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INTRODUCTION TO MODERN ART, ARCHITECTURE, AND DESIGN (IMAAD) L01 215 Looking for the syllabus? introtomodernart.com

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Page 1: Looking for the syllabus? introtomodernart › 2020 › 01 › 1-introexpo… · 01-01-2020  · ARCHITECTURE, AND DESIGN (IMAAD) L01 215 Looking for the syllabus? introtomodernart.com

I N T R O D U C T I O N T O M O D E R N A R T, A R C H I T E C T U R E , A N D D E S I G N ( I M A A D )

L 0 1 2 1 5

Looking for the syllabus? introtomodernart.com

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Page 3: Looking for the syllabus? introtomodernart › 2020 › 01 › 1-introexpo… · 01-01-2020  · ARCHITECTURE, AND DESIGN (IMAAD) L01 215 Looking for the syllabus? introtomodernart.com
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Page 6: Looking for the syllabus? introtomodernart › 2020 › 01 › 1-introexpo… · 01-01-2020  · ARCHITECTURE, AND DESIGN (IMAAD) L01 215 Looking for the syllabus? introtomodernart.com
Page 7: Looking for the syllabus? introtomodernart › 2020 › 01 › 1-introexpo… · 01-01-2020  · ARCHITECTURE, AND DESIGN (IMAAD) L01 215 Looking for the syllabus? introtomodernart.com
Page 8: Looking for the syllabus? introtomodernart › 2020 › 01 › 1-introexpo… · 01-01-2020  · ARCHITECTURE, AND DESIGN (IMAAD) L01 215 Looking for the syllabus? introtomodernart.com
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Page 11: Looking for the syllabus? introtomodernart › 2020 › 01 › 1-introexpo… · 01-01-2020  · ARCHITECTURE, AND DESIGN (IMAAD) L01 215 Looking for the syllabus? introtomodernart.com

Modern

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Modern

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Modern

Modernism

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Modern

Modernism

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Modern

Modernism

Modernity

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Modern

Modernism

Modernity

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Modern

Modernism

Modernity

Antimodern

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Modern

Modernism

Modernity

Antimodern

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Modern

Modernism

Modernity

Antimodern

Postmodern

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Narrative

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Narrative

Progress

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Narrative

Progress

Machine

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Narrative

Progress

Machine

Automation

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Space and Time —> Simultaneity

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Space and Time —> Simultaneity

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Space and Time —> Simultaneity

Page 30: Looking for the syllabus? introtomodernart › 2020 › 01 › 1-introexpo… · 01-01-2020  · ARCHITECTURE, AND DESIGN (IMAAD) L01 215 Looking for the syllabus? introtomodernart.com

Alienation

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Alienation

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Alienation

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Alienation

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Alienation

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Alienation

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Alienation

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Creating a Mass Public

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Creating a Mass Public

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And now, the syllabus: introtomodernart.com

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J A N U A R Y 1 4 E X P O S I T I O N

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Joseph Paxton, The Crystal Palace (1851)

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Gothic Revival (Horace Walpole’s Strawberry Hill House from the mid-18th century)

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Egyptian Revival (Mount Auburn Cemetery from the 1830s)

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Moorish Revival

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Richardson Romanesque (1870s - Trinity Church, Boston)

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And whatever this is.

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And whatever this is. (The Octagon Style)

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Chatsworth

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Joseph Paxton, Great Conservatory at Chatsworth (1836-1841)

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First sketch for the Crystal Palace, c. 1850

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Victoria amazonica

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“…artisans of almost every continental nation, together with workmen of our own country have been

employed…these workmen have labored for months, side by side, with the utmost good feeling, and without

the least display of national jealousy…it shows how completely the ill-will that formerly separated nation

from nation and man from man, is dying out, and how easily those, who have been at one time enemies on the field of battle, may become fast friends in the Palace of

Peace.” Samuel Phillips, Guide to the Crystal Palace and Park

(1851)

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The facts:

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The facts:

3,476 ft. long

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The facts:

3,476 ft. long

(11 football fields)

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The facts:

3,476 ft. long

(11 football fields)

843,656 sq. ft.

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The facts:

3,476 ft. long

(11 football fields)

843,656 sq. ft.

6,024 iron columns

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The facts:

3,476 ft. long

(11 football fields)

843,656 sq. ft.

6,024 iron columns

100,000 objects

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The facts:

3,476 ft. long

(11 football fields)

843,656 sq. ft.

6,024 iron columns

100,000 objects

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The facts:

3,476 ft. long

(11 football fields)

843,656 sq. ft.

6,024 iron columns

100,000 objects

8 months

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Decimus Burton, Palm House, Kew Gardens (1844-1848)

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Decimus Burton, Palm House, Kew Gardens (1844-1848)

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Decimus Burton, Palm House, Kew Gardens (1844-1848)

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Decimus Burton, Palm House, Kew Gardens (1844-1848)

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“…an entirely novel order of architecture, producing, by means

of unrivaled mechanical ingenuity, the most marvelous

and beautiful effects.”

- The Times of London, 1852

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“Instead of moving from one wall at one end to that to of the other, the eye sweeps along an unending perspective which fades into the horizon…all materiality is blended into the atmosphere.”

- Lothar Bucher, 1851

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“All cast and machine work is bad, as work…it is dishonest.”

- John Ruskin, Seven Lamps of Architecture (1853)

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Eugène Emmanuel Viollet-le-Duc, images from Entretiens sur L’architecture (1863)

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Eugène Emmanuel Viollet-le-Duc, design for a concert hall (1864)

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World’s Columbian Exposition (1893)

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World’s Columbian Exposition (1893)

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World’s Columbian Exposition (1893)

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Sophia Hayden Bennett, Woman’s Building, World’s Columbian Exposition (1893)

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Buffalo, 1904Chicago, 1933

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November 30, 1936

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