of 53 Sheet 35” x 23”; Framed 40.25” x 28.5”

$1,500-2,000

6 56 5

111AmeriCAN iNSTiTuTe of ArCHiTeCTSArCHiTeCTurAl AwArd

1969 66”h x 50” x 24”

This composition was awarded to A. Quincy Jones and Fredrick E. Emmons for their outstanding architectural achievements as the Firm of the year in 1969. The structure illustrates the important collaborative projects between Jones and Emmons, and are showcased by photographs from Julius Shulman.



$800-1,200

112CHArleS eAmeS & elAiNe k Sewell JoNeSTexTileS ANd obJeCTS publiCiT y book 1961

hand assembled by Elaine K Sewell Jones for the opening of the New york Show-room. Less than fifteen of these books were made. It includes 12 original silver gelatin photographs by Charles Eames of the Alexander Girard-designed interior. Each image stamped and notated verso. 7.5” x 8”

Provenance: ELAINE K SEWELL JoNES

$800-1,000

113HerberT reAdA CoNCiSe HiSTory of moderN SCulpTure

Published by Frederick Praeger, 1964 Paperback book

This book has been signed by over 25 artists including Isamu Noguchi, harry Bertoia, rufino Tamayo, Jacques Lipchitz, George rickey, Leonard Baskin, Peter Gebhardt, Leonard Edmondson, Keith haring, Nechita, Jose Luis Cuevas and others.

$1,000-1,500

A. Quincy Jones (1913–1979), a purely modernist architect, is most noted for his innovative buildings and environmentally conscious urban planning. Jones partnered with Fredrick E. Emmons to produce thousands of Eichler homes, and received commissions for churches, universities, manufacturing plants, and libraries. Jones and Emmons

worked with new materials, were very aware of site design, and gave attention to the user. They took advantage of the pre-fabricated industrial units of the time and fused custom-built and merchant-built homes, making homes both affordable and livable for post-war middle class Americans.

114JuliuS SHulmANA . QuiNCy JoNeS buildiNGS(8)

Printed circa 1950s-60s Vintage Silver Gelatin prints Each retains “Photography by Julius Shulman” ink stamp and inventory numbers Comprised of images of St. Matthews Church, Sidney Brody residence, Sascha Brastoff Factory & Showroom (4) and Klein Norton & Co building (2) Each 8.5” x 11.5”

$2,000-3,000

6 76 7

115JuliuS SHulmANA . QuiNCy JoNeS buildiNGS(6)

Printed circa 1950s-60s Vintage Silver Gelatin prints Each retains “Photography by Julius Shulman” ink stamp and inventory numbers Comprised of images of the Griffith Park Girls Camp, Palm Springs Tennis Club (2), Steel house, St. Matthews Church, and King Cole Market Each 10.5” x 13.5”

$2,000-3,000

116dAVid CreSSey & bob mArTiNGroup of 3 lArGe plANTerS

Model no. 5050 Architectural Pottery, designed circa 1963 Pro/Artisan Series with “random Line” texture Form designed by Martin and texture by Cressey Each 25.5”h x 23”diameter



$3,000-5,000

117A . QuiNCy JoNeSArCHiTeCTS deSk

Custom designed circa 1948 for his architectural office 25.25”h x 73”l x 36.75”d



$2,000-3,000

6 96 9

118dAVid CreSSey & JoHN folliSGroup of 3 plANTerS

Model no. AP-5010 and 4062 Architectural Pottery, designed circa 1963 Form designed by Cressey and texture by Follis Two are 10”h x 13”diameter; one 11”h x 13”diameter



$1,000-1,500

119AmeriCAN moderNGroup of 6 drAfTiNG/bAr SToolS

A. Quincy Jones used these from the 1940s thru the 1970’s in his various architectural offices. Each 30”h x 16”diameter



$600-900

120A . QuiNCy JoNeSArCHiTeCTurAl AwArd model

Circa 1969 This model was a miniature of the large scale Firm of the year 1969 award. 20” x 16” x 6”

$400-600

121CHArleS & rAy eAmeSGroup of 8 eTr TAbleS

herman Miller, designed Each 10”h x 15.5” x 13.25”



$1,000-1,500

122CHArleS & rAy eAmeSpAir of louNGe CHAirS (2)

Model no. LAX Zenith Plastics Co. for herman Miller, designed 1950 Molded fiberglass retains Zenith/herman Miller label Each 25”h x 25” x 25”

$2,000-3,000

7 17 1

123CHArleS & rAy eAmeSHANG-iT-All

Tigrett Enterprises, designed 1953 15”h x 20” x 7”

This “hang-it-all” was a gift from ray Eames to Elaine Jones



$2,000-3,000

124CHArleS & rAy eAmeSpAir of ArmCHAirS

Model no. DAr herman Miller, designed 1952 one retains herman Miller label Each 31”h x 24”d x 25”w

$700-900

126CHArleS & rAy eAmeSCoffee TAble

Model no. CTW herman Miller, designed 1946 Finish in red aniline dye 15.5”h x 34”diameter

$3,000-5,000

125CHArleS & rAy eAmeSlouNGe CHAir

Model no. LCW Evans Products for herman Miller, designed 1945 Finish in red aniline dye retains “Evans Products” label 26.75” x 22”w x 24”d

$1,800-2,000

129CHArleS eAmeSeAmeS HouSe pHoToGrApH

Circa 1950 Silver Gelatin print Image 7.25” x 8”; Framed 14.75” x 15.5”

$2,000-3,000

127CHArleS eAmeSeiffel Tower CHAir pHoToGrApH

Circa 1951 Silver Gelatin print Image 7.5” x 9”; Framed 17” x 18”

$2,000-3,000

128CHArleS eAmeSTHe Toy pHoToGrApH

Circa 1951 Silver Gelatin print Image 4.75” x 6”; Framed 9.75” x 10.75”

$1,000-1,500

7 37 3

131ANdrew SpeNCeuNTiTled (#83.11 )

1983 oil on linen Signed and inscribed “83.11” verso 54.25” x 36”

Provenance: MAX ProTETCh, NEW yorK;

PrIVATE CoLLECTIoN, NEW yorK

(ACQuIrED FroM ThE PrEVIouS oWNEr IN

1984 ); PrIVATE CoLLECTIoN oF GLC ArT

Co LLC; GErArD L CAFESJIAN, PrESIDENT

$3,000-5,000

130ellSworTH kellyyellow oVer blACk (ix .20)

1964-65 Lithograph on rives BFK paper Signed lower right; edition lower left Artist Proof aside from the edition of 75 Printed by Marcel Durassier at Imprimerie Maeght Sheet 35” x 23.5”; Framed 38.75” x 26.75”

Literature: ThE PrINTS oF ELLSWorTh KELLy:

A CATALoGuE rAISoNNE 1945-1985, AXSoM,

huDSoN PrESS, PG 49- 50

$3,000-5,000

331edwArd fieldSruG

1973 Virgin wool Signed verso 67” x 127”

$3,000-5,000

132ellSworTH kellyGAlerie mAeGHT (3)

1958 Group of 3 color lithographs unknown edition size 27” x 20.5”; 27” x 21.25”; 27.5” x 21”

Published by Imprimerie Arte, Paris for his first one man exhibit at Galerie Maeght

Literature: ThE PrINTS oF ELLSWorTh

KELLy: A CATALoGuE rAISoNNE 1949-1985,

AXSoM, huDSoN hILL , 1987, PG 181

$2,500-3,500

7 57 5

136Norio AzumApeACeful imAGe

Circa 1972 Signed lower right, title and edition lower left #19 of 45 25” x 30”

$2,000-3,000

135yAACoV AGAmuNTiTled

Circa 1970 Serigraph on 3-D #23 of 90 Edition lower left; signed lower right

$500-700

134mAx billuNTiTled

1972 Screenprint #83 of 100 Signed lower right; edition lower left

$600-900

133roberT mANGoldyellow liNe priNT

1974 Signed lower left; edition middle; title and date lower right #20 of 100 Sheet 22” x 22”; Framed 26” x 26.25”

$1,000-1,500

138woo SANG koHNATASHA

Circa 1990s Digital print Signed in ink verso 48” x 28.5”

Provenance: FroM ThE

PrIVATE CoLLECTIoN oF

GLC ArT Co LLC; GErArD L


$2,000-3,000

139THomAS STruTHroSe, wiNTerTHur

1990 From the edition of 40 Image 15.25” x 19.75”; Framed 24.75” x 30.5”

$1,000-1,500

137pHilip peArlSTeiNuNTiTled

1970 Color lithograph Signature, date, edition upper left corner Edition of 50 Framed 30.5” x 22.25”

$1,000-1,500

7 77 7

140roberT mAppleTHorpemArT y & VeroNiCA

1982 Silver Gelatin print Signed and dated lower right; stamped verso “Photo By: robert Mapplethorpe” Image 10” x 10”; Sheet 14” x 11”; Framed 18.75” x 17.5”

$5,000-7,000

141roberT mAppleTHorpelilieS ANd SHAdow

1984 Monochrome photogravure on Arches Signed lower right; edition lower left #16 of 40 From the Flowers portfolio Image 21” x 17.75”; Framed 39” x 33.5”

$5,000-7,000

7 97 9

142Herb riTTSfred - bACk View wiTH CHAiN (from body SHop SerieS)

1984-85 Silver gelatin print Signed, titled, dated and numbered verso Edition of 25 18.75” x 15”

$6,000-9,000

143JoHN bAldeSSAriJACob’S lAdder

2004 Anodized print on aluminum elements, anodized aluminum frame and base with integrated motor and gear system. #33 of 50 29.25” x 11.75” x 7”

$6,000-7,000

8 18 1

144riCHArd AVedoNwArHol

1971 Silver Gelatin print Signed and dated lower right; titled lower left Image 10” x 8”; Framed 18.5” x 16”

$3,000-5,000

145dAmieN HirSTfor THe loVe of God

2008 Silkscreen with Diamond dust Signature lower right; edition lower left #118 of 1000 Sheet 12.75” x 9.5”; Framed 21” x 18”

$3,000-4,000

8 38 3

146lArry ClArkuNTiTled (from TulSA)

1971 Silver Gelatin print Image 8” x 12”; Framed 16” x 20”

$2,000-3,000

147lArry ClArkuNTiTled (from TulSA)

1971 Silver Gelatin print Image 12” x 8.5”; Framed 20” x 16”

$2,000-3,000

148roy liCHTeNSTeiNbruSHSTrokeS (#45)

1967 Screenprint on off-white wove paper Signature, dated and edition in pencil lower right #159 of 300 Published by Leo Castelli for the Pasa-dena Art Museum, of which a poster was also published Sheet 23” x 31”

Literature: ThE PrINTS oF roy LIChTEN-

STEIN: A CATALoGuE rAISoNNE 1948-1993,

CorLETT, huDSoN

$9,000-12,000

149roy liCHTeNSTeiNSTill life wiTH red JAr

1994 Screenprint in colors Signature, date and edition lower right #74 of 250 Published by Gemini G.E.L Framed 26” x 23”

$8,000-10,000

8 58 5

150roy liCHTeNSTeiNbull i-Vi (6 workS)

1989 Glazed ceramic Gemini G.E.L. Each with signature, titled, edition and copyright stamps verso #50 of 51 Each 12” x 12”




$8,000-12,000

151GerTrud & oTTo NATzlerSpHeriCAl VASe, CloSed form

Natzler inventory #490 Studio, 1940 Terra-cotta with velvet blue mat glaze, partially glazed, flowing Signed “G&o Natzler” 8.5 cm h x 11.5 cm diameter

Certain techniques used on this form are similar to those Otto devised originally in Vienna; not glazing the inside of a closed form, applying the glaze as an overflow so that one could see the soft glaze edge and the terra-cotta color of the smoothed clay surface. Only five ceramics received this Velvet Blue mat glaze, which is similar to a glaze on a bottle the Natzler’s made in Vienna in 1938, making this form particularly rare.

