Upload
looprevil-press
View
216
Download
4
Embed Size (px)
DESCRIPTION
Spring issue of Looprevil Press
Citation preview
by CONNOR FINDLAYWriter
APPLICATION RATES for LJMUprogrammes starting in Septem-ber 2013 have shown a rise in theprevious year, along with a betterthan sector-average in the UK.
According to the latest figurespublished by UCAS, applicationsto study at Liverpool John MooresUniversity are up 8% compared toSeptember 2012.
The number of applications toall institutions in the UK has alsoseen an increase of around 3.5%.
A breakdown of the report is-sued by LJMU has revealed thatdemand to study at the still devel-oping university is fierce, andlooks likely to increase.
The number of applicants se-lecting LJMU as their first choiceuniversity is up by over a quarteron last year, with an increase ofstudents applying for STEM (sci-ence, technology, engineering andmathematics) subjects up almost18%.
The university’s links withNorthern Ireland continue tostrengthen, with around 12% ofapplications submitted for studyin 2013 coming from the Irish.
LJMU’s Director of Student Re-cruitment and Widening Access,Carolyn Williams said: “It’s stillearly in the recruitment cycle butwe are cautiously optimistic thatwe are on track to meet our re-
cruitment targets for the 2013 ac-ademic year.
“Our degrees offer students theright combination of academic ex-cellence and real world experienceto make them highly employableeven in times as tough as these.There’s no doubt that the Liver-pool-effect is also attracting moreand more people from outside theNorth West.
"Liverpool is a brilliant studentcity – affordable, exciting andgrowing economically. Add thesetogether and it makes a brilliant
package for would-be universitystudents."
The fluctuation in applicationsbetween 2011 and 2013 can be at-tributed to the increase in tuitionfees from just over £3000 to £9000,as a record high of applicants in2011 saw students aiming to beatthe new fees.
Predictions for next year arestill uncertain, but it appears stu-dents are now coming to termswith the large debts incurredwhen studying for a degree.
The UCAS statistics relate to
applicants for full-time under-graduate higher education in the2013 application cycle. They in-clude all applications considered'on time' for the January 15 'equalconsideration’ deadline and givethe first reliable indication of de-mand for higher education in theUK this year. UCAS will still sendapplications to LJMU and otheruniversities and colleges untilJune 30, with those received later
going into Clearing.
IN THIS ISSUE:
Don’t forget to nominate and votefor your future Student Officers inLiverpoolSU, page 4
12
spring 13free
LJMU SEES RISE IN UNDERGRADUATE APPLICATIONS
exclusiveby REBECCA FIELDINGEditor
IT IS NO SECRET that Facebookdistracts students; they have theability to communicate with afriend at the click of a button. Butthanks to the new trend of ‘Spot-ted’ pages, it’s not only theirfriends that will distract themduring their studies.
Comments can range from flir-tatious compliments to observa-tions of another student’sclothing. The only limitation isthat users can’t reveal the nameof their subject, whilst also keep-ing their own identity anony-mous.
Such a trend has hit LJMU.Used mainly by students studyingin the LRC’s, the groups aremeant to provide comic relief forprocrastinating students.
Inevitably, comments haveturned sour and often range frommisogynistic and racist, to out-right bullying. Going to the li-brary is now a paranoia-inducingexperience, involving a fear ofbeing shamelessly spotted.
Comments range from mildlyamusing, “Girl leaving the Ald-ham Robarts library with all thequilts, jumpers and pillows. Sortit out” to cruel, “To the girl in theblue sweater on first floor of AprilRoberts. I like. How much?” Con-tinued on page 3 >>
POSTERS INSIDE We gave girls the chance to share
their natural beauty, page 9
Check our brand new Businesssection, page 4
Read our exclusive interview with
upcoming producer and DJ, Meléon page 13
LJMU SPOTTED
2
EDITOR’S LETTER
Editor/Design Editor: Rebecca FieldingSocial Secretary: Slaine Kelly | BethDockertyNews Editor: Oliver AucklandFeatures Editor: Gemma JonesEntertainment Editor: Sophie CorkSports Editor: Jack McIlroy-ReidBusiness Editor: Sam FoxallCopy Editor: Alex MartinPhotographer: Qi Jiang | Gemma Jones
Writers/Contributors:Michelle HomanGeorgia DryhurstMichelle DaintryBethan Jenkins
Alex GreenTereza KirwanZoe WhittakerNicola FosterLois VentreEmma GrovesConnor FindlayConor WaltonRhys WilliamsJoshua GardnerJamie CraggsAisling DavisFergus Walsh
I hope everyone had a wonder-ful Christmas and New Year, andcame back to university refreshed
from their holiday hangovers.We’ve been lucky enough to
have new members join once againthis semester, as well as continuoussupport from our readers and Liver-pool Students’ Union. And withdeadlines, exams and dissertationspressing down on each member’sshoulders, Looprevil has once againhad a print issue made possible.
Despite January being some-what of a dead period, and withmoods low whilst we manage totackle the atrocious weather, thisissue has some brilliant content in.
I’d like to encourage all readersto look at our Natural Beauty fea-ture; as the new Women’s Delegatefor LiverpoolSU, I thought of no bet-
ter way to combine both my role asEditor and my support for thewomen of LJMU.
Since the last issue, we’ve alsohad a lot of new columns emergefrom dedicated writers writing regu-lar content. We’d also like to wel-come our new Entertainment EditorSophie, and our new Business Edi-tor Sam. They’ve made a great im-pression whilst working towards thisissue.
I’m honoured to once gain haveworked with a fantastic team to pro-duce this issue, and would like tothank the entire team.
I hope you enjoy! Rebecca
Scan the code to go to our site:
TEAM LOOPREVIL
get in touchLOOPREVILPRESS.org
Get your daily dose of Loopreviland visit us online
www.facebook.com/looprevilpresspaper
www.twitter.com/Looprevil_Press
by BETH DOCKERTY
Writer
NOMINATIONS are now open forstudents to vote for the LiverpoolStudents’ Union Amazing Teach-ing Awards 2013.
Can you think of a special tutor,lecturer, team of staff, a techni-cian, librarian or a member ofsupport staff who you think de-serves to be put forward for anaward?
Show your appreciation forsomeone who has made a differ-ence to your time at university bygetting involved in The AmazingTeaching Awards 2013, simplyvisit the Liverpool Students’Union website at www.liver-poolsu.com to put forward theteacher of your choice.
There are a total of six differentawards that students can nomi-
nate in the awards; The AmazingAcademic Supervisor Award, TheAmazing Personal Tutor Award,The Amazing Course Rep Award,The Amazing Course Team Awardand The Amazing Support TeamAward.
In order to complete a nomina-tion for an Amazing TeachingAward, students are simply re-quired to state which teacher theyare nominating, what course ormodule they teach, why this per-son is an Amazing Teacher and ex-amples of their amazing teaching.
As a way of thanking studentsfor nominating in the awards, Liv-erpoolSU will enter participantsinto a prize draw if students pro-vide their full name. Now that youhave all the information abouthow to get involved, show yourgratitude by nominating in thisyear’s Amazing Teacher Awards.
by EMMA GROVESWriter
Tensions have risen after plans toopen an eleventh Tesco store inLiverpool City Centre were an-nounced.
The new Express store, set toopen on 57 Dale Street, hascaused outrage amongst someover fears about the survival ofsmaller, local businesses.
Wayne Colquhoun, of the Liv-erpool Preservation Trust, toldthe Liverpool ECHO: “Every littlehurts in my opinion and being asmall shopkeeper myself I fear forthe sole traders in the locality.”
He added: ““Do we need an-other Tesco? They are taking overthe city. If this carries on we willhave to call the city Tescopool.”
The new shop is to be built inthe old Spar unit of the former Pi-oneer buildings and will be withina five minute walk from stores onOld Hall Street and Lord Street.
A Tesco spokesperson said: “Weare really proud of investment inLiverpool. We have seen it withsome of our larger stores espe-cially in Park Road, the differenceit has made to job creation in thearea.
“Our Express stores offer cus-tomers choice and convenienceand we are pleased to be invest-ing and opening another store inLiverpool.”
Dale Street is already home toa number of newsagents, sand-wich shops and other small busi-nesses.
Samir Ahmed, manager of theMuskers News, a newsagent lo-cated opposite the new Tesco site,said: “Opening the new store willaffect all small business; such asnewsagents, bakeries, coffeeshops and off licenses.
“Although Tesco will be creat-ing new jobs, if you look at the job
losses it could create it will be al-most double. If a shop were toclose, landlords, shop workersand the small businessman willall lose their job.”
Plans to build four anti ramraid bollards, new entrance doorsand the installation of a new shopfront. Tesco also plans to extendopening hours to open at 6am. City Cllr Nick Small supported
Tesco’s application and said: “I donot think it is directly competingwith smaller businesses.
“In the last ten years there hasbeen a significant increase in theresidential population and thesepeople do not necessarily havecars to get to larger out of townstores. People are shopping oncea day and Tesco are not competingbecause food retailers, not greengrocers for example, are offeringa new service.”
DO WENEED ANOTHERTESCO?
Liverpool’s Dale Street
3
Winter 12/13LOOPREVIL PRESS
by NICOLA FOSTERWriter
IT SEEMS A week can’t go by nowwithout the decline and closure ofanother British high street icon.
In 2012 50 of the top UK busi-nesses fell casualty to the eco-nomic recession and went bust.
The latest chain to have calledin the administrators is the enter-tainment giant HMV, putting4,350 jobs at risk. The store whichhas been trading since 1921, hashad to make the announcementthat they have been struggling tocompete with online retailers.
They have been in financial dif-ficulties for over a year and havehad one of the worst Christmas’ onrecord. Their month long ‘25% off ’sale sparked rumours that thefirm may be struggling and weredesperate to shift their unsold sea-
sonal stock. It has been argued that the 239
HMV stores could have savedthemselves if they had embracedthe digital sales growth when itemerged as popular. The problemnow is that when you think onlineyou think Amazon, and this is agreatly missed opportunity for theentertainment giant. The UKrecord industry is fighting the bat-tle to attempt to keep the last ded-icated music retailer on the highstreet.
The company has already soldoff Waterstones book stores whichthey had taken under their brandin 1998. They have also began tosell off their entertainment venuesstarting with their flagship Ham-mersmith Apollo in west London,in an attempt to stay afloat in thecompetitive entertainment mar-ket.
But there may be life in the oldHMV dog yet, with hope that thechain may be bought out. It is re-ported that around 50 retailershave shown an interest in buyingout the HMV brand, includingGame. The console and entertain-ment retailer are owned by pri-vate equity company OpCapitaand are thought to want to bid for50 of HMV’s locations.
This has brought new hope tomany of the independent recordlabels who rely on HMV to stocktheir content.
The announcement follows thelikes of Jessops, Comet and morerecently the Home Video icon ofBlockbuster. Coming at the sametime as the Government an-nounces that UK unemploymentis at a high of 2.49 million, the fu-ture looks bleak for the highstreet.
THE DECLINE OF THE UK HIGH STREET
By MICHELLE HOMANWriter
RECENTLY THE entire worldbasked in the overnight frenzy thatsurrounded one of our very ownLJMU students.
As she uploaded a spontaneousimage onto her Instagram, Twitterand Facebook accounts, peoplewere amazed by what they saw.Who would have thought that oneimage of the Liver Building sur-rounded by the cold fog could havebecome a viral success.
The image was taken by Norwe-gian student, Ida Husoy, and noth-ing could have prepared her towhat was to follow. She was con-tacted by the likes of LiverpoolECHO and Robbie Fowler himself.
LP: We have heard about your lat-est success.Why did you take thephotograph? Did something inspireyou?
IH: I looked out the window andsaw that there was a lot of fog, so Igrabbed my phone and took aroundten pictures. I chose the best oneand posted it on Instagram, Twit-ter and Facebook later on that day.
LP: What’s it been like since youposted your photograph online?
IH: I first posted the picture on In-stagram and Twitter an hour or soafter taking the picture, but it did-n’t take off before I posted it onFacebook later that day. Then theday after I did two interviews be-fore university and several moreafterwards; on the same day I alsosigned a contract with MercuryPress to sell my picture to newspa-pers and magazines worldwide.
Since then, people have con-tacted me because they want tobuy the picture and people are ingeneral being very nice to me. Rob-bie Fowler used, and is still using,my picture as his cover picture onTwitter. It’s been surreal and crazy,but very enjoyable.
LP: We’re aware that you’re origi-nally from Norway, has the newsgot out there also?
IH: Yes, I’m Norwegian and thenews spread quickly in Norway. Ihave had articles about the pictureand I in four or five newspapersand several newspapers have done
follow-up stories, so I have beenquite busy since the picture wentviral.
LP: Since gaining viral successhave you been approached by anycompanies or important people? Ifso, who?
IH: I have been contacted by sev-eral people who want my opinionon their work and who want tooffer me jobs. The Telegraph usedmy picture on Saturday January12.
LP: Did you expect to get this reac-tion when you first uploaded yourphotograph?
IH: I was not expecting this muchattention for my picture. I couldn’tin my wildest dream have imag-ined this. It’s been very over-whelming but I’m so grateful thatpeople seem to love this picture.
LP: Are you nervous about upload-ing anything new due to the expec-tations and success of your recentphotograph?
IH: I thought in the beginning,
‘how can I top this?’ But it’sreally not about toppingthat experience when it getsdown to it. It’s all about en-joying the art of photogra-phy. I’m taking picturesbecause I like taking pic-tures, not because I’m look-ing for fame.
LP: Do you have any experiencewithin photography?
ID: I have always liked to take pic-tures and I have always been tak-ing a lot of pictures, so for me it hasbeen learning by doing. I haven’thad any particular photo educa-tion.
LP: We have a lot of readers whoare studying photography and whoalso have a personal passion for it,are there any tips that you canoffer?
IH: I feel honoured to even beasked to advise people who arestudying photography on how totake good pictures. One thing I dothink is very important when tak-ing pictures is to keep a straighthorizontal line in the picture, un-
less there is a good reason why youdon’t want that. It is also impor-tant to have fun. Take pictures ofeverything and try and see an ob-ject from a new angle. Also, takemore than one picture of each mo-tive, because there might be some-thing wrong with the first shot. I’malways taking four or five picturesof the same thing before lookingthrough them.