Exhibited: F INE ArTS GALLEry, SAN DIEGo

(NoW ThE SAN DIEGo MuSEuM oF ArT ),

1940

$6,000-8,000

152oTTo NATzleroVAl form wiTH frAGmeNTed Top

Natzler inventory # X073 Studio, 1977 Pale green crater glaze with grey blotches Signed “otto Natzler” and numbered “Xo73” 23.6cm h x 11.5cm w x 7.5cm deep

$5,000-7,000

8 78 7

153CHriSTowrApped Tree, proJeCT

1979 Color lithograph with mixed media Signature and edition lower right; titled lower left #53 of 99 Published by Editiones Poligrafa 22” x 27.5”

Provenance: LEE NAIMAN GALLEry, NEW

yorK; PrIVATE CoLLECTIoN, CALIForNIA

$3,000-5,000

155kwok Hoi CHAN“zeN” CHAir

Steiner, designed 1970 24”h x 36”w x 22”d

$2,000-3,000

154AmeriCAN pop ArTACryliC Coffee TAble wiTH NeoN iNTerior

Manufacturer unknown, designed circa 1968 11” x 24” x 24”

$2,000-3,000

156willy GuHlGArdeN plANTer

Eternit AG, designed circa 1955 37.5”h x 22”diameter

$1,500-2,000

157NANNy STillHANGiNG liGHT

Dutch Company raak, designed circa 1970 Approximately 62”h

$2,000-3,000

8 98 9

158ViCTor VASArelydVA-dVA

1978-86 oil on canvas Signed “Vasarely” lower center; signed again (twice), titled and dated verso 44.875” x 44.875”




$80,000-120,000

159JASoN SeleyuNTiTled

1970 Welded steel automobile bumpers on a metal base Together with MoMa book (Americans 1963) and poster from an exhibition in Berlin 1970 28.5”h x 22” x 17”

$7,000-9,000

161roberT koVACS, ATTribuTedpAir of floor lAmpS (2)

Manufacturer unknown, designed circa 1969 72”h x 11” x 7.5”

$3,000-5,000

160VerNer pANToNeASy CHAir G

Fritz hansen, designed 1973 one of ten models (A thru L) designed for the “System 1-2-3” seating and table series. 27.5”h x 23”w x 34”d

Literature: VErNEr PANToN: ThE CoLLECTED

WorKS, VITrA DESIGN MuSEuM, 2000, PG 265

$2,000-3,000

9 19 1

162doNAld JudduNTiTled (No. 97 )

1974-1979 Aquatint in black Signature and edition lower right #46 of 175 Printed at Styria Studio, New york Sheet 40” x 29”; Framed 43.75” x 32.25”

Literature: DoNALD JuDD: PrINTS AND

WorKS IN EDITIoNS, A CATALoGuE rAI-

SoNNE, SChELLMANN

$3,000-5,000

163eTTore SoTTSASSulTrAfrAGolA lAmp

Poltronova designed 1970, this example produced later Mirror with pink neon lighting 77”h x 41”w x 3.5”d

Literature: ETTorE SoTTSASS: FurNITurE

AND A FEW INTErIorS, ArNoLDo MoNDA-

DorI EDITorE, 1985, PG 66

$5,000-7,000

9 39 3

167roberT SoNNemAN, ATTribuTedpAir of CANTileVered floor lAmpS

Manufacturer unknown, designed circa 1968 Each 45”h x 21”w

$2,000-3,000

165GiNo SArAfATTi, ATTribuTedAdJuSTAble wAll lAmp

Possibly by Arteluce, designed circa 1954 Adjustable

$1,500-1,800

164GAmboNebull

Studio, designed circa 1965 Glazed ceramic Signed “Gambone Italy” 9”h x 13.5”l x 4.5”w

$800-1,200

166CASATi & poNziopeloTA TAble lAmpS (2)

Studio DA, designed 1970 Each 12”h x 4.25” x 9”

$1,500-2,000

168HerberT bAyerCHromATiC ACCrumeNT

1971 Acrylic on canvas Signed, dated and numbered lower right; inscribed verso “Bayer 1971 102 Chromatic Accrument” 50” x 50”

Provenance: MArLBorouGh GALLEry,

NEW yorK; hoKIN GALLEry, PALM BEACh;

PrIVATE CoLLECTIoN oF GLC ArT Co LLC;


$6,000-9,000

9 59 5

169NANdA ViGouTopiA TAble lAmp

Arredoluce, designed 1970 Stainless steel retains label 24” x 24” x 6”

Literature: ITALy: ThE NEW DoMESTIC

LANDSCAPE, AMBASZ, MoMA , 1972, PG 58

$12,000-15,000

171VASA uNTiTled

1985 Acrylic sculpture Etched signature “#2664 Vasa c 1985” 18.5”h x 23” x 3”

$1,000-1,500

170JACk leNor lArSeNmAGNum fAbriC

Larsen Design Studio, designed 1970 Cotton, vinyl, nylon, polyester; backed with nylon scrim 58” x approx. 3 yards

This fabric design was first commissioned for the Phoenix Civic Plaza Symphony Hall curtain in 1970. Because of its popularity this pattern was produced by Larsen in a variety of colors until 1992.

$8,000-10,000

9 79 7

172ViCTor VASArelyuNTiTled

1958 Lithograph Signed lower right; edition lower left #105 of 200 Sheet 26.5” x 26.5”; Framed 27” x 27”

$1,000-1,500

173ViCTor VASArelyuNTiTled

Circa 1975 Silkscreen in colors on paper Signed lower right; edition lower left #166 of 250 Image 34” x 16.5”; Framed 45.75” x 28”

$1,000-1,500

174ViCTor VASArelyNepTuNe

Silkscreen in colors on paper Signed lower right; edition lower left #162 of 250 Image 16” x 15.5”; Sheet 24.5” x 19.25”

$700-900

175STudio TeTrArCHpAllAde floor liGHT

Artemide, designed 1968 12”h x 14”diameter

$800-1,200

176ViSToSi TAble lAmp

Vistosi, designed 1970 20”h x 19”diameter

$1,500-2,000

177JoHN GArreTTVulCAN proGeNiTor

1990-1992 Aluminum with galvinized and stainless steel 23” x 24” x 23.5”




$2,000-3,000

Pho

togr

aphs

cou

rtes

y of

Jon

n C

oolid

ge P

hoto

grap

hy

9 99 9

179C JereCrANe lAmp

Studio, 1977 Signed “C Jere 1977” 75”h x 31”w

$2,000-3,000

180milo bAuGHmANpAir of louNGe CHAirS

Thayer Coggin, Inc., designed circa 1965 retains “Thayer Coggin, Inc, high Point, NC” label 27”h x 28.5” x 32”d

$3,000-5,000

178miCHAel & frANCeS HiGGiNSmobile

Studio, designed circa 1965 Etched signature “higgins Studio” 32”h x 23”

$2,000-3,000

182kim brookSCouGAr

Gouache on paper Signed lower right 25.5” x 37”

Provenance: STrEMMEL GALLErIES LTD;



$1,500-2,000

181louiS berTrANdTribuNAl , freNCH GuiANA , 1930S

1981 Acrylic Signed lower right 11.6” x 11.5”




$2,000-3,000

1 0 11 0 1

183bruCe rubeNSTeiNuNTiTled

2002 oil and mixed media with collage on canvas Signed and dated verso 72”h x 60”w

$10,000-15,000

187SuSAN rANdiSlANd roAd

1999 oil pastel on canvas 48” x 36”




$2,000-3,000

185Joe zuCkerTouCAN

1980 Cast paper pulp on paper Signed and dated lower left 33” x 33”




$4,000-6,000

186duNCAN HANNAHblue NoTe

1981 oil on canvas Initialed lower left, dated lower right, titled lower center; signed again and dated verso “1981 Feb-May” 38” x 38”

Provenance: ChArLES CoWLES GALLEry,

NEW yorK; PrIVATE CoLLECTIoN oF

GLC ArT Co LLC; GErArD L CAFESJIAN,

PrESIDENT

$3,000-5,000

184kAreN leGeNHAuSeNSummer TrAil

Pastel 24” x 24”




$2,000-3,000

1 0 31 0 3

188VeSNA kreziCH kiTTelSoNSelf porTrAiT

oil on canvas Shaped canvas 19.5” x 17”




$2,000-3,000

190HANS J. weGNerCoNVerTible dAybed

Getama, designed 1954 28”h x 34”d x 81”l

$1,000-1,500

189fiNN JuHlpAir of louNGe CHAirS

Model no. 137 France & Sons, designed 1959 retains Fritz hansen tag 26.5”h x 27”d x 28.5”l

Literature: DECorATIVE ArT 1959-1960,

VoLuME 49, STuDIo LIMITED, 1949, PG 24

$2,500-3,500

1 0 51 0 5

191fiNN JuHlCHiefTAN CHAirS (2)

Baker, designed 1949; these chairs produced after 1955 retains Baker labels 41”h x 36.5”w x 37.5”d

$10,000-15,000

192HANS J. weGNerpApA CHAir ANd oTTomAN

Model no. AP19 A.P. Stolen, designed 1951 38.5”h x 36” x 36”; ottoman 16”h x 27.5” x 16”

$5,000-7,000

193roGer CAproNCoffee TAble

Studio, designed circa 1970 Inset ceramic tiles with wood frame Signed “r. Capron” 14”h x 22.5”w x 46.5”l

$1,500-2,000

1 0 71 0 7

194berNArd rederSmAll TrumpeT plAyer

1957 Bronze and marble This is a reduced version of the bronze created in 1956 12” high plus base

Provenance: WorLD houSE GALLErIES,

NEW yorK, ACQuIrED FroM ThE ArTIST IN

1958; PrIVATE CoLLECTIoN oF GLC ArT Co

LLC; GErArD L CAFESJIAN, PrESIDENT

Exhibited: WorLD houSE GALLErIES

“rECENT SCuLPTurE JAN - FEB 1959,

CATALoGuE No 1 1 ; NEW SChooL ArT CENTEr ,

NEW yorK, SCuLPTurE FroM ThE ALBErT A

LIST FAMILy CoLLECTIoN, oCT - NoV 1965,

CATALouGE No 63

$2,000-3,000

195SCHool of pAriSreCliNiNG fiGure

Mid-twentieth century Cast plaster 7”h x 12” x 6”


$800-1,000

196doNAld SulTANfruiTS ANd flowerS (SuiTe of 8)

1991 Screenprint in colors Inscribed with edition Artist Proof #16 of 20 (7 works) and #6 of 20 (1 work) Each 23” x 22”




$10,000-15,000

1 0 91 0 9

197HANS J. weGNerdrop leAf TAble ANd 6 CHAirS

Model no. 309 Andr. Tuck, designed circa 1953 Branded “Fabrikat=Andr. Tuck/Arkitekt=hans J. Wegner/Made in Denmark” Table 28.5”h x 34” x 89” (fully extended); Chairs 29.5”h x 21”w x 16”d

$3,000-5,000

198HANS J. weGNerpeACoCk CHAir

Model no. 550 Johannes hansen, designed 1947 Ash and teak Branded “Johannes hansen/Copenhagen Denmark” 41.25”h x 30”w x 28”d

Wegner designed this chair after the English Windsor chair, but fellow designer Finn Juhl famously renamed it the Peacock chair.

Literature: DANISh ChAIrS, ChroNICLE

BooKS, 1996, PG 106

$1,800-2,500

1 1 11 1 1

199SAm frANCiSuNTiTled (Sfe-064 )

1987 Etching with aquatint Artist Proof Signed lower right; inscribed “Bon a Tirer” and dated “3 Mai 1987” lower left Image 34.75” x 39”; Framed 48” x 51.5”

$7,000-9,000

200SAm frANCiSweb (Sfe-136)

1972 Screenprint #16 of 50 Signature and edition lower right Sheet 42.5” x 54.5” Framed 47” x 59”

$5,000-7,000

201GeorGe NelSoNArmCHAir

Model no. DFh herman Miller, designed 1958 retains label 29”h

$500-700

202CHArleS & rAy eAmeSlouNGe CHAir

Model no. LCW herman Miller, designed 1945 Branded “Woodpecker Industries Inc. Los Angeles uSA” 27”h x 22”w x 22”d


$300-500

203GeorGe NelSoN SwAG leG TAble

17”h x 17”diameter



$200-300

204AlVAr AAlTo Group of 3 STACkiNG SToolS

Branded “Aalto Design Made in Sweden” 17.25”h x 15”diameter



$100-200

205mArCel breueroCCASioNAl TAble

Model no. 50T1-F1 Knoll, designed circa 1927, this example later 18”h x 21.5” x 19”

$400-600

206riCHArd SCHulTzpeTAl TAble

Knoll, designed 1960 retains label 19”h x 16”diameter

$600-800

1 1 31 1 3

207CHArleS & rAy eAmeSdCm CHAir

herman Miller, designed 1952 30”h x 19.5” x 21”


SEWELL JoNES

$400-600

209HArry berToiAdiAmoNd CHAir ANd oTTomAN

Model no. 422Lu Knoll Inc., designed 1952 Blue ultra suede cover retains Knoll, Inc. label 28”h x 31”d x 45”l

$800-1,200

210CHArleS & rAy eAmeSSofA CompACT

Model no. 473 herman Miller, designed 1954 36”h x 29”d x 71”

$1,500-2,000

211GeorGe NelSoNplATform beNCH

Model no. 4692 herman Miller, designed circa 1955 14”h x 18.5”w x 72.5”l

$500-700

212GeorGe NelSoNplATform beNCH

Model no. 4692 herman Miller, designed circa 1955 14”h x 18.5”w x 71”l

$500-700

208CHArleS & rAy eAmeSdCm CHAir

herman Miller, designed 1952 30”h x 19.5” x 21”


SEWELL JoNES

$400-600

213ed ruSCHAlibrAry & book reTurN (2)

1994-95 hard-ground etching on Dieu Donne handmade cotton paper with deckled edges Each signature lower right; edition lower left #31 of 40 and #33 of 40 Sheet 20” x 23.5” and 23.25” x 19.75”; Framed 24” x 28” and 28” x 24.5”

Literature: EDWArD ruSChA: EDITIoNS

1959-1999: CATALoGuE rAISoNNE, ENG-

BErG, WALKEr ArT CENTEr (#224 & 225 )

$7,000-9,000

1 1 51 1 5

214edwArd ruSCHAANCHor iN SANd

1991 Lithograph in colors Signed, dated lower right; edition lower left #78 of 100 21” x 32”

This image was used on the cover of the 1992 issue of the journal “Paris Review”





1959-1999: CATALoGuE rAISoNNE,

ENGBErG, WALKEr ArT CENTEr (#213)

$3,000-5,000

215ed ruSCHAANGel

2006 Lithograph Signature and date lower right; edition lower left #33 of 50 Sheet 20” x 16”; Framed 28.5” x 24.5”

$4,000-5,000

217ed ruSCHASpATTerSHip

1990 Lithograph Signature and date lower right #68 of 100 Sheet 36” x 27”; Framed 44.25” x 35”



BErG, WALKEr ArT CENTEr (#202)

$4,000-5,000

218edwArd ruSCHAbrewS

1970 Screenprint in colors on wove paper Signed and numbered #24 of 75 Published by Editions Alecto 23” x 32”


1959-1999: CATALoGuE rAISoNNE, ENGBErG,

WALKEr ArT CENTEr (#40)

Provenance: FroM ThE PrIVATE CoLLECTIoN

oF GLC ArT Co LLC; GErArD L CAFESJIAN,

PrESIDENT

$3,000-5,000

216ed ruSCHAiT iS A Go

2009 Lithograph Signature and date lower right; edition lower left #16 of 50 Sheet 23.25” x 19”; Framed 28.75” x 24.5”

$4,000-5,000

1 1 71 1 7

220edwArd ruSCHATHirT yfour pArkiNG loTS iN loS ANGeleS

1967 Published by the artist First Edition

$3,000-5,000

219edwArd ruSCHACArp

1969 Lithograph Published by Tamarind Lithography Workshop Signed and dated lower right #9 of 20 Printed on Arches with deckle edges Sheet 17” x 24”; Framed 20.5” x 27.5”



BErG, WALKEr ArT CENTEr (#10)

$7,000-10,000

221lAddie JoHN dilluNTiTled

1968 Lithograph Signed “L Dill ‘68” lower right; edition lower left #8 of 9 22.25” x 21.75”

$1,200-1,500

223peTer VoulkoSVASe

Studio, executed circa 1955 Stoneware Signed “Voulkos” 7.75”h x 5.5” x 4”

$4,500-5,000

225elSA rAdyGlAzed porCelAiN bowl

Studio, 1981 Signed “Elsa 81” Together with exhibition catalogue of the artist’s work 7.25”h x 9.25”w

$1,500-2,000

222peTer VoulkoSplATe

Studio, executed 1954 Stoneware Signed “Voulkos” 3”h x 15”diameter

$4,800-5,500

224ANNe HiroNdelleCerAmiC VeSSel wiTH bASe

Studio, executed circa 1980 Signed “AE hirondelle” overall height 14.5”h x 17” x 8.5”

$1,500-2,000

1 1 91 1 9

226lAddie JoHN dilluNTiTled

November 1974 Mixed media on canvas over plywood Verso “Laddie John Dill November 1974 Venice Cal” 83.5”h x 60”w

$4,000-6,000

227lAddie JoHN dillCoffee TAble wiTH GlASS Top (NoT illuSTrATed)

Executed circa 1994 Glass and concrete 15”h x 36” x 26.5”; with glass top 15.5”h x 48” x 30”

Laddie John Dill calls this work “Sculpture that is Functional”, for the base can be taken off and mounted to the wall. These works were all special commissions and less than ten were made.

LAMA wishes to thank the artist for his assistance in cataloguing this work.

$4,000-6,000

1 2 11 2 1

229keiTH HAriNG & ToSHiyuki kiTAoN TAro lAmp

1988 Signed “Keith haring 88” and “T. Kita” 21”h x 13” x 7.5”

$2,500-3,500

228keiTH HAriNGuNTiTled

1983 Silver ink on pink paper Signed dated and inscribed “For Nancy & Zack” recto at top (not pictured) Sheet 9.5” x 9.5”; Framed 13.25” x 12”

Provenance: ACQuIrED DIrECTLy FroM

ThE ArTIST, MIChELLE roSENFIELD GAL-

LEry, NEW yorK; PrIVATE CoLLECTIoN,

LoS ANGELES

$8,000-10,000

230ANdy wArHolJANe foNdA

1982 Screenprint on Lenox Museum Board Printed by rupert Jasen Smith Signed “Andy Warhol” lower left in black marker, inscribed lower right “Peace Jane Fonda” in pencil; signed by Jane Fonda verso in pencil #28 of 100 Together with original print documentation sheet and sales receipt dated July 1982 Sheet 39.5” x 31.5”

Literature: ANDy WArhoL PrINTS: A CATALoGuE

rAISoNNE 1962-1987, FELDMAN & SChELLMANN,

2003 (FS I I 268)

$15,000-20,000

1 2 31 2 3

231lArry riVerSCulTure box (4 workS pluS box )

Two not illustrated 1992 Screenprint in colors on folded sheet metal with original wooden box Each signed, dated and numbered #3 of 25 overall 23” x 24” x 6”




$4,000-6,000

232ANdy wArHolVAN HeuSeN (roNAld reAGAN)

1985 Silkscreen printed in colors on Lenox Museum Board Published by ronald Feldman Fine Arts, New york Signed in pencil and inscribed “AP 16/30” Artist proof #16 of 30; aside from the edition of 190 37” x 37”

Provenance: FroM ThE PrIVATE CoLLECTIoN oF GLC ArT Co


Literature: ANDy WArhoL PrINTS: A CATALoGuE rAISoNNE

1962-1987, FELDMAN & SChELLMANN, 2003 (FS I I 356)

$15,000-20,000

234ANdy wArHoledwArd keNNedy

1980 Color screenprint with Diamond dust Signature and edition lower right #182 of 300 40” x 32”

Published to raise funds for the Edward Kennedy primary campaign for president


1962-1987, FELDMAN & SChELLMANN, 2003, (FS I I 240)

$4,000-6,000

233ANdy wArHolkimiko

1981 Screenprint Signature and edition verso #200 of 250 36” x 36”


1962-1987, FELDMAN & SChELLMANN, 2003, (FS I I 237 )

$18,000-20,000

1 2 51 2 5

235floreNCe kNollpArAllel bAr CouCH

Model no. 1205 S3 Knoll, designed 1954 Blue vinyl 30”h x 84”l x 30”d

$3,000-5,000

236floreNCe kNollpArAllel bAr louNGe CHAirS (2)

Model no. 51W Knoll, designed 1955 Blue vinyl Each 30”h x 24”l x 30”d

$3,000-5,000

237dAVid roTHrANdom Color (4 workS)

1976-77 Color lithographs Each signed and dated lower right; edition lower left Artist proof Each 37” x 37”

$6,000-8,000

1 2 71 2 7

239HArry berToiAbird CHAir ANd oTTomAN

Model no. 423Lu Knoll, designed 1952 38.5”h x 38”w x 32”d


$700-900

240HArry berToiApAir of diAmoNd CHAirS

one Not Illustrated (white) Model no. 422L Knoll, designed 1952 Each 27.5”h x 44”w x 36”d


$600-800

238floreNCe kNollCredeNzA wiTH mArble Top

Model no. 2543M Knoll, designed 1961 20”h x 74.5”l x 18”d

$4,000-6,000

241SAm mAloofroCkiNG CHAir

Studio, executed 1986-89 Walnut and White oak with Ebony Signed “No.4 1989 Sam Maloof F.A.C.C.” 44”h x 26”w x 44”d

Sold with the original receipt and a signed copy of Sam Maloof Woodworker.

$35,000-45,000

1 2 91 2 9

242SAm mAloofdiNiNG TAble

Studio, executed 1982 American Black Walnut Signed “No. 35 1982 Sam Maloof F.A.C.C” 27”h x 48”diameter

$25,000-30,000

243New york SCHoolCArVed wood deSk ANd CHAir

Manufacturer unknown, designed circa 1969 Table 34”h x 48”w x 22”d; Chair 26.75”h x 21.75” x 16”d

$5,000-7,000

244Jill GuSSowHomAGe To A deAd doG

1977-79 Van Dyke Brown on fabric, photo etched brass, red ink 14” x 17”




$1,500-2,000

245Jill GuSSowHAirCuT

1977-79 Van Dyke Brown and quick print fabric, hair, hand coloring with ink and pencil 14” x 16”

This is a ritualistic-type piece that actually includes the hair of the person getting the haircut.

$1,500-2,000

1 3 11 3 1

246ruTH ASAwAuNTiTled (CoNTiNuouS form)

Executed late 1950s Crochet wire sculpture unique 68”h x 13”diameter

LAMA wishes to thank Aiko Cuneo for her assistance in cataloguing this lot.

$80,000-120,000

While in Toluca, Mexico in 1947, ruth Asawa learned how to crochet wire from a technique used to make egg baskets. According to Asawa these crotcheted wire sculptures are “three-dimensional drawings” floating across space. Instead of blocking and confining space, Asawa created interlocking patterns by using lines to capture a form that is still transparent. These sculptures were showcased in a retrospective exhibit of Asawa’s work at the San Francisco Museum of Modern Art in 1973 and more recently at the de young Museum in San Francisco in a 2007 exhibition “The Sculpture of ruth Asawa: Contours in the Air”.

249Jim diNeTHirT y boNeS of my body ( wire CuTTer)

1972 Dry point etching Signature, date and edition lower center #5 of 10 Catalogue #63-92 Sheet 31” x 22.25”; Framed 33.5” x 24.75”

Literature: J IM DINE PrINTS: 1970-197 7,

WILLIAMS CoLLEGE, hArPEr , 197 7, PG

60-64

$2,500-3,500

247Jim diNeTHirT y boNeS of my body (Spoke wreNCH)




60-64

$2,500-3,500

248Jim diNeTHirT y boNeS of my body (plyerS)




60-64

$2,500-3,500

250Jim diNeHiSToriA

1971 Etching, lithograph and screenprint in colors with hand coloring Signed, dated and numbered #17 of 80 Published by Petersburg Press 22” x 30.75”




$1,200-1,800

1 3 31 3 3

251rAlpH GoiNGSGem Top

1975 Watercolor on paper Signed and dated lower right unique Signed; o.K. harris Works of Art & Byron C. Cohen labels verso 9” x 13”; framed 18” x 22.5”

The subject matter of this work is a shopping center in Sacramento, CA

LAMA wishes to thank the artist for his assistance in cataloguing this work.

Provenance: oK hArrIS WorKS oF ArT, NEW

yorK; PrIVATE CoLLECTIoN oF GLC ArT Co LLC;


Literature: rALPh GoINGS, ChASE, NEW yorK,

1988, ILLuSTrATED oN PG 83

PhoTorEALISM, MEISEL , NEW yorK, 1980,

ILLuSTrATED PG 290

$30,000-50,000

1 3 51 3 5

252STAN biTTerSmoNumeNTAl freeSTANdiNG medAllioN SCulpTure

Glazed ceramic with welded metal unique Studio, 1969 Base signed “Stan Bitters 1969 With stand 63”h x 48”w x 32”d

Literature: ENVIroNMENTAL CErAMICS,

STAN BITTErS, LITToN EDuCATIoNAL

PuBLIShING, 1976

$12,000-15,000

253STAN biTTerSGArdeN TAble ANd 4 SToolS

hans Sumpf, designed 1960s, this example produced later Glazed ceramic Table 29”h x 32”diameter

Stan Bitters designed this seating unit while at Hans Sumpf and they continued producing it adding different decorative designs.

$2,000-3,000

1 3 71 3 7

254STAN biTTerSTHumb poT

hans Sumpf, designed circa 1960s Impressed “hSC B-24-20” 19”h x 23”diameter

$800-1,200

255STAN biTTerSlArGe bruSH Side poT

hans Sumpf, executed circa 1990s 24”h x 24.75” diameter

$700-900

256STAN biTTerSpAir of eArly THumb poTS

hans Sumpf, designed circa 1960s 12”h x 22”diameter and 12”h x 23”diameter

$1,200-1,500

257STAN biTTerSSHAllow bowl

Studio, executed circa 1968 Signed “Bitters” 7”h x 17”diameter

$500-600

258mAbel HuTCHiNSoNuNTiTled

Studio, 1973 Wood construction Verso “rosewood head Construction by Mabel hutchinson 1973” 12”h x 5.25”

$500-700

259mAlColm lelANdmACQueTTe

Studio, executed circa 1961 With stand 6.5”h x 4” x 2”

$1,500-2,000

260mAlColm lelANdbAS-relief

Studio, executed circa 1961 Signed “ML” With stand 10.75”h x 4.5” x 1”

$1,500-2,000

261mAlColm lelANdfruiT bowl/CeNTerpieCe bowl

Studio, designed circa 1951 Signed “Leland” 9”h x 9”diameter

$800-1,200

262mAlColm lelANdCompoTe

Studio, designed circa 1951 Glazed ceramic Signed “Leland” 9.5”h x 5.75”diameter

$700-900

1 3 91 3 9

263miCHAel ArNzbouNdAry SToNe SCulpTure

Studio, 1966 Glazed ceramic Approximately 46”h x 38” x 12”

Fascinated by the relationship humans have to the natural environment, this work was inspired by Arntz’s 1964 visit to the British Museum’s prehistoric galleries.