LP: What are your near futureplans?
IH: Oh, what’s next? You neverknow. That’s the good thing aboutsocial media as well. You neverknow what’s behind the next door.I’m definitely enjoying taking pic-tures, but a professional career inphotography? I highly doubt that.
STUDENT’S PHOTO GOES VIRAL
(Cont) Architecture student Lucysaid: “I don’t see the harm in hav-ing the pages, they’re sometimesmoderated. It’s fun when it’s usedcorrectly, and you can identifywhat person the comment isabout.
“But I have seen commentsthat are very rude. They ruin it.”
Students who choose to utilisethese types of pages are breakingtwo LJMU Library and StudentSupport policies; that computersmust be used for academic pur-poses only and basic courtesy intreating users and LRC staff withrespect and consideration.
Other universities have hadtheir campus ‘Spotted’ pagebanned from being used in theirlibraries, some going as far as tohave the pages shut down. TheUniversities of York and Exeterhave both had the pages closedafter ‘Stopped’ pages emerged tocombat the ‘Spotted’ groups.
LJMU Vice-Chancellor NigelWeatherill said: “The Universityis aware that some Facebookgroups have been set up to allowanonymous comments to beposted about people spotted
around the campuses. “We have reviewed some of the
comments posted and considerthem to be completely unaccept-able.
“We are committed to provid-ing an appropriate environmentwhere students are able to studyand make full use of the facilitiesavailable.
“We have reported the groupsto Facebook and asked for themto be closed down. In the mean-time, we are issuing communica-tions to all students to remindthem that bullying or harass-ment of any kind will not be tol-erated at LJMU.
“Any student found to be en-gaging in this type of activity willbe subject to the University’s dis-ciplinary procedures.
“We encourage any studentwho has concerns about thesegroups to make an official com-plaint to the University and wealso offer a confidential coun-selling service for students whohave been victims of any type ofbullying, including cyber-bully-ing.”
COME TOGETHERby REBECCA FIELDINGWriter
Liverpool is losing £252 per head in cuts. Manchesteris losing £209, Newcastle is losing £162, Birminghamis losing £166, and Sheffield is losing £140 per head.
The Come Together campaign was jointly launchedthis January by Mayor of Liverpool, Joe Anderson andThe Rt Rev. James Jones, Bishop of Liverpool.
Liverpool hosted the Come Together conference inresponse to the unfair distribution of cuts, being forcedonto local authorities by central government.
Mayor Anderson was joined by leaders of Sheffield,Bristol, Newcastle and Birmingham as well as faith
leaders from across the country. Despite the average cut being just £62 per head, the
country’s large northern cities are losing over fourtimes as much.
Between February 26 and March 1, students andyoung people will be encouraging people to sign thepetition on the #cometogethertour at ten key locationsover the four days, includingLiverpoolSU, Liverpool Guildof Students and LiverpoolCommunity College.If you would like to join the
campaign, email LabourCouncillor for Allerton andHunts Cross Rachael O’Byrneat Rachael.O’[email protected]
by SAM FOXALLBusiness Editor
AS A NEW part of LooprevilPress, I’d like to begin by lookingat the progress of the newlyformed LiverpoolSU Investment& Trading Society.
Founded at the beginning of teacademic year by Tom Callandand Alan Riddoch, the society isone of only a handful of its kind inthe United Kingdom, placingLJMU and LiverpoolSU in somevery illustrious company.
Set up primarily with the in-tention of providing a platform forstudents who are interested in theworld of trading stocks andshares, the society has given itsmembers presentations on tax,student bank accounts, graduatebank accounts, as well as arrang-ing exchanges with current pro-fessionals within the financesector.
In addition the society runs anonline fantasy trading league forits members, manages an onlinefantasy account of its own, whichhas currently returned 17%growth, and is in the process of in-vesting a portfolio of real moneyon the London Stock Exchange.
The society meets monthly atLiverpool Business School, withrecommendations given for poten-tial investments by members andvoted on by the society. Previousmeetings have seen lively debatessurrounding investments for thereal account with the location andstrategy of the portfolio deter-mined.
The team have attracted con-siderable attention with over 30members attending meetings froma variety of subject backgrounds.New members are welcome, par-
ticularly first or sec-ond year students tohelp ensure the soci-ety’s continued suc-cess. Various seniorpositions are also upfor grabs as the soci-ety seeks to formaliseits operations in orderto attract a more di-verse range of fundingand grow its portfolio.
This really is amust for anyone who’s interestedin this integral but often misun-derstood part of our economy. Italso represents a fantastic oppor-tunity for those interested in a ca-reer in finance to build their CV,do some networking and gain agreater understanding of the in-dustry.
Sawfly Studios Set to Take OffIn local business, Sawfly Stu-
dios have revealed plans to re-lease their first game targetingthe burgeoning market of Tabletsand Smartphones. The Studiobased in the city was created inOctober by four of Sony Liver-pool’s former employees but onlyrevealed its existence last month.
Sony closed its Liverpool Unitslast August as part of the com-pany’s on-going turmoil’s.
The factory, which was one ofSony’s earliest operations in theUK, was responsible for the devel-opment of the famous WipeoutRacing Series. Over 100 peoplelost their jobs following the facto-ries closure but most have foundwork due to the relatively high de-mand for their skill sets.
Sawfly’s Managing Directortold the BBC recently: “We wantto grow our studio over the comingyears.
“If the opportunity arises we’lldefinitely be looking to grow in thecity.”
Monthly Round UpJanuary was a bullish month
for Equities with the FTSE 100Index breaking through 6300 forthe first time in nearly five years.
Meanwhile the mood wasequally bullish at the recent G8Economic Forum in Davos. Doubtsover a stalling Chinese economy, aGreek exit from the Eurozone andthe US going over the fiscal cliffappear to be residing.
The mood is unlikely to lastlonger than the snow here inBritain however with the recentflash GDP figures showing Britainheading towards a triple dip re-cession. Britain’s much covetedAAA rating also appears to beunder threat with the three maincredit rating agencies downgrad-ing Britain’s outlook to negative.
Conditions in the real economyare still flat, with inflation out-stripping wages and output stillover 3% below pre- recession lev-els. The focus will now switch toGeorge Osborne’s Budget in April.
Will the government persistwith austerity or will the chancel-lor loosen fiscal policy as hinted atby Christine Lagarde?
PLEASE VOTE FOR LOOPREVIL
SO? ARE YOUGOING TO VOTE
by REBECCA FIELDINGEditor
Every year, students are given theopportunity to step into the shoes ofthe driving forces behind thechanges, improvements and cam-paigns within LiverpoolSU to im-prove their student experience. Butwhy should students nominatethemselves?
The recent Impact Report 2012demonstrates how LiverpoolSUworks towards making studentvoices heard. Since last year, theteam at LiverpoolSU worked to-wards successfully achieving a12% increase in Course Reps. 1 in4 students are now involved in Liv-erpoolSU events including network-ing, Give It A Go trips and clubs andsocieties, with a 58% increase inmembers for clubs and societies.
With a student body of over24,000 members, that means 1615students have participated in activ-ities that enhance your studentlives.
To nominate yourselves, as anindividual or in a team, would placeyou in the foothold of change, work-ing with students to enhance theirstudent lives, their experience andworking to improve their futureprospects.
Nominations opened on Janu-ary 28, and will remain open untilFebruary 22 and students who think
they have what it takes are stronglyurged to put themselves forward. Allfour Student Officer positions will beavailable: President, Vice PresidentAcademic Quality, Vice PresidentCommunity Engagement and VicePresident Activities. Any studentcan stand for election, whether theyare halfway through their degree orgraduating this year.
LiverpoolSU prides itself onbeing student led, with the Sabbat-ical Officers working full time as theleaders of the organisation. Nomi-nees will have the chance to lead aprofessional organisation, to makepositive change and to get involvedin once in a lifetime opportunitiesthat will make them stand out fromthe crowd.
All nominees will be assisted andsupported from LiverpoolSU tobuild their campaign.
Voting will take place betweenMarch 7 and 15, in which the stu-dent population will be able to votefor and elect their new Presidentand Vice Presidents.
If you are passionate about yourtime at university, want to makechange for your fellow students andwould like to put yourself forwardfor this opportunity, visit:
so-elections.com
by ALEX MARTINCopy Editor
ON APRIL 3, the iconic Super-lambanana will be sold to thehighest bidder at the Adam Par-tridge Auctioneers on JordanStreet.
The sculpture, which stands 17feet tall and weighs almost 8tonnes, was designed by Japaneseartist Taro Chiezo but made byfour local artists - Andy Small, Ju-lian Taylor, Tommy Reason andRay Stokes - for the Art Transpen-nine exhibition of 1998.Liverpool City Council currently
pay a fee to Chiezo to lease thesculpture but the artist has de-
cided to sell it on. The auctioneers have appraised
its value at £200 000 – £250 000and hope that a benefactor willmake the purchase with the in-tention of donating it to the city ofLiverpool.
A television crew will be thereon the day filming for the BBCprogramme Antiques Roadtripand renowned auctioneer AdamPartridge will be selling the lothimself.
About the sculpture, he said:“It is a pleasure to be selling suchan iconic piece of Liverpool historywhich has been seen by millions ofpeople.
“We hope that it will remain inthe city forthe foresee-able future.”
Beatrice Thwaites who worksat the auctioneers and is also aHistory of Art student at JohnMoores has raised a plea for theuniversity to buy the sculpture onbehalf of the city. She said: “The Superlambanana
is already associated with the uni-versity because it is outside theAvril Robarts library. “If JMU bought it then we could
ensure the sculpture would re-main in Liverpool indefinitely. Itwould look great in front of the Artand Design Academy as both thebuilding and sculpture are a cele-bration of modernity and innova-tion.”
The Superlambanana will besold in a public auction. It will bethe first lot of the day at approxi-mately 10am. business
FATE OF ICONIC LIVERPOOL SCULPTURE
5
Winter 12/13LOOPREVIL PRESS
WHAT’S ONSpring is near and to welcome the
warmer weather, lot’s of things are
going on across the city:
Valentine’s ClassicsLiverpool Philharmonic HallFeb. 16, 2013No matter what your idea of ro-mance, this Valentine’s night con-cert is guaranteed to put you in themood. There’s good reason whythey say music is the food of love!Take a special someone. £16 - £40tickets.
The Phantom of the OperaLiverpool EmpireFeb. 20 - Mar. 9, 2013Far beneath the majesty andsplendour of the Paris OperaHouse hides the Phantom in ashadowy existence. £10 - £54 tick-ets.
FoalsO2 AcademyMar. 13, 2013With two top 10 albums alreadyunder their belt, Oxford five-pieceFoals return to the stage ahead ofthe release of their third and mostexhilarating album yet, Holy Fire.
The Hobbit: An UnexpectedJourney Liverpool Philharmonic HallMar. 12, 2013Watch one of this year’s hit moviesin the astounding vicinity of thePhilharmonic Hall. £6 - £7 tickets.
Live T-Shirt Screen Printingw/ Wasted HeroesPery Gullivers, The Shipping Fore-castFeb.19, 2013Come along to see how its doneand even print your own t-shirt.Each month we will be printing alimited edition tee designed byguest artists. £10 per tshirt / wast-edheroes.com
RudimentalO2 AcademyApril 24, 2013Off the back of chart toppers Feelthe Love and Not Giving In, Rudi-mental are looking at another an-them with Hell Could Freeze, ftUrban rising star Angel Haze,catch them at O2 Academy Liver-pool this April.
Noisy TableFACTHere until Feb. 24, 2013Noisy Table is the first project andthe launch of the FACT Connectsprogramme, which is committed toreaching out to local artists, musi-cians, organisations and inde-pendent businesses, allowing theirpresence to be felt in the FACTbuilding. Free.
by MICHELLE DAINTRYWriter
WELCOME TO SPRING. Well,the wet, murky, just mildlywarmer than Winter months thatwe like to call Spring.
We may not have the sun to relyon, and wellies and rain-coats arethe accessories of choice for mostbut one thing you can rely on ischocolate.
From the get-go we are bom-barded with a plethora of reasons
why we as con-sumers shouldchocolate coatjust aboute v e r y t h i n g .From chocolateVa l e n t i n e ' shearts to theworst offendingsweet-toothedSpring holiday,Easter.
We seem to be unable to getenough of it! But the reason I'mtaking a bit of an exception to thesheer blanket bomb tactics ofspringtime chocolatiers is the wayit overtakes the real point behindthe holidays.
We all love a chocolate truffle,but last time I checked Easterhadn't been renamed ‘Truffle-day’.
We barely have a chance toallow our stomachs to settle afterthe all-you-can-eat buffet that isChristmas before eggs dominate
the shelves and demand to beeaten with relish.
I'm not telling you to stop buy-ing chocolate to celebrate Easter.I'd be a hypocrite, plus the choco-late carrot I ate the other daywould probably come back tohaunt me.
What I'm suggesting is that wedon't forget why we are buying thechocolate in the first place.
Okay, there is the obvious reli-gious message behind Easter butif you aren't particularly partial tothat, there is another more uni-versal message we can think onover yet another hot chocolate.
Easter is about new starts andnew life. It's about shaking off thecobwebs and facing the brighterdays with a smile. It's yellows, andgreens and sunny thoughts, evenif the British weather doesn'tmatch them.
Chocolate is an endorphin pro-ducing product, and eggs do sym-
bolise new life - so taken in thatcapacity it seems rather perfect.We buy chocolate because it's aconvenience, and it leaves us feel-ing all warm and fuzzy inside.Just imagine how much betteryou'd feel if you buy that chocolatefor someone else. Even more so ifyou share it together. Happinessand a reason to start somethingnew, however, leave an even betterfeeling behind, and they arekinder on your waist line.If you are feeling less sure about
the chocolate egg that is sittingnext to your paper, don't worry,just enjoy it. But I still can't rec-oncile myself with Easter eggstempting me a whole threemonths before it's actually Easter.My ever tightening jeans can't set-
tle themselves with that either.
AS USELESS AS ACHOCOLATE TEAPOT
by BETH DOCKERTYWriter
THERE IS A new dating websiteon the student scene, which hasbeen aptly named FreshMeet.