$5,000-7,000

268dAVid CreSSeyplANTer

Model “Phoenix 2” Architectural Pottery, designed circa 1963 Glazed ceramic From the Pro/Artisan series 23”h x 23”diameter

$2,500-3,500

267dAVid CreSSeyplANTer

Model “Phoenix 2” Architectural Pottery, designed circa 1963 Glazed ceramic From the Pro/Artisan series 23”h x 23”diameter

$2,500-3,500

266dAVid CreSSeyplANTer wiTH leAf TexTure

Model no. 4108 Architectural Pottery, designed circa 1963 Stoneware Form designed by Leland and glaze by Cressey From the Pro/Artisan Series 17.5”h x 17.25”diameter

$600-900

264dAVid CreSSey & JoHN folliSplANTer wiTH expreSSiVe TexTure

Model no. 4045r Architectural Pottery, designed circa 1963 “Terra umbra” glaze Form designed by Follis, texture and glaze by Cressey From the Pro/Artisan Series 17”h x 22.75”diameter

$1,000-1,500

265dAVid CreSSeyplANTer wiTH ribbed TexTure

Model no. 5059 Architectural Pottery, designed circa 1963 Stoneware From the Pro/Artisan Series 22.25”h x 14.25”diameter

$700-900

1 4 11 4 1

269dAVid CreSSeypAir of plANTerS wiTH ribbed TexTure

Model no. 4101 Architectural Pottery, designed circa 1968 Glazed ceramic From the Pro/Artisan Series Each 16”h x 10.5”diameter

$1,200-1,500

270pAolo SoleriHANGiNG bell

Arcosanti, designed 1950, this example later Bronze Stamped with artist foundry mark 39”h x 11” x 7”

$1,000-1,500

271mAlColm lelANdeArTHworkS relief

1966 Cast Aluminum Plaque attached verso one of 25 reliefs 20” x 12”

$2,000-3,000

272pHilip lloyd powellbAr CAbiNeT

Custom, 1967Walnut, slate, velvet, glass and found objects Approximately 107.5”h x 55”w (cabinet only) x 25”d

$70,000-90,000

After World War II Powell moved to New hope to build his own furniture and refurbish antiques. Powell opened a shop and began to sell Knoll and herman Miller designs, while including his own pieces in the store. Powell’s shop had great success and attracted other outsider artists of the time such as Paul Evans. Even though minimalist Scandinavian furniture was popular, Powell took a more naturalistic approach to the wood he used. Similar to the work of George Nakashima, who also worked in New hope, Powell allowed the organic indentions and curves to speak in his pieces. The success of the shop allowed Powell to continue to create works that were becoming commissioned by return clients, thus allowing him to feed his passion for traveling. When Powell did travel he brought back found objects to incorporate into his works, adding unique details to enhance each work as a whole.

1 4 31 4 3

274dAmieN HirSTuNTiTled (broNze SpoT lANdSCApe)

2008 Silkscreen with Diamond dust Signed lower right; edition lower left #20 of 150 Sheet 29.5” x 37”; Framed 33.75” x 41.5”

$5,000-6,000

273dAmieN HirSTuNTiTled (SilVer SpoT lANdSCApe)

2008 Silkscreen Signed lower right; edition lower left #20 of 150 Sheet 29.5” x 37”; Framed 33.75” x 41.5”

$5,500-6,000

1 4 51 4 5

275dAmieN HirSTloVe will TeAr uS ApArT

1995 Sintra Cabinet, needles and syringes #18 of 30 Tanya Bonakdar Gallery label verso signed by hirst, May 30, 1995 14” x 20” x 8.75” and a custom base with acrylic cover

$25,000-35,000

276riCHArd boSmANmouNTAiNeer

1986 oil on canvas 90” x 60”

Provenance: BrooKE ALEXANDEr

GALLEry, NEW yorK; PrIVATE CoLLECTIoN


PrESIDENT

$5,000-7,000

1 4 71 4 7

277riCHArd boSmANSuNSeT & life rAfT (2)

1983-84 & 1987 Etching on wove paper & Linocut in colors Each signed in pencil and numbered #24 of 40 and #32 of 40 21.75” x 29.25” and 38.75” x 29.5”




$1,500-2,500

278Jim dowHuberT H. HumpHrey meTrodome, AlmedA CouNT y ColiSeum & ArliNGToN STAdium ( TripT yCH)

1982 Photographs (3) Each signed, titled, dated and numbered verso Each #25 of 40 Each 7.75” x 29.5”




$3,000-5,000

1 4 91 4 9

279JAmeS JeNdroboATS AT reST

1997 Acrylic on canvas Signed lower right




$2,000-3,000

280dANA browNpier View

1999 Watercolor on paper 23.5” x 19.5”




$2,000-3,000

281SAlVAdor dAliTHe TwelVe TribeS of iSrAel (porTfolio of 13 workS)

1973 Color dry points printed on Japan paper Each signed lower right #18 of 35 (roman numerals); aside from the regular edition of 195 printed on rives Together in its original presentation box/bound portfolio 20.1” x 14.6” raisonne # 618-630, Michler/Lopsinger

$10,000-15,000

1 5 11 5 1

282CArole JeAN feuermANuNTiTled

1992 Mixed media (resin and oil) #2 of 9; however only two sculptures were realized Signed, dated and numbered 16.25” x 12.5” x 6.75”




$8,000-12,000

284GeorGe NAkASHimA“New ” Side CHAirS (2)

Studio, executed before 1954 American Black Walnut 36”h x 18.75”w x 18”d

$2,500-3,500

283GeorGe NAkASHimAeArly ANd rAre diNeTTe TAble

Studio, executed before 1954 28”h x 37.5”w x 33.75”d

$5,000-7,000

1 5 31 5 3

285GeorGe NAkASHimAeArly ANd rAre CHeST of drAwerS

Studio, executed before 1954 33.5”h x 56”l x 20”d

$4,000-6,000

286GeorGe NAkASHimAeArly ANd rAre CAbiNeT

Studio, executed before 1954 32.5”h x 54”l x 19.25”d

$4,000-6,000

287GeorGe NAkASHimAeArly ANd rAre CAbiNeT

Studio, executed before 1954 31.75”h x 60”l x 20”d

$4,000-6,000

288GeorGe NAkASHimApAir of louNGe CHAirS

Studio, executed before 1954 31”h x 25”w x 31”d

$7,000-9,000

289GeorGe NAkASHimAeArly ANd rAre diNiNG TAble

Studio, executed before 1954 28.5”h x 72” x 36.5”

$8,000-12,000

290GeorGe NAkASHimAwiNdSor CHAirS (4 )

Studio, executed before 1954 30”h x 23”w x 18.5”d

$2,000-3,000

1 5 51 5 5

291GeorGe NAkASHimACoNoid Coffee TAble

Studio, circa 1958 Marked “Schieller Sue” 14.25”h x 63”l x 20.5”w

$6,000-8,000

292GeorGe NAkASHimACoffee TAble

Studio, executed before 1954 15.5”h x 31” x 21”

$2,500-3,500

293GeorGe NAkASHimACoffee TAble

Studio, executed before 1954 14”h x 36” x 18”

$2,500-3,500

294GeorGe NAkASHimAGroup of 3 GrASS-SeAT CHAirS

Studio, designed circa 1947 American Black Walnut and Sea grass Each 27.25”h x 24”w x 19.5”d

$2,500-3,500

295GeorGe NAkASHimA3 -leG STool/beNCH

Studio, executed before 1954 10”h x 26” x 9”

$3,000-5,000

296GeorGe NAkASHimAmirA CHAir

Studio, executed before 1954 26.5”h x 19”w x 17”d

$800-1,000

297GeorGe NAkASHimAGrASS SeAT STool

Studio, executed before 1954 12.5”h x 20”w x 15”d

$500-700

1 5 71 5 7

298ANNA kATHeriNe SkeelewAr dANCe

Circa 1945 oil on canvas with artist’s frame Signed lower right; label verso “Sixth Annual Exhibition / Artists of Los Ange-les and Vicinity / Los Angeles County Museum - 1945” 35” x 43”

$3,000-5,000

Born in Wellington, ohio, Anna Katherine Skeele (1896-1963) first started her art studies while at olivet College in Michigan. After moving to Southern California in 1912, she settled in Monrovia and continued at Pomona College. Furthering her art studies in the 1920s, Skeele worked with Armin hansen in Monterey, ASL of NyC under hawthorn and Bridgman, Académie de la Grande Chaumière and André Lhote in Paris, and royal Academy of Arts in Florence. In 1951 Skeele and her husband Frode Dann established the Pasadena School of Fine Art.

299piero forNASeTTiGiro di CoNCHiGlie pATTerNed TrAy ANd STANd

Fornasetti, designed circa 1955 Tray retains Fornasetti label and also impressed “Fornasetti Milano Made in Italy” Tray: 1”h x 30.25” x 22.25”; with stand 31”h

$2,000-3,000

300lAwreNCe lASkeTooTHpiCk CACTuS Coffee TAble

Model no. 81-Tr-35 Knoll, designed 1993 Birdseye maple retains tag “Toothpick Cactus Table Knoll Studio 1993” with artist signature 16”h x 36”diameter

$2,000-3,000

1 5 91 5 9

301GrANT woodiNdiAN Creek

1927 oil on paper laid down on board Signed lower left; signed, titled and dated verso




$16,000-18,000

302THeopHile AlexANdre STeiNleNuNTiTled (STudy )

Together with another similar study Circa 1910 Graphite on paper Each signed lower right Image 8” x 3.25” (framed 17.25” x 12”) & Image 9.5” x 7.75” (framed 16.5” x 14”)

$1,000-1,500

304pierre boNNArduNTiTled

Circa 1930 Graphite on paper Initialed lower right Sheet 5” x 6.5”; Framed 11.75” x 13.5”

$2,000-3,000

303CAmille piSSArrouNTiTled

Circa 1890 Graphite on paper Initialed lower right Image 7.5” x 5.5”; Framed 14” x 11.5”

$5,000-7,000

1 6 11 6 1

305lArry HofmANNJuly eVeNiNG (SmAll Tree wiTH miSSiNG limb)

2008 Acrylic on canvas 38” x 44”




$4,000-6,000

306GeorGe GroSzNude oN THe beACH (ArTiSTS wife)

Circa 1942-46 oil on paper laid down on Masonite Signed “Grosz” lower right 19.75” x 14.25”

Peter Grosz has confirmed the authenticity of this painting

Provenance: FroM ThE PrIVATE CoLLECTIoN oF

GLC ArT Co LLC; GErArD L CAFESJIAN, PrESIDENT

$15,000-25,000

307GeorGe GroSzSeATed Nude

oil on paper laid down on canvas Signed lower right 23.25” x 15.75”



$15,000-25,000

1 6 31 6 3

308GeorGe GroSzTHree GeNTlemeN

1927 Ink on paper Signed lower right and dated 1927; inscribed “Erich & Lena with my best Christmas wishes, from George Grosz, Dec 1956” Image 24” x 18.5”; Framed 31.5” x 26”



(ChrISTIES EAST, NEW yorK 1993)

$8,000-10,000

309le CorbuSierwArdrobe from uNiTe d’HAbiTATioN, mArSeille

Studio, designed 1952 61.25”h x 41”w x 22”d

$7,000-9,000

310JeAN prouVebed

Comm. Lycee Fabert, Metz, France, designed 1935 34”h x 32”w x 75”d

$4,000-6,000

1 6 51 6 5

311HeNri mATiSSefiGure ASSiSe, bouQueT de fleurS deVANT lA mer

1923 Lithograph on Japan paper Signed lower right; edition lower left #25 of 60 Image: 11.75” x 8.5”; Sheet 17.75” x 11.25”

Literature: MATISSE LIThoGrAPhS,

LAMBErT, LoNDoN, 1972

$18,000-25,000

312AlberTo GiAComeTTiuNTiTled (STudy of HeAd)

Circa 1960 Ink on paper In pencil verso “7350.B” and “B” 2.5” x 4.5”; framed 16.75” x 12.25”



$10,000-20,000

1 6 71 6 7

313JAmeS CoiGNArduNTiTled (profile Sur ouVerTure GAuVe)

1978 oil on canvas Signed lower right; titled on stretcher verso 25” x 20.75”

Provenance: MIChELLE roSENFELD

GALLEry, NEW yorK;

PrIVATE CoLLECTIoN, CALIForNIA

$3,000-5,000

314JeAN roberT ipouSTeGuyl’Homme Qui riT

1960 Bronze Signed twice #4 of 6 9.5” x 7” x 7”

Provenance: MIChELLE

roSENFELD GALLEry, NEW yorK;


$5,000-8,000

1 6 91 6 9

315pierre JeANNereTdeSk

Studio, designed 1950s Indian rosewood with red leather 28”h x 33” x 48”

Provenance: uNIVErSIT y ChANDGArh,

INDIA; PrIVATE CoLLECTIoN, LoS ANGELES;

( VIA ChrISTIES SALE Lo9824 )

$7,000-9,000

316ClAude CoNoVerCerroS plANTer

Studio, designed circa 1961 Glazed ceramic with decoration Signed “Claude Conover Cerros” retains original plastic insert 13”h x 9”diameter

$5,500-6,500

317edwArd wormleypAir of iNTerloCkiNG TAbleS

Model no. 5404 Dunbar, designed 1956 retains Gold Dunbar tag 24”h x 53.5”l x 23”d and 15”h x 86”l x 15.75”d

Literature: DuNBAr: FINE FurNITurE oF

ThE 1950S, SChIFFEr , 2000

$3,000-5,000

1 7 11 7 1

319pAblo piCASSoCoTe d’Azur

1962 Lithograph poster Mourlot Edition of 7,500 39” x 26”




$3,000-5,000

320pAblo piCASSopiCASSo: ToreroS

1961 Book published by George Braziller, New york

Book includes the four original lithographs printed by Mourlot Freres

$2,000-3,000

318pAblo piCASSo, AfTer A deSiGN byTApeSTry

Circa 1968 hand-looped wool depiction of “Guenica” 31”h x 69”

$1,500-2,000

321pAblo piCASSoJACQueliNe

August 14, 1958 Color lithograph Signature and date lower right; edition lower left #81 of 100 Sheet 19.3” x 13.4”; Framed 41” x 35”

$12,000-15,000

1 7 31 7 3

322AlexANder CAlderblue mooN

1970 Color lithograph Signed lower left; edition lower right #47of 100 Sheet 22.875” x 30.5”

$1,200-1,500

323JoAN mirol’oiSeAu de feu

1963 Color etching and aquatint on paper Signed lower right; edition lower left #20 of 75 Image 22” x 31”; Framed 32” x 40”

$3,000-4,000

324berNArd buffeTlA CANAl & TroiS mAiSoNS Sur le lAC (2)

1968 Dry point etchings Each signed lower left; edition lower right #80 of 100 and #80 of 200 Catalogue raisonne #61 and #62 (rheims) Each sheet 12.25” x 9.5”; Framed 17” x 13.75”

$1,000-1,200

325dieGo riVerAuNTiTled (mAN ANd womAN wiTH flowerS)

Circa 1954 Watercolor, pastel & pencil on paper Signed upper right in pencil; verso “obelisk Gallery London” Sold with copy of receipt from obelisk Gallery, London and Galeria habana, Cuba 9” x 6”

Provenance: ENrIQuE CArAVIA (ACQuIrED FroM

ThE ArTIST IN MAy 1954 ); GALErIA hABANA (APrIL

1970); DAVID PEEL CoLLECTIoN; oBELISK GALLEry,

LoNDoN ( 1972); PrIVATE CoLLECTIoN, CALIForNIA

$9,000-12,000

1 7 51 7 5

326dAVid A . SiQueiroSuNTiTled

1955 Pyroxylin on Masonite Signed and dated lower right unique 23.5” x 19.5”

$40,000-60,000

328mANuel AlVArez brAVooSSuAire (Skull/CroSSboNeS)

1960; this example printed later Silver Gelatin print Image 7” x 7.5”; Framed 16.5” x 17”

$3,000-5,000

329mANuel AlVArez brAVolA bueNA fAmA durmieNdo (Good repuTATioN SleepiNG)

1939; this example printed later Silver Gelatin print one of Bravo’s most famous images. Image 6.5” x 8.5”; Framed 15.25” x 17”

$5,000-7,000

327mANuel AlVArez brAVoel eNSueNo ( THe dAydreAm)

1931; this example printed later Silver Gelatin print Image 9” x 7”; Framed 18.5” x 16”

$4,000-6,000

Born in 1902 in Mexico City, Alvarez Bravo photographed his homeland, taking advantage of the everyday people in familiar scenery. Although he never formally took part in the Surrealist movement, Bravo’s work shows Surrealist qualities through his focus and attention to dreaming, fantasy, and granting human traits to inanimate objects.

1 7 71 7 7

333rufiNo TAmAyodemi-poiSSoN (HAlf fiSH)

1969 Lithograph Signed lower left; edition lower right Artists Proof “VIII/XXV” Sheet 23” x 30”; Framed 27.5” x 36”

Literature: ruFINo TAMAyo: A CATALoGuE

rAISoNNE, PrINTS: 1925-1991 , TAMAyo

FouNDATIoN

$2,000-3,000

332rufiNo TAmAyomuJer CoN SANdiA (peredA 33)

1950 Lithograph in colors on Arches Signed in pencil and numbered #191 of 200 21.75” x 16.75”




$3,000-5,000

331rufiNo TAmAyoCAbezA eN oCHre (HeAd iN oCHre)

1984 Etching on Guarro paper Signed and numbered in crayon, lower right; edition lower left Artist Proof #3 of 15 aside from the edition of 99 From the series “8 Aguafuertes” pub-lished and printed at Ediciones Poligrafa Sheet 29.25” x 21.5”; Framed 43” x 35”

Literature: ruFINo TAMAyo: A CATALoGuE

rAISoNNE, PrINTS: 1925-1991 , TAMAyo

FouNDATIoN

$4,000-6,000

330rufiNo TAmAyouNTiTled illuSTrATioN

Ink on tissue paper Signed lower left Approximately 13” x 14.5”

$6,000-8,000

335JeAN CoCTeAuuNTiTled (le diAble)

Circa 1952 Graphite and ink on paper Signed lower right; Galerie Anne Julien, Paris label verso Image 8” x 5.25”; Framed 14.5” x 11.5”

$4,000-5,000

334JeAN CoCTeAuuNTiTled (fAlleN ANGel)

1936 Pencil drawing with inscription Signature and date of 1936 lower right; upper right “18 oct 1956” with inscription Image 10.25” x 8”; Framed 19.75” x 19”

This was a study for a mural at “La Cha-pelle Saint Pierre, Villfranche Sur Mer, France

Literature: LA CAPELLE SAINT PIErrE,

VILLEFrANChE Sur MEr JEAN CoCTEAu,

EDITIoNS Du roChEr , MoNACo, 1957, PG

6 AND 21

$5,000-7,000

336JeAN CoCTeAuuNTiTled (profile)

1955 Graphite drawing Signed and dated lower left Sheet 10.25” x 8.25”; Framed 20.5” x 16.5”

$3,000-5,000

1 7 91 7 9

340AlleN rupperSberG24 pieCeS

1970 Spiral bound book Published by Sunday Quality Signed with hand written note in blue pen First edition; 600 copies printed Photography by Gary Krueger 6.25” x 8.25”

Ruppersberg, a conceptualist artist, created this book in which he juxtaposes the interior decor of local hotel and motel rooms alongside examples of the greater urban environment.

$400-600

339AlleN rupperSberG23 pieCeS

1969 Spiral bound book Self Published; Photography by Gary Krueger unknown edition 6.25” x 8.25”

Ruppersberg’s very first artist’s book. It illustrates a photographic survey of the late sixties Los Angeles environment that oftentimes finds the artist in the picture.

$300-500

338SCoTT GrieGerimperSoNATioNS

1970 15 individual sheets in portfolio, black and white Self published unknown edition 7.5” x 10.25”

15 images interpreting of various artists work (Tony Delap, Richard Serra, Sol Lewitt, Rauschenberg, Robert Irwin, Ernest Trova, John McCracken, Claes Oldenburg and others)

$300-500

337Jim GANzerArmCHAir

Studio, designed circa 1985 40”h x 27”w x 29”d

$2,500-3,500

341doN SoreNSoNuNTiTled

1981 oil on canvas Signature and date verso 26”h x 43”; Framed 33.25” x 50”

$6,000-8,000

1 8 11 8 1

342dAVid GilHoolyeroTiC froG weddiNG CAke #6

1979 Glazed and painted earthenware Signed and dated unique 25.5”h

This is the final piece in the Erotic Wedding Cake series




$10,000-15,000

344dorA de lArioSGlAzed CerAmiC fiGure

Studio, executed circa 1957-63 Signed 13”h x 10” x 10”


$600-800

343dorA de lArioSHorSe & rider



$600-800


Studio, executed circa 1957-63 13”h x 10” x 12”


$800-1,200




$1,000-1,500

1 8 31 8 3


Studio, executed circa 1957-63 Signed 10”h x 12” x 4.5”


$700-900


Studio, executed circa 1957-63 Signed 10”h x 8” x 6” and 8.5”h x 6.5” x 6”


$1,000-1,500

351oTTo & ViVikA HeiNoCermiC piTCHer ANd CupS ( 7 )

Studio, designed circa 1979 Signed

$1,000-1,500

352oTTo & ViVikA HeiNoGlAzed CerAmiC VeSSel

Studio, designed circa 1968


SEWELL JoNES

$200-300

350beATriCe woodCHAliCe

Studio, circa 1980 Glazed earthenware Signed “Beato” and in black ink “BWTF 604” 11”h




$4,000-6,000

349beATriCe woodloVerS

Studio, circa 1980 Glazed earthenware with Quartz 9.75” x 8.5”




$4,000-6,000

1 8 51 8 5

354GroNkGroup of 3 porTrAiTS

Circa 1980Each 5.75” x 4”; Framed 12.5” x 10.75”

$1,500-2,500

353GroNkuNTiTled (2 workS)

1983 one signed, titled and dated Sheet 5.5” x 7.5” and 5.75” x 7”

$1,500-2,000

355roberT frAmeTHree mACkerelS

Before 1952 oil on canvas Signed upper left and lower right; labels verso from Dalzell hatfield Gallery, Los Angeles & Pasadena Art Institute exhibi-tion label from oct-Nov 1952 20” x 30”

Exhibited: PASADENA ArT INSTITuTE,

oCToBEr - NoVEMBEr 1952


$2,000-3,000

356milford zorNeSTelfuNd CoAST - GreeNlANd

1953 Watercolor Signed and dated verso and lower right; inscribed verso “Painted at Thule Greenland Frozen Sea in April or May” and “Telfund Coast - Greenland Milford Zornes 1953” 22” x 30”

$2,000-3,000

1 8 71 8 7

357GerAld mCCAbeoCCASioNAl TAble

orange Crate Modern, designed circa 1968 Branded signature 28”h x 36” x 60”

This versatile table can be turned on its side to make a low or high coffee table

$2,000-3,000

358mAuGeriTe wildeNHAiNCoVered VeSSel & low piTCHer

Pond Farm, executed circa 1954 Glazed ceramic Stamped signature and artist cipher Vase 7”h x 5”diameter; pitcher 4”h x 8” x 6”

$1,000-1,500

359ArTHur eSpeNeTGroup of 4 TurNed wood bowlS

Studio, executed circa 1960 Black Walnut, Walnut, and Pochata Branded “Espenet 607b” and “Espenet” 2”h x 7”diameter; 1”h x 8”diameter; pair at 1”h x 7.75”diameter

$2,000-3,000

1 8 91 8 9

360ANdy wArHoleleCTriC CHAirS ( 10)

1971 Screenprints in colors on heavy wove paper Published by Bruno Bischofberger Signed and dated in ink verso with stamp numbered edition Artist Proof “IV/L”; aside from the edition of 250 Each 35.5” x 48”



Literature: ANDy WArhoL PrINTS: A CATALoGuE

rAISoNNE 1962-1987, FELDMAN & SChELLMANN,

2003, (FS I I 74 -83)

$150,000-200,000

361TAkASHi murAkAmimoNoGrAm mulTiColore - CHerry

2007 Canvas on aluminum chassis with original box Published by Louis Vuitton & MoCA Signed verso on the chassis From the edition of 100 15.75” x 15.75”

Provenance: PurChASED AT ThE MuSEuM

oF CoNTEMPorAry ArT (MoCA),

oCToBEr 29, 2007

$9,000-10,000

362TAkASHi murAkAmimoNoGrAm mulTiColore - wHiTe

2007 Canvas on aluminum chassis with original box Published by Louis Vuitton & MoCA retains Louis Vuitton/MoCA certificate; signed on the chassis verso #15 of 100 15.75” x 15.75”