The site was inspired by Chan-nel 4’s university-based sitcomFresh Meat, a show that has hadtremendous success with studentsacross the country.
The two graduate founders ofFreshMeet are cashing in on thepopularity of the show with theirbusiness venture. But the ex-Liv-erpool and Lincoln University stu-dents are demonstrating thatthere’s more to it than just aclever name.
What sets FreshMeet apartfrom other dating websites is thatit has been created by students,exclusively for students. Userscan only join once they have en-tered their official .ac.uk email ad-dress when completing theprocess of registering, as proof ofstudent authenticity.
Another student friendly as-pect of FreshMeet is the smallmonthly membership fee for thesite. As co-founder of FreshMeet,Anthony Purkiss explains: “It’sdating for the price of a pint.”
The site matches single stu-dents based on their likes and dis-likes, giving them the opportunityto chat and flirt with one anotheronline. One of the taglines on theFreshMeet site being: “You’re
young. You’re at Uni. You’ve gotthree years to have some fun.”
Looprevil explained the Fresh-Meet’s concept to a handful ofLJMU students to gain insightinto what they thought about thisnew student-only dating website.
When asked, one studentreplied: “There were that manyFresher’s and flat groups set upon Facebook that students end uptalking to loads of other studentsanyway. I do believe dating sitesare needed but I don’t think onesfor students are. I don’t thinkmost students have a problemfinding and talking to each other.”
However, another student said“As a third year, going out on thetypical mad Medication studentnight is getting so old. I’ve been inthis city almost 3 years now andit’s harder to go out and meetguys. I think the FreshMeet is agood idea because you can putyourself out there and meet a po-tential partner, but spend thosewell needed nights in doing yourdissertation. At least this way youwon’t not miss out on meeting apotential date.”
According to co-founder TomWitcherley: ‘Being a student isn’tjust about studying, it’s aboutfinding your next adventure,’ hecontinues. ‘And with FreshMeet,it could be closer than you think.’
DO STUDENTSNEED A DATINGSITE?
by GEMMA JONESFeatures Editor
NEVER BEFORE has going out forcoffee with friends been so invogue or hipster.
Because of our “disposable” stu-dent loans, we don’t even bat aneyelash when the cost of a merecake and cup of caffeine comes toan insidious price of £7.99 exclud-ing VAT. And what is more fun thesedays than taking an Instagram pic-ture of a pretentious Starbucks cupwith your name on it?
Yet what with the recent Star-bucks tax scandal, many coffeelovers are now starting to breakaway from the large consumeristchains and venturing for new cocoabean pastures.
The new “cool” place to go nowis to the more intimate, intricate andindependent coffee makers andplaces.
So if you want to thrive in yourcoffee individuality, then here are afew lovely and charming coffeehotspots you should go to whilst inLiverpool. Bon appetite.
Bold Street Coffee: Of courseBold Street has a unique statusamong the Liverpool City Centre re-tail life for the sheer number of in-teresting, independent traders. AndBold Street Coffee is no different.
The independent coffee shopscreams individuality from its com-petitors and has deliciously freshlymade coffee that is brought to yourtable at a very reasonable price. In-side, there is something about theplace, which could in part be to dowith the décor, a pleasing coalitionof whitewashed walls, scatter gunposters, elegant low slung lights,padded seating all down one wall.
There is a vibe that makes youwant to stay and experience more.
Franklins At Fact, WoodStreet: Don’t let the fact you’re notin the mood to watch a film stop youfrom going into Fact and experi-encing the charm that is Franklins.
Ideal to stop in for a spot of lunch,the café is brimmed to the barrel ofcool/bohemian-esque people fran-tically clicking away on their laptopswith cool music playing effortlesslyin the background. From Lattes toCappuccinos and from bacon sand-wiches to yummy pasta, Franklinscertainly caters for a majority oftastes.
Shirley Valentines, MountPleasant: Now this place is ideal ifyou are looking for value.
This lovely little café and coffeeplace is in the basement of a prettytownhouse painted in black andwhite on Mount Pleasant. A merejacket potato with beans andcoleslaw, with a crispy and freshside salad plus a coffee, costsaround £3.50. It’s freshly made too,in a home cooking style surroundedby a comfortable dining area.
Central Perk, Hatton Gardens:It was a sad day when Friend’sended. However the recentlyopened Central Perk coffee shopsmeans we can experience a NewYork way of life all over again. Youcan savour a whole range of Amer-ican products starting at breakfastwith bagels and waffles with a vari-ety of toppings. There’s a great se-lection of coffees and cakes onoffer as well as New York deli-stylesandwiches like Pastrami with dillpickle and American Mustard, aswell as Sundried tomato Humus
with mixed salad. WE HEART NY.
COFFEE HAVENS
6
byMICHELLE HOMANWriter
WITH THE rise of each New Year,comes more unfinished resolutionsand they seem to becoming moreambitious as the years grow.
In 2012, I achieved most of myset resolutions; I passed my driv-ing test, I got into a serious rela-tionship and I passed my first yearat LJMU with flying colours.
So now that 2013 has arrived, Ican’t help but wonder what I willachieve next?
After much deliberation I cameto a final agreement and realisedthat it’s time to address an un-wanted and pressurising matterthat is constantly on my mind – lifeafter LJMU. Even though I amcurrently within my second semes-ter of my second year, I have noclue about what I’m supposed to doafter I leave the Dean Walter’sbuilding.
Where am I supposed to go?What will I do? Where will I get mymorning toast and cuppa, if “tealady Gee” isn’t around? The onlything that I know is LJMU.Since 12:01am, January 1st 2013
I have battered my brain with agrimy, wet fish and forced it intomaking a near future decision. Idon’t technically graduate until thesummer of 2014, but I’m awarethat I need to have some plan onwhat to do after graduation. I can’tstay in education for the rest of mylife, can I?
A postgraduate degree - yes!This is not a distraction from try-
ing to find a full-time job withinthe media industry. I decided on apostgraduate degree course be-cause it’s the final step of my edu-cation; it gives me a chance tospecialise in whatever I wish and Ihave one last opportunity to fly thenest and leave Liverpool for awhile.
In order to achieve this ambi-tious aim, I need to start early. I
have started by assessing all of myavailable options; I have scoutedout all of the UK Universities andordered printed prospectuses fromeveryone that offered a broadcast-ing or journalism postgraduatecourse.
I can’t stay in ed-
ucation for the
rest of my life,
can I? A postgradu-
ate degree, yes!
My next step will be to assess allof my options, alone. I want tomake this decision for myself be-cause it’s a big one to make; I’mgoing to narrow it down to the finalfive, apply for them all and thenjust wait. What do I have to lose?If you’re in the same boat as I am,then make sure that you apply forthe postgraduate course that’sright for you.
If you are currently batteringyourself with a grimy, wet fishthen keep going until you get yourfinal decision. Having a short-termor even long-term life plan is noth-ing that you should dismiss; it al-lows you to be ambitious andcreative while offering you thechance to embrace opportunities.
If you are considering, applyingor are even inches away from start-ing your postgraduate degree thenI urge you to continue. You canthank me for the cheeky purplenudge when you’re successful inthe future.Good Luck fellow students, letyour education continue.
Elle.
THE NEXTSTEP
by GEMMA JONESFeatures Editor
ANOTHER VALENTINE’S DAY. An-other year of being a crazy cat spin-ster. Another year of grosslyinvolved couples sending eachother social media proclamations oflove.
Who needs it? Not us. In the im-mortal words of Destiny’s Child for“all the woman [or men] who are in-dependent”, here are ten essentialtips on how to spend your antiValentine’s day gloriously alone andnot wanting to throw yourself into asea of menopausal speed dating:
1. First and foremost it is a CARDCOMPANY MANUFACTUREDDAY.
It has no real depth or signifi-cance in society. It is a moneymaker. This cynical outlook on theday will give off the illusion that youdon’t care, that you are highly lib-eral and probably a hipster.
2. If you are feeling melancholic orblue, then stop immediately. Do aBridget Jones and perk yourself upwith vodka and Chaka Khan.
3. Avoid Facebook. Completelyavoid it. It’s going to be a virtualrealm of over the top and insecuredeclarations of ‘love’.
And don’t even think about goingon that person’s page you clearlylike to stalk every so often. Theyhaven’t split up with their significantother/they didn’t send you that mys-
terious Valen-tine’s Day card/they will neverlove you. Sonever like any oftheir statusesagain.
4. When the post man delivers themail, don’t expect that there isgoing to be anything for you. Em-brace the disappointment.
5. Watch loads of horror films. Saw,Texas Chain Saw Massacre, TheHuman Centipede. All disgustinglyviolent gems that will make your lifelook so much more glamorous incomparison.
6. If you are sitting somewhere andhear the voices of Ryan Gosling,Hugh Grant, Colin Firth, RichardGear, Julia Roberts and GerardButler in the background then RUN.As fast as you can. Keep runninguntil you hear those voices nomore. Plus if you run, you get fit andtherefore you improve yourchances for batting for the otherValentine’s team next year.
7. Don’t eat out. You don’t wantthose pitying “oh look she’s alone”or “she has a great personality don’tyou know” looks. Eat in. If you havenothing in, go to the supermarketearly. Don’t look at pink paperhearts in the shop though or theywill turn you into stone.
8. Pamper yourself. Instead of all
the other suckers spending the dayappreciating another person, youshould appreciate how hilariousand fun loving you are.
Paint your toes, have a bath,wear a full face of make-up aroundthe house and take an Instagrampicture of yourself. There you see…The perfect relationship.
9. Classic mantra of “keep busy.”Sadly you haven’t been inundatedto various black tie dinner parties oron a private yacht with ChristianGrey so now might be a good timeto catch up on some work.
Do a bit of reading. Expand onsome knowledge. Be creative.Apply for some jobs. See if you cantouch your elbow with your tongue.That kind of thing.
10. Although you may secretly hateyourself, hate other couples and theworld around you, don’t show it. Behappy for your absolutely and in-sanely gorgeous friends who haveboyfriends who shower them withgifts every 30 seconds. They couldend up breaking up with them even-tually or one this could be you too.So put on your best Cheshire catface. They might ask you to thirdwheel. If you’re lucky.
SURVIVEVALENTINE’S
DAYAlone this Valentine’s? Let Gemma Joneshelp you get through it
READ MORE PURPLECOLUMNS ATLOOPREVIL PRESS.ORG
by REBECCA FIELDINGEditor
AN LJMU STUDENT and localcouncillor have teamed up in a bidto make 2013 Liverpool’s Capital ofKindness year.
People from Liverpool arerenowned for their charitable dona-tions and helping each other in acommunity.
Law student Nathan Selby andCroxteth ward councillor StephanieTill are keen to get the people of Liv-erpool to share stories of generousacts of kindness that they have en-countered.
Nathan said: “The project came
about after Steph led the ‘KeepWarm Collective’ project in late2012, which collected winter cloth-ing; coats, hats, scarves and glovesfor homeless women in the city.
“The project was a massive suc-cess and collected over 400 coatsfor women in the city.
“Steph came up with the idea forRandom Acts of Kindness in Liver-pool (RAK) and I instantly fell in lovewith the idea - we both acceptedthat Liverpool is one of the friend-liest and kindest places in the UK,so we set out to prove that Liverpoolis the ‘Capital of Kindness’.”
Individuals are able to participatewith RAK by tweeting
@RAKLPOOL withacts of kindnessthey have commit-ted as well as actsof kindness theyhave received from others.
The campaign recently proved itssuccesses and mass support afterbeing contacted by a social workerwho has a passion for helpingyoung people with disadvantagedand vulnerable backgrounds.
Nathan said: “We got behind‘The House that RAK built’. ClaireCaddick got in touch because shehad this house with spare roomsand wanted to help out by housinghomeless teenagers so that they
could stay on in college. “Just she had the house and
nothing else - it was an empty shell.“We used RAK to promote and
ask for donations of furniture, tow-els, kitchen utensils and what not. Itwas such a success in a short pe-riod of time and has totally blownboth Steph and I away.
“Within hours the project hadgone viral and we were retweetedand followed by flocks of people andwe had over 1,000 unique web hits.
“Peoplein the citys h o w e dtheir kind-ness and
now Claire has her house and shehas almost everything she needs.
“We have a few more ideas upour sleeves that we won’t reveal justyet, but the idea is to keep encour-aging kindness and it will find itsway around.
“A small act can make such a bigdifference to someone’s day; holdthe door open, show someone asmall. It’s the little things that havethe biggest impact!”
by SOPHIE CORKEntertainment Editor
DO YOU FACE a daily internalbattle to get out of bed? Are you aserial abuser of the snooze but-ton? And when was the last timeyou went to that Monday morninglecture on time? As the majority will agree, get-
ting out of a warm, cosy bed ishard work – especially in winter.With this in mind, here’s a list ofthe top tips to help you get up andget going.
• Place your alarm away fromyour bed.When it goes off at thatungodly hour, you’ll have to getout of bed to go to switch it off. Re-sist the temptation to get back inbed at all costs. A true test ofwillpower.
• Get a reliable housemate tohelp. Enlist the help of an earlybird friend to get you up. Havethem knock on your door andcheck back after 5 minutes tomake sure you’re not snoozing. Ifyou’re not up by then, they havepermission to take the duvet fromyou and return it only once youare up and out of bed. Sometimesyou really do have to be cruel to bekind.
• Set your alarm early. This al-lows you to have a little extra timein bed that you so badly needwithout causing you to be late foryour morning lecture. The snoozebutton is great for this, but makesure you don’t overdo it andsnooze right through to the after-noon.
• Set your alarm late. On theother end of the spectrum, setyour alarm at the time which is
the very latest that you should beup. Nothing will get you out of bedquicker than seeing you have only5 minutes to get ready, and thatsprint you have to do to get to uniin time will freshen you right up.
• Get prepared. Remember yourfirst day of school and you hadyour new uniform laid out for youin the morning? Studies show thatthe brain can find it hard toprocess even the simplest of tasksin the morning, so planning forthe day ahead before you go tosleep will make getting up a lotless challenging.
• Banish the hangover. Nothingcures a hangover quite like fester-ing in bed all day, but this isn’tideal when you have a 9am lec-ture looming. Keep the headacheat bay by taking two paracetamolbefore you go to sleep and twomore when you wake up, followedby a pint of water each time. Wecan’t guarantee this will cure yourself-inflicted ailment but it pro-vides the temporary relief youneed until you can get back intobed.
• Devise a Wallace and Gromitstyle wake-up devise. Not themost practical of ideas, but cer-tainly most effective. Sliding outof bed to the kitchen below whilstmechanical arms feed you cereal?Cracking!
7
Winter 12/13LOOPREVIL PRESS
COOKINGCORNER
by JAMIE CRAGGSWriter
VALENTINE’S DAY is just around the corner andyou may be planning to cook that someone special anice meal to show how much they mean to you.
A great way to finish off the meal is with thesegreat little Orange and Champagne Cupcakes, andas they only require a small bit of Champagne youcan use the rest during the meal.
The great thing about them is you can cook themfor any special occasion so if you don’t like Valentine’sDay you can serve them at parties or have them be-fore a night out.
Serves: 6 | Difficulty: Easy | Time to prepare: 15mins | Cook Time: 15 mins
For the Cupcakes20g butter, at room temperature
120g caster sugar2 large eggs, at room temperatureHalf a teaspoon vanilla extract
120g self-raising flourZest of 2 oranges
For the Champagne Buttercream160g icing sugar
125g unsalted butter, at room temperatureHalf a tsp Vanilla extract
30ml Champagne
To make the CupcakesMethod1. Pre-heat oven to 170C/gas mark 3. Line a 12-holecupcake tray with paper cases.2. Using a bowl and wooden spoon, cream the butterand sugar until light and fluffy.3. Add the orange zest to the mixture and mix well.4. Next, add the eggs one at a time, and add thevanilla extract, then beat until combined.5. Gradually add the flour, carefully folding it intothe mixture until almost smooth.6. Divide the mixture equally between the papercases 7. Bake for 15-20 minutes until golden and springy tothe touch
To make the Champagne ButtercreamMethod1. Beat the butter in a large bowl until soft. Add halfof the icing sugar and beat until smooth.2. Add the remaining icing sugar and vanilla extract,then slowly add the champagne and beat the mixtureuntil creamy and smooth.3. Using a piping bag and star nozzle, pipe the but-tercream onto the cupcakes in a circular upwardsmotion.
Check out other recipes from Cooking Corner at
www.looprevilpress.org
ON TWITTER:
@nickyperkes: Feel fresh asa daisy today an ready to takeon the world. Off to uni for a bitof soils and pollution #ljmu
@paul_abo: Good to meet@andyburnhammp tonight.Questioned him on financialsupport for nursing studentsand he agrees it needs to im-prove #LJMU
@Aimee8947: Long day of es-says aead. #ljmu #deathofme#nolife #sociallystunted
@EllieJohnson_4: Pretty surethat was Byrom Street on#Utopia then! #LJMU
@FloOrChlo: The sun is shin-ing though #itsliverpool
@the20effect: Liverpool willbe one of the first places in theUK to bring in 20mph to mostresidential streets #slower-Speeds #saferStreets #itsliver-pool
@macstephenson:@LJMU just wondering whenstudents get paid their bur-saries?
ORANGE & CHAMPAGNECUPCAKES
RISE AND SHINEStruggle toget up on amorning?
New this issue, What is on your mind? is our new Agony Aunt column in
which LJMU students can write to our Agony Aunt, Sophie to share their
problems, thoughts and gain advice. If you wish to seek advice for a prob-
lem, you can email [email protected] or Tweet
@looprevil_wioym
Dear Sophie,I recently slept with a close friend of mine whilst drunk when I was
back at home for Christmas. We decided not to tell anyone as he has agirlfriend, and we worried the pressure of people knowing would ruinour friendship. I came back to uni feeling ashamed and embarrassedand now everyone back home has found out, except his girlfriend.
I feel as though people are talking about me behind my back and Idon’t want to go home and face people because of how they mightreact. It’s really getting me down, please help! Worried, 20.
To Worried,
We all make mistakes, especially when under the influence of alcohol, so try not to feel too hard on yourself
first of all. Your friend did wrong by cheating on his girlfriend but that is a private issue for them to figure out alone.
As far as your friendship is concerned, try and talk to him about what happened to straighten out any confusion
or misunderstandings about what happened. You may find it awkward to begin with, but if your friendship is strong
you will both be able to accept what happened and eventually move on.
People will always look for something new to talk about and gossip can spread like wildfire, but don’t get caught
up on what others may or may not be saying. By the time you come home again, chances are that they will have
found something new to talk about and your situation will seem like a distant memory.
To Sophie,I’m in my final year at LJMU and I’ve never had much luck with the ladies, until I started dating a first
year in October. I have strong feelings for her and we have a great time together, but our lifestyles are sodifferent as my workload is huge whilst hers is practically non-existent and we hardly see each other asa result. It’s really putting a strain on our relationship as she keeps bugging me to spend time with her.What should I do? Matt, 21.
To Matt,
The lifestyle of a first year is very different to that of someone in final year, and so it’s no surprise it is causing
you to have problems. I’m afraid the answer here is pretty clear, you need to explain to your girlfriend how impor-
tant this year is to you academically, and that you haven’t got a lot of free time.
She will either accept this or you will have to stop seeing each other all together. Don’t risk compromising on
the quality of your work for a relationship which has an uncertain future. If you guys are really meant to be, there’s
8
NATURAL BEAUTYHOW OFTEN DO YOU SEE A WOMEN AS SHE NATURALLY
IS IN THE MEDIA?
uring our photoshoot, I approached a num-ber of girls to request they volunteer to be
photographed without their make up on. Of allthe girls I asked, none wished to participate.And what was somewhat of a frustration at thetime realised into a depressive thought; whywould our LJMU female students refuse to re-move their make up?
Through my personal research and role asWomen’s Delegate for LiverpoolSU, I came tothe horrific realisation that yes, the majority ofgirls would prefer to layer primer, concealer,foundation, powder, bronzer, eyeliner, eye-shadow and mascara onto their faces each daythan go au naturale. Whilst their personal de-cision to do this proves how far rights andchoices have come for women, one can only won-der what role models they are faced with on adaily basis.
In 2012, writer and campaigner NatashaWalter brought into the spotlight the fiercepressures women face in terms of their appear-ance and their career choices. Her recent bookLiving Dolls brings the personal to the forefrontin a frightening image; one where young womenare told and believe the best they can be ismade up, a glamour model or a polished, tanned‘Barbie doll’.
Whilst her work mainly focuses on the wor-rying lifestyles young women choose, for in-stance, pole-dancing or prostitution, shehighlights a fundamental issue which womenare continually subjected to. She develops thenotion of a ‘New Determinism’, that stereotypescreated by the ever more accessible media infil-trate the lives of girls and women, yet they ac-cept it as empowerment and normality,ultimately creating a ‘New Sexism’.
Yes we girls have choice; we have the choiceto pursue what career we wish; we have thechoice to wear what clothes we desire; we alsohave the choice to wear whatever amount ofmake up on whatever day we want. Yet thischoice is not utilised within the mass media.Walter terrifically identifies this lack of choicein outlets which we encounter every day of ourlives.
Feminism, as well as the sexual revolution ofthe 1960s to the 1980s, intended to give womenchoices about their lives. Walter shows howwomen have instead been placed into straight-jackets; their appearance is dictated, their be-haviour and their career pursuits.
Through interviews conducted withteenagers, sex workers and those in the glam-our magazine and film industries and with auser of pornography, Walter proves that whilstwomen appear to have escaped from the do-mestic stereotype, they have fallen into the
highly sexualised category. She points out thatmany women, especially young women, now ap-pear to believe that sexual confidence is theonly confidence worth having. Especially whensuch images are distributed within the mediathat are accessible to both genders of all ages. The need for natural beauty within the media
is not an unheard of topic; there have been anumber of attempts to combat the photo-shopped, made up and sexualised female im-ages that are prevalent across magazines,newspapers and the digital sphere.
Recently, ‘Natural Beauty: Keeping it Real’was a campaign created by Kaya Cheyanne forChannel 4’s Battlefront. She aimed to promotepositive body image and bring back naturalbeauty, and tackle the distorted images that areprevalent in magazines and websites. Her cam-paign was a success; gaining support fromcelebrities Jimmy Choo, Nicola Roberts,Jamelia and Shayne Ward.
Alternatively in 2004, Dove launched theDove Campaign for Real Beauty; a world-widecampaign that included advertisements, videos,workshops, events, public books and the pro-duction of a play, which all celebrated the nat-ural physical variations embodied by women,and inspire them to have confidence and becomfortable with themselves as their genes in-tended.
Of course, their campaign flatlined after itwas revealed in 2008 by the toucher-upper him-self, Pascal Dangin, that the images shownwere as digitally manipulated as any fashion orglamour modelling spread.
If Dove, a once trusted brand in every house-hold, turned to photoshopping ‘real women’ intheir campaign to promote confidence, whereelse can we girls turn to for support? Accordingto Dove then, to be ‘natural’ still meant youwere digitally poked and prodded by photoshoptools.
It comes as no surprise then that girls, whenasked if they would be willing to take theirmake up off and be photographed, would rathernot. They may have had the choice to put it onin the first place, but was it really the thought“I feel like putting some make up on”. From myown experiences, it may be accurate to suggestthe thought was in fact, “I think I look rough,and I’m going to be seeing a lot of people - I bet-ter put some make up on.”
Of course, this is not the case for all girls.Please bear in mind I’m speaking in generali-sations based on experiences.
It was extremely freshing then that, afterasking over twenty girls directly to receive con-fused looks and nervous laughter, six turned upvoluntarily. Seven, if I include myself. We asked
our volunteers to pose Looprevil Press com-pletely free of make up and computer manipu-lation.
The problem is not make up itself, nor is it aproblem that individuals choose to wear it. Theissue is that images of natural beauty, of mod-els as they are on a day to day basis, are absentfrom the media. More often, if such images areprinted, they are to ridicule a celebrity orwoman for looking ‘rough’ or ‘underdressed’ orshe has ‘no style’. The images of actress Mila Kunis wearing no
make up spread like wildfire across the media;most celebrating the fact she was fresh anddressed casually.
But the fact it made news because she wasnot wearing make up only enforces the sense ofabnormality of choosing not to wear it.
LJMU student Emma Parkman said:“There’s no other choice for young girls. I wearmake up most days. Often you feel intimidatedwhen other people are wearing heavy make up,and you’re not.”
It was refreshing to hear opinions regardingskin care also, and that looking after both yourhealth and your skin are also valuable to creat-ing your look.
Alex Martin, also an LJMU student, said:“There are a lot of girls that don’t wear makeup but obviously there is pressure to wear it.
“I don’t wear make up all the time; instead Iuse a lot of products like cleansers and toners,I think that is more important than make up.”
Student Group Coordinator for LiverpoolSU,Laura Outten said: “Popular culture is far toosexualised, everyone is focused on what themainstream media actually represent as beau-tiful as a woman, they need to go back to theoriginal roots of natural beauty.
“War paint and make up aren’t as aestheti-cally pleasing, at the end of the day, it’s justskin underneath and beauty is skin deep.”
Of course, by focusing on women I do notmean to completely dismiss the pressures menface too in today’s popular culture. Both gendershave pressure to have a certain body image andtype; yet the male gender is exempt from thepressures of make up. Their pressures often liemore so in their fitness and body type.
LJMU student Andy Charnley said: “There’sa lot of pressure on the modern woman today,but there’s pressure on the modern man too.They expect men to, have a nice hair cut, havea perfect body. Images like in Men’s Health.
“I like girls to look after themselves, but nottoo much.”
Stephen Ireland said: “I think you have cer-tain callibre of girls; girls that don’t wear makeup, and the girls that wear a lot.
WORDS BY: REBECCA FIELDING | PHOTOS BY: GEMMA JONES
D
“Girls wear it to make themselves look bet-ter, but it’s silly to go too far.
“Pressure has increasingly become moremale orientated too, men pose for women’s mag-azines too. It’s still mainly towards girls, butpressure is become an equal thing for both gen-ders.”
Perhaps then, men will also find it refresh-ing to open a page of a newspaper and find in-dividuals naturally as they are.
This is the aim of this feature; as Women’sDelegate I want LJMU girls to be able to opentheir student newspaper and find no pressureto look a certain way, have a certain style andwear what make up. In doing this feature,
Looprevil Press has provided a choice to read-ers; some may prefer the attention given toclothing and make up, as shown in our BoldStreet Style spread. But at least our readershave a choice and not one consistent pressurethat haunts each page.
There are few things so effective at dimin-ishing your natural beauty and confidence thanbeing bombarded with the message that youdon’t measure up to.
The next time you scan the pages of a popu-lar magazine and feel inadequate by the end ofreading it, you shouldn’t feel that way. You arenot the inadequate being; if anything, it is themedia that is inadequate by not providing a
healthy choice and balance for young girls andwomen.
The fact that any attempt to raise awarenessand promote the need for natural beautyamongst women is significantly praised justproves how much still needs to be done to pro-vide this choice in popular culture. Why praisea cause that should already be embedded intoour media without question?
Such recognition only provides more incen-tive in doing such a feature. It highlights thedefinitive imbalance in the media between pho-tospheres, highly made up models and how theyreally look. Imbalance may be the incorrectword; absence is more suited for the latter.
9#SHOUTBACKLIVERPOOL
© Looprevil Press | Qi Jiang
© Looprevil Press | Qi Jiang
12 Looprevil Press is printed quarterly. Want to be on this page and show LJMU students your talent? Email [email protected]
LOOPREVIL IS LOVING:
duke dumontneed u (100%)
A fresh and fun house tune with a tingeof nu-disco for good measure. Pickedas one of Annie Mac’s ones to watch inthe new year, expect to be hearing thiseverywhere soon. Dare you not todance.
Let us know your thoughts on our choices, or suggest your ownfavourites - email us at [email protected]
by GEORGIA DRYHURSTWriter
YOU MAY NOT have heard of himyet, but I assure you before longeveryone will know of Mr JacobBanks.
The Birmingham bredsinger/songwriter began this yearwith the release of his debut EP‘The Monologue’, a throwback to aprevious era with its soulfulsounds and Motown influence.