Provenance: PurChASED AT ThE MuSEuM

oF CoNTEMPorAry ArT (MoCA),

oCToBEr 29, 2007

$9,000-10,000

1 9 11 9 1

364williAm weGmANHANdSome

2001 Chromegenic C-print #72 of 150 Signature, dated, title and edition verso Image 7.25” x 7.25”; Framed 16.5” x 16.5”

$2,000-3,000

363NeAl TAiTuNTiTled

2000 Gouache on paper Jay Jopling London label verso Image 8” x 10”; Framed 12.75” x 14.75”

$3,000-5,000

365JoHN SCHNAbeluNTiTled (pASSeNGer #2)

1995 Silver Gelatin print #5 of 10 Image 23” x 19”; Framed 33” x 28.5”

$2,000-3,000

366louiS duroTASpirAle CHAir

Designed 1972 Polyurethane resin Together with catalogue on Durot’s polyurethane designs 26”h x 33”diameter

$2,500-3,500

367JeAN NouVellouNGe CHAir

Sawaya & Moroni, designed 1994 Stamped 45”h x 30”w x 29”d

$6,000-8,000

1 9 31 9 3

368louiSe NeVelSoNuNTiTled

1992 Plaster Eric Firestone Gallery label verso #2 of 4 14.25”h x 9” x 6”

$9,000-12,000

369douG & mike STArNTwiN ACrobAT

1989-90 Photo collage Inscribed verso “For Lisa, Merry Christ-mas & happy Birthday, Mike Doug” Frame 19” x 22”

$7,000-10,000

370GreG ColSoNuNTiTled

1996 Lithograph Signature and date lower right; edition lower left #17 of 20 Sheet 29” x 29”; Framed 36.5” x 36.5”

$1,500-2,000

1 9 51 9 5

372riCHArd SerrAuNTiTled (pATHS & edGeS)

2007 Etching printed on heavy Lanaquarelle watercolor paper #19 of 60 Sheet 20” x 26.5”; Framed 28” x 34.25”

$4,000-5,000

371riCHArd SerrAuNTiTled (pATHS & edGeS)

2007 Etching printed on heavy Lanaquarelle watercolor paper #19 of 60 Sheet 23.5” x 29.5”; Framed 31.5” x 37.5”

$5,000-6,000

374miCHAel CrAiG-mArTiNuNTiTled (book)

1997 Screenprint in colors in bound book together with two loose screenprints, all in gray cloth-covered portfolio Published by Alan Cristea Gallery and rindinghouse Editions, London Each signed, dated and numbered #143 of 150 13” x 21.25”

Provenance: FroM ThE PrIVATE CoLLECTIoN


PrESIDENT

$4,000-6,000

373peTer doiGCANoe

2000 Silkscreen #163 of 300 Signature and edition verso Sheet 28.5” x 39”; Framed 37.5” x 47.5”

$2,500-3,500

1 9 71 9 7

376rAymoNd peTTiboNoNCe upoN A THouSANd ANd oNe NiGHTS

Lithograph Signed lower right; edition lower left #4 of 4 publisher’s proof 26” x 19.75”

$2,000-3,000

375louiSe bourGoiSuNTiTled (pAriS reView )

1994 Intaglio with hand painting Signed, dated and numbered in pencil #53 of 65 Sheet 36.5” x 28”; Framed 39.25” x 30.5”

$3,000-5,000

377NANCy GrAVeSliNeATe

August 1981 oil on canvas Signed, titled and dated verso; retains Graham Gund, Cambridge, MA label & M. Knoedler & Co, New york label 64” x 82”

$15,000-20,000

1 9 91 9 9

378luCAS SAmArASTHe SpeCTATor ( wiTH Two mouTHS)

1984 oil on canvas Pace Gallery label verso 36” x 24”; framed 40.5” x 29”

Exhibited: PACE GALLEry ShoW,

oCToBEr - NoVEMBEr 1985 “LuCAS

SAMArAS: PAINTINGS” AND ILLuSTrATED

IN ThE CATALoGuE

Provenance: PACE GALLEry, NEW yorK;


$25,000-35,000

379keNNy SCHArfJuiCy JuNGle (2)

Screenprint Each with signature and edition #113 of 150 Sheet 33.5” x 38.5”; Framed 41.5” x 46”

$1,500-2,000

2 0 12 0 1

380pAul wuNderliCHuNTiTled

1973 oil on canvas Signed and dated lower left; signed and dated verso 21.5” x 25.5”

Provenance: ESTATE oF ChrISTINA

PINKErToN; PrIVATE CoLLECTIoN oF


PrESIDENT

$8,000-12,000

381roberT moTHerwellfreNCH reVoluTioN biCeNTeNNiAl SuiTe (4 )

1987-88 Etchings with aquatint with hand applied collage Signature and edition lower right Each Artist Proof VII/VII Sheet 16.75” x 20”; Framed 25” x 28.5”

$14,000-16,000

2 0 32 0 3

382CHuCk CloSelyle

2003 Screenprint in colors Signature, edition and dated in pencil #34 of 80 Published by Pace Editions, Inc 58.25” x 47.875”




$25,000-30,000

383Albert ChAse MCArthur & FrAnk lloyd WrightbiltMore tiles

Custom, designed circa 1928 Glass 17.5” x 13” x 1.25”

The Arizona Biltmore, Phoenix, was built by Albert Chase McArthur with some collaboration from Wright.

$1,500-2,000

384gAetAn JeAnninArChiteCturAl eleMent

Custom, designed 1928 Each panel marked Designed for the Oviatt Building, Los Angeles 17.75” x 13.5” x 4.5”

$1,800-2,500

385FrAnk lloyd WrightCustoM rug (opposite pAge)

V’soske, circa 1945-50 Approximately 19’ diameter

Designed by Frank Lloyd Wright for the David L. and Gladys B. Wright Resi-dence, Phoenix, AZ

$40,000-60,000

The David L. and Gladys B. Wright Residence, 1950, located in Phoenix, Arizona, was the home for Frank and Catherine Wright’s fourth child, David Wright. The plans of the house are based on the working drawings to Frank Lloyd Wright’s project “How to Live in the Southwest”. The curved in-line plan of the residence eliminates spaces confined to rectangular shapes, thus granting the living room a view across the pool to the nearby mountain range. The living room also contained a rug, which was based on a 1926 design with interlocking and overlapping circles, and was woven by V’Soske of Puerto Rico. Only a few Frank Lloyd Wright buildings contain rugs, and in addition to its rarity, the design is detailed and complex. This rug is an exceptional example of Wright’s meticulous control over the complete design of his houses.

2 0 52 0 5

388GilberT roHdepAir of TAble lAmpS

For Mutual Sunset, designed circa 1935 20.5”h

$2,000-3,000

387GilberT roHdeCHeST of drAwerS

herman Miller, designed circa 1940 retains herman Miller tag 44”h x 32”w x 19”d

$1,500-2,000

386pAul SCHreCkeNGoSTTeApoT

Gem Clay Forming Company, designed 1938 Signed “Paul Schreckengost Gem Clay Forming Co” 7”h x 11” x 4”

Literature: MoDErNIST DESIGN

1880-1940, DuNCAN, 1998

$9,000-12,000

2 0 72 0 7

390louiS dierrA , ATTribuTedGlASS CHAir

Pittsburgh Plate Glass Company, designed 1939 for the “Glass Center Pavilion” a the New york World’s Fair Textured glass and metal 29”h x 22”w x 18”d


oCToBEr 1947

$5,000-7,000

389GreTA GroSSmAN, ATTribuTedTAble lAmp

Possibly ralph o. Smith, designed circa 1940s 13”h x 8” x 6.25”

$1,000-1,500

This chair was originally designed for the World’s Fair and later sold at J.W. Robinson Co. Scholars have attributed this to Louis Dierra who was a designer at the Pittsburgh Plate Glass Company. According to the manufacturer, the original process of bending plate glass left a dimpled surface which could be ground and polished to create a clear sheet. This chair is unpolished and appears as it was advertised in 1947.

392THomAS HArT beNToNlAborer

Circa 1930 Graphite on paper Signed lower right 13” x 9.25”

Provenance: LEE NAIMAN GALLEry, NEW yorK;


$5,000-7,000

391pAul CAdmuSHorSeplAy

1935 Etching Signed lower right; Midtown Galleries, Ny label verso Image 9” x 4.75”; Framed 20” x 15.5”

Literature: PAuL CADMuS, KIrSTEIN,

IMAGo, NEW yorK

$6,000-9,000

Thomas hart Benton (1889- 1975) an American regionalist painter is most known for his paintings and drawings of everyday American life in the 1930s. Benton’s America was represented in prairie lands, sleepy rivers, and rugged laborers set against the struggles of harvest – traditional aspects the country wanted to see in itself in the ‘30s. As a regionalist painter, Benton persistently kept to his style of representing a sense of nationalism and romanticism even though art trends began to change in the 1950s. As time passed and technology began to change, the America Benton had depicted in his travels in the ‘30s was disappearing quickly; steam engines and hand tools were objects in museums and rustic towns had become curiosities. Benton’s work represents the rugged America of the past, brought to life through his sculptural drawing style.

2 0 92 0 9

394THomAS HArT beNToNTHe liTTle fiSHermAN

1967 Lithograph Signed lower right Proof aside from the edition of 300 Catalogue raisonne # 80 (Fath) Image 14.25” x 9.875”; Sheet 18” x 13”

Together with 4 related items: An American In Art, Benton, 1969, signed, Thomas hart Benton: A Personal Commemorative, 1973, signed in pen Associated American Artists catalogue & Commemorative 1st day issued stamp on postcard signed, dated May 8, 1971

$2,500-3,500

395THomAS HArT beNToNmAkiNG CAmp

1972 Lithograph Signed lower right Proof, aside from the edition of 250 Published by AAA Image 12” x 14.25”; Sheet 16” x 19”

Together with The Adventures of Tom Sawyer, Mark Twain, 1939, signed from the limited edition

$1,500-2,000

393THomAS HArT beNToNTeN pouNd HAmmer

1967 Lithograph Signed lower right; titled lower left Proof, aside from the edition of 300 Catalogue raisonne #79 (Fath) Image 14” x 9.75”; Sheet 17.75” x 13”

Together with 3 related items: An Artist In America, Benton, 1968, signed, The Lithographs of Thomas hart Benton, 1969 & Ambassador Magazine (TWA) dated November 1974

Lithograph purchased directly from the artist at his studio in November 1974

$4,000-6,000

2 1 12 1 1

396berNArd “ ToNy ” roSeNTHAluNTiTled SCulpTure (fluTe plAyer)

1950 Bronze Signed and dated “rosenthal 50” 23.5”h x 10.5” x 7”

$6,000-8,000

397berNArd “ ToNy ” roSeNTHAluNTiTled SCulpTure

1965 Bronze Stamped signature “rosenthal 65” unique 20”h x 6” x 6”

$5,000-7,000

398frANz HAGeNAuerpAir of NubiAN dANCerS

hagenauer, designed circa 1925 Stamped “hagenauer Wien handmade Made in Austria” with artist cipher 10.25”h x 5” x 1.5”

$2,000-3,000

399frANz HAGeNAuerNubiAN buST

hagenauer, designed circa 1925 14.5”h x 9” x 4.5”

$800-1,000

400frANz HAGeNAuerGroup of leApiNG deer (3)

hagenauer, designed circa 1925 Stamped “hagenauer Wien handmade Made in Austria” with artist cipher 5.5”h x 5” x 1.5”; 4”h x 6” x 4”; and 5.5”h x 8.5” x 1.5”

$1,500-2,000

2 1 32 1 3

401frANz HAGeNAuerSAilboAT ANd ryder

hagenauer, Designed circa 1925 Stamped “hagenauer Wien handmade Made in Austria” with artist cipher 16”h x 17” x 6.5”

$1,800-2,500

402frANz HAGeNAuerGroup of fiGureS (8)

hagenauer, designed circa 1925 Various hagenauer stamps Various sizes

$1,000-1,500

403kArl HAGeNAuerTrAy

hagenauer, designed circa 1925 Stamped “hagenauer Wien Karl hand-made Made in Austria” with artist cipher .5”h x 9.75” x 9.75”

$300-400

404HAGeNAuerpAir of mATCH-STiCk HolderS (2)

hagenauer, designed circa 1925 Stamped “Made in Austria” 3.5”h x 3.5” x 1.5”

$400-600

405JAmeS feefACeleSS CHriST, CroSSed wire & JASperS flAG (3)

1997-1998 Silver Gelatin print Craig Krull label verso Edition of 10 Image 18” x 18”; Framed 27.75” x 27.75”