After winning the MOBO Un-sung 2012 title for his region, hewent on to perform at many ofLondon’s popular showcases andhas also opened for Daley and PlanB to mention a couple.
The 8 track EP delivers withevery song, from the smooth tonesof ‘Dear Simone’ to a faster upbeatpace with ‘YOLO’. The openingtrack ‘Worthy’ is a personalfavourite and has been on repeat
since I first heard it, stilldisplaying Banks’ soulfulvoice but with an influ-ence of modern Britishmusic. The lyrics state: “I feel
worthy somehow, please,I don’t want to go down…The new world is callingme now, please don’t letme go down“.
Throughout his EPthere is a focus on a com-ing of age and personalgrowth allowing a strong connec-tion with a younger generation.
Banks’ musical influences andsound are pure timeless soul, withinspiration from legendary artistssuch as Marvin Gaye, RayCharles, Stevie Wonder and Cur-tis Mayfield, enabling him to re-vive a classic sound amidst that ofmodern popular culture andmusic. Banks has released a time-less collection of songs, and I am
eagerly awaiting news of tourdates, as I am sure those who haveuncovered this gem are.
His soulful voice appeals to peo-ple from all eras, my father a fanof ‘Something Beautiful’, as he isreminded of the sounds of TeddyPendergrass and Al Greene.
It seems the only way is up forBanks, with a fast growing fanbase he is unstoppable. Watch thisspace.
UPCOMING: JACOB BANKS
2 MINS WITH WHEN THE SUN GOES DOWNby ALEX GREENWriter
WITH A NEW time slot and new member, Ihad an exciting feeling that this radio showwas about to really take off. Now there wasI, Thom Schofield and Paul Lopez.
Normally airing on Wednesday after-noons, a switch to Friday nights opened thedoor to a more vibrant, relaxed show. Newsections including Sports, Video and For-eign music helped us oversee the newshow and feedback shows it was a success.
Our main focus of debate was the sum-mer music festivals with the rumour millsbeing filled every day, with Glastonburybeing the most anticipated.
Whilst none of us are heading to Glas-tonbury this year, it is still an exciting topicfor the three of us as huge music fans. Actssuch as The Rolling Stones, Fleetwood Macand Daft Punk have all been mentioned butthis debate is set to go on a little while yet.
We know Eminem has been announcedfor Leeds, something Thom has spokenabout as he is heading there at the end ofAugust and Benicassim festival has also
announced three of four headliners in TheKillers, Queens of the Stone Age and TheArctic Monkeys, a topic Paul and I have dis-cussed many times as we are heading therein July.
This brings me onto an important point,the music. As much as we love to presentnews which may not normally be aired, ordiscuss topics for the same reason, we pri-marily started this radio show to play musicwhich the average listener would not find ontheir local stations. Music which we love,our favourite bands like The Arctic Monkeysor Green Day, up and coming artists suchas Jake Bugg and classic bands like LedZeppelin and The Beatles.
The show will continue to do this, we willcarry on presenting the stories and playingthe music which ensures that LooprevilRadio brings the best radio experience forthe students of LJMU.
Listen to When The Sun Goes
Down at looprevilradio.co.uk,
Fridays, 8 til 10pm
There’s a new kidon the block
DIVERSITY ON THE CATWALK
by LOIS VENTREWriter
FOR MOST OF us the catwalk seems a far offland built by exclusives, a place in which someof us can only dream of.
Let’s face it, we all want to improve our looksomehow. We live in a society where sizes sixand eight are the ‘must-have look’. These bodyideals create a struggle for most people whodon’t fit the slim, tall, Caucasian and young ‘cri-teria’.
Charity All Walks Beyond the Catwalk aimsto change this perspective.
Our body hang-ups are created from com-paring ourselves to other people and their look.High end catwalks need to expand their hori-zons, they need to cater for everyone.
It’s inevitable that certain clothing looks goodon sample size, but may not look good in largersizes, and vice versa. Why are garments scaledup - there are no exclusive fashion for differentsizes.
The average size for the high street is four-teen to sixteen; we’re not all born to be slim. It’sridiculous that this pressure to idolise such bodytypes and images does not result in a healthylifestyle. So why do we feel the need to conform
to this; why do many of us hate being labelledinto a sub-culture yet we strive to succumb to allbeing the same size.
This is not to discourage a diet, after all it isan aim in everyone’s life to change some aspectof themselves. But the fact women are puttingthemselves down and looking at airbrushed,which are far from realistic, is worrying.
Unfortunately, Photoshop has a lot to blamefor this. It is up to the innovators of fashion tochanges this view. Statistically, eight out of tenwomen are unhappy with their bodies, andthese shocking statistic shows that women’s as-pirations are somewhat channelled by themedia.
Designed Mark Fast used size fourteen mod-els on his catwalk at London Fashion Week,causing a debate: should fashion be strictlysample size or should it be manipulated to fit alltypes of people. I strongly believe the latter. Infact, the idea of All Walks has not been shunnedby anyone who has been approached by theproject.
Nowadays we are increasingly fightingagainst discrimination and inequality - why notfight for equality on the catwalk, too.
Visit www.allwalks.orgfor more information
solangelosing you
Out to prove her talents stretch far be-yond her famous namesake, the otherMiss Knowles offers this retro sound-ing piece of pop perfection. Honest,soulful and incredibly catchy, this tunewill have you hooked.
julio bashmorehusk
After the huge reaction to omnipresentclub hit ‘Au Seve’, some may havethought the fame had gone to the Bris-tolian producer’s head. Critics areproved wrong by this slow-burning yetelectric follow up single which is remi-niscent of his older work.
by SOPHIE CORKEntertainment Editor
ALTHOUGH LIVERPOOL may not be the epi-centre of underground electronic music in theUK, the scene is growing rapidly with moreand more clubnights starting up in the city.
As bass music orientated nights like Aban-don Silence and Waxxx warehouse partiesare increasing in popularity (the former re-cently moved to a new venue to accommo-date bigger crowds), eyes and ears areturning to Liverpool for fresh new sounds.
But it’s not just where the tunes are beingplayed, it’s also about who’s making and play-ing them too.
One of the key up-and-coming players isWirral-born Melé, a young producer and DJmaking a rather large name for himself. Afterhis single, ‘Beamer’ featuring grime legendKano received airplay on Radio One, Meléwas approached by the station’s own AnnieMac to make an exclusive tune as part of hercompilation series ‘Annie Mac Presents’, po-sitioning him as one of the most promisingproducers around.
Blessed with an almost encyclopaedicknowledge of music, you can expect his setsto seamlessly jump from dark techno to oldskool grime to classic 90s house, all the while
keeping the crowd moving. His own music isjust as eclectic, with bouncing energetic beatsand slow building drops to make a certifiedclub banger every time.
We caught up with the man himself to findout his take on the emerging Liverpool bassmusic scene.
LP: First of all, you started producing in your
bedroom in the Wirral, do you come back to
Liverpool a lot or are you mostly London-
based these days?
M: I’m London based these days, I try to comeback up to the Wirral and Liverpool as muchas I can though. I do miss it a lot!
LP: What do you think of the underground
electronic music scene here?
M: I love it, I think the first time I went toChibuku I was about 15 and used to go regu-larly so I’ve seen a lot of different people playhere. I love what Andrew Hill is doing withAbandon Silence though, I think he's startedsomething proper special there.
LP: Do you think it could ever compete with
the likes of Manchester or Sheffield in terms of
number and popularity of nights?
M: I think so! I’ve never really played in Man-chester too much but I’ve noticed that it’s re-
ally popular again there, with things like Ware-house Project and Parklife. I think we need acouple of bigger venues in Liverpool though!
LP: Do you think that it’s harder for a pro-
ducer/DJ starting out in a place where there
isn't a huge scene?
M: In a way yeah. I think if I grew up in LondonI wouldn’t be making or playing the music I amnow. None of my friends where into it or any-thing so it was easy for me not to get im-mersed in one scene if that makes sense. Iwas just making what I was hearing on al-
bums I was buying or what people were mak-ing on Myspace.
LP: And finally, my favourite night in Liverpool
will always be when you played a sponta-
neous back to back set with Oneman! What’s
your favourite thing about playing in Liver-
pool?
M: Ah thank you! I think just the amount oftime I spent going to watch DJs in Liverpooland always wanting to do it, or the fact that allmy friends and family always come out when
I’m playing.
13
LOOPREVIL PRESS Winter 12/13
Small, Medium + Large show Tuesdays 12 - 2pm
by GEORGIA DRYHURSTWriter
I EXPERIENCED theBavarian charm ofBeirkeller a few weekendsago and am still reminiscingover the table dancing andsteins so large both handsare needed to consume.
Beirkeller opened in Liv-erpool One on November30th, providing an experi-ence like no other. Thisnew complex encompassestraditional Bavarian dress,drink and food and offersentertainment throughoutthe evening with DJ’s andOompah bands. It could notget more original than this.
The bar itself seems likea tardis, situated in the oldZeligs Restaurant unit fac-ing the Hilton, the vastamount of space inside isunexpected, incorporatingthe Shooters Sports Bar,
which has livesports everyday of the weekon one of thecountry’s biggest 3Dscreens, plus pool tables,an Xbox gaming area, andthe cherry on the cake; theBeirkeller room, home tothe Oompah bands and theendless table dancing.
I must admit this was oneof the best nights I have hadout in Liverpool in while, thecomplex offers a great at-mosphere and a unique ex-perience differing from theusual nights out in Liver-pool.
It’s definitely worth takinga trip to Beirkeller, experi-ence the “Around the worldin 80 beers”, and be wonover by the Bavarian charm.It is safe to say, it won’t be a‘stein’ cold sober night.
Liverpool is renowned for its array of nightlife hotspots;our Looprevil Press writers have recently been to twofavourites and have shared their experiences below:
by NICOLA FOSTERWriter
SET JUST OFF ConcertSquare, Liverpool’s Aloha isone of the top places todrink in the city.
Its Tiki bar roots make it atropical haven serving a mixof exotic cocktails, particu-larly rum-based mixes.
The first Monday of eachmonth they play host to theDrunken Parrot Society,which gives customers thechance to meet, discuss andtaste some of the bars ex-clusive spirits.
During the week the baris the perfect spot for a qui-eter drink with friends, whilstat the weekends it providesa lively party atmosphere.Ideal for celebrating a birth-day, a result or simply justthe fact it is Tuesday, Alohais a cocktail bar with a differ-ence.
Theirmust-havedrink is thePina Coladawhich comes served in apineapple shell. Perhaps thesharing volcano is moreyour style, guaranteed to geta night with mates off to agood start, which is goodseeing as you might not beable to remember the mid-dle or end.
Get down to the bar that‘lives for rum and tequila fora night you won’t forget. De-pending on how much rumyou are able to sustain.
by ZOE WHITTAKER Writer
WHEN I ENTERED the Play-house, the beautiful building andits traditional structure createdthe perfect atmosphere for a the-atre.
The hosts were welcoming andfriendly, with a range of drinksand nibbles at the bar. All of theseats had a comfortable viewingof the stage, increasing the en-joyment factor for the audience.
My expectations of the showwere far from what the show ac-tually provided which was a one-man show whose tear jerkingstory left me with shivers downmy spine.
The first section of the show in-troduced Mark Thomas and hisentertaining stand-up routine. I in-stantly took a liking to him, due tohis confident, funny and uniquepersonality. The routine used el-ements that all of the audiencecould relate to and it was clearfrom the constant laughterthroughout the show that it was asuccess with those who at-tended. There was then a shortinterval in which drinks and icecreams could be purchased for asatisfactory price.
The show then told a heartfeltstory of Thomas’ father, who be-comes ill with ProgressiveSupranuclear Palsy, a degenera-
tive disease which had an ex-treme impact on the family. Pre-vious to the show, I feared thatthe deep emotional aspects ofthis story would create a de-pressing and glum atmosphere,but quite the contrary, Thomas’scomical puns and quirky person-ality kept the laughing and en-gaged with the story. The showdid not focus solely on the illnessbut his own experiences, in termsof his family and career. I wasparticularly impressed with thelack of props, although therewere a few childhood toys,Thomas kept the audience en-thralled using mainly storytellingverbally, it was clear that he has apassion for performing.
The show used audio clips andimages from his Mother, Fatherand Brother, manipulating thestage to appear like they werepresent. I particularly enjoyed thisas I felt part of Thomas’ life andperhaps even like a part of thefamily, experiencing all the emo-tions and feelings alongside thenarrator. The climax of the narra-tive (without spoiling it for anyonewho wishes to watch it) showsthe love between family and thepower of music. I would definitelyrecommend this for anyone whowants to feel emotionally con-nected with the narrator andstory, in a way that not all showssucceed in doing.
BIERKELLER ALOHA
BRAVO FIGARO
SPOTLIGHT ON: MELÉexclusive
NIGHTLIFE
UNLIKELY STYLE ICON
This issue’s unlikely style icon is
SOLANGE KNOWLES.As the baby sister of one of
the biggest popstars in the world,Solange often goes unnoticed.
Yet having walked out of theBey- shaped shadows, Solangehas quickly become an influentialartist - both in music and fashion.
Going by the Losing You
video, Solange has quicklyshown her style credentials, so-lidifying her as the coolest girlever. Especially the late 90’s vin-tage Mochino ‘brick wall’pantsuit. Fashion plays an impor-tant role in the video, and it’sbound to be inspiring.
Gold tone pyramid stud earrings by River Island, £1.50 |PROXY pointed high heels with toe cap via ASOS, £30 |
Premium quilted floral tee and matching jacquard trousersby Topshop, £95
by TEREZA KIRWAN Writer
FASHION RETAILER ARK Clothingrecently opened its doors on thevery busy Bold St in Liverpool’sRopewalks.
The fashion retailer has on offera varied selection of contemporyfashion brands and own-labelled
apparel for its cus-tomers; ranging fromSuperdry, Religion,Fred Perry, Glam-orous and Motel.They have taken in-spiration from de-signer garments offthe catwalk and pro-duced ‘on-trend’pieces at a fractionof the price for all toenjoy in their highstreet stores.
For those looking for somethingthat little bit more special, unique, orto simply stand out from the crowd,they have ‘one-off’ beautiful handsourced selected vintage clothing,accessories and shoes in the base-ment.