$3,000-5,000

2 1 52 1 5

406peTer beArdTwo diAry pAGeS, April 7TH ANd 8TH, 1970

1970 Gelatin silver print with ink and blood handwork Signed and annotated in ink (in the image) 15.875” x 19.875”

Exhibited: PETTINESS AND FuTILIT y,

FAhEy KLEIN GALLEry, MArCh 1999

Provenance: FroM ThE STuDIo oF ThE

ArTIST; PrIVATE CoLLECTIoN oF GLC ArT

Co LLC; GErArD L CAFESJIAN, PrESIDENT

$12,000-18,000

407ArT fouNdry CoNSole TAble

Art Foundry, 1968 Cast Bronze with patina and solid walnut frame 28.5”h x 51.25”l x 25.75”d Sold with copy of Art Foundry catalogue

$6,000-8,000

2 1 72 1 7

408AbiGAil VArelAmuJer ColGANdo eN uN Aro

1998 Bronze sculpture 41.25”

Provenance: FrEITES-rEVILLA GALLEry;



$15,000-20,000

410kArl SpriNGerCoNSole

Springer Mfg., designed circa 1975 Lacquered parchment 32”h x 71”l x 20”d

$3,000-4,000

409edwArd wormleyCouCH

Model no. 4756 Dunbar, designed 1956 33”h x 88”w x 43”d

Literature: DuNBAr: FINE FurNITurE oF

ThE 1950S, SChIFFEr , 2000

$3,000-5,000

2 1 92 1 9

411HeATHer CAriSCHTHe Cello

1993 Acrylic on paper Signed and dated lower right




$2,000-3,000

412JuliAN SCHNAbelTibeT HouSe

1990 offset lithograph Signed lower right; edition lower left #13 of 200 Sheet 57.5” x 42”; Framed 62.4” x 47”

$2,500-3,500

413pAul eVANSbACkGAmmoN Coffee TAble

Studio, designed circa 1972 19.5”h x 68” x 28.75”

$4,000-6,000

2 2 12 2 1

414pAul eVANSCiT ySCApe diNiNG TAble

Directional, designed 1974 Signed and dated 29.5”h x 44” x 80”

$5,000-7,000

416louiSe NeVelSoNuNTiTled

1975 Etching in colors with collage Signed and dated lower right; edition lower left #25 of 90 Published by 2rC Editions Image 29.5” x 20”; Framed 40.5” x 30.25”

$2,000-3,000

415louiSe NeVelSoNSky SHAdow

1973 Lead intaglio collage on heavy rag paper Signed in pencil, dated, titled and numbered #27 of 150 Published by Pace Editions, New york 29.75” x 25”




$3,000-5,000

2 2 32 2 3417ulbAld kiNGSofA

Stendig, designed 1970 retains Stendig label (reupholstered) Each section 26.5”h x 34”w x 56”d

$3,000-5,000

418GiANCArlo pireTTipAir of ploNA SToolS

Castelli, designed 1970 retains label “Plona Divisione Sedie Castelli Italy” Each 19.5”h x 22”w x 17”d

$1,500-2,000

420ANGelo mANGiAroTTieroS Coffee TAble

First produced by Societa henraux, Lucca, Italy, then later by Gruppo Skipper, Italy, designed 1971 Carrera marble 16”h x 41” x 41.5”

Literature: DECorATIVE ArT IN MoDErN

INTErIorS 1973/74, VIKING PrESS, 1973,

PG 75

$3,000-5,000

419roberT VeNTuriSHerAToN CHAir

Knoll International, designed 1984 retains Knoll label 33.5”h x 21.75”w x 23”d

$5,000-6,000

2 2 52 2 5

421Joe ColomboCANTileVered floor liGHT

“Coupe” model o-Luce, designed 1966 retains label “ostuni o-Luce Milano Made in Italy” As photographed 72”h

Literature: SourCEBooK oF MoDErN

FurNITurE, hABEGGEr & oSMAN, NorToN,

2005, PG 331

$1,500-2,000

422GiANCArlo pireTTiGroup of 6 ploNA CHAirS

Castelli, designed 1970 29”h x 27”w x 20”d

$2,000-3,000

423lAmliTe-TAble

Model no. LL-130 Lam Workshop, Inc., designed circa 1950 Molded fiberglass Specified for Case Study house 1950 15.5”h x 15.25”diameter


oCToBEr 1950

$1,500-2,000

424GeorGe NelSoNTAble CloCk

howard Miller, designed circa 1960 retains howard Miller label 8.5”h x 4” x 4”

$1,000-1,500

425dANiSH moderNCAbiNeT

Manufacturer unknown, designed circa 1958 rosewood 30”h x 60”l x 19”d

$2,500-3,500

426edwArd wormleypAir of SeTTeeS

Dunbar, designed circa 1950 Each 32”h x 48”w x 30”d

$3,000-5,000

2 2 72 2 7

428JoHN AlTooNNew york CiT y SkyliNe

Tempera on board 12” x 36”




$5,000-7,000

427beNiCio NuNezuNTiTled (3)

Group of 3 works Gouache on paper Signed and dated

Provenance: Estate of Paul Kasper

$800-1,200

429JASper morriSoNCoNrAN SofA

Custom designed for the Conran Shop, London, 1995 32.5”h x 79”w x 42”d

$8,000-10,000

430AlVAr AAlTodiNiNG TAble

Artek, designed circa 1936; this example produced after 1950 28”h x 50.25”diameter; with leaf 23.675”l

$3,000-4,000

431TApio wirkkAlApAir of CANdleSTiCkS

Iittala, designed circa 1955


SEWELL JoNES

$300-500

432TApio wirkkAlAGlASS bowl

Model no. 3616 Iittala, 1955 Etched signature “Tapio Wirkkala Iittala 55” 3.75”h x 5.5”diameter

$800-1,200

2 2 92 2 9

434GAry HumeloNdoN plANe leAVeS

1999-2000 India ink on paper Signed lower right “hume” Made for the White Chapel Art Gallery Exhibition Image 8” x 5”; Framed 10.75” x 8”

$1,000-1,500

433riCHArd loNGmiSSiSSippi mud

1987 Mixed media on paper Signed and dated top Image 11.5” x 8.25”; Framed 21.5” x 17.25”

$10,000-15,000

435rApHAel SoyerporTrAiT of A model

Circa 1940 oil on canvas Signed and inscribed “For my friend Bernie Bergman 1941” retains Forum Gallery label verso Canvas 14” x 10”

Framed 21” x 16.75”

$2,000-3,000

436keeS VAN doNGeNTeTe de femme

Circa 1955 Lithograph in colors Signed in the stone and numbered #22 of 120 20.5” x 14.5”


LECTIoN oF GLC ArT Co LLC; GErArD

L CAFESJIAN, PrESIDENT

$1,200-1,800

437JoNi miTCHellTurbuleNT iNdiGo

Lithograph Signed Artist Proof 32” x 26”




$2,000-3,000

2 3 12 3 1

438kArleN HoVeSpiANGirlfrieNdS

1990 oil on canvas Signed upper right 19.5” x 14.5”

Provenance: ArMENIAN CENTEr For

CoNTEMPorAry EXPErIMENTAL ArT;

PrIVATE CoLLECTIoN oF GLC ArT Co


$3,000-5,000

439JACQue VilleGleuNTiTled

Circa 1961 Torn poster collage Signed lower right Sheet 5.5” x 7.5”; Framed 14.5” x 17”

$3,000-5,000

2 3 32 3 3

440HeNri ToulouSe-lAuTreCle loGe Au mASCAroN dore (proGrAmme pour le miSSioNNAire)

1893, printed in 1894 Color lithograph First state before letters, untrimmed Theatre Libre, publisher; Ancourt, printer Sheet 19.5” x 12.5”

$5,000-7,000

441reNe GruAudANCer wiTH orANGe ANd yellow feATHerS

Ink and gouache on paper 25.75” x 19.75”




$3,000-5,000

442berNArd VillemoTbAlly (loTuS)

1974 Lithograph 46.5” x 46”

Villemot managed to make the two female torsos look like a giant lotus blossom. The only color is on the shoes, so that the product draws ones attention.


LECTIoN oF GLC ArT Co LLC; GErArD L


$1,000-2,000

443frANCiS berNArdVii SAloN de ArTS meNAGerS

1931 Poster Sheet: 38.5”h x 24.5”

$1,000-1,500

444kAy kurTweiNGummi

Circa 1972 oil on canvas 55.25” x 94.5”

Exhibited: NEW yorK CuLTurAL CENTEr

“rEALISM NoW ”, 1972; TrAVELING EXhIBI-

TIoN FroM NoVEMBEr 1980- APrIL 1981

TITLED “KAy KurT: PAINTINGS” AT ThE

WALKEr ArT CENTEr , TWEED MuSEuM oF

ArT, AND GrAND rAPIDS ArT MuSEuM

Provenance: J ILL KorNBLEE GALLEry,

NEW yorK; PrIVATE CoLLECTIoN oF


PrESIDENT

$3,000-5,000

445Gio pomodorouNTiTled

Circa 1975 Signature and edition lower right; inscribed lower left Artist Proof Sheet 30” x 22.25”; Framed 38.5” x 29.75”

$1,000-1,500

2 3 52 3 5446Tommi pArziNGerCAbiNeT ANd TribAl HorN

This cabinet and tribal horn was one of many items designed for a house in Scarsdale, Ny in 1965. Custom, executed circa 1965 37”h x 74.75”w x 19”d

$5,000-6,000

447JoHN VAN AlSTiNeToTem & diAGoNAl TeNdeNCieS

1984-85 Pastel on paper & graphite and pastel on paper Each signed and dated lower right; titled lower left 44” x 30” and 49.5” x 29.5”




$1,200-1,500

The following are our “Conditions of Sale” for the items listed in this catalogue to be sold by Modern Auctions, Inc. (L.A. Modern Auctions or “LAMA”). We are acting as an agent on behalf of our consignors.

PAyMENTAll sales are final. All sold lots are to be paid for on the day of the sale. We accept cash, bank wire transfers, checks, and Mastercard and Visa (PLEASE NoTE: Credit card payments are accepted only in person and will not be accepted over the phone). All payments made by personal checks will be subject to clearance before purchases can be collected. Buyers who have not purchased from Modern Auctions, Inc. (Los Angeles Modern Auctions) previously are asked to provide a method of payment and/or letter of reference from a bank or creditor prior to the auction. Bank wire information is available upon request, please phone (323) 904-1950. If payment is not received by June 1st collection & storage fees will begin incurring.

BuyEr’S PrEMIuMA buyer’s premium of 22.5% will be added to the hammer price on all property sold if bids are placed directly with Modern Auctions, Inc. This buyer’s premium can be discounted to 20% if payment by cash, check or bank wire is received by June 1st. The buyer’s premium will not be discounted for internet bidding.

CALIForNIA SALES TAXSales tax of 9.75% will be collected on all purchases removed from our premises or delivered within the state of California. Those holding a valid California State resale License must register before each sale and present their valid resale number. No purchases will be released until all sales tax requirements are satisfied.

ESTIMATES & rESErVESThe estimates printed after each lot should be used as a guide only and should not be relied upon as a prediction of final selling prices. Many of the lots offered for sale carry a reserve and are confidential. The reserve is a minimum price at which the seller has agreed to let the auctioneer sell the property.

CoNDITIoNEVEryThING IS SoLD IN “AS-IS” CoNDITIoN. No statement regarding condition of any item, whether it is made orally at the auction or at any other time or in writing in this catalogue shall be deemed to be a warranty, representation or assumption of liability. It is the sole responsibility of the buyer to inspect all goods prior to the sale. We strongly encourage all bidders to request a condition report on any item before bidding. All electrical items are sold for decorative value only and should be assumed not to be working. All measurements are approximate. Photographs of any lots not illustrated can be found on our website Lamodern.com

CoLLECTIoN AND STorAGEALL LoTS MuST BE rEMoVED FroM ThE AuCTIoN ShoWrooM By 12:00 PM oN JuNE 1ST. All property remaining after June 1st will be removed and stored in an offsite storage facility at the cost of the buyer. Purchases not removed by June 1st will be assessed a daily storage fees of $15 per day per lot. Items in storage are not insured by Modern Auctions, Inc. unless other arrangements are made and confirmed in writing; the buyer assumes sole responsibility for shipping, packing, insurance, and storage concerns. A list of shippers can be provided upon request.

BIDDINGWe encourage you to attend the sale in person. however, if you can not attend in person we offer an “absentee” or phone bidding service. For this service fill out and submit an

“Absentee/Phone bid” form. To obtain this form please call (323) 904-1950 or go to our website. We will not execute absentee or phone bid orders unless a signed and completed bid form has been received. All Absentee/Phone bid forms must be received by Saturday, MAy 22ND by 5:00 p.m. via fax to (323) 904-1954. We encourage you to call after faxing to confirm we have received your bid. We kindly ask that you do not call on the day of the sale to submit bids or to see if your bids were successful. All successful absentee bids should be notified by phone by May 25th. In addition, the auction prices realized will be posted the day after the sale on our website. Do not rely on any auction results (prices realized) unless published on www.lamodern.com or as provided directly by Modern Auctions, Inc.