The design of the shop is largeand spacious with fun and funky
vibe to entice its shoppers, the own-ers have chosen large Matchboxcars, old school benches and par-ket from a school here in Liverpoolfor that added touch.
Just to help your money stretchthat little bit further do not miss outon their sale in store and online. Youcan check them outat www.ark.co.uk.Also don’t forgetthat they give 10%off to students at thecheckout.
Happy shopping.
Need a dress forValentines? ThisHeart & BowsWine FlorenceDress is a bargainat £17.99.
ON BOLD ST
by GEORGIA DRYHURSTWriter
THAT GIRAFFE FIGHT. It was thetopic of many conversations afterthe first episode of BBC One’s sixpart series Africa, in which David At-tenborough takes us on a journeythrough Africa’s landscape, allow-ing us to witness nature in all itsglory.
The documentary began in theSouth West corner of Africa inwhich we see the wildlife that in-habits two deserts in short supply ofwater. We have been taken on ajourney to the Savannah, Congo,Cape and the Sahara, all of whichprovide an insight into the deepestcorners of Africa.
The crew spent more than fouryears in the field making this series,and it is clear to say this breath tak-ing documentary has had usgripped, opening our eyes to na-
ture’sb e a u -ties and brutali-ties.
Personally, thesecond episode,the Savannah,showed an amazingshot of wildlife, theherd of elephantsstruggling to find water. In this, oneof the baby elephants is too weakto move on and the mother stayswith her baby until it has passed,leaving the mother on her own andwithout a herd.
Although the series shows theruthlessness that takes place in thewild, it also presents nature in itstrue beauty, definitely worth awatch.
Rating:
AFRICA
LP LP LP LP LP
WE ALL LOVE
by GEMMA JONESFeatures Editor
IN THE BUILD-UP to HarveyNichol’s first ever beauty store open-ing in Liverpool, the tagline for thebillboard adverts campaigning its ar-rival was “love thyself.” And undoubt-edly Beauty Bazaar is located slapbang in Liverpool One, deeply res-onating such a mantra.
So what to expect? Blushes morerosy than a little girl on her first day ofschool, cleansing oils that make youfeel fresh as a daisy and colour thatputs the rainbow of Noah’s Ark intodynamic shame.
As soon as you walk through thedoor you feel like a grown up Alicetaking a compelling trip into a cos-
metic Wonderland. Down the rabbithole there are glass doors, jewelledwalls and eye catching displays thatall scream either “drink me” or moreaccurately in this case “wear me.”
Everywhere you turn there areglamorously dressed women who areready to cater to your every make-upwhim ensuring that you could giveany high maintenance Queen OfHearts a run for her money.
High-end cosmetic brands such asChanel, YSL, Mac, Benefit, LauraMercier, and Aveda are the preciousgifts that the store has to offer and ifused correctly will make you the guestof honour at any prestigious tea party.
Make-up or skincare, there are somany displays and brands and so lit-tle time so ensure that you look
around productively and choose yourmake-up alliances widely. Invest-ments need to be made to the rightbrands that cater to your skin needs.
Not only is there products galorebut if you venture upstairs onto theirfirst floor you will come in contact withevery material girl’s dream; a nailsalon, hair salon, eyebrow station andchampagne bar. Because after all,those products aren’t going to appearon your face and make you shinebright like a diamond all by them-selves.
So if you have any spare cash thenunleash your inner curiosity and ex-plore this Nichols wonderland foryourself. Make yourself up into adream. It’s beautiful and bizarre. ABeauty Bazaar indeed.
INSIDETHECITY’SNEWBEAUTYSTORE
by NICOLA FOSTERWriter
BASED ON the real life diary of RaeEarl, E4’s hit new show has beenhighly praised for its handling of theshows mental illness content.
Set in 90’s Lincolnshire, My MadFat Diary follows the journey ofteenage Earl as she makes thetransition back into the real worldafter being treated in a psychiatrichospital for 4 months. Living in acouncil house, if boy-mad Rae isn’targuing with her mother she isbound to be in the larder eating herfeelings.
Earl made the decision topublish her diaries after coming
through mental illness herself andknowing how important it is to knowyou are not alone. Having sufferedwith OCD, anxiety and delusions,she felt it important to get suchtaboo issues into the popular mediaof young people and for them tohave an understanding of suchproblems.
Praised for its honest and funnyaccount of the trials and tribulationsof a young girl living with mentalhealth issues, the key to the plot isRae’s likeable nature. The teenager,played by Sharon Rooney, is smart,funny and like any teenage girl, liv-ing in a constant state of embar-rassment. The show’s coverage ofserious, moving issues can make
for some tough viewing at times.It is unusual to see such issues
being raised on the small screen,and in such a refreshing manner.Ciara Baxendale who plays life-of-the-party Izzy in the show, feels theshow deserves every bit of praise ithas been given for its coverage ofthe issues.
Ciara said: “The show is greatbecause of the way it tackles mentalhealth issues, which even todaythere is still such a stigma around.The funny and light hearted contentalso contrasts to Rae’s conditionswhich helps this further”.
MY MAD FAT DIARY
14
Winter 12/13LOOPREVIL PRESS
1. Sarah | 20 | City Centre | Style icon: Sienna Miller2. Ellen | 17 | Wirral | Style icon: Florence Welch3. Tom | 19 | Liverpool | Style icon: Wolverine4. James | 26 | City Centre | Loves geek chic5. Amber | 20 | City Centre | Loves vintage styling
6. Jenny | 20 | City Centre | Style icon: Misha Barton
WHAT ISYOURSTYLE?
www.facebook.com/looprevilpresspaper
www.twitter.com/Looprevil_Press
BOLDSTREETSTYLE
1 2 3 4
5 6
AFRICA
15
PHOTOS BY: GEMMA JONES & SOPHIE CORK
LP LP LP LP LP
by BETH DOCKERTYWriter
QUENTIN TARANTINO’S latestcinematic master piece Django Un-chained was recently released incinemas. Django Unchained is ahybrid genre, an adventure,drama, western merged into onefilm.
The movie has become the high-est grossing movie among Taran-tino’s other titles. IngloriousBasterds was knocked off the topspot with the $120 million box of-fice returns figure being shadowedby the new release enormous fig-ures reaching over $130 million.
This epic American western hasreceived critical acclaim, as it wasnominated for five AcademyAwards including Best Picture,Best Supporting Actor forChristoph Waltz and Best OriginalScreenplay. Not to mention Waltzwon a Golden Globe for Best Sup-
porting Actor and Tarantino won aGolden Globe for Best Screenplay,all indications as to how remark-able Django Unchained is.
The film’s cast is rife with someof the industry’s most successfulactors, with some of the characterscreated with the specific actors inmind. Jamie Foxx plays the part ofthe freed slave Django, LeonardoDi Caprio plays the brutal Missis-sippi plantation owner Calvin Can-die, Samuel L. Jackson is CalvinCandie’s (Di Caprio) loyal houseservant Stephen and ChristophWaltz takes on the role of Dr. KingSchultz a German bounty hunterwho offers his help to rescueDjango’s wife from the clutches ofCandie.
Veterans of Tarantino’s work,Samuel L. Jackson previouslyplayed the part of Jules Winnfieldin the cult classic Pulp Fiction, andCristoph Waltz playing the role ofthe sadistic Hans Landa alterna-
tively known as “The Jew-Hunter” in Inglorious Bas-terds. It is pleasing to seethem return to prove theiroutstanding acting abilities inanother Tarantino movie,which is rapidly becoming no-torious in its own right.
Set in the deep south ofrural America, Django Un-chained begins in 1858, twoyears before the civil war. Thebasic plot of Tarantino’s filmfocuses on the dentist turnedbounty hunter Dr. King Schultzwho decides to buy the freedom ofthe slave Django, training him inthe hope that he will one day be-come his deputy bounty hunter.The plot soon digresses when theduo decide to embark on a missionto rescue Django's wife, who is inthe possession of the ruthlessCalvin Candie.
No Tarantino film would be com-plete without the trade mark
cameo appearance from the direc-tor himself; in Django Unchainedhe plays the part of a dim wittedAustralian employee of TheLeQuint Dickey Mining Company.
Slavery is constantly fore-grounded in the film, however itstill manages to provide comedicrelief, through scenes involving thecharacters such as Jonah Hill whobriefly appears as a member of thecomically presented Klu KluxKlan. The horrific scenes of slavery and
the savage gunfights are accompa-nied by a rap music soundtrack,which provides a rejuvenated edgeto an old western genre.
Even so Django Unchained isnot a film for the faint hearted fol-lowing in the footsteps of previousTarantino creations, it is a bloodthirsty revenge thriller that enter-tains from start to finish.
Rating:
DJANGO UNCHA INEDFEATURED REVIEW:
PITCH PERFECT has all the musi-cal elements of Glee but combined
with great acting and hilarious oneliners it becomes a musical comedywhich leaves you completely morti-fied when the credits appear. Brides-maid star, Rebel Wilson, manages tosteal every scene she is in and herdry sense of humour never fails tosend the audience into an uproar oflaughter. This awesome film com-bines the all American college expe-rience and the somewhatcontroversial characters you wouldnot usually find in a romantic com-edy. The hilariously constructedscenes, such as the shower duet,contribute to the film’s ultimate suc-cess.
PITCH PERFECTby BETHAN JENKINSWriter
must see
by TEREZA KIRWANWriter
FOR ALL THOSE Tom Cruise fansyou will be pleased to know that inthe new American thriller, JackReacher the action man does notfail to impress to ‘kick ass’.
The film comes from the ninthnovel of the Jack Reacher serieswritten by British author Lee Child.
The plot starts with a sniper in a carpark firing six bullets, killing fivepeople, the evidence at the sceneleads to the interrogation of an ex-military trained sniper, James Barr(Joseph Sikora) who tells the copsthey have the wrong suspect andhands them a note ‘get JackReacher’ (Tom Cruise).
Jack Reacher, a trained to killex-military officer who only owns
the clothes on his back, is broughtin to help unravel the case, “Hedoesn’t care about proof. He does-n’t care about the law. He onlycares about what’s right,” says Barr.
Twists and turns along the waykeep you wanting more. Reacher isaccompanied by Barr’s lawyerHelen Rodin (Rosamund Pike) whois also going against her District At-torney father for that added excite-ment, Reacher is certainly no friendof Barr and wants him charged for acrime committed years earlier, butgot away with on a technicality, inthe turns of event this time roundReacher believes that Barr is actu-ally innocent.
Rating:
LP LP LP LP LP
JACK REACHERGANGSTER SQUADby GEMMA JONESFeatures Editor
NOT GOING TO lie, I love a goodgangster film. Anything directed byMartin Scorsese or anything that in-cludes the Godfather Robert De Niroalways ticks the cinematic boxes forme. So it was pretty much inevitablethat I’d want to go and see the newgangster film that everybody’s hark-ing on about.
Gangster Squad has all the mak-ings of a violent, fun and glamorousgangster film but ultimately, it ain’t gotanything on quintessential Scorseseand the like.
The film boasts an impressive castfeaturing Hollywood hotties SeanPenn, Karl Lennox, Ryan Gosling andthe enviously beautiful Emma Stone.Sean Penn particularly plays a sub-stantial role as notorious LA crookMickey Cohen in the film who drivesmost of the action of the plot, at-tempting to take over LA for himselfin a hyperbolic assertion of masculin-ity.
Ryan Gosling should also be noted
for his cheeky chappy performanceas Stg. Jerry Wooters and WadeWilliams as the charismatic Rouke.
The film has all the classic plot de-vices of a gangster film; tough men,inappropriate comedy, scenes of vio-lence, drug scandals and sharperthan sharp pinstripe suits. Yet the filmoverall is not as kick ass as I thoughtit would be.
The plot at times seems slight draband painfully stretched out with notmuch else going on. Emma Stone,pretty stunning as she is in her floorlength burgundy dress, has nothing tocovet other than a two dimensionaltrophy wife character and the happycliché ending was nothing short thanunsatisfying.
Still, it was bearable and an idealgood all round film to watch to passtime with a few buddies if there isnothing much else going on in yourlife. All the actors pretty much madethe best of what little material theyhad.
Not exactly “gangster” but thesquad did have some potency to begreat. But by no mean feat was it aGoodfella or Godfather massacre. 16
Winter 12/13LOOPREVIL PRESS
by CONOR WALTONWriter
THE GERMAN Bundesliga has often been overlooked as one of the premier national leagues of Eu-rope.
Although, Bayern Munich have had many suc-cess’, both domestically as well as European, the com-mon belief behind the Bundesliga prior to, thepresent day was that it was a weak competition, aleague dominated by Bayern Munich and that wasthat.
No other teams have really figured in Europeancompetition since the turn of the millennium intruth, and this being the damning reason for the neg-lect the German league has suffered from the rest ofthe European media. Until recently the GermanBundesliga was probably ranked below or on parwith the Italian Serie A by the common football man,in terms of competitiveness and overall standard offootball.
The rise of Borussia Dortmund coupled with theage of the German national team, have been two piv-otal factors in the Bundesliga’s recent revitalization.
The national set up is dominated by youth, thelikes of: Holger Badstuber, Mario Gotze, AndreSchurrle, Mats Hummels, Marco Reus and ThomasMuller are all in the early twenties and are key andmore importantly consistent squad membersamongst others.
Although this concept of trusting youth and thenincorporating it into an experienced spine of a squad,through season professionals, such as, BastianSchweinsteiger and Philipp Lahm, arguably themain reason for the rejuvenation of the Bundesliga,has to be the form of Borussia Dortmund over thelast couple of years or so.
Dortmund’s success some what mirrors that ofManchester City’s in the Premier League, howeverinstead of achieving success through financialwealth, Dortmund have managed to devise a clubtheory on football, by complementing high energypressure on the opposition, with young, hungry play-ers.
Dortmund are managed by Jurgen Klopp, a namemost football fans will not be aware of, Klopp and hisyoung side that include the likes of: Hummels, Gotze,Neven Subotic and Marco Reus, won back to backBundesliga’s, in the 2010-11 season and again in the
2011-12 season, result-ing in a realization thatBayern Munich whereno longer top dogs inGermany.