Absentee/Phone bids are on a first come first serve basis; thus, we encourage you to submit your form ASAP. If identical absentee bids are submitted, the earliest received will take precedence. The number of phone lines available are limited so please submit

your phone requests early. on all absentee/phone bid forms, please leave a valid credit card number with expiration date; a deposit of 25% may be required for all absentee and phone bids. Please note that we only accept credit card payments in person. For those absentee/phone bidders who can not come in personally to pay, we will only accept either a certified check or wire transfer as a method of payment (see “Payment” notice). The party responsible for submitting the absentee or phone bid is solely responsible for the payment in full of the total invoice. We will not make any changes to an invoice.

Should a dispute arise after the sale, our sale records are conclusive. We are not responsible for failure to execute a bid and have the right to reject any bid. We reserve the right to withdraw any property before the sale and shall have no liability whatsoever for such withdrawal. Should an item be withdrawn, the auctioneer will make an announcement at the time the lot would have been put up for sale. In addition, the auctioneer may add lots not previously listed in the catalogue or addendum.

If the buyer does not comply with all of the notices to buyers, Modern Auctions, Inc, reserves the right to cancel the sale, hold the defaulting buyer liable for the purchase price and buyer’s premium, retain any deposit, and resell the property privately or at auction without further notice. In the latter, the defaulting buyer will be held responsible for all incurred expenses, such as warehouse and transportation costs, commissions, incidentals, and shall be liable for payment of any deficiency in the purchase price. This is strictly enforced. We reserve the right to assess a late charge of 1.5% of the total purchase price per month is payment is not made in accordance with any of these conditions of sale.

GuArANTEEThe authenticity of every item offered for sale is guaranteed. Modern Auctions, Inc. warrants only the authorship of an item (as printed in BLuE type) and does not guarantee the condition, age, or any identifying characteristic used by Modern Auctions, Inc, in any descriptions such as color, method of construction, and type of materials. Any lot using the terms “attributed”, “attribution,” “in the style of,” “in the manner of,” or

“after” does not qualify for our guarantee. In addition, the buyer assumes responsibility of reading all addendums and posted corrections to the catalogue prior to bidding.

rESCISSIoNShould the authenticity of an item be disputed after a sale, the buyer has 90 days from the date of the auction to provide written documentation or conclusive opinion of a mutually agreed upon independent expert, retained at the buyers sole expense, that the item in question is not as stated in the catalogue. In the event of an error, Modern Auctions, Inc. will rescind the purchase contract. Modern Auctions, Inc. will reimburse the buyer for no more than the hammer price plus the buyer’s premium and only after the item is returned to the original point of sale in the condition in which it was sold. Taxes, packing, shipping and storage costs will not be reimbursed. Modern Auctions, Inc. is not liable for any costs, such as experts and attorney’s fees. If the item is authentic, as stated in the Modern Auctions, Inc. catalogue, then the purchaser shall bear Modern Auctions, Inc.’s expenses incurred in defense of the allegation, such as attorney’s fees and other costs. The limited right of rescission is only available to the original purchaser from Modern Auctions, Inc. once the item is resold, then all rights and liabilities of Modern Auctions, Inc. regarding authenticity end. ThE PurChASEr’S SoLE AND EXCLuSIVE rEMEDy AGAINST MoDErN AuCTIoNS, INC. For ANy rEASoN IS ThE LIMITED rIGhT oF rESCISSIoN DESCrIBED IN ThIS SECTIoN. The purchaser shall not be entitled to damages, compensatory, incidental, consequential, nominal or punitive, nor any expenses incurred during the proceedings, such as expert fees, attorney’s fees and other costs.

rIGhTS To PhoToGrAPhSIt is important to note that the images printed in this catalogue are considered intellectual property and are copyrighted. Buyers of vintage prints do not acquire the rights to reproduce the images in any form.

All images and text contained in this catalogue are the sole property of Modern Auctions, Inc. and may not be used or reproduced in any medium without the expressed written consent of Modern Auctions, Inc.

Modern Auctions, Inc.Bond # 92-W6-8303-9 FPeter Loughrey, principal auctioneerLos Angeles Modern Auctions (LAMA)Po Box 56748, Sherman oaks, CA 91413

Conditions of Sale/Notice to Buyers

2 3 72 3 7

C O N S I G N M E N TS

Yan Face, (Ramie #512)Fro m a c o l l e c t i o n o f P i c a s s o c e ra m i c s t o b e o f f e re d

A C C E P T I N G

FALL2010

A U C T I O Nth50

from Hollywoodmake your way to the 101 freeway

proceed North on the 101merge onto the 405 NorTH

Take the 4th exit onto “Sherman way, weST”proceed weST on Sherman way

Turn lefT at the 3rd light onto “woodley”Take the first riGHT onto “Hart” street, which is a side street

from THe weSTSideTake the 405 freeway, North

Continue past the Getty museum and the 101 interchangeexit onto “Sherman way, weST” (this is 4 exits North of the 101) proceed weST on Sherman way

Turn lefT at the 3rd light onto “woodley”Take the first riGHT onto “Hart” street, which is a side street

Complimentary Valet parking

VAN NUYS

AIRPORT

VALJ

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ShErMAN WAy

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LAMA

hArT ST

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WooDLAND hILLS hoLLyWooD

DIrECTIoNS To AuCTIoN & PrEvIEw

Sunday mAy 23 12pm (noon pST)

AUCTION DAY

mAy 15 thru mAy 2210am - 6pmor by appointment

PREVIEWDAYS

Location: 16145 Hart Street, Van Nuys, CA 91406

2 3 92 3 9

AAalto, Alvar 204, 430Ackerman, Evelyn 81-83Agam, yaacov 135Almaraz, Carlos 30Altoon, John 428Arnz, Michael 263Art Foundry 407Asawa, ruth 246Avedon, richard 144Azuma, Norio 136

BBaldessari, John 143Basquiat, Jean-Michel 71-72Baughman, Milo 180Bayer, herbert 168Beard, Peter 406Benton, Thomas hart 392-395Bernard, Francis 443Bertoia, harry 209, 239, 240Bertrand, Louis 181Bill, Max 134Bitters, Stan 252-257Bobrick, Mitchell 14Bolotowsky, Ilya 41Bonnard, Pierre 304Bosman, richard 276-277Bourgois, Louise 375Bravo, Manuel Alvarez 327-329Breuer, Marcel 43-48, 205Brooks, Kim 182Brown, Dana 290Buffet, Bernard 324Bugatti, Carlo 73-76

CCadmus, Paul 391Calder, Alexander 33, 322Capron, roger 193Carisch, heather 411Casati & Ponzio 166Chan, Kwok hoi 155Christo 153Clark, Larry 146-147Close, Chuck 382Cocteau, Jean 334-336Cohen, Larry 19Coignard, James 313Colombo, Joe 421Colson, Greg 370Conover, Claude 316Conover, Luther W. 86Craig-Martin, Michael 374Cressey, David 2, 96, 116, 118, 264-269

DDali, Salvador 281De Larios, Dora 343-348Dierra, attributed, Louis 390Dill, Laddie John 221, 226-227Dine, Jim 51, 247-250Doig, Peter 373Dow, Jim 278Durot, Louis 366

EEames, Charles & ray 35, 112, 121-29,

202, 207-10Emin, Tracey 61Ernst, Max 47Espenet, Arthur 359Evans, Paul 413-414 FFalkenstein, Claire 97-99Fee, James 405

Feuerman, Carole Jean 282Follis, John 11, 94Fonseca, Caio 50Fornasetti, Pierre 299Foulkes, Lynn 109Frame, robert 355Francis, Sam 199-200Frankenthaler, helen 100-101Friedeberg, Pedro 28Fulton, hamish 59

GGambone 164Ganzer, Jim 337Garrett, John 177Gearon, Tierney 26Gehry, Frank o. 63-65Gilhooly, David 342Gillon, Jean 25Goings, ralph 251Gottlieb, Adolph 8-9Gould, Allan 84Graves, Nancy 377Grieger, Scott 338Gronk 353-354Grossman, Greta 389Grosz, George 306-308Gruau, rene 441Guhl, Willy 156Gussow, Jill 244-245

hhagenauer 398-404hannah, Duncan 186haring, Keith 228-229heino, otto & Vivika 351-352hepworth, Barbara 58herman, roger 20-21heussenstamm, Karl 92higgins, Michael & Frances 178hirondelle, Anne 224hirst, Damien 77, 145, 273-275hockney, David 102-103hodgkin, howard 57hofmann, Larry 305hovespian, Karlen 438hume, Gary 434hutchinson, Mabel 258

IIpousteguy, Jean robert 314

JJacobsen, Arne 22Jeanneret, Pierre 315Jeannin, Gaetan 384Jendro, James 279Jere 179Jones, A. Quincy 117-120Judd, Donald 162Juhl, Finn 189, 191

KKagan, Vladimir 53, 56Kasper, Paul 15-18Katz, Alex 66Kelly, Ellsworth 130, 132Kimura 93King, ulbald 417Kirk, Jerome 67Knoll, Florence 68, 235-238Koh, Woo Sang 138Kovacs, robert 161Krezich Kittelson, Vesna 188Kurt, Kay 444LLalanne, Francois-Xavier 78-79

Lam 423Larsen, Jack Lenor 170Laske, Lawrence 300Le Corbusier 309Legenhausen, Karen 184Leland, Malcolm 259-271Liaigre, Christian 54Lichtenstein, roy 149-150Long, richard 433

MMaloof, Sam 241-242Mangiarotti, Angelo 420Mangold, robert 133Mapplethorpe, robert 140-41Martine, Maurice 85Matisse, henri 311McCabe, Gerald 357McLaughlin, John 42Mies van der rohe, Ludwig 70Miro, Joan 323Mitchell, Joni 437Mogensen, Borge 24Morley, Malcolm 60Morrison, Jasper 429Motherwell, robert 110, 381Murakami, Takashi 361-362

NNakashima, George 283-295Natzler, Gertrud & otto 151, 152Nelson, George 34-40, 69, 201, 203, 211,

212, 424Nevelson, Louise 368, 415-416Nouvel, Jean 367Novoa, Gustavo 29Nunez, Benicio 427

oorozco, Jose Clemente 31

PPanton, Verner 160Papanian, Anatoli 10Pearlstein, Philip 137Pettibon, raymond 376Picasso, Pablo 319-321Piretti, Giancarlo 418, 422Pissarro, Camille 303Pomodoro, Arnaldo 52Pomodoro, Gio 445Powell, Philip Lloyd 272Prouve, Jean 310

rrady, Elsa 225rand, Susan 187rauschenberg, robert 105-108read, herbert 113reder, Bernard 194ritts, herb 142rivera, Diego 325rivers, Larry 231rohde, Gilbert 387-388rosenthal, Bernard “Tony” 396-397roth, David 237rubenstein, Bruce 183ruppersberg, Allen 339-340ruscha, Edward 213-220

SSaarinen Swanson, Pipsan 91Samaras, Lucas 378Sarafatti, Gino 165Scharf, Kenny 379Schabel, John 365Schnabel, Julian 412

School, New york 242Schreckengost, Paul 386Schultz, richard 206Seley, Jason 159Serra, richard 371-372Shulman, Julius 114-115Siqueiros, David A. 326Skeele, A. Katherine 298Soldner, Paul 6-7Soleri, Paolo 270Sonneman, robert 167Sorenson, Don 341Sottsass, Ettore 163Soyer, raphael 435Spence, Andrew 131Springer, Karl 410Starn, Doug & Mike 369Steinlen, Thephile Alexandre 302Still, Nanny 157Struth, Thomas 139Studio Tetrarch 175Sultan, Donald 196Sultan, Larry 27Szoeke, Andrew 49

TTackett, La Gardo 88-90Tait, Neal 363Tamayo, rufino 330-333Toledo, Francisco 32Toulouse-Lautrec, henri 440

Vvan Alstine, John 447van Dongen, Kees 436Van Keppel, hendrick 1-5,13Varela, Abigail 408Vasa 171Vasarely, Victor 158, 172-174Venturi, robert 419Vigo, Nanda 169Villegle, Jacque 439Villemot, Bernard 442Voulkos, Peter 222-223Vistosi, Luciano 299-300Vivin, Louis 445-447von Wicht, John 394Voulkos, Peter 188-191

WWarhol, Andy 230-234, 360Wearing, Gillian 62Wegman, William 364Wegner, hans J. 23, 190-92,198Wildenhain, Maugerite 358Wirkkala, Tapio 431-432Wood, Beatrice 349-350Wood, Grant 301Woolley, Ellamarie & Jackson 95Wormley, Edward 317, 409, 426Wright, Frank Lloyd 383, 385

ZZornes, Milford 356Zucker, Joe 185

INDEx

16145 HART STREET, VAN NUYS, CA 91406 P 323 904-1950 F 323-904-1954 WWW.LAMODERN.COM

Documents

Los Angeles Modern Auctions May 23, 2010 Auction