Dortmund’s effortsover the last threeyears or so are particularly impressive due to, not re-ally having for one, the funds of Bayern Munich andsecondly the type of star players their German coun-terparts Munich and even the likes of bitter rivals,FC Schalke have amongst their ranks. Instead Dort-mund plays as a team and as a team they haveproved formidable, and therefore created stars oftheir own.
Bayern though have seemed to regain power intheir recent acquisition of a certain, Pep Guardiola,the most successful Barcelona coach of all time. Themuch desired Spaniard surprised the world’s mediaby signing a pre contract agreement with BayernMunich this month.
So why did Guardiola choose Bayern, when it wasabundantly clear that he had more financially prom-ising offers on the table, from the likes of ManchesterCity and Chelsea? Maybe Guardiola too, realizes therise of German football and the Bundesliga and howit may now be the new haven for football.
The English Premier League is somewhat losingtouch with football, regarded as the best league inthe world, the Premier League seems to be moreabout finance than actual football in this current era.
Through foreign investors, the league’s reputationhas been tainted and the gap between the top teamsand the smaller ones is widening rapidly. Proof of theEnglish game falling into an abyss of wealth, could bethe prices of the tickets that are subjected to the fansacross the country.
The cost to watch Germany’s most exciting team,a team that has qualified ahead of Manchester Cityin this season’s Champions League, Borussia Dort-mund, equates to not much more than £10. The Bun-desliga fundamentally reflects many similarities tothe English Premier League, in terms of how footballis played, but conveys a far more sounder financialcompetition, where the fans are king and Champi-onships are won, not bought. Does the future of European football lie in the Ger-
man Bundesliga? Guardiola seems to think so.
WHY THE BUNDESLIGAIS THE PLACE TO BE
by JOSHUA GARDNERWriter
IMAGINE Rory McIlroy, a 23 yearold avid golfer, on hearing thenews that Tiger Woods had signeda new deal with Nike worth£62million; one wonders whetherhe ever imagined that one day hewould step into the shoes of TigerWoods and become the new am-bassador of Nike golf.
Since becoming number one ingolf, Rory McIlroy has landedhimself one of the largest spon-sorship deals in British sport top-ping the likes of David Beckham’ssponsorship deal with Adidas.
McIlroy now has arguably con-firmed himself as the world mostmarketable athlete by reportedlybanking himself £156million overthe 10 year deal with Nike. Al-though the full details of the dealhave not been revealed it is esti-mated that it breaks down to astaggering £15.5million a year,£42,000 a day and £30 a minute.Not too bad if you ask me.
McIlroy said: "I chose Nike fora number of reasons, It's a com-pany and a brand that really res-onates with me. It's young. It'sathletic. It's innovative. They arecommitted to being the best, asam I.
“Signing with Nike is anotherstep towards living out mydream."Nike is a brand who pride them-
selves on being the best and al-
ready have the world’s bestsportsmen already signed up tothe brand with Wayne Rooney(football) and Rodger Federer(tennis) already part of the Nikefamily.
It can be seen that Nike actedquickly in their efforts to sign theworld’s best golfer to the brandafter their reputation was re-cently dented after incidents in-volving Lance Armstrong andTiger Woods. In McIlroy they havecaptured a young man who is atthe top of his game and a down toearth individual which makes himso marketable. I just hope McIlroycan avoid all the scandals thathave affected other Nike athletesand can become one of golfinggreats.
McIlroy’s Nike career did notget off to the best of starts, withevents that happened in AbuDhabi ruining the script in whatwas one of the most memorableweeks of McIlroy’s career. Heended it with the a rare missedcut and even embarrassed Nikeby reverting to his old Titleist put-ter after being unhappy with hisnew Nike clubs. Highlighting previous questions
asked whether McIlroy’s goodform will be affected by thechange in equipment broughtabout by the new deal. Money,suffice to say, does not arrive withthe guarantee of professional suc-cess.
NIKEFORE NO1
MONDAY
WEDNESDAY
THURSDAY
by CONOR WALTONWriter
DESPITE BEING amongst the highest paid managers in thePremier League, David Moyes is incidentally one of the leastfinancially backed coaches.
Although chairman Bill Kenwright does give Moyes thesmall funds available at Everton, it is nothing in compari-son to the financial power Everton's nearest rivals have hadover the past decade, the likes of Liverpool, Spurs and evenNewcastle, have been heavily backed by their retrospectiveowners in regards to bringing players in, however Moyes andEverton year after year somehow remain intact with theelite sides of the league.
Instead of splashing obscene amounts on potential, DavidMoyes and Bill Kenwright have methodically made astutebuys on seasoned quality.
Selling key members of any squad has usually been as-sociated with a sign of weakness from a club, yet Evertonhave managed to use their business knowledge to sell firstteam players without allowing a drop in standards by bring-ing in replacements not only substantial but in some cases ofa higher talent.
Moyes and admittedly Kenwright have propelled Evertoneach season by signing a player for next to nothing, thenmoving them on for an inflated price the next and repeatingthe procedure over again.
Mikel Arteta, a £2.5 million singing, who was once re-garded as irreplaceable amongst Everton fans was sold onfor £10 million to Arsenal, when perhaps his better dayswhere behind him. Joleon Lescott a £5 million signing fromWolves was moved on for a baffling £24 million to Manches-ter City and again Jack Rodwell, an academy product wassold to the same club as Lescott for what is believed to be
around £12 million.In essence Rodwell was considered as dead wood to most
of the Goodison faithful, a potential that was never met, hewasn’t a regular at the club and was regarded as rather a bitpart player than one who’s absence would be seen as any dra-matic loss. Outsiders of the club, would often pay special at-tention to Rodwell without actually noticing he did not domuch at all, although young, I personally felt Rodwell nevershowed me anything at Everton and still hasn’t proven atCity that he is worth anything around the £12 million Ever-ton received for his services.
Everton capitalized on the trend of the leagues big hit-ters, paying inflated prices for young English potential, andfundamentally took Manchester City to the cleaners by sell-ing Jack Rodwell for what they did. Moyes invested aroundhalf the funds, approximately £5.5 million on Kevin Miral-las, a much more creative and dynamic midfielder, some-thing Everton where screaming out for last season.
Fast forward to the present day and no one has seen any-thing of Rodwell at City and although Mirallas’ career at theMerseyside club has hit a snag of late due to a persistenthamstring injury, his start to the season indicated thatMoyes had replaced potential with talent and come awaywith an extra £6.5 million in his pocket.
Part of that £6.5 million left from the Rodwell deal, surelycontributed to persuade FC Twente of Holland, to nearly re-linquish the talents of 23 year old centre midfielder LeroyFer to Everton in a deal that was reported to be around £8.6million before the player failed a medical due to a previousknee injury.
The news came as a disappointment to Everton fans whohad been looking forward to Fer’s arrival, whether or not themove can be revived in the summer, Evertonians will have towait and see.
However with the transfer window now over, Everton canrelax about losing marquee player Marouane Fellaini to anyof the Premier league big guns, however the feeling aroundGoodison is that Fellaini will eventually part ways with theclub in the summer. Given Moyes’ impressive track record inthe transfer market, aside from the blip buy of DiniyarBilyaletdinov, Evertonians should remain confident that ifFellaini did part ways with the club, Moyes would find theright replacement whether that was supposed to be LeroyFer, we will never know.
Whether or not, Moyes can keep Fellaini at Goodison, de-picts on what position the toffee’s end the season in, surelyonly a Champions league slot would suffice in keeping one ofthe hottest properties in world football at the moment.
Everton find themselves in a promising position goinginto the latter stages of the season, 5th in the table and look-ing good in the FA cup. Keeping hold of their prized asset,Fellaini may prove the difference in finishing 5th and fin-ishing in the coveted last Champions League place.
Success in maintaining a place in Europe’s top competi-tion would put Everton in a financial position, where DavidMoyes wouldn’t have to worry about selling to buy in orderto keep the high standard the club has set over the lastdecade and could put the club in the shop window in termsof finding a buyer to take over Everton and put them ontothe other side of the financial table and into the next level.
The last day of the window did however bring one signingin the shape of promising right back John Stones fromBarnsley. The 19 year old should provide cover and pressureon Seamus Coleman and that can only be a good thing, thetransfer fee is reported to be around the £3 million mark andthe youngster has signed a five and a half year deal.
STONES IN AS EVERTON BID FER-WELL TO LEROY
by RHYS WILLIAMSWriter
THE JANUARY transfer market is athirty-one day period full of intenseexpectancy from fans and punditsalike for Premier League teams.
Five months have passed sincethe beginning of the season and itseems as though every Tom, Dick orHarry knows exactly what playerseach club needs to reach their goalsfor the season. This puts an incred-ible weight on the shoulders of own-ers around the country as they feelthey have to react to fans calls. Forexample, the recent money ex-changes to and from Liverpool in2011.
In his three and a half year Liver-pool career, Fernando Torres brokenumerous records and became oneof the most feared forwards in Eu-rope. He scored 33 goals in all com-petitions in a record-breaking debutseason in England. Following the2007-08 season Torres scored 48goals for Liverpool in the next twoand a half years, due to him missinga number of games through injury.Despite not scoring as many goalsas his first season, Torres was stillreaching incredible heights when hewas match-fit. In the 2008-09 sea-son, Liverpool proved themselves tobe one of the best teams in Europeunder manager Rafael Benitez andnarrowly missed out on the clubs19th League title by four points. To
Torres, the Merseyside club
were on the rise and were lookinglike a side that could replicate theglory days of the Liverpool sides ofthe 70s and 80s.
But everything began to fall apartand Liverpool finished in a disap-pointing seventh position the follow-ing season and Benitez was sacked.Roy Hodgson replaced him in thesummer of 2010 but he failed tomake any kind of an impression.The calendar year of 2010 was ayear of transition for Liverpool as theclub was sold by infamous Americanpairing Tom Hicks and George Gillettto another American partnership inJohn W. Henry and Tom Werner. ButTorres needed to know that the clubwere heading in the right direction asit seemed as if the club was in de-cline.
The owners promised Torres thatthey would do everything to get theclub to where they should be, butagreed with the Spaniard that if anoffer came in for him that was too bigto ignore, he would be granted thechance to move on with his career.
Hodgson left by mutual consenton January 8, 2011, and KennyDalglish was brought in to replacehim. That month was a difficult onefor Torres as he attempted to deci-pher whether his future remained onMerseyside.
However on January 27, Liverpoolreceived a bid of around £40m forTorres from Chelsea, which was re-jected. This was a part of the agree-ment between the owners and
Torres; yet he felt as if the board hadlied to him. He submitted a writtentransfer request to the club whichwas also rejected. Despite this, Tor-res was adamant that he would notplay for the club again and forced hisway to south of England. Liverpoolaccepted an improved bid from theLondon club, thought to be of around£50m.
This was a record fee for a playerin the Premier League and thatmeant incredible pressure on Torresto deliver goals for Chelsea. Sincethen the Spaniard has struggled andin two and a half seasons has man-aged only 27 goals for Chelsea, incomparison to his 81 goals duringhis time at Liverpool.
On transfer deadline day in Janu-ary 2011, Liverpool spent £22.8m onUruguayan hit-man Luis Suarez andincredibly a further £35m on Geordiepowerhouse Andy Carroll as re-placements for Torres in despera-tion. Liverpool were aware thatChelsea had paid over the odds forTorres who seemed to be far fromhis former, prolific self. They knewthat they would have to pay over theodds to acquire quality replacementson such short notice.
Dalglish revitalised a strugglingLiverpool side, however it was clearthat he lacked the tactical nous to re-ally take the club any further. Sincethen, Liverpool have proven to besomewhat inconsistent this season,having played well in a number ofgames with regards to ball retention,
work rate and chances created, butthey have relied heavily on Suarez toscore their goals.
This brings us to the Januarytransfer window of 2013 where itwould seem that new manager Bren-dan Rodgers has really begun tomake this Liverpool team his own.The club have made two acquisitionsduring this month, similar to 2011,however the players signed seem tofit into a Rodgers team.
Rodgers has seen where heneeds to improve his system andhas done so. Liverpool’s focal pointin attack was Suarez. However,Rodgers needed someone to takethose shackles off of the Uruguayan.The club paid £12m for Daniel Stur-ridge from Chelsea, who has beenoutstanding since his arrival. Hishold up play now brings more play-ers into the Liverpool attack, mean-ing that Suarez can also be moreeffective. It gives the opposition an-other body to mark and be wary of,and with his pace, technique andpower, Sturridge has worried de-fences just as much as Suarez.
The improvement in the team isclear for all pundits, ex-pro’s andfans to see. This has been a sur-prise to many that Sturridge wouldmake such a difference. Rodgerstried to bring the England Interna-tional in during the summer and haswanted him ever since. The Redsmanager now has his philosophy inplace and it is looked impressive inthe games Liverpool have played
since Sturridge’s arrival; shown intheir away trips to Arsenal and Man-chester City.
Following an early FA Cup exit atthe hands of Oldham Athletic, manydoubted Liverpool’s chances of put-ting up any kind of a fight. However,Liverpool surpassed media expecta-tion and produced two high qualityperformances. The Reds drew 2-2in both games and were dominantover 180 minutes.
In the most recent game at thehome of the Champions, they pro-duced perhaps their best perform-ance of the season. Sturridge wason the score sheet yet again againsthis old club, and Captain StevenGerrard sent the fans into frenzy ashe struck the Reds into a 2-1 lead.However, a mistake by keeper PepeReina gave Argentine striker SergioAguero the chance to finish beauti-fully from an angle to salvage apoint. Liverpool dominated thegame with 56% possession andtwenty-one shots away from home atthe Champions signalling an incred-ibly positive performance.
Reds fans will hope that theseperformances are a sign of things tocome as Liverpool look to competeonce again. Having also paidaround £8.5 million for Brazilian play-maker Phillipe Coutinho, this hasbeen an uplifting week for Liverpoolsupporters who could be forgiven forlooking optimistically at the future ofthe club.
LOOK AT WHAT YOU’RE MISSING
18
Winter 12/13LOOPREVIL PRESS
19
by JACK MCILROY-REIDSport Editor
AS A YOUNG boy sports peoplewere my heroes; my bedroom wallswere plastered with posters of AlanSmith and Brian O’Driscoll.
I also had one of Legolas and itsaddened me as I began to realisethat due to my own sporting abilitiesthere was more chance that I wouldgrow up to be an Elven Prince thana Leeds United striker or BritishLions captain.
As I got older my attentionswitched from the athletes I ad-mired to girls I admired and trips tothe pub replaced time daydreamingabout sporting greatness.
However the admiration of sportspersonalities never fully left me. Ilearned that although these peoplewere professional athletes not all ofthem had boring private lives filledonly with training and eating raweggs, some of these people en-joyed a drink.
I felt refreshed; suddenly I had anew ambition. Rather than share achanging room with my heroes, Inow want to share a pint with them.I have therefore compiled a list offive sports people who I would liketo join me on a night out in Liver-pool.
The rules are simple. They arepaying, I have to match them alldrink for drink and say yes to any-thing they ask or tell me to do. Iwould like to make it clear before Ibegin that this article is not condon-ing binge drinking; because as weall know that binge drinking is wrongfor binge drinking’s sake, however ifpresented with the opportunity tobinge drink with the best of them itwould be rude not too.
One night with these five wouldmake stealing Mike Tyson’s tigerlook like someone putting a trafficcone on their head.
1. Mike Tindall It is no secret that Mike Tindall
likes a drink. On the flight homefrom Australia after winning theWorld Cup with England he at-tempted to break David Boon’srecord of drinking 52 cans of beerover the period of the journey andalthough Tindall’s total isn’t known itis rumoured that he got very close.
His drinking was made infamoustwo world cups later when he wasdropped from the squad for taking
part in the sport of ‘dwarf tossing’ ona night out in New Zealand and thetabloid papers were filled with im-ages of him downing a jug of wineon his stag-do in Miami, a night thatis rumoured to have accumulated abill of $20,000.
2. Andrew ‘Freddie’ FlintoffThe former England Cricket cap-
tain would be up for a night out re-gardless of what sort of day he’shad.
He was sacked as vice-captainand banned for the following testmatch after he fell off a pedalo in theearly hours, commiserating theteam’s loss to New Zealand.
Similarly after winning the asheshe appeared to be a little worse forwear the next morning on the opentop bus tour and visit to DowningStreet, grinning into the camerasand stumbling as he walked out ofthe hotel after apparently getting nosleep at all.
3. Andy PowellPowell was arrested on the hard
shoulder of the M5 after stealing agolf buggy from a hotel and at-tempting to drive to a service sta-tion.
On this night out not only wouldit be vital to have someone with thepotential to do something as enter-taining as this but also a personwho understands the importance ofhaving something greasy to eat be-fore bed and will go to any length toget it.
4. Bradley WigginsThe British public have taken to
sports personality of the year likeRyan Giggs to secrecy.
He posted a picture of himself onhis twitter page getting ‘wasted’ on arooftop overlooking St Pauls Cathe-dral after winning Gold at theOlympics. Similarly he partied hardafter winning the BBC award, refer-ring to Sue Barker as Susan duringhis acceptance speech.
He is arguably the new king ofcool and if at any point during thenight he asks if it’s OK for him tobring a mate along, say yes, it mightjust be Paul Wellar.
5. Mario Balotelli The man breaks bar bill records inIbiza and sets off fireworks in hisbathroom. Need I say more.
PINT?
by AISLING DAVISTwitter
BETTING SLIPS AT the ready as Britain’s most popularhorse racing event graces Aintree’s famous Race-course once again for its 166th year.
Starting on the April 4, the Grand National will takeplace on Saturday April 6, with over 40 riders compet-ing for first place.
The event kicks off with the Grand Opening Day andwill feature a performance by British girl group The Sat-urdays.
It’s not all horseracing as the ladies get a chance toparticipate too in the ever popular ‘Ladies Day’ event.Glamour and style are the epitome of this day as theladies of Liverpool and various other parts of the UK geta chance to show their support for the event.
Horses and their jockeys compete in what is knownas the world’s greatest horse race; the steeplechase.The racecourse is over four and a half miles long and
consists of 30 purpose built fences. Horse racing fans from all over the world will recog-
nise its famous fences such as The Chair, Becher’sBrook, Valentine’s and the Canal Turn which have beenaround since the beginning of the Grand National.
The Grand National has been around for over adecade, its first race was held in 1839 and was won bya horse named Lottery.
Notable runners and their riders this year includethree horses trained by Paul Nicholls, trainer of lastyear’s winner Neptune Collonges. One of these horsesis Harry The Viking, a horse partly owned by Sir AlexFerguson. An addition to the field is last year’s third run-ner up Seabass, who narrowly missed out on first placelast year.
This year will see the races broadcast on Channel 4,to an estimated global audience of 600million and willbe presented by Clare Balding. Tickets for the eventare available online.
GRAND NATIONAL ‘13
WHY MY DEGREE WILL BEDESTROYEDby JACK MCILROY-REIDSport Editor
SO MY THIRD year at Universityis drawing to an end and the dead-line for my 8000 word dissertationgets closer and closer every day.
However I have already re-signed myself to the fact that Iwill not reach that word count,and I can guarantee that it won’tbe the only incomplete disserta-tion by male students across thecountry this summer. Instead Iwill submit around 4000 wordsand a personal note to the exam-iner which will read:
“Dear Examiner. Sorry forwasting your time and makingyou read the first 4000 words of anincomplete dissertation. You willbe delighted to know that I have avery good reason for not finishingit and I hope that you can sympa-thise with my circumstances andaward me a first anyway.
“Instead of spending time in thelibrary researching and writingthis 8000 words essay, I sat athome in my pants on FootballManager 2013 and took LeedsUnited from the Championship tothe Champions League in justfour seasons. I’m sure you can ap-preciate the skill and dedicationrequired to pull off such a feat andtake that into consideration when
marking. Kind regards.”Football Manager 2013 has sin-
gle-handedly destroyed thousandsof degrees, careers and relation-ships across the world simply be-cause of how addictive people findit. Every football fan has an opin-ion on how their club should bemanaged, every football fan issure they could do it better thantheir clubs current manager andevery football fan is given theirchance to prove it on this game.
Girlfriends and essays take aback seat to Stoke away or in thecup, meals are sacrificed for teammeetings and training sessionsand some players have beenknown to don a suit should theirteam reach a final. It is kryptonitefor so many people but imagine ifClark Kent was addicted to thething that made him weak.
Football Manager is a man’sAchilles heel and if kryptonite wasas addictive as the game is, hun-dreds would be able to empathiseif Superman sat in his pants en-grossed by it as the whole worldcrumbled around him.
...AND MYRELATIONSHIP
by REBECCA FIELDINGEditor
Football Manager 13 was agame I had purposely kept exemptfrom the Christmas present list Ihad created for my boyfriend.
Of course, his own Mother wentand bought it for him instead.
It’s great having conversationswith the back of his head, whilst Imention something important and itautomatically enters one ear, andexits the other in an impromptufashion.
It’s also fantastic when the onlyproductive thing he has completedin a day is taking his team into thePremiership. Well done my dear -you beat Manchester United andyou bought David Beckham.
I can’t complain wholly - it is niceto have time to myself on eveningswhere I don’t have to speak to him.It is those quiet moments in a rela-tionship that you savour... Whenelse will I get to read and not have
to share my chocolates?
Winter 12/13
LOOPREVIL PRESS
got a story?
www.facebook.com/looprevilpresspaper
www.twitter.com/Looprevil_Press
If you have any comments, complaints or
similar stories, please email looprevil-
[email protected] or contact us on the
below social networks:
EAGERLY ANTICIPATED SIX NATIONSby FERGUS WALSHWriter
THE AUTUMN internationals area set of rugby games seen by manyas pointless.
However ask Richie McCaw ifEngland denying New Zealand arecord breaking year undefeated,or any England fan jumping upand down on their sofa or Twick-enham seat alike, the answer willbe simultaneous. They matternow.
What these autumn interna-tional matches have succeeded indoing is setting up one of the mosteagerly anticipated six nation’schampionships in a long while.
England, France, Wales, andIreland all put in admirable casesfor winning the championship,with the bookmakers makingFrance the favourites and Eng-land a close second. Whatever it’sgoing to be a great tournament.
Here is a team by team break-down highlighting the keystrengths and weaknesses of each.
EnglandWales may have won the grand
slam last time out, but Englandcertainly came close to beatingthem at Twickenham and taking agrand slam of their own.
England has a young side full ofplenty of talent, a mixture of dy-namic but solid forwards with ex-citing running backs. Many peoplefeel that this England side is closeto realising its potential, espe-cially after the 38 – 21 demolish-ment of New Zealand in theautumn. The injury to Manu Tuilagi how-
ever could prove to be decisive as
he has proven over the last year tobe one of world rugby’s mostprominent attacking threats andEngland fans will be crossing theirfingers that he misses just onematch.
Key player: Tom Wood. His workrate and tackling meant he wassorely missed during his period in-jured. One to watch: Freddie Burns. Thisyoung ten has proved at Glouces-ter consistently that he has realtalent.
FranceFrance have always been a
team difficult to predict andequally difficult to write off.
Since reaching the 2011 worldcup final in dramatic circum-stances, until recently, they havefailed to recapture their best form.Fourth place in last year’s tourna-ment was certainly disappointing.
However with the Frenchleague going from strength tostrength, meaning an increasinglylarge pool of players to pick fromand strong performances in theautumn including the 33 – 6 em-barrassment of Australia, Franceare certainly the favourites for agood reason.
Key player: Thierry Dusautoir.Back from an injured spell but aplayer who always puts his bodyon the line.One to watch: Wesley Fofana. Thehard running centre is likely tothe main strike option.
IrelandWith Leinster, Munster, and Ul-
ster dominating both the Celtic
league and Heineken cup in recentyears many fans are frustratedthat international form has notfollowed the same trend. Ireland certainly have the play-
ers capable of winning a champi-onship, but sporadic goodperformances are not enough.
Under new captain JamieHeaslip Ireland will be hoping torecapture some of the consistencythat saw them win, in 2009, theirfirst grand slam in 61 years.
Jonathon Sexton being lured toFrance for what is believed to bethe most lucrative contract in Eu-ropean rugby shows the talentwithin this squad.
Key player: Brian O’Driscoll. Lasttournament for probably the bestrugby player of the last decade. One to watch: Chris Henry. Debutfor the flanker seems overdue.
ItalySince their introduction into
the tournament in 1999 Italy havestruggled against the traditionalrugby countries. Two years agothey achieved their most famousvictory beating France at home. Acomprehensive victory last timeround against Scotland will alsoprovide some encouragement.
The strength and performanceis still inexplicably linked withtheir captain and number eightSergio Parisse, definitely capableof dragging his team through agame.
The key problem however stillremains the nine and ten channel,good forward play is all very wellbut it needs to be backed up withpoints and without that I don’t seeItaly winning a game.
Key player: Sergio Parisse. Theleader and outstanding player ofItalian rugby.One to watch: Eduardo Gori. Per-haps the player to sort out theservice problem.
ScotlandA poor showing against tough
opposition hasn’t given manyScots must hope. On paper the Scotland team has
genuine quality though withyoung talent making impressiveperformances in the Celtic league.Like Ireland consistency will bethe key to success.
Captain Kelly Brown will try toinspire a front led battle andbacks will look to express them-selves in what is a well-balancedside. Two wins would be a good re-turn for the Scottish.
Key player: Richie Gray. Greatskills for a second row and a classyplayer.One to watch: Stuart Hogg. Great
on the counter attack and solid indefence.
WalesOn the back of a brilliant but
ultimately disappointing worldcup last time Wales had some-thing to prove, and prove it theydid with a stunning grand slamperformance.
Young players like Priestland,Halfpenny, and Warburton havecome to define what Welsh rugbyis currently about, fast passed andclinical. A disappointing autumn means
that Wales come into tournamentas an outside bet but they stillhave the capacity to win the tour-nament.
Key player: Sam Warburton. Aleader and a great player, up therewith Richie McCaw and DavidPockock in a few years. One to watch: George North. Paceand power to burn.
STUDENT TAKES LEAP OF FAITHby NICOLA FOSTERWriter
A BRAVE LJMU student is taking a big leapto help a charity close to her family’s hearts.
Rosie Monro, 20, has caused quite the stiramongst her family and friends by signing upto do a charity Skydive.
The event, due to take place on April 6, issomething the courageous student hasthought about for a while, and is determinedto tick off her ‘bucket list’.
Taking place in aid of Rosemere Lan-cashire Cancer Trust, the dive will involvefreefalling for about 45 seconds from a heightof 13,500 feet.
The charity means a lot to the Monro fam-ily, after they supported Rosie’s mother whilstundergoing radiotherapy treatment for a braintumour late last year. With her mother now re-covering well, the courageous student wantedto do something to help the people who sup-ported them through such a difficult time.
Based in Preston, Lancashire, Rosemereraise funds to support cancer patients, fund
research and help to purchase equipment forthe specialist unit at the Royal Preston Hos-pital. Their aim is to provide the best possiblecare for patients, both now and in the future.
Setting herself an initial target of £700,Rosie smashed the figure within six days. Shesaid: “I was overwhelmed by the generosityand kindness people have shown me, dona-tions are still coming in and I can’t thank peo-ple enough”.
Nerves have already begun to kick in forthe bold fundraiser. She added “I’m just gladto have someone strapped to me so I don’thave to land the jump myself!”
Receiving only about 20 minutes of trainingon the day, the adrenaline is sure to be racingas Rosie hurtles towards the ground atspeeds of around 90mph.
Admitting she has never done anythingeven close to the scale of this, Rosie felt therewas no better way to celebrate turning 21.She said: “All my family have pulled togetherto help me, it is a real family effort, I am justthe only one who is going to be doing thejump!”
When asked about the reactions of friendsand family, Rosie admitted: “I still have to re-mind my mum that there will be a parachuteattached to me, I won’t just be freefalling!”
Having been inundated with support al-ready, Rosie can’t wait to get her feet back onsolid ground and know she has done some-thing that will make a difference to so manypeople.
Help Rosie: Text SKYR56 plus your dona-
tion amount to 70070 or donate online at
www.justgiving.com/Rosie-Monro